Patrick White

Silence Here

Silence here, long whispers of moonlight
suggesting things invisible appear,
occult constellations I read in reverse
on the chilly night air. Wildflowers
in the high abandoned starfields
soaked in the dew of ten thousand eyes
as the lone nighthawk of my overview of life
tilts its wings toward you as if the wrist
of the falconer were the bough of a tree
in the sacred groves on the island of Mona,
though I know you sleep in the shadows
of the mountains of Arizona.

Hear me, sweet one, do you in your dream?
I've filled your pillow with clouds
and the whimsy of mystical flight feathers
to replace the hard rock of the world
you lay your head down upon,
and pull the sword out of the wound
like the thorn of a star
from the palm of your hand,
from the kissing stone of your meteoritic heart.

And I circumambulate it thrice
like a rogue planet with shepherd moons
like lambs that lie down with the wolf
as if you were all directions of prayer at once
and I was marking out magic circles around
your house of life like a wolf star on the wind
high above the timberline
in an agony of longing to touch you
like candlelight in the secret shrine
where you go to heal the eyes of the flowers
the blazing of the desert sun
blinds like midnight at noon.

Too long I've been a lighthouse on the moon
for shipwrecks well past warning.

Too long I've been a night light in a morgue
to usher the ghosts of the dead to the best seats
in the darkened theatre of classic reruns
of the karmic movies they made
like double features of their lives.

Too long I've been the antidote of those
who were snake-bit by happy endings
that were mesmerized stone cold in the eyes
of snakeoil salesmen in a cult of spitting cobras.

Too long I've been the nightwatchman
who walks the long lonely halls
in a library of Coles notes and cheat sheets
where the ingenuous come to apprentice themselves
to the arcane grammars of an antiquated magic
that long ago dropped out of nightschool.

Too long I've been shedding
these old musty graduate robes
to walk alone in the skin of dragons
who know that true enlightenment
doesn't maintain a teacher, as the masters say,
making a deep bow
and then going their own way
knowing their small magic is merely
the porchlight to a palace of wisdom
where you leave your eyes on the threshold
of a doorway into a zodiac of eclipses
where all the house lights have been turned off
and aren't the signs of anything
you can see better in the dark than you can
by the light of fireflies trying
to organize their insights
into a constellation of first magnitude stars.

Existential mobiles! Humanizing chandeliers!
Who asks for passports from the mirrors
that coyote us through the desert
like mirages without any tears?
I'm a mountain range of ice bergs on the move.
I'm breaking up camp like a star cluster
to follow a gazelle across
the grasslands of the Sahara
long before paradise poured like sand
between the fingers of an hourglass
to tell it how beautiful it is
when it runs like a flash flood over the rocks
of a dry creek bed with a frayed delta
of lines around its eyes
like a waterclock of life
that knows it's never too late to meet the sea.
And how much thrives in the wake of the journey.

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Cat People

See these eyes so green
I can stare for a thousand years
Colder than the moon
Feel my blood enraged
It's just the fear of losing you
Don't you know my name
Well, you been so long
And i've been putting out fire
With gasoline
See these eyes so red
Red like jungle burning bright
Those who feel me near
Pull the blinds and change their minds
It's been so long
Still this pulsing night
A plague i call a heartbeat
Just be still with me
But it wouldn't believe what i've been thru
You've been so long
Well it's been so long
And i've been putting out the fire with gasoline
Putting out the fire
With gasoline
See these tears so blue
An ageless heart that can never mend
Tears can never dry
A judgement made can never bend
See these eyes so green
I can stare for a thousand years
Just be still with me
You wouldn't believe what i've been thru
Well you've been so long
It's been so long
And i've been putting out fire with gasoline
Putting out fire with gasoline
Putting out fire
We've been putting out fire
Well it's been so long so long so long
Yes it's been so long so long so long
I've been putting out fire
Been so long so long so long
And putting out fire
Been so long so long so long
Yeah yeah putting out fire
Been so long so long so long
Been putting out fire
Been so long so long so long
Yeah putting out fire
Been so long so long so long
Putting out fire
Been so long so long so long
It's been so long
Been so long so long so long
It's been so long
Been so long so long so long
It's been so long
Been so long so long so long
I've been putting out fire
Been so long so long so long

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Patrick White

These Days, This Late At Night

These days, this late at night, I'm usually a lone wolf sage
high above the timberline in a sanctuary of solitude
that occasionally breaks the silence
with the elegaic echo of the anquished shriek of a hawk
wheeling in the abyss like the stars overhead
feeling as if its flightfeathers just caught fire
and for a few brief moments no longer
than the wingspan of a wavelength
it was shining like them and there were jewels
like a woman's eyes cracking the rock
of a heart that's been more of an asteroid
than habitable planet with a few ancestral skulls of its own
for moons and a creative atmosphere where the clouds
can move mountains to tears with the beauty
of what can bloom spontaneously out of nothing
like wildflowers strewn all over the starfields
as if they were expecting someone to come
of the things we really feel are worth crying for.

These days, this time of night, I delight
in looking for the most beautiful nocturnal metaphors
I can compare to you inside and out and beyond both
like a spirit of female serpent fire that haunts me
into paying tribute to her like a muse
who's beginning to possess me like the sea does
when the moon swims out to practise witchcraft
on a lonely island retreat that sings to itself at night.
Even from here, I can hear the song being carried
across the light years like the dove of a deep lament
she keeps like the wind in a locket the size
of the noose around her neck, and the flying carpet
under her feet all that's between her
and firewalking on stars like a burning kite
someone let go of like the umbilical cord
of a lifeboat that had come unmoored in a lunar storm.

