November
As I walk the misty hill
All is languid, fogged, and still;
Not a note of any bird
Nor any motion's hint is heard,
Save from soaking thickets round
Trickle or water's rushing sound,
And from ghostly trees the drip
Of runnel dews or whispering slip
Of leaves, which in a body launch
Listlessly from the stagnant branch
To strew the marl, already strown,
With litter sodden as its own,
A rheum, like blight, hangs on the briars,
And from the clammy ground suspires
A sweet frail sick autumnal scent
Of stale frost furring weeds long spent;
And wafted on, like one who sleeps,
A feeble vapour hangs or creeps,
Exhaling on the fungus mould
A breath of age, fatigue, and cold.
Oozed from the bracken's desolate track,
By dark rains havocked and drenched black.
A fog about the coppice drifts,
Or slowly thickens up and lifts
Into the moist, despondent air.
Mist, grief, and stillness everywhere....
And in me, too, there is no sound
Save welling as of tears profound,
Where in me cloud, grief, stillness reign,
And an intolerable pain
Begins.
Rolled on as in a flood there come
Memories of childhood, boyhood, home,
And that which, sudden, pangs me most,
Thought of the first-belov'd, long lost,
Too easy lost! My cold lips frame
Tremulously the familiar name,
Unheard of her upon my breath:
'Elizabeth. Elizabeth.'
No voice answers on the hill,
All is shrouded, sad, and still ...
Stillness, fogged brakes, and fog on high.
Only in me the waters cry
Who mourn the hours now slipped for ever,
Hours of boding, joy, and fever,
When we loved, by chance beguiled,
I a boy and you a child —
Child! but with an angel's air,
Astonished, eager, unaware,
Or elfin's, wandering with a grace
Foreign to any fireside race,
And with a gaiety unknown
In the light feet and hair backblown,
And with a sadness yet more strange,
In meagre cheeks which knew to change
Or faint or fired more swift than sight,
And forlorn hands and lips pressed white,
And fragile voice, and head downcast,
Hiding tears, lifted at the last
To speed with one pale smile the wise
Glance of the grey immortal eyes.
How strange it was that we should dare
Compound a miracle so rare
As, 'twixt this pace and Time's next pace,
Each to discern th' elected's face!
Yet stranger that the high sweet fire,
In hearts nigh foreign to desire,
Could burn, sigh, weep, and burn again
As oh, it never has since then!
Most strange of all that we so young
Dared learn but would not speak love's tongue,
Love pledged but in the reveries
Of our sad and dreaming eyes....
Now upon such journey bound me,
Grief, disquiet, and stillness round me,
As bids me where I cannot tell,
Turn I and sigh, unseen, farewell.
Breathe the name as soft as mist,
Lips, which nor kissed her nor were kissed!
And again — a sigh, a death —
'Elizabeth. Elizabeth.'
No voice answers; but the mist
Glows for a moment amethyst
Ere the hid sun dissolves away,
And dimness, growing dimmer grey,
Hides all ... till nothing can I see
But the blind walls enclosing me,
And no sound and no motion hear
But the vague water throbbing near,
Sole voice upon the darkening hill
Where all is blank and dead and still.
poem by Robert Nichols
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Related quotes
Stillness Of The Night
Midnight on the hill I heard the thunder fill
The stillness of the night
It hit me like a slap, youre never comin back
From the stillness of the night
It was never black or white, neither wrong or right
Like the shadow of a full moons light
I knew wed lost the track, when I heard the lightning crack
The stillness of the night
Chorus
In the stillness of the night
Thats when well make it right
We can stop the thunder till the light
In the stillness of the night
I know you think you hear, those voices in your ear
In the stillness of the night
But Ive tried to make it clear theres nothing left to fear
Just the stillness of the night
And if you listen hard you might find the reason for your fright
Just the wind is high tonight
And the danger we must face is the anger of this race
In the stillness of the night
Chorus
song performed by by Reo Speedwagon
Submitted by Lucian Velea
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Burial
And when the Lord saw her, He had compassion on her, and said unto
her, Weep not. And He came and touched the bier; and they that
bare him stood still. And He said, Young man, I say unto thee,
Arise.--St. Luke vii. 13, 14.
Who says, the wan autumnal soon
Beams with too faint a smile
To light up nature's face again,
And, though the year be on this wane,
With thoughts of spring the heart beguile?
Waft him, thou soft September breeze,
And gently lay him down
Within some circling woodland wall,
Where bright leaves, reddening ere they fall,
Wave gaily o'er the waters brown.
And let some graceful arch be there
With wreathed mullions proud,
With burnished ivy for its screen,
And moss, that glows as fresh and green
As thought beneath an April cloud. -
Who says the widow's heart must break,
The childless mother sink? -
A kinder truer voice I hear,
Which e'en beside that mournful bier
Whence parents' eyes would hopeless shrink,
Bids weep no more--O heart bereft,
How strange, to thee, that sound!
A widow o'er her only son,
Feeling more bitterly alone
For friends that press officious round.
