Flowers Adrift On The Fragrance Of Their Own Foregoing
Flowers adrift on the fragrance of their own foregoing.
In the night that takes me under its wing
to shelter me from myself, arrival and passage of spring.
Fish nibble at the wafer of the moon on the tongue of the lake.
The wind bitter as a green apple with an innocent cruel side.
Saturn at dawn, Venus at dusk, things abide in their own good time
without knowing for whose sake they shine until the mind
can't keep a secret anymore and let's the heart know
what the heart has always known. Reason is colour blind.
Everything that's hidden out in the open isn't invisibly camouflaged
to look like God at a quick glance. Flowers don't dance
with their deathmasks on. Things may have changed
since I last walked here, but they haven't aged. Autumn
not an older season than spring, spring not younger than yesterday.
Water's never heard of a virgin birth that ends in a real death.
Silence of time as it appears to the spirit in a deepening sea of awareness.
Nothing disfigured. Nothing restored. Nothing scarred.
Nothing wounded in the moonlight, pleading to be healed.
Earth pungent with the expectations of urgent ghosts.
And dust in the eyes of the stars, the cries of Canada geese
with more longing in their voices than celebration
like the wailing of a train disappearing like smoke in the distance
from a sad fire in danger of going out. Exits and entrances galore
there are as many ways out of here as there is space and time to stay.
Bush wolves on a far hill agonizing over something in the night
like blues harps of blood. And in the heartwood of every leafing tree
I can hear the first violins of a symphony tuning up to the light
as if something sublime were about to begin with the first dropp of rain
pinging like a tintinnabulum beside the kettledrum of thunder at the back.
To speak now would be to conceal what I really feel in words.
Lavish with life, I reveal my voice in a rush of waterbirds
startled off the lake like a mantra of sacred syllables
that nuance the ripples they leave in their wake
with a whole new way of phrasing the light with eyes
that see things musically as they fall away from their wings
like the meaning of things when meaning isn't necessary.
poem by Patrick White
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Related quotes
Obliterations Of Beauty And We Weep
Obliterations of beauty and we weep
for what cannot long abide in us
because we, not the rose, are the ones
who are passing so irrevocably away
into an abyss that doesn't
take the measure of anything.
The lake knows the time
by the wingspan of its waterbirds.
I note the location of the stars
in the rotation of the Big Dipper.
And there are crickets
that will yield the time as well.
Time, too, like human solitude
is embodied in the things of this world.
Time perishes when we do,
is born with us, matures,
and embraces our ends as its own nature.
Time sets its pace to the passage of us.
We are the muse, the motivator, the demi-urge
of its passion for shedding
the leaves and flowers and moon like skin.
And we're the ones who grow infinite
at the speed of light so that everything stops
immeasurably from there on everafter.
All things returning to the one, and the one,
returning to transcendence. Which is why
I come here this late at night when the stars
are as far from people as they can be
and yet they're still as intimate to me
as my eyes are. A mutually creative continuum.
The star makes the eye I need to see it by.
I am the fragrance of the wildflowers
and the adamantine insights of the rocks.
The singing master of the nightbirds.
The oracle in the leprous skull of the raccoon.
And my heart is one long, continuous moonrise
when I think of how the dead still animate me.
How they cling to my heart like ants to a peony
to let me know when it's time to bloom.
The dead trees house the mosquitoes and the herons.
The fallen pine cones, the seed koans of Zen masters
under their brittle eyelids waiting for the fire
to crack them deciduously open into evergreens.
I don't lament the passivity of the dead in my life
because I put them to good use in their capacity
as enlightened mentors who urge me
to live splendidly whatever I encounter in the world
for all our sakes. I can be the blossom and the fruit
on the dead branch, as easily as a red-winged blackbird
sings from the green and leafless alike.
Not a bush wolf raises its voice up to the moon
that I don't feel its distant longing in my own throat
like a sacred syllable half way to blossoming among the dead
who always hear it like an auspicious beginning
to the summons of their leave-taking in the fall,
to the deeper greeting in the meaning of farewell.
poem by Patrick White
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Season Suite:
This medley was first released on the rocky mountain high album. it is the only album it has been released on. summer also appears on the an evening with album.
Summer
Silently the morning mist is lying on the water
Captive moonlight waiting for the dawn
Softly like a baby's breath a breeze begins to whisper
The sun is coming, quick you must be gone
Smiling like a superstar the morning comes in singing
The promise of another sunny day
And all the flowers open up to gather in the sunshine
I do believe that summer's here to stay
And oh i love the life within me
I feel part of everything i see
And oh i love the life around me
A part of everything is here in me
Riding on the tapestry of all there is to see
So many ways and oh so many things
Rejoicing in the differences, ther's no one just like me
Yet as different as we are we're still the same
And oh i love the life within me
I feel part of everything i see
And oh i love the life around me
A part of everything is here in me
Fall
Reflections on the water like shadows in my mind
Speak to me of passing days and nights and passing time
The falling leaves are whispering winter's on it's way
I close my eyes remembering the warmth of yesterday
It seems a shame to see september swallowed by the winter
And more than that it's oh so sad to see the summer end
And though the changing colors are a lovely thing to see
If it were mine to make the change i'd let it be
But i don't remember hearing anybody asking me
Winter
It's cold and it's getting colder
It's gray and white and winter all around
And oh i must be getting older
All this snow is trying to get me down
There's a fire in the corner slowly dyin'
Sometimes i just don't feel like goin' on
And yet i know it's more than worth the waiting
For another chance to see the summer sun
Come on, shine on me!
Late winter, early spring
(when everybody goes to mexico)
(instrumental only)
Spring
Open up your eyes and see a brand new day
A clear blue sky and brightly shining sun
Open up your ears and hear the breezes say
Everything that's cold and gray has gone
Open up your hands and feel the rain come down
Taste the wind and smell the flowers' sweet perfume
Open up your mind and let the light come in
The earth has been reborn and life goes on
Do you care what's happening around you
Do your senses know the changes when they come
Can you see yourself reflected in the seasons
Can you understand the need to carry on
Riding on the tapestry of all there is to see
So many ways and oh so many things
Rejoicing in the differences, there's no one just like me
Yet as different as we are we're still the same
And oh i love the life within me
I feel a part of everything i see
And oh i love the life within me
A part of everything is here in me
A part of everything is here in me
A part of everything is here in me
Words and music by john denver, mike taylor and dick kniss
song performed by by John Denver
Submitted by Lucian Velea
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Gray Rain
Gray rain
but the trees
are teaching the stars how to break into leaves.
Good rain on the good earth.
Autumn's a long passage.
Spring is full of thresholds.
Rainbow bridges in the distance
over urgent streams.
