Sara Teasdale

The Song For Colin

I sang a song at dusking time
Beneath the evening star,
And Terence left his latest rhyme
To answer from afar.

Pierrot laid down his lute to weep,
And sighed, "She sings for me."
But Colin slept a careless sleep
Beneath an apple tree.

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A Song Of Comfort

"Sleep, weary ones, while ye may --
Sleep, oh, sleep!"
Eugene Field.

Thro' May time blossoms, with whisper low,
The soft wind sang to the dead below:
"Think not with regret on the Springtime's song
And the task ye left while your hands were strong.
The song would have ceased when the Spring was past,
And the task that was joyous be weary at last."

To the winter sky when the nights were long
The tree-tops tossed with a ceaseless song:
"Do ye think with regret on the sunny days
And the path ye left, with its untrod ways?
The sun might sink in a storm cloud's frown
And the path grow rough when the night came down."

In the grey twilight of the autumn eves,
It sighed as it sang through the dying leaves:
"Ye think with regret that the world was bright,
That your path was short and your task was light;
The path, though short, was perhaps the best
And the toil was sweet, that it led to rest."

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Rudyard Kipling

The Four Angels

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Earth came down, and offered Earth in fee;
But Adam did not need it,
Nor the plough he would not speed it,
Singing: --"Earth and Water, Air and Fire,
What more can mortal man desire?"
(The Apple Tree's in bud)

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Waters offered all the Seas in fee;
But Adam would not take 'em,
Nor the ships he wouldn't make 'em,
Singing:--"Water, Earth and Air and Fire,
What more can mortal man desire? "
(The Apple Tree's in leaf.)

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Air he offered all the Air in fee;
But Adam did not crave it,
Nor the flight he wouldn't brave it,
Singing: --"Air and Water, Earth and Fire,
What more can mortal man desire:"
(The Apple Tree's in bloom.)

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Fire rose up and not a word said he;
But he wished a flame and made it,
And in Adam's heart he laid it,
Singing: --"Fire, Fire, burning Fire!
Stand up, and reach your heart's desire!"
(The Apple Blossom's set.)

As Adam was a-working outside of Eden-Wall,
He used the Earth, he used the Seas, he used the Air and all;
Till out of black disaster
He arose to be a master
Of Earth and Water, Air and Fire,
But never reached his heart's desire!
(The Apple Tree's cut down!)

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Norse lullaby

The sky is dark and the hills are white
As the storm-king speeds from the north to-night,
And this is the song the storm-king sings,
As over the world his cloak he flings:
"Sleep, sleep, little one, sleep;"
He rustles his wings and gruffly sings:
"Sleep, little one, sleep."

On yonder mountain-side a vine
Clings at the foot of a mother pine;
The tree bends over the trembling thing,
And only the vine can hear her sing:
"Sleep, sleep, little one, sleep;
What shall you fear when I am here?
Sleep, little one, sleep."

The king may sing in his bitter flight,
The tree may croon to the vine to-night,
But the little snowflake at my breast
Liketh the song I sing the best,--
Sleep, sleep, little one, sleep;
Weary thou art, anext my heart
Sleep, little one, sleep.

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Sara Teasdale

Pierrot

Pierrot stands in the garden
Beneath a waning moon,
And on his lute he fashions
A fragile silver tune.

Pierrot plays in the garden,
He thinks he plays for me,
But I am quite forgotten
Under the cherry tree.

Pierrot plays in the garden,
And all the roses know
That Pierrot loves his music, --
But I love Pierrot.

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Legends

I

A MAN builded a bugle for the storms to blow.
The focused winds hurled him afar.
He said that the instrument was a failure.

II

When the suicide arrived at the sky, the people there asked him: "Why?"
He replied: "Because no one admired me."

III

A man said: "Thou tree!"
The tree answered with the same scorn: "Thou man!
Thou art greater than I only in thy possibilities."

IV

A warrior stood upon a peak and defied the stars.
A little magpie, happening there, desired the soldier's plume, and so plucked it.

V

The wind that waves the blossoms sang, sang, sang from age to age.
The flowers were made curious by this joy.
"Oh, wind," they said, "why sing you at your labour, while we, pink beneficiaries, sing not, but idle, idle, idle from age to age?"

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What the Birds Said

The birds against the April wind
Flew northward, singing as they flew;
They sang, "The land we leave behind
Has swords for corn-blades, blood for dew."

"O wild-birds, flying from the South,
What saw and heard ye, gazing down?"
"We saw the mortar's upturned mouth,
The sickened camp, the blazing town!

"Beneath the bivouac's starry lamps,
We saw your march-worn children die;
In shrouds of moss, in cypress swamps,
We saw your dead uncoffined lie.

"We heard the starving prisoner's sighs
And saw, from line and trench, your sons
Follow our flight with home-sick eyes
Beyond the battery's smoking guns."

"And heard and saw ye only wrong
And pain," I cried, "O wing-worn flocks?"
"We heard," they sang, "the freedman's song,
The crash of Slavery's broken locks!

"We saw from new, uprising States
The treason-nursing mischief spurned,
As, crowding Freedom's ample gates,
The long-estranged and lost returned.