Maybe I'm just fossil hunting on the moon
I've been howling at all these years
over the bone pits of dark wisdom I've dug up
on the far side of a black mirror
that doesn't insult your seeing with a night light.
But I swear sometimes when I think of you,
what lies like an archives in the riverbeds
of the sedimentary starmud you put back down
like a book you've read eras of time before,
and look out the window like a door
where you don't have to leave your body
on the threshold like shoes at the edge of the sea
when you walk into your own depths up over your head
to see if your eyes can still swim
with the dolphins and the stars and the flying fish
you left in your wake like a locust plague of urgent telegrams.

I know we're still more strangers to each other
than intimates, that there maybe watersheds
we have in common, and maybe it's still too early
for the fountains to come into blossom yet
as the last stars of the season become
the chandeliers of the morning stars of the next
like dusky candles going out in the blue light of the dawn.
And maybe there are ladders of fire to paradise
trembling like crutches on the edge of a shaky precipice
trying to climb higher than its cloud cover
to break into light like the Pleiades
just above the moon and Jupiter on a good seeing night,
but these days, this late at night, I've been inhaling
a lyrical lantern of oxygen and breathing out stars
like the circumpolar constellation of a healing dragon
pole-dancing with the caduceus of the celestial axis of the earth.

I'm laired with the unmarrowed riddles of bones of my own
I'm trying to read like the yarrow sticks
of a bird skeleton with rose-arbour wings
to see if the light I sense approaching out of the dark
is a mirage of fireflies disguised as a lightning bolt
or the soul mate of a rogue planet
that wants to ghost dance around the third eye
of a first magnitude star that doesn't have any idea
of what I'm doing up here, nor how far
a whisper of light away can seem
to a man fully awake these days, this late at night,
writing in the shadows cast by the candelabra
of a homeless zodiac off the beaten path
like the first draft a waking dream
sleepwalking beside me like the dakini
of a star struck maniac lifting the veils
of the inconceivable like the paint rags
of the night vision shining in the eyes behind them
that even in the dark make everything seem
so incredibly counter-intuitive and lucidly beautiful
I'd be truly out of my mind, like a crystal cranium
that's lost touch with its own translucency
if I didn't find it wholly believable
down to the last mystic detail my enlightened lunacy
howling like a wolf seer at the rising of a new moon
out of a valley where I can hear the distant barking
of the seeing-eye dog that follows Orion around
like a traffic light for the blind compared
to the way you light me up like the Pleiades
whenever I'm trying to get a parallactic fix
on your radiance dancing like a cult of fireflies
on the event horizons of my prophetic skull.

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Just A Little Love

When I think that you got everything that you need,
you only ask for more.
You got dresses from Paris and a Jaguar car,
Nasty habits that no sheik could afford.
Easy money and what it buys.
is the loneliest kind of high.
If you ever just give it a try,
Just a little love (just a little love)
Goes a long way.
A little love goes a long, long way.
Just a little love (just a little love)
Just a little love
A little love goes a long, long, long, long way.
You bought a high-dollar house in the Hollywood hills,
the zip code of the stars.
Into nouvelle cuisine, candy keeps you lean.
The doctor takes your credit card.
In the emptiness of the night, when you never feel satisfied.
And you're missin' what could make it right.
Just a little love (just a little love)
Goes a long way.
A little love goes a long, long way.
Just a little love (just a little love)
Just a little love
A little love goes a long, long, long, long way.
Oh yeah.
Aren't you carryin' cash just a little too far?
What happens when it's gone?
Every pleasure gets old, like a river runs dry.
The things that last come down to one.
Just a little love, goes a long way.
A little love goes a long, long way.
Just a little love, just a little love,
A little love goes a long, long, long, long way.
Just a little love, goes a long way.
A little love goes a long, long way.
Just a little love, a little love,
A little love goes a long, long, long, long way.

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Patrick White

Never Alone With A Candle

Never alone with a candle
a firefly in a valley,
a star above the hill,
is your seeing less beautiful
than that stranger in the mirror
who takes you by surprise?

Can you hear your eyes
your eyes your eyes your eyes
falling like rain
on the plectra of the flowers?
Is that a coffin or a harpsichord?
Scarlatti playing the columbine
or the midnight requiem
of a dolorous pine longing
for a nightbird that never comes?

I can sense you count yourself
a dandelion among delphiniums,
a brown star without solar flare,
a moon with a complexion of coral,
and even from here I can hear
that happy bell you wear
like your heart on your sleeve
to let people know you’re coming,
and either fake it or leave.
Fashionable mirages of make-believe.
Black roses of mascara
with comets for eyebrows,
their noses stuck up in the air
like the wrong end of a telescope.

Born this crude ore of a man
what can I know of a woman’s feelings
moving around inside of me at night
like underground rivers of gold?
But, sweetness, if I were to guess,
there are stones much more lustrous,
more polished, more shapely
than even the linghams and yonis,
unenlightened cosmic eggs
with nothing inside to reveal,
no stars, no jewels, no chandeliers
of sad insights into dark mirrors
of what’s inconceivably real
and what’s merely the fossil
of an extinct species of fish
trying to swim through brimstone.

Does the sea envy its waves
because its ambient eyelashes
aren’t long enough to paint
a black velvet masterpiece
signed by a cosmetic line
of flash in the pan movie stars?
Isn’t it enough the moonlight
adorns your eyelids like a lake?
I haven’t touched a woman’s breasts yet
when I didn’t feel like a sailor
lost at sea without a lifeboat
in an ocean of heaving roses.
And I’ve slept with enough women
to know beauty isn’t only skin deep.
Sometimes it’s a shipwreck on the bottom.
Sometimes it’s a blood diamond
on the black market of a cheap eclipse
that bleeds out like haemorrhaging slaves.
Sometimes it raves like Medusa
at the snakepit of a hairdo in the mirror
that turns her reluctant heroes into stone.

