Ginevra
Wild, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun
From the dark chamber of a mortal fever,
Bewildered, and incapable, and ever
Fancying strange comments in her dizzy brain
Of usual shapes, till the familiar train
Of objects and of persons passed like things
Strange as a dreamer’s mad imaginings,
Ginevra from the nuptial altar went;
The vows to which her lips had sworn assent
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.
And so she moved under the bridal veil,
Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth,
And darkened her dark locks, as moonlight doth,--
And of the gold and jewels glittering there
She scarce felt conscious,--but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight,
A moonbeam in the shadow of a cloud
Was less heavenly fair--her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street;
And ever as she went her light fair feet
Erased these images.
The bride-maidens who round her thronging came,
Some with a sense of self-rebuke and shame,
Envying the unenviable; and others
Making the joy which should have been another’s
Their own by gentle sympathy; and some
Sighing to think of an unhappy home:
Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents’ smiles for life’s great cheat; a thing
Bitter to taste, sweet in imagining.
But they are all dispersed--and, lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own;
And through the sunny air, with jangling tone,
The music of the merry marriage-bells,
Killing the azure silence, sinks and swells;--
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems
A mockery of itself--when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,
And said--‘Is this thy faith?’ and then as one
Whose sleeping face is stricken by the sun
With light like a harsh voice, which bids him rise
And look upon his day of life with eyes
Which weep in vain that they can dream no more,
Ginevra saw her lover, and forbore
To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said--‘Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will
Of parents, chance or custom, time or change,
Or circumstance, or terror, or revenge,
Or wildered looks, or words, or evil speech,
With all their stings and venom can impeach
Our love,--we love not:--if the grave which hides
The victim from the tyrant, and divides
The cheek that whitens from the eyes that dart
Imperious inquisition to the heart
That is another’s, could dissever ours,
We love not.’--‘What! do not the silent hours
Beckon thee to Gherardi’s bridal bed?
Is not that ring’--a pledge, he would have said,
Of broken vows, but she with patient look
The golden circle from her finger took,
And said--‘Accept this token of my faith,
The pledge of vows to be absolved by death;
And I am dead or shall be soon—my knell
Will mix its music with that merry bell,
Does it not sound as if they sweetly said
“We toll a corpse out of the marriage-bed”?
The flowers upon my bridal chamber strewn
Will serve unfaded for my bier—so soon
That even the dying violet will not die
Before Ginevra.’ The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek,
And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with fear,
Making her but an image of the thought
Which, like a prophet or a shadow, brought
News of the terrors of the coming time.
Like an accuser branded with the crime
He would have cast on a beloved friend,
Whose dying eyes reproach not to the end
The pale betrayer—he then with vain repentance
Would share, he cannot now avert, the sentence--
Antonio stood and would have spoken, when
The compound voice of women and of men
Was heard approaching; he retired, while she
Was led amid the admiring company
Back to the palace,--and her maidens soon
Changed her attire for the afternoon,
And left her at her own request to keep
An hour of quiet rest:--like one asleep
With open eyes and folded hands she lay,
Pale in the light of the declining day.
Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes,
Kindling a momentary Paradise.
This crowd is safer than the silent wood,
Where love’s own doubts disturb the solitude;
On frozen hearts the fiery rain of wine
Falls, and the dew of music more divine
Tempers the deep emotions of the time
To spirits cradled in a sunny clime:--
How many meet, who never yet have met,
To part too soon, but never to forget.
How many saw the beauty, power and wit
Of looks and words which ne’er enchanted yet;
But life’s familiar veil was now withdrawn,
As the world leaps before an earthquake’s dawn,
And unprophetic of the coming hours,
The matin winds from the expanded flowers
Scatter their hoarded incense, and awaken
The earth, until the dewy sleep is shaken
From every living heart which it possesses,
Through seas and winds, cities and wildernesses,
As if the future and the past were all
Treasured i’ the instant;--so Gherardi’s hall
Laughed in the mirth of its lord’s festival,
Till some one asked--‘Where is the Bride?’ And then
A bridesmaid went,--and ere she came again
A silence fell upon the guests--a pause
Of expectation, as when beauty awes
All hearts with its approach, though unbeheld;
Then wonder, and then fear that wonder quelled;--
For whispers passed from mouth to ear which drew
The colour from the hearer’s cheeks, and flew
Louder and swifter round the company;
And then Gherardi entered with an eye
Of ostentatious trouble, and a crowd
Surrounded him, and some were weeping loud.
They found Ginevra dead! if it be death
To lie without motion, or pulse, or breath,
With waxen cheeks, and limbs cold, stiff, and white,
And open eyes, whose fixed and glassy light
Mocked at the speculation they had owned.
If it be death, when there is felt around
A smell of clay, a pale and icy glare,
And silence, and a sense that lifts the hair
From the scalp to the ankles, as it were
Corruption from the spirit passing forth,
And giving all it shrouded to the earth,
And leaving as swift lightning in its flight
Ashes, and smoke, and darkness: in our night
Of thought we know thus much of death,—no more
Than the unborn dream of our life before
Their barks are wrecked on its inhospitable shore.
The marriage feast and its solemnity
Was turned to funeral pomp--the company,
With heavy hearts and looks, broke up; nor they
Who loved the dead went weeping on their way
Alone, but sorrow mixed with sad surprise
Loosened the springs of pity in all eyes,
On which that form, whose fate they weep in vain,
Will never, thought they, kindle smiles again.
The lamps which, half extinguished in their haste,
Gleamed few and faint o’er the abandoned feast,
Showed as it were within the vaulted room
A cloud of sorrow hanging, as if gloom
Had passed out of men’s minds into the air.
Some few yet stood around Gherardi there,
Friends and relations of the dead,--and he,
A loveless man, accepted torpidly
The consolation that he wanted not;
Awe in the place of grief within him wrought.
Their whispers made the solemn silence seem
More still--some wept,...
Some melted into tears without a sob,
And some with hearts that might be heard to throb
Leaned on the table and at intervals
Shuddered to hear through the deserted halls
And corridors the thrilling shrieks which came
Upon the breeze of night, that shook the flame
Of every torch and taper as it swept
From out the chamber where the women kept;--
Their tears fell on the dear companion cold
Of pleasures now departed; then was knolled
The bell of death, and soon the priests arrived,
And finding Death their penitent had shrived,
Returned like ravens from a corpse whereon
A vulture has just feasted to the bone.
And then the mourning women came.--
...
THE DIRGE.
Old winter was gone
In his weakness back to the mountains hoar,
And the spring came down
From the planet that hovers upon the shore
Where the sea of sunlight encroaches
On the limits of wintry night;--
If the land, and the air, and the sea,
Rejoice not when spring approaches,
We did not rejoice in thee,
Ginevra!
She is still, she is cold
On the bridal couch,
One step to the white deathbed,
And one to the bier,
And one to the charnel--and one, oh where?
The dark arrow fled
In the noon.
Ere the sun through heaven once more has rolled,
The rats in her heart
Will have made their nest,
And the worms be alive in her golden hair,
While the Spirit that guides the sun,
Sits throned in his flaming chair,
She shall sleep.
poem by Percy Bysshe Shelley

