Late Came the God
Late came the God, having sent his forerunners who were
not regarded--
Late, but in wrath;
Saying: "The wrong shall be paid, the contempt be rewarded
On all that she hath."
He poisoned the blade and struck home, the full bosom receiving
The wound and the venom in one, past cure or relieving.
He made treaty with Time to stand still that the grief might
be fresh--
Daily renewed and nightly pursued through her soul to her
flesh--
Mornings of memory, noontides of agony, midnights unslaked
for her,
Till the stones of the streets of her Hells and her Paradise ached
for her.
So she lived while her body corrupted upon her.
And she called on the Night for a sign, and a Sign was allowed,
And she builded an Altar and served by the light of her Vision--
Alone, without hope of regard or reward, but uncowed,
Resolute, selfless, divine.
These things she did in Love's honour...
What is a God beside Woman? Dust and derision!
poem by Rudyard Kipling
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Related quotes
I Stood Musing in a Black World
I stood musing in a black world,
Not knowing where to direct my feet.
And I saw the quick stream of men
Pouring ceaselessly,
Filled with eager faces,
A torrent of desire.
I called to them,
"Where do you go? What do you see?"
A thousand voices called to me.
A thousand fingers pointed.
"Look! look! There!"
I know not of it.
But, lo! In the far sky shone a radiance
Ineffable, divine --
A vision painted upon a pall;
And sometimes it was,
And sometimes it was not.
I hesitated.
Then from the stream
Came roaring voices,
Impatient:
"Look! look! There!"
So again I saw,
And leaped, unhesitant,
And struggled and fumed
With outspread clutching fingers.
The hard hills tore my flesh;
The ways bit my feet.
At last I looked again.
No radiance in the far sky,
Ineffable, divine;
No vision painted upon a pall;
And always my eyes ached for the light.
Then I cried in despair,
"I see nothing! Oh, where do I go?"
The torrent turned again its faces:
"Look! look! There!"
And at the blindness of my spirit
They screamed,
"Fool! fool! fool!"
poem by Stephen Crane
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Richard Bone
When I first came to Spoon River
I did not know whether what they told me
Was true or false.
They would bring me an epitaph
And stand around the shop while I worked
And say "He was so kind," "He was wonderful,"
"She was the sweetest woman," "He was a consistent Christian."
And I chiseled for them whatever they wished,
All in ignorance of its truth.
But later, as I lived among the people here,
I knew how near to the life
Were the epitaphs that were ordered for them when they died.
But still I chiseled whatever they paid me to chisel
And made myself party to the false chronicles
Of the stones,
Even as the historian does who writes
Without knowing the truth,
Or because he is influenced to hide it.
poem by Edgar Lee Masters
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Modern Love XIV: What Soul Would Bargain
What soul would bargain for a cure that brings
Contempt the nobler agony to kill?
Rather let me bear on the bitter ill,
And strike this rusty bosom with new stings!
It seems there is another veering fit
Since on a gold-haired lady's eyeballs pure,
I looked with little prospect of a cure,
The while her mouth's red bow loosed shafts of wit.
Just heaven! can it be true that jealousy
Has decked the woman thus? and does her head
Swim somewhat for possessions forfeited?
Madam, you teach me many things that be.
I open an old book, and there I find
That "Women still may love whom they deceive."
Such love I prize not, madam: by your leave,
The game you play at is not to my mind.
poem by George Meredith
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An incomplete soul of a woman
Often you have called me
"Complete"
Often you have called me
"A full woman"
And today you ask me
What in life I lack?
Love…
If you had ever guessed
You would have known
How very "incomplete" I am.
Half my life I have spent
Waiting for you....
Searching for you...
In every passing strangers eyes.
Now when you finally are here
You stand a stranger
Closest to the heart,
Like the shadow of the dusk
Very much my own,
Yet distant, like a dream.
I know you are mine
Just as am i
solely yours,
Yet will always stand apart as
"we" are nobodies nobody.
The feeling is so pure,
Pristine like the dawn
And its dew.
Yet wrapped in ugly sheets of guilt
it will always lie buried
in deep caverns of shame.
And like thieves two,
We will always hide,
What is so beautiful,
So serene, so true.
I am not complete…
How can i?
When I am destined to live
This life with you
Yet without you.
I am not a full woman…
How can i?
When I am to wither away and die..
Somewhere very close to you
Yet far away from your sight.
Yes, I will always remain
"in-complete".