You weep for this? You curse your body
your lips, your nose, your legs, your thighs,
the white-out of your smile, your eyes,
your hands for not being doves,
your hair because it doesn’t flow
like long blonde tresses of honey
from a hive of killer bees,
because you don’t think
you can please Adam well enough
with the apple you hold out to tempt him?

Ask Majnun about Laila,
it’s not the goblet, it’s the wine inside,
and from what I know of night and desire,
I’ve never met a man
who wouldn’t drink from his own skull
just to taste it like a mirage in an hourglass
or a message in a bottle on the moon.
Don’t judge the potency of the elixir
by the popularity of the flower
it’s taken from like a love potion
nor the strength of the poison
by the dowdiness of the snake.

And I don’t say this waxing insincerely
like the false dawn of a consolation
for something you’re austerely missing.
You’re not a nun among flowers
about to take vows
of silence and celibacy
because you don’t know how
to attract bees to your cult of one.
You’re not a black mass
with a rose petal on your tongue
instead of the thorn of the moon.

Why do you desecrate
the vases and urns of the wildflowers
that bloom like New England asters
in the starfields of your windowless room
like the prophetic heads of the dead
because they’re not sunflowers
or waterlilies and wild irises
in full bloom along the banks
of your cresting mindstream?
Why do you pass the hours
snuffing fireflies out in your tears
like a constellation of match heads
on the sill of a broken windowpane
in a misbegotten house
of a wayward zodiac for rogue stars?

You’re not a calendar of scars
marking time with razorblades
on the bone of your wrist
like some Neanderthal
who’s just discovered time
because there’s no view of you
scenic enough to cut out and save
that isn’t nicked by crescent moons.

Have you not seen the envy
in the eyes of those first magnitude
fixed stars showcased
on a starmap, jewels under glass,
butterflies pierced through the thorax
for the garishness of their wings?
Take a look for yourself.
Do you not see
how deeply they envy
the beauty and freedom of fireflies
who’ve gotten off the grid?

It’s not just the light that’s beautiful,
it’s what it shines upon as well.
That’s how the flowers talk to the stars
in the same universal language.
Not as lesser avatars of shining
but as one beauty to another
in an alphabet of loveletters
they leave unsigned, unaddressed,
for anyone who wants
to walk in the moonlight awhile
neither in nor out of style,
as beautiful in their own skin
as the auroral silks of the northern lights
or the moon a vaudeville stripper peeping
through the boas of the clouds
when that’s all she’s wearing
like a changeable wind, a radiant sky
revealing and veiling simultaneously
the bright vacancy of one side
and the dark abundance of the other
more intriguing face
she’s turned away from.
The one you can easily see
on the other side of your own eyes
when you turn the light around
and let the mirrors labour to perfect
the artless beauty of their reflections
by imitating you like a ballet
in the feathered death mask of a swan
learning to move with the beauty and grace
of someone flowing
like a river on the moon,
a white Taj Mahal reflecting
the pale towers of a torch
that burns like stars and lilies
in the black waters of its dark opposite.

Ask any Luna moth at the window.
it’s not the shape, colour, scent
of the votive candles or fragrant lamps
you’ve devoted to your solitude
that draws them in out of the night.
It’s the intensity of the light
that summons them to you like seance.
Ghosts, poets, lovers, artists all alike.
The way things are here, not
as they seem to appear and disappear
like fireflies in a mirror
but as they are and will ever be
the translucency of stars by night
the clarity of flowers by day,
the sun shining at midnight,
the moon keeping its shadows a secret
from the occult powers of noon,
all the beautiful shapeshifters,
all the moody chameleons,
each with a face of their own
as unique and revealing as the universe.

In every dropp of water
the depth of the sky
as in every tear an eye
that can see straight through you
to the beauty within
when you’re as easy on yourself
as a starfish on the moon
a dolphin with stage fright
on the catwalk of the stars
changing wardrobes like weather,
night seas of habitable planets
wholly at home in the mindscapes
of their luminous atmospheres,
their immaculate waterskins,
as they are in the rags of those mirages
you keep drowning your radiance in.

A constellation in the desert
that’s underwhelming itself
by forgetting that fire knows
how to swim in the deep end
of shadows on the moon
like the flame of a candle or a goldfish
even you for all your tears,
your weeping willow chandeliers,
your wishing wells, your watersheds,
your shaded windows, your broken mirrors,
the torn nets of those dreamcatchers
you gouged the eyes out of
like semi-precious jewels
that didn’t measure up to diamonds.

Even you, for all you relinquish
of your native beauty to comparisons
with the costume jewellery of other eyes
than your own, try as you might
to unfeather the plumage of the moon
you could never extinguish,
you could never eclipse or blow out,
no more than you can hold a mirror
up to the dead like a portrait of smoke
and convince them beyond
the shadow of an unreasonable doubt
it’s a simulacrum of your solitude,
though it looks nothing like you
sitting alone by a candle in the nude.

