One Side Of My Face
One side of my face what the world
looks like on the inside,
a mindscape I’m walking through
that changes shape whenever I do.
And the other just a clay bust of the moon
that somebody keeps working on
like erosion in Death Valley.
But tonight I’m tired
of looking for signs of life
where there are none.
The air is as smudged with cigarette smoke
as the dirty winter windows
I’m staring numbly through are.
Infra red aura of the town lights
reflected off the big-bellied clouds
as if something were burning
across the highway as those
who are awake yet listen
to the Doppler Effect of the sirens
to know if they’re still safe or not.
A pastel green wall
through an open window
across the street from here.
But I haven’t seen anybody in it
for nearly a year since I moved in here
where every second thought
ends in so what?
Like a cynical kind of cowboy zen
that’s had it up to the proverbial
with koans and haikus
that provide you with spurs to enlightenment
but no winged horse
that isn’t already a corpse
lying by the side of the road like roadkill.
My mind soars like a turkey-vulture
when my heart
wants to swim like a swan
down river with the stars of the Milky Way
as I did one suicidal May in a six man raft
with no rudder or guide
in the spring run off of the Ottawa River
to raise money for
the Children’s Hospital of Eastern Ontario.
But the cheap thrill
of risking my life for virtue
has worn off like chalk on a pool cue
and if light is the function
of the body of the lamp
right now I feel like
a blackhole with a bad complexion
that’s gone snowblind
in the glare of a computer screen.
I figure if I stare back long enough
sooner or later
one of us is going to blink
and discover what’s on the other side
of what the other one thinks
it’s looking at
when it puts an hourglass
up to its eye like a telescope
to know what time it is
and how many light years there are
between solitude and exile.
Between staying in and going out.
The tin gas pipes crackle
like ice breaking underfoot
or a bird in the chimney
trying to peck its way out
of a black cosmic eggshell
that’s as starless as hell on the inside
and tarred and feathered on the other,
assuming, of course,
it ever does crack the koan
in the liberty bell of enlightenment
and emerge with the wingspan of a dragon
into a room full of cigarette smoke
and patchouli incense
rising like the ghost of a white horse
as if someone who just fell off
the cutting edge of the flat earth
were trying to get on again like Icarus
waning in a wax museum on the moon.
poem by Patrick White
Submitted by Poetry Lover
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Related quotes
Enlightenment Isn't Lumpy
Enlightenment isn't lumpy
even if sometimes you've got your heart
stuck in your throat
like a bird in a chimney
warming up like a phoenix
to go the way of the sumac leaves
and the ghosts of smoke
on the pyres of the sky burials
of the Canada geese.
Just because November
can't feel its pulse
and the garden snakes are nesting
like a sloppy knot of wavelengths
deep in the cold heartwood
of a rootless tree that can feel
the brutal chill of serpent fire
running up its spine like a lightning rod
doesn't mean enlightenment's a placebo
you have to keep away from the kids.
It's real enough to be unattainable
without disrespecting the integrity
of the picture plane.
It hides out in the open
where no one ever thinks to look.
The simpler it gets
the bigger the book you need to write
in order to conclude ambiguously
you do and you don't not understand it.
Say not two
and all is well.
And mean it deeper than you can say it
so that pain doesn't adulterate the child
that's trying to transcend it
by hanging on to the lifelines
of his fire-proof constellations
like the kites of distant stars burning in the wind.
Enlightenment doesn't care
if you've lost your integrity.
Your absence of self-respect
for someone who isn't there
is a rare opportunity
to uphold the dignity
of stars and rivers and trees.
Enlightenment's just the blossom.
It's not the fruit
of what there is yet to be.
The smell of autumn
in a windfall of apples
cradled like small planets in your arms.
Enlightenment isn't salvation from pain.
It's an invitation to forsake yourself
in the name of nothing you can explain.
The blossom let's go to make room for the fruit.
The perfumes of the spring give way
to the aromas of decay.
But they're both sweet
because there's nothing about either of them
that's everlasting.
It may be an old root.
But it blossoms in the spring.
It may be a dead branch
but the nightbird stops to sing.
And the full moon shines
like a skull full of signs
above its dark abundance.
Enlightenment isn't out of the reach of anyone
because it's got infinitely long arms
and puts the stars at your fingertips
and says play what you want
as long as it's something
we all can dance to
on our way to the grave
like fireflies in the wake of a thunderstorm.
Enlightenment doesn't take life too seriously
even when it makes a tantrum
of its elemental innocence
and goes supernova.
Deep in the nuclear core of its heart
it's creatively playful on a cosmic scale.
The darkest inspiration
of its genius for making
an art of its existence
is life.
Simple and beautiful
as the laughter of children
collecting sea shells on the moon.
Even when you're severely lost
enlightenment doesn't hand you a flashlight
and say go look for your mind
like the holy grail in a sacred wood.
It deepens your solitude.
