
The Day An Empty Envelope
The day an empty envelope, the clouds
islands of their own in a slow wind,
gathering out of nothing, going anywhere
the blue conception of the dispersing sky urges
above the green, summer turmoil of the trees.
I wake up wondering if love is just a word
or a whisper of smoke from distant mountains
or a tuberous begonia someone tore up last night
in their madness to dramatize their exit out of ecstasy,
their roses, scalded lobsters, their heart
torn like a soggy dawn in the pincers of the moon.
And I have been here before at the end
of these long wharves pillared in departure,
standing firmly fixed in the tides of sorrow,
saying goodbye to the sky and the sea
that have cried enough stars for the night
to remember its light is the taste of oblivion.
The air breathes you in like an anchor of mist
and all the words we released like vows
gently unhooking their wings from the fishing nets
we found abandoned in the wake of a lunar desert
that had wandered off like an arsonist in the archives of its tears,
are pens that have flooded in our pockets of blood like oilslicks,
not the feather of song left that could fly.
And I should thank you for the bouquet of corals
you gave me like an island in a ocean of ashes,
and the nights my heart was a frenzy of mating eels
thrashing the silver waves in a ferocity of transcendence,
a rabble of moonlit tongues, that made me feel
the hanged man was at last a key someone would risk,
a boat moored to the wind that had at last found a door
with the eye of a water-lock and the Gulf Stream
of an infinite threshold it would take a galaxy to cross,
and there were voyages I dreamed, o, I dreamed
of naming continents after you, oceans on the moon
that teemed with startling new forms of luminous life
that did not salivate for each other like arrows on a food chain
but fell from the intensity of our wishing like rain.
I wanted to add your fire to mine on a pyre of thorns
and mounting the last constellation uttered in bliss
by the mouth of a burning rose immolated in her own beauty
rise like a kite trailing a thread of blood to show the stars
how to weave a life that breathes like silk
out of the mulberry cocoons of their nebular cradles,
auroras exhaled like the veils and ghosts of riverine light
that disclose the grace of a woman, secret by secret,
until even the stars are homeless gestures of ash,
crowns of flame enthroned in the abysmal domains
of the radiant mystery they could draw from
like water from the wells of your eyes
to refute the claws of time and space with flowers.
And it's been four starless nights, four bleached days
since I last heard from you, no word, no sail, no wick,
no eyelid of a candle to open the darkness like a dream,
not a chromosome in a fortune-cookie to dispell my fate,
only the incremental atrocity of the cruel silence that salts the garden
with the radioactive fall-out of your nuclear absence
so that even my shadow glows like a sunspot that won't wash off.
And I must tell myself you're not the queen caprice
of a cherry in a hive of chocolate leaking honey
all over the sticky page of a theatrical candy-wrapper
blowing up the road like the obsolete playbill of a cliche
well attended by the ants who traffic in sugar.
I must tell myself over and over again like a wheel,
not to save myself like an enlightened pagoda
in a corner of the cones of the fools who wear
their disasters like the paper headlines of a daily heart,
not to adorn death with the lies of wounded heroes,
for I am a small planet of haunted wines
you can burst against the roof of your mouth like a grape,
and far too acquainted with eclipses and cremations
to exalt my ashes with the consolations of a reviving phoenix,
tell myself not to lawyer my sorrow with a congress of crows,
and in a crowd of placards and protesters, pretend that I am brave,
that my cause is just, that the world you've left me needs to be saved;
or that I can save it from myself like an arsonist
by learning how to swallow it like fire,
not to incriminate you among the cap-gun terrorists
who rage like chains in the doorways of their emergency exits,
their hearts boiling hand-picked scorpions like blackberries
to mitigate the acids of their glass wounds,
but to believe you're still out there somewhere like a road
that has wandered off in a wilderness of directions,
though the mountains and trees all point the stars out to you,
that cannot conceive of where it leads until we both walk it.
I want to believe there's no bodycount
behind the words of love you send me like refugees
that gather in the valleys of my heart like liberated fireflies,
that the lampshades of your poems are not wrapped in human skin
with a star pricked out by fangs and the repeating decimal
of a genocidal number too powerless to stop itself
from biting at the running sore of its own ulcerations.
I have never seen your face, heard your voice,
the wind more intimate with your skin than my longing,
but I have felt the stars within brighten in your presence
when all I could be to you over the miles, lives, the worn shoes,
was someone who charged space with gusts of ionic affinities,
hoping somehow the atoms knew, the rain, the hill in the fog
calling out to the drifting lifeboat with a disembodied voice
that there was yet a breath within a breath, a light within the light,
what I was before I was born to reach out empty-handed like this
to create you out of the nothing I am, a marvel more than me,
a clear fire that burns invisibly like breath on a windowpane,
the exhalation of a ghost startled by a spirit that lives
within and beyond it in a continuum of vital strangers,
closer to us than the patches on the underside of our eyelids.
I don't know what I am to you; though I have hoped
and you have said things to me I could only disappoint,
but they have made me want to drink your face from my bare hands,
they have made me a fountain and a vine, a door that bleeds
among the quicksand foundation-stones waiting out the mountain,
and my heart was a pauper lavish with revelation, a glove
that felt the universe fit it like your hand, and the answers,
were as evident as birds gathering seeds in an open furrow.
We have grown over the months like the rain together
and maybe now we fall, maybe now this alloy of water
is to be threshed by the wind like wild rice
shaken into a birchbark prow of aboriginal moonlight,
and the waterlilies have finished blooming like asterisks
and the stirling is marred by the acids of black fingerprints,
and a patina of commonality makes the moon a cold stone,
but there's a pause between accountable heartbeats,
a world between waking and dreaming, exits and entrances,
where I think everything returns without having left
like stars paled in the blazing of a lesser light that thrives,
and the heart receives itself back into its own hands like a ball,
and even in the rain-soaked journals of the autumn leaves,
the wind still addresses the flowers with its inconstancy,
and hands still find each other across the dangerous table
like the lost receiving the lost in a place of belonging
that is a stranger to them both on the same side of the river.
poem by Patrick White

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I'll Wear This Robe
I'll wear this robe like a desert;
and release the hinges on the gate
that is closing like a rib cage
on the heart of the nightbird
that returns to the silence
like water taken from a river.
I'll pour the moon out of its stone cup
and let this vine of eyes,
this bone of light
wander where it will
in search of a face in the darkness
sweeter than the blood-vows of wine.
These flowers aren't the rags
of the legends of radiance
and a dragon doesn't waste eclipses
on the blind.
The wind opens its hand
and I disappear like a gust of crows
in the startled night groves.
I will drag this empty robe of blood along the ground
like a wounded sky,
a desolate poppy
broken like a kite
on the power lines of its dreams.
I don't know what hurt me;
so long, so long ago I was a child,
and now I am a man, and aging
and the water snarls
and bares its fangs of frost,
and impales my heart
inflamed with grief for so much that has passed
without understanding
on the horns of the moon.
My ignorance has been
deeply authorized by life
and more and more often now
my blood coagulates into roses
and seals my mouth with wax
like a regal mandate
to succeed myself in silence
and let my throne
avalanche down the mountain
like just another rockslide,
another round of asteroids,
another fallen temple
freaked with mystic ore that never made it to the surface.
You ask me where I've been
like a road you befriended along the way,
but I'd have to know where I was going
to tell you that
and I've come to the end of myself
like starlight in a loaf of bread,
a candle that burnt like a voice in the night
to obviate the emptiness,
to warm the abyss momentarily
with the glow of our human divinity,
to say we were here once
like the flower in the field,
the star over the hill,
the face in the window
that watches as we pass
like the shadow of a bird
cast by the flames of a hidden fire,
a pulse of the moon,
the eyelid of a wave
that imagined the sea beneath it
before it broke like a vision
on this shore of flesh
where everything must be abandoned.
I want to be with you
like your eyes are
if you'll let me be.
I want to silver my breath
in the longest night
of your loneliest fountain.
And many have sworn,
and many along the way
have perished like echoes and flowers
at the insistence of a rootless word.
And there have been nights,
eras of darkness and sorrow
drawn from a stranger's well
that have bent the path I took,
and scattered my footprints
like refugees and colonists
that turned native
like an exhausted emotion
when their loneliness went wild and crazy
in a solitude even the moon couldn't fill.
And I have stared
long and deeply into the abyss of the night
and felt the stars stub themselves out
in the sandy hourglass of my ashtray heart.
How desperately
I have rummaged through
this encyclopedia of lives
to find one that wasn't a prelude to tears,
my heart a lost boot,
laced with a snapped spinal cord,
its mouth
muzzled like a junkyard dog
with an elastic band
to keep body and soul together,
only to proofread sky after sky,
page after page of stars
pricked out in braille,
fingering my name
carved in funereal kells and runes
on another boundary stone.
Nothing binds me.
No one wants my heart enough
to consult it like a map
to where I'm buried like gold
under the tongue of a dangerous angel
who wants to wake up beside you
like a spear of fire
I will fall upon like life, like a lover,
to wound my way back into paradise.
poem by Patrick White

