The Currency Lass
THEY marshalled her lovers four and four,
A drum at their heads, in the days of old:
O, none could have guessed their hearts were sore;
They marched with such gayness in scarlet and gold.
They came to the dance place on the hill
Where Death was the piper (he pipes full well);
They grounded their arms and stood stock-still;
And just why he sorrowed no one would tell.
O, some had been wed in distant lands,
And sweethearts had others — but let that pass;
She held them at ease in snow-white hands,
For Queen over all was the Currency Lass.
They ushered her forth in all her charms —
Her eyes were alight and as gold her hair;
She looked on the men and oped her arms —
What wonder if then they had wished them there?
She hearkened the Preacher, thin and pale;
His voice was as frost, yet his words were wise;
But sin on the soul is like wrought mail,
And only a scorn of him fired her eyes.
'O sorrow and pray, the hour draws nigh,
The Lord in His justice shall question thee!'
The Preacher made prayer 'twixt sob and sigh,
And down dropped his soul on bended knee.
'He fashioned thee fair' — a sideways look —
'Red-lipped and right royal to look upon,
A joy of the Earth' — his thin hands shook,
And passionate lights in his deep eyes shone.
In scarlet and gold her lovers stood,
A host under famine with heads out-thrust;
Keen-flamed in the sun ran reddest blood,
And lips that were thirsty grew dry as dust.
They loved her for years — their tangled souls
Like silvery fish in her beauty-mesh
All breathless reposed . . .A dull drum rolls,
And Death is at hand for the Flower of Flesh.
She lifted her head for one love-word
(Afar was a clamour of new-come ships);
Her hair in a cloud the low wind stirred,
And silent they marvelled at her red lips.
'A lover was I from youth,' she said;
'And Love is my lord till I fill the grave' —
Then coyly she drooped her gold-haired head —
'Now, last of my lovers, a kiss I crave!'
The Preacher was whirled in passion's rout,
And dark was the stain on his soul's white snow;
Her lips were as life — his soul leapt out,
And sure there was laughter in Hell below.
'A singer was I these years,' she said,
'And so I must sing till my soul doth pass.'
Then forth from her sin-sweet lips there sped
The long-dead song of the Currency Lass.
The hands of the spoiler touch her throat;
The noon grows near and the last sands run:
(Still over the scene her wild words float)
The noose is ready, the song is done.
'A dancer I was from birth,' she said;
'A baby, I danced on my mother's knee;
Now whistle a jig, with swaying head,
And, lovers of mine, I will dance for ye!'
Stood each with a droop, a cheated man,
While Sorrow went weaving an ice-cold spell . . .
Good-bye to the world! The dance began
With Death for the piper — he piped full well!
poem by Roderic Quinn

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The Ballad Of The White Lady
SIR GEOFFREY met the white lady
Upon his marriage morn,
Her eyes were blue as cornflowers are,
Her hair was gold like corn.
Sir Geoffrey gave the white lady
A posy of roses seven,
'You are the fairest May,' said he,
'That ever strayed from Heaven.'
Sir Geoffrey by the white lady
Was lured away to shame,
For seven long years of prayers and tears
No tidings of him came.
Then she who should have been his bride
A mighty oath she swore,
'For seven long years I have wept and prayed,
Now I will pray no more.
'Since God and all the saints of Heaven
Bring not my lord to me,
I will go down myself to hell
And bring him back,' said she.
She crept to the white lady's bower,
The taper's flame was dim,
And there Sir Geoffrey lay asleep,
And the white witch sat by him.
Her arm was laid across his neck,
Her gold hair on his face,
And there was silence in the room
As in a burial-place.
And there were gems and carven cups,
And 'broidered bridal gear--
'Whose bridal is this?' the lady said,
'And what knight have ye here?'
'The good knight here ye know full well,
He was your lord, I trow,
But I have taken him from your side,
And I am his lady now.
'This seven year with right good cheer
We twain our bridal keep,
So take for your mate another knight
And let my dear lord sleep.'
Then up and spake Sir Geoffrey's bride,
'What bridal cheer is this?
I would think scorn to have the lips
Who could not have the kiss!
'I would think scorn to take the half
Who could not have the whole;
I would think scorn to steal the body
Who could not take the soul!
'For, though ye hold his body fast
This seven weary year,
His soul walks ever at my side
And whispers in my ear.
'I would think scorn to hold in sleep
What, if it waked, would flee,
So let his body join his soul
And both fare forth with me;
'For I have learned a spell more strong
Than yours that laid him low,
And I will speak it for his sake
Because I love him so!'
The white lady threw back her hair,
Her eyes began to shine--
'His soul is thine these seven years?--
To-night it shall be mine!
'I have been brave to hold him here
While seven long years befell,
Rather than let a bridal be
Whose seed should flower in hell.
'I have not looked into his eyes
Nor joined my lips to his,
For fear his soul should spring to flame
And shrivel at my kiss.
'I have been brave to watch his sleep
While the long hours come and go,
To hold the body without the soul,
Because I love him so.
'But since his soul this seven year
Has sat by thee,' she said,
'His body and soul to-night shall lie
Upon my golden bed.
'Thou hast no need to speak the spell
That thou hast learned,' said she,
'For I will wake him from his sleep
And take his soul from thee.'
She stooped above him where he lay,
She laid her lips on his;
He stirred, he spake: 'These seven long years
I have waited for thy kiss.
'My soul has hung upon thy lips
And trembled at thy breath,
Thou hast given me life in a cup to drink,
As God will give me death.
'Why didst thou fear to kill my soul
Which only lives for thee?
Thou hast put seven wasted years,
O love, 'twixt thee and me.'
poem by Edith Nesbit