Everything's in a rush to become something.
I thought I knew once
who I was supposed to be
but more and more it eludes me
like a future that's already behind me.
I leave it to the world
to finish what I began
and include myself in the mystery
and try to carry on like a man
who looks at a star he won't follow
through the branches of the burgeoning trees
as the history of who I am
now that I'm not anymore.
The less I am the more there is to be.
And one eye doesn't get in the way of the other as much.
There is just this as it is
and what am I beholding
if I'm not looking upon myself as I am
in common with everything
that's changing all around me
like a mind that can't contain itself
in any fixed mode of being
anymore than the eye
can decide what it's seeing.
Everything is burning with life in the rain
and change is the dangerous bliss
we feel when we cease to exist.
The trees might have fingerprints
graven into their bark
and you might accord them
an identity in the dark
and approve of their names
and let them pass as if you knew who they were
but that doesn't make them
any less of a stranger than you are
or the clouds carry passports.
Praise be to the abundance of oblivion
and the cornucopias of blackholes
in the hearts of the galaxies
that keep wounding themselves into life
by falling on their own swords
like a knife that heals.
By day the light gives.
But at night
it steals.
And the mirror lives
and pours water over the eyes of the blind
and suddenly the stars can see again.
And the grape hyacinth is drunk on blue wine.
And I'm walking on water on the moon
even as the moon walks on my tears
without knowing which ones
flowed from the bells of my sorrows
and which overwhelmed me
like birds in the fountains of joy.
First I am a man.
And then I am a boy.
Spring takes itself for granted.
And autumn comes on with regrets.
But they both know
this is as good as it gets
and nothing's missing
in the mind's lost and found.
It's just the way things get around
when you throw the world back in the water
like a life of your own
you gave up years ago
to be who you are now.
Praise be to the stars
that stop by the gate this late
to chat about gardens
and how to keep
the roots of the roses alive
when the ground hardens.
Even if you're a demon in steep descent
or an angel rising from hell
life has the power of a flower
and the genius of a universe
to turn falling into a calling
like planets and Canada geese.
You can walk out alone
into a wide open field at night like I do
and stand there under the stars
that have been staring at you since childhood
like someone they should keep an eye on
and say: This is me. This is who I am as I am
to the whole twinkling lot of them in self-defence
to uphold the savage dignity of the difference.
You can stand there in the vastness
of that one definitive thought
that goes on forever like a silence older than birds
and feel the sweet release of upending joy
trying to master its new freedom
when space morphs into a mouth for a moment
and says softly
o so softly
in a voice that's been singed by compassion:
No.
You're not.
poem by Patrick White
Submitted by Poetry Lover
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Full Moon And The Mournful Thunder Of A Train
Full moon and the mournful thunder of a train
passing through town. Venus, Jupiter, Mercury
long gone down for the rest of the night.
Orion a pale imitation of itself in the west.
Mars near Regulus, the little king with the heart of the lion,
and Saturn off to the east. Like water returned
to the river it came from, everything immersed
in the fluidity of silence
swimming through the trees
as if virgins were older than fish at the spring equinox.
A habit of wandering when no one else is around
walks me out of town like some unknown journey
stringing my feet along with a line
and two minutes with a lunar hook dangling
in the effluvial plains of the moon's volcanic seas
as if I needed to be played into it by the sacred syllables
of ancient starmaps talking in tongues like oceans of awareness
into the ears of the seashells who can repeat
every word they say to themselves in secret.
All I've done most of my life is write and paint
spring, summer, winter, fall, four seasons,
and a writer not only adds another dimension
to the state of affairs, but constitutes
a fifth season of his own as well, a sphere
of thin-skinned spirit that covers the earth
like an invisible aurora of imagination,
the third eye of a wobbling satellite
lost in space with spiritual vertigo
like the black sheep of a shepherd moon. Five
seasons in all, but the fifth includes the other four
like a mood ring on a chameleon in front of a mirror.
And the rest of my life in between
exotic flame-outs and catastrophic inspirations
has been about running back home to my life
like an ambulance, a squad car, or a fire truck,
and, yes, even the occasional water bomber
to put a root fire out before it broke into blossom
and spread like daylilies to the rest of the neighbourhood.
Just as I can't help looking extemporally at
the extraordinarily ordinary dandelions sometimes
and thinking they must have been born middle-aged
because they all look like yellow G-7 type bachelor suns
that have rubber-stamped themselves all over the place.
Dandelion wine, but I wonder if anyone of them
ever longed to be born a red head, looked
at the gypsy poppies like blood at the side of the road,
wearing too much black mascara, and wished somehow
they could be just as uniquely scarlet and carefree.
And in the night, out in the woods on my own
without a light or a fire for a companion
you're never alone with, I think, o yes,
a poppy or a dandelion would be good right about now
and I make them a mental substitute through
intense creative visualization and though
I'll sit out here spiritually naked all night
somehow by the morning I've melted a block of ice
like a Tibetan monk in the Himalayas
who was trying to focus on stars.
So when I take these long starwalks
through the desolation of stark and delicate things,
and their ferociously bold slow-hand insistence
on returning the way they came like fruits
ye shall know them by, back to the wild apple trees,
I'm not just walking among solid things
that overemphasize their reality at the expense
of realizing their full potential as an event of metaphors
that can shapeshift musically into anything they want to be
from dandelions with short haircuts
to poppies with the manes of solar flares.
My life is being conducted by a symphony of fiddleheads
at a seance of violins. I look at the desiccated milkweed pods
and I don't see a coffin or a brittle fortune-cookie of a womb
that's gone to seed, but the eyelids of visionaries
who gave up everything to the seeing they had to give
like millions of little ghostly white parachutes of moonlight
landing like prophetic time-capsules from the flowers
who refused to go blind, even after jumping from paradise,
and emptier than a widow's mailbox
still stare blankly up at the stars
with their mouths open in utter amazement
trying to remember all their children's names and myths of origins
shawled over their shoulders like the Milky Way
as if that were some kind of cold comfort
for a lifetime of absurdly trying to rinse
the shadows out of the light with their tears.
poem by Patrick White
Submitted by Poetry Lover
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Matter is Music. The Atoms Sing.
Matter is music. The atoms sing. A frog
leaps into the water and strings a guitar.
Tree rings like odes in the heartwood of the apple.
The rain breaks like tears into tiny harps.
A gust of stars, a lyric of dust wheeling
into galaxies like symphonies in hydrogen alpha.
And the light, too, playing the flowers
like the stops of a flute, and the leaves
like semi-quavers, and their fruit, like whole notes.