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It's Not Enough
It's not enough to hinge a new door to your heart
when the house is built on flowerless quicksand
and the chimneys have acquired a taste for books;
poems are the birthmarks of stairwells climbing themselves,
of hawks and serpents boring into the corks of wine
to get at the heart, the passions, the dreams, the rage
of the vine that set out like a road that got carried away
and fell in love with the intimate strangers who took it home
and danced all night among the swords as if they were thresholds.
Born in the shadows of unbearable bells, early I found
they were bound to the cord of my spine, like the moon
among the kelp that oils its tides with the black sperms of creation,
and I learned to pull on their iron parachutes to ease
my harsh, hot descents into wingless, mute oblivions;
I discovered there was a voice beyond mine
that could gather and disperse, celebrate and divine
the secret weddings and deaths of the bridal ghosts that came
like castaway bouquets to the refugee altars of their torn veils.
And there's an indelible secret as old as the eyes of the wind
that can whisper sand into pyramids, that won't receive
the vows of the petty and clever who traffic in the shadows
of the great, wild dead who wore their battered crowns like fire.
Let them crib their poems on the back of another man's eyelids,
real constellations don't shine like this and the wells are mute
whose waters taste of fireflies; and there isn't a river on the moon
that knows how to plead with the sea for a widow that mourns,
that knows whose prodigy of blood unravels on autumn's horns,
or how the waterlily in the mouth of the dragon
is more dangerous than a shrine full of blind snakes.
Behind every name, behind every door with a brass threshold
is a man who was forgotten by his own violated treaties
with the indentured mirrors he consulted to cheat the lakes,
who comes up over his horizons like the solemnities of the moon,
looking for the pillar of his lost reflection in chunks of coal,
in the underfed crematoria of his sacrificial backyard fire-pits
in the lifelines of the empty hands he misread like maps of smoke.
Poetry isn't an orphanage or asylum for the disenchanted,
though there is a deranged abyss under its relentless solitude;
not a showcase Colosseum for famished lions at a petting zoo,
though mauled minds and bodies litter the unwitnessed field;
there are no paths through its unanswerable distances
strewn with petals or thorns, no bridges or waystations,
no branches of hospitable trees to perch in for the night,
no dawns that can erase what's been written on your forehead,
nothing that can blind you to what you were born to see,
no rain that can douse the squandered fire of the poppy,
though the messenger is smashed like a bottle between
the tide and the rock; the star, the candle, the nightflower
snuffed by the morning, the last breath of the deathless moon.
And you must die enough to not be there
when the world picks up a pen like an axis
to spin in the direction of its wounded inclinations,
you must not walk into the house wearing a face,
your breath on the glacial windows of the furious stars
full of secret fingerprints, love-notes, names,
you must be more conversant than a ghost on a bridge
or a rose, or an empty mailbox, or a road that followed you
to where the river turns, with shapeshifting,
with pearling a body around a syllable of sand,
with showing a galaxy its shadow in eyelids and eclipses,
with standing like a scarecrow in the cornfield
that shucked the cob of a smile to batter you with birds,
with lying beside the dead like a lantern in a morgue
as if your blood crossed the threshold for them,
with waiting in the earth a long time, a root
that conceals orchards in the furrows of its dirty hands,
a buried boat that unfurls the blossoms of its sails,
the starcharts of the blind moles that shine underground,
like a voyage in search of the rudder of your tongue
to pilot it safely out of the ports of the moon,
a flame, a breath, a feather you've cradled for years,
the small measures of belief in an oceanic grave
that enrobes the flowing in the wake of severed waves.
Be stone, or be space; the emptiness is the same,
silver ore, or the motherlode of a black hole,
let your heart pan the long rivers of the night
for what the stars value, jewels of life in the light
that can be grown like a menagerie of blood and tears,
the eyes of the blackberries, eyes of the radiant bee
on the flutes of the wind that plays for a handful of seeds.
poem by Patrick White

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A Fluctuation In The Cosmic Void
A fluctuation in the cosmic void,
a wink of atoms,
a fallen eyelash of light,
the seeing of a lifetime
nothing but candle vapour,
ghost-water on the moon,
the exhalation of a vagrant star
looking for its lost constellation
like a berry or a gem
that had wandered off road
from the vine of a crown.
The eye that regards all
as it rises like a blue mystic sun
over the morning eyelids
of the remote hills
waking up in the arms of their shadows
demands exposure of the sky,
a clarity pure enough for stars
as it turns the day over
like the palm of a hand
to reveal how our lifestreams
join and break
at the junction of sacred rivers.
And the vision,
the illusion of the way I see life,
the romantic intoning
into the bell of the abyss
for a hopeless beauty that died like a bird,
the lostness and the loneliness,
the unknown sorrow
that seems to bleed out of the air
like a black rose born to grieve
for the separations of long ago,
and the child in the brutal fire
that pleads at a window
weeping in the heat
for rescue from an afterlife without salvation,
all that the heart features
in the deepest silence of the night,
nothing but the auroral trash
of an over ionized mind
trying to touch its own burns tenderly.
Until I became the knowing
even my own ignorance
didn't recognize me.
Until I vastly improved
the integrity of my lies,
every mirror I looked into
like a woman's eyes
was corrupt,
the prelude to a death certificate
in lipstick, a thorn of honey
that dripped like the fangs of the moon
with mysterious toxins and elixirs
that could scald and bleach the heart
or restore it with the kiss of a silver herb
grown in the garden of a cool eclipse.
My bitterness and fear
have made me less susceptible
to the empty boats that arrive
to take me on like some kind of foreign export,
a cargo of ashes and stars,
the bodybags
of the casualties and refugees
that perished in an unknown holy war of one
that I can't stop waging
against a universe that won't let me in,
but my solitude
could defeat me with a feather,
could shock the fool I am to hide
with the shadow of a wing
breaking the spell of this birdless sky
that seems to go on forever beyond the wind
like a caravan of rain
that's outwalked the longest known road
into a wilderness
of rootless trees in big city back alleys.
When the rose
has been stripped down to its claws and horns,
how few have the eyes
to keep yearning?
Let me drown in tears of fire,
in wells of thoughtful quicksand,
rack me on the iron in my blood
and stub my cherished stars out
like angry pincers applied to my feet
like a firewalk through a snakepit
and I will confess to nothing
but an earnest ignorance,
I will not betray the abyss
where I buried myself like nuclear waste.
I will remain true
to the merciless emptiness
I uttered to myself like a vow
I didn't know if I could keep
four decades ago.
Now I lay my head down to dream
on a stone pillow full of stars
that shine like rare metals in the night,
and when I wake
I seem to know less
about everything it took me a lifetime to master
than when I first
abandoned my eyes
like oceans on the moon to see
inconceivably, what has become of me in my absence.
poem by Patrick White

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My Hands Were Once
My hands were once the afterlives of birds
that caressed the cheeks of the sky
and brushed back the wind from its eyes,
and took a finger to intercede with a tear
not to start a pilgrimage without a little laughter,
and I am of the stuff of three stars
and a fire in my loins
that inseminated space with planets
and wrought red iron into bells of blood,
and leaned on calcium for ladders of bone
and taught the four-armed shivas of carbon to grasp life
and dance for the wheat and the grapes and the poppies,
and man lying down with woman
in waters urged by the fires of thought
furiously rooted in the gardens of the stars.
I am the ancestor and offspring of everything
and even my solitude is the loneliness of the mountains
sleepwalking over their own seabeds,
and the way I love, a trigger of oxygen,
and the way I see, a whisper of time and space,
a feather of moonlight dipped in the ink of the night.
I have within me,
deep in the vaults of my wounds,
swords from the wars of the grass and the trees,
and words that sang like arrows in the sacred groves
to answer why I live and what I'm looking for
and why all my foundation stones are shoes worn out with roads,
and who is it looking back at me like a dark echo in a dream
to see if I'm coming like a shadow with a voice.
And there are mysterious robes lighter than a breath of silk,
auroras and lightstorms, waterskins of the water-walking stars
that have plied themselves like the rings in the heartwood of a tree,
journals of light and rain, to sailor my spirit in a chronicle of flesh,
and be a brief thing in a brevity of eras, to know
why the tiger dies looking into the open, its eyes
yellow lamps in the bluing of the early morning
as if its death were already achieved a breath behind it
and a man crawls toward a meaning on his knees.
All the deaths are mine, the births, the names,
and my heart is the shrine of the moonrise and the dawn,
the blue honey hive of the stars and the wildflowers in their fields,
and the wind takes down what the mute rocks repeat for my sake,
and every face is a blossom or a leaf or an apple from the bough
of the orchard that seasons my emotions to advent and passage,
to the transformative oceans that drink to the bottom of themselves
and leave their empty cups on the moon to be filled again.
I have within me a beginning and an end
that open like the wings of a single gate
I passed through long before the birth of time
like the prelude of a world I hadn't read yet
because I hadn't finished living it in tears and blood,
running my fingers over it like the tender braille of a breast,
lapping it like blood from my own skull to see what kind of drunk I was.
And there are lifelines on the palms of everyone's hands
valleys, rivers, nerves, creases, roots, deltas, lightning
that together make a map to every dream I've ever lived,
all the tragedies and joys of fugitive spirits
trying to shoot the rapids with a broken oar,
and secrets that put a finger to the lips of the dead
like the horizontal threshold of a man who stands
like an infinite pause in the doorway of waking up
and just looks at himself with nothing special in mind,
a commotion of swallows in the radiant spoons of last night's rain.
But there's you now, who is not me,
because I long for you like a tide longs for its island,
and can find nowhere within myself the likeness of your face,
and though I know the water knows you like an ancient migration
it leaves no trace of your vines on the lips of its waves,
and there are skys where you shine among the stars for hours
where I've found threads of your shadow
torn on the thorns of the constellations
like rivers unravelled from your wilderness skin,
and even once I found your footprint like a boat on a beach
but you were not in it, and the emptiness was out of reach.
And I think if I find you, if I look hard enough,
if I stare into space as still as a lizard or a telescope,
if I check every leaf the doves bring back in their beaks,
every eyelid of snow that lowers the pines into sleep,
and lace the wind with fragrant spells and tragic pleas,
if I can break the code of the rocks that ore their silver secrets
like love-letters, like poems, deep in the throat of the earth,
if I grow new eyes for the seeing from the oldest wines of my being,
and the sky has to turn black forever not to have you pale like a comet,
not to lose you like a chandelier of fireflies in a galaxy,
not to reach out and touch you like the creatrix of the creator,
I can part from this life like a gift I left in the night on the stairs.
poem by Patrick White