An incomplete soul of a woman.
poem by Anjali Kakati
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John Evereldown
"Where are you going to-night, to-night, --
Where are you going, John Evereldown?
There's never the sign of a star in sight,
Nor a lamp that's nearer than Tilbury Town.
Why do you stare as a dead man might?
Where are you pointing away from the light?
And where are you going to-night, to-night, --
Where are you going, John Evereldown?"
"Right through the forest, where none can see,
There's where I'm going, to Tilbury Town.
The men are asleep, -- or awake, may be, --
But the women are calling John Evereldown.
Ever and ever they call for me,
And while they call can a man be free?
So right through the forest, where none can see,
There's where I'm going, to Tilbury Town."
"But why are you going so late, so late, --
Why are you going, John Evereldown?
Though the road be smooth and the path be straight,
There are two long leagues to Tilbury Town.
Come in by the fire, old man, and wait!
Why do you chatter out there by the gate?
And why are you going so late, so late, --
Why are you going, John Evereldown?"
"I follow the women wherever they call, --
That's why I'm going to Tilbury Town.
God knows if I pray to be done with it all,
But God is no friend to John Evereldown.
So the clouds may come and the rain may fall,
The shadows may creep and the dead men crawl, --
But I follow the women wherever they call,
And that's why I'm going to Tilbury Town."
poem by Edwin Arlington Robinson
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Once In A Lifetime
"I know I'm a down and out, wet and freezing cold,
but what do you want from one who feels so old.
Go away, leave me alone, so I can get some sleep
and maybe with luck God will my soul keep.
What do you want? I've got nothing at all for you,
even my aching body is aged and worthless too.
Maybe you're a Samaritan here to do me a good turn?
Oh go away, I'm too old to change or learn."
"What would you say if I could make you well again,
give you a younger body free from pain? "
"Do you think I'm mad or are you completely insane,
who do you think you are to make such a claim? "
"I am not an empty vessel; I only say what I can do,
and I will help you, but you have to help me too.
Ah, I see you're thinking… well, what do you say old man?
No one else can offer this, there's only me that can?
If you turn me down you'll be dead in a very short time;
what've you to lose, why should you decline? "
"And I suppose all you want is my God given soul,
my only possession that's undamaged and whole.
Throughout my entire life, it's been of no use to me,
and yet you want it, in exchange for my misery."
"How did you happen to know it was your soul I desired,
do you believe the stories that I'm by evil inspired?
You people have been grossly misinformed about me,
if I was really evil would I set your pain free,
give you a new life, guaranteed for three more years,
why, such a deal would reduce any man to tears.
Come on old man, before it's too late, what do you say,
are we going to make a deal before you slip away?
Your soul is worthless to you when you're dead and gone,
this is your last chance to live a new life from now on."
"If we can agree to five years instead of three for my soul,
what will happen to me when I've paid my toll?
Will my soul burn forever in that place they call hell,
be tormented and tortured, like I've heard tell? "
You don't want to listen to malicious fairy tales and lies,
which are used to frighten children and the unwise.
As a collector of souls I've been stigmatised by what I do
by the so called honest and religious amongst you.
The truth is hell doesn't really exist, so no one goes there,
and all the other stuff is just a religious scare.
So, with the souls I gather I simply unite them together
so that as soul mates they can remain forever.
"Is it true that we have to have a contract signed in blood,
with everything agreed and understood? "
"This too is superstitious nonsense and it gets under my skin,
but if that's what you want, it's a good way to begin.
"In this modern age a teardropp to seal the contract will do,
and from this day all I promised will be granted to you.
And in four years from now your soul will become mine,
so make the most of your life, and have a good time."
The following four years passed by as though one day
and the payment of a soul is due without delay.
"Hello my friend, you look exceptionally well and healthy,
your four years has not been a waste of time I see."
"I've had an excellent time and I want to thank you a lot,
but is it possible to postpone the contract we've got? "
"How dare you have the audacity to take me as a fool,
do you honestly think I'll break a fundamental rule?
Now listen old man, a deal is a deal and that's a fact,
and its all been signed for in our contract.
Now give me a sealing teardropp from your eye,
and then we can say our last goodbye."
"I'm sorry, it's not medically possible I have dry eyes,
and operations have in vain been tried."
"This is no use to me! I've said it before, a deal is a deal
you'll have to sign it off using blood as the seal! "
"I won't sign in blood, things are different in my life,
I have responsibilities, including a new wife."