Yet is the voice of comfort heard,
For Christ hath touched the bier -
The bearers wait with wondering eye,
The swelling bosom dares not sigh,
But all is still, 'twixt hope and fear.
E'en such an awful soothing calm
We sometimes see alight
On Christian mourners, while they wait
In silence, by some churchyard gate,
Their summons to this holy rite.
And such the tones of love, which break
The stillness of that hour,
Quelling th' embittered spirit's strife -
"The Resurrection and the Life
Am I: believe, and die no more."
Unchanged that voice--and though not yet
The dead sit up and speak,
Answering its call; we gladlier rest
Our darlings on earth's quiet breast,
And our hearts feel they must not break.
Far better they should sleep awhile
Within the Church's shade,
Nor wake, until new heaven, new earth,
Meet for their new immortal birth
For their abiding-place be made,
Than wander back to life, and lean
On our frail love once more.
'Tis sweet, as year by year we lose
Friends out of sight, in faith to muse
How grows in Paradise our store.
Then pass, ye mourners, cheerly on,
Through prayer unto the tomb,
Still, as ye watch life's falling leaf,
Gathering from every loss and grief
Hope of new spring and endless home.
Then cheerly to your work again
With hearts new-braced and set
To run, untired, love's blessed race.
As meet for those, who face to face
Over the grave their Lord have met.
poem by John Keble
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Lost In The Mist
THE thin white snow-streaks pencilling
That mountain's shoulder gray,
While in the west the pale green sky
Smiled back the dawning day,
Till from the misty east the sun
Was of a sudden born
Like a new soul in Paradise--
How long it seems since morn!
One little hour, O round red sun,
And thou and I shall come
Unto the golden gate of rest,
The open door of home:
One little hour, O weary sun,
Delay the threatened eve
Till my tired feet that pleasant door
Enter and never leave.
Ye rooks that fly in slender file
Into the thick'ning gloom,
Ye'll scarce have reached your grim gray tower
Ere I have reached my home;
Plover, that thrills the solitude
With such an eerie cry,
Seek you your nest ere night-fall comes,
As my heart's nest seek I.
O light, light heart and heavy feet,
Patience a little while!
Keep the warm love-light in these eyes,
And on these lips the smile:
Out-speed the mist, the gathering mist
That follows o'er the moor!--
The darker grows the world without
The brighter seems that door.
O door, so close yet so far off;
O mist that nears and nears!
What, shall I faint in sight of home?
Blinded--but not with tears--
'T is but the mist, the cruel mist,
Which chills this heart of mine:
These eyes, too weak to see that light--
It has not ceased to shine.
A little further, further yet:
The white mist crawls and crawls;
It hems me around, it shuts me in
Its great sepulchral walls:
No earth--no sky--no path--no light--
A silence like the tomb:
O me, it is too soon to die--
And I was going home!
A little further, further yet:
My limbs are young,--my heart--
O heart, it is not only life
That feels it hard to part:
Poor lips, slow freezing into calm,
Numbed hands that helpless fall,
And, a mile off, warm lips, fond hands,
Waiting to welcome all!
I see the pictures in the room,
The figures moving round,
The very flicker of the fire
Upon the patterned ground:
O that I were the shepherd-dog
That guards their happy door!
Or even the silly household cat
That basks upon the floor!
O that I sat one minute's space
Where I have sat so long!
O that I heard one little word
Sweeter than angel's song!
A pause--and then the table fills,
The harmless mirth brims o'er;
While I--O can it be God's will?--
I die, outside the door.
My body fails--my desperate soul
Struggles before it go:
The bleak air's full of voices wild,
But not the voice I know;
Dim shapes come wandering through the dark:
With mocking, curious stares,
Faces long strange peer glimmering by--
But not one face of theirs.
Lost, lost, and such a little way
From that dear sheltering door!
Lost, lost, out of the loving arms
Left empty evermore!
His will be done. O, gate of heaven,
Fairer than earthly door,
Receive me! Everlasting arms,
Enfold me evermore!
And so, farewell * * * * *
What is this touch
Upon my closing eyes?
My name too, that I thought to hear
Next time in Paradise?
Warm arms--close lips--O, saved, saved, saved!
Across the deathly moor
Sought, found--and yonder through the night
Shineth the blessed door.
poem by Dinah Maria Mulock Craik
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The Bride
SHE is standing by her loved one's side,
A young and a fair and a gentle bride,
But mournfulness hath crost her face
Like shadows in a sunny place,
And wistfully her eye doth strain
Across the blue and distant main.
My home! my home!-I would I were
Again in joyous gladness there!
My home! my home!-I would I heard
The singing voice, like some small bird,
Of him, our mother's youngest child,
With light soft step, and features mild.-
I would I saw that dear one now,
With the proud eye and noble brow,
Whose very errors were more loved
Than all our reason most approved.
And she, my fairy sister, she,
Who was the soul of childish glee;
Who loved me so-oh, let me hear
Once more those tones familiar, dear,
Which haunt my rest; and I will smile
Even as I used to do erewhile.