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After You Leave
After you leave, a bell
deeper than the sea strikes once
and my blood thinks it's a ghost of fire
and tries to evaporate; gusts
of the most graceful emotions,
eloquent clarities of the heart,
shake me free of myself
like leaves and petals and pages,
the tender radiance of nightskies,
and I am astounded in the openness
of an embrace without limits,
of boundary stones being hurled delinquently
through the windows of ice-age mirrors
that have wept so long and slowly
over the silver river locked in chains.
How easy in this solitude
to declare myself to you,
to undo the delusions and the fears,
to flip through the chapters of the onion,
take off this last layer of skin,
and shed the final masks of snow
in the warming recollection of your presence,
in the way your beauty exhilarates me
then thrusts me like a torch into a deep silence,
and my heart sets out by itself toward you
scintillant everywhere, gold
flowing out of the dark ore,
as if the moon rinsed out its own reflection,
the legend of a secret constellation
behind the vital starmap of fireflies
that makes me want to shine for you so intensely
in this dark doorway of pain and passage
that the light hurts with the poignancy
of its longing to fall like a key
from the spirit's lost and found
upon your planet;
to open gardens that have no word
for fence or gate,
to bridge your streams
with the pillars and roots of inspired stars.
My heart sets out for you all by itself
like a lantern on a road
that unspools with arrival at every step.
After you leave I am possessed of the will
of an anvil and a forge
to become a chalice for you, a sword,
an axle and a plough, a strong bolt
against the miscreance of battering circumstance.
I raise your reflection to my lips
like a cup from a watershed of wine
and in every single sip
swallow an ocean like a potion
from the tears of the moon,
knowing how dangerous it could be
to miss you, to become
an addict of your light at the first taste,
to wait for eras for the return of the dawn
that unravels even now like mystic lightning through my veins.
No more than the sun from the vine,
the moon from the dreaming apple
the stars from the ripening vowel of the apricot,
could any torn net woven of knotted lifelines
undo the vision you have already mingled
like a night rose of fragrant fire in my blood,
Not to drift again alone
like an empty boat
ferrying the corpse of the ferryman
through the fog to a cold shore
now that I've been washed up on your island
like the voice of a salvaged star in a bottle,
a frenzy of light and love in your tides,
a drowned lighthouse
coming to life in every wave of you.
I want to be brave enough
to risk the possibility
of listening to the night together
with the unveiled bride of the moon
in the bay of my arms,
I want to be the sail, the flame,
the gull of her breathing,
the blue dolphin off the coast of her mouth.
I want to swim like a mirror
the sea holds up to her face
to do her hair up with starfish
she tresses like galaxies in the depths;
I want to devote myself like a candle
to the shrine of the September moonrise
that saturates the far sky over the sad hills
like a warm breath glowing on chilled glass
when she smiles
like the wind over the abundant harvest
of the ashes I've stored against
this famine of passion
in the silo of the blue guitar.
I want to place my life
like a feather of fire
on the mysterious altar of lunar rain
that splashes like stars everywhere
in the telescopic silvering of the well in her eyes,
and turn these deserts of space and time
back into grasslands
crossing her thresholds
in whispers of pollen and dust.
She walks into the room
to help me paint the bedroom walls,
as I try to cover the grafitti
of my vandalized soul with white,
and a dove in a cage
panics at her approach
before an open door.
She climbs the ladder in rags with a brush
like the moon over a lake,
behind a cloud,
through the branches of a leafless willow
and everything in the room
is enhanced by her shining
and I'm rolling new skies over
the scars and fossils of old stars,
worn faces with plaster patches
to rewrite the shepherding lies,
the myths and symbols of my solitude
in the sidereal headlines of her transformative light.
Now it's four a.m
and I'm pacing from empty room to empty room
like the pendulum of a heavy clock
that aspires to be a bell,
threshing words like wild rice
under an eyelid of peacock blue
to fill the empty hold of a buoyant heart,
the small boat of her hands,
with the eyes of a precious gathering.
And the tender snow falls quietly outside
on the crow limbs of the winter trees
like flesh returning to the bones of the dead
in a silent resurrection
more unsayable than a veil of white
that puts its finger to its lips
like an arrow of fire to a bow of blood
to hear what the hidden nightbird
under the eaves of a burning house is singing.
poem by Patrick White

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Deep In The Night
Deep in the night that shells its husk of blue
to pan the nuggets of its stars from a darker stream,
the heart an executioner with a fistful of pardons,
and the soft, moist, lulling of the evening air,
the threshing of slow fish,
I'm enthroned alone in a crucial palace of light
that realigns its domains to the borders of the wind,
and I don't want to feel lonely but I do,
and I don't want to miss so many, so many faces
stripped from the bough like a savaged telephone-book,
so many feathers of light drifting through the shadows of their names,
and the black granite of the uncarved bell
that turtles the blood under the eyelid of the knowing,
that makes my eyes want to scream
until the pillars of the dead sea fall like rotten salt:
how long can one road endure the passage of everything
walking life off into the stars that measure the miles in skulls?
Was I young? Were you there in the brindled moonlight?
Did I remember how to love you well; did I see with long eyes
how you rose out of the chest of the hills like a spirit leaving,
the blue effulgence of your nebulous departure
almost a cocoon of morning mist, the last breath of a lake
as if an indigo thistle released its silk to the wind
or a dandelion relinquished its ivory mane?
Were you the soul of me that lingered by gates and wharves?
Have you come back now with your bells of blood and lamps of flesh?
Can I feel again the leaves of the silver herbs
in the gardens of your fingertips?
Touch me like the breaking of a fast,
find me like a river in the night,
the dazzled theme of a wandering valley,
and pour your journey into mine like stars into a vine,
shadows running down the worn convictions of the stairs,
the midnight wines of old eclipses in the goblets of your eyes.
Once for the flame that dances on the wick of the tongue,
Once for the orchards that plead with the heart for birds,
Once for the envelope that read the letter it married,
and you, by the river, a sapphire among rocks,
tender blue grass in the translucent water-skin of the night,
loving me once as if your hands were autumns full of departure
and your eyes, the gulf of the world in your eyes, your eyes
were the soft flowing of the dark honeys
that leak from the wounded hives
we carry like knives to the grave.
Distinguished among broken clocks,
sultry and bitter, a quarantined bay of refugee stars,
caught in the threshing blades of a circular waterfall,
a mess of tents I've furloughed across the milky distances
like a chain-letter from a secret constellation to you,
I blue the intimate spaces between us with time
and patch the maps with the confluence of our lifelines
and try to restore the eyes in the sockets of our bridges
under a brow of swallows in the dusk. And I remember
all the names of the flowers, all the names of the stars,
all the badges of love that heaven and earth once offered
in lieu of the reasons why
love bares the skin of a poppy
to the teeth of the hunting sun
and then flares like a firefly
over the water-lamps of the moon,
but when it dies of its own self-inflicted wounds,
slashed by shadows among the ripe fruit of its vowels,
and the seed wasn't asked and the harvest had no choice
there are always two skies,
one bound by roots, the other, eyes,
at the back of every voice.
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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It Isn't That I'm Looking
It isn't that I'm looking for eagles in a barnyard
or a phoenix in a match-head
when I observe
by the number of wrecks on the rocks
how few lighthouses there are these days
among so many flashlights.
What can the hair say about the horn
or the feather teach the wind
or quicksand preach
for the edification of the cornerstone?
And must I put a healthy leg
at the service of a broken crutch
to limp along with the mob
at the end of a dying culture
that insists that all roads end
in a cult of cripples?
If I'm walking alone to the stars
on a pilgrimage of one
finding my way in the going,
my heart aligned like the needle of a compass
to a darkness brighter than the light,
and the only map the clarity of my eyes,
why should those
who weep in their ashes like rain,
trying to put glasses on a fly,
who have never dipped
the thorn of the moon
in the night of their blood
and written a love poem
to a skull in a desert,
care if I want to roam
in the hills and valleys of myself
like some homeless shepherd of the wind
taking the stone of the earth for a pillow to dream on
in the high grasslands
where the stars walk
whispering eternal intimacies like black swans
barging the ores of a vacant throne
through my bloodstream,
as all along the shores of my flowing
ancient flowers wake mysteriously
like candles in an eclipse?
If I take the sky for the walls of my house
and leave the rest
like an autumn of junkmail
looking for a door and a last known address,
if I choose not to contrive a world
to accommodate my absence
in the available dimension of the future,
wiping my shadows and ghosts
like mirrors off at the threshold,
even letting go of the door
to enter empty-handed
as the applause
for an understudy of the dawn
that never got over its stage-fright
in the abyss of an abandoned theater,
happy to let the river pan itself for gold,
not laying a claim to anything,
making sure the gate-latch
clamps down like a dog on a bone
when I close it up
like a straitjacket in its own thoughts,
not stringing my spinal court to a wishbone
or the warped neck
of an obvious guitar,
but taking my voice with me
like a wounded bird in my hands,
a star struck from a stone,
moonlight in an empty boat,
the taste of silence
in the mouth of a mask,
my name a rainmark
on the eyelid of a dusty bell
I've left to the dream it keeps returning to;
why should it matter to anyone
who lies to the bleeding door
that is wounded by their entrance
everytime they say it's just me
as if a pillar answered?
I can't find anything
less than everything to call a self
and there are no mirrors
in an abyss more naked than the sky
to consult like the oracular flights of words
that litter the windowsill of this seeing
like flies that spent themselves,
flints on an empty lighter,
wicks on a glass candle,
consuming the ferocity
of their lives against the illusion of the world outside
they brain themselves against again and again
like small meteors
doused like torches in the eye
of the upper atmosphere
just above the open window.
When everything is absurd as this,
and even the tuning forks of the rain
are an era off in their pitch,
and music is merely
the coming and going of ants
in an abandoned syrinx,
and the drum of the heart alone
isn't enough to start a band,
and the only melody
is a road the wind blew away
like a hair off the shoulder of the night,
and everyone's trying
to unmarrow the moon like a fortune-cookie,
and every snowflake in the furnace
of this dark fire
thinks it dies like a galaxy
when it's only an inflection of tears,
am I not free to walk in harmony
with the savage senselessness of it all,
without hanging a bell of advice over my head
like the only corpse
on an island full of gravediggers
who can't get out of the holes they've dug
to bury me in?
I don't want to live waiting for yesterday
like the light of a star
that's already gone,
or dream like a seed of constellations to come
like a roll of the dice,
or watch the surplus of your smile
rotting on the docks of a famine.
And don't think these harvests I leave you
like a trail of breadcrumbs and dead flies
out of this wilderness of thought
are any more than stars
caught in the throat of the labyrinth
that follows itself like a snake with its tail in its mouth,
trying to find a way out of itself
by eating its own head.
And by some chance
if you ever make it out this far,
I've mailed back
the same map of fireflies
with its legend of smoke,
three lifetimes a lightyear,
you once handed me to find you
and marked every place I'm not
with a black hole.
poem by Patrick White