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Patrick White

I Have Become My Own Season

I have become my own season
living through these renewable eras of you
that come and go
like the fragrances of passing stars
that sometimes stop by the gate
to talk about the garden blooming late.
Some flowers wait for the moon to open,
to throw their arms around space
as if they could encompass everything
in the brief embrace of their petals,
and their seeing is one eye under multiple eyelids
as they burn like jewels in the night
to keep it all shining and bright.
But I've worn out the elbows
of my insatiable longing
on the windowsills of a different insight.
Saddened by the distance, the time, the circumstances,
delinquent desires still hanging out their shingles
like green apples on a dead branch in winter,
withering like the inconsolable eyes of old men
who have died like sons
and now must die like fathers,
mine is the darker radiance
of the faint halo of light
around a black hole
that summons everything
down into it like the sea
sitting below its own salt
at a stranger's table.
You can't look into
the black mirrors in my house
with your eyes open
because they only reflect
what's on the back of your eyelids
where the only light is your own
and you are the road
and the lantern you go by
and everything you feel and think and imagine
is your own true face without skin
not the gate between outside and in.
How could I ever recognize you
in these dark spaces
if it weren't for the trees
and the stars and the moon
and the night stream that runs through me
like a lifeline on the palm of my hand
down from the mountains
in a rush of diamonds and gold
that pour out like the pent-up emotions
of a sword that's just been pulled from a stone?
And how hugely alone the night is
when you love someone as they are
and you realize without effort
that if you hold them a moment in their transience
you hold them like a star in a locket of water
that tastes like the past.
There are people
like treebound barrels of rain
and then there are people like me
who leak out of their lives
like radioactive water
that couldn't pool the pain
long enough to stop the meltdown
long enough to cool the brain,
long enough to let it kill me.
Now in the darkness
seeded with the dust of black dwarfs
trying to clench a fist of coal into diamonds
my auroras are weeping neon dew
like a cheap enlightenment
all over the watercolours of dawn.
And I'm wondering
what kind of an afterlife is this
that I might have foregone
if I were indifferent
to how my solitude deranges me
like a lost continent
wandering through its own mindscapes
like an extinguished star
that wants to make up
just for one luminous moment
a constellation of its own
that doesn't wait upon anyone's eyes
for the themes of its seeing.
And though the skies have changed
like the slides of childhood dreams
with every blink of an eyelid
whenever night approaches me
and asks to sit by my fire
and let the flames and the smoke
of our past lives
speak for the both of us
I look up to give my eyes
like two drops of water
back to their oceanic immensities
and it's always unattainably you
that is shining
like a woman in the window
of a secret house of the zodiac
far off the beaten path
that leads everywhere like a firefly.
And your stars speak to me
as if my flesh were light again
and my heart
that bumps its way through the dark
already a lamp beyond
the Lazarus of wax
that's buried in his own lucidities
like a candle I left for dead.

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The Hourglass Waltz

I long to waltz with you once more
On wings of song and light
Our eyes sang a lullaby of love
And in our hearts everlasting
Was our waltz to moon and star above
We bowed to our last dance
Your hand on the hourglass
And to sand and star we pass in Love's immortal grace
As once in laughter, love and life
We embraced
Across endless sand, star and sea I long for you tonight
To waltz love's melody
On moon and star, once more

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Patrick White

The Night's A Black Hole Of A Begging Bowl

The night's a black hole of a begging bowl
that doesn't know what to ask for anymore.
Shall I throw the new moon of another beginning in
like good coin of the realm, in passing,
or bite the bullet of a counterfeit eclipse
in the silver silo of the dark abundance
I'm trying to trigger into stars again
like apocalyptic insights going off in my brain?
The heavens roll like an old thirty-eight
I raise to my temple for old times' sake.
But the gate I used to close behind me
in the high starfields to keep nothing in
is hanging on like a lapwing by one rusty hinge
to the wing and the prayer it's dragging on the ground.

It's getting a little late for suicide. The timing's
overtaken the importance of the content.
And this close to the end, it would be a shame
not to see yourself out like friend in the doorway
saying farewell to yourself as you say in return
I'm glad you came to the stranger whose threshold
you crossed like a star in transit at zenith.
My pulse is still hammering swords of light out
on the anvil of my heart for me to fall upon,
but lately I've been bending them like horseshoes
to put them out of use and return them in tribute
to the water sylphs in the sacred pools of my mindstream.

Inspiration ages into crazy wisdom that still
doesn't take its own advice but never fails to sing
in a voice worthy of a wolf or hermit thrush at moonrise.
I've been firewalking my way through this
long, dark, strange, radiant dream since I first
opened my eyes and the stars began to shine
but I've never lived the same thing twice.
Though the morning star falls like Lucifer
in the false dawn of enlightenment, the abyss
cannot be bridged by anyone's trajectories
however high we ascend, how ever deep we plunge,
until we're burning like maple leaves and shooting stars
in the second innocence of our return journey back to earth.

Fletched arrowheads of the sky, even the birds
falling short of the unattainable miss the mark
and return to the green boughs of their beginnings
just like the flight of these words in the sunset
as the night overwhelms us all unspeakably
with the proto-nostratic of the stars
like a mother-tongue of light that leaves nothing unsaid
in the autumn darkness fragrant with the decaying dream grammars
of the dead slipping their shadows like secret messages
under the door of the book we're writing between us,
the beginningless prelude of the endless epilogue
of the memoir of the love life we had with Venus in Virgo
when the new moon was in the claws of sensuous Scorpio.
Big, red-hearted, archaic Antares
threshing the green wheat of Spica
as if the harvest had been achieved before the seed was planted.

Just because we die doesn't mean that life
is finished with us like the draft of a manuscript
we threw into the bonfires of the maple trees
to inspire our ashes to rise out of the open urns of our firepits
like the feathers of a dragon enflamed by the wind
so our spirits could ride their own legends a breath
higher and closer to the stars every time we open our wings
to re-read the lyrics it took a lifetime to write in scars
like thorns in defence of the mystery of the black rose
we were happy to bleed for as if our blood had no other use
than the ink in the pens of these leafless woods
dreaming of new foliage in the spring returning
like the plumage of eagles to the lonely flight feathers
of their skeletal quills. Fossil constellations
in the darkness that whisper between the lines
of the alpha and omega of the life themes that once ran
like purple passages of the mindstream
that can still shed light on our afterlives in a book of shale
long before we had eyes to read what we were writing
like loveletters to ourselves on intimate terms
with the inconceivable solitude of this distant future
we're all living now in celebration of yesterdays yet to come.