I know that some have fall'n asleep-
I know that some have learnt to weep-
But my heart never feels the same
As when those light steps round me came:
And sadness weighs my heavy eye
Beneath this cheerless stranger sky:
Tho' fewer now might round me come-
It is my home-my own old home!
She is back again in her sunny home,
And thick and fast the beatings come
Of that young heart, as round she sees
The same sweet flowers, the same old trees;
But they, the living flowers she loved,
Are they the same? are they unmoved?-
No-time which withers leaf and stem
Hath thrown his withering change o'er them.
Where there was mirth, is silence now-
Where there was joy, a darkened brow-
The bounding step hath given place
To the slow stealing mournful pace;
The proud bright eye is now less proud,
By time, and thought, and sickness bowed.
And the light singing voice no more
Its joyful carols echoes o'er,
But whispers; fearful some gay tone
May wake the thought of pleasures gone.
It is her home-but all in vain
Some lingering things unchanged remain:
The present wakes no smile-the past
Hath tears to bid its memory last.
She knew that some were gone-but oh!
She knew not-youth can never know
How furrowed o'er with silent thought
Are brows which grief and time have taught.
The murmuring of some shadowy word,
Which was a name-which now, unheard,
May wander thro' the clear cold sky,
Or wake the echo for reply:
The lingering pause in some bright spot
To dream of those who now are not:
The gaze that vainly seeks to trace
Lost feelings beaming on a face
Where time and sorrow, guilt and care,
Have past and left their withering there:-
These are her joys; and she doth roam
Around her dear but desert home;
Peopling the vacant seats, till tears arise,
And blot the dim sweet vision from her eyes.
poem by Caroline Elizabeth Sarah Norton
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The Rock Of The Betrayed
I.
IT was a Highland chieftain's son
Gazed sadly from the hill:
And they saw him shrink from the autumn wind,
As its blast came keen and chill.
II.
His stately mother saw,--and spoke
With the heartless voice of pride;
''T is well I have a stouter son
The border wars to ride.'
III.
His jealous brother saw, and stood,
Red-hair'd, and fierce, and tall,
Muttering low words of fiendish hope
To be the lord of all.
IV.
But sickly Allan heard them not,
As he look'd o'er land and lea;
He was thinking of the sunny climes
That lie beyond the sea.
V.
He was thinking of the native land
Whose breeze he could not bear;
Whose wild free beauty he must leave,
To breathe a warmer air.
VI.
He was dreaming of his childhood's haunts,
And his grey-hair'd father's praise;
And the chance of death which hung so near
And darken'd his young days.
VII.
So he turn'd, and bade them both farewell,
With a calm and mournful smile;
And he spoke of dwelling far away,
But only for a while.
VIII.
And if a pang of bitter grief
Shot wildly through his heart,
No man heard Allan Douglas sigh,
Nor saw the tear-drop start:
IX.
For he left in Scotland none who cared
If e'er he should return,
In castle hall, or cottage low,
By river or by burn.
X.
Only upon the heather brae
His quivering lip he press'd;
And clasp'd the senseless birchen tree,
And strain'd it to his breast;
XI.
Because the human heart is full
Of love that must be given,
However check'd, estranged, and chill'd,
To something under Heaven.
XII.
And these things had been friends to him
Thro' a life of lonely hours--
The blue lake, and the waving birch,
And the low broom's scented flowers.
XIII.
Twice had the snow been on the hills,
And twice the soft spring rain,
When Allan Douglas bent his way
To his native land again.
XIV.
More healthful glow'd his hollow cheek,
His step was firm and free,
And he brought a fair Italian girl
His bonny bride to be.
XV.
But darkly sneer'd his brother cold,
When he saw that maiden fair,
'Is a foreign minion come to wed
The Highland chieftain's heir?'
XVI.
And darkly gloom'd the mother's brow
As she said, 'Am I so old,
That a stranger must so soon come here
The castle keys to hold?'
XVII.
Then spoke the young Italian girl
With a sweet and modest grace,
As she lifted upi her soft black eyes
And look'd them in the face:
XVIII.
'A stranger and an orphan comes
To Allan's native land,
And she needs the mother's welcome smile,
And the brother's friendly hand.
XIX.
'Be thine! oh, stately lady--thine--
The rule that thou dost crave,
For Allan's love is all I earn'd,
And all I seek to have.
XX.
'And trust me, brother, tho' my words
In foreign accents fall,
The heart is of no country born,
And my heart will love you all.'
XXI.
But vain the music of her tongue
Against the hate they bore;
And when a babe her love had bless'd
They hated her the more.
XXII.
They hated her the more because
That babe must be the heir,
And his dark and lovely eyes at times
His mother's look would wear.
XXIII.
But lo! the keen cold winter came
With many a bitter blast:
It pierced thro' sickly Allan's frame,--
He droop'd and died at last!
XXIV.
Oh! mournfully at early morn
That young wife sat and wept,--
And mournfully, when day was done,
To her widow'd couch she crept,--
XXV.