"But all these things were made possible because of me,
you owe me your soul and that's how it will be!
Okay, okay… I accept that I cannot have it this day,
but the moment you die you will definitely pay,
and don't go away thinking that you have outwitted me,
your soul will soon be mine, you are not accident free."
poem by Orlando Belo
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The Immortal Part
When I meet the morning beam,
Or lay me down at night to dream,
I hear my bones within me say,
"Another night, another day.
"When shall this slough of sense be cast,
This dust of thoughts be laid at last,
The man of flesh and soul be slain
And the man of bone remain?
"This tongue that talks, these lungs that shout,
These thews that hustle us about,
This brain that fills the skull with schemes,
And its humming hive of dreams,--
"These to-day are proud in power
And lord it in their little hour:
The immortal bones obey control
Of dying flesh and dying soul.
"'Tis long till eve and morn are gone:
Slow the endless night comes on,
And late to fulness grows the birth
That shall last as long as earth.
"Wanderers eastward, wanderers west,
Know you why you cannot rest?
'Tis that every mother's son
Travails with a skeleton.
"Lie down in the bed of dust;
Bear the fruit that bear you must;
Bring the eternal seed to light,
And morn is all the same as night.
"Rest you so from trouble sore,
Fear the heat o' the sun no more,
Nor the snowing winter wild,
Now you labour not with child.
"Empty vessel, garment cast,
We that wore you long shall last.
--Another night, another day."
So my bones within me say.
Therefore they shall do my will
To-day while I am master still,
And flesh and soul, now both are strong,
Shall hale the sullen slaves along,
Before this fire of sense decay,
This smoke of thought blow clean away,
And leave with ancient night alone
The stedfast and enduring bone.
poem by Alfred Edward Housman
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The Three Enemies
THE FLESH
"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."
"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."
"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."
"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."
THE WORLD
"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."
"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."
"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."
"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."
THE DEVIL
"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"
"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."
"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."
"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."
poem by Christina Georgina Rossetti
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Unto Me? I do not know you—
"Unto Me?" I do not know you—
Where may be your House?
"I am Jesus—Late of Judea—
Now—of Paradise"—
Wagons—have you—to convey me?
This is far from Thence—
"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—
I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—
poem by Emily Dickinson
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The Australian Slanguage
"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.
And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."
And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".
A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".
If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".
Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".
And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!
poem by William Thomas Goodge
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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati
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The Last Parade
With never a sound of trumpet,
With never a flag displayed,
The last of the old campaigners
Lined up for the last parade.
Weary they were and battered,
Shoeless, and knocked about;
From under their ragged forelocks
Their hungry eyes looked out.
And they watched as the old commander
Read out to the cheering men
The Nation's thanks, and the orders
To carry them home again.
And the last of the old campaigners,
Sinewy, lean, and spare --
He spoke for his hungry comrades:
"Have we not done our share?
"Starving and tired and thirsty
We limped on the blazing plain;
And after a long night's picket
You saddled us up again.
"We froze on the windswept kopjes
When the frost lay snowy-white,
Never a halt in the daytime,
Never a rest at night!
"We knew when the rifles rattled
From the hillside bare and brown,
And over our weary shoulders
We felt warm blood run down,
"As we turned for the stretching gallop,
Crushed to the earth with weight;
But we carried our riders through it --
Sometimes, perhaps, too late.
"Steel! We were steel to stand it --
We that have lasted through,
We that are old campaigners
Pitiful, poor, and few.
"Over the sea you brought us,
Over the leagues of foam:
Now we have served you fairly
Will you not take us home?
"Home to the Hunter River,
To the flats where the lucerne grows;
Home where the Murrumbidgee
Runs white with the melted snows.
"This is a small thing, surely!
Will not you give command
That the last of the old campaigners
Go back to their native land?"
They looked at the grim commander,
But never a sign he made.
"Dismiss!" and the old campaigners
Moved off from their last parade.
poem by Andrew Barton Paterson
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Library
That is why it is called library
Where stand all books buried
Built with huge grant amount to carry
Impressions of dead poets for all that past sorry
New generation wants fast result
Press the Google button and everything is built
Right from old warriors to new breed if politicians
History is on hand and can be seen as produced by the magician
Time is not far off when "library" word may become extinct
Boards may remain with sign but not more called distinct
All work and manuscripts may be stand converted
Into "e" governance and whole of the past may be subverted
It is our glorious past and heritage
We have maintained it as history on page
Many old scripture still find their place
They are the sacred heritage and must be preserved in any case
"Go and have reference from library" may become thing of past
The past may not only remain as past but soon deteriorate last
Few of the pages may speak about glorious death of civilization
Where as we need them as our only witness for old link and new relation
poem by Hasmukh Amathalal
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I have lived with Shades
I
I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."
