Patrick White

Beauty In The Aloofness Of My Usual Sorrows

Beauty in the aloofness of my usual sorrows.
A respite in time and care. A hole in space
I can escape through without setting off any alarms.
And I don't care what this poem is going to be about
I can write it with no preconceived deceptions,
no utilitarian intent, no split lip ego-defects.
For a moment, the ice age is thawing
and the blue chicory and English ox-eyed daisies
like the taste of the air, and the drainage-ditches
are a riot of Queen Ann's Lace and Viper's Bugloss.
Temperate consolations modify my mood
into a truce with the bleaker conditions of life.
I'm gulled by the sunshine. I'm a schill of the mindstream.
The killer bees are away from their hives.
Amber tears of Baltic honey flow in my veins
without attracting flies. Life is unconscionably reasonable
in the efflorescence of its mystically specific details.
Even my dragon skull basks in the beatific wavelengths
of a better attitude toward its own martyrdom
in the greener fires of earth like salt in a flame.

And later tonight, if I'm still so entranced,
I'll make my way down to the Tay River
to see if the fireflies are out dancing pianissimo
with the abandoned lighthouses of the stiff-necked cattails.
I'll sit on a rock that doesn't aspire to lord it over
anyone's kingdom, and I'll stare at the stars
until they're tattooed like an indelible starmap
on the back of my eyelids, to keep my tears
from diluting them like smeared watercolours
or my more igneous aspects, from shattering them
like the menagerie of a zoo with glass bars.

And o, basking in the freedom of my own madness,
hilarious as peace, the infinite homelessness
of knowing I come from everywhere all at once,
and there's nowhere I've walked alone in my life
down any road beset with assassins, or feathered
like strippers in boas of white sweet clover,
I haven't been stepping across the threshold
of another wilderness always as vast
and cautiously intriguing as I am mysteriously lost
when the human intimacy of a longing heart
encounters the sentient impersonality
of an infinite mind that isn't aware of anything
the heart doesn't bring before it like a child's drawing.

And there are themes you can follow
like bush wolves through the back woods
trampled down by the padding of their circuitous descents
into the dangerous pantries of the farms
pseudomorphically nestled between the hills.
It's an itinerary that's serviced the pack for years
with a sufficiency that's got them this far against the odds.
And each to their own way, go with the gods
and I'll rejoice in hearing you howl among the trees
to the chagrin of your detractors listening
with a begrudging admiration a civilization away
from what's been bred out of them like freedom
under a full moon in heat. As for me
and my homeless approach to the ghost towns
of future zodiacs, I never want to know where I'm going
until I get there inconceivably as the only path
I could have taken in the first place,
because that's always the way it is
even when you delight in the wiles of going astray.
Signs of your emptiness in the midst of the great unknowing.
Time and space mindscaping the exploration
you keep thrusting into the dark like the light and the lamp
of an estranged nightwatchman, hoping
you haven't been here before, and anything
worth keeping an eye on has already been given away for free.

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Patrick White

Restless With The Dead Tonight

Restless with the dead tonight.
Old friends, the gates to abandoned farms,
the roof collapsed and the wind with access
to all their windows, overgrown roads
going nowhere I can walk with them now.
Blue-green the evening sky, still,
without direction, island clouds, but unmoving.
Sparse beginnings, and sorrow in the seed.

Relying on the stars to do for me
what I can't do for myself. Pull me out
of this black hole I keep slipping in and out of
on the rim of my event horizon, stray photons,
butterflies ducking in and out of the dragon's mouth,
a halo of X-rays looking brutally right through me.
Down to the musical instruments of my bones.
Flutes and drumsticks. But I'm void-bound,
trying to shed my skin like a chronic illusion,
liberate the chains I can feel but can't see,
numbed by having to say no
when all I want to do is say yes
over and over again to the picture-music
to the themes, the hints, the clues, the nuances,
the radiance, sorrow and horror of the mystery
wherever it leads, whatever occurs,
be so fully here, I don't exist, not even
as a witness, and be nothing but the listening.

I suffer crucial impasses of circumstance.
My heart is blocked, the way isn't clear.
The emptiness is leaner than usual, longer
than a plague of Egypt living up to a penurious dream.
Third eye of the hurricane slowly closing.
My friends at the end of a tunnel of light.
Reptilian as a camera shutter. I howl
for stars and fireflies, the accoutrements of my bliss
and the pleasure I take in the hidden harmonies
of my drifting, my circuitous blossoming.
Someone is using my skull for a door stop.

Too grounded by the shadows of the impending,
Even here by the river, the sound of distant trucks,
the occasional train bemoaning its way through the dark.
Snakes out hunting the frogs, slide and splash
back into the lake at my approach, estranged enemy,
walking in my place, face covered with ashes
of a man-shaped urn that's avoided me for a while.
The way I like to live. Overlooked by the world.
Unregarded. Obliviously free to disappear
without worrying about what I'm coming back to
or who'll be waiting for me when I do
to tell me while the idiocy of this languor
has got its hands on my throat, I should learn
to get a grip on myself, eat the pain, swallow the bilge,
live like a bear nibbling on the edges of a garbage dump,
give up this discipline of doing nothing
as if mere being were a form of worship
though to what is anyone's guess and why
is just the nature of the mind reveling in itself
the way the stars make me guess their names
peering through the crowns of the trees,
dissociated from the features of their mythologem.

Time with their lifemasks off to be uncontained.
To go mad and not be held to account for it
because it doesn't excite the attention of the crowd
when you're unattainably available to live
as if your eyes were the way the stars touched you in tears
to see how the light labours for its flowering in you.
Thought-moments and light years bringing news
of friends from the past, bats and owls
flashing through the inadvertent moonlight,
the whole of existence in every locket of my cells,
freedom born, creatively, with a starmap for a genome.

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Patrick White

The Lament Of The Last Train Whistle

The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.

All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.

It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.

Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.

The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.

Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.

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A Day Of Freedom

Today is a day of freedom,
Today is a day of martyrdom,
Freedom from time and space,
Martyrdom of life and breath.

Oh mortal, when will you pull through?
When will you fall out of negativity?
Oh mortal, when will kindness brew?
When will you turn to progressivity?

Today is a day of freedom,
Today is a day of martyrdom,
Freedom from time and space,
Martyrdom of life and breath.

Oh mortal, when will you pray to be free?
When will you shine like the Sun?
Oh mortal, when will God's destiny you lead?
When will you turn to the Infinite One?

Today is a day of freedom,
Today is a day of martyrdom,
Freedom from time and space,
Martyrdom of life and breath.