And mournfully at noon she rock'd
The baby on her knee;
'There is no pity in their hearts,
My child, for thee and me.
XXVI.
'There was no pity in their hearts
For him who is at rest:
How should they feel for his young son
Who slumbers at my breast?'
XXVII.
The red-hair'd brother saw her tears,
And said, 'Nay, cease thy moan--
Come forth into the morning air,
And weep. no more alone!'
XXVIII.
The proud stepmother chid her woe;--
'Even for thy infant's sake
Go forth into the morning air,
And sail upon the lake!'
XXIX.
There seem'd some feeling for her state;
Their words were fair and mild;
Yet she shudder'd as she whisper'd low,
'God shield me and my child!'
XXX.
'Come!' said dead Allan's brother stern,
'Why dost thou tremble so?
'Come!'--and with doubt and fear perplex'd,
The lady rose to go.
XXXI.
They glided over the glassy lake,
'Till its lulling murmur smote,
With a death-like omen, to and fro',
Against the heaving boat.
XXXII.
And no one spoke;--that brother still
His face averted kept,
And the lady's tears fell fast and free
O'er her infant as it slept.
XXXIII.
The cold faint evening breeze sprang up
And found them floating on;
They glided o'er the glassy lake
Till the day's last streak was gone--
XXXIV.
Till the day's last streak had died away
From the chill and purple strand,
And a mist was on the water's face
And a damp dew on the land;
XXXV.
Till you could not trace the living hue
Of lip, or cheek, or eye,
But the outline of each countenance
Drawn dark against the sky.
XXXVI.
And all things had a ghastly look,
An aspect strange and drear;--
The lady look'd to the distant shore
And her heart beat wild with fear.
XXXVII.
There is a rock whose jutting height
Stands frowning o'er that lake,
Where the faintest call of the bugle horn
The echo's voice will wake:--
XXXVIII.
And there the water lifts no wave
To the breeze, so fresh and cool,
But lies within the dark rock's curve,
Like a black and gloomy pool.
XXXIX.
Its depth is great,--a stone thrown in
Hath a dull descending sound,
The plummet hath not there been cast
Which resting-place hath found.
XL.
And scatter'd firs and birch-trees grow
On the summit, here and there--
Lonely and joylessly they wave,
Like an old man's thin grey hair.
XLI.
But not to nature's hand it owes
Its mournfulness alone,
For vague tradition gives the spot
A horror of its own.
XLII.
The boatman doffs his cap beneath
Its dark o'er-hanging shade,
And whispers low its Gaelic name,--
'THE ROCK OF THF BETRAY'D.'
XLIII.
And when the wind, which never curls
That pool, goes sweeping by,
Bending the firs and birchen trees
With a low and moaning sigh,--
XLIV.
He'll tell you that the sound which comes
So strange, and faint, and dim,
Is only heard at one set hour,
And call'd 'THE LADY'S HYMN.'
poem by Caroline Elizabeth Sarah Norton
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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The Autumn
Go, sit upon the lofty hill,
And turn your eyes around,
Where waving woods and waters wild
Do hymn an autumn sound.
The summer sun is faint on them --
The summer flowers depart --
Sit still -- as all transform'd to stone,
Except your musing heart.
How there you sat in summer-time,
May yet be in your mind;
And how you heard the green woods sing
Beneath the freshening wind.
Though the same wind now blows around,
You would its blast recall;
For every breath that stirs the trees,
Doth cause a leaf to fall.
Oh! like that wind, is all the mirth
That flesh and dust impart:
We cannot bear its visitings,
When change is on the heart.
Gay words and jests may make us smile,
When Sorrow is asleep;
But other things must make us smile,
When Sorrow bids us weep!
The dearest hands that clasp our hands, --
Their presence may be o'er;
The dearest voice that meets our ear,
That tone may come no more!
Youth fades; and then, the joys of youth,
Which once refresh'd our mind,
Shall come -- as, on those sighing woods,
The chilling autumn wind.
Hear not the wind -- view not the woods;
Look out o'er vale and hill-
In spring, the sky encircled them --
The sky is round them still.
Come autumn's scathe -- come winter's cold --
Come change -- and human fate!
Whatever prospect Heaven doth bound,
Can ne'er be desolate.
poem by Elizabeth Barrett Browning
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Day that I have Loved
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire - and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
poem by Rupert Brooke
Submitted by Veronica Serbanoiu
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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Villanelle
We said farewell, my youth and I,
When all fair dreams were gone or going,
And Love’s red lips were cold and dry.
When white blooms fell from tree-tops high—
Our Austral winter’s way of snowing—
We said farewell, my youth and I.
We did not sigh—what use to sigh
When Death passed as a mower mowing,
And Love’s red lips were cold and dry?
But hearing Life’s stream thunder by,
That sang of old through flowers flowing,
We said farewell, my youth and I.
There was no hope in the blue sky,
No music in the low winds blowing,
And Love’s red lips were cold and dry.