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The Hand That Rocks The Cradle

Please dont cry
For the ghost and the storm outside
Will not invade this sacred shrine
Nor infiltrate your mind
My life down I shall lie
If the bogey-man should try
To play tricks on your sacred mind
To tease, torment, and tantalise
Wavering shadows loom
A piano plays in an empty room
Therell be blood on the cleaver tonight
And when darknesss lifts and the room is bright
Ill still be by your side
For you are all that matters
And Ill love you to till the day I die
There never need be longing in your eyes
As long as the hand that rocks the cradle is mine
Ceiling shadows shimmy by
And when the wardrobe towers like a beast of prey
Theres sadness in your beautiful eyes
Oh, your untouched, unsoiled, wonderous eyes
My life down I shall lie
Should restless spirits try
To play tricks on your sacred mind
I once had a child, and it saved my life
And I never even asked his name
I just looked into his wondrous eyes
And said : never never never again
And all too soon I did return
Just like a moth to a flame
So rattle my bones all over the stones
Im only a beggar-man whom nobody owns
Oh, see how words as old as sin
Fit me like a glove
Im here and here Ill stay
Together we lie, together we pray
There never need be longing in your eyes
As long as the hand that rocks the cradle is mine
As long as the hand that rocks the cradle is mine
Mine
Climb up on my knee, sonny boy
Although youre only three, sonny boy
Youre - youre mine
And your mother she just never knew
Oh, your mother ...
As long ... as long ... as long
I did my best for her
I did my best for her
As long ... as long ... as long as ... as long
I did my best for her
I did my best for her
Oh ...

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Patrick White

It Isn't As Far As You Might Think

It isn't as far as you might think
from this spiritual lost and found
coiled like a labyrinth of cul de sacs
or a snake of time spiralling down
the seven degenerative metals of man
through the rib gates in the belly of a dragon
that's flamed out like a red-tailed hawk riding
the last of its cooling thermals down with the sun,
not as far as you might think, according to the moss
that grows all over your north side
from this circuitous blossoming into knots
in the hardwood of a rootless tree
to the threshold of where your heart belongs.

Dig yourself out of that old National Geographic
like an explorer that never got to go
and unfold that free starmap someone included
like a flag of protocol awarded a dead celestial sailor
and start connecting the dots like ports of call
in the eyes on the dice of a long shot against the odds
that nobody believed could be made until you took it.
Where was it ever suggested that the return journey
would be any less dangerous than the first time
you left yourself like a stranger in the doorway
of this house of life, waving farewell in the rain
as you carefully put the chain back on the gate behind you?

The object of the grailquest isn't so much
a matter of finding it as it is learning how
to lose yourself wisely in the search. You can
orient your mindscape to the direction of your shining
like a circumpolar constellation, but to sip
from the Little Dipper isn't going to green
that dead branch of a divining rod in your hand.
The journey isn't lost upon you because
you're out there on the road alone
with nothing but departures behind you
and the only arrival on your horizon
more of the unknown without a return address.

What if the stars you take your bearings from
set out to find the source of their shining
and turned their light back on themselves
like solar flares to see where they were going? Do you think
you could see them from here on this hillside,
to assign them names and myths of origin
they whisper to your eyes at night like fairytales
and lullabies to help you get to sleep
when you lay your head down like moonset
on the cold stone of the world by the roadside?

The moment you go looking for yourself
do you leave the part that's beating the bushes for you at home?
Have you ever checked out who's in the search party?
Go ask the diamond sages. They aren't the masters
of an enlightenment no one can attain. They sit
like stars in the throne rooms of dark matter,
lords of the darkness, confusion and chaos
that have mastered them spontaneously like ore
to the indirections of an undisciplined way of shining
so the dark mirror you wander in looking
for a lifemask you can recognize as a face of your own,
is brighter than the white one of insight
you've had so much trouble adjusting your eyes to
like a telescope to the weather of a habitable planet.

No ray of the light you're looking for
ever started out with a sense of direction.
No star, no beacon, no lantern, no insight,
no firefly, lightning bolt or lighthouse
ever plotted a straight path through the abyss
that wasn't omnidirectionally bent
by the gravitational eyes of space it passed
on its journey to nowhere in particular
though it bumped into a few planets and wildflowers
along the way it was exactly meaningless to take.

No one's ever really lost. They're just
not very adept at reading their own starmaps.
They look for what shines though the eyes of a crow
remembering how white its feathers were
before it found the continent it was sent out
before the dove to look for. And Noah cursed it black
for not coming back. Lost innocence longing for light.
Long wavelengths on the night sea of awareness
looking for land like particles and cornerstones
they can found their spiritual temples upon
like aviaries for the wrens and sparrows
buffeted back by the winds they're flying against
like the ashes of disinterred aspirations in their own face.

Lost in the woods, everyone looks at the constellations
like light in the windows of a distant farmhouse.
But no one ever consults all the darkness beyond
the blazing midways of the zodiac like deer paths
off the ecliptic or wolf packs above the timberlines
of their celestial equators. Aldebaran
is sixty-five lightyears from here as we're
eight light-minutes from the nearest sun.
But how far does a human who is the measure of all things,
have to go before he or she realizes the darkness
was always the truest sense of direction for anyone
trying to shine a light on where the light has gone
without them, so they can see in the dark
how their eyes emerge out of the search for themselves
and the night whispers like a homecoming embrace
in the ear of the prodigal do you finally recognize
who I am? Even when you most deeply eclipsed
the shining of the black mirror of awareness,
blinded by the candle of your own lantern
there's never been a son or daughter of a star
that was ever lost in me since the light began.

poem by Patrick WhiteReport problemRelated quotes
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The Veil Of Maya

SWEET, I have loved before. I know
This longing that invades my days;
This shape that haunts life's busy ways
I know since long and long ago.