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Autumn Swings Its Bell
Autumn swings its bell like an eyelid over my heart
and in the penumbral umbrellas that bloom
in a garden of eclipses and sundials,
I discuss you with an enlightened ghost
and an ignorant shadow
that have learned to see star to star
in this echoless abyss of silence and solitude.
Within, where the winds scrawl
their spray bombs on the wall,
delighted with their literary delinquency,
I realize what's beginning to look like
the mouthless howl of an ancient agony,
the collapsed bridge
of that which was separated
from the moon's reflection,
an ache deep in the ores of the earth
before it learned to speak of trees and rivers,
before its longing invested the dead branch
with a fugue of nightbirds
trying to write themselves like a dream
into the black candle of the darkness
with a feather of fire.
My heart is hollow, and empty,
a drunk in an oildrum,
and love seems nothing more
than a harvest of eyelashes
and all my works are seeds on the moon.
A kite crash lands in the powerlines.
A phoenix rises from its dearth of ashes.
I want to go deeper into myself,
I don't want to hover like smoke
over my sidereal cremations,
or atomize the particulars
of how time bends like the arms
of my galactic alarm clocks,
or if I deserve to be this lonely,
a lighthouse that went on shining underwater
after the last flood carried me out to sea.
You make things happen in me,
thinking of you, your lapidary tides,
blue species of emotion
are born, evolve, and die
for reasons unknown
in the space between two thoughts;
and there are crazy black spiders in the wine
that tempt me to swallow them
to know how things are connected,
and always an electric dawn
to dazzle the event with black holes
and blind, astronomical photographers.
I feel the tenderness of time and distance from you,
fountains that no one drinks from,
and space all the jewels and palaces of water
that no one owns or lives in
because they are reserved for your progress alone
through these wounded labyrinths of me
following the stars I've laced
in the wake of living your way free of the maze
that will prove to be
the foundation of another kind of temple,
the cornerstone of a vastly more intimate space
than the eclipse that encloses you now
in the bleeding flames of an endangered poppy.
I wish I were wise, I wish
I were young and becoming,
I wish I could engender a planet
out of this cosmic debris
I spew like a supernova across the night,
the exhalation of my spirit from the lamp I go by,
the arraying of the world in every breath.
I wish I were good and always cooling
on a farmhouse windowsill;
I wish I was not so tormented
by the torn skies that hang from the broken window
I hurled my heart through like a stone with a message.
I wish my enlightenment
didn't knock on every door of delusion
hoping to find no one home.
I place the cool kiss of a nocturnal snail on your skin,
and I look at the words and I wonder
if you'll wake with a silver smear on your breast
like the path of the moon on water
and know it was me
or feel the tremor of a forbidden ecstasy in your sleep
I burn a church to the ground like a ram
to honour the altar of your talent,
the passion, pulse, and fire-voice of your poetry
and the midnight shadows of your blue rose
shedding its eyelids like petals, skin and sky.
My words are metal birds, rocks
wishing for wings
so that this avalanche of mountain thunder
might once take flight in the dusk
toward the valley where you wander like a stream
turning over lost echoes
like the links of a chain with a key,
zeroes looping arms with the past
to bind one moment of the infinite
to the wonder of a passion that lasts.
My eyes are heavier
for having seen the light,
saturated with everything they've witnessed,
honey, ink, and blood,
and every tear is a sea closer to the moon,
and every lyrical efflorescence of the dream
is punctured by thorns,
and even the lies of the most subtle mirrors
have grown obvious
as the beast within is saddened
by its cultivated charm,
knowing what hour it is.
Understand me well
in this rogue season of awareness;
where lightning freezes in the flower-realms
and breaks like branches of ice,
where even black is too garish for clarity,
and sometimes even the sea
loses its nerve,
gaping into its own depths,
an asylum of lightless shapeshifters
for a likeness of itself
that isn't perfectly preserved,
the locket-heart of the last fish on the moon,
a Martian meteor in Antarctica,
this gravel walk of asteroids
through the gates and the gardens
of the whole planet I am in every piece,
though I do not glow like fool's gold
in the pan of the night,
and my throne has crumbled like hard bread,
and love seems to die at the first affirmation
like a bird against a late night windowpane,
this goblet of darkness
that stains the lips with an indelible silence;
though I have been deconstructed
by the suspicious sphericity
of my most cherished symmetries,
toppled like a tower of blood and water,
a shattered river
condemned to the beginning of spring,
a continent sunk in the depths of the mirror
barring this handful of nuggets and islands,
I am still immutable diamond
that learned its flowing from the stars,
and what I write to you
is not a thread of light
that holds the kite of your heart
up to the lightning like a key
to prove that your blood is a good conductor,
not the severed fishing line necklace of eyes
scattered like beads and dice
across the usual geometries
and impoverished granaries of the floor,
not the afterbirth of a morphological wine
that left you burnt orchards
as the fruits of the fire that promised
a feast of pears and cherries,
not the disembodied jewels of a ghost
weeping in the doorway of its skull in the night,
but the threshold and theme,
though for the moment you disdain the stairwells
in the hovels and mansions of love,
embittered by the lonely rose of space and matter
that pours the shining out the backdoor
like the lees of harvest stars
in the corner of the eye of an irisless bell
waking you up mutely
from a dream of falling in a morgue,
but the threshold and theme,
the story-line, the mythogem and motif,
the oceanic pulse and spume
of sidereal ferocities and urgent follies
robed like the king of shells
in the bruised purple of symbols
I take like the pulse of a lightning-rod
rooted like blood in me
to know as constantly as space
that I draw my life from you
like a shadow in a garden of blue fire
that courses through the dried creek beds
of these hourglass deserts
like the mystic tents
of a caravan of rain on the moon.
Wells, goblets, bells, or roses,
or thorns gnawing through chains and lifelines
to let the heart drift
like an empty boat from its moorings,
whatever season you assume
like the changing wardrobes
and unassailable affinities of a life
you must improvise as you go along,
I will always be with you
like shadows and leaves
and footprints and stars,
as I am now your next breath
whatever the scarves of fire
that grace your ghost-dance
with the black ribbons of an abysmal freedom
that feels like the halls of an abandoned prison.
I will liberate the key
like a hanged man
from the noose that adorns your neck,
and raise myself like a bell to your lips
and have you drink
the light and stars and flowers again
from the urn, the crown,
the hive of the heart
that sends its eyes out into a far field like bees
on the perfume trail of a summer constellation
to sweeten the light around you
with honey that burns for an emergent queen to find it.
poem by Patrick White