It blows the candle out
until you emerge like a star
from the profusion of your own darkness
and stand in the doorway
of your own shining
amazed by what you can see
when enlightenment isn't blinding.
poem by Patrick White
Submitted by Poetry Lover
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The Fire Inside
Words and music by bob seger
There's a hard moon risin' on the streets tonight
There's a reckless feeling in your heart as you head out tonight
Through the concrete canyons to the midtown light
Where the latest neon promises are burning bright
Past the open windows on the darker streets
Where unseen angry voices flash and children cry
Past the phony posers with their worn out lines
The tired new money dressed to the nines
The low life dealers with their bad designs
And the dilettantes with their open minds
You're out on the town, safe in the crowd
Ready to go for the ride
Searching the eyes, looking for clues
There's no way you can hide
The fire inside
Well you've been to the clubs and the discotheques
Where they deal one another from the bottom of a deck of promises
Where the cautious loners and emotional wrecks
Do an acting stretch as a way to hide the obvious
And the lights go down and they dance real close
And for one brief instant they pretend they're safe and warm
Then the beat gets louder and the mood is gone
The darkness scatters as the lights flash on
They hold one another just a little too long
And they move apart and then move on
On to the street, on to the next
Safe in the knowledge that they tried
Faking the smile, hiding the pain
Never satisfied
The fire inside
Fire inside
Now the hour is late and he thinks you're asleep
You listen to him dress and you listen to him leave
Like you knew he would
You hear his car pull away in the street
Then you move to the door and you lock it when
He's gone for good
Then you walk to the window and stare at the moon
Riding high and lonesome through a starlit sky
And it comes to you how it all slips away
Youth and beauty are gone one day
No matter what you dream or feel or say
It ends in dust and disarray
Like wind on the plains, sand through the glass
Waves rolling in with the tide
Dreams die hard and we watch them erode
But we cannot be denied
The fire inside
song performed by by Bob Seger
Submitted by Lucian Velea
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No Gravegoods In My Solitude
No gravegoods in my solitude, no trinkets
from any spiritual world inside or outside this one.
The totem belongs to the dream that's buried with it
as the flower's engendered by the root it's taken from.
Mind is matter. Matter is mind. And it isn't as if
one is blind to the other because one shore
isn't parted from the other by the flowing
of the mindstream in between. Try to separate
the reflection of the moon from water in a dream state.
The moon is a characteristic of water as the water
is a feature of the moon. If you want to mediate
until you turn the vertebrae of your spine into a bridge
to get to the other side of a life you're already standing on,
that's ok as long as it's burning. Otherwise it's just going
to obstruct your path when you're shooting the rapids
of the Milky Way like your own spring run off
trying to saddle a rush of stars with a rudderless liferaft
and oars for spurs. Better to be a waterbird
with wings of your own, but what a thrill
to ride the snake until you can fly like a dragon
among the stars like Alcor and Mizar, the horse and the rider,
in the handle of the Big Dipper like a warrior Bedouin
testing his eyes on the dune of a tribal hourglass to see
if he can tell what hour it is by the dance of a distant binary.
It's getting late. Nightwatch at the well. The town
unpeopled by sleep. A choir of train whistles
practising their inquisitive requiems at every crossing
like Canada geese migrating south when the autumn stars arise.
More lonely than mournful, I can taste the shadows
in the honey of life as readily as the light. I can smell
the fragrance of time like the first snowflakes
in a lover's hair, trying to turn her into a constellation
to sweeten the night air. And even in the ashes
of the starmaps the shining sets afire
and scatters like a library in the urn of the heart
on a wind that carries away the passions of this art
of exhuming more life out of a shallow grave than went into it,
I can still burn in the dark like the ore
of undisciplined diamonds. I can still squander my light
on the eyelids of the fallen flowers like a final kiss farewell.
Time wastes a death on me. Years ago the wind arose
and blew that candle out in the open window
of an abandoned house and ever since I've been
drifting like a ghost of smoke in a diaspora of stars.
I bequeath to the rose, the blood of my wounds.
To the thorns of the moon, my scars. To the night
I leave my eyes. To the wind, my breath. My voice
to the nightbird whose longing put my lyrics
to the picture-music that's haunted me all my life
like the song of someone who loved me once
before I was born and began to forget. But my heart
that I could judge the worth of like a bell bound to the earth,
or a feather of fire in hell, in the palm of my hand,
I give that to everyone like the windfall of a tree in a storm.
Black walnuts and wild apples. Solar systems
of peaches and pears in the leftover orchards
of organic gardens bearing the fruit of a habitable planet
at the autumn equinox of the New England asters
and modest suns of the Jerusalem artichokes
for the birds and the squirrels and the bears.
You can't keep what you won't give away
and it's no good to you in a grave when it comes time
to throw yourself overboard to stay afloat
and weather the squalls on your own sea of awareness
like an empty moonboat drifting through the fog
calling out to anyone who'll listen on the coast
of a new universe that discovers you like Atlantis
to a ghost of the old world looking for a passage
back to the more familiar labyrinth of home.
Liberation is freedom through creative form, not from it.
Liberation is life. And life is all entrance, no exit.
And you weren't asked at the door for any i.d.
And no one's going to stop you from lowering the fire escape
to get away from yourself. And if you were to ask
the mirrors of your own awareness, they'd stop staring at you
as if they'd never seen a new world savage before.
Everyone's going to leave an empty chair at the table
sooner or later. Like the skull cup of the moon
you've got to pour your prophetic lees out upon the earth
if you want to give your abundance another chance.
You can make lanterns out of fireflies in canning jars
or you can abandon them to the spiders
in the corners of your eyes like dreamcatchers and kites,
but if you want to shine of your own accord,
albino fish in the darkest depths with stars in their eyes,
you've got to see the sun flowering at midnight,
you've got to greet Venus in the Pleiades at dawn.