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The Fever-Dream
IT was a fever-dream; I lay
Awake, as in the broad bright day,
But faint and worn I drew my breath
Like those who wait for coming death;
And my hand lay helpless on my pillow
Weak as a reed or bending willow;
And the night-lamp, with its shadowy veil,
And its light so sickly, faint, and pale,
Gleamed mournfully on objects round;
And the clock's stroke was the only sound;
Measuring the hours of silent time
With a heavy and unwelcome chime,
As still monotonously true
To its pulse-like beat, the minutes flew.
I was alone, but not asleep;
Too weary, and too wetk to weep.
My eyes had closed in sadness there;
And they who watched o'er my despair
Had placed that dim light in the room,
And deepened the surrounding gloom,
By curtaining out the few sad rays
Which made things present to my gaze;
And all because they vainly thought
At last the night its rest had brought,--
Alas! rest came no more to me
So heavy was my misery!
They left me, and my heart was filled
With wandering dreams, whose fancies thrilled
Painfully through my feeble brain,
Till I almost wished them back again.
Yet wherefore should I bid them stay?
They could not chase those dreams away,
But only watch me as I lay.
They left me, and the midnight stroke
From the old clock the silence broke;
And with a wild repining sigh
I wished it were my time to die!
And then, with spirit all dismayed,
For that wild wish, forgiveness prayed,
Humbling myself to God's high power
To bear His will, and wait His hour.
And while I darkly rested there,
The breath of a young child's floating hair,
Perfumed, and warm, and glistening bright,
Swept past me in the shrouding night;--
And the footsteps of children, light and quick,
(While my heart beat loud, and my breath came thick)
Went to and fro on the silent floor;--
And the lock was turned in the fastened door,
As a child may turn it, who tiptoe stands
With his fair round arms and his dimpled hands,
Putting out all their strength in vain
Admittance by his own means to gain:
Till his sweet impatient voice is heard
Like the chirp of a young imprisoned bird,
Seeking an entrance still to win
By fond petitions to those within.
A child's soft shadowy hair, bright smiles,
His merry laugh, and coaxing wiles,
These are sweet things,--most precious things,--
But in spite of my brain's wild wanderings,
I knew that they dwelt in my fancy only,
And that I was sad, and left, and lonely;
And the fear of a dreadful madness came
And withered my soul like a parching flame;
And I felt the strong delirium growing,
And the thread of my feeble senses going,
And I heard with a horror all untold
Which turned my hot blood icy-cold,
Those light steps draw more near my bed;
And by visions I was visited,
Of the gentle eyes which I might not see,
And the faces that were so far from me!
And blest, oh I blest was the morning beam
Which woke me up from my fever-dream!
poem by Caroline Elizabeth Sarah Norton

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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit

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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans

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She Sat Alone Beside Her Hearth
SHE sat alone beside her hearth—
For many nights alone;
She slept not on the pleasant couch
Where fragrant herbs were strewn.
At first she bound her raven hair
With feather and with shell;
But then she hoped; at length, like night,
Around her neck it fell.
They saw her wandering mid the woods,
Lone, with rite cheerless dawn,
And then they said, 'Can this be her
We called 'The Startled Fawn?' '
Her heart was in her large sad eyes,
Half sunshine and half shade;
And love, as love first springs to life,
Of every thing afraid.
The red leaf far more heavily
Fell down to autumn earth,
Than her light feet, which seemed to move
To music and to mirth.
With the light feet of early youth,
What hopes and joys depart,
Ah! nothing like the heavy step
Betrays the heavy heart.
It is a usual history
That Indian girl could tell;
Fate sets apart one common doom
For all who love too well.
The proud—the shy—the sensitive,—
Life has not many such;
They dearly buy their happiness,
By feeling it too much.
A stranger to her forest home,
That fair young stranger came;
They raised for him the funeral song—
For him the funeral flame.
Love sprang from pity,—and her arms
Around his arms she threw;
She told her father, 'If he dies,
Your daughter dieth too.'
For her sweet sake they set him free—
He lingered at her side;
And many a native song yet tells
Of that pale stranger's bride.
Two years have passed—how much two years
Have taken in their flight!
They've taken from the lip its smile,
And from the eye its light.
Poor child! she was a child in years—
So timid and so young;
With what a fond and earnest faith
To desperate hope she clung!
His eyes grew cold—his voice grew strange—
They only grew more dear.
She served him meekly, anxiously,
With love—half faith—half fear.
And can a fond and faithful heart
Be worthless in those eyes
For which it beats?—Ah! wo to those
Who such a heart despise.
Poor child! what lonely days she passed,
With nothing to recall
But bitter taunts, and careless words,
And looks more cold than all.
Alas! for love, that sits at home,
Forsaken, and yet fond;
The grief that sits beside the hearth—
Life has no grief beyond.
He left her, but she followed him—
She thought he could not bear,
When she had left her home for him,
To look on her despair.
Adown the strange and mighty stream
She took her lonely way;
The stars at night her pilots were,
As was the sun by day.
Yet mournfully—how mournfully!—
The Indian looked behind,
When the last sound of voice or step
Died on the midnight wind,
Yet still adown the gloomy stream
She plied her weary oar;
Her husband—he had left their home,
And it was home no more.
She found him—but she found in vain—
He spurned her from his side;
He said, her brow was all too dark,
For her to be his bride.
She grasped his hands,—her own were cold,—
And silent turned away,
As she had not a tear to shed,
And not a word to say.
And pale as death she reached her boat,
And guided it along;
With broken voice she strove to raise
A melancholy song.
None watched the lonely Indian girl,—
She passed unmarked of all,
Until they saw her slight canoe
Approach the mighty Fall!
Upright, within that slender boat
They saw the pale girl stand,
Her dark hair streaming far behind—
Upraised her desperate hand.
The air is filled with shriek and shout—
They call, but call in vain;
The boat amid the waters dash'd—
'Twas never seen again!
poem by Letitia Elizabeth Landon