Adagios of colour, bass runs of taste,
and sound the echo of a shape shifting mirror
that touches the light like a lake
touches the moon inseparably playing
on the plectra of its waves like an encore
among lovers mastering each other's bodies
like first violins. Or red-winged blackbirds,
the woodwinds, or the wavelengths of disparate stars
resonating with the eye into lyres, and eagles, and swans.
And me? I'm this voice that's been scored
by time and space to reveal the contours
of a theme interweaving like a melodic river
through the mindscape of a dream in counterpoint.
And I can hear tides in the rush of the wind
breaking in the leaves of the silver Russian olives
and the great sorrows of children who died young
playing in the rain on the syrinx of the columbine.
And strange and eerie from a distant window
I can hear the muted suffering of a song
whose words I know all too well by heart.
poem by Patrick White
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A Beautiful Fairy And The Fairy Dust Rain
Around this time of the year
The arrival of Spring is near
The arrival of Spring is almost here
And I'll happily be one with the spirits of nature
I'll completely embrace the magic of spring
As well as the wonder of nature
And the many other worldly pleasures
Around this time of the year
I await the fairy dust rain
Surrounded by trees and flowers
And many other things that are green
I await the arrival of the fairy dust rain
And many other sights of nature just waiting to be seen
A beautiful fairy flutters down from the sky
And lands down in front of me
She's almost as tall as me
We greet each other
And our hopes are the same
As we wait for the fairy dust rain
In the meantime
The beautiful fairy shows me her gifts of magic
And shares her knowledge with me as well
After periods of time have gone by
Fairy dust begins to rain down from the sky
The fairy dust rain has finally arrived
And we share the smiles and laughter
You ask me for a dance
And I don't hesitate to pass up this chance
We dance
Surrounded by flowers
Surrounded by trees
Surrounded by the fairy dust rain
After dancing
We look into each other's eyes
And then up to the skies
As the fairy dust rain continues to fall
Our eyes then return to each other
And we share a hug
You flutter your wings a little
Shaking off some of the fairy dust that's covered them
You tell me you're staying with me
At least for the time being right now
Little by little
We're being lightly covered in the fairy dust rain
Beautiful fairy
I must say that these moments we share
They're memorable and precious
You echo your feelings and sentiments to me as well
As the fairy dust rain continues to fill the air
Side by side
We stand together
Loving what's happening
But most importantly
We enjoy the sight of the fairy dust rain
poem by Justin Gildow
Submitted by Poetry Lover
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No Gravegoods In My Solitude
No gravegoods in my solitude, no trinkets
from any spiritual world inside or outside this one.
The totem belongs to the dream that's buried with it
as the flower's engendered by the root it's taken from.
Mind is matter. Matter is mind. And it isn't as if
one is blind to the other because one shore
isn't parted from the other by the flowing
of the mindstream in between. Try to separate
the reflection of the moon from water in a dream state.
The moon is a characteristic of water as the water
is a feature of the moon. If you want to mediate
until you turn the vertebrae of your spine into a bridge
to get to the other side of a life you're already standing on,
that's ok as long as it's burning. Otherwise it's just going
to obstruct your path when you're shooting the rapids
of the Milky Way like your own spring run off
trying to saddle a rush of stars with a rudderless liferaft
and oars for spurs. Better to be a waterbird
with wings of your own, but what a thrill
to ride the snake until you can fly like a dragon
among the stars like Alcor and Mizar, the horse and the rider,
in the handle of the Big Dipper like a warrior Bedouin
testing his eyes on the dune of a tribal hourglass to see
if he can tell what hour it is by the dance of a distant binary.
It's getting late. Nightwatch at the well. The town
unpeopled by sleep. A choir of train whistles
practising their inquisitive requiems at every crossing
like Canada geese migrating south when the autumn stars arise.
More lonely than mournful, I can taste the shadows
in the honey of life as readily as the light. I can smell
the fragrance of time like the first snowflakes
in a lover's hair, trying to turn her into a constellation
to sweeten the night air. And even in the ashes
of the starmaps the shining sets afire
and scatters like a library in the urn of the heart
on a wind that carries away the passions of this art
of exhuming more life out of a shallow grave than went into it,
I can still burn in the dark like the ore
of undisciplined diamonds. I can still squander my light
on the eyelids of the fallen flowers like a final kiss farewell.
Time wastes a death on me. Years ago the wind arose
and blew that candle out in the open window
of an abandoned house and ever since I've been
drifting like a ghost of smoke in a diaspora of stars.
I bequeath to the rose, the blood of my wounds.
To the thorns of the moon, my scars. To the night
I leave my eyes. To the wind, my breath. My voice
to the nightbird whose longing put my lyrics
to the picture-music that's haunted me all my life
like the song of someone who loved me once
before I was born and began to forget. But my heart
that I could judge the worth of like a bell bound to the earth,
or a feather of fire in hell, in the palm of my hand,
I give that to everyone like the windfall of a tree in a storm.
Black walnuts and wild apples. Solar systems
of peaches and pears in the leftover orchards
of organic gardens bearing the fruit of a habitable planet
at the autumn equinox of the New England asters
and modest suns of the Jerusalem artichokes
for the birds and the squirrels and the bears.
You can't keep what you won't give away
and it's no good to you in a grave when it comes time
to throw yourself overboard to stay afloat
and weather the squalls on your own sea of awareness
like an empty moonboat drifting through the fog
calling out to anyone who'll listen on the coast
of a new universe that discovers you like Atlantis
to a ghost of the old world looking for a passage
back to the more familiar labyrinth of home.
Liberation is freedom through creative form, not from it.
Liberation is life. And life is all entrance, no exit.
And you weren't asked at the door for any i.d.
And no one's going to stop you from lowering the fire escape
to get away from yourself. And if you were to ask
the mirrors of your own awareness, they'd stop staring at you
as if they'd never seen a new world savage before.
Everyone's going to leave an empty chair at the table
sooner or later. Like the skull cup of the moon
you've got to pour your prophetic lees out upon the earth
if you want to give your abundance another chance.
You can make lanterns out of fireflies in canning jars
or you can abandon them to the spiders
in the corners of your eyes like dreamcatchers and kites,
but if you want to shine of your own accord,
albino fish in the darkest depths with stars in their eyes,
you've got to see the sun flowering at midnight,
you've got to greet Venus in the Pleiades at dawn.
You've got to unsilver the mirror like a stripper
until you disappear like a bird in the house of life
through an open window like a crack in a cosmic egg
to feel the vastness of the sky that transcends
the limit of your wings. Despite the eye-witness
in the mirror, where time is always in arrears to eternity,
you've got to give it all up like your shining reflection
if you want to stay here for your own protection.
poem by Patrick White
Submitted by Poetry Lover
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The Morning After Everything
for Luke Cochrane
Saturday morning rain in Perth
and things seem as intimately far off and strange
as the new maps of water running down the windowpane.