My hair is black as yet, then why
So sad! I know not, only knowing
We said farewell, my youth and I.
All are not buried when they die;
Dead souls there are through live eyes showing
When Love’s red lips are cold and dry.
So, seeing where the dead men lie,
Out of their hearts the grave-flowers growing,
We said farewell, my youth and I,
When Love’s red lips were cold and dry.
poem by Victor James Daley
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The Fever-Dream
IT was a fever-dream; I lay
Awake, as in the broad bright day,
But faint and worn I drew my breath
Like those who wait for coming death;
And my hand lay helpless on my pillow
Weak as a reed or bending willow;
And the night-lamp, with its shadowy veil,
And its light so sickly, faint, and pale,
Gleamed mournfully on objects round;
And the clock's stroke was the only sound;
Measuring the hours of silent time
With a heavy and unwelcome chime,
As still monotonously true
To its pulse-like beat, the minutes flew.
I was alone, but not asleep;
Too weary, and too wetk to weep.
My eyes had closed in sadness there;
And they who watched o'er my despair
Had placed that dim light in the room,
And deepened the surrounding gloom,
By curtaining out the few sad rays
Which made things present to my gaze;
And all because they vainly thought
At last the night its rest had brought,--
Alas! rest came no more to me
So heavy was my misery!
They left me, and my heart was filled
With wandering dreams, whose fancies thrilled
Painfully through my feeble brain,
Till I almost wished them back again.
Yet wherefore should I bid them stay?
They could not chase those dreams away,
But only watch me as I lay.
They left me, and the midnight stroke
From the old clock the silence broke;
And with a wild repining sigh
I wished it were my time to die!
And then, with spirit all dismayed,
For that wild wish, forgiveness prayed,
Humbling myself to God's high power
To bear His will, and wait His hour.
And while I darkly rested there,
The breath of a young child's floating hair,
Perfumed, and warm, and glistening bright,
Swept past me in the shrouding night;--
And the footsteps of children, light and quick,
(While my heart beat loud, and my breath came thick)
Went to and fro on the silent floor;--
And the lock was turned in the fastened door,
As a child may turn it, who tiptoe stands
With his fair round arms and his dimpled hands,
Putting out all their strength in vain
Admittance by his own means to gain:
Till his sweet impatient voice is heard
Like the chirp of a young imprisoned bird,
Seeking an entrance still to win
By fond petitions to those within.
A child's soft shadowy hair, bright smiles,
His merry laugh, and coaxing wiles,
These are sweet things,--most precious things,--
But in spite of my brain's wild wanderings,
I knew that they dwelt in my fancy only,
And that I was sad, and left, and lonely;
And the fear of a dreadful madness came
And withered my soul like a parching flame;
And I felt the strong delirium growing,
And the thread of my feeble senses going,
And I heard with a horror all untold
Which turned my hot blood icy-cold,
Those light steps draw more near my bed;
And by visions I was visited,
Of the gentle eyes which I might not see,
And the faces that were so far from me!
And blest, oh I blest was the morning beam
Which woke me up from my fever-dream!
poem by Caroline Elizabeth Sarah Norton
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All Souls
I
A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
II
Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that grope -
For the year's on the turn, and it's All Souls' night,
When the dead can yearn and the dead can smite.
III
And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
IV
And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: 'Ah, thus
In the prime of the year it went with us!'
Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year's on the turn, and it's All Souls' night,
When the dead can burn and the dead can smite.
V
Till they say, as they hear us - poor dead, poor dead! -
'Just an hour of this, and our age-long bed -
Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart -
For it's turn of the year and All Souls' night,
When the dead can hear, and the dead have sight.'
VI
And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
'One more, one more, ere we go their way'?
For the year's on the turn, and it's All Souls' night,
When the living can learn by the churchyard light.
VII
And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it's All Souls' night, and break of the day,
And behold, with the light the dead are away. . . .
poem by Edith Wharton
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The Rape Of The Mist
High o’er the clouds a Sunbeam shone,
And far down under him,
With a subtle grace that was all her own,
The Mist gleamed, fair and dim.
He looked at her with burning eyes
And longed to fall at her feet;
Of all sweet things there under the skies,
He thought her the thing most sweet.
He had wooed oft, as a Sunbeam may,
Wave, and blossom, and flower;
But never before had he felt the sway
Of a great love’s mighty power.
Tall cloud-mountains and vast space-seas,
Wind, and tempest, and fire –
What obstacles such as these
To a heart that is filled with desire?
Boldly he trod over cloud and star,
Boldly he swam through space,
She caught the glow of his eyes afar
And veiled her delicate face.
He was so strong and he was so bright,
And his breath was a breath of flame;
The Mist grew pale with a vague, strange fright,
As fond, yet fierce, he came.
Close to his heart she was clasped and kissed;
She swooned in love’s alarms,
And dead lay the beautiful pale-faced Mist
In the Sunbeam’s passionate arms.
poem by Ella Wheeler Wilcox
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Way-Station
The incoherent rushing of the train
Dulls like a drugged pain
Numbs
To an ether throbbing of inaudible drums
Unfolds
Hush within hush until the night withholds
Only its darkness.