"O'er dusky faces, seamed and old,
And hands horn-hard with unpaid toil,
With hope in every rustling fold,
We saw your star-dropt flag uncoil.

"And struggling up through sounds accursed,
A grateful murmur clomb the air;
A whisper scarcely heard at first,
It filled the listening heavens with prayer.

"And sweet and far, as from a star,
Replied a voice which shall not cease,
Till, drowning all the noise of war,
It sings the blessed song of peace!"

So to me, in a doubtful day
Of chill and slowly greening spring,
Low stooping from the cloudy gray,
The wild-birds sang or seemed to sing.

They vanished in the misty air,
The song went with them in their flight;
But lo! they left the sunset fair,
And in the evening there was light.

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When the Evening Star Went Down

The morning was fearful at sea--
The voyagers weary and pale;
Their steamer a wreck, from keel to deck,
Before an Autumnal gale.
Old Neptune came forth in power--
He wore on his features a frown;
And many a guest he took to rest,
When the "Evening Star" went down.

They sleep in a fathomless grave,
The guest and the mariner brave;
They pillow their heads on coral beds,
Beneath the blue ocean waves,
Beneath the blue ocean waves.

Sail'd ever a ship from her quay,
So heavily laden as she,
With folly and fame, with hope and shame,
With vanity, mirth and glee?
But in the dark moment that came,
How useless were rank and renown!
And honors of earth, what were they worth,
When the "Evening Star" went down.

The treacherous ocean is calm--
No longer in storm billows toss's;
Yet darkness and cloud will long enshroud
The hearts that were link'd with the lost.
In how many, how many homes,
Far distant, in country or town,
A light was put out, in dread, in doubt,
When the "Evening Star" when down.

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Tz'u No. 4

To the tune of "Like a Dream"

Last night a sprinkling of rain,
a violent wind.

After a deep sleep, still not recovered
from the lingering effect of wine,
I inquired of the one rolling up the screen;
But the answer came: "The cherry-apple blossoms
are still the same."

"Oh, don't you know, don't you know?
The red must be getting thin,
while the green is becoming plump."

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Rudyard Kipling

A Nativity

1914-18


The Babe was laid in the Manger
Between the gentle kine --
All safe from cold and danger --
"But it was not so with mine,
(With mine! With mine!)
"Is it well with the child, is it well?"
The waiting mother prayed.
"For I know not how he fell,
And I know not where he is laid."

A Star stood forth in Heaven;
The Watchers ran to see
The Sign of the Promise given --
"But there comes no sign to me.
(To me! To me!)
"My child died in the dark.
Is it well with the child, is it well?
There was none to tend him or mark,
And I know not how he fell."

The Cross was raised on high;
The Mother grieved beside --
"But the Mother saw Him die
And took Him when He died.
(He died! He died!)
"Seemly and undefiled
His burial-place was made --
Is it well, is it well with the child?
For I know not where he is laid."

On the dawning of Easter Day
Comes Mary Magdalene;
But the Stone was rolled away,
And the Body was not within --
(Within! Within!)
"Ah, who will answer my word?
The broken mother prayed.
"They have taken away my Lord,
And I know not where He is laid."

. . . . .

"The Star stands forth in Heaven.
The watchers watch in vain
For Sign of the Promise given
Of peace on Earth again --
(Again! Again!)
"But I know for Whom he fell" --
The steadfast mother smiled,
"Is it well with the child -- is it well?
It is well -- it is well with the child!"

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The Contented Man

"How good God is to me," he said;
"For have I not a mansion tall,
With trees and lawns of velvet tread,
And happy helpers at my call?
With beauty is my life abrim,
With tranquil hours and dreams apart;
You wonder that I yield to Him
That best of prayers, a grateful heart?"

"How good God is to me," he said;
"For look! though gone is all my wealth,
How sweet it is to earn one's bread
With brawny arms and brimming health.
Oh, now I know the joy of strife!
To sleep so sound, to wake so fit.
Ah yes, how glorious is life!
I thank Him for each day of it."

"How good God is to me," he said;
"Though health and wealth are gone, it's true;
Things might be worse, I might be dead,
And here I'm living, laughing too.
Serene beneath the evening sky
I wait, and every man's my friend;
God's most contented man am I . . .
He keeps me smiling to the End."

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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The Spring

(After Rilke)


Spring has returned! Everything has returned!
The earth, just like a schoolgirl, memorizes
Poems, so many poems. ... Look, she has learned
So many famous poems, she has earned so many prizes!

Teacher was strict. We delighted in the white
Of the old man's beard, bright like the snow's:
Now we may ask which names are wrong, or right
For "blue," for "apple," for "ripe." She knows, she knows!

Lucky earth, let out of school, now you must play
Hide-and-seek with all the children every day:
You must hide that we may seek you: we will! We will!

The happiest child will hold you. She knows all the things
You taught her: the word for "hope," and for "believe,"
Are still upon her tongue. She sings and sings and sings.