No birds on the black boughs of the November trees
and black mirrors in the empty funeral home parking lot
and on the other side of me
the stalwart bloodbrick of a wet church
that looks better in the nicotine lingerie
and dusky seaspray
of a single yellow floodlight at night
that can't get it up to be a lighthouse.
It would be a lie to say that I'm not in love
and happily alone, but I most wistfully am,
as I excuse myself for being me
and put myself off like the small death of another way
I could have taken to get back home, but didn't.
November's an orphanage after the last kid has left
and I'm sure there's an ancient chthonic wisdom
under the duff and detritus
of all these slick, leechy leaves
that the earth has applied to herself like a poultice
to draw the violets and worms out in spring,
but right now my mouth is not a wound
with anything deep to say
about things too deep to be said
and there are memories of women and friends in my head
sleeping like keys in the bottom of a drawer
that I have saved for when the day comes
to open the flowers and doors
that I've forgotten,
all the soft sorrows that rime the radiance
of the halo around a black hole
haunted by these ghosts of light.
I am absorbed like tears in a tenderness of grey
and there's more healing than thorn
in the cool aloe of the air
moist with a seance of emotions
that gust lightly around me
as if yesterday were merely a fragrance
hovering over an eye of wine
like the dust and smoke of today
that bottles its purity like water.
Sometimes love passes like a glacier over you
and there are runes and scars and striations on your skin
and lakes and craters and eyes the sky fills in
and the sun comes out like an exorcist
and you feel like you've been baptized in ice
or tucked into the crevice of a wailing wall
like a baby mammoth, or an unanswered prayer
and you try not to care
that you're a freak of your own evolution
trying to clone yourself out of the museum into a zoo
and that all these people are staring at you
like a missing link between the parentheses of your tusks
that have unhinged you from the gate of time
you once swung on like your next breath,
and if you were asked about the extremes of mercy
you would say, without hesitation, death.
Sometimes it's that hard to accept
that nothing that happens here, including death
is ever over, and that the absence of something or someone
doesn't mean they've ceased to exist
like footprints that lead down to a river.
Because we all live the same beginningless beginning
that is the once and forever of this universe
even if it should call itself home occasionally like an eye,
we go on living and dying each other alone
like an extinct species always asking the time
when the moonlight burns like lime in a grave
and then, once more, absurdly never the same
riots of flying fish leap from every dropp of rain
that remembers the passion of the wave
offering itself in the life of every moment
like a jewel thawing, or an icecap over the eye
or the opening of a brittle window
to be scoped out by the nightwind
that longs like a thief for the sea
to gather him up like one of its belongings.
But you can't pour the universe out of the universe
where the whole is sustained by every part
anymore than you can empty the human heart
that is renewed by its own exhaustion like a tide.
Time is always prelude
and death has never known when
to take down its sail like a tree in the fall.
And because things are never the same twice
and the road back is not the road taken
the world and everyone in it
just as they are, have always been here.
Things don't come and go
like migrating geese ascending southward out of a field,
or things fallen returning to their leaves
because there's nowhere to come from
nowhere to go to
that isn't now and here
as intimately far as it is impersonally near.
Ask almost anyone who they are
and they'll look down a well in a mirage
to haul up their reflection on a wheel
and insist it's real
when they ladle their face to their lips
like the moon on dark water.
Or they'll tell you a story around an unending fire
where the shadows are always truer than the flames
and the most illuminating themes burn like stars without names.
Mind is space and there is
nowhere inside or outside of anything
that is closer or futher than anything else
because everything is mind as far as you can be.
So I can stand here in my lengthening shadow
like a long departure
turning into the wind like a sail or a sundial
as if I were the last of my species of eclipse
and life were merely the long, hard discipline
of unmastering the art
of saying hello to the living
and good-bye to the dead,
or turning the telescope around
and saying good-bye to the living,
hello to the dead as I please,
but I'd rather shed myself
like all these falling maps to anywhere
that once arrived like the fleets of the leaves like me
on the shores of this rootless tree
that doesn't let go of things for its own survival
but lives in itself like a stranger come
to the opening gate of an endless arrival.
I let the birds come and go, the apples fall,
the stars build their webs in my crown,
and grow like a holy road I take as my own,
like geese passing overhead at night,
or the small birds that come to me like voices
a moment here then gone
who taught me that it's always dawn
because there's no end of the beginningless beginning
and it may be a green bough
or a dead branch
you hop up and down on like the hidden notes
of something you're singing
on the rungs of these crazy snakes and ladders
that long like flesh and bone in the night
for things they can't see anymore in the light,
or fish dying of thirst in a fathomless pond
or a fire putting itself out in its own eye
or someone dying and someone else asking why
and the whole of creation left alone at home
feeling it doesn't belong under its own sky
like this Saturday morning rain in Perth
the day after your death
that falls like a loveletter too late upon the earth
or the harvest moon of a delinquent heart
above an untimely skeleton
that can't decide whether it's a tuning fork
or a witching wand
looking for answers like water
under every stone on the moon,
the way we cry for people we think are gone,
but green bough, dead branch, Luke, same song.
poem by Patrick White
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Spring And Winter
Spring is near
It is visible in the rear-
View mirror, winter is going to a far away place
From where it'll move at a very slow pace
It will encircle the Earth
And curb every birth
Spring will follow,
Fill life in the things gone hollow
Spring will make all the flowers shine
While winters make every one whine
Spring gives a pleasant touch to everything
Winter gives dullness to even bling
Spring will come and make us dance
While in winter, we don't like such a chance
Winter makes us crave for quilt and the sun
In spring, even failure seems something we won
In winter we search for everything hot
In spring, greenery spreads a lot
And makes us miss it when it is gone
Like we miss night every winter dawn
I hope spring comes soon
And be what it is supposed to be - a boon
I miss spring every single night
Come spring soon, the time has come, the time is right!
poem by Aishwarya Misra
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Sometimes The Intimacy Of The Silence
Sometimes the intimacy of the silence
can grow so profoundly intense
it seems impersonal. Or the heat of life
burn like the dry ice of the holy ghost
as you shudder with spiritual chills in the cold.
And when you see things whole in and of themselves
it's always as if you were looking through a broken window.
Truly fulfilled, you realize everything you're missing.
The more you explore the mystery of what you're doing
just walking around on the earth, aware
of your awareness, the more of a stranger
you seem to yourself, decultified of your identity.