This starry mystery of delight
That floats across my eager eyes,
This pain that makes earth Paradise,
These magic songs of day and night--

I know them for the things they are:
A passing pain, a longing fleet,
A shape that soon I shall not meet,
A fading dream of veil and star.

Yet, even as my lips proclaim
The wisdom that the years have lent,
Your absence is joy's banishment,
And life's one music is your name.

I love you to my heart's hid core:
Those other loves? how should one learn
From marshlights how the great fires burn?
Ah, no! I never loved before!

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Matamoras Banks

(Each year many die crossing the deserts,
mountains and rivers of our southern border
in search of a better life. Here I follow the
journey backwards, from the body at the
river bottom, to the man walking across
the desert towards the banks of the Rio Grande.)
For two days the river keeps you down
Then you rise to the light without a sound
Past the playgrounds and empty switching yards
The turtles eat the skin from your eyes, so they lay open to the stars
Your clothes give way to the current and river stone
'Till every trace of who you ever were is gone
And the things of the earth they make their claim
That the things of heaven may do the same
Goodbye, my darling, for your love I give God thanks,
Meet me on the Matamoros
Meet me on the Matamoros
Meet me on the Matamoros banks
Over rivers of stone and ancient ocean beds
I walk on sandals of twine and tire tread
My pockets full of dust, my mouth filled with cool stone
The pale moon opens the earth to its bones
I long, my darling, for your kiss, for your sweet love I give God thanks
The touch of your loving fingertips
Meet me on the Matamoros
Meet me on the Matamoros
Meet me on the Matamoros banks
Your sweet memory comes on the evenin' wind
I sleep and dream of holding you in my arms again
The lights of Brownsville, across the river shine
A shout rings out and into the silty red river I dive
I long, my darling, for your kiss, for your sweet love I give God thanks
A touch of your loving fingertips
Meet me on the Matamoros
Meet me on the Matamoros
Meet me on the Matamoros banks

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Love Will Follow

I run out of breath and start to shake
I love you with all my heart can take
I hold you beside me in my sleep
And long to be dreaming in my sleep
Weve come into a place in time
Where I am yours and youre mine
A circle filled with love
If youll come away with me
I could show you ecstasy
Close your eyes and we will lead
And love will follow
Take a chance and hold my hand
I know youll understand
Well find a special land
And love will follow
A smile on your lips and in your eyes
A stranger adrift in paradise
You touch me and slowly move away
Take all of the night you need to take
Just wait a little while and see
What you mean to me
Ive waited all my life
If you come away with me
I could show you ecstasy
Close your eyes and we will lead
And love will follow
Use your wings and fly away
And come with me today
Your heart will lead the way
And love will follow
(if this was just a chance of make-believe)
(youd never feel it this way)
Ive always wanted to love somebody
As much as i, I wanted you now

Weve come into a place in time
Where I am yours and youre mine
A circle filled with love
If youll come away with me
I could show you ecstasy
Close your eyes and we will lead
And love will follow
Take a chance and hold my hand
I know youll understand
Well find a special land
And love will follow
Girl, I swear Ill never fall
Its a natural pure law
And everywhere we go
Love will follow
Use your wings to fly away
And come with me today
Your heart will lead the way
And love will follow

(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
(hold me long, all night long, where you belong, my baby)
Fade

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From Which I Came/A Magic World

Ten pounds and a head of hair
Came into without a care
What they thought were cries were little laughs
Born and looking forward and moving fast
The little bundle had arrived
And I was happy to be alive
In a magic world
Long days and dreamy nights
Wide eyes taking all the sights
A little wonder goes a long, long way
Learning where to go and what to say
Say hello to your new son
Well, he sure is having fun
In a magic world
Every moment's built to last
When you're living without a past
In a magic world

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Marilyn Monroe

I wish If I were living at the past
Even the fantasy gives my soul flight
If I could run back long long years
I wish if I could've the fantasy for real

I wish if I were one of legendary stars
If I open my eyes one morning and magic starts
While checking myself at mirror if I see I'm already a star
Oh I wish if I were an old black and white movistar

I wish if I were Marilyn Monroe
And day by day to live her history and feel her sorrow
I wish if I had her shining blue eyes and heart white snow
The magic smile to keep smiling till unending tomorrow

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Come A Long Way

Swing low, could be the last call for two of us
I said swing high, reach out and touch the sky
But dont cry yet, its not time yet
See this race is wrong
Come see, this race is right
See millions of years pass with no end in sight
Sleep tight, you couldnt count the cost through the night
cause its not right, it never was right
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Up on may day, and there is a carnival on my street tonight
I hear them dancing, I hear them dancing
But on a clear day
If this thing dont move here
Then this thing just dont have no heartbeat
Get on the street, I say
Sweet hours to live, I got no time to kill
I said hold back those arms raised hold back the bill
Sleep tight, you couldnt count the cost through the night
cause its not right, it never was right
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Swing low, could be the last call for two of us
I said swing high, reach out and touch the sky
But dont cry yet, its not time yet
Come a long, long
Come a long, long way
Come a long, long
Come a long, long way
Come a long, long
Words and music : simple minds (c) emi music (publ) ltd reproduced without permission

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Patrick White

Won't Meet Most Of You In A Lifetime

Won't meet most of you in a lifetime
and know there are six billion of us
and more coming all the time, each trying
to interpret the sign of their own star,
you know, the one that nobody else can see
but for a few rays of light breaking
through the clouds here and there,
that says, this is the way to shine,
this is the way to shine, and that includes
black holes everywhere as well.