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Introit : V. Litany Of Beauty
Joy, if the Soul or aught immortal be,
How may this Beauty know mortality?
O Beauty, perfect child of Light,
Sempiternal spirit of delight!
White and set with gold like the gold of the night,
The gold of the stars in quiet weather,--
White and shapely and pure!--
O lily-flower from stain secure,
With life and virginity dying together!
One lily liveth so,
Liveth for ever unstained, immortal, a mystic flower:
Perfectly wrought its frame,
Gold inwrought and eternal white,
White more white than cold of the snow,
For never, never, near it came,
Never shall come till the end of all,
Hurtful thing in wind or shower,
Worm or stain or blight;
But ever, ever, gently fall
The dews elysian of years that flow
Where it doth live secure
In flawless comeliness mature,
Golden and white and pure.
In the fair far-shining glow
Of eternal and holy Light.
Beauty of earthly things
Wrought by God and with hands of men!
Beauty of Nature and Art,
Fashioned anew for each Time brings,
For each new soul and living heart!
Beauty of Beauty that fills the ken
Till the soul is swooning, faint with delight!
Beauty of human form and voice,
Of eyes and ears and lips!--
O golden hair and brow of white!--
Wine of Beauty that whoso sips
Doth die to a spirit free, and rejoice,
Living with God and living with men,
Rapt rejoice in eternal bliss,
Raising his face to meet the kiss
Of the Beauty seraphic he sees above
In figure of his love.
O Beauty of Wisdom unsought
That in trance to poet is taught,
Uttered in secret lay,
Singing the heart from earth away,
Cunning the soul from care to lure,--
O mystic lily, from stain and death secure,
Till the end of all to stay!
O shapely flower that must for ever endure!
O voice of God that every heart must hear!
O hymn of purest souls that dost unsphere
The ravished soul that hears! O white, white gem!
O rose that dost the senses drown in bliss!
No thought shall stay the wing, or stem
The song or win the heart to miss
Thy love, thy joy, thy rapture divine!
O Beauty, Beauty, ever thine
The soul, the heart, the brain,
To own three in a loud perpetual strain,
Shriller and sweeter than song of wine,
Than song of sorrow or love or war!
Beauty of heaven and sun and day,
Beauty of water and frost and star,
Beauty of dusk-tide, narrowing, grey!
Beauty of silver light,
Beauty of purple night,
Beauty of solemn breath,
Beauty of closèd eye, and sleep, and death!
Beauty of dawn and dew,
Beauty of morning peace,
Ever ancient and ever new,
Ever renewed till waking cease
Or sleep for ever, when loud the angel's word
Through all the world is heard!
Beauty of brute and bird,
Beauty of earthly creatures
Whose hearts by the hand of God are stirred!
Beauty of the soul,
Beauty informing forms and features,
Fairest to God's eye,--
Beauty that cannot fade or die
Though atoms to ruin roll!
Beauty of blinded Trust,
Led by the hand of God
To a heaven where Cherub hath never trod!
Austere Beauty of Truth
Lighting the way of the just!
Splendid Beauty of Youth
Staying when Youth is sped,
Living when Life is dead,
Burning in funeral dust!
The glory of form doth pale and pall,
Beauty endures to the end of all.
poem by Thomas MacDonagh

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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit

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The Mother's Soul
When the moon was horned the mother died,
And the child pulled at her hand and knee,
And he rubbed her cheek and loudly cried:
'O mother, arise, give bread to me!'
But the pine tree bent its head,
And the wind at the door-post said:
'O child, thy mother is dead !'
The sun set his loom to weave the day;
The frost bit sharp like a silent cur;
The child by her pillow paused in his play:
'Mother, build up the sweet fire of fir !'
But the fir tree shook its cones,
And loud cried the pitiful stones:
'Wolf Death has thy mother's bones!'
They bore the mother out on her bier;
Their tears made warm her breast and shroud;
The smiling child at her head stood near;
And the long, white tapers shook and bowed,
And said with their tongues of gold,
To the ice lumps of the grave mold:
'How heavy are ye and cold!'
They buried the mother; to the feast
They flocked with the beaks of unclean crows.
The wind came up from the red-eyed east
And bore in its arms the chill, soft snows.
They said to each other: 'Sere
Are the hearts the mother held dear;
Forgotten, her babe plays here!'
The child with the tender snowflakes played,
And the wind on its fingers twined his hair;
And still by the tall, brown grave he stayed,
Alone in the churchyard lean and bare.
The sods on the high grave cried
To the mother's white breast inside:
'Lie still; in thy deep rest bide!'
Her breast lay still like a long-chilled stone,
Her soul was out on the bleak, grey day;
She saw her child by the grave alone,
With the sods and snow and wind at play.
Said the sharp lips of the rush,
'Red as thy roses,O bush,
With anger the dead can blush !'
A butterfly to the child's breast flew,*
Fluttered its wings on his sweet, round cheek,
Danced by his fingers, small, cold and blue.
The sun strode down past the mountain peak.
The butterfly whispered low
To the child: 'Babe, follow me; know,
Cold is the earth here below.'
The butterfly flew; followed the child,
Lured by the snowy torch of its wings;
The wind sighed after them soft and wild
Till the stars wedded night with golden rings
Till the frost upreared its head,
And the ground to it groaned and said:
'The feet of the child are lead!'
The child's head drooped to the brown, sere mold,
On the crackling cones his white breast lay;
The butterfly touched the locks of gold,
The soul of the child sprang from its clay.
The moon to the pine tree stole,
And silver-lipped, said to its bole:
'How strong is the mother's soul !'
The wings of the butterfly grew out
To the mother's arms, long, soft and white;
She folded them warm her babe about,
She kissed his lips into berries bright,
She warmed his soul on her breast;
And the east called out to the west:
'Now the mother's soul will rest!'
Under the roof where the burial feast
Was heavy with meat and red with wine,
Each crossed himself as out of the east
A strange wind swept over oak and pine.
The trees to the home-roof said:
' 'Tis but the airy rush and tread
Of angels greeting thy dead.'
poem by Isabella Valancy Crawford

