Delia XLVI: Let others sing of knights and paladines
XLVI
Let others sing of knights and paladines
In aged accents and untimely words;
Paint shadows in imaginary lines
Which well the reach of their high wits records:
But I must sing of thee, and those fair eyes
Authentic shall my verse in time to come,
When yet th' unborn shall say, "Lo where she lies
Whose beauty made him speak that else was dumb."
These are the arks, the trophies I erect,
That fortify thy name against old age;
And these thy sacred virtues must protect
Against the dark, and time's consuming rage.
Though th' error of my youth they shall discover,
Suffice they show I liv'd and was thy lover.
poem by Samuel Daniel
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Sonnet LV: Let Others Sing
Let others sing of Knights and Paladins
In aged accents and untimely words,
Paint shadows in imaginary lines
Which well the reach of their high wits records;
But I must sing of thee and those fair eyes;
Authentic shall my verse in time to come,
When yet th'unborn shall say, "Lo, where she lies
Whose beauty made him speak that else was dumb."
These are the Arks, the Trophies I erect
That fortify thy name against old age,
And these thy sacred virtues must protect
Against the dark and Time's consuming rage.
Though th'error of my youth they shall discover,
Suffice they show I liv'd and was thy lover.
poem by Samuel Daniel
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Beauty, Time, and Love
I
FAIR is my Love and cruel as she 's fair;
Her brow-shades frown, although her eyes are sunny.
Her smiles are lightning, though her pride despair,
And her disdains are gall, her favours honey:
A modest maid, deck'd with a blush of honour,
Whose feet do tread green paths of youth and love;
The wonder of all eyes that look upon her,
Sacred on earth, design'd a Saint above.
Chastity and Beauty, which were deadly foes,
Live reconciled friends within her brow;
And had she Pity to conjoin with those,
Then who had heard the plaints I utter now?
For had she not been fair, and thus unkind,
My Muse had slept, and none had known my mind.
II
My spotless love hovers with purest wings,
About the temple of the proudest frame,
Where blaze those lights, fairest of earthly things,
Which clear our clouded world with brightest flame.
My ambitious thoughts, confined in her face,
Affect no honour but what she can give;
My hopes do rest in limits of her grace;
I weigh no comfort unless she relieve.
For she, that can my heart imparadise,
Holds in her fairest hand what dearest is;
My Fortune's wheel 's the circle of her eyes,
Whose rolling grace deign once a turn of bliss.
All my life's sweet consists in her alone;
So much I love the most Unloving one.
III
And yet I cannot reprehend the flight
Or blame th' attempt presuming so to soar;
The mounting venture for a high delight
Did make the honour of the fall the more.
For who gets wealth, that puts not from the shore?
Danger hath honour, great designs their fame;
Glory doth follow, courage goes before;
And though th' event oft answers not the same--
Suffice that high attempts have never shame.
The mean observer, whom base safety keeps,
Lives without honour, dies without a name,
And in eternal darkness ever sleeps.--
And therefore, Delia, 'tis to me no blot
To have attempted, tho' attain'd thee not.
IV
When men shall find thy flow'r, thy glory, pass,
And thou with careful brow, sitting alone,
Received hast this message from thy glass,
That tells the truth and says that All is gone;
Fresh shalt thou see in me the wounds thou mad'st,
Though spent thy flame, in me the heat remaining:
I that have loved thee thus before thou fad'st--
My faith shall wax, when thou art in thy waning.
The world shall find this miracle in me,
That fire can burn when all the matter 's spent:
Then what my faith hath been thyself shalt see,
And that thou wast unkind thou may'st repent.--
Thou may'st repent that thou hast scorn'd my tears,
When Winter snows upon thy sable hairs.
V
Beauty, sweet Love, is like the morning dew,
Whose short refresh upon the tender green
Cheers for a time, but till the sun doth show,
And straight 'tis gone as it had never been.
Soon doth it fade that makes the fairest flourish,
Short is the glory of the blushing rose;
The hue which thou so carefully dost nourish,
Yet which at length thou must be forced to lose.
When thou, surcharged with burthen of thy years,
Shalt bend thy wrinkles homeward to the earth;
And that, in Beauty's Lease expired, appears
The Date of Age, the Calends of our Death--
But ah, no more!--this must not be foretold,
For women grieve to think they must be old.
VI
I must not grieve my Love, whose eyes would read
Lines of delight, whereon her youth might smile;
Flowers have time before they come to seed,
And she is young, and now must sport the while.