You've got to unsilver the mirror like a stripper
until you disappear like a bird in the house of life
through an open window like a crack in a cosmic egg
to feel the vastness of the sky that transcends
the limit of your wings. Despite the eye-witness
in the mirror, where time is always in arrears to eternity,
you've got to give it all up like your shining reflection
if you want to stay here for your own protection.
poem by Patrick White
Submitted by Poetry Lover
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Fire Inside
Words and music by bob seger
Theres a hard moon risin on the streets tonight
Theres a reckless feeling in your heart as you head out tonight
Through the concrete canyons to the midtown light
Where the latest neon promises are burning bright
Past the open windows on the darker streets
Where unseen angry voices flash and children cry
Past the phony posers with their worn out lines
The tired new money dressed to the nines
The low life dealers with their bad designs
And the dilettantes with their open minds
Youre out on the town, safe in the crowd
Ready to go for the ride
Searching the eyes, looking for clues
Theres no way you can hide
The fire inside
Well youve been to the clubs and the discotheques
Where they deal one another from the bottom of a deck of promises
Where the cautious loners and emotional wrecks
Do an acting stretch as a way to hide the obvious
And the lights go down and they dance real close
And for one brief instant they pretend theyre safe and warm
Then the beat gets louder and the mood is gone
The darkness scatters as the lights flash on
They hold one another just a little too long
And they move apart and then move on
On to the street, on to the next
Safe in the knowledge that they tried
Faking the smile, hiding the pain
Never satisfied
The fire inside
Fire inside
Now the hour is late and he thinks youre asleep
You listen to him dress and you listen to him leave
Like you knew he would
You hear his car pull away in the street
Then you move to the door and you lock it when
Hes gone for good
Then you walk to the window and stare at the moon
Riding high and lonesome through a starlit sky
And it comes to you how it all slips away
Youth and beauty are gone one day
No matter what you dream or feel or say
It ends in dust and disarray
Like wind on the plains, sand through the glass
Waves rolling in with the tide
Dreams die hard and we watch them erode
But we cannot be denied
The fire inside
song performed by by Bob Seger
Submitted by Lucian Velea
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You Don't Need To Put A Supernova In The Window
You don't need to put a supernova in a window
like a candle in a telescope
to help me find my way back to you
from the next galaxy over. I'm gone
like a sixties light show after the music was over.
But I didn't close you like a door behind me,
I didn't find you like a threshold
in the spirit's lost and found
and try to return you to the house you belonged to.
I've always been a little ahead of myself
so when I said good-bye, it will be light years yet
before you know anything about it.
It's just that time doesn't linger in the doorway
of enlightenment, and eternity isn't any closer to God
than the next moment is. A hundred billion stars
two thousand lightyears away and you,
checking the wiring on blasting caps in a beaver dam
that's threatening to flood the road you're on
as I go off like a firefly already
two mellenia into the future that's looking forward
to meeting you eye to eye in a brighter place than this
just to see if you recognize me as I am.
Black matter in the lifemask of a blossom
peaking through the keyhole of the universe next door
to see if I've returned to my room like the moon
with a curfew it's in my nature to break forever
whenever we are, if the timing's not right.
If you can't see in the dark what the light owes
to the shadows who have died for it
just to attract your attention from afar again
like a man who's been tarred and feathered
and set aflame like a phoenix in the rootfires of the sumac.
Like an immolation that scatters the ashes of a burning house
all over the garden you've been tending
like a urnful of flowers about to come out.
Like a candle in the darkness enlightenment
snuffed out on the dark side of the moon
to keep you from being lost in the blazing like a star at noon.
I lead you away from me, like all I've ever wanted.
I say good-bye to keep death from saying hello along the way
as if it had met you somewhere before I came on the scene
like a flame thrower with a flare for arson burning
like the passion flower of a dragon on a pyre beside the Ganges.
To raise you up shining out of the grave of your aspirations
like lightning and fireflies in the updraft of my expedient means.
So when you cry over someone you're missing like me,
your tears have the power of a sunflower in the garden after dark,
and the ashes turn green. And scarlet runners bind themselves
like the happy home fires of heretics to the triune axes of your tent poles.
poem by Patrick White
Submitted by Poetry Lover
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Rip The Night Away
If it ain't natural, then it ain't real
Ohh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Ohh, when the time is right
Another full moon light
We rip the night away (rip the night away)
If this was the last joint, that we ever rolled up tight,
I'd want to be with good friends, underneath that open sky,
Play some mellow music, throw our dreams into the fire,
Release all the demons, and our souls are uprising
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
There's nothing in the world like some good times and good vibes
Surrounded with your friends and your family by your side
All the time you spent together going out havin' fun
Doin' the things you do, this life style's got us on the run
Life's too precious every moment make it count
Some days you're on the top some day's you're down and out
This life's a gift, I'm gonna shine my light
So sit back, relax, get high, with us and kick it with us tonight
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
(Rip the night away)
Burning, burning, burning
(Rip the night away)
Burning, burning, burning
(Rip the night away)
Burning, the night away
Take me to the mountain high, where I can smoke a bowl in peace while I drive
I'm on a
Back road with my sunroof open, on the way to meet the friends, we'll gather and tokin', and we
Build a fire and chill for the night, get drunk on old times and roll a few, what I like we just,
Sit there, fire and reminisce 'bout the best days of our lives and we be the ones blazin'
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
Oh we gon' be kickin' tonight
We gon' be sipping tonight
Ripping the night away (rip the night away)
Oh, when the time is right
Another full moon light
We rip the night away (rip the night away)
song performed by by Kottonmouth Kings
Submitted by Lucian Velea
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Fire Tonight
Well, theres a hot wind blowing tonight in the east,
And I heard that the park is filled tonight with police.