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Emily Dickinson

If this is "fading"

120

If this is "fading"
Oh let me immediately "fade"!
If this is "dying"
Bury me, in such a shroud of red!
If this is "sleep,"
On such a night
How proud to shut the eye!
Good Evening, gentle Fellow men!
Peacock presumes to die!

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Thomas Hardy

Amabel

I MARKED her ruined hues,
Her custom-straitened views,
And asked, "Can there indwell
My Amabel?"

I looked upon her gown,
Once rose, now earthen brown;
The change was like the knell
Of Amabel.

Her step's mechanic ways
Had lost the life of May's;
Her laugh, once sweet in swell,
Spoilt Amabel.

I mused: "Who sings the strain
I sang ere warmth did wane?
Who thinks its numbers spell
His Amabel?"--

Knowing that, though Love cease,
Love's race shows undecrease;
All find in dorp or dell
An Amabel.

--I felt that I could creep
To some housetop, and weep,
That Time the tyrant fell
Ruled Amabel!

I said (the while I sighed
That love like ours had died),
"Fond things I'll no more tell
To Amabel,

"But leave her to her fate,
And fling across the gate,
'Till the Last Trump, farewell,
O Amabel!'"

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A Poet's Wooing

I woo'd a woman once,
But she was sharper than an eastern wind.
Tennyson

"What may I do to make you glad,
To make you glad and free,
Till your light smiles glance
And your bright eyes dance
Like sunbeams on the sea?
Read some rhyme that is blithe and gay
Of a bright May morn and a marriage day?"
And she sighed in a listless way she had,--
"Do not read--it will make me sad!"

"What shall I do to make you glad--
To make you glad and gay,
Till your eyes gleam bright
As the stars at night
When as light as the light of day
Sing some song as I twang the strings
Of my sweet guitar through its wanderings?"
And she sighed in the weary way she had,--
"Do not sing--it will make me sad!"

"What can I do to make you glad--
As glad as glad can be,
Till your clear eyes seem
Like the rays that gleam
And glint through a dew-decked tree?--
Will it please you, dear, that I now begin
A grand old air on my violin?"
And she spoke again in the following way,--
"Yes, oh yes, it would please me, sir;
I would be so glad you'd play
Some grand old march--in character,--
And then as you march away
I will no longer thus be sad,
But oh, so glad--so glad--so glad!"

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Lesson

Whenever my mother, who taught
small children forty years,
asked a question, she
already knew the answer.
"Would you like to" meant
you would. "Shall we" was
another, and "Don't you think."
As in "Don't you think
it's time you cut your hair."

So when, in the bare room,
in the strict bed, she said,
"You want to see?" her hands
were busy at her neckline,
untying the robe, not looking
down at it, stitches
bristling where the breast
had been, but straight at me.

I did what I always did:
not weep --she never wept--
and made my face a kindly
whitewashed wall, so she
could write, again, whatever
she wanted there.


Anonymous submission.

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The Suicide's Grave

On a tree by a river a little tomtit
Sang "Willow, titwillow, titwillow!"
And I said to him, "Dicky-bird, why do you sit
Singing 'Willow, titwillow, titwillow'?
Is it weakness of intellect, birdie?" I cried,
"Or a rather tough worm in your little inside?"
With a shake of his poor little head he replied,
"Oh, willow, titwillow, titwillow!"

He slapped at his chest, as he sat on that bough,
Singing "Willow, titwillow, titwillow!"
And a cold perspiration bespangled his brow,
Oh, willow, titwillow, titwillow!
He sobbed and he sighed, and a gurgle he gave,
Then he threw himself into the billowy wave,
And an echo arose from the suicide's grave -
"Oh, willow, titwillow, titwillow!"

Now I feel just as sure as I'm sure that my name
Isn't Willow, titwillow, titwillow,
That 'twas blighted affection that made him exclaim,
"Oh, willow, titwillow, titwillow!"
And if you remain callous and obdurate, I
Shall perish as he did, and you will know why,
Though I probably shall not exclaim as I die,
"Oh, willow, titwillow, titwillow!"

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Rudyard Kipling

The Gift Of The Sea

The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.

But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"

The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.

And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."

Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."

And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"

"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"

They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.

The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.

There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."

And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"

"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"

"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."

She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.

In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.

She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.

And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"

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To a Vers Librist

"Oh bard," I said, "your verse is free;
The shackles that encumber me,
The fetters that are my obsession,
Are never gyves to your expression.

"The fear of falsities in rhyme,
In metre, quantity, or time,
Is never yours; you sing along
Your unpremeditated song."

"Correct," the young vers librist said.
"Whatever pops into my head
I write, and have but one small fetter:
I start each line with a capital letter.

"But rhyme and metre--Ishkebibble!--
Are actually negligible.
I go ahead, like all my school,
Without a single silly rule."

Of rhyme I am so reverential
He made me feel quite inconsequential.
I shed some strongly saline tears
For bards I loved in younger years.

"If Keats had fallen for your fluff,"
I said, "he might have done good stuff.
If Burns had thrown his rhymes away,
His songs might still be sung to-day."

O bards of rhyme and metre free,
My gratitude goes out to ye
For all your deathless lines--ahem!
Let's see, now . . . What is one of them?

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