The birches are glowing in skin tight moonlight
and there are sixties hash burns in their white leotards
and the leaves are falling and the river's flowing
and the Canada geese are sowing themselves
in the wake of the plough of the moon
like black and white sunflowers seeds further south again
and my heart is saturated with autumn's sad sugars
like a mournful apple at the pathos of their passage
as if time had abandoned everything and all
the solitary soul can do is harvest the loss like a human
with a romantic sense of irony as we dance
on the graves of the dead to celebrate
the bright vacancy, dark abundance of our starmud
occluding and enlightening our solitude
until you're enthralled to conclude, the darker the night,
the brighter the light. And appearances are only deceptive
to those who haven't broken on through to
the other side of the mirroring awareness yet like a hymen
over a virgin black hole that's all iris with no pupil
so all it can ever see are moondogs of exclusion
that begin to look like haloes after awhile.
I'll write an epithalamion on my wedding night with death,
but while I'm alive I like to toy with euphoric elegies
that weep like old rivers in the discrete depths
of their watersheds. I spend hours by myself
watching the spiders of time stringing contellations
like bird nets between the sacred upper branches
of the aspens to catch fish on the fly the way I
wait for insights to start riffing on the blues guitar
in the corner jamming with the silence of itself
like a poignant wildflower blooming unfashionably late.
If you stare intensely enough into the emptiness,
if your focus is searing enough to burn holes in space,
seemingly self-contained things will emerge like particles
you can elaborate in time and space like the fractals
of worlds within worlds engendered by your own seeing.
But turn the light down, turn your eyes away, dissipate
your concentration, everything reverts to the wavelengths
of the flying carpets unwoven on the waning loom of the moon.
Things done. Things undone. Does the water remember
the growth rings of its ripples, does the snake cling
to the loss of its skin, or fire reminisce in its ashes?
Or scars in autumn long for the springtime of their wounds?
Nights like this sensation haunts me like the ghost
of an amputated heart I dedicated to poetry to add my pulse
to a dying art like the blood of a noble enemy who knew
without saying, the only way to keep the calling alive
was to practice an excruciating discipline of heretical infidelity.
And that's why I'm out here alone in the woods,
still trying to think my way out of the bone box of my decline
by taking my mind off things by letting go
of the paradigms and symbols that kept me afloat
like the lifeboats and wandering starmaps
of the habitable planets of the past bobbing
like the prophetic skulls of black walnuts back down
the mindstream to Mitylene in Lesbos
where Orpheus still dreams of singing himself
back up from the detritus of his cosmic dismemberments
like Vega in the lyrical grip of a dreamcatcher
casting spells like a widow's veils on the water
to snare the stars like a fisherman who drowned on the moon.
poem by Patrick White
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I Stand Where The Listening Begins
I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.
poem by Patrick White
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Sometimes The Clarity Comes Too Late
Sometimes the clarity comes too late
to realize there was never
any need for forgiveness
and nothing to expiate
about the way we made our gracious farewells
into works of art
that would go on hurting forever.
We had a genius back then
for making death seem more beautiful than it is
because we lived on the edge of things
and not their surfaces
and o if we'd only felt all those things
that made us weep at the end
dying in doorways that were more cruel
than any threshold we had to cross to stand there.
If only we could have felt those immensities of good-bye
from the very beginning
what reason would we have had to cry like candles
when the wine turned back into water
and the roses wiped their lipstick off on their leaves?
One goes out.
One goes in.
Because severance
no less than the dance
takes two to make a difference
and as the years go by
the silver flakes off the memory of the mirror
and you can see clear through to the other side
experience is just another log
you throw on the stars
to keep yourself warm on a cold October night
by a small fire out in the open
where it's easier to sublimate
the intensities of fate
by opening the cages you keep them in
and burning your loveletters
like the flightfeathers of half-forgotten songs
to spread their wings in the flames
and give them the freedom to rise higher
than the nest of ashes they were born in.
History isn't the muse
the immeasurable mystery is
and if you don't learn to let things go
you'll never know
how to live lyrically alone in the wild
unbounded by your solitude
by the side of a river whose flowers are dying.
The green bough hisses and blisters in the fire
but the cracks in the heartwood
burn far into the night
and give off way more heat in the autumn
than the pre-emptive lightning strikes of spring.
It's a rite of passage as old as migrating geese
mournfully bearing souls south
whose bones have turned to dust
to take all my prophetic skulls like moon rocks
out of the house of the dead
and arranging them into the ring of a firepit
stand in the middle like the eternal flame
of an unrepentant heretic
to rekindle the dance
even among the skeletal shadows
of a persecuted romance.
Even in sorrow.
Even in the silence
of the great distances
that add their aerial perspective to time.
Not to call ghosts back to a seance
as if they could tell me anymore about death
than I've already lived through
but every year at the second full moon in October
after the harvest is in
and the scarecrow has come down off his cross
and left it to the ravens of nevermore as a church
I lay a blue violin on a funeral pyre.
I stretch my heart out like a skin on a drum.
Dressed in the plumage of solar flares
I enter a trance of firebirds
that have long since disappeared back into the sun
and like Icarus in eclipse
or the last grasshopper
who didn't take the advice of the ants
to drag the leaves and wings of things
piecemeal into a shelter
to prepare for deeper separations yet to come.
I take my chances by the hand out here in the open
and I dance.
I dance with heresy.
I dance with the angels and the demons
that were martyred in the name
of what is unforgiveable about my human nature
and yet more sacred than the rain I dance for
to put the war I dance for out.
I dance with whole asylums of noetic visionaries
who went insane
trying to explain me to myself
like the origins of life on another planet.
And I dance again to the music of the women I've loved
whether in pain or bliss
whether I was hung by the tail
like a plague rat over the abyss
of my cannibalized emotions
like a famished snakepit
or I fell sidereally under the spell
of the fragrance of summer stars in their hair
I dance not as if it were all worth it in the end
but something inestimable to celebrate
that gives the chartered undertakers pause
about what they do for a living
when they see how a poet can dance
to the picture-music of the crazy wisdom
that sings the dead up out of the earth to their feet
without looking down from the mountaintops
or back at the valleys behind
to take the measure of their heart
to see if it's empty or full.
I let the new moon
feel the old moon's arms around it again
like the bright vacancy and dark abundance
of what's joyfully absurd and playful about life
whether it's doing a sword dance with words
or dancing in blue heron feathers
like a shaman among waterbirds
longing for enlightenment
like a tantric star map
to break the jinx of their prayer-wheels.
Or dancing to bullets like a greenhorn
in the main street of nineteenth century Dodge
or like me out here in the country dark
alone with six thousand visible stars
eleven miles outside of Westport
spreading my wings under the sign
of the Eagle and the Swan going down in the west
to add my phoenix to the feathers of the burning sumac
and grabbing the lightning lance of the thunderbirds
like a serpent from their talons
hold it up to the stars to the east and the west
like the wavelength of a crazy insight
into the dark word of the living light
that makes me dance my way
out of time
out of place
out of my mind
without leaving anyone or anything behind.
poem by Patrick White
Submitted by Poetry Lover
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The Lament Of The Last Train Whistle
The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.