On the radio theres nothing but a man saying
To stay inside.
Well, I remember what you said on the telephone,
That you didnt feel like it was safe to stay alone.
And you would get yourself to me if you could find
A way across the line.
But theres fire tonight on your side of town,
Orange light in the sky without a sound.
Fire tonight on your side of town.
I watch and wait for you to come around.
Well, theres a faint sound of sirens tonight in the air,
And I heard that the downtown streets tonight are bare.
On the tv here theyre telling me the roads are all
Closed down.
You said that if you couldnt take the car youd walk
Instead.
It was the last thing you said before the line went dead.
And now Im waiting by the window holding all the things
Of yours Ive found.
But theres fire tonight on your side of town,
Orange light in the sky without a sound.
Fire tonight on your side of town.
I watch and wait for you to come around.
I know we always said that we were free.
I know we never thought this would succeed.
But now your face is all that I can see.
But theres fire tonight on your side of town,
Orange light in the sky without a sound.
Fire tonight on your side of town.
I watch and wait for you to come around.
song performed by by Information Society
Submitted by Lucian Velea
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Young Moon
Written by dewey bunnell and gerry beckley, 1994
Found on hourglass and highway.
Fascination with the light in your hair
A celebration, nothing else can compare
An invitation to share my life with you
Stepping forward, reaching out for your hand
Hear the music of the sea on the sand
Like a vision rising out of the blue
Looking like a
Young moon in the heavens
Mother to the stars
Young moon guide us tonight
Elevation to a place high above
The combination, you and me and our love
Determination to spend my life with you
Looking at you face to face with my world
A quiet beauty not like just any girl
Moving slowly from the dark into view
Looking like a
Young moon in the heavens
Mother to the stars
Young moon guide us tonight
We are here in this moment
Shining twice as bright
We are here for you to see
Bright lights, long shadows
Tonight, we can handle
All of the doubts we may hold inside
It is a new day, things are different now
Weve got each other
Well keep looking for that young moon
We are here in this moment
Shining twice as bright
We are here for all to see
Young moon in the heavens
Mother to the stars
Young moon guide us tonight
We are here in this moment
Shining twice as bright ...
song performed by by America
Submitted by Lucian Velea
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And Though It's Dark And Cold Now
And though it’s dark and cold now
in this ice palace of broken windows
that don’t know whether to bite their lips
or cut their wrists like a suicide
that took it one step too far
like an eclipse that went into exile
I remember the swell and release
of your breasts in moonlight,
rising and falling like a lunar tide.
I remember coiling my finger around
the soft chestnut tendrils of your hair
as if I were dialling a long distance call
to someone I knew light years from here
who was living her dream
like the black sheep of a shepherd moon
she was giving her life up to.
You were an atmosphere on the nightshift
on the intensive care unit of a hospital
applying a cool poultice of moonlight
to the volcanic burns
of more terminal passions
than I ever aroused in you.
Or thought I ever could.
Though time stopped
dead in its tracks like a coma
whenever I was around you
and everything the good doctors
found incurably bad about me
suddenly went into remission,
I knew I was merely
a minor miracle in your life.
Intermission. Time out. One day
every four years to tune up the calendar
A blue moon in late October
after the harvest’s in
and the small birds
are gleaning the rags of a garden.
Canada geese in the cornfields
shredding the last documents
of an abandoned embassy heading south.
We were Indian summer
together for awhile both knowing
the frost would come soon enough
and one morning I would wake up
and look through the window
on your side of the bed
and say, hey, look, it’s snowing
and you wouldn’t be there.
And when the time came, you weren’t.
And I spent the next six years of my life
numb with understanding
in the snake pit of a Zen morphine drip
blessing the beauty of the knife
and the wound you left me with
like a thorn of light under the eyelids
of a new moon in full eclipse.
An eyepatch over the third eye
of an enlightened planet
that felt just like any other
starless night on earth without you.
And though I hurt like a lamp
that couldn’t see you
even when the sun shone at midnight
I knew enough about attachment even then
not to hold up hope
like a cage to the wind.
I never laid a trap line
along the path you took to leave.
I let the silence and the solitude
I returned to like a night bird
to a white-out deep in the woods
efface your footprints in the snow.
I knew I had to stay.
And I knew you had to go.
That one mile east is one mile west
like two feet going in opposite directions
down a road that doesn’t have any.
And though sometimes I look
at the moon these days
and say to myself
what a little scar it is
to cover so much
that’s dark and wounded
about the human heart,
I still haven’t changed the broken windows
I often find myself standing before
to take a long, good, hard,
dark, radiant look at life
to see if it’s still crying outside,
for a thermal-paned, fire-walled website
prophetically updating the virtual weather.
I’m still throwing stones
with loveletters attached to your absence
like the moon through the windows
of a glass palace in an ice-age
I know will thaw by itself in time
like the whirling Castle of Arianrhod,
the hot gem of Celtic heaven shining
in the afterlife of the Northern Crown
down upon these small human acts
of estranged encounters with our own kind
where we meet each other in passing
at the gate of a cosmic garden
that no one was tending at the time,
and long after the one has gone their way
and the other has gone inside.