And sport, Sweet Maid, in season of these years,
And learn to gather flowers before they wither;
And where the sweetest blossom first appears,
Let Love and Youth conduct thy pleasures thither.
Lighten forth smiles to clear the clouded air,
And calm the tempest which my sighs do raise;
Pity and smiles do best become the fair;
Pity and smiles must only yield thee praise.
Make me to say when all my griefs are gone,
Happy the heart that sighed for such a one!
VII
Let others sing of Knights and Paladines
In aged accents and untimely words,
Paint shadows in imaginary lines,
Which well the reach of their high wit records:
But I must sing of thee, and those fair eyes
Authentic shall my verse in time to come;
When yet th' unborn shall say, Lo, where she lies!
Whose beauty made him speak, that else was dumb!
These are the arcs, the trophies I erect,
That fortify thy name against old age;
And these thy sacred virtues must protect
Against the Dark, and Time's consuming rage.
Though th' error of my youth in them appear,
Suffice, they show I lived, and loved thee dear.
poem by Samuel Daniel
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The Dress-Maker
A CLOISTERED nun had a lover
Dwelling in the neighb'ring town;
Both racked their brains to discover
How they best their love might crown.
The swain to pass the convent-door!--
No easy matter!--Thus they swore,
And wished it light.--I ne'er knew a nun
In such a pass to be outdone:--
In woman's clothes the youth must dress,
And gain admission. I confess
The ruse has oft been tried before,
But it succeeded as of yore.
Together in a close barred cell
The lovers were, and sewed all day,
Nor heeded how time flew away.--
"What's that I hear? Refection bell!
"'Tis time to part. Adieu!--Farewell!--
"How's this?" exclaimed the abbess, "why
"The last at table?"--"Madam, I
"Have had my dress-maker."--"The rent
"On which you've both been so intent
"Is hard to stop, for the whole day
"To sew and mend, you made her stay;
"Much work indeed you've had to do!
"--Madam, 't would last the whole night through,
"When in our task we find enjoyment
"There is no end of the employment."
poem by La Fontaine
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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Sonnet LXXI: Who Will in Fairest Book
Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.
So while thy beauty draws thy heart to love,
As fast thy virtue bends that love to good:
But "Ah," Desire still cries, "Give me some food!"
poem by Philip Sidney
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Astrophel and Stella: LXXI
Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.
So while thy beauty draws thy heart to love,
As fast thy virtue bends that love to good:
But "Ah," Desire still cries, "Give me some food!"
poem by Philip Sidney
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How Deep Is Your Love?
Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."
poem by Ryan Lee Morris
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An Old Story
(Retold in Rhyme)
They threw him in a prison cell;
He moaned upon his bed.
And when he crept from coils of hell:
"Last night you killed," they said.
"last night in drunken rage you slew
A being brave with breath;
A radiant soul, because of you
Lies dark in death."
"last night I killed," he moaned distraught,
"When I was wild with wine;
I slew, and I remember naught . . .
O Mother, Mother mine!
"To what unbridled rage may lead
You taught me at your knew.
Why did I not your warning heed . . .
And now - the gallows tree.
"O Mother, Mother, come to me,
For I am sore distrest,
And I would kneel beside your knee
And weep upon your breast. . . ."
They stared at him; their lips were dumb,
Their eyes tear filled;
Then spoke the Priest: "She cannot come . . .
'Twas she you killed."
poem by Robert William Service
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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To a Vers Librist
"Oh bard," I said, "your verse is free;
The shackles that encumber me,
The fetters that are my obsession,
Are never gyves to your expression.
"The fear of falsities in rhyme,
In metre, quantity, or time,
Is never yours; you sing along
Your unpremeditated song."
"Correct," the young vers librist said.
"Whatever pops into my head
I write, and have but one small fetter:
I start each line with a capital letter.
"But rhyme and metre--Ishkebibble!--
Are actually negligible.
I go ahead, like all my school,
Without a single silly rule."
Of rhyme I am so reverential
He made me feel quite inconsequential.
I shed some strongly saline tears
For bards I loved in younger years.
"If Keats had fallen for your fluff,"
I said, "he might have done good stuff.
If Burns had thrown his rhymes away,
His songs might still be sung to-day."
O bards of rhyme and metre free,
My gratitude goes out to ye
For all your deathless lines--ahem!