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Little Nell
GLEAMING through the silent church-yard,
Winter sunlight seemed to shed
Golden shadows like soft blessings
O'er a quiet little bed,
Where a pale face lay unheeding
Tender tears that o'er it fell;
No sorrow now could touch the heart
Of gentle little Nell.
Ah, with what silent patient strength
The frail form lying there
Had borne its heavy load of grief,
Of loneliness and care.
Now, earthly burdens were laid down,
And on the meek young face
There shone a holier loveliness
Than childhood's simple grace.
Beset with sorrow, pain and fear,
Tempted by want and sin,
With none to guide or counsel her
But the brave child-heart within.
Strong in her fearless, faithful love,
Devoted to the last,
Unfaltering through gloom and gleam
The little wanderer passed.
Hand in hand they journeyed on
Through pathways strange and wild,
The gray-haired, feeble, sin-bowed man
Led by the noble child.
So through the world's dark ways she passed,
Till o'er the church-yard sod,
To the quiet spot where they found rest,
Those little feet had trod.
To that last resting-place on earth
Kind voices bid her come,
There her long wanderings found an end,
And weary Nell a home.
A home whose light and joy she was,
Though on her spirit lay
A solemn sense of coming change,
That deepened day by day.
There in the church-yard, tenderly,
Through quiet summer hours,
Above the poor neglected graves
She planted fragrant flowers.
The dim aisles of the ruined church
Echoed the child's light tread,
And flickering sunbeams thro' the leaves
Shone on her as she read.
And here where a holy silence dwelt,
And golden shadows fell,
When Death's mild face had looked on her,
They laid dear happy Nell.
Long had she wandered o'er the earth,
One hand to the old man given,
By the other angels led her on
Up a sunlit path to Heaven.
Oh! 'patient, loving, noble Nell,'
Like light from sunset skies,
The beauty of thy sinless life
Upon the dark world lies.
On thy sad story, gentle child,
Dim eyes will often dwell,
And loving hearts will cherish long
The memory of Nell.
poem by Louisa May Alcott

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The Mourners
LOW she lies, who blest our eyes
Through many a sunny day;
She may not smile, she will not rise--
The life hath past away!
Yet there is a world of light beyond,
Where we neither die nor sleep--
She is there, of whom our souls were fond--
Then wherefore do we weep?
The heart is cold, whose thoughts were told
In each glance of her glad bright eye;
And she lies pale, who was so bright,
She scarce seemed made to die.
Yet we know that her soul is happy now,
Where the saints their calm watch keep;
That angels are crowning that fair young brow--
Then wherefore do we weep?
Her laughing voice made all rejoice,
Who caught the happy sound;
There was gladness in her very step,
As it lightly touched the ground.
The echoes of voice and step are gone;
There is silence still and deep:
Yet we know she sings by God's bright throne--
Then wherefore do we weep?
The cheek's pale tinge, the lid's dark fringe;
That lies like a shadow there,
Were beautiful in the eyes of all--
And her glossy golden hair!
But though that lid may never wake
From its dark and dreamless sleep,
She is gone where young hearts do not break--
Then wherefore do we weep?
That world of light with joy is bright,
This is a world of woe:
Shall we grieve that her soul hath taken flight,
Because we dwell below?
We will bury her under the mossy sod,
And one long bright tress we'll keep;
We have only given her back to God--
Ah! wherefore do we weep?
poem by Caroline Elizabeth Sarah Norton

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The House Of Dust: Part 02: 10: Sudden Death
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
poem by Conrad Potter Aiken

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He Loves And He Rides Away
'Twas in that island summer where
They spin the morning gossamer,
And weave the evening mist,
That, underneath the hawthorn-tree,
I loved my love, and my love loved me,
And there we lay and kissed,
And saw the happy ships upon the yielding sea.
Soft my heart, and warm his wooing,
What we did seemed, while 'twas doing,
Beautiful and wise;
Wiser, fairer, more in tune,
Than all else in that sweet June,
And sinless as the skies
That warmed the willing earth thro' all the languid noon.
Ah that fatal spell!
Ere the evening fell
I fled away to hide my frightened face,
And cried that I was born,
And sobbed with love and scorn,
And in the darkness sought a darker place,
And blushed, and wept, and blushed, and dared not think of morn.
Day and night, day and night,
And I saw no light,
Night and day, night and day,
And in my woe I lay
And dreamed the dreams they dream who cannot sleep:
My speech was withered, and I could not pray;
My tears were frozen, and I could not weep.
I saw the hawthorn rise
Between me and the skies,
I felt the shadow was from pole to pole,
I felt the leaves were shed,
I felt the birds were dead,
And on the earth I snowed the winter of my soul.
Like to the hare wide eyed,
That with her throbbing side
Pressed to the rock awaits the coming cry,
In my despair I sate
And waited for my fate;
And as the hunted hare returns to die,
And with her latest breath
Regains her native heath,
So, when I heard the feet of destiny
Near and more near, and caught the yelp of death,
Toward the sounding sea,
Toward my hawthorn-tree,
Under the ignorant stars I darkly crept:
'There,' I said, 'they'll find me dead,
Lying within my maidenhead.'
And at my own unwonted voice, I wept;
And for my great heart-ache,
Within a little brake
I lay me weary down and weary slept,
Nor ever oped mine eyes till morn had left the lake.
Her morning bath was o'er,
And on the golden shore
She stood like Flora with her floral train,
And all her track was seen
Among the watery sheen,
That blushed, and wished, and blushing wished again,
And parted still, and closed, with pleasure that had been.
Oh the happy isle,
The universal smile
That met, as love meets love, the smile of day,
And touched and lit delight
Within the common light,
Till all the joy of life was ecstacy,
And morn's wild maids ran each her flowery way,
And shook her dripping locks o'er hill, and dale, and lea!
'At least,' I said, 'my tree is sear and blight,
My tree, my hawthorn-tree!'
With downcast eyes of fear
I drew me near and near,
Dazed with the dewy glory of the hour,
Till under-foot I see
A flower too dear to me:
I pause, and raise my full eyes from the flower,
And lo! my hawthorn-tree!
As a white-limbed may,
In some illumined bay,
Flings round her shining charms in starry rain,
And with her body bright
Dazzles the waters white,
That fall from her fair form, and flee in vain,
Dyed with the dear unutterable sight,
And circle out her beauty thro' the circling main,
So my hawthorn-tree
Stood and seemed to me
The very face that smiled the summer smile:
All lesser light-bearers
Did light their lamps at hers-
She lit her own at heaven's, and looked the while
A purer sweeter sun,
Whence beauty was begun,
And blossomed from her blossoms thro' the blossoming isle.
Then I took heart, and as I looked upon
Her unstained white, I said, 'I am not wholly vile.'
Thus my hawthorn-tree
Was my witness unto me,
And so I answered my impleading sin
Till blossom-time was o'er,
And with the autumn roar
Mine unrebuked accuser entered in,
And I fell down convinced, and strove with shame no more.
Some time after came to me,
An image of the hawthorn-tree,
And bore the old sweet witness; and I heard,
And from among the dead
I lifted up my head,
As one lifts up to hear a little bird,
And finds the night is past and all the east is red.
Small and fair, choice and rare,
Snowy pale with moonlight hair,
My little one blossoms and springs!
Like joy with woe singing to it,
Like love with sorrow to woo it,
So my witty one so my pretty one sings!
And I see the white hawthorn-tree and the bright summer bird singing thro' it,
And my heart is prouder than kings!
While I look on her I seem
Once again in the sweet dream
Of that enchanted day,
When, underneath the hawthorn-tree,
I loved my love and my love loved me:
And lost in love we lay,
And saw the happy ships upon the yielding sea.
While I look on her I seem
Once again in that bright dream,
Beautiful and wise:
Wiser, fairer, more in tune,
Than all else in that sweet June,
And sinless as the skies
That warmed the willing earth thro' all the languid noon.
Like my hawthorn-tree,
She stands and seems to me
The very face that smiles the summer smile:
All lesser light-bearers
Do light their lamps at hers-
She lights her own at heaven's, and looks the while
A sweeter purer sun,
Whence beauty is begun,
To blossom from that blossom thro' the blossoming isle.
Thou shalt not leave me, child!
Come weather fierce or mild,
My babe, my blossom! thou shalt never leave me!
Life shall never wean us,
Nor death shall e'er have room to come between us,
And time may grieve me but shall ne'er bereave me,
Nor see us more apart than he hath seen us.
For I will fall with thee,
As a bird from the tree
Falls with a butterfly petal whitely shed,
And falling-thou and I-
I shall not dread to die,
But like a child I'll take my flower to bed.
And when the long cold death-night hath gone by,
In the great darkness of the sepulchre
I'll feel and find thee near,
My babe, my white white blossom!
And when the trumpet cries,
I shall not fear to rise,
But wear thee o'er the spot upon my bosom,
And come out of my grave and bear the awful eyes.
poem by Sydney Thompson Dobell