Long after the flowers have died
that were strewn across
each others’s paths through life
like the spring on a windy night;
no matter how vulnerable it makes us
to being a prime candidate
among many with their sensible shoes on
to firewalk barefoot
on a starmap of burning thorns
into the darkness of enlightenment
to stay attached to the unattainable
the way we both were to the same stars.
Even when the morning glory
overruns the New England asters,
we leave the gates thereafter open
as if the whole heart of the dark matter
of why we love and suffer, bloom
and come to fruition
in the light of each other
as if the aurora borealis
that mystified our nights on earth
with the sheen of cool Persian silks of insight
blowing over the flesh and blood of mystic serpents
then die back into our brief lifespan
like a solar flare back into its sunspots
were still hanging
on one star
one eye
one wing
one prayer
one hinge.
poem by Patrick White
Submitted by Poetry Lover
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Dont Let It Bring You Down
Old man lying by the side of the road
With the lorries rolling by,
Blue moon sinking from the weight of the load
And the building scrape the sky,
Cold wind ripping down the allay at dawn
And the morning paper flies,
Dead man lying by the side of the road
With the daylight in his eyes.
Dont let it bring you down
Its only castles burning,
Find someone whos turning
And you will come around.
Blind man running through the light of the night
With an answer in his hand,
Come on down to the river of sight
And you can really understand,
Red lights flashing through the window in the rain,
Can you hear the sirens moan?
White cane lying in a gutter in the lane,
If youre walking home alone.
Dont let it bring you down
Its only castles burning,
Just find someone whos turning
And you will come around.
Dont let it bring you down
Its only castles burning,
Just find someone whos turning
And you will come around.
song performed by by Neil Young
Submitted by Lucian Velea
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Let Go Of My Mind, Like A Kite, Like A Snake
Let go of my mind like a kite, like a snake
I've grabbed by the tail to make a daisy chain of eternity.
Take the bit out of the Great Square of Pegasus
and pour myself out like the billions of stars in the Milky Way.
I'm hemorrhaging poetry. I'm bleeding to death like a rose.
Let it go, let it go, let it go. Blood knows its own way home.
I'm not weaving straightjackets of circumstantial vetch
into an embroidered chrysalis that never opens up.
I'm not trying to pour the sea back into the cup of the moon.
There's more to me than I could ever drink up.
You can put a burning candle in the window and wait for me
but I'm going to follow the smoke wherever it leads
like stardust on the chalkboard of accelerated space
in a burning schoolhouse that had nothing much to teach
about the unknown in the first place. Order's
only a special mode of chaos like a straight line
is a special form of a curve, and there are snakepits
of wavelengths that only serve as flying carpets
growing thin under the windows the dragons look through
like dark energies that can turn space to glass
like gravitational eyes bending the light to their point of view
as if fire were as good a medium as water to see through.
I'm shucking the worlds off my fur like a wolf
on the far side of the river I've just swum across
and I'm howling at the moon reflected in every single dropp
as if I were a mad multiverse of permutations and combinations
that could be everywhere at once, above the timberline
where I can't be hunted into extinction like a black dwarf
that knows there's another kind of shining on the inside
deeper than the obvious scintillance when the moon
plays the lake like the nightbird of a lonely harpsichord in vain.
poem by Patrick White
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In Light of the Sinking Sun
An empty chair
A quiet room
In light of the moons full glare.
A sleeping man
A cell of stone
In light of the moons full glare.
A dark hall
A silent porch
In light of the moons full glare.
Flickering light
Buzzing flies
In light of the moons full glare.
The man awakes
Stifles a moan
In light of the fading moon.
Shuffling feet
Dangling keys
In light of the fading moon.
The door opens
The man hauled out
In light of the fading moon.
Straps are tightened
Machine turned on
In light of the fading moon.
A button pushed
A scream of pain
In light of the fading moon.
A blackened body
Smoke-filled room
In light of the fading moon.
Six foot hole
Dug in the woods
In light of the fading moon.
The headstone in
The words are said
In light of the rising sun.
The next man sits
Upon that chair
In light of the rising sun.
Poor old man,
Dealt the hand
In light of the rising sun.
Dealt the hand,
The blow of power
In light of the rising sun.
An evil laugh
A blackened body
In light of the rising sun.
The executioner stands
By a silent chair
In light of the sinking sun.
poem by Samantha Jo
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The Best Cigarette
There are many that I miss
having sent my last one out a car window
sparking along the road one night, years ago.
The heralded one, of course:
after sex, the two glowing tips
now the lights of a single ship;
at the end of a long dinner
with more wine to come
and a smoke ring coasting into the chandelier;
or on a white beach,
holding one with fingers still wet from a swim.
How bittersweet these punctuations
of flame and gesture;
but the best were on those mornings
when I would have a little something going
in the typewriter,
the sun bright in the windows,
maybe some Berlioz on in the background.
I would go into the kitchen for coffee
and on the way back to the page,
curled in its roller,
I would light one up and feel
its dry rush mix with the dark taste of coffee.
Then I would be my own locomotive,
trailing behind me as I returned to work
little puffs of smoke,
indicators of progress,
signs of industry and thought,
the signal that told the nineteenth century
it was moving forward.
