Song Of The Sardine

A fat man sat in an orchestra stall and his cheeks were wet with tears,
As he gazed at the primadonna tall, whom he hadn't seen in years.
"Oh don't you remember" he murmured low "that Spring in Montparnasse,
When hand in hand we used to go to our nightly singing class.
Ah me those days so gay and glad, so full of hope and cheer.
And that little super that we had of tinned sardines and beer.
When you looked so like a little queen with your proud and haughty air,
That I took from the box the last sardine and I twined it in your hair."

Alas I am only a stockbroker now while you are high and great,
The laurels of fame adorn your brow while on you Princes wait.
And as I sit so sadly here and list to your thrilling tones,
You cannot remember I sadly fear if my name is Smith or jones.
Yet Oh those days of long ago, when I had scarce a sou.
And as my bitter tears down flow I think again of you.
And once again I seem to see that mad of sweet sixteen,
Within whose tresses tenderly I twined that bright sardine.

Chorus:
Oh that sardine in your hair, I can see it shining there,
As I took it from its box, And I twined it in your locks.
Silver sardine in your hair. Like a jewel rich and rare,
Oh that little silver sardine in your hair.

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Bjørnstjerne Bjørnson

Venevil

Fair Venevil hastened with tripping feet
Her lover to meet.
He sang, so it rang o'er the church far away:
"Good-day! Good-day!"

And all the little birds sang right merrily their lay:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath of the flowers blue:
"My eyes for you!"
He tossed it and caught it and to her did bend:
"Good-by, my friend!"
And loudly he exulted at the field's far distant end:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

She twined him a wreath: "Do at all you care
For my golden hair?"
She twined one, and gave in life's hour so rare
Her red lips' pair;
He took them and he pressed them, and he blushed as she did there.

She twined one all white as a lily-band:
"'T is my right hand."
She twined one blood-red, with her love in each strand:
"'T is my left hand."
He took them both and kept them both, but would not understand.

She twined of the flowers that bloomed around
"Every one I found!"
She gathered and twined, while tears would her eyes fill:
"Take them you will!"
In silence then he took them, but to flight he turned him still.

She twined one so large, of discordant hue:
"My bride's-wreath true!"
She twined it and twined, till her fingers were sore:
"Crown me, I implore!"
But when she turned, he was not there, she never saw him more.

She twined yet undaunted without a stay
At her bride's-array.
But now it was long past the Midsummer Day,
All the flowers away:
She twined it of the flowers, though they all were now away!
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"

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The Bread-Knife Ballad

A little child was sitting Up on her mother's knee
And down down her cheeks the bitter tears did flow.
And as I sadly listened I heard this tender plea,
'Twas uttered in a voice so soft and low.

"Not guilty" said the Jury And the Judge said "Set her free,
But remember it must not occur again.
And next time you must listen to you little daughter's plea,"
Then all the Court did join in this refrain.

Chorus:
"Please Mother don't stab Father with the BREAD-KNIFE,
Remember 'twas a gift when you were wed.
But if you must stab Father with the BREAD-KNIFE,
Please Mother use another for the BREAD."

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Lead "me" to "me

What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….

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Thoughts in a Far Country

I rise and applaud, in the patriot manner,
Whenever (as often) I hear
The palpitanat strains of "The Star Spangled Banner,"--
I shout and cheer.

And also, to show my unbound devotion,
I jump to my feet with a "Whee!"
Whenever "Columbia, the Gem of the Ocean"
Is played near me.

My fervour's so hot and my ardour so searing--
I'm hoarse for a couple of days--
You've heard me, I'm positive, joyously cheering
"The Marsailles"

I holler for "Dixie." I go off my noodle,
I whistle, I pound, and I stamp
Whenever an orchestra plays "Yankee Doodle,"
Or "Tramp, Tramp, Tramp."

But if you would enter my confidence, reader,
Know that I'd go clean off my dome,
And madly embrace any orchestra leader
For "Home, Sweet Home."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The Idealist

Oh you who have daring deeds to tell!
And you who have felt Ambition's spell!
Have you heard of the louse who longed to dwell
In the golden hair of a queen?
He sighed all day and he sighed all night,
And no one could understand it quite,
For the head of a slut is a louse's delight,
But he pined for the head of a queen.

So he left his kinsfolk in merry play,
And off by his lonesome he stole away,
From the home of his youth so bright and gay,
And gloriously unclean.
And at last he came to the palace gate,
And he made his way in a manner straight
(For a louse may go where a man must wait)
To the tiring-room of the queen.