All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.
It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.
Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.
The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.
Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.
poem by Patrick White
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Faceless This Time Of Night
Faceless this time of night, my skin evaporates like dry ice
into a deepening sense of containment
by a dark space with distant cities of light
trying to colonize the Pythagorean fireflies of Cretona,
or the shimmering mirage of Port Angeles
dancing like a seance at the foot of the mountains
across a hundred miles of the Georgia Strait at night,
the immensity of the freedom that dwarfs the stars
with the sheer magnitude of the labour before them.
The fragility of a spinal cord traversing the abyss
of a one-stringed box guitar made of cardboard
when you were a kid, the mere filament
of an anachronistic light bulb with the lifespan
of the wick of an apostate candle at a black mass,
disappointed it wasn't born a flower,
but a weed more at home among the stars
that uprooted it from its intimacy with the earth
like a kindred spirit of light
that must wander through its own solitude
like music at night from an open window
in the life of the mind to reach out to them
like a tendril of smoke from the embering nugget
of the heart nesting in a private crown of fire
that abdicated its empire of ashes for a single note
of the night bird's longing to sing back up
like a bell for a sad universe that's always on the road.
I hear crying in the distance, the dark lament of the hills.
The night creek weeping unseen through hidden valleys.
I can taste the deaths and sorrows, the broken promises
of the rain, drifting like the fragrance of a waterlily
like a star reflected on the undivined watershed of its tears
saturating the air. Matter a condensation of the light,
I can feel life moving through this body, this flesh,
this scrap of starmud, a rush of water, a gust of stars,
a purple passage of blood, a breath of fire and wind,
and the earth, not solid, but real, animating all my limbs,
my vital organs like the ripening fruit of a rootless tree
as if time wept like a bell in me as well, and its tears,
heavy with the weight of too many separations,
yet wise in the ways of the sky, sweetened the fall to come.
poem by Patrick White
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A Little Thought In A Big Space
A little thought in a big space, I'm falling
through my own immensities here at my desk,
one of my Icarian propensities for plunging into things.
My voice intimidated by the violence of the silence within.
I'm on the dark side of my eyes.
No one's ever been here before.
No window, no wall, no door,
I'm on the threshold of my homelessness again.
I'm looking at stars, but I feel like rain.
I'm talking to ghosts that I don't remember.
Might be the wrong medium, but it's the right seance.
I don't even know what I'm doing here myself
but it seems I'm free to go or stay as I wish.
I'm wearing my shadow like a candling parachute
that didn't step back from the edge in time.
No point in pretending you're an airborne dandelion
when you feel like a rock with a message
someone just threw like the moon through a mirror
disguised as a sky the night birds keep flying into blind.
No one asks your name here on this pyre of a sky burial
if your birth certificate says you were born in fire.
Desire anything you like. It was all written in smoke
before you came. And these words that are saying me here
have been out of the aviary of the lantern for light years.
Who knows where the light goes or what if falls upon?
Trying to shine in a dark time without taking anything away
from the lunar eclipses that aren't in need of enlightenment.
Don't know if I'm a solar flare, a firefly, a matchbook,
or a lightning bolt that keeps stressing my starmud out
by sneaking up on it from behind and overdoing things a bit.
If you find yourself trying to pry the flowers open
with a crowbar or a koan, and it's nightfall, it's
time to turn your hourglass in for a waterclock
and see how the stars emerge out of nothing
as soon as you deepen the dark with a more acute sense of timing
that let's everything happen spontaneously by itself.
Even if you're the lighthouse of your dreams
that doesn't mean you're the nightwatchman
keeping his third eye on you in the shadows
like a theft of fire you can get away with
this second time around with only a warning.
If you can't do the time, don't do the crime.
And if you did, whining about it in your sleep
isn't going to help and who's Spartan enough these days
to stash the fox under their tunic to keep
from being caught while it eats them alive?
If you want to be a dragon you've got to learn
to swallow people's hearts like hot coals as if they were chocolates,
without wincing. The stars don't come out
like emergency candles you've been saving
for exactly this kind of situation. And if
you really want to know the truth about illumination,
try and blow one out. Quick, now, look
and see immediately into the clear light of the void
what it's like to shine without a metaphoric reflection.
The stars here don't hide their nakedness under a cloak
of black holes and dwarfs that take it all in
but give nothing back like the second hand clothes
of serpents shedding their skin. One size fits all
like a bubble in a watershed of dark worlds
dazzled by how much a single eye can contain
whether it's hanging from the lip of a flower in the fall
or going down the drain in spring. I know
you hit it like a snowflake on a furnace
and do your damnedest not to cry. Thing is
as unique among billions as you think you are,
there's not a star in the sky that isn't a rite of passage.
poem by Patrick White
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Things I Would Say To My Daughter If She Were Here
for Jody
The important thing
is to stay ahead of the pain
like a debt you'll pay tomorrow with your life
they're calling for today.
Tips for survival:
Luck has nothing to do with intelligence.
Stupid will get you killed faster than evil.
The most dangerous assassins
conceal themselves under the eyelids
of those who say they love you best.
And as any bruised heart knows
there's more power in an open palm
than there is in a fist
and the best way to get someone
to taste their own effluvia
is not to point to it.
A lot of opinions
is the frenzy of gnats in the sunset.
Silence walks like a tiger on soft paws.
Take a hint from the moon
who only bares her crescents twice a month
to show what's she's got up her sleeve
at the beginning and the end.
Keep your claws retracted
like laws you haven't enacted yet.
And never pass judgment on a friend.
A free mind is a godsend
but don't measure your liberty in chains.
And if you feel the need
to attach yourself to someone
attach yourself to them
like the full moon to water when it rains.
Think with your heart.
Feel with your brains.
And don't expect the Red Sea to part
into a thousand miraculous pirate-swept sea-lanes
just to let you get away because you're special.
You turn a legend into a farce
the minute you start to believe in it.
You can't make a commercial for one
of the light that falls on everything alike
so don't abuse your shining
like a fire eclipsed by its own soot.
Greenwood blows the most smoke
and gives the least heat.
Stay a jump ahead of yourself like a real star.
People might point to you and say your name
and write your story into the Pleiades
thinking they're only a finger's length away
from where you are
but cherish your darkness
like a secret you keep to yourself.
And remember when you transit zenith
everything you see in the sentient mirror
isn't having an illicit affair with your eyes.