Let's see, now . . . What is one of them?
poem by Franklin P. Adams
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To the Painter Preparing to Draw M.M.H.
Be not too forward, painter; 'tis
More for thy fame, and art, to miss
All other faces, than come near
The Lady, that expecteth here.
Be wise, and think it less disgrace
To draw an angel, than her face;
For in such forms, who is so wise
To tell thee where thy error lies?
But since all beauty (that is known)
Is in her virgin sweetness one,
How can it be, that painting her
But every look should make thee err?
But thou art resolute I see;
Yet let my fancy walk with thee:
Compose a ground more dark and sad,
Than that the early Chaos had,
And show, to the whole sex's shame,
Beauty was darkness till she came.
Then paint her eyes, whose active light
Shall make the former shadows bright,
And with their every beam supply
New day, to draw her picture by.
Now, if thou wilt complete the face,
A wonder paint in every place.
Beneath these, for her fair neck's sake,
White as the Paphian Turtles, make
A pillar, whose smooth base doth show
It self lost in a mount of snow;
Her breast, the house of chaste desire,
Cold, but increasing others' fire.
But how I lose (instructing thee)
Thy pencil, and my poetry!
For when thou hast expressed all art,
As high as truth, in every part,
She can resemble at the best,
One, in her beauty's silence dressed,
Where thou, like a dull looker-on,
Art lost, and all thy art undone;
For if she speak, new wonders rise
From her teeth, chin, lip, and eyes;
So far above that excellent
Did take thee first, thou should repent
To have begun, and lose i'th'end
Thy eyes with wonder how to mend.
At such a loss, here's all thy choice,
Leave off, or paint her with a voice.
poem by James Shirley
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Sonnet LIX: As Love and I
As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.
poem by Michael Drayton
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The Subalterns
I
"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."
II
--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."
III
--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."
IV
--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"
V
We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.
poem by Thomas Hardy
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A Poet Beseeching Death
When death came a calling,
I said, "There's no one there."
When it pressed for an answer,
I said, "It isn't fair."
"Not fair when I have so much
Poetry to give."
"If I'm gone my lost lines will
Have no chance to live."
For time being death has taken a break.
I'm not certain if it's tired
Or paused for my poetic sake.
One thing I do know, and that's for sure.
Again death will come a calling,
And then I may not demur.
poem by Gregory Huyette
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I have lived with Shades
I
I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."
IV
"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
poem by Thomas Hardy
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We are Seven
--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.
She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.
"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.
"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.
"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."
"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."
Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."
"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."
"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.
"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.
"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.
"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.
"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."
"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."
"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"
poem by William Wordsworth
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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Sonnet I: Loving In Truth
Loving in truth, and fain in verse my love to show,
That she (dear She) might take some pleasure of my pain:
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain;
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:
Oft turning others' leaves, to see if thence would flow
Some fresh and fruitful showers upon my sun-burn'd brain.
But words came halting forth, wanting Invention's stay,
Invention, Nature's child, fled step-dame Study's blows,
And others' feet still seem'd but strangers in my way.
Thus, great with child to speak, and helpless in my throes,
Biting my truant pen, beating myself for spite--
"Fool," said my Muse to me, "look in thy heart and write."
poem by Philip Sidney
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Sonnet 17: Who will believe my verse in time to come
Who will believe my verse in time to come
If it were filled with your most high deserts?
Though yet heaven knows it is but as a tomb
Which hides your life, and shows not half your parts:
If I could write the beauty of your eyes,
And in fresh numbers number all your graces,
The age to come would say, "This poet lies,
Such heavenly touches ne'er touched earthly faces."
So should my papers, yellowed with their age,
Be scorned like old men of less truth than tongue,
And your true rights be termed a poet's rage,
And stretchèd metre of an antique song.
But were some child of yours alive that time,
You should live twice, in it and in my rhyme.
poem by William Shakespeare
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The Gardener XXVII: Trust Love
"Trust love even if it brings sorrow.
Do not close up your heart."
"Ah no, my friend, your words are
dark, I cannot understand them."
"Pleasure is frail like a dewdrop,
while it laughs it dies. But sorrow is
strong and abiding. Let sorrowful
love wake in your eyes."
"Ah no, my friend, your words are
dark, I cannot understand them."
"The lotus blooms in the sight of
the sun, and loses all that it has. It
would not remain in bud in the
eternal winter mist."
"Ah no, my friend, your words are
dark, I cannot understand them."
poem by Rabindranath Tagore
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