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Patrick White

Crazy Man Dancing With Fireflies

Crazy man dancing with fireflies.
Another one trying to shoot out the stars.
I hear the woman next door weeping again tonight.
I don't know what for.
Desire's a phoenix in love with water
if that's what it is.
The torch is plunged into the wound
to stop the bleeding
and the ashes get carried away.
I've loved nine women for years
and they've all buried me in a different place.
Or saved my skull to consult the dead
about a future that wasn't living up to the moment.
The white poppy of the moon
bats her eyelashs through the pines.
I've never been as innocent as a cynic
nor quite as susceptible
but I remember the pain of separation
like the mirror of the lake remembers lightning
as the most brutal of all its revelations.
And how you can walk in and out of some doors
all your life like faces
without ever opening them
or knowing whose they are.
Everybody longs for the threshold they haven't crossed.
Poor stars trying to live up to their radiance.
Wondering why it's always behind them.
Why the dreamcatchers never get finished
and love ends up like some kind of cold fish
swimming through endless windows.
Music from far across town
this late at night
like a ghost answering a seance.
It rises above the trees like smoke
and disappears into the moonlight.
Someone's trying to bloom in fire.
It happens but it's rare.
I take a firewalk down memory lane
but all my cremations seem no more to me now
than the shadows of candles
and though I feel intimately removed
this afterlife of mine is not scar tissue
whether things got over me
or I got over them
no matter.
Attachment too is a Buddha activity
and though passions that once
made even the trivial sacred
and the impossible slight
have transformed
the hot blue flame of their hydrogen
into the carbon and oxygen
of more sustainable intensities
the selflessness of my impersonality
is not aloofness or indifference or exemption
or the consolation of wisdom won by acclamation.
Time distills the spirit out of all things human
and you can delight in your past
as if it were the future of someone else
who lives it like the unfolding
of leaves in the spring
that shadow the ripening apple
until it tastes like the tears of the autumn sun.
Joy and compassion
and the lucid spontaneity
of staying improbably ageless
again and again and again and again
as the years rejoice in the young and old alike
climbing the ladder of the tree
from so far down in the dark earth
they're beyond the reach of its ancient roots
and the utmost of its aspirant branchs
scratching at the windows of heaven.
And then most amazing of all
someone comes to the window
and parts the veils
and like the last line of the last act
just before the curtain call
you fall.
You fall toward paradise
as if you'd failed
and had to do it all over again.
But if your heart needs healing
offer your love up like a transplant
to anyone who can use it
and your mystic eyes to the stars
that want to see through them
what their light looks like
from deep inside
the expanding vastness within you
that can hold all that shining
like the sky or the sea embraces
all kinds of its own weather
without ever overflowing the brim.
The skull you drink from
like a wishing well
in the desert watersheds of the dead
is a cup without a horizon.
A real mirage with imaginary water.
A seabed of shadows on the moon.
Low-tide at noon.
Providential midnights when it's full.
But if you don't like
what you've been hearing about yourself lately
when you stop to listen
to what your saying
and don't recognize the voice
you're speaking in as your own
hold your ears up like conch shells to the oceans
that have never heard a recording of themselves
and carefully watch their faces.
And if you make the same stupid mistake
you swore not to make again
learn to recycle your ignorance
so you can save a bit of wisdom
for the rest of the world
to remember what it was like once
to be alone in Eden
with no one else to rely upon
and all you had to add
to the conversation of the rivers
that flowed out of it
all you had to share with your solitude
and boundless emptiness
was your unanswerable longing
even as it was being shaped
by their waters
into the form of the unimaginable.
Into the form of a woman
who tasted then
and tastes forever now
of the original light
of spontaneous creation
however many worlds
and lives and years and nights had to pass
before you first saw her
and felt your afterlife condense into a star.
Crazy man dancing with fireflies.
Crazy man dancing with fireflies.
And it doesn't matter
there's no one here
to understand my delight.
Crazy man dancing with fireflies.
It's hard to read me in so little light
but when you fall asleep
it's the world that dreams
and though I feather the wind
with firebirds of desire
and write loveletters
long into the night
that grow like the graceful tendrils
of ink dissolving in water
whatever the sign of the season
there's no bitterness in the vine
and no departure in the reason.
Though I'm a leaf with the wingspan of autumn
even in the dead of winter
the phoenix is green
and by late summer
there's a crazy man out dancing with fireflies
down by the Tay River
who is too carried away
by the picture-music
of what he hears with his eyes
and sees with his ears
of all that he's been and will be
alone together with everyone forever
in love and out
full cup and empty
eclipsed and forgotten
or charged with the radiant urgency
of fireflies after the rain
to care what any of it might mean
when they fire the valley up for a moment
like blasting caps in a beaver dam
that's flooded the road.
And everything's so nimble with light
so vital and effusive with joy
so mysteriously near and always
all darkness all pain all sorrow
all that's lost and weary
and fearful of ever being found again
of being loved or despised
is absorbed blameless into bliss
like a tender intimacy
into a great vastness
that lives within us all
even as we disappear into it
like the sky in the heart of a bird.
Or just before the soft flare of moonrise
through the leafless veils
of the glowing birchgroves
on that far hilltop
where the pioneers
used to bury their boys with a view
a night just like this
as illusory as it is real
suffused with a spirit of water
that heals the wounded swords
the bruised flowers
the fevered promises
that are offered to it from the bridge
between this shoreless delirium
and the next.
A presence that's always flowing away
like a mindstream among the stars and fireflies
with the power of time
and the effortless wisdom of change
that makes the going stay
and the perishing persist.
A night just like this.
A momentary kiss
that keeps faith
with the eternal flames of the fireflies
that adorn the darkness and waters of life
with indefinable joy
in the exuberance of the mystery
and unspeakable trust in the onceness of forever
and an abiding intuition
that even the fiercest thorns of pain
that have tasted first blood
and greyed the hearts of their lovers
can never be estranged
from the beauty of the rose.
A night like this
The great abyss
lucidly alive with its own shining
and a woman's eyes
and a crazy man dancing with fireflies.

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Patrick White

When You've Averaged Out Your Crucials

When you've averaged out your crucials
and you've walked in the light and you've walked
in the shadows of things your eyes still taste of
though you've set a star as the moral compass
of your cloudy destination, and it's following you
down a long stray thread of a road, the smart money
bets on doing some good in the world
you may not even be aware of, let alone
expect payback for as if you were doing business
not gambling on an intuitionally calculated risk
its probably better to leave a sweeter cachet to the place
for your having been here, chicory by the side of the road,
or wild orchids in the marsh, by the addition
of one flower more than to desecrate your life
with bitterness, resentment, the indifference of ambition
when its heart gargles with an inhumane antiseptic
to keep from being infected by the human in its bloodstream.

You don't have to arrange paradigms of shining
into some kind of mandalic starmap unless you want to.
Giving something up isn't the same as adding yourself to it.
Even if you foreknow you're doomed to lose, total eclipse,
if you're a real gambler, you lose with flare, like a solar corona.
You're intrigued by the unfolding of the road you took,
the river you're running, the rapids in the mindstream
you're about to shoot down the middle in an inflatable life raft
in the spring run off of the waterclock of a reverential northern river.
It might be important to seek
the eventual forgiveness of the night
for what we've done to it, treating it as a reward
for breathing our way through another day in the light.
But the stars aren't listening to the alibis
we're whispering in the dark to our selves.
They labour under the cowbells of their own myths of origin.

But you can always do a little good in the world.
The whole place is wounded. No shortage of opportunity.
You can drive the ambulance back to the hospital.
You can be the atom that decides the outcome
of a cosmic event, so slight are the actions of the random,
chaos in action, it just takes one to light up
infinite time and space moment by moment
and blow it out just as quickly to enhance the night,
the pulsar of a firefly in a lighthouse of dark matter.
You ever wonder how many messiahs
have come and gone from the world
without ever once having heard of themselves?
If you don't like to drink spit out of the public fountains
of other people's mouths, though they exhale rainbows in the mist
maybe it's time to taste your own to see if it's sweet or not.
When things are real, not solid, nothing's diminished,
nothing's enlarged, because size is no longer relevant
in a world of wavelengths that have given up living like particles.
And forms are more provisional than cast in bronze.
Waifs of the air, maple leaves cast on the mindstream
covering their own reflections with the fans and hand mirrors
they carry like accessories to their own deathmasks.

Hard to make a wax mould of a dream, an emotion, or an insight.
The mystery of life isn't an interpretation
waiting to be deciphered any way you like,
though you're free to do this with the impunity
of a crossroad puzzle. Its silence is a deeper eloquence
than that, and when it expresses itself it's as immediate
as starlight on water. Its spontaneity never hesitates
to shock us with the impersonal beauty
of a moonrise over the lake in a lunar flood of wonder.
Or some small act of love that's denounced by the doer
as a foolish way to live against the odds, as soon as it's done.

Everybody's on death row here. No one gets out alive
or unwounded. Sparrows and stars and houseflies
pass freely through the bars, and the wind at night
whistles through them like the vocal cords of a harp.
Would it hurt to pass a cigarette through them
to someone in front of a firing squad of stars
or write a loveletter for someone who can't read it?

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Why are butterflies free?

A butterfly goes thru one of lives greatest metamorphoses.
It starts its life as a caterpillar going thru life eating and waiting for that moment to begging its life’s journey. It cocoons itself until it is ready for its last steps in life.
Spring forth from its cocoon, it frees itself and flies off into the light. It is its begging and ending all at the same time.

It doesn’t care about what the future brings
It doesn’t care about lesser things
It doesn’t care about the rain
It doesn’t care about the pain
It doesn’t care about where it belongs
It doesn’t care about a silly love songs
It doesn’t care about right or wrong
It doesn’t care about the road being to long
It doesn’t care if the sun sets in the east
It doesn’t care about war and piece
It doesn’t care about the world in helter skelter
It doesn’t care about a warm shelter

It has no idea about mass destruction
For that takes too much contemplation
For politics it has no reaction
It needs no constitution
Just being is its satisfaction
It looks to no one for absolution
No homeland for repatriation
It has no skin for condemnation
It has no time for recreation
It has no room for damnation

A butterfly lives its life like there is no tomorrow
For a butterfly there is no tomorrow
A butterfly just wonders the earth sapping up life as it goes by
It owes nothing to anyone
Fly butterfly, fly and be free
Be free to be free

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Lone Traveler

Lone howl under the great blue night sky
A pack of wolves running through the forest
Chasing down crying little rabbit looking for a hole
Doesn’t know that every damn hole is full of corns

Lone howl under the great blue night sky
The moon shines like there is no other night
To make the curve she had to follow the relenting howl
As time runs in circle, the night goes faster than before

Lone howl under the great blue night sky
A child walks down the street of the city of angels
Knows no bond to depend on, no rope to hang on
He raised his hand for a dime, he’s only got reservation in heaven

Can you catch the notes floating with the sound
Within the cold air that freezes your bones and brain
With the snow that falls like storm,
And nothing but the white emptiness before your soul

And I’m walking with my bare two feet, listening carefully
To the sound of cars driving on the streets at night
To the sound of babies crying out their heart
To the sound of waves washing the shore, the sound of loneliness
To the sound of traveling stars, the sound of the universe

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Patrick White

I Don't Think The Wind Sings For Me Alone

I don't think the wind sings for me alone
even in this isolated space where it
silvers the leaves of the Russian olives
like musical scales. Or every thought and emotion,
every image, symbol, or insight
shares the same myth of origin that I do.
Nor all the words that I call my native language
weren't rooted first in someone else's garden.
As the air I breathe was, as the light that has entered
through many more eyes than mine. What I hear
doesn't belong to me, nor what I see,
my private vision. But when I don't grasp
at clouds and water, everything is my reflection
looking back at me as if there were no one there.