Whether you can see through it or not
as a plagiarism of water and sand
every mirage has its own meaning,
every star belongs to a different zodiac,
each with their own totems, mandalas,
and shapeshifting constellations, each
their own houses of worship and disrepute,
we're all wearing on our foreheads
written in between the lines of fate
like a sidereal bandanna, each
a meme of one we're hoping will allow
someone to recognize us in isolation
like a prison tat that says we've paid our dues
for the last thousand lifetimes without parole
and have a right to be here as well as anyone
because we've done our time standing up
just to be alive, whether you're running from it
or not. Everyone's got a different approach
to their own departure, and though
there is no gate they must go through,
there's a garden they must spend
some time in for awhile, telling
the flowers what the roots of our names mean
each as unique as a snowflake
on a petal or an eyelid or a furnace.

Each a theme of their own picture-music,
our lives are not sub-plots of the main narrative.
There's a whole symphony in the tintinnabula,
like a dropp of water reflecting the entire universe
just the same as there is in the first violins.
And everyone brings their own instrument to the jam
whether it be the wind in the silver Russian olives,
a tuba, a burning guitar, or the fossil of the lyre
that used to sing the dead up from hell
to a day of show and tell, and it doesn't matter
what kind of music you make, whether
its the choral riot of your favourite nocturnal animals in a zoo,
or the distant plectra of a hidden nightcreek
playing solo on a harpsichord in a lonely sacred grove,
or you're riffing on futuristic mystic mantras
like Tibetan prayer bowls that used to sound
like a waterclock of urns, as long as you're adding
your singularity like the longing high note of a nightbird
to the dendritic staves of the trees. Even the silence sings.

And what is it we're all really longing for
in the solitary labyrinths we've made
of the complexity of our desires,
if it isn't a world elaborated from
the prime fractal of our love,
as if it fell to each of us now, not god,
that weight was removed from her shoulders
the moment our cosmic egg hatched
and we took to our own wings,
eagles and fireflies and Icarus alike
to provide the image of light upon light
like a masterpiece we leave behind us
that's everybody's signed like a self-portrait
of who we were to each other for awhile
when we stood in wonder and awe
at what was arrayed before us knowing
it's the exact likeness of everyone,
and the star in the eye that's turned toward us
as if each of us were the direction of prayer
is the same one we've been following for light years
like the magi seeking the source of their own radiance,
candles in the dark wondering where
the light's coming from in billions of creative mirrors
falling on everyone alike like rain and eyes
so that before we close them
like two dew drops of stereoscopic water
falling back to our roots like our last words
from the tips of the tongues of the stargrass
to dream up new blossoms in our sleep
like new moons budding on a dead branch,
we each realize that we're the myth of origin,
the alpha and omega of all things that begin and end
as well as the unattainable for which there is no metaphor
placed well within the creative reach of everyone of us
though if I were to give it a shot as a poet, I'd say,
knowing what I know of this life in the arts,
like the habitable planets and ripening desert moons
of the low-hanging fruits of our hearts.

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Passion Takes Flight

Walk any crowded city street
See vacant stares on a sea of faces
How stiff they walk on frozen feet
Of long forgotten social graces

Is passion within human hearts gone
As far as knowing eyes can see?
Love and joy no longer paragon
'Lord', why won’t they look at me?

Your passion Vincent helps them find wings
As paint on canvas did so long ago
Lovely are the words your paintings sing
As if by magic, vivid flowers seem to grow

Soon, God’s Hands shall touch hearts again
Of long forgotten buried and the walking dead
Made afresh what was once arcane
The Will of God shall once more embed

Countless souls shall launch an upward flight
None shall rest, until they reach Eternal Light