From the deep
Dark a voice calls like a voice in sleep
Slowly a strange name in a strange tongue.
Among
The sleeping listeners a sound
As leaves stir faintly on the ground
When snow falls from a windless sky—
A stir A sigh
poem by Archibald MacLeish
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Three Songs Of The Enigma
I
SOMETHING
How long I have wished for something I know well,
But what that something is I cannot tell.
So often at sunrise in sad tears I wake
Shivering with longing for its sake;
So often at noontide when the house is still
It sickens me with its unbidden ill;
So often at twilight it does not seem far,
Not further than the first and far-off star;
All, all my life is built towards its token
Yet by its near far-offness I am broken.
For I am ever under something's spell,
But what that something is I cannot tell.
II
A WANDERING THING
The hopeless rain, a sigh, a shadow
Falters and drifts again, again over the meadow,
It wanders lost, drifts hither . . . thither,
It blows, it goes, it knows not whither.
A profound grief, an unknown sorrow
Wanders always my strange life thoro',
I know not ever what brings it hither,
Nor whence it comes . . . nor goes it whither.
III
MODERN LOVE SONG
Now that the evenfall is come,
And the sun fills the flaring trees
And everything is mad, lit, dumb,
And in the pauses of the breeze
A far voice seems to call me home
To haven beyond woods and leas.
I feel again how sharply stings
The spell which binds our troubled dust
With hint of divine frustrated things,—
The Soul's deep doubt and desperate trust
That She at sunset shall find wings
To bear her beyond NOW and MUST.
So place your head against my head,
And set your lips upon my lips
That so I may be comforted,—
For Ah ! the world so from me slips,
To the World-Sunset I am sped
Where Soul and Silence come to grips
And Love stands sore-astonished.
poem by Robert Nichols
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Tasso And His Sister
She sat, where on each wind that sigh'd,
The citron's breath went by,
While the red gold of eventide
Burn'd in th' Italian sky.
Her bower was one where daylight's close
Full oft sweet laughter found,
As thence the voice of childhood rose
To the high vineyards round.
But still and thoughtful, at her knee,
Her children stood that hour,
Their bursts of song and dancing glee,
Hush'd as by words of power.
With bright, fix'd, wondering eyes, that gaz'd
Up to their mother's face,
With brows thro' parted ringlets rais'd,
They stood in silent grace.
While she–yet something o'er her look
Of mournfulness was spread–
Forth from a poet's magic book,
The glorious numbers read;
The proud undying lay, which pour'd
Its light on evil years;
His of the gifted pen and sword,
The triumph–and the tears.
She read of fair Erminia's flight,
Which Venice once might hear
Sung on her glittering seas at night,
By many a gondolier;
Of him she read, who broke the charm
That wrapt the myrtle grove;
Of Godfrey's deeds, of Tancred's arm,
That slew his Paynim love.
Young cheeks around that bright page glow'd,
Young holy hearts were stirr'd;
And the meek tears of woman flow'd
Fast o'er each burning word.
And sounds of breeze, and fount, and leaf,
Came sweet, each pause between;
When a strange voice of sudden grief
Burst on the gentle scene.
The mother turn'd–a way-worn man,
In pilgrim-garb, stood nigh,
Of stately mien, yet wild and wan,
Of proud yet mournful eye.
But drops which would not stay for pride,
From that dark eye gush'd free,
As pressing his pale brow, he cried,
'Forgotten! ev'n by thee!
'Am I so changed?–and yet we two
Oft hand in hand have play'd;–
This brow hath been all bath'd in dew,
From wreaths which thou hast made;
We have knelt down and said one prayer,
And sung one vesper strain;
My soul is dim with clouds of care–
Tell me those words again!
'Life hath been heavy on my head,
I come a stricken deer,
Bearing the heart, midst crowds that bled,
To bleed in stillness here.'–
She gaz'd–till thoughts that long had slept
Shook all her thrilling frame–
She fell upon his neck and wept,
Murmuring her brother's name.
Her brother's name!–and who was he,
The weary one, th' unknown,
That came, the bitter world to flee,
A stranger to his own?–
He was the bard of gifts divine
To sway the souls of men;
He of the song for Salem's shrine,
He of the sword and pen!
poem by Felicia Dorothea Hemans
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Elizabeth
_May 1, 1891_.
I.
Elizabeth! Elizabeth!
The first May-morning whispereth
Thy gentle name in every breeze
That lispeth through the young-leaved trees,
New raimented in white and green
Of bloom and leaf to crown thee queen;--
And, as in odorous chorus, all
The orchard-blossoms sweetly call
Even as a singing voice that saith
Elizabeth! Elizabeth!
II.
Elizabeth! Lo, lily-fair,
In deep, cool shadows of thy hair,
Thy face maintaineth its repose.--
Is it, O sister of the rose,
So better, sweeter, blooming thus
Than in this briery world with us?--
Where frost o'ertaketh, and the breath
Of biting winter harrieth
With sleeted rains and blighting snows
All fairest blooms--Elizabeth!