I disappear. And I feel my presence everywhere
as real as the sceptres of Queen Anne's Lace
growing old in the moonlight, or the blue fury
of the wild irises burning in their own fires
like the Pleiades. Who can understand
the circuitous wanderings of the mindstream
white water rafting its own axons in an empty lifeboat
when even the questions you raise about it are not your own?
I may well be that, but tonight, I'm not personally involved.
Things occur like spiritual events. The rat snake
strikes the frog, the shadow flash of a bird
transits the moon. Arcturus descends
before the Summer Triangle with the easy grace
of a light that doesn't realize it's being observed intensely.

And I wonder if we're actualizing each other
in some interdependently original way
that it knows as little about as I do.
Or the dead birch tree that's standing by both of us,
naked in its bones as a fan of coral.
Silly man, now you know how a fly
up against a window feels. Or how a mirror
that's deeper than either your eyes
or the light can see into, keeps its appeal.
Been wondering most of my life
in an aloof but wary mode of gratitude
about the great symphony of love and light and light,
like someone who's been hurt by someone they cherish
without knowing why. And whether to laugh or weep
at the absurd tragicomedies that keep appearing
like vulnerable mushrooms in my sleep.

But tonight, tonight, all I want to hear
is the whisper of a dropp of water running down the sluice
of a blade of stargrass. The eerie rustling of the leaves
as if the trees had something to say to me
about my presence among them that leaves me
half again as estranged as when I first came here
to enjoy a freedom that isn't just a matter of changing gates.

Sad man, but tonight I dance with thousands of waterlilies
under the chandeliers of the stars, in three four time,
as if I just remembered how to waltz with the bride
and bow to a flower like a lunar violin. My heart
doesn't look for its reflection in the fire pit
where I burnt all my life masks like straw dogs
when the sacred ritual was over. I denuded myself
basking in the clear light of the void, until
there was no one left, not even me, to notice.

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Patrick White

Out Here Alone

Out here alone so late at night
with all these spectacular stars
burning through the clean glass
of the freezing winter air
I can almost hear them thinking
behind the myths of the cover stories
they've told for years
dark truths about life and light
it would be madness in a man to understand.

Don't try to stuff the impersonal secret
of the universe
into your sentimental heart.
How could you ever fit its likeness
into a locket
and finger it lovingly as your own?

Out here alone so late
even if you have come
like a thief in the night
to steal from the light
when nobody's home
there are no cracks no facets no gaps
no backdoors, unlocked windows
or emergency exits,
no stairwells or entrances
in these jewels of insight
that can feel your eyes falling upon them
like rain running down a mirror
that shuts you out
like someone in the bathroom crying
for reasons that are light-years beyond you.

However deep and sincere your tears are
they're still only dry wells
in that vast ocean of awareness,
black snowflakes
on the roaring furnace of the abyss
and if you reach out with affection
hoping to make things better
by embracing it all
you're still only tendering a kiss
to the gaping jaws of your own lipless skull.

There's a silence older than space
in the bottomless heart of things
that makes intelligence seem
the unlikeliest of exaggerations
a human could ever mean
holding his mind up like a lamp to the stars
as if he could find his own way back by his own light
without the dream that themes his mindstream with creation.

But as foolish and futile as it is to surmise
or try to get a leg up on the wise
I don't think the darkness
is the negative space
around the troubled face that appeared
after all the dots were connected
like rising constellations
in a child's colouring book.

And I don't think there are gods
squatting like frogs
on the lotus of the world
making us up as they go along
like wheels and roads
to the grunts and groans
of an axial mating song
anyone could mistake for a joke.

And I don't think the stars
believe the things we say about them
or even remotely feel the mystic dread
of what it is to be a human
looking up at their shining
out of deeper darknesses within
where no direction can be given to the lost like eyes
that would never find their own way home again
were it not for the stars and fireflies that mislead us
from one illumination to the next
by giving the finger to the braille of the text
that would school a gust of stardust into us
like God gave life to Adam
and Eve gave life to God
long before there were any laws to blind them
like Satanic lightning bolts
uprooting their eyes like rain from the clouds
to put those fires out.

I look up at the stars
with the eyes of an exile
through the diaspora of my breath
and I want to think them all to death
like the people and things I've left behind me
when it was time to go my own way
anywhere into the darkness inside me
to see if I could shine a light upon myself
that didn't blind me to the fact
neither in the beginning
nor in the end
was I there to witness the act
that made a certainty as good as a doubt
to the great indifference
that wasn't trying to find me
like a needle of light in the heart of a haystack.

I look up at the stars
like a scarecrow in winter
trying to put its pants on
one leg after another
like a man
with nothing but time to burn
scattering his ashes among the stars
urn after urn
skull after skull
of the heretics and mystics
that were martyred by his scar-crossed heart
in the name of nothing real.

I don't know what they feel
but I look up at the stars
like a black rose
of blood and starmud
in the last death throes
of self-immolation
and see in my own image
what I've always had
in common with creation.

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When Someone Loves You And You're No One

for Kristine Marie

When someone loves you and you're no one,
what happens then? What do you have to give
that they aren't already in full possession of?
The many I have loved have become one woman.
And this is an orchid that blooms in fire at night.
And this is the dove that returns from earth
with a wing like a broken arrow and asks to be healed.

When someone loves you and you're no one,
what happens then? This picture-music flowing
like a carillon of bliss and despair through
my body, heart, mind as if they were all
poured like dragon iron into the casting of the same bell
that yesterday raised like a sword to kill it back into life?
And this is a doorway you can stand in forever
as if you were greeting someone who never comes.
And this is that butterfly among wildflowers
that flutters about like a symbol of the mind
as if it didn't know whose loveletter it is yet.

When someone loves you and you're no one,
what happens then? Do you give them your emptiness?
Do you wrap space around them when they're cold
like a star-studded shawl you asked the night to weave
for someone very special into astrology?
Or do you minutely examine the mystic specifics
of your life as you've known it up to now
and from somewhere in some dark room
way back of the heart, feel the urge to apologize
to the stars for how much their light's been through
for so little? The star labours, and candles are brought forth.
And this is the delirium of a window the moon drinks from.
And this is that jewel of a tear that didn't
make a big splash on the rock like other tears
and by that you know it's a diamond in disguise.

When someone loves you and you're no one,
what happens then? Does the air as now revel
like autumn in a gleeful chaos of images and insights
the wind unravels like leaves in a tantric realm of crazy wisdom?
Do you see a woman coming through a gate
as if she'd lived her whole life among roses and razor-blades?
And she's not asking for rapture, but you're beginning to feel
there's a peony of a supernova in the house of Cancer
waiting to express itself in the beauty of the way
it relinquishes itself like the moon to the waters of earth.
And this is that mysterious spell that beguiles
the expert hunter into baiting his trap with his own heart
hoping it's irresistible to the fox he wants to take it.
And this is that dawn of a new day that arises like
a strange exorcism of everything that's ever possessed you before
as you greet every ghost in passing off the lake
the same as you've always done, the waterbirds.

When someone loves you and you're no one,
what then? You stare as I do at Venus in the sunset
and write long poems that tunnel through mountains
like work trains full of precious ores that glow in the dark
more intensely as it approaches like a lantern from a long way off?
Or is it just another firefly at the end of my nose
casting galactic shadows across the time and space
it takes to behold them in the furthest reaches of my mind?

I sense a gentleness I haven't known before.
I see a beauty that's as easing to the eyes as moonrise.
And the seeds of words that haven't passed between us yet
are already beginning to open their eyelids and flower.
And there's a soft gray blue sky with a scattering of ashes
to honour the dead and give the wind its due
I can see spilling out of the urn of your heart
to make room for the phoenix I am about to give you
as if it were child's play, when I'm with you,
wholly absorbed like light into bread, to rise from the dead
and feel hunger again, to drink from the fountain mouths
of fire again, and desire and long as I once did
and imbibe the wines of life as if I'd never existed before
without cutting my tongue on the taste
or succumbing to the inconceivable as if everything
that followed thereafter were the afterlife of the inevitable.
And this is the era in which you know
you've already tied your blood like a scarlet ribbon
around a gift no one can determine the value of
if she opens it in wonder, haste and love.
And this is the moment you dread the joy of
when death tastes as sweet as birth in the mouth of life
and autumn lives out of the suitcase of all its memoirs
like the blossoms of a manuscript that has come to bear fruit.