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The Changeling ( From The Tent on the Beach )
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray."
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,--
I live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
.
poem by John Greenleaf Whittier

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Choriambics
Love, what ailed thee to leave life that was made lovely, we thought, with love?
What sweet visions of sleep lured thee away, down from the light above?
What strange faces of dreams, voices that called, hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the sunless grave?
Ah, thy luminous eyes! once was their light fed with the fire of day;
Now their shadowy lids cover them close, hush them and hide away.
Ah, thy snow-coloured hands! once were they chains, mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless of passion past.
Ah, thy beautiful hair! so was it once braided for me, for me;
Now for death is it crowned, only for death, lover and lord of thee.
Sweet, the kisses of death set on thy lips, colder are they than mine;
Colder surely than past kisses that love poured for thy lips as wine.
Lov'st thou death? is his face fairer than love's, brighter to look upon?
Seest thou light in his eyes, light by which love's pales and is overshone?
Lo the roses of death, grey as the dust, chiller of leaf than snow!
Why let fall from thy hand love's that were thine, roses that loved thee so?
Large red lilies of love, sceptral and tall, lovely for eyes to see;
Thornless blossom of love, full of the sun, fruits that were reared for thee.
Now death's poppies alone circle thy hair, girdle thy breasts as white;
Bloodless blossoms of death, leaves that have sprung never against the light.
Nay then, sleep if thou wilt; love is content; what should he do to weep?
Sweet was love to thee once; now in thine eyes sweeter than love is sleep.
poem by Algernon Charles Swinburne

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Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
poem by Algernon Charles Swinburne

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Les Noyades
WHATEVER a man of the sons of men
Shall say to his heart of the lords above,
They have shown man verily, once and again,
Marvellous mercies and infinite love.
In the wild fifth year of the change of things,
When France was glorious and blood-red, fair
With dust of battle and deaths of kings,
A queen of men, with helmeted hair,
Carrier came down to the Loire and slew,
Till all the ways and the waves waxed red:
Bound and drowned, slaying two by two,
Maidens and young men, naked and wed.
They brought on a day to his judgment-place
One rough with labour and red with fight,
And a lady noble by name and face,
Faultless, a maiden, wonderful, white.
She knew not, being for shame’s sake blind,
If his eyes were hot on her face hard by.
And the judge bade strip and ship them, and bind
Bosom to bosom, to drown and die.
The white girl winced and whitened; but he
Caught fire, waxed bright as a great bright flame
Seen with thunder far out on the sea,
Laughed hard as the glad blood went and came.
Twice his lips quailed with delight, then said,
“I have but a word to you all, one word;
Bear with me; surely I am but dead;”
And all they laughed and mocked him and heard.
“Judge, when they open the judgment-roll,
I will stand upright before God and pray:
‘Lord God, have mercy on one man’s soul,
For his mercy was great upon earth, I say.
“‘Lord, if I loved thee—Lord, if I served—
If these who darkened thy fair Son’s face
I fought with, sparing not one, nor swerved
A hand’s-breadth, Lord, in the perilous place—
“‘I pray thee say to this man, O Lord,
Sit thou for him at my feet on a throne.
I will face thy wrath, though it bite as a sword,
And my soul shall burn for his soul, and atone.
“‘For, Lord, thou knowest, O God most wise,
How gracious on earth were his deeds towards me.
Shall this be a small thing in thine eyes,
That is greater in mine than the whole great sea?’
“I have loved this woman my whole life long,
And even for love’s sake when have I said
‘I love you’? when have I done you wrong,
Living? but now I shall have you dead.
“Yea, now, do I bid you love me, love?
Love me or loathe, we are one not twain.
But God be praised in his heaven above
For this my pleasure and that my pain!
“For never a man, being mean like me,
Shall die like me till the whole world dies.
I shall drown with her, laughing for love; and she
Mix with me, touching me, lips and eyes.
“Shall she not know me and see me all through,
Me, on whose heart as a worm she trod?
You have given me, God requite it you,
What man yet never was given of God.”
O sweet one love, O my life’s delight,
Dear, though the days have divided us,
Lost beyond hope, taken far out of sight,
Not twice in the world shall the gods do thus.
Had it been so hard for my love? but I,
Though the gods gave all that a god can give,
I had chosen rather the gift to die,
Cease, and be glad above all that live.
For the Loire would have driven us down to the sea,
And the sea would have pitched us from shoal to shoal;
And I should have held you, and you held me,
As flesh holds flesh, and the soul the soul.
Could I change you, help you to love me, sweet,
Could I give you the love that would sweeten death,
We should yield, go down, locked hands and feet,
Die, drown together, and breath catch breath;
But you would have felt my soul in a kiss,
And known that once if I loved you well;
And I would have given my soul for this
To burn for ever in burning hell.
poem by Algernon Charles Swinburne