You should receive your life in every moment
like a constant surprise
if you want to stop aging,
if you want to grow up like the wise
who are always the first born of time
to inherit eternity
like a bloodline without a beginning
that leads to everyone as if they all bore
the creative likeness
of your closest ancestor
like Castor and Pollux in Gemini
like the history of your breath
in every gust of wind
that sows the dust
of countless generations
in the features of your face
as if everyone's story were told by the same voice
in the same spontaneous tone
of all things passing away into fruition.
Don't track a hovel of impoverished thought
into a palace of thoughtless intuition
and expect to be invited back.
Thirty chiefs of autumn
sit around every fireleaf
that's ever fallen
telling stories about things that last
no one believes anymore.
All the reasons for yesterday
turn into today's folklore
and if you're trying to look into the future
from anywhere other than now
trying to separate the light from the darkness
like gold from its ore,
trying to anticipate the harvest before it's sown,
you're only prying the petals of flowers open
before they're ready to bloom.
You're just peeking under the eyelids
of the embryo of a new moon
as if you could crawl into the womb with it
to see what's it's dreaming
before it comes to light
as if you could get an angle on life
to take the shot
without sinking the table
or load the dice in your favour
with the third eyes of prophetic snakes.
Insolent with disobedience
you turn yourself into a slave,
but bound by duty
the great sea of awareness
is mastered by the sloppy salute
of any green recruit
passing in review like a wave.
The stars don't need to convince anybody
they're stars
and the flowers aren't trying to be beautiful.
Live as if your death were already achieved
and lost in the shadows behind you.
Life flowers in the valleys of death
and if our beginnings weren't
our ends are equal
and there's an eternity of a chance
more than not
there's a sequel
but live your afterlife now like water.
You can't pour the universe out of the universe
anymore than your mindstream
can flow out of the sea of awareness
like blood from an irreparable wound
or a theme of unrequited love out of its music.
In what space you don't already occupy
can you bury the corpse of all things
as if you could fit your boundless mind into anything
as if you could dig a blackhole deep enough
to bury God
as if there were ever anywhere to go in the first place
that wasn't already in your face?
The delusions of a coward cast longer shadows
than the things they're the images of.
There are dragons that know more about love
than the doves we send out looking for land
and who among sphinxes knows more than the sand
they come to in time like wisdom?
The mysteries are the mysteries.
They're not looking for answers.
The meaning of life
is the life of meaning
as waves are the life of the sea
or even in late autumn
leaves are the life of the tree.
Let go of things as they do.
Blossom bear fruit and fall.
It's not such a long way down to your roots.
Not long at all.
No further than the boots you're walking in.
And if someone should ask you your name
say it like a constellation
that doesn't shine its light on fame
though everyone sees it rising in the west,
not an inert all night marquee
with letters missing
that burned out like candles
that gazed too long
at their tiny tongue-tied celebrity
as if they were on a visionquest.
Sophocles said never to have been born is best
but he was just trying
to get the world off his chest through denial.
He was a bad guest with tragic manners at a great feast
who had forgotten
because he was born Greek
that life's negation is its oldest affirmation
and what is lost in life is lost solely to those who seek.
Gratitude is the truest measure of wealth.
Squander yourself lavishly like an orchard in spring
knowing generosity is the spontaneous sign
of a spiritual being in good health
that doesn't need money to prove she's rich.
Let life adorn you in its robes and ashes
as if they were just so many cloaks of the moon
slipping from your shoulders
like petals in the starfields of space.
And don't heed the blind fool
who calls for chandeliers
when she's already got tears in her eyes
she's been dancing to for years.
And remember this for the rest of your life
long after my tongue is a leaf
and my eyes are clouds on the wind:
once long before you were born
I asked how I could best return my life to the water
as clean as the reflection of the waterbird
that had just left it
and when the stars of Cancer
granted me you as my daughter
since then I've never needed to look
any further than their light in your eyes
for the answer.
poem by Patrick White
Submitted by Poetry Lover
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Lighting It Up And Blowing It Out
Lighting it up and blowing it out
I try to make my way through the dark
by beginning at the end
as if the coming and the going
were the same door
or good-bye were the first thing
you would say to a friend.
I approach things like a night stream
as if my death were already achieved
and behind me.
And all the atoms of my being
dancing like frenzied gnats
in the sunset glow of a last eye-beam
are certifiably primordial
and any one of them
when they lose it in the light
could begin a world.
And what can you say more of a life
that dreams of what it is
than it's the taste of the same wine
in many different cups?
And as any fox knows
the grape is always sweetest
when you can taste it with your eyes.
Though why foxes eat grapes is anyone's guess
but life makes itself up as it goes
like music in a fish's earlobes.
It feathers its themes in fire and light
and goes up in smoke
like the ghost of a tree
looking for habitable planets among the stars.
New wounds with innocent root-room for old scars.
Chalking the cue to bank the long shot
you're trying to spin off into
the deep, dark pockets
of your game-winning afterlife.
And I don't believe in much anymore
though that hasn't stopped me from crying
like a slow window trying to keep
the stars from leaking out of me
as if there were a black hole
somewhere in my heart
waiting for an iris to make it an eye
whose seeing might be a new way of healing
what can't be healed.
Once here. Here forever.
But whether we're the eternal children of forever
or just another breath on the night air
that doesn't even know we live,
even death is just another way of killing time here.
When everywhere's the center of everything else,
the centre holds,
things don't fall apart.
They disappear.
And that's the mystic art
of knowing how to make the most out of existence
by offering no resistance
to the rocks in your own mindstream
that part the waters like the thoughts
of an exile in the promised land
who can't go back the way she came.
The river can't step into the same you twice.
And in every direction
your eyes have ever burned like stars
you can see the dark jewel of your own life
from the inside
before it breaks into light.
Sometimes I'm the lonely sign
on the only path to nowhere
and others I'm positively amniotic
with the schools of my blue lucidity
the albino dolphins of the moon leap through
without a chance of changing their colour.
A flower of prophetic blood bleaches my skull.
I swallow the snakefire of my last eclipse
like a lump of coal
I'm trying to turn into a diamond
that doesn't burn
and never sloughs its skin.
Reality isn't a religion or a science,
or the back and front of a mirror
that doesn't know whose eyes its looking through.
Religion: how many angels can dance on the head of a pin?
Science: how many pins can dance on the head of an angel?
Totem poles on a telephone booth where no one ever picks up.
Voodoo dolls that hex the cause of their effects.
The apple bloom on the tree of knowledge
lets go of its flightless wings
and follows the wind
like the eyelids of unfeathered angels
who opened their eyes like flawless fruit
as they fell toward paradise
without a parachute of smokey virtue
or the scale of a snake for a vice.