I saw you and you were a gazelle at the easel,
painting the moon like a beauty mark on the forehead
of a sacred slave girl dancing naked in the light that released her
like a butterfly in the jaws of a dragon she could awake with a whisper.
I saw you in a gust of stars, and felt the wings and dust devils
sprouting out of my heels to let me ride the thermals of my heart again
as if the long, dark, strange, radiant journey I'd already come
were merely a hair of the way I had yet to go like the sole copy
of a love poem I had committed to the wind so hopelessly
such a long time ago when my solitude could play
the rosey-fingered sea like a musical instrument
that could make the waves sing like mermaids
without a plectrum or a pick or a ship, as long
as there was desire in your fingertips and urgency in your art.

When someone loves you and you're no one,
what then? Let them be everything to you even
if there's no you to be anything to. Pour your emptiness
into hers and fill the cup up to the edge of the moon
and let it spill over with light as if it had a leak in it
bigger than a record harvest in the horn of the moon at full.
I've cut star wheat in a virgin's hand
in a total eclipse of my senses
and touched flesh as if it were fresh bread
cooling on the windowsill of a hungry man
who can taste the light in it like letters from a child hood
far enough away from home to learn to love it again
with a second innocence more indelible than the first.

As for me and my treehouse with open windows,
I shall welcome a songbird on the cusp of Leo
to every branch and rafter of it, or if need be
at sea on the moon, in the event of a storm,
a lifeboat fashioned out of my own bones
to hang on to like the eye of peace in the skull of the dragon
who looks at you and reads you like fireflies on a starchart
delineating a new constellation out of homeless space and time
and a habitable myth of origin for two exiles in love
among the sacred groves of the rootless trees.

With you I have not come to revere the pain and longing
of hungry ghosts hanging on to every blade of grass
like a flag at half mast in a high wind.
I have come to appeal any destiny
that doesn't bear the seal and signage of your heart.
Nor will I ever surrender any sword to your waters
that wasn't first tempered in the translucent fire of diamonds
that feel like a fool of cool water running down your skin
like a spring thaw of the crystal chandeliers
that melted down their spear points into rain,
that dipped their swords in wax
and trimmed the wicks into fuses
and lit them up like Roman candles
such that my eyes and my heart
are still flowering wildly with you in these starfields.

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I Remember The Bees

I remember the bees
moving like heavy slow notes
among the sunflower microphones
two octaves lower than the fireflies
on late August afternoons
perishing in the light.
And the irrelevant felicity of being me
with nothing to do but time.
Many roads and years away now
and this is another life
another town
and I'm staring out of a window
that's been forgotten by the eyes
that used to look through it
at the bleak winter rain
trying to distinguish the oases
from the mirages
in this glass-blowing desert of pain.
I remember white sweet clover along the dusty roadside
overwhelming the still hot air with its sweetness
and how it grew so high and thick
in the drainage ditches
it folded it wings over the road like a swan.
I remember watching the moon
lower its hook into the lake
hoping to catch something.
And now I'm trying to get it out of my mouth
like a question I can't answer.
I'm envious of the happiness I used to know
as if it had all happened to someone else
I could never be again
because even a river
can't step into itself twice
and the same is true of a bloodstream.
So do we all wash ourselves clean of ourselves in the running.
It's the mind's way of not staining its own clarity.
You don't need to see to shine.
There are quantum events of the mind.
There are insights and thoughts
auroral premonitions
and solar prophecies
that flare like the Medusa's hair on fire.
There are shadows of the unforeseeable
that cast their eclipses and sunspots
like exponentially tiny black holes
that steal the seeing from the light
and make space and time gape at their own measure
in the darkness of the heart of a human.
And in the next era of a moment
terrify them with the wonder of breaking into stars.
And most strange and astonishing of all
elaborated out of a chaos of photons
emerging out of the random
like wind on water
like Penelope weaving and undoing the moon on the lake
membranous worlds in hyperspace
blowing bubbles at each other
as if the light in their eyes
were life itself
shaping the multiverse playfully
into mystic glains swallowed by cosmic serpents
and fireflies caught in the drapes
by the open window
like jewels in the net of Indra,
like primordial atoms going off spontaneously
for the sheer thrill of it.
Mark one world and they're all marked.
And there's no end of the accounting.
That's why the most gracious of numbers is zero
and in any world I find myself possible in
I am the spacious friend of its infinite variety.
Even in Perth on a Sunday
among the flagging ambitions of leafless backyard trees
that have given up
dreaming of the doors and arrows
the coffins and lifeboats
they could have become in the hands of a mastercraftsman
and content themselves by staying out of the way of the powerlines.
Worlds within worlds within worlds being born
under my skin
at the tip of my nose
the end of my fingertips my tongue
pouring from the precipice of my lips
like lemmings and words not afraid to take a chance
the wind might feather their falling.
If compassion is worth the weight
of one single tear
of what life suffers here
then all things must be falling toward paradise.
Even the willows with their yellow-tinged hair trapped in ice.
Even the mailman who was convicted of taking his own advice.
Even the young beauty queen whose mouth overflows with saliva
as she dreams her makeup has turned into a pillow
that's trying to smother her like a serial killer
trying to get her attention on the news.
Do you see?
When you get right down to the point
there is no point.
Ask Heisenberg.
There's only you and I
and what we are
embodied in this memory
is merely the shadow cast
by what we are becoming.
Ask any star.
Keep the light behind you
like a ufo file with a due date.
Make a photonic leap into space.
Jump orbitals.
Release your infinitesimal quantum of energy
into the mind-bending unforeseeable gateless expanses of space
and instead of depending
on the fossils of cyanobacteria in Martian meteors
to improve on being alone
create worlds of your own
where space isn't time flatlining
but a field of imagination
where the absurd lets its muse run free as an enzyme.
Why do you keep coming home empty-handed
like Ponce de Leon searching
for the disabled fountains of youth
when you must know by now
it's the questions that are the watersheds of the truth?
It's the questions that keep you alive and searching.
It's the looking and not knowing
that keeps the fires of life
moving and growing
one step ahead of their ashs.
It's not the questions.
It's the answers that are killing you.
You might seek like a phoenix
but all your lanterns are ghosts.
Your eyes might be faster than light
but you're still blind if you can't see
that the world is
merely the shadow of an insight
you cast behind you
like the stars
like the candles
like the fireflies in your skull.
And it's good to know them all.
It's good to trace the lifelines
on the palm of your hand
and follow them back to the source of the Nile.
It's good to know the imaginary animals
that talk like your fingers
held up to the lamp
like constellations on a starmap
like zodiacs and arks
like a dog that barks
in the voice of a human.
It's good to see your own face
in the shadowplay
of subatomic particles
and take small intimacies with the profound
as if you'd just opened your eyes
like God's umbrella
in the spirit's lost and found.
It's good to stand in your own light
under the nightskies
and add your lustre to the stars.
It's good to abide in clarity and law.
But enlightenment is a darkness that shines
beyond the reach of your eyes
and just as space is bent
by the mass of Mars
so time is as supple as water and silk
and yesterday
is just as much the future of tomorrow
as the perennial brevity of this moment now
flowing down the lifelines of the mindstream
like a wavelength of night and time
that can't be measured in lightyears.
I reflect on everything I'm missing
and my grief turns to wine,
my tears to honey.
I resonate with the forked harmonies of time
like the tremulous skin of serpentine cosines
it sheds as it moves up my spine
like a waterclock of snakefire
pouring into the watershed of my mind.
And all the threads and rivulets
of my string theory thought
and the membranous theses
that are spun from them
are gathered up
and woven into whole cloth
over the black hole
of an acoustic guitar
the shape of a universe
as if it were a loom of music.
Time is music.
Space is music.
Life is music.
And death isn't where the music stops.
When you listen to it
not just with your ears
but with your eyes your heart your mind your blood your skin.
When you let it come empty-handed
and go empty-handed
without trying to grasp it like a thing
you realize that everything is singing
about what it is to be a human.
And you must be a human to hear it as such
because you can never understand
more than what you are
out to and beyond the youngest stars
that are the oldest of your insights
into the birth of the universe.
Time is music
and neither time nor music
leave anything behind.
Here once
here for good.
Though time has a past and future
a coming and going
a lament and a longing fulfilled
reflected like opposites on the watermirrors of the mind
it's still the same waterbird
cosmic note
first word
from the void in the mouth of now
waking itself up from a dark dream
with the sound of our voices
arriving in joy
and crying with relief when we leave.
I can hear the locust tree in spring
even with snow on the ground
and this hopeless duty
of a bleak window before me
singing in my ear
like the slow whisper,
the murmurous humming
of an intimate voice full of bees.
Time is music.
Life is music.
Death is music.
All the syllables colours notes thoughts feelings images and symbols
all the doubts and half-lives of the certainties
all the ardency of our holiest guesses
and starless inspirations
all the brutal black lightning insights
and firefly epiphanies
that have ever expressed the hearts and minds of humans
all the homeless clarities
and godless vagrancies
of what we're doing in the world
feeling lost in the doorways of our own thresholds
where every step we take is arrival and departure.
They're all the picture-music of us
and we're as indelible
as the moon dropping her petals and feathers
her hooks and thorns
her horns and claws and surgical fangs
like white swans and peonies on the river
like the eyelids of a mask she takes off
a drowned nurse
to remember whose face she's looking at.
And you can't remove a quaver of it.
Not the slightest detail.
Not one black swan.
Not the swerve of a single photon
with an identity crisis
striking the lightning rod of a nerve
that runs it to ground
and roots it in the body
until the mind opens
like the eye of a flower
a New England aster
that can see from the inside out
that life is a phoenix
in the ashs of a blue guitar
with the wingspan
of a locust tree in the spring
and the afterlife of a star.
Light flows through the roots
of my dendritic lifelines
like a zodiac of fireflies
streaming through space
for a place in the sun
and I can remember the bees
before the arising of signs.
I can hear them with my eyes.
I can see them with my tongue.
And I might not know
all the words to the song
or even what the lyrics
are all about
but that's never kept me
from singing my heart out.