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Feast Of The Assumption
Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.
Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?
Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!
Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?
Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?
Dark! Dark! Dark!
Alas! and no! Thou didst not hear
Nor bend thy ear,
To prayer of woe as mine so drear;
For hearts more dear
Hid me from hearing and from sight
This bright Feast-day;
Wilt hear me, Mother, if in its night
I kneel and pray?
Dark! Dark! Dark!
The sun is set, the day is dead;
Thy Feast hath fled;
My eyes are wet with the tears I shed;
I bow my head;
Angels and altars hailed thee, Queen,
All day; ah! be
To-night what thou hast ever been --
A mother to me!
Dark! Dark! Dark!
Thy queenly crown in angels' sight
Is fair and bright;
Ah! lay it down; for, oh! to-night
Its jeweled light
Shines not as the tender love-light shines,
O Mary! mild,
In the mother's eyes, whose pure heart pines
For poor, lost child!
Dark! Dark! Dark!
Sceptre in hand, thou dost hold sway
Fore'er and aye
In angel-land; but, fair Queen! pray
Lay it away.
Let thy sceptre wave in the realms above
Where angels are;
But, Mother! fold in thine arms of love
Thy child afar!
Dark! Dark! Dark!
Mary, I call! Wilt hear the prayer
My poor lips dare?
Yea! be to all a Queen most fair,
Crown, sceptre, bear!
But look on me with a mother's eyes
From heaven's bliss;
And waft to me from the starry skies
A mother's kiss!
Dark! Dark! Dark!
The sun is set; the day is dead;
Her Feast has fled;
Can she forget the sweet blood shed,
The last words said
That evening -- 'Woman! behold thy Son!
Oh! priceless right,
Of all His children! The last, least one,
Is heard to-night.
poem by Abram Joseph Ryan

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Lovers In Arms
Passion explores
New avenues of the soul
Bringing with it fire
Burning lips kiss
Hot breath embracing
Each sensual touch
Lovers in arms
Moving in the night
A dance of desire
A serenade of passion
Eyes hold firm
Another’s longing gaze
Teeth bite against lips
A faint taste of blood
A racing heart
Telling its own tale
Where lovers in arms
Lay in the night
poem by Matthew Holloway

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The Foolish Elm
The bold young Autumn came riding along
One day where an elm-tree grew.
'You are fair,' he said, as she bent down her head,
'Too fair for your robe's dull hue.
You are far too young for a garb so old;
Your beauty needs color and sheen.
Oh, I would clothe you in scarlet and gold
Befitting the grace of a queen.
'For one little kiss on your lips, sweet elm,
For one little kiss, no more,
I would give you, I swear, a robe more fair
Than ever a princess wore.
One little kiss on those lips, my pet,
And lo! you shall stand, I say,
Queen of the forest, and, better yet,
Queen of my heart alway.'
She tossed her head, but he took the kiss-
'Tis the way of lovers bold-
And a gorgeous dress for that sweet caress
He gave ere the morning was old.
For a week and a day she ruled a queen
In beauty and splendid attire;
For a week and a day she was loved, I ween,
With the love that is born of desire.
Then bold-eyed Autumn went on his way
In search of a tree more fair;
And mob winds tattered her garments and scattered
Her finery here and there.
Poor and faded and ragged and cold
She rocked in her wild distress,
And longed for the dull green gown she had sold
For her fickle lover's caress.
And the days went by and Winter came,
And his tyrannous tempests beat
On the shivering tree, whose robes of flame
He had trampled under his feet.
I saw her reach up to the mocking skies
Her poor arms, bare and thin;
Ah, well-a-day! it is ever the way
With a woman who trades with sin.
poem by Ella Wheeler Wilcox

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Love's Lost Letter
As a traversed the earth, looking for gold
I realized my journey was tedious as time is old
Until I found something worth more than treasure
A beautiful soul lost in an enchanting letter.
Like a fool that I am I picked it up,
but to my better, to my pleasure I found something more valuable than ancient old treasure.
The Letter
Lost in heaven, I feel no love, without my dear- there is no bliss for me here. I see languid angels lament with love; the sweetest symphony of fingers playing on strings, strings of their lovers souls. But where art thou? My dear, without thou here, there is no love for me. Upon luxurious clouds, I see serene feet dance on loves free air, and scarlet red roses strewn in their lover's hair, and naked souls who with tender flesh kiss their lover's heart bare! But where art thou… if not here than nowhere! I see Mycenaean hyacinth flowers embroidered on jade green leaves crowned upon the brows of lover's hearts; laurels of love, a sight still not as beautiful as thee. Thee—Where art thou? I see children laughing on Persian green hills and infants sleeping on the delicate petals of giant yellow daffodils. I see pink hues flourish in the azure pastures of heaven, I see vivid dreams of those whom died, I have seen nothing without your grace, I am nothing here without you. This is not heaven, for thou art heaven to me! I see snowflakes toss to and fro in the whistling winds of musical beauty; snowflakes that resemble the eyes of Siberian Huskies—strange light blue snow with dark pupils, like marbles, put much more delicate. I see the maids of heaven with honey dipped blonde hair, drink the snow and twirl in fiery light. I see lovers hidden in a veiled mist indulge in love, where love does truly exist, but not I? I do not exist without you my dear. There is no love in the land of love for me here. Though I cannot weep, for this place is too beautiful for tears to seep. Still I wander in the land of love looking for you my dear. Tired, I close my eyes and see you there, with my soul on thy body and with my love thou wear the paradise of heaven, the land of love, the dreams of that I saw I swear.
Who needs gold?
When love is fortold.
Now I know what love is...
I close my eyes
Perch my lips
And my sweet love gives me a kiss…..
'Never leave me for a minute again! ' said his sweet love.
poem by Kevin Michael Murphy