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The Pilgrims
Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live
Except he serve her sorrowing, with strange pain,
Travail and bloodshedding and bitterer tears;
And when she bids die he shall surely die.
And he shall leave all things under the sky
And go forth naked under sun and rain
And work and wait and watch out all his years.
--Hath she on earth no place of habitation?
--Age to age calling, nation answering nation,
Cries out, Where is she? and there is none to say;
For if she be not in the spirit of men,
For if in the inward soul she hath no place,
In vain they cry unto her, seeking her face,
In vain their mouths make much of her; for they
Cry with vain tongues, till the heart lives again.
--O ye that follow, and have ye no repentance?
For on your brows is written a mortal sentence,
An hieroglyph of sorrow, a fiery sign,
That in your lives ye shall not pause or rest,
Nor have the sure sweet common love, nor keep
Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine
Face and clear eyes of faith and fruitful breast.
--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun
Shall move and shine without us, and we lie
Dead; but if she too move on earth and live,
But if the old world with all the old irons rent
Laugh and give thanks, shall we be not content?
Nay, we shall rather live, we shall not die,
Life being so little and death so good to give.
--And these men shall forget you.--Yea, but we
Shall be a part of the earth and the ancient sea,
And heaven-high air august, and awful fire,
And all things good; and no man's heart shall beat
But somewhat in it of our blood once shed
Shall quiver and quicken, as now in us the dead
Blood of men slain and the old same life's desire
Plants in their fiery footprints our fresh feet.
--But ye that might be clothed with all things pleasant,
Ye are foolish that put off the fair soft present,
That clothe yourselves with the cold future air;
When mother and father and tender sister and brother
And the old live love that was shall be as ye,
Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were,
Than sister or wife or father unto us or mother.
--Is this worth life, is this, to win for wages?
Lo, the dead mouths of the awful grey-grown ages,
The venerable, in the past that is their prison,
In the outer darkness, in the unopening grave,
Laugh, knowing how many as ye now say have said,
How many, and all are fallen, are fallen and dead:
Shall ye dead rise, and these dead have not risen?
--Not we but she, who is tender and swift to save.
--Are ye not weary and faint not by the way,
Seeing night by night devoured of day by day,
Seeing hour by hour consumed in sleepless fire?
Sleepless: and ye too, when shall ye too sleep?
--We are weary in heart and head, in hands and feet,
And surely more than all things sleep were sweet,
Than all things save the inexorable desire
Which whoso knoweth shall neither faint nor weep.
--Is this so sweet that one were fain to follow?
Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation
Ye shall make whole flawed hearts, and bowed necks straight?
--Nay, though our life were blind, our death were fruitless,
Not therefore were the whole world's high hope rootless;
But man to man, nation would turn to nation,
And the old life live, and the old great world be great.
--Pass on then and pass by us and let us be,
For what light think ye after life to see?
And if the world fare better will ye know?
And if man triumph who shall seek you and say?
--Enough of light is this for one life's span,
That all men born are mortal, but not man:
And we men bring death lives by night to sow,
That man may reap and eat and live by day.
poem by Algernon Charles Swinburne