The queen she spake to her tiring-maid:
"There's something the matter, I'm afraid.
To-night ere for sleep my hair ye braid,
Just see what may be seen."
And lo, when they combed that shining hair
They found him alone in his glory there,
And he cried: "I die, but I do not care,
For I've lived in the head of a queen!"

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The Key Of The Street

"Miss Rosemary," I dourly said,
"Our balance verges on the red,
We must cut down our overhead.
One of the staff will have to go.
There's Mister Jones, he's mighty slow,
Although he does his best, I know.

"A deer old man; I like him well,
But age, alas! will always tell.
Miss Rosemary, please ring the bell
And tell old Jones to step this way . . .
Oh dear, oh dear, it isn't gay
To say the things I have to say.

"Come in and sit down, Mister Jones."
He thanks me in sepulchral tones.
Poor chap! I hear his creaking bones.
"Have a cigar? And how's your wife?
What's that! You're fearing for her life -
A cancer and the surgeon's knife. . . .

"Yes, operations are so dear,
But it's your comfort and your cheer
To know your job's so steady here."
These are his words; so meek and mild,
He looks just like a simple child . . .
Go! darn it! Suddenly I'm riled.

And so I say: "That's just too bad.
But Mister Jones. it's very sad,
You know what losses we have had.
We must cut down in times like these,
So here's a cheque, Oh take it please -
'Twill help to pay your doctor's fees.

"And just to show how I appraise
Your work - despite these doleful days
I'm giving you . . . a little raise."

Said Rosemary: "Old Jones is crying."
Thought I: "Yes, each week I'll be sighing,
When from my pocket I am prying
Ten bucks to keep his wife from dying."

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Thomas Hardy

At Lulworth Cove a Century Back

Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:

"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."

"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."

"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"

"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

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Emily Dickinson

Arcturus

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.

What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!

Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—

I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."

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The Maid-Servant At The Inn

"It's queer," she said; "I see the light
As plain as I beheld it then,
All silver-like and calm and bright-
We've not had stars like that again!

"And she was such a gentle thing
To birth a baby in the cold.
The barn was dark and frightening-
This new one's better than the old.

"I mind my eyes were full of tears,
For I was young, and quick distressed,
But she was less than me in years
That held a son against her breast.

"I never saw a sweeter child-
The little one, the darling one!-
I mind I told her, when he smiled
You'd know he was his mother's son.

"It's queer that I should see them so-
The time they came to Bethlehem
Was more than thirty years ago;
I've prayed that all is well with them."

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The Rhyme of the O'Sullivan

Pro Bono Publico
Went out the streets to scan,
And marching to and fro
He met a seedy man,
Who did a tale unfold
In solemn tones and slow
And this is what he told
Pro Bono Publico.

"For many years I led
The people's onward march;
I was the 'Fountain Head',
The 'Democratic Arch'.

"In more than regal state
I used to sit and smile,
And bridges I'd donate,
And railways by the mile.

"I pawned the country off
For many million quid,
And spent it like a toff --
So hel me, Bob, I did.

"But now those times are gone,
The wind blows cold and keen;
I sit and think upon
The thing that I have been.

"And if a country town
Its obligation shirks,
I press for money down
To pay for water works.

"A million pounds or two
Was naught at all to me --
And now I have to sue
For paltry £ s d!

"Alas, that such a fate
Should come to such a man,
Who once was called the Great --
The great O'Sullivan!"

With weary steps and slow,
With tears of sympathy
Pro Bono Publico
Went sadly home to tea.

Remarking, as he went,
With sad and mournful brow,
"The cash that party spent --
I wish I had it now!"

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Louise Driscoll

Harbury

All the men of Harbury go down to the sea in ships,
The wind upon their faces, the salt upon their lips.

The little boys of Harbury when they are laid to sleep,
Dream of masts and cabins and the wonders of the deep.

The women-folk of Harbury have eyes like the sea,
Wide with watching wonder, deep with mystery.

I met a woman: "Beyond the bar," she said,
"Beyond the shallow water where the green lines spread,

"Out beyond the sand-bar and the white spray,
My three sons wait for the Judgment Day."

I saw an old man who goes to sea no more,
Watch from morn till evening down on the shore.

"The sea's a hard mistress," the old man said;
"The sea is always hungry and never full fed.

"The sea had my father and took my son from me --
Sometimes I think I see them, walking on the sea!

"I'd like to be in Harbury on the Judgment Day,
When the word is spoken and the sea is wiped away,

"And all the drowned fisher boys, with sea-weed in their hair,
Rise and walk to Harbury to greet the women there.