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Sometimes Think
Sometimes think I'm always
a life too late
to catch up to my own
walking away weary of waiting for me.
Or I'm a star too far ahead of my own shining
and that's why it's always dark.
I know the agony
in the stones of an abandoned bridge
that shoulders the world for nothing,
upholds nothing but its own mass
and waits for things to pass.
And even when I fall into the river
to flow along with my own mindstream
without consulting the leaves like maps
I still can't get the moon off my back.
Look at all these orchards
littered along my banks
from the tent of a single blossom.
And there are nights
when I can smell snake on the wind
as if everything were about to happen again
and I still haven't milked the fangs of the moon
for an antidote to the pain
or put out the third eye
of the irrational surveillance camera
that oversees the sorrows of the insane
when it's full.
I like my perfections whole enough
to include what is not
and if I am immoderately empty
it's so I can make space for the world
like the blood-sea of the rose
that flows out of nothing
into tides that shed their waves
like the eyelids, brides and petals
of a human heart.
My breath is silver.
My breath is gold
I've mined from the mystic mountain
that got in my way
whenever I tried to cross
the valley threshold.
I had to evaporate to rise to the top;
I had to get myself together like a cloud
to transform my own delusions
into a glimpse of the other side
that didn't take a scapegoat for a guide.
Now space is my only familiar
and the being behind the face
of who I was a moment ago
is just another snake in the furnace
of this star that sheds my skin like fire.
Streams of insight
that are not predicated like mirages
on deserts of thought
trying to spin themselves
into mirrors and silks of glass
like a new religion
sweeping the world like sand
advance the gardens
of the water-givers underground
who teach the flowers how to bloom
and drown like stars
in the infinite opening of their eyes.
And I've mauled the nets of the constellations
like a man in the morning
walking through a high field
radiant with spiderwebs
and if there's anything
left hanging in the wardrobe
that used to house my masks and cloaks
they're veils I've torn from the light
to better see into my darkness.
I'm still looking
but nothing has appeared yet
and no sleight of mind
that's ever mastered me
has ever taught me how
to realize the inconceivable
except in the proportions of a human
whose mere existence is utterly unbelievable
whenever I turn the light around
and discover the dispersing stars
I have followed so long and far
into the unborn darkness where I begin
shining within.
poem by Patrick White

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You Are Crazy
You are crazy and beautiful
and wounded and wild
and the youngest daughter
of a coven of poetic sea-witches,
and dangerous as the moon in your changes,
the fragrance of night
hovering over the blue star-honey
of your seductive hive of candles,
the skulls you drink from naked,
anointing the fire
with libations of blood and wine,
dancing to the passionate lament
of ancient serpents
unfolding their wings
like eras in the lives of stars,
constellations that have come and gone like leaves,
seasons that are only distant whispers
in the hourglass of the hills,
voices that have outlived the ears to hear them.
And we are no more contained
than is the wind, the white cloud
in our approach to lucidity,
and we have been wave and shore
many times for each other already,
and I have heard how
the night flute of your solitude
suffers like an island,
and the wizards have worked
an extra contemplative shift
to make you the gift of a gate
when my love of you
alloys my will
to the light of the urgency.
There is a wholeness to your being such that
even when the night shatters like a mirror,
all of you is reflected in every piece,
and your eye at the keyhole
unfolds me like a starchart
trying to locate a deep sky object
burning ferociously in wavelengths of black.
I am enrobed in your mystery like a waterfall
and you swim, a silver fish,
through the roots of my mind like the moon,
and the shadow of every thought
is a likeness of you
that I’ve conjured out of space like an aurora,
a feather of smoke
to limn your features mystically
in apricot-violet fires that flower like paint
and I take you away with me sometimes
where I can savour you alone like a mountain
where the silence prowls like a cougar
and you keep the wilderness to yourself
and your presence is enough of a fountain
to turn my heart into a mouth
entranced into speaking in the tongues
of the hidden grammars of blood
that pi the spirit with golden ratios
and passionate incommensurables.
You are a star caught
in the curtains of my seeing
and we are only eyelids away
from finding a flower
worthy of the sight
as you seed the darkness with light,
and I carve your face,
your transformative beauty,
out of a block of eyeless uranium
that glows invisibly like an emotion
that only blooms in exile,
a genius among elements
that gives herself away
like an orchard in a storm,
a serpent in the labyrinth,
the blessing of a weapon.
How could I know you in any other words;
how could I win the trust of your riddles
and climb the stairs of your neglected shrines
to the reluctant priestess
chanting in the shadows
of her own eclipsed altars
for a sacrifice that would answer
the impiety of a lifetime?
If I don’t touch you there,
if you don’t feel my breath upon the nape of your neck
like the wind on a lake,
if your blood
doesn’t turn into a red light district
without emergency exits
at the thought of being caressed
on the other side of your skin,
on the other side of the tapestry,
how could the hidden clarity
ripen into the crazy wisdom
of the bird that was born of a jewel
and you exceed yourself like wings?
You are all flavours of the fire
that bewitches the tongue of the snake
to divine the air for grails of water
with a branch of conscious lightning
that wants to taste you through its fingertips
like a note in a tuning fork
that will open the dark gate of your radiance
like the key to a secret release.
And I know how often
love is a dream in a graveyard
where only the rootless flowers say
what they can about severance
and the abyss of the heart that falls from its crown,
and the urgent vacancy of a throne
that governs lying down
beat like grief against the cageless door of a cold stove;
I have wept on stone,
trying to make a lie come true,
a mirage turn solid,
a ray of light linger in my bloodstream
like a locket dropped from a bridge,
I have been the timely extinction
of mystic alarms
that woke me early to grief
and what the thief left of my afterlife,
and I have been the razorblade,
the knife that bled to death,
that cut itself out like the tongue of a wound
rather than inflict a law upon love
that would tin the waterlilies
with savage indignation.
I have made one infinity of two zeroes,
and handcuffed myself
to the top of a tree
to throw the pack of chainsaws
that chased me up it like a scared messiah
off the scent of blood
that rippled through the heartwood,
and climbed down
like a quiet last judgment
when nobody was around
and stood in the doorway of my grave
like a letter delivered to the wrong address,
and cursed myself
for all the things I couldn’t save.
I have tried to knit honey
from the smoke of the fire
that spread like pollen over the fields,
but it was always tainted
by the taste of a black saint
retreating into a starless night
like the shadow of a bird
that had nothing to sing to the dawn.
And I withdrew from life
like the cult of virulent addiction
and lived like a ghost in detox
parsing planets like flaws on a rosary
and idling among the late night shadows on the walls
like a stone fish among the reeds.
And my name
was a word in a foreign language
I didn’t understand
until you said it like a wind of light
that had wandered like a road through time
to breathe me again
and pick my body up like a lost glove
lying by the lifelines in the wineskin valleys of your hand.
Until you were you
among the veils and interpretations,
black swan enthroned in a sky of fire,
the ghost of a bell
in the rain mirror
that arrayed your face like a whisper of islands,
I had never looked into my own eyes
as if they belonged to someone else.
poem by Patrick White

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A Whole Galaxy Lights Up
A whole galaxy lights up for the sake of a single planet; for
the sake of a single flower, the entire earth turns itself
into a loom and weaves for a million years.
How many oceans have died to hang one dropp of water
at the tip of a blade of grass; and can you see in that blade
the untold dawns and sunsets that have risen and fallen like bread?
How many skies have bloomed and shed themselves
like the petals of blue roses
and how many birds have expired in their songs and wings
and fallen to earth like broken harps
to open up the space and voice within you? Have you
ever considered the endless generations of faces
that have come and gone, weeping themselves slowly into oblivion
like the crying glass of windows
just for the sake of one of your fleeting smiles;
or the billion nights that trembled in their dreams
for the colour of your eyes? And your blood
that is sweeter to you than any wine and floats
the boat of your heart down the rivers of its infinite flowing;
have you ever listened, deep within yourself, to the echo
of the hammers on the anvils of the aeons of volcanoes
that laboured like sacred smithies to pour and purify
all their skill and metal into your living iron? How are you not
in the least pore of your being
this miracle of so much? But tell me, you who can instantly travel
to the ends of the known universe and forever beyond
without leaving yourself, even
as you sit waiting for a bus, or brushing your hair;
what vastness of space and silence
has honed itself to a non-existent point
and entered like a gracious guest the tiny house of your bones and skin
and laid out all these thoughts and passions,
these clothes and jewels like gifts? And there
in the resplendency of the black mirror that illustrates your soul
and holds it up to you like the moon to the moon on midnight waters,
isn’t that the universe you’ve just pinned like a rose to your hair?
Beloved, I have lived ten thousand lifetimes
and discarded them like worn-out shoes,
fallen and risen from the dust of the road over and over again
just to make my way to this moment of you. Eternities have passed
and time itself has grown old and been forgotten
gods and civilizations, known and unknown
have worn away like stones like wildflowers since I first set
my vagrant heart on you, my every step, a grail, every breath,
Jerusalem, following you through the days and nights,
every sea, sky, and desert, your footprint, until I could bathe,
washed clean of myself and the journey
in the resurgent light of your beauty, that fountain
that has turned every atom of my being into a pilgrim
as if a million worlds went off in all directions like rays of light
or fingertips
to touch God’s face
as if they had raised a hand up to their own. Beloved,
where are you when I am so lost
everything looks like a strange home you once slept in for a night
and then abandoned, even the dishes, even the light,
even the small keys to your presence
you keep dropping everywhere like tears
that lock nothing in, nothing out; where are you now,
as I write this, longing for you, turning this beggar’s agony
into words that might rise like a glorious new constellation
full of grace and destiny
over the beautiful dark hills of your seeing
that are your eyes and the woods I wander in. Beloved,
I am your shadow; I am your ghost, coming and going from you
like a gate that yearns to be a wing
on any bird hurled, singing, into the dawn of your smile,
even if it be reflected on a windowpane. You, who are my life,
though a hair’s breadth seperate us, though
no more than the depth of the moon’s reflection keeps me
from drowning in your mysterious waters, I am nothing
but unheeded suffering outside your garden walls, nothing
but a phantom caravan in a desert of worlds outside
waiting to enter with gifts from a distant spirit
for the queen of the city. Beloved, look over your walls
like the moon walking its own heights
and gaze down upon the passion of my tents and fires
as if they were the flowers of the starfields
that snag in your veils of light, happily torn from their own shining
so might they adorn your passage. In your presence,
I am the mystic wind that wants to sport in your hair
and sweep through the valleys and along the curves of your body,
caressing every flute, shrine, and bell of your being
until all of you starts ringing, crazy with joy,
and all your leaves, all your secret lilies,
shudder silver side up in the sunlight after the storm.
Beloved, grant me freedom. Assent. Put an end
to the eloquence of this divine poverty
by blowing me out like a candle flame
that has danced on its own dying long enough. Without you
all my seeing and saying
is a rose and a word I’ve placed
on my own dejected coffin, drifting like an empty boat.
Beloved, open this door of darkness like the first crescent of the moon
and make an end of me in you as you have
so many stars and asylums and longings before me; let me
cross your threshold like a tide you have raised and sent
rushing up your slopes of life within, and when I am spent,
draw me back into yourself like a wave or a breath or a world,
or, deeper yet, this ocean of shoreless oceans that has swayed me into being
without beginning, end, or separation,
this extravagance in the form of the man who loves you.
poem by Patrick White