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Sometimes Think

Sometimes think I'm always
a life too late
to catch up to my own
walking away weary of waiting for me.
Or I'm a star too far ahead of my own shining
and that's why it's always dark.
I know the agony
in the stones of an abandoned bridge
that shoulders the world for nothing,
upholds nothing but its own mass
and waits for things to pass.
And even when I fall into the river
to flow along with my own mindstream
without consulting the leaves like maps
I still can't get the moon off my back.
Look at all these orchards
littered along my banks
from the tent of a single blossom.
And there are nights
when I can smell snake on the wind
as if everything were about to happen again
and I still haven't milked the fangs of the moon
for an antidote to the pain
or put out the third eye
of the irrational surveillance camera
that oversees the sorrows of the insane
when it's full.
I like my perfections whole enough
to include what is not
and if I am immoderately empty
it's so I can make space for the world
like the blood-sea of the rose
that flows out of nothing
into tides that shed their waves
like the eyelids, brides and petals
of a human heart.
My breath is silver.
My breath is gold
I've mined from the mystic mountain
that got in my way
whenever I tried to cross
the valley threshold.
I had to evaporate to rise to the top;
I had to get myself together like a cloud
to transform my own delusions
into a glimpse of the other side
that didn't take a scapegoat for a guide.
Now space is my only familiar
and the being behind the face
of who I was a moment ago
is just another snake in the furnace
of this star that sheds my skin like fire.
Streams of insight
that are not predicated like mirages
on deserts of thought
trying to spin themselves
into mirrors and silks of glass
like a new religion
sweeping the world like sand
advance the gardens
of the water-givers underground
who teach the flowers how to bloom
and drown like stars
in the infinite opening of their eyes.
And I've mauled the nets of the constellations
like a man in the morning
walking through a high field
radiant with spiderwebs
and if there's anything
left hanging in the wardrobe
that used to house my masks and cloaks
they're veils I've torn from the light
to better see into my darkness.
I'm still looking
but nothing has appeared yet
and no sleight of mind
that's ever mastered me
has ever taught me how
to realize the inconceivable
except in the proportions of a human
whose mere existence is utterly unbelievable
whenever I turn the light around
and discover the dispersing stars
I have followed so long and far
into the unborn darkness where I begin
shining within.

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I Won't Turn The Shadow Of The Sundial Back

I won't turn the shadow of the sundial back
to replicate the asters that bloomed yesterday
and were lovely as the wrists of a child
playing with perfume in front her mother's mirror,
I remember, without wanting to turn them
again and again and again into a template.
I don't mind grinding the past
into a parabolic mirror to see where I've been
in the last fourteen and a half billion years
but as I get older, that isn't going to give me
an insight into the future of darkness
I'm rushing into like an accelerated fool
where the angels are not self-destructive enough to pass.
The most beautiful songs are sung in the dark
by the loneliest of creatures endangered by the night.

I've been a jumper for as long as I can recall
and sometimes it's sheer suicide, and others,
even though I don't pack a parachute for the fall,
it's paradise. No risk in your next step
you're just crossing a river on a bridge of skulls.
No real Apaches in the Black Hills you're just
collecting postcards of the massacre,
buttons and bullets in a garden that went bust.
How can you keep your wits sharp
and hone your instincts in an arboretum?
Drug-store explorer with a library of roadmaps,
you've feathered your heels with lapwings and poultry
and flutter around like butterflies in a barnyard.
You ever tried firewalking across the stars?
Or put a match to a poem you loved like a storm?

If you're not proceeding at your own risk
the journey's not worth it. It's someone else's path.
It's only another threadbare carpet under a window.
May the rose always have thorns. May your lovers
always be able to kill you without a moment's notice
and your fireflies revert to dragons when your comets
are flying blind too far from the sun to shine.
You be the one that's missing from the family album
for a change.You be the one who's moody and strange.
The blasted orchard that isn't known by its fruits.
Stop revising that diary of event horizons
you've never violated once, and instead of
dumping your dirty sheets down a laundry chute
into the basement, go skinny-dipping in a black hole
to wash the stink and stain of useage off.

You keep listening for choral arrangements
of mellifluous honey in swarms of killer bees
without realizing the maelstrom that is already upon you.
Your mountains aren't wolves. They're St Bernards.
Have you ever been the epicentre of anything
you've ever said, or have you always been third echo
in this choir of indignant aftershocks? Would you even
recognize the sound of your own voice
if you ever heard it in a keen-eyed wilderness
among the nightbirds with the courage of their longings?
And I see you've gone and offended the muse again
by lowering the bar of your pain threshold
and fireproofing your heart against a lightning strike.
You think hugging shore with the rest
of the abandoned refugees is going to keep you
any safer than a liferaft flowing along
with your own mindstream through blackwater and white?

You can embroider your nightmares on pillow cases
and think you're going to sleep better tonight
than the homeless that are banked up like leaves
against your door. You can bleach the shadows
into albinos and think you've done something
kind to yourself, but all you've really done
is make the light turn dangerous. The sun bare its fangs
at the colour blind cowardice of antiseptic flowers.
Not a cheap thrill of blood on your palette anywhere.
Talent smiles like a house karl, but genius snarls
at the thorn of insight in its paw like a lion on a cross
roars like lightning in a skull at the rosey stigmata
of a fresh kill that tastes like the stars in its blood.
Solitude isn't a state of mind, it's a calculated risk.
You either jump into the lotus of fire heart first
and dare your own extinction among great heretics
or collapse like a universe into a starless abyss.

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Since I Was A Child

Since I was a child, this longing in my heart
for something I can't even name, but keeps
drawing me into it like a unfulfilled abyss,
unattainably alluring, but the space
saturated with pain as if time itself were grieving
like the white noise of the cosmic background,
or the love of a created thing for this that has come
would always be left unanswered and unrequited.
Times I've thought the emptiness, because
nature abhors a vacuum, was life's way
of enticing me into the available dimensions of the future,
a furtherance of me as a means of achieving its own ends.
I could blunder my way toward it as the labour of my life
in pursuit of an earthly excellence radiant with stars,
sublime as a root, with the dynamic equilibrium of a tree
that had weathered many storms in the name
of a beautiful absurdity that adorned the heart
with the tenderness of fireflies without losing
any of the impact of a life-changing meteor shower.

Maybe I'm just chasing ghosts of the unborn
who should have been and my longing's
a kind of mourning that confuses the past
with what's missing when it's really the future
that's suffered a miscarriage, and the way
a woman's body grieves like a planet
for a shepherd moon that's lost, I sense
the devastation of the coming years and my heart
aches with compassion for what is yet to be lived through
and all I can do is retain a future memory
of the bloody rose I can see in the bedsheets
of a spiritual hemorrhage we'll wake up beside
one morning like a shattered window
into the souls and hearts and minds we denied
any possibility of life to because
we hoarded our potential for love so lethally.

Life keeps its balance by constantly adapting
to its growing awareness of what it's made of itself
as do we making it up as we go along approximating
the probable concourse of affairs spontaneously.
You might say consciousness, the light that each
has been given to go by, is what evolution
looks like on the inside, urgent with creation.
The gathering. The mingling. The dissipation.
All the eddies and currents of thought and emotion
writing on the mindstream sometimes in Kufic script,
sometimes Irish kells, or maybe just heavy-hearted bells
that like to write their own songs and sing them
to no one but themselves, as if the mystery
of their sadness were sweeter kept than told.