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Love Whispers Intimacy Lips
this is love
the lovers' touch
when light
quivers in eyes
when eyelashes
butterfly kiss
naked caress
soft lovers' skin
love whispers
intimacy lips
in firefly flight
heard in touch
two pierced souls
share heart hearing
hands fingertip
love soft caring
bodies depth dance
love lock soul trance
beautifully described
beautifully depicted
in one soul breath
in one soul vision
touch of two souls
one in loves embraces
poem by Terence George Craddock

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The Dead Singer
'SHE is dead!' they say; 'she is robed for the grave; O there are lilies upon her breast;
Her mother has kissed her clay-cold lips, and folded her hands to rest;
Her blue eyes show through the waxen lids: they have hidden her hair's gold crown;
Her grave is dug, and its heap of earth is waiting to press her down.'
'She is dead!' they say to the people, her people, for whom she sung;
Whose hearts she touched with sorrow and love, like a harp with life-chords strung.
And the people hear—but behind their tear they smile as though they heard
Another voice, like a mystery, proclaim another word.
'She is not dead.' it says to their hearts; 'true Singers can never die;
Their life is a voice of higher things, unseen to the common eye;
The truths and the beauties are clear to them, God's right and the human wrong,
The heroes who die unknown, and the weak who are chained and scourged by the strong.'
And the people smile at the death-word, for the mystic voice is clear:
'THE SINGER WHO LIVED IS ALWAYS ALIVE: WE HEARKEN AND ALWAYS HEAR!'
And they raise her body with tender hands, and bear her down to the main,
They lay her in state on the mourning ship, like the lily-maid Elaine;
And they sail to her isle across the sea, where the people wait on the shore
To lift her in silence with heads all bare to her home forevermore,
Her home in the heart of her country; oh, a grave among our own
Is warmer and dearer than living on in the stranger lands alone.
No need of a tomb for the Singer! Her fair hair's pillow now
Is the sacred clay of her country, and the sky above her brow
Is the same that smiled and wept on her youth, and the grass around is deep
With the clinging leaves of the shamrock that cover her peaceful sleep.
Undreaming there she will rest and wait, in the tomb her people make,
Till she hears men's hearts, like the seeds in Spring, all stirring to be awake,
Till she feels the moving of souls that strain till the bands around them break;
And then, I think, her dead lips will smile and her eyes be oped to see,
When the cry goes out to the Nations that the Singer's land is free!
poem by John Boyle O'Reilly