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And The Rose
And the rose of someone else’s dawn,
a warning to drowned sailors,
mingling in the shadows and the leaves
just beyond the bay of the window where I stand
with my last afterlife
like a star in a shoe.
And there are voyages I’ll never make
and ones I have
for the sake of the going,
for the islands and the witches, the sirens
and the green flames of the fairies
that crept out from under
the stone of my heart
like a crown of petals, eyelashes,
cool palings of fire.,
and danced for the honey and the gold
from the paper hive
softened from stone
they had made of my life in ashes.
And there’s not much difference
between a sky and a sea,
no two wardrobes ever the same,
an expanse of space and skin,
wide palms of water,
and the confluence of lifelines
the deltas and the rivers,
the arteries and veins
the lightning and the branches,
weeping on a windowpane,
the fossils of leftover tears
that winced like an eye
in the hair of the jellyfish
that washed up out of their agony
like rain. And there are fools I’ve been
that don’t remember me
and lighthouses on the moon
that didn’t heed their own advice.
But there was always something
truer in the absurdity,
a mystery or a jewel, the memory
of a face I’d never seen,
some annihilation
with a threshold of stars
I’d never crossed, a whisper
of light, a fragrance, a voice
singing to itself in a lonely place
that put my caution to shame.
And it’s been my life to go,
to cross, to enter, to know
the lostness as my own,
and the darkness and the solitude
where I begin and end
like water taken from the river
and the river returned
as the moorings of the emptiness
I took for a boat
like a face
between the pages of my hands,
and all in the name of some nightbird
some shadow of a wing
that covered my heart
with such a quick eclipse
that no one even noticed I was gone.
Poetry, love, life; the shore is one thing
but the sea another,
and it’s not that I was brave
or thought I could walk on water
or had a secret starmap,
wiser than the rest;
I looked into the abyss with a shudder,
as if I had to kiss
a cobra on the head
or enter a spider’s womb
without being caught,
for the terrible acceptance
of what I sought
beyond the starless gates
and moth warnings
of the usual taboos. Every terror
scales a treasure, and the dragon
masks its secret,
not meant for the circumspect,
in risk. The sane prefer heaven
but heaven isn’t for the sane
who don’t know how to die enough
to answer the sphinxes and grails.
And it’s made me
a heretic of the heart,
a rogue star, a poet,
to live this way,
drinking the black wine
that was offered me
from the skulls
that lined the mouth
of the mysterious death
in the doorway
of every true entrance.
And it’s not the lies
that kill you,
nor the truths,
or looking through
a hole in the fence
at things you were never meant to see,
the medusa making love
to an apple-tree,
or Isis naked behind her veils
that no one’s ever lifted;
it’s returning
the way you came
from the wells
of the transformations,
the mountains of the muses,
the islands and the trees
of seduction and death,
unchanged, your tears still tears
not jewels of the blood,
and your voice,
not the fire of poison-tipped spears.
poem by Patrick White

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Things Might Be Drifting Away
Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.
Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.
Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.
But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.
We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.
We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.
And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?
Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.
The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.
The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.
You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.
You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.
poem by Patrick White

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Journey
I’m on some kind of journey
but I don’t know where it’s going;
I’m growing wings and shedding them,
and I’m true to every thought in my head.
I’ve got a heart, worn down at heels,
a used voodoo doll quilled like a native,
a meteorically battered planet
that wobbles between a kiss and a fist
in the way it keeps running itself around.
I spend too much time alone.
There are no obstructions in any direction;
and barefoot, I’m walking on stars and poppies,
talking to myself like a candle,
weaving my way among the shadows
like a fish through the supple harps
of the silver river reeds. I see
that I’m taking a bath in my own grave
to wash the soiled skies of the painted world
off my eyes, to behold
the brief career of the leaf of life
and how the light gusts out from the windows
like curtains and bird-nets. Life is short
and the new temple never gets further built
than a hole and a single cornerstone, the rest
left to the business of the earth,
all that beauty and magnificence,
unravelled among the mud weavers.
I was inoculated against death
by a splinter of the moon;
by how little time there is for love,
for the root to get drunk
on the fruits of enlightenment and compassion,
by how little I will ever know
of the road to the doorway I stepped through
to stand in awe before the moonspill
on the raven blue waters,
and to look so deeply into the eyes of a woman
who has just conceded an island in her passage,
and the fragrance of unheard music
that I am a pillar of wonder
before the unsayable
as she lets dropp her shadows and feathers of light,
and the blood-god assumes
his flowering crown of fire
to enhance the splendours of his courtly intensities.
What I have lost in the river
I will find in the river
and what I have taken from the sky
I will give back to the sky,
and there shall come a day
when the eclipse will be the brighter mirror,
and the darkness that overtakes me now
will be a gate of stars to a water palace
where the dragonflies and waterlilies
are the sceptres and crowns of a human divinity
that will endure like a whisper of radiance,
a more haunting taste of light,
the rumour of a black rose
that outshines the angels
that coax the lanterns out of the night.
I will evaporate like the flaring of fireflies
on the windy shore of a trembling lake,
like the blue hat plume of smoke
from a gallant winter chimney
into the vastness of my own mind
like a waterbird without a trace into a sweeter, wilder solitude.
And these words will come and go
like the tides of the ocean I was,
like the providential leaves
of unfurling fortune-cookies,
like an avalanche of gold
washed down from the mountain upstream.
I write them in flowing diamond,
I write them in auroras of blood,
in dawns bluer than the iris of a peacock’s eye,
in fire and water and the mystic inks of the night
in the fleeting, indelible dream
of doors and hands and moons,
in warm breath on a cold window,
in a halo of comets
smeared into light by the sun,
in the sidereal wines that bled from bitter wounds,
I have said what it was mine to say
on a page of the wind
that whistled through me like life
greening the sands of the hourglass
with visions that ripened the bell of blood in my heart
to fall like wisdom from its tower
toward a fallible paradise
that won’t leave me as I am for long.
And I will jump again
into this cauldron of joys and sorrows
to string my spinal cord
over the abyss of the guitar-shaped universe,
walking upright
to plead with my own answers
to thaw like a mirror
estranged from the world it reflects
in the self-effacing flames
of the passionate gardens that dance on the wicks.
The awakening seed
echoes these flowers of fire
in the valley of a voice in the furnace
that lies down in the cool grass
by a stream of idle stars
and arrays its vagrant heart
like a breeze of blood in the dust
to the refugees in the shadows.
They move like eyelids
through all the phases of the moon
from an unspooled well of darkness
to the slash of a razor of light
to the threshing of the full harvest
in the siloes of the nightwind
enthroned like a breath of life
in the midst of its own dispersal.
poem by Patrick White

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I Have Become My Own Season
I have become my own season
living through these renewable eras of you
that come and go
like the fragrances of passing stars
that sometimes stop by the gate
to talk about the garden blooming late.
Some flowers wait for the moon to open,
to throw their arms around space
as if they could encompass everything
in the brief embrace of their petals,
and their seeing is one eye under multiple eyelids
as they burn like jewels in the night
to keep it all shining and bright.
But I've worn out the elbows
of my insatiable longing
on the windowsills of a different insight.
Saddened by the distance, the time, the circumstances,
delinquent desires still hanging out their shingles
like green apples on a dead branch in winter,
withering like the inconsolable eyes of old men
who have died like sons
and now must die like fathers,
mine is the darker radiance
of the faint halo of light
around a black hole
that summons everything
down into it like the sea
sitting below its own salt
at a stranger's table.
You can't look into
the black mirrors in my house
with your eyes open
because they only reflect
what's on the back of your eyelids
where the only light is your own
and you are the road
and the lantern you go by
and everything you feel and think and imagine
is your own true face without skin
not the gate between outside and in.
How could I ever recognize you
in these dark spaces
if it weren't for the trees
and the stars and the moon
and the night stream that runs through me
like a lifeline on the palm of my hand
down from the mountains
in a rush of diamonds and gold
that pour out like the pent-up emotions
of a sword that's just been pulled from a stone?
And how hugely alone the night is
when you love someone as they are
and you realize without effort
that if you hold them a moment in their transience
you hold them like a star in a locket of water
that tastes like the past.
There are people
like treebound barrels of rain
and then there are people like me
who leak out of their lives
like radioactive water
that couldn't pool the pain
long enough to stop the meltdown
long enough to cool the brain,
long enough to let it kill me.
Now in the darkness
seeded with the dust of black dwarfs
trying to clench a fist of coal into diamonds
my auroras are weeping neon dew
like a cheap enlightenment
all over the watercolours of dawn.
And I'm wondering
what kind of an afterlife is this
that I might have foregone
if I were indifferent
to how my solitude deranges me
like a lost continent
wandering through its own mindscapes
like an extinguished star
that wants to make up
just for one luminous moment
a constellation of its own
that doesn't wait upon anyone's eyes
for the themes of its seeing.
And though the skies have changed
like the slides of childhood dreams
with every blink of an eyelid
whenever night approaches me
and asks to sit by my fire
and let the flames and the smoke
of our past lives
speak for the both of us
I look up to give my eyes
like two drops of water
back to their oceanic immensities
and it's always unattainably you
that is shining
like a woman in the window
of a secret house of the zodiac
far off the beaten path
that leads everywhere like a firefly.
And your stars speak to me
as if my flesh were light again
and my heart
that bumps its way through the dark
already a lamp beyond
the Lazarus of wax
that's buried in his own lucidities
like a candle I left for dead.
poem by Patrick White