I came like a stranger to the burnt gate
of my unsurvivable longing, and it was open
as if it had been waiting for me, and I walked barefoot
in the ashes of the flowers that were being emptied
like the urns of many past lives on the wind,
until I came to one that bloomed like a waterlily of fire,
a blossom of enlightenment, a sun that shone at midnight,
and for awhile, as still happens from time to time,
I walked in my own profusion like a garden again
so alone with a blue moon in Pisces only
the most courageous of lovers could enter my solitude
like the fruits of the earth, like a windfall of stars,
like a gust of fireflies out to make constellations of us all
that evolve, as circumstances change, into intimate zodiacs
that keep us all fire walking on our mindstream
like maple leaves in an autumn that just won't go out
like inspiration and life and longing, the mystery
in the beautiful eyes of the muses of crazy wisdom.

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The Night Dances With Itself Like An Only Child

The night dances with itself like an only child
to the sounds of its own silence
when it thinks no one is watching.
Every falling leaf, a gesture of the hands,
poised, a word, a bird, a butterfly on a branch,
a sacred syllable from an alphabet that can dance,
caught in the updraft of a momentary insight
of falling to paradise like a flightfeather of light,
and landing the move just right, just so, with perfect timing.

The maples by day, easels for hot palette paintings,
red shift through red, orange, yellow, green
from the outside in toward the trunk, same
as a rainbow, same as the dynastic colours of a sunset.
Same as the fires of life returning to the root.
Same as the starmaps of the visionaries
flying like shamans from the nests they were fledged in.
Same as the ripening of the fruits of the earth,
or roses with green stars under their eyelids.

Different instruments, different voices,
the wind, the rasping of the leaves, the beaver
slapping the startled flesh of the water at my approach,
a twig snapping its drumstick on a rim shot
and the crow, and the squeaking bats, and the lapping
of the waves like the plectra of an aquamarine harpsichord
at the whole notes of the rocks, but a confluence
of picture-music washing the roots of the dead violins
of the wild irises and the timpani of cattails along the mindstream.

Merrily, merrily, row your boat, life is but a dream.
But to judge from the windfalls of green planets
shaken from the black walnut trees, it's a dream
that's urgent with the myriad realities of a multiverse
waking up in a place like here, and a time like now
with a lavish appetite for inhabiting itself
as if appearance weren't just the rind
that had to be peeled away like the skin and the shell
of the meat of the real, the shapes of the known worlds
the rat snakes shed like intimate illusions
that have naturally outgrown themselves,
the new moon in the arms of the old, like a nightsky
leaving the Milky Way, a mythically deflated windsock
tangled in the tree line like a runway that tried to fly by itself.

Now the Great Shedding as the earth turns
like the old abandoned mill wheel upstream
like a circular waterclock making linear time
take its tail in its mouth like an eternal recurrence
that's always pouring itself out of itself like life
into the emptiness between the equinox of one thought
and the solstice of the next like the silence between heartbeats,
the night between the stars, like the inseparable gap
between the distant moon and the intimacy of the moon's reflection
on the newly surfaced dark skin of the water sequencing
its pentatonic scales to the seasonal themes of the mindstream
you can't step into twice, as Heraclitus said in Ephesus long ago,
though it seems that way if all you're doing is dogpaddling
like a delinquent green apple on a snow covered bough, instead
of going along with the perennial renewal of the flow
by letting go of your water skin with its lunar tattoo
like the bright vacancy of an old silo of the light
for the dark abundance of the new insight
into the nature of life when it full in October.

The fall. This hour of my becoming
when everything is burning like the sumac
with the fires of life but nothing is consumed.
Because fire doesn't burn fire and death is unperishing.
And autumn is no less of a transformation than spring
as this new day dances as readily with the old woman
watching from her kitchen window as it does the young girl,
than the rain is to the tides of a lunar ocean
swaying in its shadows as if it were dancing
with its river reeds like a lonely child
in the embrace of her imagination,
like a poet in the grip of his crazy wisdom
flirting like a firefly with the dragons of his madness
without listening to the search parties of the lighthouses
bellowing like the foghorns of mournful trains back on shore
being swept away into the distance like nightwatchmen
and unconvincing ghosts. Things are unmooring
like lifeboats full of seeds and the souls of the dead
taking to their wings like the oars of waterbirds,
and the lowest of earthbound snakes
are dreaming of feathering their scales
into the vans of a dragon firewalking with stars
around the wobbling axis of the earth
on a potter's wheel, turning it like sentient starmud
that's fired up in autumn like an urn that burns like a kiln.

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In The Nameless Realms Of My Mindlessness

In the nameless realms of my mindlessness
where everything that could be said
has been spoken
without being understood
the multiverse keeps repeating itself
like the decimal point of an incommensurable.
The needle of an early sixties record player
worn down like a diamond with cataracts
in orbit around a black LP of the old celestial spheres
still trying to waltz to the picture-music of their chandelier tears.
I'm expanding the available dimensions of poetry
to give myself more lebensraum
without goose-stepping across Russia
as if I had a golden egg up my proverbial.
I conquer in diaspora like the stars.
And I don't really care
if anyone believes me enough
to understand this
but if they look into my mind
without a mirror between us
they'll find their own
as clear and unique and homeless as space.
And the darkness that scrys
their prophetic skulls
will conform to the lines in their face
like a love poem
deep in the heart of the night
when it's raining crystal balls.
And the dirt on the window
that was drawing all day
people the size of its thumb
will show its masterpiece to the stars
to be hung like a new constellation.
And the green bud who cut
her throat on the moon
to free the rose in her voice
will speak to her lover
like a scarlet ribbon
around a gift that she meant to send him.
And you who judge these affairs
as mere rumours of the heart
will come to know
what longing means
when fact falls in love with art.
In the nameless realms of my mindlessness
there's a room that is waiting for everyone
to show up like a door.
And in the vastness of this mental state
their feet are the threshold and floor
of the last address
of the nightbird in the tree
that waits for the moon like mail.
And you can hear its impassioned reply from here
like the kite that just flew out your window
to solo on its own.
If you look the dragon in the eye.
If you're not afraid
to stand like a stranger in your own doorway.
If you're fanatically desperate enough
to thread the eye of the needle
like a noose in the knot at the end of the road
where the world stands on the shell of a turtle
waiting for the big moment to make a move
taste this thornapple of your own madness
and I shall make a gift to you
of my freedom and solitude
and everywhere you walk
like a nightwatchman
lamp in hand
the candle will not be lost
on the long road it's been following like smoke
and gold will pour from your wounds
like bliss from the ancient ores of your sadness.
I shall not take you by the hand.
I shall not allure you in the wilderness.
I shall not walk beside you
like a mountain or a lighthouse
or reassure you when it isn't
that it was all just a dream.
In the nameless realms of my mindlessness
there are no holy wars
among the godless telescopes
trying to explain what they don't understand
by quoting sacred books
like laws they make up
from the prophetic gossip of man.
There are no teachers.
There are no guides.
No signs.
No starmaps.
No cosmic paradigms
to snare the psyche in its thesis
by reassembling all the pieces
like a butterfly in a spiderweb.
But I will offer you this black pearl
of a new moon
like the primordial atom
of a spontaneous beginning of your own
and from the wellspring of the first moment of creation
you will know the agony
of the inspiration
and the expanse of the abandonment
in making a world
where all things lead away from you
like stars and people and water.
But you will feel deep in your heart
the intimacy of a stranger's gratitude
for the immeasurable giving
of an inexhaustible abyss
that's been going on for lightyears.
You will stare at the hair in the brush
in front of the mirror
where your dead sister
used to renew her virginity
and you will call out a thousand names
as if they were all the echo of your own
clones on the telephone
but none of them will answer
the same voice twice
until you're alone with the Alone
and there's no need to ask.
Here you will recover
the crazy wisdom of your lost clarity
like the comet of a long forgotten memory
that will come blazing back into your mind
and gazing up at it
like a sign from your sister
you will realize
the original nature
of your own mind
is the engine of change
in this world of time and passage
and to have been conceived of once
is enough to outlast eternity.
In this space
the guest does not lament
the lack of a host
but understands it
as the apex of grace
to make him feel completely at home
by leaving him alone
to make it his own.
Does the dream age
into a waking adage of bone?
Are you tempted to wake God up
when you're sleeping alone?
Are you screaming so high
you're breaking eardrums like wineglasses
but no one can hear you
like a dogwhistle
that calls nothing home?
You can't cling to your misery here
like a voodoo doll
you raised as your own assassin.
There are no bullet-holes in the mailbox.
And no one gives the dice
a second chance.
Like the wind
when it's wild in the trees
there's an address
but no identity.
And no one's an orphan
because there's nothing to belong to
that can let go of you
as if you didn't exist.
The raindropp isn't separate
and the river isn't one.
Between the moon and its reflection
between the candle and its flame
between the person and their name
between the chaff and the grain
there's no distinction.
No one lucid.
No one insane.
And if there's a routine to follow
it's that there's no path
that leads away from you
that isn't the spontaneous discipline
of the effortless mastery you were born with.
Inspiration sets up its tent
like the capstone of a pyramid
rooted in wind and sand.
And there's no way to explain it
because there's no one
who doesn't understand.
In the nameless realms of my mindlessness
the deserts aren't a way of counting stars.
And whether you look up at the sky
or down at your feet
the light can't be measured
in the wavelengths of snakes
that aren't on the same frequency as your eyes.
There's only one law of physics here
and that's
that everything is a complete surprise.