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Faustine
LEAN BACK, and get some minutes’ peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.
The shapely silver shoulder stoops,
Weighed over clean
With state of splendid hair that droops
Each side, Faustine.
Let me go over your good gifts
That crown you queen;
A queen whose kingdom ebbs and shifts
Each week, Faustine.
Bright heavy brows well gathered up:
White gloss and sheen;
Carved lips that make my lips a cup
To drink, Faustine,
Wine and rank poison, milk and blood,
Being mixed therein
Since first the devil threw dice with God
For you, Faustine.
Your naked new-born soul, their stake,
Stood blind between;
God said “let him that wins her take
And keep Faustine.”
But this time Satan throve, no doubt:
Long since, I ween,
God’s part in you was battered out;
Long since, Faustine.
The die rang sideways as it fell,
Rang cracked and thin,
Like a man’s laughter heard in hell
Far down, Faustine,
A shadow of laughter like a sigh,
Dead sorrow’s kin;
So rang, thrown down, the devil’s die
That won Faustine.
A suckling of his breed you were,
One hard to wean;
But God, who lost you, left you fair,
We see, Faustine.
You have the face that suits a woman
For her soul’s screen—
The sort of beauty that’s called human
In hell, Faustine.
You could do all things but be good
Or chaste of mien;
And that you would not if you could,
We know, Faustine.
Even he who cast seven devils out
Of Magdalene
Could hardly do as much, I doubt,
For you, Faustine.
Did Satan make you to spite God?
Or did God mean
To scourge with scorpions for a rod
Our sins, Faustine?
I know what queen at first you were,
As though I had seen
Red gold and black imperious hair
Twice crown Faustine.
As if your fed sarcophagus
Spared flesh and skin,
You come back face to face with us,
The same Faustine.
She loved the games men played with death,
Where death must win;
As though the slain man’s blood and breath
Revived Faustine.
Nets caught the pike, pikes tore the net;
Lithe limbs and lean
From drained-out pores dripped thick red sweat
To soothe Faustine.
She drank the steaming drift and dust
Blown off the scene;
Blood could not ease the bitter lust
That galled Faustine.
All round the foul fat furrows reeked,
Where blood sank in;
The circus splashed and seethed and shrieked
All round Faustine.
But these are gone now: years entomb
The dust and din;
Yea, even the bath’s fierce reek and fume
That slew Faustine.
Was life worth living then? and now
Is life worth sin?
Where are the imperial years? and how
Are you Faustine?
Your soul forgot her joys, forgot
Her times of teen;
Yea, this life likewise will you not
Forget, Faustine?
For in the time we know not of
Did fate begin
Weaving the web of days that wove
Your doom, Faustine.
The threads were wet with wine, and all
Were smooth to spin;
They wove you like a Bacchanal,
The first Faustine.
And Bacchus cast your mates and you
Wild grapes to glean;
Your flower-like lips were dashed with dew
From his, Faustine.
Your drenched loose hands were stretched to hold
The vine’s wet green,
Long ere they coined in Roman gold
Your face, Faustine.
Then after change of soaring feather
And winnowing fin,
You woke in weeks of feverish weather,
A new Faustine.
A star upon your birthday burned,
Whose fierce serene
Red pulseless planet never yearned
In heaven, Faustine.
Stray breaths of Sapphic song that blew
Through Mitylene
Shook the fierce quivering blood in you
By night, Faustine.
The shameless nameless love that makes
Hell’s iron gin
Shut on you like a trap that breaks
The soul, Faustine.
And when your veins were void and dead,
What ghosts unclean
Swarmed round the straitened barren bed
That hid Faustine?
What sterile growths of sexless root
Or epicene?
What flower of kisses without fruit
Of love, Faustine?
What adders came to shed their coats?
What coiled obscene
Small serpents with soft stretching throats
Caressed Faustine?
But the time came of famished hours,
Maimed loves and mean,
This ghastly thin-faced time of ours,
To spoil Faustine.
You seem a thing that hinges hold,
A love-machine
With clockwork joints of supple gold—
No more, Faustine.
Not godless, for you serve one God,
The Lampsacene,
Who metes the gardens with his rod;
Your lord, Faustine.
If one should love you with real love
(Such things have been,
Things your fair face knows nothing of,
It seems, Faustine);
That clear hair heavily bound back,
The lights wherein
Shift from dead blue to burnt-up black;
Your throat, Faustine,
Strong, heavy, throwing out the face
And hard bright chin
And shameful scornful lips that grace
Their shame, Faustine,
Curled lips, long since half kissed away,
Still sweet and keen;
You’d give him—poison shall we say?
Or what, Faustine?
poem by Algernon Charles Swinburne

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A Litany
FIRST ANTIPHONE.
ALL the bright lights of heaven
I will make dark over thee;
One night shall be as seven
That its skirts may cover thee;
I will send on thy strong men a sword,
On thy remnant a rod;
Ye shall know that I am the Lord,
Saith the Lord God.
SECOND ANTIPHONE.
All the bright lights of heaven
Thou hast made dark over us;
One night has been as seven
That its skirt might cover us;
Thou hast sent on our strong men a sword,
On our remnant a rod;
We know that thou art the Lord,
O Lord our God.
THIRD ANTIPHONE.
As the tresses and wings of the wind
Are scattered and shaken,
I will scatter all them that have sinned,
There shall none be taken;
As a sower that scattereth seed,
So will I scatter them;
As one breaketh and shattereth a reed,
I will break and shatter them.
FOURTH ANTIPHONE.
As the wings and the locks of the wind
Are scattered and shaken,
Thou hast scattered all them that have sinned,
There was no man taken;
As a sower that scattereth seed,
So hast thou scattered us;
As one breaketh and shattereth a reed,
Thou hast broken and shattered us.
FIFTH ANTIPHONE.
From all thy lovers that love thee
I God will sunder thee;
I will make darkness above thee,
And thick darkness under thee;
Before me goeth a light,
Behind me a sword;
Shall a remnant find grace in my sight?
I am the Lord.
SIXTH ANTIPHONE.
From all our lovers that love us
Thou God didst sunder us;
Thou madest darkness above us,
And thick darkness under us;
Thou hast kindled thy wrath for a light,
And made ready thy sword;
Let a remnant find grace in thy sight,
We beseech thee, O Lord.
SEVENTH ANTIPHONE.
Wilt thou bring fine gold for a payment
For sins on this wise?
For the glittering of raiment
And the shining of eyes,
For the painting of faces
And the sundering of trust,
For the sins of thine high places
And delight of thy lust?
For your high things ye shall have lowly,
Lamentation for song;
For, behold, I God am holy,
I the Lord am strong;
Ye shall seek me and shall not reach me
Till the wine-press be trod;
In that hour ye shall turn and beseech me,
Saith the Lord God.
EIGHTH ANTIPHONE.
Not with fine gold for a payment,
But with coin of sighs,
But with rending of raiment
And with weeping of eyes,
But with shame of stricken faces
And with strewing of dust,
For the sin of stately places
And lordship of lust;
With voices of men made lowly,
Made empty of song,
O Lord God most holy,
O God most strong,
We reach out hands to reach thee
Ere the wine-press be trod;
We beseech thee, O Lord, we beseech thee,
O Lord our God.
NINTH ANTIPHONE.
In that hour thou shalt say to the night,
Come down and cover us;
To the cloud on thy left and thy right,
Be thou spread over us;
A snare shall be as thy mother,
And a curse thy bride;
Thou shalt put her away, and another
Shall lie by thy side.
Thou shalt neither rise up by day
Nor lie down by night;
Would God it were dark! thou shalt say;
Would God it were light!
And the sight of thine eyes shall be made
As the burning of fire;
And thy soul shall be sorely afraid
For thy soul’s desire.
Ye whom your lords loved well,
Putting silver and gold on you,
The inevitable hell
Shall surely take hold on you;
Your gold shall be for a token,
Your staff for a rod;
With the breaking of bands ye are broken,
Saith the Lord God.
TENTH ANTIPHONE.
In our sorrow we said to the night,
Fall down and cover us;
To the darkness at left and at right,
Be thou shed over us;
We had breaking of spirit to mother
And cursing to bride;
And one was slain, and another
Stood up at our side.
We could not arise by day,
Nor lie down by night;
Thy sword was sharp in our way,
Thy word in our sight;
The delight of our eyelids was made
As the burning of fire;
And our souls became sorely afraid
For our soul’s desire.
We whom the world loved well,
Laying silver and gold on us,
The kingdom of death and of hell
Riseth up to take hold on us;
Our gold is turned to a token,
Our staff to a rod;
Yet shalt thou bind them up that were broken,
O Lord our God.
poem by Algernon Charles Swinburne