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Small, Warm Birds
Small, warm birds of feeling,
a profound tenderness,
something to cherish
in the loneliness of being human
in these vast, cold spaces,
as I read your words
like poppies in my blood again.
What stars could I call upon,
what roses could I ask for their skin,
what darkness charge with radiance,
what ploy of dancing buddhas
could I summon
to let you know
you are all my sky within,
and the assent of my soul in the morning
and the bough of my homing at night,
that there is within me a blind fire,
an invisible flame
that consumes me in the ferocious beauty
of its unseen flowering
even in a flurry of faces
and the business tugging the donkey of the day
braying like a knot in a stream of wood,
and all the objects and forms of the world
are burning mirrors I look into to see
the black pearl of your mystic presence within me,
the irridescent luster of your shining,
how you are a message in a bottle from ultimacy,
and a dark shrine of desire
that can wake the valley dragons
with the fragrance of your eyes on the wind.
I want to kiss your kneecaps;
I want to crush cool mushrooms against your lips
and feel my kisses break like bread,
I want to feel my mouth
blossoming on the nape of your neck
and my breath blowing across the shy wheatfields
of the softest gestures of hair on your skin,
I want to taste the silk
of the inside of your thighs
as if it were the flavour of an intimate paradise,
and approach your breasts like crowns,
and under a full moon
tenderly turn the sacred soil of your sex with my tongue
like a stranger in the doorway
of an infinite longing to make you shudder
like the void into light
with sexual eclipses on the back of your eyelids
that will fill you like a palace of water with stars.
I am the luminosity and shadow
of your green lamp that glows like the sea,
and my voice wants to bleed like black cherries
over the alluvial plain of your stomach
and touch you like a prophet
running his fingertips slowly over the pages of a holy book,
savouring the revelations
that throb like a pulse in space;
and there are storms that want to exhaust themselves
over the blue thresholds of your hills
and root their lightning in your body
like a tree of light, a new map of rivers
for your blood to follow back to me
like the echo of thunder in a well.
And all through the day
with its curbs and functions
I imagine the lilt of your fingers
on the rim of a coffee cup,
the cougar in the glance of your eyes,
the way you put a knife down on the table
like a smile without a script
and what it would be like
to circumnavigate the equator of your waist
with a rosary of kisses
to raise you like a sunken continent
out of your depths
and explore all your tides and passages
with the fervour of a dolphin in a bay of wine.
I want to be tangled like a kite
in the turmoil of your hair,
the night watchman of your dreams,
the one who notices
what no one else looks for,
the stone of the small grave
you sweep with your eyelashes
when the leaves of autumn
lie down with the shadows of spring
and the virgin windows of your tears
that no one has ever looked through
weep like glass over the secret root
of a flower only a child could see.
Beyond reason, gates, words,
where the bridges take off their shoes
to admire their feet in the water
and the waterlilies kiss the thorn
of the star that tore them like skin
and whisper ancient pollens to the night
softer than flour and saffron,
and everything I say to you
isn’t a wound in the light,
a mouthful of shadows,
a bell of water with a fish for a tongue,
fleets of butterflies
learning how to sail the oceans of the rose
like the keels and wings
of love-letters you can read in the dark,
I want to fold you in my arms like the moon
and pan the nocturnal urgencies of your eyes
for a gold rush of fireflies
in the all night boomtowns
of a heart that struck it rich
digging a hole to bury its dead.
poem by Patrick White

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As Much As I Love The Stars
As much as I love the stars, I know
the spirit must seek its lost radiance
in the midst of the filth of this world,
even when its third eye is trying
to wash it off in tears it really means.
Under the half-closed eyelid
of the pine cone pagoda in oceanic meditation
is a fire-seed waiting for immolation
like an overdue urn about to give birth.
And do you see how the moon
feathers the waves with silver,
and the breathing waters so much
like the flesh of a woman undulating
under the caress of an unaccustomed hand
shines back like fish swimming through a starmap?
As above so below. Same with inside and outside.
Astrophysics is psychology. Noumena, phenomena.
Are you looking for a unified, field theory of your mind?
Study that small sacred syllable of a black ant
with the torn wing of a butterfly
under full sail in its mandible
it's taking back to the heap
of a thriving passage tomb burial
like a high card it's going to lay on the table
without intending to call anyone's bluff.
The moon on the lake isn't timed.
Death's not too late. Life's not too early.
Not all the flowers bloom at once
in a wave of mass hysteria at a sports stadium.
Time is as generous to the dandelion
as it is to the hyacinth or the rose.
When a total eclipse of the soul
can be as illuminating to a firefly
as the enlightenment of the full moon
can be to the mad at harvest time
and the night bird sings on the same branch
out of the same longing
as the mourning dove does
on the burgeoning bough,
how far must a wave look for the grail
before it realizes it's swimming in it
and by virtue of it having never been lost or found,
like the universe you're surrounded by
dipping its other wing in the cup you drink from
like blood from your own prophetic skull
or an elixir of love from the goblet of a black tulip,
as an antidote to falling into a cult of trances,
trying to teach rattlesnakes to ghost dance for rain
when everywhere you look as far as the eye can see,
nothing but the bleached bones of their vertebrae
crumbling like aqueducts across a sea of sand
looking for the holy hourglass to green it again?
When things are like this, why send
a caravan of mirages like thought-trains
on a pilgrimage for water on the moon?
Is a course correction more innocent
than its original direction or is it
just another change of heart on the part
of a weathervane that thinks linearly
it's got its hand on the rudder of the wind?
Best thing to do in a storm
is let go of the wheel of birth and death
and either go down with the ship like a constellation,
or trust in a bubble-shaped universe you still might float
like a turbulent waterlily above the turmoil of it all,
anchored to the bottom like a key on a kite
to lure the lightning to your spinal cord
the way copulating snakes make their own caduceus,
twin wavelengths from the same inner matrix
ascending like helical thermals under a dove's wings,
so that dragons are born of cosmic eggs
that know how to heal fire with fire
that can consume itself like life
without ever getting burnt out
even when autumn's coming on
and you can begin to smell
the smoke and ashes on its breath.
Enlightenment the inspiration of the search,
the spirit returns to the candle in your hand,
to dance with the flame of life within you
on your own threshold, in your own doorway as you realize
like someone waking up from a dream
in their own bed, their head on a softer pillow
than they imagined a moonrock could be
at one sixth the gravity of earth, what
was there to aspire to that could possibly be
higher and wiser than a cloud circling a mountain
or down in the valley where the stars slum
once they get off the night shift, more compassionate
than a honey bee in the eye of a stargazer lily
smothering it in a rusty ochre dust storm of pollen
the way we prepared our dead when we lived in caves
to bloom like a hive when its spirit returns to matter
in its next incarnation as a gust of wildflowers on Mars.
Hawkweed and Indian paintbrush I would think.
And the unusual fruits and flowers that can sprout
from a windfall of intensely radiant meteor showers
flung out of the darkness by the hands of generous sowers
that were ploughing the moon for themselves
long before the ox of the mind showed up
like the blessing of a delusional dependency
that makes you think, gone to seed, you need it.
When the truth has always been mindful
and mindlessly green as the thorns and the leaves
of the locust trees in spring coming into blossom
as easily as the mindstream follows its own lead everywhere
with nothing but its own flowing for a navigator.
No gate, no lock, no pivot, no hinge, no waterclock
trying to put the fire of life out in a bucket brigade
of community-oriented arsonists, departure
never any further off the beaten path from home
than its arrival can be lead astray
by the shadow of the return journey
it casts behind it like the widening wake
of a waterbird's wings unravelling
the flying carpet of the water that wove it
like wavelengths of the hidden harmonies
that are on your side like your eyes are
when you step out of the blazing house of life
once in a while, into the expansive solitude
of your own inimitably creative darkness,
without a candle, a firefly, a lightning strike
for a guide, and look up, just look up
in any direction you wish, and don't pick any one
of the six thousand stars you can see
with the naked eye in the country,
no matter you don't know their names
or myths of origin, or much about shepherd moons,
or what an antikythera is, then run around
looking for an underground circumpolar sage
to show you on a starmap where your shining is at
like the light of the star, though you cry
in bliss and sorrow, delusion and insight,
you can't wash out of your own eye
anymore than you can Venus in the dawn
when you're sitting on a mountain under a Bodhi tree
trying to attain the unattainable empty-handed
in the same breath that's been giving it all away
for light years, inexhaustibly, like a flower-mouth
of enlightenment in everything you say or do,
the world in the creative wake of whatever medium
that's shapeshifting into you like water into fish,
darkness into star, sky into a bird on the wing
in a homesick sunset, or the shining of the source
like the lantern in your hand you needlessly labour
at keeping lit to go look for it without realizing
it's your own blazing that blinds you to the gift
of what the darkness arrays before you like candles and stars
and nocturnal waterlilies opening like a new moonrise
amazed by the occult mystery of the fire that burns
in the subliminal watersheds of your fathomless eyes.
In this boundless space, why should you be surprised
behind all the masks of God, her best disguise
when the hidden secret wished to be known
and she revealed herself, was your own face,
your eyes, your mouth, your ears, your voice alone
pouring the universe like the light of picture-music
into your own ears like the spirit of a word
that can't be enlightened until it's been heard by you.
poem by Patrick White