III.
Nay, then!--So reign, Elizabeth,
Crowned, in thy May-day realm of death!
Put forth the scepter of thy love
In every star-tipped blossom of
The grassy dais of thy throne!
Sadder are we, thus left alone,
But gladder they that thrill to see
Thy mother's rapture, greeting thee.
Bereaved are we by life--not death--
Elizabeth! Elizabeth!
poem by James Whitcomb Riley
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In a Minor Key
(AN ECHO FROM A LARGER LYRE.)
That was love that I had before
Years ago, when my heart was young;
Ev'ry smile was a gem you wore;
Ev'ry word was a sweet song sung.
You came--all my pulses burn'd and beat.
(O sweet wild throbs of an early day!)
You went--with the last dear sound of your feet
The light wax'd dim and the place grew grey.
And I us'd to pace with a stealthy tread
By a certain house which is under a hill;
A cottage stands near, wall'd white, roof'd red--
Tall trees grow thick--I can see it still!
How I us'd to watch with a hope that was fear
For the least swift glimpse of your gown's dear fold!
(You wore blue gowns in those days, my dear--
One light for summer, one dark for cold.)
Tears and verses I shed for you in show'rs;
I would have staked my soul for a kiss;
Tribute daily I brought you of flow'rs,
Rose, lily, your favourite eucharis.
There came a day we were doomed to part;
There's a queer, small gate at the foot of a slope:
We parted there--and I thought my heart
Had parted for ever from love and hope.
* * * *
Is it love that I have to-day?
Love, that bloom'd early, has it bloom'd late
For me, that, clothed in my spirit's grey,
Sit in the stillness and stare at Fate?
Song nor sonnet for you I've penned,
Nor passionate paced by your home's wide wall
I have brought you never a flow'r, my friend,
Never a tear for your sake let fall.
And yet--and yet--ah, who understands?
We men and women are complex things!
A hundred tunes Fate's inexorable hands
May play on the sensitive soul-strings.
Webs of strange patterns we weave (each owns)
From colour and sound; and like unto these,
Soul has its tones and its semitones,
Mind has its major and minor keys.
Your face (men pass it without a word)
It haunts my dreams like an odd, sweet strain;
When your name is spoken my soul is stirr'd
In its deepest depths with a dull, dim pain.
I paced, in the damp grey mist, last night
In the streets (an hour) to see you pass:
Yet I do not think that I love you--quite;
What's felt so finely 'twere coarse to class.
And yet--and yet--I scarce can tell why
(As I said, we are riddles and hard to read),
If the world went ill with you, and I
Could help with a hidden hand your need;
But, ere I could reach you where you lay,
Must strength and substance and honour spend;
Journey long journeys by night and day--
Somehow, I think I should come, my friend!
The Dying Hour
I.
OH! watch me; watch me still
Thro' the long night's dreary hours,
Uphold by thy firm will
Worn Nature's sinking powers!
II.
While yet thy face is there
(The loose locks round it flying),
So young, and fresh, and fair,
I feel not I am dying!
III.
Stoop down, and kiss my brow!
The shadows round me closing
Warn me that dark and low
I soon shall be reposing.
IV.
But while those pitying eyes
Are bending thus above me,
In vain the death-dews rise,--
Thou dost regret and love me!
V.
Then watch me thro' the night,
Thro' my broken, fitful slumber;
By the pale lamp's sickly light
My dying moments number!
VI.
Thy fond and patient smile
Shall soothe my painful waking;
Thy voice shall cheer me while
The slow grey dawn is breaking!
VII.
The battle-slain, whose thirst
No kindly hand assuages,
Whose low faint farewells burst
Unheard, while combat rages,--
VIII.
The exiled, near whose bed
Some vision'd form seems weeping,
Whose steps shall never tread
The land where he lies sleeping,--
IX.
The drown'd, whose parting breath
Is caught by wild winds only,--
Theirs is the bitter death,
Beloved, for they die lonely!
X.
But thus, tho' rack'd, to lie,
Thou near, tho' full of sadness,
Leaves still, e'en while I die,
A lingering gleam of gladness!
XI.
I feel not half my pain
When to mine thy fond lip presses,--
I warm to life again
Beneath thy soft caresses!
XII.
Once more, oh! yet once more
Fling, fling thy white arms round me,
As oft in days of yore
Their gentle clasp hath bound me;
XIII.
And hold me to that breast
Which heaves so full with sorrow--
Who knows where I may rest
In the dark and blank to-morrow?
XIV.
Ah! weep not--it shall be
An after-thought to cheer thee,
That while mine eyes could see,
And while mine ears could hear thee--
XV.
Thy voice and smile were still
The spells on which I doated,
And thou, through good and ill,
To me and mine devoted!
XVI.
And calmly by my tomb,
When the low bright day declineth,
And athwart the cypress gloom
The mellow sunset shineth,--
XVII.