IV
"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
poem by Thomas Hardy
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Red Maples
In the last year I have learned
How few men are worth my trust;
I have seen the friend I loved
Struck by death into the dust,
And fears I never knew before
Have knocked and knocked upon my door --
"I shall hope little and ask for less,"
I said, "There is no happiness."
I have grown wise at last -- but how
Can I hide the gleam on the willow-bough,
Or keep the fragrance out of the rain
Now that April is here again?
When maples stand in a haze of fire
What can I say to the old desire,
What shall I do with the joy in me
That is born out of agony?
poem by Sara Teasdale
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Sonnet LIX: As Love and I
As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.
poem by Michael Drayton
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A Nativity
1914-18
The Babe was laid in the Manger
Between the gentle kine --
All safe from cold and danger --
"But it was not so with mine,
(With mine! With mine!)
"Is it well with the child, is it well?"
The waiting mother prayed.
"For I know not how he fell,
And I know not where he is laid."
A Star stood forth in Heaven;
The Watchers ran to see
The Sign of the Promise given --
"But there comes no sign to me.
(To me! To me!)
"My child died in the dark.
Is it well with the child, is it well?
There was none to tend him or mark,
And I know not how he fell."
The Cross was raised on high;
The Mother grieved beside --
"But the Mother saw Him die
And took Him when He died.
(He died! He died!)
"Seemly and undefiled
His burial-place was made --
Is it well, is it well with the child?
For I know not where he is laid."
On the dawning of Easter Day
Comes Mary Magdalene;
But the Stone was rolled away,
And the Body was not within --
(Within! Within!)
"Ah, who will answer my word?
The broken mother prayed.
"They have taken away my Lord,
And I know not where He is laid."
. . . . .
"The Star stands forth in Heaven.
The watchers watch in vain
For Sign of the Promise given
Of peace on Earth again --
(Again! Again!)
"But I know for Whom he fell" --
The steadfast mother smiled,
"Is it well with the child -- is it well?
It is well -- it is well with the child!"
poem by Rudyard Kipling
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Willie's and Nellie's Wish
Willie and Nellie, one evening sat
By their own little cottage door;
They saw a man go staggering by --
Says Willie, "that's Mr. Lanore;
He is just going home from town, where
He has been in a saloon.
When Maggie and I came from school,
Said Maggie, 'please papa, come home.'
"She asked him again, again, to come home.
At last he got angry, and said:
'Maggie, go home -- don't bother me so;
Go home now, and shut up your head.'
Poor girl, she came weeping all the way,
As though her poor heart would break.
She could not play, not a word would say;
With playmates no pleasure could take."
"'Tis the same child," Willie replied;
"I'm sorry for Maggie Lanore.
I wish her papa would sign the pledge,
And try to be a man once more.
He drinks up all the money he earns,
In whiskey, rum, gin and beer;
His home is a home of poverty,
Made so by his own career."
Says Nellie, "I wish Mr. Lanore
Would go to the meeting to-night,
And hear the temperance lecture;
Then perhaps he would try to do right.
One more little home of happiness,
Would be in our midst, I am sure;
Then Maggie Lanore could say with joy.
'My papa don't drink any more.'"
Said Nellie, "I told her never mind,
We would be her friends evermore;
I hoped her papa would sign the pledge,
Then he would not drink any more.
Then smiling through her tears, she said,
'The temperance pledge, you mean;
If papa would sign it, then mamma
And I will take comfort, I ween.'"
"I wonder," says Nellie, "can it be,
The same child I saw go to school?
She wore ragged clothes. I saw her toes
Were peeping out of her old shoes.
She has curly hair, and mild blue eyes;
Can this child be Maggie Lanore?
If it is her, I sincerely wish
Her papa won't drink any more."
poem by Julia A Moore
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
Submitted by Poetry Lover
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Ah, Are You Digging on My Grave?
"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"
"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"
"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.
"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"
"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"
"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place."
poem by Thomas Hardy
Submitted by Poetry Lover
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