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Not To Be With You
Not to be with you,
not to know your breathing beside me,
not to be able to put my arms around you
and kiss the black candles away,
change skies with a glance,
feel your mystery seeping into me
like a veil of rain,
my heart a hive of stars,
my body crazed
by a fragrance of the moon,
to feel the intimate moment hang
like a dropp of dew
poised like the silence that falls before it;
is a mountain peering down into its own valley
at a whisper of cloud
that passes like a secret,
a red carpet of blood that wants to fly
laid out for an unknown dignitary.
You are not here
but I walk with you alone
under the smudged moonlight,
through the tidal shadows of soft, ebbing trees,
and gusts of warm air touch me like your skin,
and the assent in your eyes
is a colour only the heart can see,
and my longing is a map to anywhere
my mouth might meet yours,
and my hands visit the shrines of your body
like pilgrims full of reverence
for an infidel religion
with beautiful eyes,
with sacred scars and a language
that is born along
with the serpent fire of my ripening passion
to annihilate myself in your doorway,
to unspool the river
in the supple coral of your water-rose,
the keel of my tongue
circumnavigating your startled equators,
and all your tender meridians
bowstrings taut with anticipation
of electric arrows released in ecstasy,
both of us wounded by insatiable joy
in a storm of mushrooms and black cherries,
in the oceanic hunger of the sea
for an oracular island of forbidden frenzies,
for mystic releases
that free oblivion from servitude
and teach the chains of existence
to dance to the music
of their own liberation,
their own falling away like rain,
that the true ground of their being
was always the wind
that binds the message to the world
in the arms of lovers creating each other
from black palettes in the darkness,
from moss and apricots,
from the long wharves
of interminable kisses
that gore like the horns of garden snails,
from the fountain-mouths of ancient eclipses,
the dark abundance
of the feast that is received like eyes
and the night chutes that open nocturnal poppies
like auroras of furious sugar
to squander the stars
in the throats of jubilant black holes,
to appease the unattainable
with the inexhaustible satiation of gratified silos.
Not to be with you,
my wings ache with urgent migrations,
and I am as impetuous as a sword
in the foundries of my blood,
and my voice
is the remote thunder of humbled apples,
and my dragons swarm
the abyss of your beauty
like shepherd moons, sunspots,
a calendar of desires
that marks every phase of your body off
as an apostate holiday,
the omen that winnows
a harvest of bells.
Not to be with you is a cloak
that weighs more than the night sky,
the eyelid of an iron rose,
a feather of lead
that drowns in its own reflection
like the shadow of a flightless longing,
the unquenchable silence
of a well on the moon
listening for rain.
poem by Patrick White

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Let Me Be Worthy
Let me be worthy of the river
and the strange ores that glow at night,
buried like teachers in the mountain;
let my blood always taste of the moon
and my heart burn like a black rose,
like the poem in the fire
that sweetened the sky with a flower of smoke,
for the wisdom of the generously unattainable,
and transcend the hell that shadows the folly
of not being foolish.
May the stars,
when they gather in gardens
water the roots of my seeing from clear fountains
and the wind bleed like ink from my pen
when I’m wounded by the beauty and the terror
of my helplessness.
When I am large, spacious, profound,
let me sit like the universe
on the throne of a seed
that lies in the dirt;
and when I am small, brief,
a trinket of light in a flash of ephemera,
robe me in the lion skin of the night sky
and ennoble me
with delusion and enlightenment
on this road of ghosts.
Whatever befall,
let me perish or prosper as a human
who insists upon the divinity of all
and burns and rises
for the heresy and truth of it.
Let anyone born be accounted a hero,
a lifeboat that hauled the world aboard
when the seas raged in the womb
to give birth to suffering;
and may I always be entrusted
with the ancient shales of dark courage it takes
to look into the dragon’s eyes
and not be horrified
by the ferocity of the freedom
that thaws space
like an hourglass in the rain.
And should love occur
to shape the blade of the moon
on the anvil of my heart,
and a cauldron of passionate visions
scald the eyes with intimate glimpses
of myriad heavens and hells,
all truer than reason,
may my bitterness pass
like the eclipse of an hour,
a left-handed blessing,
no vinegar of injured illusion
accept the sad surrender of the wine
like the death poppy of a folded flag,
no tar of judgment and denial
feather the dream with stone pillows,
no abyss under the brief era of an eyelid,
make me too petty or afraid
to dance with my skin off
engulfed like the wind
in secret sails of mystic fire.
There’s always a clown, a jester
who rides beside the hero like an anti-self,
a thoroughbred and a dray
yoked to the little red wagon of the heart
like two thieves either side
of an unwitnessed crucifixion,
two dadaphors, two torches
disposed like opposible hinges
on a door that opens like water
at the whisper of a key.
Let me be the clown-prince
of my own idiotic profundities then,
let me survive my way into the wisdom
of the inspired fools
who know that anything they ask for
from the stolen bounty of the king
is just another absurdity in disguise,
that even laughter isn’t a lifeline.
I’ve always had my heart
caught in my throat
like a bird in a chimney,
a cork in a wine-bottle,
a habitable planet in a black hole.
I have loved and befriended
almost anyone
who would let me
and seen their evanescence,
their transience, their vagrancy, their passage
through this mansion of space
with the amazing windows and chandeliers,
the sad brevity of the things they cherished.
Blind to restorative grails,
I have not sought the meaning of life,
I have not hunted the dragon with nets,
knowing reality is meaningless
because it has no fingers,
it doesn’t point to anything beyond itself,
nor bear witness in a mirror,
but I have walked in the peacock robes
of the twilight sky, all eyes,
in the gardens of the life of meaning,
past the hushed bloodtalk of the roses,
and seen for myself
that there are flowers with petals of water
and roots of fire
that drink the stars like rain.
Meaning dethrones the flowers like bottle-caps
and there’s no refund on the empties.
Night puts its hands over your eyes
and asks you to guess;
and there’s no end of the mystery,
no end of the blessing
of sitting under a tree
looking up at a star
wondering what human beings,
what you are doing on earth;
what a thought is, an emotion,
the blade of grass beside you,
everything alone together
in the silent boat of the rising moon
docking at its own reflection
as if the port were always in the voyage,
understanding
merely an expression of the intensity
of our not knowing.
The answers come and go,
governments, religions, arts, sciences, fortune-cookies,
like parking meters, like waterbirds,
like oceans on the moon.
Life is the lock that opens the key,
the skymouth of the dream that woke itself up
talking in its sleep,
trying to remember the dreamer.
Like the fleets and caravans
of the seeds on the autumn wind
we are the purest expression
of a universe
that answers us with ourselves
when we ask for a sign.
Like cherries that ripen in the silence
of the deepening night,
turning our tears to wine,
our darkness into eyes,
may my shadows always be worthy
of the light that casts them.
Fifty-seven years a human being,
fifty-seven years of suffering and doubt,
of boredom and magmatic intensities,
of mystic elation and mythic insignificance,
of anger, danger, risk, defeat and victory,
of saying and seeing,
of trying to kiss the shadow of my pain away
by deepening my ignorance
and progressing backwards
through the re-runs of old eclipses
that once gorged on the moon like dragons.
Tonight the wind howls bitterly outside
and the stars seem eras away in the cold
as if the intimacy I have felt with their shining
since I was a boy
were just another leaf torn from the tree.
It’s rare to catch a glimpse of your agony,
to see that even the brightest fountains
of your efflorescence
are rooted in a wounded watershed
that has never known the colour of your eyes.
I don’t need to be forgiven
for being born;
and I won’t be poured
like a tidal wine
into a life that isn’t mine
however many cracks appear in the cup,
however I recede and leak out of myself,
my blood isn’t anyone else’s signature,
and this walking to nowhere I call a poem,
no one’s footprints following me but my own.
How should it be otherwise
that I fall like rain
to appease this rumour of life
like a fire in my roots
and flash through the creekbeds
of my own flowing
like time returning to its hidden source
with news of nothing?
An echo of light
looking for its lost voice like a star,
I don’t need to prove myself to the night
like a theory in the heart of a passing stranger
and space is the only death mask
that is the true likeness of my face.
No more than the light and the rain
that open the seeds like love-letters,
I don’t need to know
what I will become
or what was revealed behind me in the dark,
but let me be worthy
of this wounded boat of the moment
with its cargo of eyes
enduring the burden and inspiration
of the voyage
like illegal refugees
with forged passports to Atlantis;
and if I must be accounted
one of the martyrs of absurdity,
then let me be as generous as wings
to the worms in my name
that blindly tilled the soil
of a rootless country.
poem by Patrick White

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