Emergence into the open
like a hidden secret revealed
is the engine of evolution
that empowers the dark matter
of this incorporeal starmud
to arise like the high note of a bird
that's flown beyond the night in its voice
like light beyond its myth of origin.
And the peduncle is lost in the ensuing phylum
as a madman is lost in the scream
that woke up the asylum,
or a god is lost in his own creation.
And the mountains listen
to the holy voices
in the valleys of their shadows
they deepen as they arise
like the guests of an echoless calling
to greet the unknown host.
It's what the moon feels
when she fondles her locket of water
and memories pull at her heartstrings
like tides on earth
and music is the way she recalls
the sirens that used to sing
like the brides of empty lifeboats
that prayed like smashed guitars
for the night to sow the seedless sea with stars.
And in every fish that swims through fire
like the sacred response of life
to the longing in its own desire
she knows they got their wish.
Fireflies in the ashes of the phoenix tree.
And the eggs of cosmic words
like serpents in a bird's nest
learning to fly like dragons
that have just swallowed the moon.
And it's one thing to pull the sword from the stone
but it's a greater power than magic and proof
with no urge to rule
that summons the butterfly from its cocoon
by giving the fool who inches toward the truth
along the green branch toward the apple-bloom
that already tastes like the forbidden fruit
of some radical insight
the whole orchard in a pair of wings
and more than enough night and light on its palette
to start a revolution in seeing among the flowers
who still labour in the chains of their roots
to turn their earthbound lucidities into stars
who might look back for a change
with eyes that have gathered like water out of the shining
and taste the light in the honey
that kissed their eyelids into gold
long before the night was old
and it wasn't enough just to see them.
When you opened your eyes
in the burning clarity of your lone vision
before this matrix of space and time
gave birth to the world
you were free to be whatever you could see.
That's when the light first spoke to you
in the mother-tongue of your seeing
and your voice broke
like a secret name in the mirror
that didn't know who you were
and the moon on nightwater
the thief at the window
your breath like stars on the cold, night air
summoned the whole of being
in every particulate shard
and radiant plinth of the mirror
to drive your shining into the shadows
so myriad things can appear as they are.
Many eyes open. Night. An eclipse. One star.
And the darkness an anti-romantic
in love with the moon from afar.
poem by Patrick White
Submitted by Poetry Lover
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The Coming Of Spring
Spring is come back, and the little voices are calling,
The birds are calling, the little green buds on the trees,
A song in the street, and an old and sleepy tune;
All the sounds of the spring are falling, falling,
Gentle as rain, on my heart, and I hear all these
As a sick man hears men talk from the heart of a swoon.
The clamours of spring are the same old delicate noises,
The earth renews its magical youth at a breath,
And the whole world whispers a well-known, secret thing;
And I hear, but the meaning has faded out of the voices;
Something has died in my heart: is it death or sleep?
I know not, but I have forgotten the meaning of spring.
poem by Arthur Symons
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And Should It Come Time To Speak Of The Sadness
And should it come time to speak of the sadness
that reaches fruition in the medicine bag of the heart,
don't bring a teacher that can't heal by singing and dancing
to the wounded discipline of a lost art that's gone
into the sacred solitude of the secret suffering
that upholds the integrity of the silence in your eyes.
This is a seeing that has nothing to do with truth or lies
or the innovative causality of pain. Don't speak
of its release as enlightenment or liberation,
as if you were uncaging doves from the ashes of your voice.
Don't seek what has eluded you when you're cloaked
in an eyeless night like the screening myth of a lonely alibi.
And should it come time to speak of the sadness
don't humble the message at the expense of the medium you choose
to weep in when the hidden urges you into the open
like a dragonfly emerging from the hovel of a chrysalis
into a palace of air with the wingspan of your diaphanous windows
beaded in tears like the afterbirth of the rain
in the post-natal mirrors of your indefinable awareness of life
as the sweetest agony of sorrow transformed into bliss
you ever had to endure like the darkest night
of a sea change in the unforeseeable nature
of your inconceivable soul trying to emulate
the unknown likeness you shapeshift to accommodate
the arrival and departure of everything you've ever had to let go of
like summer stars, and waterbirds, and legendary ordeals of love
when the full moon so often filled the empty silos of your longing
with the unsuccessful harvests of hungry ghosts
that competed with the sparrows and the scarecrows
for the seeds of a garden the wind neglected to sow.
And should it come time to speak of the sadness
that saturates all human affairs in an aura of mourning
that hangs in the air like a mingling of swords and bells,
don't pretend your life was a nuclear winter of unrelieved misery
when everyone knows if it weren't for trying to cling to joy
or even the longing for it, you might have smiled your way
through everything like the cold stone of the moon.
Remember those thoughts that used to come
like snakeoil salesmen that greased their sinusoidal way
into your heart like coiled serpent fire that mesmerized you
like the blue bird of happiness on your own projections
until the promise wore thin, and all your ploys at joy
turned out to be nothing but the hucksterism of tapeworms?
And, then, as it sometimes happened more often in autumn
than spring, your heart soared like a guitar with a broken string
taking wing like a waterbird off your tears
until you burned out like a comet with an uplifting message
in a niche that was meant for candles with slower wicks?
That kept you hanging onto life like a burning box kite didn't it?
And should it come time to speak of the sadness
like a sin of omission that overpowers us all eventually
because the best things we promised ourselves
were never unattainable and the joy we sought and fought
and laboured for, and did not find, was barely explainable
even to us who became experts in grinding mirages into lenses
to reveal where it might be hiding somewhere in the universe
right under our noses. Up close and as intimate as our eyes.
poem by Patrick White
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Yesterday, Today and Tomorrow
Traffic lights shinning in my eyes,
And here I am standing in the rain
Counting every dropp that fell in my palm.
The Cold breeze frozen my body
Like yesterday when you left me in vain
On were I can’t stand from all the pain.
That was yesterday I could still remember.
Yesterday, I was stood under the burning rain.
Were my heart was freezing under the sun
When all the blue and woe has passed my way
And those autumn leaves are my shelter
On the broken tree house of memory
That my heart is getting weak,
And it’s hard for me to breathe.
That was yesterday, I was dazzle in lights of lies.
And today,
The sun grimaces in the early morn
Were the world embrace me from the past
That beauty blooms here inside my heart
Spring’s blossoms comes only a second of time
For today, loves grown deep in the heart of me
Voices tell me I should carry on
To hold the stars up in the sky
And see the world will smile again.
Today, my heart will dance again
For tomorrow,
Love will bloom like flowers in spring
A sweet smile will curve in my lips
Tomorrow, I’ll be strong as a wind
Dance on a game of love,
Swaying on a battle of life.
poem by Cheryl Aldea
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