ROTMS

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Patrick White

You Never Became A Memory

You never became a memory.
You remain as you are in my life.
A living compassionate presence.
I have forgotten more of me
than I ever could of you.
Whenever I want to see beyond the light
I see through your eyes
everything you wanted to show me
that was not petty or tragic or cruel.
I was a profound fool
but you taught me how
to add my darkness to the night
to enhance the shining.
And even now
when things aren't flowering well
I still reach out for you by deepening my roots.
As if I could touch your face again
like a muse of water
lost in her own reflection.
As if I could ignite the same fires again
that blossomed on the dead branch
of the witching wand
that inspired the stars
who thought they had seen everything
to marvel at their own perfection in you.
Inspiratrix of the blue waterstars
that burned like chandeliers
among the constellations of the lilies
pluming themselves like swans
in the feathers of the moon,
how I long to be eclipsed and enlightened again
like a chameleon reflecting the mood of your beauty
as I did before these windows came
like glass-eyed calendars between us
to prove that time isn't space. It's pain.
And change is an absolute
that doesn't like its relatives.
My angel misses you.
My demon misses you
so badly at times
I can't look into the abyss for long
without impeaching my mind
for its awareness of an emptiness
that aches like an existential absurdity
to be put out of its misery
for being born blind deaf and dumb
about whose wind on the waters is rocking
the cradles and crucibles of creation.
The Medusa holds her tits out
like snakepits and grails
and I never know which one to drink from
or if the poison and the antidote
are just the opposite fangs of the moon
as it grows through its waxing and waning
as if a physician found a way
of healing herself
by sloughing her wounds like skin.
The mindstream weaves its way at night
like a garden snake
through myriad blades of grass
like the shuttle of a loom
that doesn't know what theme of life
unspools in the flowing.
And my eyes miss you like light.
I'm a lighthouse on the shore of a dead sea
trying to walk on water like the moon
as the waves chip away at me
like shale flakes off the cold stone
that edges slowly through my heart like a thorn.
And it may make a king of me
to draw the sword out of the stone
but that doesn't close the wound
of having first to fall upon it
to vacate my throne with honour.
If life is the truth
then lying is the only way
to describe death to a god
who doesn't understand it.
What's a church without gravestones?
Aspiration without an expiry date?
And so many different kinds of death
not enough generations of humans
have been born yet to know them all.
Death tries to trivialize the relative
as if the things I miss most about you
had never been.
But your mindwaters are mingled with mine inextricably
like the shoreless starstreams of space
panning for planets in our flowing
we might live on
and have our being and our breath
unblighted by loss. Separation. Death.
And there is no more of the sadness
I used to see in your eyes
as if they were my own
that I still see everywhere in the eyes of all living things
when I know as you would have had me know
as clearly as you did
that even though the neverness
of implacable circumstances and lost last chances
may have separated us like the threads of the rope
you used to climb up to heaven before me
like one who took the short-cut
and one who took the long way home through these starfields
taking his painful time
like the unfulfilled hope of a child
he's not alone when he opens his eyes
like a dream within a dream
that looks but can't find him,
you can polish the missing into a mirror
and wait like a fox by a black hole for things to appear
that will never be the same again
or you can open your tears like windows
and let out the birds of pain
that I have kept as close to me
as the whisper of your voice
in this cold, dark chimney
telling me to let you go as I do now
to rejoice on the dead branch and the green bough
like the flower and flame
of what became of us.
We cannot be the song or the singer
for very long
as our voices dim like candles in the darkness
that have given it all away.
And as you used to say
as if it would always be today without you
and all we have given is all we could keep of each other
like water returned to the river
we raised to our lips to taste
the sad, last drops
of these eyeless elixirs of the moon
that linger like vapours
in the empty goblets of the morning glory,
and I need to believe you more than I do
in this neverness of now
that has come before me without a beyond
or a word from all that has irrevocably gone.
Yes. But the singing. That goes on.

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Patrick White

Obliterations Of Beauty And We Weep

Obliterations of beauty and we weep
for what cannot long abide in us
because we, not the rose, are the ones
who are passing so irrevocably away
into an abyss that doesn't
take the measure of anything.

The lake knows the time
by the wingspan of its waterbirds.
I note the location of the stars
in the rotation of the Big Dipper.
And there are crickets
that will yield the time as well.
Time, too, like human solitude
is embodied in the things of this world.

Time perishes when we do,
is born with us, matures,
and embraces our ends as its own nature.
Time sets its pace to the passage of us.
We are the muse, the motivator, the demi-urge
of its passion for shedding
the leaves and flowers and moon like skin.
And we're the ones who grow infinite
at the speed of light so that everything stops
immeasurably from there on everafter.

All things returning to the one, and the one,
returning to transcendence. Which is why
I come here this late at night when the stars
are as far from people as they can be
and yet they're still as intimate to me
as my eyes are. A mutually creative continuum.
The star makes the eye I need to see it by.
I am the fragrance of the wildflowers
and the adamantine insights of the rocks.
The singing master of the nightbirds.
The oracle in the leprous skull of the raccoon.
And my heart is one long, continuous moonrise
when I think of how the dead still animate me.
How they cling to my heart like ants to a peony
to let me know when it's time to bloom.

The dead trees house the mosquitoes and the herons.
The fallen pine cones, the seed koans of Zen masters
under their brittle eyelids waiting for the fire
to crack them deciduously open into evergreens.
I don't lament the passivity of the dead in my life
because I put them to good use in their capacity
as enlightened mentors who urge me
to live splendidly whatever I encounter in the world
for all our sakes. I can be the blossom and the fruit
on the dead branch, as easily as a red-winged blackbird
sings from the green and leafless alike.
Not a bush wolf raises its voice up to the moon
that I don't feel its distant longing in my own throat
like a sacred syllable half way to blossoming among the dead
who always hear it like an auspicious beginning
to the summons of their leave-taking in the fall,
to the deeper greeting in the meaning of farewell.

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Long Live Rock

Down at the astoria the scene was changing,
Bingo and rock were pushing out x-rating,
We were the first band to vomit in the bar,
And find the distance to the stage too far,
Meanwhile its getting late at ten oclock,
Rock is dead they say,
Long live rock.
Long live rock, I need it every night,
Long live rock, come on and join the line,
Long live rock, be it dead or alive.
People walk in sideways pretending that theyre leaving,
We put on our makeup and work out all the lead-ins,
Jack is in the alley selling tickets made in hong kong,
Promoters in the pay box wondering where the bands gone,
Back in the pub the governor stops the clock,
Rock is dead, they say,
Long live rock.
Long live rock, I need it every night,
Long live rock, come on and join the line,
Long live rock, be it dead or alive.
Landslide, rocks are falling,
Falling down round our very heads,
We tried but you were yawning,
Look again, rock is dead, rock is dead, rock is dead.
The place is really jumping to the high-watt amps,
til a 20-inch cymbal fell and cut the lamps,
In the blackout they dance right into the aisle,
And as the doors fly open even the promoter smiles,
Someone takes his pants off and the rafters knock,
Rock is dead, they say,
Long live rock, long live rock, long live rock.
Long live rock, long live rock, long live rock,
Long live rock, long live rock, long live rock.
Long live rock, I need it every night,
Long live rock, come on and join the line,
Long live rock, be it dead or alive.

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