That was the best cigarette,
when I would steam into the study
full of vaporous hope
and stand there,
the big headlamp of my face
pointed down at all the words in parallel lines.
poem by Billy Collins
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A Little Thought In A Big Space
A little thought in a big space, I'm falling
through my own immensities here at my desk,
one of my Icarian propensities for plunging into things.
My voice intimidated by the violence of the silence within.
I'm on the dark side of my eyes.
No one's ever been here before.
No window, no wall, no door,
I'm on the threshold of my homelessness again.
I'm looking at stars, but I feel like rain.
I'm talking to ghosts that I don't remember.
Might be the wrong medium, but it's the right seance.
I don't even know what I'm doing here myself
but it seems I'm free to go or stay as I wish.
I'm wearing my shadow like a candling parachute
that didn't step back from the edge in time.
No point in pretending you're an airborne dandelion
when you feel like a rock with a message
someone just threw like the moon through a mirror
disguised as a sky the night birds keep flying into blind.
No one asks your name here on this pyre of a sky burial
if your birth certificate says you were born in fire.
Desire anything you like. It was all written in smoke
before you came. And these words that are saying me here
have been out of the aviary of the lantern for light years.
Who knows where the light goes or what if falls upon?
Trying to shine in a dark time without taking anything away
from the lunar eclipses that aren't in need of enlightenment.
Don't know if I'm a solar flare, a firefly, a matchbook,
or a lightning bolt that keeps stressing my starmud out
by sneaking up on it from behind and overdoing things a bit.
If you find yourself trying to pry the flowers open
with a crowbar or a koan, and it's nightfall, it's
time to turn your hourglass in for a waterclock
and see how the stars emerge out of nothing
as soon as you deepen the dark with a more acute sense of timing
that let's everything happen spontaneously by itself.
Even if you're the lighthouse of your dreams
that doesn't mean you're the nightwatchman
keeping his third eye on you in the shadows
like a theft of fire you can get away with
this second time around with only a warning.
If you can't do the time, don't do the crime.
And if you did, whining about it in your sleep
isn't going to help and who's Spartan enough these days
to stash the fox under their tunic to keep
from being caught while it eats them alive?
If you want to be a dragon you've got to learn
to swallow people's hearts like hot coals as if they were chocolates,
without wincing. The stars don't come out
like emergency candles you've been saving
for exactly this kind of situation. And if
you really want to know the truth about illumination,
try and blow one out. Quick, now, look
and see immediately into the clear light of the void
what it's like to shine without a metaphoric reflection.
The stars here don't hide their nakedness under a cloak
of black holes and dwarfs that take it all in
but give nothing back like the second hand clothes
of serpents shedding their skin. One size fits all
like a bubble in a watershed of dark worlds
dazzled by how much a single eye can contain
whether it's hanging from the lip of a flower in the fall
or going down the drain in spring. I know
you hit it like a snowflake on a furnace
and do your damnedest not to cry. Thing is
as unique among billions as you think you are,
there's not a star in the sky that isn't a rite of passage.
poem by Patrick White
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The Lament Of The Last Train Whistle
The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.
All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.
It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.
Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.
The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.
Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.
poem by Patrick White
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The American Flag Just Below My Studio Window
The American flag just below my studio window
one floor down, a real estate office carrying the colours
on the left and on the right, the Maple Leaf,
stubbornly clinging to its flagpole like the bough
of a tree that won't let go of it even in a storm,
are both snapping in the air like two mad dogs
at the end of their chains, as if they smelled bush wolfs
moving through the dark without any respect for property.
Poor dogs. Poor wolves on a night like this.
Store lights smeared on the black asphalt streets,
a Fauvist palette, or the trail of a snail of lipstick
on a mirror in full eclipse. Everything tonight,
a jaywalker, a refugee, an exile, or a pariah,
with a mind shattered like pottery into any one
of a hundred ostrakons. No country for him,
his identity ends at the limits of town
as the willows rave in the asylum of Stewart Park.
The windows are rattling and the doors are banging
their pots and pans to keep the ghosts at bay
as the hard eyes of the rain sadistically whip my face
while the waters of the Tay froth like a troll throwing a tantrum
over the rocks under the Rainbow Bridge
that's standing its ground like a harp in a rage.
Nocturnal greys with a tinge of infra-red in the clouds.
For anyone who likes to look up, it's a night
to keep your eyes on the ground as I make my way
to Devil's Rock, to watch the white mustangs
of the river run wild the way they used to drive
sheep through town a hundred years ago
before the coyotes and coydogs took their toll
and the vagrant hearts of the shepherds
found it a lot easier to go with the flow
by leading from behind with a couple of dogs
turning their flanks than I do tonight,
with a hemorrhaging heart in the eye of a hurricane rose
stirring the cauldrons of things up like the golden ratio
of galaxies and sunflowers thrown into the mix
like memories of better days at an exorcism.