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Lines On the Death of Two Children
WRITTEN WHEN BUT FIFTEEN YEARS OF AGE.
They sleep! but not theirs is the slumber that breaketh,
When night with its gloom and its darkness hath flown;
The morn in the light of its beauty awaketh,
But in silence and darkness they still slumber on:
They sleep, but no visions of sleep are around them,
That silence, that darkness, can never confound them;
For death, icy death, in his fetters hath bound them,
And round the young spirit his cold spell hath thrown.
Together in youth's brightest bloom they have wither'd,
Ere grief their young spirits had clouded with gloom,
And like flowers, in the light of their loveliness gather'd,
Whose fragrance is sweetest when faded their bloom;
So still shall their memory fondly be nourish'd,
In the hearts of their friends shall their virtues be cherish'd,
And though in the prime of their life they have perish'd,
Their remembrance shall be as a grateful perfume.
It is sad to see youth in its loveliness dying,
Ere the freshness of spirit hath wasted away,
While the earth seems around like a paradise lying,
And the hopes of the bosom too bright for decay—
Before life's cup of care hath imparted its fever—
Ere hope, smiling hope hath been proved a deceiver—
This world seems too lovely to part with forever,
To mingle again with inanimate clay.
And thus have they died while their hopes were the fairest,
While life only seem'd like a beautiful dream,
Adorn'd with whatever is richest or rarest,
Whatever most bright to the senses may seem—
They died, and the cold turf is resting above them—
They heed not the grief of the bosoms that love them,
The tears of affection no longer can move them,
Or wake them again to the day's joyous beam.
Consumption! 't is thou that their life-springs hast wasted!
'T is thou that hast wither'd the bud in its bloom!
“T is thou the young tree in its greenness hast blasted,
And o'er them hast thrown the dark veil of the tomb!
Thou foe to the lovely, the gay, and the blooming!
How soon the bright spirit, the features illuming,
Will fade from the cheek and the eye at thy coming,
Save when the bright hectic disperses their gloom.
O Death! it is strange how thy cold touch will alter
The forms that so lately were healthy and gay—
On the lips once so bright, life a moment will falter,
The next, they are pallid and motionless clay.
The lips and the eyes with bright happiness glowing,
The bosom proud beating of sorrow unknowing,
The gush of emotion around the heart glowing,
How soon will they perish and wither away!
And yet, it were better to die in life's morning,
Before we have seen its illusions depart,
Than to live when the flowers that our life were adorning,
Have wither'd, and hope hath deserted the heart—
'T were better, when mandate of death has been spoken,
That slowly and singly life's chords should be broken,
Than in health's brightest bloom without warning or token
At once to be stricken by death's fatal dart.
Had they lived, other ties to the earth would have bound them,
Withholding the spirit from rising on high,
And dearer and warmer affections twined round them,
Embittering doubly the life-parting sigh—
When parents for stay on the young are reclining
When husband or wife round the bosom are twining,
Or orphans are left in the cold world repining,
Oh! then it indeed must be anguish to die.
It is painful to stand by the couch of the dying,
And watch the pale form speeding fast to decay,
In anguish to list to the half-broken sighing,
That tells from the heart life is stealing away,
Yet then—while its flight the loved spirit is winging
While in agony round the pale form we are clinging,
Even then—brighter hopes in the bosom are springing,
As we feel that our parting is but for to-day.
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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A Dream Of Resurrection
SO heavenly beautiful it lay,
It was less like a human corse
Than that fair shape in which perforce
A lost hope clothes itself alway.
The dream showed very plain: the bed
Where that known unknown face reposed,--
A woman's face with eyelids closed,
A something precious that was dead;
A something, lost on this side life,
By which the mourner came and stood,
And laid down, ne'er to be indued,
All flaunting robes of earthly strife;
Shred off, like votive locks of hair,
Youth's ornaments of pride and strength,
And cast them in their golden length
The silence of that bier to share.
No tears fell,--but with gazings long
Lorn memory tried to print that face
On the heart's ever-vacant place,
With a sun-finger, sharp and strong.--
Then kisses, dropping without sound,
And solemn arms wound round the dead,
And lifting from the natural bed
Into the coffin's strange new bound.
Yet still no farewell, or belief
In death, no more than one believes
In some dread truth that sudden weaves
The whole world in a shroud of grief.
And still unanswered kisses; still
Warm clingings to the image cold
With an incredulous faith's close fold,
Creative in its fierce 'I will.'
Hush,--hush! the marble eyelids move,
The kissed lips quiver into breath:
Avaunt, thou mockery of Death!
Avaunt!--we are conquerors, I and Love.
Corpse of dead Hope, awake, arise,
A living Hope that only slept
Until the tears thus overwept
Had washed the blindness from our eyes.
Come back into the upper day:
Pluck off these cerements. Patient shroud,
We'll wrap thee as a garment proud
Round the fair shape we thought was clay.
Clasp, arms; cling, soul; eyes, drink anew
The beauty that returns with breath:
Faith, that out-loved this trance-like death,
May see this resurrection too.
poem by Dinah Maria Mulock Craik

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The Complaint of Lisa
There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.
Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.
O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.
For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.
Ah! but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me, too, such a thing were done!
But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth, God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed,
I may look up and see my sunflower
As he the sun, in some divine strange way.
O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king;" and seeing him, somewhat stopped my breath;
And if the girl spake more, I heard her not,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.
Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.
That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.
O sunflower make drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.
Ay, all day long he has no eye for me;
With golden eye following the golden sun
From rose-colored to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way,
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod under foot if any pass by her,
Pale, without color of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.
But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.
Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath
Ere day be done, to seek the sunflower.
poem by Algernon Charles Swinburne

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Introit : V. Litany Of Beauty
Joy, if the Soul or aught immortal be,
How may this Beauty know mortality?
O Beauty, perfect child of Light,
Sempiternal spirit of delight!
White and set with gold like the gold of the night,
The gold of the stars in quiet weather,--
White and shapely and pure!--
O lily-flower from stain secure,
With life and virginity dying together!
One lily liveth so,
Liveth for ever unstained, immortal, a mystic flower:
Perfectly wrought its frame,
Gold inwrought and eternal white,
White more white than cold of the snow,
For never, never, near it came,
Never shall come till the end of all,
Hurtful thing in wind or shower,
Worm or stain or blight;
But ever, ever, gently fall
The dews elysian of years that flow
Where it doth live secure
In flawless comeliness mature,
Golden and white and pure.
In the fair far-shining glow
Of eternal and holy Light.
Beauty of earthly things
Wrought by God and with hands of men!
Beauty of Nature and Art,
Fashioned anew for each Time brings,
For each new soul and living heart!
Beauty of Beauty that fills the ken
Till the soul is swooning, faint with delight!
Beauty of human form and voice,
Of eyes and ears and lips!--
O golden hair and brow of white!--
Wine of Beauty that whoso sips
Doth die to a spirit free, and rejoice,
Living with God and living with men,
Rapt rejoice in eternal bliss,
Raising his face to meet the kiss
Of the Beauty seraphic he sees above
In figure of his love.
O Beauty of Wisdom unsought
That in trance to poet is taught,
Uttered in secret lay,
Singing the heart from earth away,
Cunning the soul from care to lure,--
O mystic lily, from stain and death secure,
Till the end of all to stay!
O shapely flower that must for ever endure!
O voice of God that every heart must hear!
O hymn of purest souls that dost unsphere
The ravished soul that hears! O white, white gem!
O rose that dost the senses drown in bliss!
No thought shall stay the wing, or stem
The song or win the heart to miss
Thy love, thy joy, thy rapture divine!
O Beauty, Beauty, ever thine
The soul, the heart, the brain,
To own three in a loud perpetual strain,
Shriller and sweeter than song of wine,
Than song of sorrow or love or war!
Beauty of heaven and sun and day,
Beauty of water and frost and star,
Beauty of dusk-tide, narrowing, grey!
Beauty of silver light,
Beauty of purple night,
Beauty of solemn breath,
Beauty of closèd eye, and sleep, and death!
Beauty of dawn and dew,
Beauty of morning peace,
Ever ancient and ever new,
Ever renewed till waking cease
Or sleep for ever, when loud the angel's word
Through all the world is heard!
Beauty of brute and bird,
Beauty of earthly creatures
Whose hearts by the hand of God are stirred!
Beauty of the soul,
Beauty informing forms and features,
Fairest to God's eye,--
Beauty that cannot fade or die
Though atoms to ruin roll!
Beauty of blinded Trust,
Led by the hand of God
To a heaven where Cherub hath never trod!
Austere Beauty of Truth
Lighting the way of the just!
Splendid Beauty of Youth
Staying when Youth is sped,
Living when Life is dead,
Burning in funeral dust!
The glory of form doth pale and pall,
Beauty endures to the end of all.
poem by Thomas MacDonagh