Thou'lt sit and think of Him,
Who, of Heaven's immortal splendour,
Had a dream on earth, though dim,
In thy love so pure and tender,--
XVIII.
Who scarcely feels thy touch,--
Whom thy voice can rouse no longer,--
But whose love on earth was such,
That only death was stronger.
XIX.
Yes, sit, but not in tears!
Thine eyes in faith uplifting,
From thy lot of changeful years,
To the Heaven where naught is shifting.
XX.
From this world, where all who love
Are doomed alike to sever,
To the glorious realms above,
Where they dwell in peace for ever!
XXI.
And then such hope shall beam
From the grave where I lie sleeping,
This bitter hour shall seem
Too vague and far for weeping--
XXII.
And grief--ah! hold me now!
My fluttering pulse is failing,--
The death-dews chill my brow,--
The morning light is paling!
XXIII.
I seek thy gaze in vain,--
Earth reels and fades before me;
I die!--but feel no pain,--
Thy sweet face shining o'er me!
poem by Caroline Elizabeth Sarah Norton
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Love Motives
To You.
SO you have come at last!
And we nestle, each in each,
As leans the pliant sea in the clean-curved limbs of her lover the beach;
Merged in each other quite,
Clinging, as in the tresses of trees dallies the troubadour night;
Faint as a perfume, soft as wine,
Yielding as moonlight—mine, all mine—
So I have found you at last!
I dreamed; we dare not meet:
The time is yet too soon;
Swept with the tumult of perfect love, our souls from this life would swoon—
For the fusion of our lives
Is the sole great goal to which the vast creation vaguely drives;
And only when I kiss your face
Shall the last great trumpet shatter Space—
I dreamed; we dare not meet!
Yet somewhere, hungry-eyed,
You lie and listen with tears,
Clogged with the flesh, and dulled with the sodden heritage of the years.
And I am alien, lone,
Hedged with the palisades of self, shut in—a soul unknown.
You, fashioned for me from Time's first day,
I, moulded for you ere that dawn was grey,
Wait hidden, hungry-eyed!
I lie in the lonely night;
And you?—perhaps so near
That if I should whisper your sweet soul-name you would joyously leap and hear!
And yet perhaps so far,
Drowned in the cosmic mist beyond the swirl of the farthest star;
But over the universe yawning between,
With wistful eyes you listen and lean,
Alone in the lonely night!
Perhaps your thirsty arms
Some stranger youth entwine,
And you will yield him thin, faint kisses, thinking his lips are mine;
He thinking that unawares
He has caught, as once in a dream he caught, that miracle-glance of hers.
The pathos of the thing that seems!
Each clasping memories, kissing dreams.
In passionate-thirsty arms!
So you will yearn through life,
Or maybe you did not wait:
You married him, and his neutral smile you learnt to sullenly hate;
Or you have lived a lie,
And drank the mockery of his lips, believing that he was I.
You dreamed, content that you loved him true,
But the soul of your soul was dead to you—
So I must yearn through life!
Or, starving and passionate still,
To your dreams you were bravely true;
You told the Night your secrets drear, and he laughed back at you;
And even when you dreamed
You heard his merciless laughter ring, and you sprang awake and screamed;
Till Age kissed you with a kiss that sears,
And you faded and withered with the years,
Starving and passionate still!
But, hush! I had almost heard:
Last night I dreamed your name;
Like the soft, white tread of a faint, cool cloud to my desolate sky it came;
Like a moth it drifted away,
And into the flame of the dawn it fluttered, dying into the day.
Yet the wind in the whispering leaves
The moan of your sobbing weaves—
Hush! I had almost heard.
Yet I should know your face!
As mine, all mine, I claim
That coil of hair that over your bosom smoulders— a yellow flame;
And the cool, dim-curtained eyes,
The crescent of your imperious chin, and the little moist mouth that cries.
I have heard through the din of the years
Your voice, with its tincture of tears—
Yes, I remember your face!
Once in the drifting crowd
I thought I had found a clue—
A pale face pealed like an organ-note, and yet— oh! my heart—not you!
She had your look, the same
Ineffable sorrow of glad young eyes; but all the rest was shame.
Perhaps she saw—for her eyes were wet—
In me the soul she had one time met
In eternity's drifting crowd!
Perhaps 't is the desert of years
That severs each from each,
And out of the cavernous centuries to each other we blindly reach.
You blossomed so long ago
That only the Dawn and the Spring remember, and little, so little, they know!
You wait on the hill of the first white morn,
Straining dead eyes to me, unborn,
Across the desert of years.
Or when I am dead at last,
And my sovereignty have won,
As merged in the dust of the gradual Past, unliving, I live on,
You will rise with some far-off Spring,
And back to the drear, dead days that were mine your piteous glance will fling.
But, hush! I shall come in the rain-kissed night
And whisper the words of our marriage-rite—
So I shall find you at last!
Yet if we met.…
I dreamed; we dare not meet.
poem by Arthur Henry Adams
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