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My Secret Place

My secret place down by the Tay River.
I deer-bed down among the autumn grasses
and last of the New England asters
half-lotus in cowboy boots
with a clear view of the stars
dancing on the water.
The waterlilies have perished.
Jupiter.
And the moon at last crescent.
No one knows I'm here but me.
I've never come here with another.
A place where I talk to the universe alone
as if it existed
more personally
than the mere immensity
of a cosmic intelligence
super-saturating time and space.
Belief's a bad habit of mine
and sometimes I want to be deceived
into believing someone's listening
even when I know they aren't
and that the worst always happens for the best
even though I know it doesn't.
The sky's a windowpane I can fly through
without breaking my neck on delusions
and the moon feels like
a cool poultice on a hot wound.
I watch a spider repair its dreamcatcher
and say good luck.
And the stars don't really give a damn
how they shine deep in my dark inner spaces.
Everything is so perfectly entranced with being itself
I wonder what it is about a human
that has to take time out like me
to reconsider what I'm doing here
wandering around on the earth
without any certain purpose
other than the ones I make up like poems
to spin bedtime stories out of my nightmares.
A birch leans out over the water
like a woman washing her hair in the river
and I sense there's an inevitability about a tree
that isn't like me.
I can't find a fixed reality
to be in harmony with.
I have no doubt the rocks along the shore
are getting it right
but with me consciousness is a light
that contradicts its own clarity
the moment it reveals itself.
There is no path to follow
no way to flow
no aspiration to fulfill
that isn't pure folly.
Or just another way of running out of myself
like sand in an hourglass
piling up pyramids
until I've exhausted myself like Sisyphus
rolling stones uphill.
And then I'm overturned like an empty shotglass
to begin again
or just sit here by the river like an amphibian
and let the universe do what it wants to my brain
without assuming it wants to do anything
or that the damage hasn't already been done.
A new way to be partially whole!
Flesh and blood with a mineral soul!
Prophetic tents full of snakeoil salesmen.
But I've never been tempted
by things I couldn't give my heart to
and the curse of spiritual valium
is the same as it is on earth.
The withdrawal is as dangerous
as following the addiction
all the way through
to the emergency ward in heaven
that handed out the prescription in the first place.
It isn't the soul of a butterfly I see
when I look the money-maggots in the mouth.
I'm not praying for an afterlife that's worthy of me
as if anyone knew what that amounts to.
What would you suggest
for an agony of snakes in a bag of skin
that's got nine holes in it?
The tears I've wept for the world
have all turned into serpents.
The tears I've wept for myself
watered the roots of a mirage
in a desert where the stars
burn your eyes like sand
and turn your blood to glass.
I wonder if the birch knows
what's passing it by.
If the river is its mindstream.
And then it comes to me
like a message in a bottle.
Maybe my sole purpose on earth is passage.
Maybe I'm just time looking for a reason for itself
to go on like a season that's known by the way it changes
by always being estranged from itself.
Maybe I'm the more-than-me I can't conceive of.
Maybe all these things seem
self-possessed in their tranquility
because I'm a mess.
Maybe my being as screwed-up as I am
helps get them through it
and all my pain and turbulence
all my preposterous longings
to be well-meaning and beautiful
all the black elixirs of the ruthless mystery
I've drunk from my own skull
held up to the gods
like the begging bowl of the moon
when it's full
just to see if the darkness tastes of light
the way a lump of coal
foreshadows diamonds to come
after aeons of excruciating transformations
and if there's more room for chaos on a calendar
than there is space in the scheme of things for thought.
But there I go again.
You see what I mean?
Fish jumping out of the stream at the stars
that lure them up out of their depths
like low-flying insects
to take one great leap into a new medium
out of themselves
like an arrow through the back of a bulls-eye of ripples
it didn't know it was aiming at.
But things are getting too elaborate
and at this rate I'll soon be speaking in voices
like some right-brained polyglot in a rapture of saying
going on like the Rosetta Stone
as if I weren't sitting here alone
like the misbegotten seventh son of zero
trying to come to terms
with a formless reality
I keep stubbing my heart on.
Mahaprajnaparamita.
Great wisdom for the further shore.
Gone! Gone! Gone!
Altogether gone beyond.
Isn't that what the Buddha said
in his secret place
when he went out of his head
trying to stare the world in the face
and all he could see was Venus in the dawn?
Desire and its afterbirth
at the beginning of nothing at all?
An insight into what's unearthly about the eternal
or just the way the light's bent by an atmosphere?
To those who can't let go of things
and to those who cling to letting go
impermanence is suffering
and the only way to cure that
is to pour yourself out upon the earth
like the bitter cup of the moon
when she's had enough of herself
and find peace
in the sweet potential of your emptiness
to be filled up again.
To sit here in a secret place
like I do
tangled in my human roots
with waterlilies on my brain
strung out all the way from earth to Venus
like a chain of thought
severed in the distant past
we had resolved would never come between us.
Where is the peace?
Where does that flower bloom
that's rooted in blood and starmud
if not in the solitude of a human heart
that's wandered this far from home
along the shores of its longing to return?
Why does my heart argue
against the will of the world
like a salmon swimming upstream
on the down slope of a cosmic mountain?
I'm not trying to scheme my way out of
my dream of this
like someone who turns his back on his eyes.
I'm sick of lies.
I'm sick of universal truths.
I'm sick of how blithely everything obliges death
with every second breath.
I'm sick of the grailquest.
I'm sick of the hypocritical crusades.
I'm sick of Aztecs and Christians
with the blood of gods and children on their lips.
I'm sick of atheists who claim it's lipstick.
The lightbulb in the well on the moon
to keep the water from freezing up
has gone out
and I'm sick of the way things don't flow anymore
like a tide in a sea of shadows
like the road of ghosts
through the cold dark vacant interstellar spaces
of an enlightened lunatic with a creative abyss for a heart.
I'm sick of the bitter black ghost bread of my art
that tastes like the futility of burnt paper.
I'm sick of trying to understand
what isn't understandable
about my own and human nature.
I'm sick of all these long incommensurable interminable questions
I've walked all the way to the end of time and again
only to return with an ambiguous answer
that's rarely communicable through form.
In all humility
take the low place like the sea
and the sewage of the world runs down into me.
Take the high like the open sky
and the mountain turns into a mudslide.
The best is to be here right now as I am
with all my dilemmas answers contradictions
insights questions and aspirations,
all the paradoxical sorrows that have come
of my physical assurance that life is joy
and ultimate unity is bliss
without the oxymorons
and love's a deeper insight into life than death
if only by a breath
and though why we're here in the first place
is anyone's good guess
intelligence is not the anti-Christ of chaos
but the genius of dark matter becoming aware of itself
like a hidden secret that wished to be known.
What is dark will appear light
if you surround it with something darker
like a star shining in daylight
no one notices
until the night reveals it
like a wolf that lies down with the lamb.
And the best is to be wholly here right now as I am.

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Someone To Rejoice In

Someone to rejoice in. Foolish thought.
Epiphanous absurdity. My interminable longing
for a treasure, a happiness, a companion
I'm not even sure I deserve, is agitating
oceans of emotion again,
and wants to run before the wind,
wants to raise up apple blossoms
like sails with the skull and crossbones on them
and skirt the rocky coasts of extinct volcanoes
that once served as lighthouses in the distance
when I was island-hopping
like an infidel among the angel fleets.

The dragon's howl in the dead skull.
Moments when my heart shrieks with life
like a red-tailed hawk falling upon a snake.
I am a ravenous man who wants to eat the light.
The night flows into my bloodstream
like an atlas of arteries.
As time has passed, the pain in me
has shifted wavelengths from the ultra violet
to the infra-red of a less lethal frequency.
I'm at the wide-eyed end of the hourglass,
but I can still bare my fangs
like the moon when I need to.
I can still come down off the mountain
like a hashashim and run the shadow of my knife
like an eclipse across the dreamscape of anyone
who takes too much for granted in their sleep.