"I'd like to be in Harbury to see the souls arise,
Son and mother hand in hand, lovers with glad eyes.

"I think there would be many who would turn and look with me,
Hoping for another glimpse of the cruel sea!

"They tell me that in Paradise the fields are green and still,
With pleasant flowers everywhere that all may take who will,

"And four great rivers flowing from out the Throne of God
That no one ever drowns in and souls may cross dry-shod.

"I think among those wonders there will be men like me,
Who miss the old salt danger of the singing sea.

"For in my heart, like some old shell, inland, safe and dry,
Any one who harks will still hear the sea cry."

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Lesson

Whenever my mother, who taught
small children forty years,
asked a question, she
already knew the answer.
"Would you like to" meant
you would. "Shall we" was
another, and "Don't you think."
As in "Don't you think
it's time you cut your hair."

So when, in the bare room,
in the strict bed, she said,
"You want to see?" her hands
were busy at her neckline,
untying the robe, not looking
down at it, stitches
bristling where the breast
had been, but straight at me.

I did what I always did:
not weep --she never wept--
and made my face a kindly
whitewashed wall, so she
could write, again, whatever
she wanted there.


Anonymous submission.

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In Alexandria, 31 B.C.

From his village near the outskirts of town,
still dust-covered from the journey in,
the peddler arrives. And "Incense!" "Gum!"
"The best olive oil!" "Perfume for your hair!"
he hawks through the streets. But with all the hubbub,
the music, the parades, who can hear him?
The crowd shoves him, drags him along, knocks him around.
And when he asks, now totally confused, "What's going on here?"
someone tosses him too the huge palace lie:
that Antony is winning in Greece.

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Lewis Carroll

You Are Old Father William

"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?

"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."

"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"

"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"

"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"

"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."

"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"

"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?

Be off, or I'll kick you down stairs.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Anna Comnena

In the prologue to her Alexiad,
Anna Comnena laments her widowhood.

Her soul is dizzy. "And with rivers
of tears," she tells us "I wet
my eyes... Alas for the waves" in her life,
"alas for the revolts." Pain burns her
"to the the bones and the marrow and the cleaving of the soul."

But it seems the truth is, that this ambitious woman
knew only one great sorrow;
she only had one deep longing
(though she does not admit it) this haughty Greek woman,
that she was never able, despite all her dexterity,
to acquire the Kingship; but it was taken
almost out of her hands by the insolent John.

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Grand-Père

And so when he reached my bed
The General made a stand:
"My brave young fellow," he said,
"I would shake your hand."

So I lifted my arm, the right,
With never a hand at all;
Only a stump, a sight
Fit to appal.

"Well, well. Now that's too bad!
That's sorrowful luck," he said;
"But there! You give me, my lad,
The left instead."

So from under the blanket's rim
I raised and showed him the other,
A snag as ugly and grim
As its ugly brother.

He looked at each jagged wrist;
He looked, but he did not speak;
And then he bent down and kissed
Me on either cheek.

You wonder now I don't mind
I hadn't a hand to offer. . . .
They tell me (you know I'm blind)
'Twas Grand-Père Joffre.

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Retired Shopman

He had the grocer's counter-stoop,
That little man so grey and neat;
His moustache had a doleful droop,
He hailed me in the slushy street.
"I've sold my shop," he said to me,
Cupping his hand behind his ear.
"My deafness got so bad, you see,
Folks had to shout to make me hear."

He sighed and sadly shook his head;
The hand he gave was chill as ice.
"I sold out far too soon," he said;
"To-day I'd get ten times the price.
But then how was a man to know,
(The War, the rising cost of life.)
We have to pinch to make things go:
It's tough - I'm sorry for the wife.

"She looks sometimes at me with tears.
'You worked so hard,' I hear her say.
'You had your shop for forty years,
And you were honest as the day.'
Ah yes, I loved my shop, it's true;
My customers I tried to please;
But when one's deaf and sixty-two
What can one do in times like these?

"My savings, that I fondly thought
Would keep me snug when we were old,
Are melting fast - what once I bought
For silver, now is sought with gold.
The cost of life goes up each day;
I wonder what will be the end?"
He sighed, I saw him drift away
And thought: Alas for you, my friend!

and every day I see him stop
And look and look with wistful eye
At what was once his little shop,
Whose goods he can no longer buy.
Then homeward wearily he goes
To where his wife bed-ridden lies,
A driblet dangling from his nose. . . .
But Oh the panic in his eyes!

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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