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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt

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Agnes And The Hill-Man
TRANSLATED FROM THE DANISH.
Agnes went through the meadows a-weeping,
Fowl are a-singing.
There stood the hill-man heed thereof keeping.
Agnes, fair Agnes!
“Come to the hill, fair Agnes, with me,
The reddest of gold will I give unto thee!”
Twice went Agnes the hill round about,
Then wended within, left the fair world without.
In the hillside bode Agnes, three years thrice told o’er,
For the green earth sithence fell she longing full sore.
There she sat, and lullaby sang in her singing,
And she heard how the bells of England were ringing.
Agnes before her true-love did stand:
“May I wend to the church of the English Land?”
“To England’s Church well mayst thou be gone,
So that no hand thou lay the red gold upon.
“So that when thou art come the churchyard anear
Thou cast not abroad thy golden hair.
“So that when thou standest the church within
To thy mother on bench thou never win.
“So that when thou hearest the high God’s name,
No knee unto earth thou bow to the same.”
Hand she laid on all gold that was there,
And cast abroad her golden hair.
And when the church she stood within
To her mother on bench straight did she win.
And when she heard the high God’s name,
Knee unto earth she bowed to the same.
When all the mass was sung to its end
Home with her mother dear did she wend.
“Come, Agnes, into the hillside to me,
For thy seven small sons greet sorely for thee!”
“Let them greet, let them greet, as they have will to do;
For never again will I hearken thereto!”
Weird laid he on her, sore sickness he wrought,
Fowl are a-singing.
That self-same hour to death was she brought.
Agnes, fair Agnes!
poem by William Morris