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Moorish Bridal Song
The citron groves their fruit and flowers were strewing
Around a Moorish palace, while the sigh
Of low sweet summer-winds, the branches wooing,
With music through their shadowy bowers went by;
Music and voices, from the marble halls,
Through the leaves gleaming, and the fountain-falls.
A song of joy, a bridal song came swelling,
To blend with fragrance in those southern shades,
And told of feasts within the stately dwelling,
Bright lamps, and dancing steps, and gem-crown'd maids;
And thus it flow'd;-yet something in the lay
Belong'd to sadness, as it died away.
'The bride comes forth! her tears no more are falling
To leave the chamber of her infant years;
Kind voices from distant home are calling;
She comes like day-spring-she hath done with tears;
Now must her dark eye shine on other flowers,
Her soft smile gladden other hearts than ours!
-Pour the rich odours round!
'We haste! the chosen and the lovely bringing;
Love still goes with her from her place of birth;
Deep silent joy within her soul is springing,
Though in her glance the light no more is mirth!
Her beauty leaves us in its rosy years;
Her sisters weep-but she hath done with tears!
-Now may the timbrel sound!'
Know'st thou for whom they sang the bridal numbers?
-One, whose rich tresses were to wave no more!
One, whose pale cheek soft winds, nor gentle slumbers,
Nor Love's own sigh, to rose-tints might restore!
Her graceful ringlets o'er a bier were spread.-
-Weep for the young, the beautiful,-the dead!
poem by Felicia Dorothea Hemans

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A Swimmer's Dream
Somno mollior unda
I
Dawn is dim on the dark soft water,
Soft and passionate, dark and sweet.
Love's own self was the deep sea's daughter,
Fair and flawless from face to feet,
Hailed of all when the world was golden,
Loved of lovers whose names beholden
Thrill men's eyes as with light of olden
Days more glad than their flight was fleet.
So they sang: but for men that love her,
Souls that hear not her word in vain,
Earth beside her and heaven above her
Seem but shadows that wax and wane.
Softer than sleep's are the sea's caresses,
Kinder than love's that betrays and blesses,
Blither than spring's when her flowerful tresses
Shake forth sunlight and shine with rain.
All the strength of the waves that perish
Swells beneath me and laughs and sighs,
Sighs for love of the life they cherish,
Laughs to know that it lives and dies,
Dies for joy of its life, and lives
Thrilled with joy that its brief death gives --
Death whose laugh or whose breath forgives
Change that bids it subside and rise.
II
Hard and heavy, remote but nearing,
Sunless hangs the severe sky's weight,
Cloud on cloud, though the wind be veering
Heaped on high to the sundawn's gate.
Dawn and even and noon are one,
Veiled with vapour and void of sun;
Nought in sight or in fancied hearing
Now less mighty than time or fate.
The grey sky gleams and the grey seas glimmer,
Pale and sweet as a dream's delight,
As a dream's where darkness and light seem dimmer,
Touched by dawn or subdued by night.
The dark wind, stern and sublime and sad,
Swings the rollers to westward, clad
With lustrous shadow that lures the swimmer,
Lures and lulls him with dreams of light.
Light, and sleep, and delight, and wonder,
Change, and rest, and a charm of cloud,
Fill the world of the skies whereunder
Heaves and quivers and pants aloud
All the world of the waters, hoary
Now, but clothed with its own live glory,
That mates the lightning and mocks the thunder
With light more living and word more proud.
III
Far off westward, whither sets the sounding strife,
Strife more sweet than peace, of shoreless waves whose glee
Scorns the shore and loves the wind that leaves them free,
Strange as sleep and pale as death and fair as life,
Shifts the moonlight-coloured sunshine on the sea.
Toward the sunset's goal the sunless waters crowd,
Fast as autumn days toward winter: yet it seems
Here that autumn wanes not, here that woods and streams
Lose not heart and change not likeness, chilled and bowed,
Warped and wrinkled: here the days are fair as dreams.
IV
O russet-robed November,
What ails thee so to smile?
Chill August, pale September,
Endured a woful while,
And fell as falls an ember
From forth a flameless pile:
But golden-girt November
Bids all she looks on smile.
The lustrous foliage, waning
As wanes the morning moon,
Here falling, here refraining,
Outbraves the pride of June
With statelier semblance, feigning
No fear lest death be soon:
As though the woods thus waning
Should wax to meet the moon.
As though, when fields lie stricken
By grey December's breath,
These lordlier growths that sicken
And die for fear of death
Should feel the sense requicken
That hears what springtide saith
And thrills for love, spring-stricken
And pierced with April's breath.
The keen white-winged north-easter
That stings and spurs thy sea
Doth yet but feed and feast her
With glowing sense of glee:
Calm chained her, storm released her,
And storm's glad voice was he:
South-wester or north-easter,
Thy winds rejoice the sea.
V
A dream, a dream is it all -- the season,
The sky, the water, the wind, the shore?
A day-born dream of divine unreason,
A marvel moulded of sleep -- no more?
For the cloudlike wave that my limbs while cleaving
Feel as in slumber beneath them heaving
Soothes the sense as to slumber, leaving
Sense of nought that was known of yore.
A purer passion, a lordlier leisure,
A peace more happy than lives on land,
Fulfils with pulse of diviner pleasure
The dreaming head and the steering hand.
I lean my cheek to the cold grey pillow,
The deep soft swell of the full broad billow,
And close mine eyes for delight past measure,
And wish the wheel of the world would stand.
The wild-winged hour that we fain would capture
Falls as from heaven that its light feet clomb,
So brief, so soft, and so full the rapture
Was felt that soothed me with sense of home.
To sleep, to swim, and to dream, for ever --
Such joy the vision of man saw never;
For here too soon will a dark day sever
The sea-bird's wing from the sea-wave's foam.
A dream, and more than a dream, and dimmer
At once and brighter than dreams that flee,
The moment's joy of the seaward swimmer
Abides, remembered as truth may be.
Not all the joy and not all the glory
Must fade as leaves when the woods wax hoary;
For there the downs and the sea-banks glimmer,
And here to south of them swells the sea.
poem by Algernon Charles Swinburne

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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken

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The Zucca
I.
Summer was dead and Autumn was expiring,
And infant Winter laughed upon the land
All cloudlessly and cold;--when I, desiring
More in this world than any understand,
Wept o’er the beauty, which, like sea retiring,
Had left the earth bare as the wave-worn sand
Of my lorn heart, and o’er the grass and flowers
Pale for the falsehood of the flattering Hours.
II.
Summer was dead, but I yet lived to weep
The instability of all but weeping;
And on the Earth lulled in her winter sleep
I woke, and envied her as she was sleeping.
Too happy Earth! over thy face shall creep
The wakening vernal airs, until thou, leaping
From unremembered dreams, shalt ... see
No death divide thy immortality.
III.
I loved--oh, no, I mean not one of ye,
Or any earthly one, though ye are dear
As human heart to human heart may be;--
I loved, I know not what--but this low sphere
And all that it contains, contains not thee,
Thou, whom, seen nowhere, I feel everywhere.
From Heaven and Earth, and all that in them are,
Veiled art thou, like a ... star.
IV.
By Heaven and Earth, from all whose shapes thou flowest,
Neither to be contained, delayed, nor hidden;
Making divine the loftiest and the lowest,
When for a moment thou art not forbidden
To live within the life which thou bestowest;
And leaving noblest things vacant and chidden,
Cold as a corpse after the spirit’s flight
Blank as the sun after the birth of night.
V.
In winds, and trees, and streams, and all things common,
In music and the sweet unconscious tone
Of animals, and voices which are human,
Meant to express some feelings of their own;
In the soft motions and rare smile of woman,
In flowers and leaves, and in the grass fresh-shown,
Or dying in the autumn, I the most
Adore thee present or lament thee lost.
VI.
And thus I went lamenting, when I saw
A plant upon the river’s margin lie
Like one who loved beyond his nature’s law,
And in despair had cast him down to die;
Its leaves, which had outlived the frost, the thaw
Had blighted; like a heart which hatred’s eye
Can blast not, but which pity kills; the dew
Lay on its spotted leaves like tears too true.
VII.
The Heavens had wept upon it, but the Earth
Had crushed it on her maternal breast
...
VIII.
I bore it to my chamber, and I planted
It in a vase full of the lightest mould;
The winter beams which out of Heaven slanted
Fell through the window-panes, disrobed of cold,
Upon its leaves and flowers; the stars which panted
In evening for the Day, whose car has rolled
Over the horizon’s wave, with looks of light
Smiled on it from the threshold of the night.
IX.
The mitigated influences of air
And light revived the plant, and from it grew
Strong leaves and tendrils, and its flowers fair,
Full as a cup with the vine’s burning dew,
O’erflowed with golden colours; an atmosphere
Of vital warmth enfolded it anew,
And every impulse sent to every part
The unbeheld pulsations of its heart.
X.
Well might the plant grow beautiful and strong,
Even if the air and sun had smiled not on it;
For one wept o’er it all the winter long
Tears pure as Heaven’s rain, which fell upon it
Hour after hour; for sounds of softest song
Mixed with the stringed melodies that won it
To leave the gentle lips on which it slept,
Had loosed the heart of him who sat and wept.
XI.
Had loosed his heart, and shook the leaves and flowers 75
On which he wept, the while the savage storm
Waked by the darkest of December’s hours
Was raving round the chamber hushed and warm;
The birds were shivering in their leafless bowers,
The fish were frozen in the pools, the form
Of every summer plant was dead
Whilst this....
poem by Percy Bysshe Shelley

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A Greek Girl
I may not weep, not weep, and he is dead.
A weary, weary weight of tears unshed
Through the long day in my sad heart I bear;
The horrid sun with all unpitying glare
Shines down into the dreary weaving-room,
Where clangs the ceaseless clatter of the loom,
And ceaselessly deft maiden-fingers weave
The fine-wrought web; and I from morn till eve
Work with the rest, and when folk speak to me
I smile hard smiles; while still continually
The silly stream of maiden speech flows on:--
And now at length they talk of him that's gone,
Lightly lamenting that he died so soon--
Ah me! ere yet his life's sun stood at noon.
Some praise his eyes, some deem his body fair,
And some mislike the colour of his hair!
Sweet life, sweet shape, sweet eyes, and sweetest hair,
What form, what hue, save Love's own, did ye wear?
I may not weep, not weep, for very shame.
He loved me not. One summer's eve he came
To these our halls, my father's honoured guest,
And seeing me, saw not. If his lips had prest
My lips, but once, in love; his eyes had sent
One love-glance into mine, I had been content,
And deemed it great joy for one little life;
Nor envied other maids the crown of wife:
The long sure years, the merry children-band--
Alas, alas, I never touched his hand!
And now my love is dead that loved not me.
Thrice-blest, thrice-crowned, of gods thrice-lovèd she--
That other, fairer maid, who tombward brings
Her gold, shorn locks and piled-up offerings
Of fragrant fruits, rich wines, and spices rare,
And cakes with honey sweet, with saffron fair;
And who, unchecked by any thought of shame,
May weep her tears, and call upon his name,
With burning bosom prest to the cold ground,
Knowing, indeed, that all her life is crown'd,
Thrice-crowned, thrice honoured, with that love of his;--
No dearer crown on earth is there, I wis.
While yet the sweet life lived, more light to bear
Was my heart's hunger; when the morn was fair,
And I with other maidens in a line
Passed singing through the city to the shrine,
Oft in the streets or crowded market-place
I caught swift glimpses of the dear-known face;
Or marked a stalwart shoulder in the throng;
Or heard stray speeches as we passed along,
In tones more dear to me than any song.
These, hoarded up with care, and kept apart,
Did serve as meat and drink my hungry heart.
And now for ever has my sweet love gone;
And weary, empty days I must drag on,
Till all the days of all my life be sped,
By no thought cheered, by no hope comforted.
For if indeed we meet among the shades,
How shall he know me from the other maids?--
Me, that had died to save his body pain!
Alas, alas, such idle thoughts are vain!
O cruel, cruel sunlight, get thee gone!
O dear, dim shades of eve, come swiftly on!
That when quick lips, keen eyes, are closed in sleep,
Through the long night till dawn I then may weep.