Things torn away like children and lovers
caught in the turmoil and undertow of cosmic venting
that breaks the koan like a one-fingered wishbone
and achieves liberation followed by
the interminable solitude of going it alone
on a starless night out into the open fields
trashed by autumn after the harvest,
complicit with the storm, the pathetic fallacy
of the objective correlative that plunders my soul of adjectives
until all that's left are these verbs gnawing at my bones
like a neolithic grammar of scarred calendars
and discarded manuscripts not worth another draft
with beautifully illustrated cave paintings
spit on the walls of my inaccessible skull
like shamanistic magic under a Hunter's Moon
I can feel, even if I can't see it, under this snarling
wolf-hide of clouds, from the inside out,
howling back in agony over the roadkill I've become.
poem by Patrick White
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Every Leaf, Every Page, Every Poem, A Patch
Every leaf, every page, every poem, a patch
that's been ironed on to a leak in the mindstream
I've been watching from the stone bridge on Gore Street
while the Perth Water Tower stands astride the Tay River
like a Martian colossus out of the War of the Worlds,
its reflection wavering like the dissipating wavelengths
of watersnakes as the moon ascends like a pearl
above the ragged willows pouring their hearts out
along the shore where a long overhanging veranda,
an iron stairwell and several backyards end at.
A commingling of poetry and prose, I've got
to walk several miles out of this sleeping town
before a Zen cowboy can take his spurs off in the wild
and wrestle his boots like sections of chimney pipe
in exchange for a pair of winged heels that can fly by night
like an autumn waterbird. Let my life flow on without me
like a spinal cord I've been hanging on to
like a rope I used to try to climb up to heaven on
like serpent fire entwined around the axis of my backbone,
on the flip side now, an anchor chain of chakras
tied to my body like a lifeboat my heart isn't in anymore.
I lament the dry paper that became of the orchids
and waterlilies, the skin of weathered women
or an aging snake that slipped out of itself like a condom.
Autumn in my earth mind, I'm consoled by the stars
gleaming through the leafless trees of my emotions.
The whole forest floor, a sodden library underfoot,
trying to get to the roots of things like etymologists
reverentially deciphering the cartouches of dynastic words
that were once as common as the Huron all through these woods
until smallpox, the Jesuit, and the decultifying schools
that savaged their magic with white, and taught them
to turn the other cheek to the dark side of the moon,
brought on an onslaught of the Iroquois who finished the job
a few beaver pelts, an arquebus, and Champlain
in a war canoe, without really wanting to, had begun.
Somehow their ghosts in the birch groves
make everything seem more human to a trespasser
that responds more like a guest at a seance
than the host of the exorcism that drove them
from their lands. The moon's not a swan
and I'm not laying traps like a snapping turtle.
Nothing heals here, but the wounds seem more manageable
and death isn't a dirty secret sequestered in a hospital.
Everything out in the open you can even
have sex with the stars and nobody's eyelashes
are going to fall off like a haystack of pine needles
that blinked once too often at what they couldn't believe
they were seeing without their death masks on.
I like the symphonic chaos of the place as life
over writes itself like wild grape vines climbing
a trellis of deer ribs like the palings on an unhinged gate.
It's really just a matter of taste what you prefer
to furnish your solitude with. I like to spend my time
in the company of things suffering the same fate I am.
poem by Patrick White
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Mad or Enlightened
Mad or enlightened the same, the universe
is an embryo of darkness born in upon itself, everywhere
its own womb breaking into the pulse of stars within stars,
and everywhere, the shining before the light, the dark mirror
showing the light its own face for the first time,
how in an eventually that is always now
it would attain flowers and eyes along the way
and become the skin of the rain as it falls to earth in April.
If I change to fire, these letters burn, blow away as ash
on the tongue of the wind; if water, then the stars put themselves out
in their own weeping like candles drowning in tears.
Every step of the journey around ourselves
is another world, another garden to plant the seed-names
we’ve shaken from autumns in other realms
and carried around like sacred jewels
we forgot in the corners of our pockets and hearts. Believe it;
when I am all stars; you are all the listening darkness
I pour myself into like a drunkard into a bottomless glass
and you raise me to your lips and drink yourself up
until you’re blinded into clarity
by all the open cages of the light.
Why lie in your own coffin, night after starless night,
if you’re not empowered by your long obedience?
Better to open your eyes on the other side
of your horizontal door, better to come knocking from the outside,
deluded vertically, than suffer this poverty of blood within
the hushed precincts of your skyless realm,
the skull-bone basilicas of your private Vaticans and law libraries.
When it wakes up in the morning
there’s no book-dust in the eyes of the light.
Before you now, in your endless beginning, the dream
you thought you had rubbed from your eyes, you
waking up like a key inside the heart of the dream.
There’s nothing you can’t unlock, even
gardens on the moon or the ancient futures of past lives
death only pruned back with shears to bloom again
in the efflorescence of your eyes, early dawns in the new arraying.
Who you are flows into who you are, all one river of seeing,
dizzy and composed in its own running, all
your own eddies and currents, swamps and white-water,
auroral maids of the mist when you fall in separate drops,
weeping’s just a waterfall, and frenzied tides of being
when you crash ashore out of your own wholeness into buddhas and bums.
In the fire, everyone’s crazy with passion and intelligence,
everyone’s smashed on the wine of an unknown guest
trying to be remembered by his friends.
What visions abound in the orchards of the blessing,
What hearts are torn out and thrown upon the fire
like planets called home by the longing of the sun? We are the white shadows
of the someone else who is walking up ahead
like the moon on the path of its own reflection.
Catch up to yourself and drown in the luminosity of your own being.
Who needs a map to the road they’re walking
or sages pointing all along the way, grey as barnboard signs,
or luminaries at night
pointing to the darkness. The pivot of the worlds points to itself.