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The King Of Denmark's Sons
In Denmark gone is many a year,
So fair upriseth the rim of the sun,
Two sons of Gorm the King there were,
So grey is the sea when day is done.
Both these were gotten in lawful bed
Of Thyrre Denmark’s Surety-head.
Fair was Knut of face and limb
As the breast of the Queen that suckled him.
But Harald was hot of hand and heart
As lips of lovers ere they part.
Knut sat at home in all men’s love,
But over the seas must Harald rove.
And for every deed by Harald won,
Gorm laid more love on Knut alone.
On a high-tide spake the King in hall,
“Old I grow as the leaves that fall.
“Knut shall reign when I am dead,
So shall the land have peace and aid.
“But many a ship shall Harald have,
For I deem the sea well wrought for his grave.”
Then none spake save the King again,
“If Knut die all my days be vain.
“And whoso the tale of his death shall tell,
Hath spoken a word to gain him hell.
“Lo here a doom I will not break,”
So fair upriseth the rim of the sun.
“For life or death or any man’s sake,”
So grey is the sea when the day is done.
O merry days in the summer-tide!
So fair upriseth the rim of the sun.
When the ships sail fair and the young men ride.
So grey is the sea when day is done.
Now Harald has got him east away,
And each morrow of fight was a gainful day.
But Knut is to his fosterer gone
To deal in deeds of peace alone.
So wear the days, and well it is
Such lovely lords should dwell in bliss.
O merry in the winter-tide
When men to Yule-feast wend them wide.
And here lieth Knut in the Lima-firth
When the lift is low o’er the Danish earth.
“Tell me now, Shipmaster mine,
What are yon torches there that shine?”
“Lord, no torches may these be
But golden prows across the sea.
“For over there the sun shines now
And the gold worms gape from every prow.”
The sun and the wind came down o’er the sea,
“Tell them over how many they be!”
“Ten I tell with shield-hung sides.
Nought but a fool his death abides.”
“Ten thou tellest, and we be three,
Good need that we do manfully.
“Good fellows, grip the shield and spear,
For Harald my brother draweth near.
“Well breakfast we when night is done,
And Valhall’s cock crows up the sun.”
Up spoke Harald in wrathful case:
“I would have word with this waxen face!
“What wilt thou pay, thou hucksterer,
That I let thee live another year?
“For oath that thou wilt never reign
Will I let thee live a year or twain.”
“Kisses and love shalt thou have of me
If yet my liegeman thou wilt be.
“But stroke of sword, and dint of axe,
Or ere thou makest my face as wax.”
As thick the arrows fell around
As fall sere leaves on autumn ground.
In many a cheek the red did wane
No maid might ever kiss again.
“Lay me aboard,” Lord Harald said,
“The winter day will soon be dead!
“Lay me aboard the bastard’s ship,
And see to it lest your grapnels slip!”
Then some they knelt and some they drowned,
And some lay dead Lord Knut around.
“Look here at the wax-white corpse of him,
As fair as the Queen in face and limb!
“Make now for the shore, for the moon is bright,
And I would be home ere the end of night.
“Two sons last night had Thyrre the Queen,
So fair upriseth the rim of the sun.
And both she may lack ere the woods wax green,”
So grey is the sea when day is done.
A little before the morning tide,
So fair upriseth the rim of the sun,
Queen Thyrre looked out of her window-side,
So grey is the sea when day is done.
“O men-at-arms, what men be ye?”
“Harald thy son come over the sea.”
“Why is thy face so pale, my son?”
“It may be red or day is done.”
“O evil words of an evil hour!
Come, sweet son, to thy mother’s bower!”
None from the Queen’s bower went that day
Till dark night over the meadows lay.
None thenceforth heard wail or cry
Till the King’s feast was waxen high.
Then into the hall Lord Harald came
When the great wax lights were all aflame.
“What tidings, son, dost thou bear to me?
Speak out before I drink with thee.”
“Tidings small for a seafarer.
Two falcons in the sea-cliff’s were;
“And one was white and one was grey
And they fell to battle on a day;
“They fought in the sun, they fought in the wind,
No boot the white fowl’s wounds to bind.
“They fought in the wind, they fought in the sun,
And the white fowl died when the play was done.”
“Small tidings these to bear o’er the sea!
Good hap that nothing worser they be!
“Small tidings for a travelled man!
Drink with me, son, whiles yet ye can!
“Drink with me ere thy day and mine,
So fair upriseth the rim of the sun,
Be nought but a tale told over the wine.”
So grey is the sea when day is done.
Now fareth the King with his men to sleep,
So fair upriseth the rim of the sun,
And dim the maids from the Queen’s bower creep,
So grey is the sea when day is done.
And in the hall is little light,
And there standeth the Queen with cheeks full white.
And soft the feet of women fall
From end to end of the King’s great hall.
These bear the gold-wrought cloths away,
And in other wise the hall array;
Till all is black that hath been gold
So heavy a tale there must be told.
The morrow men looked on King Gorm and said
“Hath he dreamed a dream or beheld the dead?
“Why is he sad who should be gay?
Why are the old man’s lips so grey?”
Slow paced the King adown the hall,
Nor looked aside to either wall,
Till in high-seat there he sat him down,
And deadly old men deemed him grown.
“O Queen, what thrall’s hands durst do this,
To strip my hall of mirth and bliss?”
“No thrall’s hands in the hangings were,
No thrall’s hands made the tenters bare.
“King’s daughters’ hands have done the deed,
The hands of Denmark’s Surety-head.”
“Nought betters the deed thy word unsaid.
Tell me that Knut my son is dead!”
She said: “The doom on thee, O King!
For thine own lips have said the thing.”
Men looked to see the King arise,
The death of men within his eyes.
Men looked to see his bitter sword
That once cleared ships from board to board.
But in the hall no sword gleamed wide,
His hand fell down along his side.
No red there came into his cheek,
He fell aback as one made weak.
His wan cheek brushed the high-seat’s side,
And in the noon of day he died.
So lieth King Gorm beneath the grass,
But from mouth to mouth this tale did pass.
And Harald reigned and went his way,
So fair upriseth the rim of the sun.
And still is the story told to-day,
So grey is the sea when day is done.
poem by William Morris

Submitted by Poetry Lover
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Parted Presence
LOVE, I speak to your heart,
Your heart that is always here.
Oh draw me deep to its sphere,
Though you and I are apart,
And yield, by the spirit's art,
Each distant gift that is dear.
O love, my love, you are here!
Your eyes are afar to-day,
Yet, love, look now in mine eyes.
Two hearts sent forth may despise
All dead things by the way.
All between is decay,
Dead hours and this hour that dies.
O love, look deep in mine eyes!
Your hands to-day are not here,
Yet lay them, love, in my hands.
The hourglass sheds its sands
All day for the dead hours' bier;
But now, as two hearts draw near,
This hour like a flower expands.
O love, your hands in my hands!
Your voice is not on the air,
Yet, love, I can hear your voice:
It bids my heart to rejoice
As knowing your heart is there,—
A music sweet to declare
The truth of your steadfast choice.
O love, how sweet is your voice!
To-day your lips are afar,
Yet draw my lips to them, love.
Around, beneath, and above,
Is frost to bind and to bar;
But where I am and you are,
Desire and the fire thereof.
O kiss me, kiss me, my love!
Your heart is never away,
But ever with mine, for ever,
For ever without endeavour,
To-morrow, love, as to-day;
Two blent hearts never astray,
Two souls no power may sever,
Together, O my love, for ever!
poem by Dante Gabriel Rossetti

Submitted by Poetry Lover
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