From The Spanish Cancioneros
I.
Eyes so tristful, eyes so tristful,
Heart so full of care and cumber,
I was lapped in rest and slumber,
Ye have made me wakeful, wistful!
In this life of labor endless
Who shall comfort my distresses?
Querulous my soul and friendless
In its sorrow shuns caresses.
Ye have made me, ye have made me
Querulous of you, that care not,
Eyes so tristful, yet I dare not
Say to what ye have betrayed me.
II.
Some day, some day
O troubled breast,
Shalt thou find rest.
If Love in thee
To grief give birth,
Six feet of earth
Can more than he;
There calm and free
And unoppressed
Shalt thou find rest.
The unattained
In life at last,
When life is passed,
Shall all be gained;
And no more pained,
No more distressed,
Shalt thou find rest.
III.
Come, O Death, so silent flying
That unheard thy coming be,
Lest the sweet delight of dying
Bring life back again to me.
For thy sure approach perceiving,
In my constancy and pain
I new life should win again,
Thinking that I am not living.
So to me, unconscious lying,
All unknown thy coming be,
Lest the sweet delight of dying
Bring life back again to me.
Unto him who finds thee hateful,
Death, thou art inhuman pain;
But to me, who dying gain,
Life is but a task ungrateful.
Come, then, with my wish complying,
All unheard thy coming be,
Lest the sweet delight of dying
Bring life back again to me.
IV.
Glove of black in white hand bare,
And about her forehead pale
Wound a thin, transparent veil,
That doth not conceal her hair;
Sovereign attitude and air,
Cheek and neck alike displayed
With coquettish charms arrayed,
Laughing eyes and fugitive;--
This is killing men that live,
'Tis not mourning for the dead.
poem by Henry Wadsworth Longfellow

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Costanza
She knelt in prayer. A stream of sunset fell
Thro' the stain'd window of her lonely cell,
And with its rich, deep, melancholy glow
Flushing her cheek and pale Madonna brow,
While o'er her long hair's flowing jet it threw
Bright waves of gold–the autumn forest's hue–
Seem'd all a vision's mist of glory, spread
By painting's touch around some holy head,
Virgin's or fairest martyr's. In her eye,
Which glanced as dark, clear water to the sky,
What solemn fervour lived! And yet what wo,
Lay like some buried thing, still seen below
The glassy tide! Oh! he that could reveal
What life had taught that chasten'd heart to feel,
Might speak indeed of woman's blighted years,
And wasted love, and vainly bitter tears!
But she had told her griefs to heaven alone,
And of the gentle saint no more was known,
Than that she fled the world's cold breath, and made
A temple of the pine and chestnut shade,
Filling its depths with soul, whene'er her hymn
Rose thro' each murmur of the green, and dim,
And ancient solitude; where hidden streams
Went moaning thro' the grass, like sounds in dreams,
Music for weary hearts! Midst leaves and flowers
She dwelt, and knew all secrets of their powers,
All nature's balms, wherewith her gliding tread
To the sick peasant on his lowly bed,
Came and brought hope; while scarce of mortal birth
He deem'd the pale fair form, that held on earth
Communion but with grief.
Ere long a cell,
A rock-hewn chapel rose, a cross of stone
Gleam'd thro' the dark trees o'er a sparkling well,
And a sweet voice, of rich, yet mournful tone,
Told the Calabrian wilds, that duly there
Costanza lifted her sad heart in prayer.–
And now 'twas prayer's own hour. That voice again
Thro' the dim foliage sent its heavenly strain,
That made the cypress quiver where it stood,
In day's last crimson soaring from the wood
Like spiry flame. But as the bright sun set,
Other and wilder sounds in tumult met
[Page 139]
The floating song. Strange sounds!–the trumpet's peal,
Made hollow by the rocks; the clash of steel,
The rallying war cry.–In the mountain-pass,
There had been combat; blood was on the grass,
Banners had strewn the waters; chiefs lay dying,
And the pine-branches crash'd before the flying.
And all was chang'd within the still retreat,
Costanza's home:–there enter'd hurrying feet,
Dark looks of shame and sorrow; mail-clad men,
Stern fugitives from that wild battle-glen,
Scaring the ringdoves from the porch-roof, bore
A wounded warrior in: the rocky floor
Gave back deep echoes to his clanging sword,
As there they laid their leader, and implor'd
The sweet saint's prayers to heal him; then for flight,
Thro' the wide forest and the mantling night,
Sped breathlessly again.–They pass'd–but he,
The stateliest of a host–alas! to see
What mother's eyes have watch'd in rosy sleep
Till joy, for very fullness, turn'd to weep,
Thus chang'd!–a fearful thing! His golden crest
Was shiver'd, and the bright scarf on his breast–
Some costly love-gift–rent:–but what of these?
There were the clustering raven-locks–the breeze
As it came in thro' lime and myrtle flowers,
Might scarcely lift them–steep'd in bloody showers,
So heavily upon the pallid clay
Of the damp cheek they hung! the eyes' dark ray–
Where was it?–and the lips!–they gasp'd apart,
With their light curve, as from the chisel's art,
Still proudly beautiful! but that white hue–
Was it not death's?–that stillness–that cold dew
On the scarr'd forehead? No! his spirit broke
From its deep trance ere long, yet but awoke
To wander in wild dreams; and there he lay,
By the fierce fever as a green reed shaken,
The haughty chief of thousands–the forsaken
Of all save one!–She fled not. Day by day–
Such hours are woman's birthright–she, unknown,
Kept watch beside him, fearless and alone;
Binding his wounds, and oft in silence laving
His brow with tears that mourn'd the strong man's raving.
He felt them not, nor mark'd the light, veil'd form
Still hovering nigh; yet sometimes, when that storm
Of frenzy sank, her voice, in tones as low
As a young mother's by the cradle singing,
Would sooth him with sweet aves, gently bringing
Moments of slumber, when the fiery glow
Ebb'd from his hollow cheek.
At last faint gleams
Of memory dawn'd upon the cloud of dreams,
And feebly lifting, as a child, his head,
And gazing round him from his leafy bed,
He murmur'd forth, 'Where am I? What soft strain
Pass'd, like a breeze, across my burning brain?
Back from my youth it floated, with a tone
Of life's first music, and a thought of one–
Where is she now? and where the gauds of pride
Whose hollow splendour lured me from her side?
All lost!–and this is death!–I cannot die
Without forgiveness from that mournful eye!
Away! the earth hath lost her. Was she born
To brook abandonment, to strive with scorn?
My first, my holiest love!–her broken heart
Lies low, and I–unpardon'd I depart.'
But then Costanza rais'd the shadowy veil
From her dark locks and features brightly pale,
And stood before him with a smile–oh! ne'er
Did aught that smiled so much of sadness wear–
And said 'Cesario! look on me; I live
To say my heart hath bled, and can forgive.
I loved thee with such worship, such deep trust
As should be Heaven's alone–and Heaven is just!
I bless thee–be at peace.'
But o'er his frame
Too fast the strong tide rush'd–the sudden shame,
The joy, th' amaze!–he bow'd his head–it fell
On the wrong'd bosom which had lov'd so well;
And love still perfect, gave him refuge there,–
His last faint breath just wav'd her floating hair.
poem by Felicia Dorothea Hemans

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