True north is not a direction. Haven’t you guessed by now; the stars
all circle you like stormbirds drawn to a lighthouse on the coast of heaven,
too in love with your light to heed your warning about
the deep dragon grief that opens the mouth of the wound
that killed it into life, a one-edged sword of light
in the hands of a holy assassin darker than the silence
of the sun at midnight. If you listen with your eyes,
you can hear in that mournful emptiness
God calling out to God, lover and beloved,
through the echoless valley, across the waveless sea,
yours the name on the prow of the ship that breaks through the veils of the storm,
and yours the name of the storm. You are the bird
that answers the green bough; the lightning in the rigging.
You are the sigh of the silence
and the mystic pen in the hand of the saying.
Whatever worlds you dress for, fields and flowers,
or stars and hourglass elsewhere zones, you are the body of being,
and yours the gowns and robes of creation you draw from the abyss
like clothes from a private closet, dignified in your scriptures,
intimate in your jewels. And everywhere you coyly let yourself fall
like earrings of rain, scarves of fire, fragrances of light,
and watch to see who of the many lovers that are you
bends down like the sky to pick them up at your feet
and return them to you like the first crescent of the moon
rising like an eyelid out of sleep
to greet itself reflected in your face.
poem by Patrick White
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A Tall Story part two
There is a bridge that crosses over a river
A river that is eerie and makes you quiver
With the light of the moon the river will gleam
and a boat will go sailing, on its own down
stream. The mist will come from out of the trees
and horrible sounds can be heard in the breeze.
It sounded like cats caught up in a fight a claim
for territory in the dead of night, but cats never fight
on the waters edge just in case they fall over the ledge.
A river bank full of matted reeds where plants had died
without dispersing their seeds.A man dressed in green
who paddles the stream who can be seen clear in the
moonlit beam.Sometimes you hear him digging on
the side of the river bank, could this be true or is it
some sort of a prank
A river full of alge green and that's how it had
always been. No carp, no bream no fish to fish not
even a place for a secret wish.
No river bank wildlife to give it grace, just run over the
bridge and get out of this place.
The story tells of a robber who stood about three feet
tall and because of his height he couldent climbe over
the wall. Now behind the wall was the river which spread
down far and wide and the man in green had a problem
because he could'nt get to the other side.So he hid the
loot inside his boot and started to dig under the wall
but as he dug the water flooded in and he sank to
the bottom of the pool.
Apart from one thing he could not swim and the weight
of the loot that was in his boot no doubt made him take
root.If you go to the river and see the man in green, then
please come back and tell us what you have seen.
This is a tall story one with a short tale, I am sorry it
didn't excit you, but my next one wont fail.
poem by Sylvia Spencer
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Noise Seeping Into The Silence
Noise seeping into the silence.
The apartment groans, cracks it knuckles.
The gas furnace flares, a poppy, a matchbook,
and as things heat up, the tin pipes
keep making spasmodic rimshots on the drums,
then cooling off, you can hear
the last heavy, ripe drops of rain
on a metal roof with no walls
as he imagines it, somewhere in Burma
where the bacteria have such an appetite for life
they eat books down to the spine
and the glue that binds them
like a creekbed of milky honey
that’s cracked with use and time.
And all the letters of all the words,
nothing but flies in amber paperweights.
You take the dirty laundry of a life time
and you wash the blood and semen
off the sheets, the sweat-stained outlines
of a he and a she that made lust
to exhaust themselves and go to sleep
like the chalk silhouettes of two corpses on the street.
And you hang them on the line
like a computer screen blowing in the wind
on a sunny summer afternoon
for the neighbours to see
how much like them you are
when you’re both wearing the same disguise
like clean bedsheets with no evidence of life.
A tabla rasa. A cheery white void.
Snow on a desolate sidewalk late at night
that no one’s walked in before you
showed up to ruin it with your presence.
Footprints on the moon. The estranged signs
of a starless space within
that keeps a journal of our innocence
and its aborted attempts to shine.
He watches the smoke of a cigarette
shaped by the air it passes through
and thinks of the bucolated cosmology
of his last lover’s hair, black walnut
with Bronze Age touches of infra-red.
He remembers her taking her clothes off
in master strokes of candlelight
that painted a Rembrandt of her likeness
and realizes however naked
she stood before him on Wednesday night,
there were still skins to shed,
layers upon layers of metaphor
as divisible as an atom
or the pages of a book
that’s written in wavelengths
that go on forever
beginning where they left off.
And even nude beside each other in bed
they were still too dressed up for the occasion.
And even the silence and the solitude
don’t go far enough into the abyss
not to be warped like space
by the mass of a metaphor
concentrating its light in one place
like a serpent sleeping in its coils
with its head on the pillow it makes
of the endless wavelengths of itself,
an emergency firehose encased in glass
dreaming of what snakes dream of
when they’re not called upon to put things out
by swallowing the moon in a single gulp
to bring the rain on
in this white Sahara of snow,
listening like a mirage
that wished it had something to cry about,
to the eyes of big rain drops
falling on the tin roofs of Burma
like a gas furnace
learning to play the drums
like a novice John Bonham
in Led Zeppelin’s next afterlife
in the dead of winter,
in the dark hours of the morning
in Perth, Ontario, Canada
in an apartment that thinks it’s a band
warming up,
doing a sound check before the show.
poem by Patrick White
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