So why is it after refueling and buying
a well-upholstered cheesey sandwhich in plastic skin
at the all night Kingston Esso just before you cross the 401
at one thirty in the morning, and begin to enter
the long, dark way home up the old Perth road to Westport,
did I begin to miss you
as if you had sat beside me my whole life?
And I pondered your absence like a hitch hiker
I had just picked up for the first time
and the impact of the encounter
left an indelible impression on my emptiness
as if someone had written something
so eloquent and intriguing as a ribbon of blood
letting its hair down in the water
I couldn't help but feel like a flying carpet
that was unravelling mile by mile of asphalt
like a glacier that couldn't wait to get back to you,
thawing time into rivers to speed things up?

And the night sang as I hadn't heard it in a while.
And the stars flew in through the window like fireflies.
And I rode the road like a rat snake past Devil's Lake
where we agreed to paint en plain air
when the waterlilies were in bloom
like huge starmaps laid upon the water.
Are you the tuning fork that tames the lightning?
Are you the power of silence that shames the word?
Are you the thread of blood on the sword that blesses it?

And I wanted to kiss you good night.
I wanted to embrace you like a nebula
of blue-hearted hydrogen and the dust of dead stars
just to see if I could make you shine or not,
but I thought it was too early in the year,
too premature for the Pleiades to break into light
and I might scare you with the intensity
of what was ingathering out of
the immensities of the last million light-years
of crossing these homeless thresholds
without a star to go by, alone and unconvinced
I hadn't missed the turn several lifetimes back.

Now I sit upright in my bones at my desk
like dice with their eyes fully opened like blackholes
wondering if I should chide my skeleton for cowardice
or alea iacta, risked my luck, and crossed the Rubicon
like an event horizon that's never known a compass or a guide.
And I'm looking under every leaf and stone
and heart I've ever worn upon my sleeve
like a fresh strawberry in a field of burning scarecrows
that started out as potential messiahs
but ended up being immolated as faithful heretics
true to the fire that consumed them from within.
And you, their felix culpa, their happy sin.
The one forbidden thing you must risk your life for to live.

I'm dogpaddling in space and time like a shipwreck.
I'm holding my breath like a lungful of stars
trying to stay afloat long enough
not to see my life flash before my eyes
like a lantern whose last remaining firefly's gone out
like the solar flare of an s.o.s. that bloomed to no effect,
until your lifeboat returns like the moon for survivors.

A swallow again lost in a hurricane of volcanic ashes?
A simian in a cage with a piece of coloured glass
that transfixes it with vulnerable awe and wonder?
The aura of a woman who doesn't know yet
quite how beautiful she is, lingering in the air
like the smell of wild roses when you're out
painting alone in the fields of abandoned farms
and you can feel the uncanny chill of another person
walk right through you like the moon through a summer window.

And o to worry about so many little things again
the world pivots on moment by moment
as if it were a privilege and an honour to cherish them
like signs of love in a Druidic tree alphabet
that whispered coniferous prophecies to the moon
but held a few sacred syllables back under its tongue
that were just meant for one alone to hear
like a secret message between a butterfly and a star.
Or this woman who's just summoned me
like a nightbird to the moonrise of her smile
as if I'd never flown to the end of my longing before
without finding a noose to hang myself with.

But as I do, I do again with less fear than before
and though the shadows in the valley of death
are just as intense, the warmth of a sprightly optimism
that keeps this firefly of insight alive in my heart
to want to see this all the way through
as if it were a rite of passage
that proved the comets true
or the rush of a wild northern river
with a rudder and a sail and a hull
going over a waterfall like the Milky Way,
or a moonboat panning for gold in the mountains.

The rustic pauper prince of Perth, I hadn't
realized what an undernourished bush wolf I had become
after all these years of living in the wilderness
until I understood someone had baited the trapline
with kindness I had forgotten the taste of in my exile.
And though I don't travel with a begging bowl,
by god, I'll hold my skull out to her next time
if I have to, just to taste a sheaf of light
from that harvest again, as if the dark side of the moon
had just broken its long vow of silence and darkness
and she were lingering in space like the aura
of an atmosphere I had lived too long without.

As if a dakini, an elixir of light, had appeared
like the planet Venus in the dusk again
and I could feel an updraft of stars
wheeling under my wings
like a winding stairwell of serpent fire
threading through all nine open chakras
and eleven dimensions of a sky wide third eye
in an easy rapture of something unearthly, ascending
to sterling altitudes of blissful vertigo
that whirl me in a wind of fire at the crossroads
of everywhere and here
like the ashes of a mad Sufi
ghost dancing on his funeral pyre for rain
as the first few drops wash his fate from his forehead
like the sheet music of an old song
perched like aging birds on a downed powerline
returning its energy like lightning to the earth
she walks upon in the flowing raiment of fireflies
and the hydrogen negligees of the blue star clusters
embroidered with the harvest gold of the sun
seasoning the grain with the bright vacancy
and dark abundance of the light
still warm in the lunar locket of her heart
as if she'd just put a loaf of bread
out on the windowsill to cool for a moment or two.

And how can I, this famine in an hourglass
beside this silo of the plenum void full of manna
resist whatever befalls me in this desert of stars
whether it be vipers or wheat fields
along the way to the unpromised land of milk and honey,
barefoot on thorns, or walking on soft petals
like the dunes and waves of the ocean in the rose?

Flammable poet, sacred clown of the holy mirage,
mad monk alone in your hermitage, dragon seed
of island pirates wearing the night like an eye-patch
to navigate the stars like a canning jar of fireflies
burning on the inside of their eyelids like starmaps
to the cherished singularities I buried
at the bottom of the fathomless blackholes
firing up the galaxies all over again like the wellsprings
of a muse renewing her wings like starfish and birds
in the fountainmouth of the mountain at a loss for words.
Or as the poet said, what's madness
but nobility of soul at odds with circumstance?

And did you not say, I heard you as if my life
depended on it, you were attracted to crazy people,
and did I not ask, if crazy wisdom were close enough,
and you replied, yes, and my heart freefell
a thousand feet without a parachute
when space bent like a longbow into flight.
And I shuddered like a witching wand in ecstasy
over the watershed that swelled under me
when I divined what that could mean to a sailor
lost at sea on the moon as far from shore
as any lunatic has ever been out of his asylum
his heart his mind his body soul and spirit
without dying like a message for the sake of the medium
it was delivered in like longing in the song of a nightbird.
Love in the sound of a word.

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When The Spirit Moves

When the spirit moves it's the summation
of everything I am without definition,
the averaging out of all my existential crucials,
the dark matter of the moment
expressing the perennial insight
not as signs in the light, but light itself.

I don't know what it is or it is not,
maybe just an enculturated meme of antiquated emotion,
or a way of hallowing the next breath I take.
I could be cynical and say it's fake.
But then I'd have to eat my own ashes
with a long spoon, and what would I do
for an encore? Boring if the truth
doesn't leave you gaping in wonder at something.

I've seen the wind at night in full moonlight
silvering the hot gold of the wheat
as if it were cooling a sensitive burn on human skin.
I've seen the fireflies in the valley
illuminate the cloud of unknowing
after a summer thunderstorm
like a chaos of lighthouses on shore
signalling to an empty lifeboat.
I've been engulfed by the fearful immensities
in the heart of a woman when her dark energies
start to accelerate space up to the speed of light
and even the most quotidian moments,
lipstick on a rumpled kleenex on the kitchen table
beside the abandoned mirror that couldn't
get a handle on things, blood on the bedsheet,
the cooling red of a farewell rose, all,
supercharged with chameleonic frequencies
of eternity forever the silence of time and the void
when you're mystically terrified by the passage
of beauty and passion into the carrying forth
of a waterclock just back from the wellsprings of it all.

Who knows where the time goes and everything with it?
I suspect it follows me home like a feral cat
that wants me to adopt it so it can bring me in
out of the cold. I used to think that spirit
was a smudge of a ghost, a gesture of air,
an aurora borealis in a twilight zone
where the sun shines at midnight and the snow blooms.
I used to try to touch the intangible with my imagination.
The void arrays the things of the world.
Can the mind do any less as a serious creator?
That's when I discovered the fingertips of the very hand
I reached out with was the spirit reading Braille
because I was blind to what the dark constellations
in the black mirror were trying to tell me
engaging the spirit as a scribe and interpreter
one moment, then blowing it in my face, the next
like a squall of stars in a vertiginous gust of wind.
Snuffed out like a matchbook just when I thought
I had things flaring away like sunlight at a rave.

The spirit that witnesses is not a cartographer
with a surveying team on the dark side of an Orphic skull
to assess if all its softer continental plates
had synarthritically reassembled themselves
like Humpty Dumpty back into a cosmic egg.
The lamp might be shattered but that doesn't mean
the light's broken. The spirit never really mends.
It just keeps on shining in a wounded space
until it doesn't feel the swords of the assassins of water
arming their shadows for a firefight with a dragon
that brings the rain like a medic to a battlefield
where the slain forgive their slayers for healing the moon.

The heart governs in silence. But the spirit moves
like a processional stillness through the mind
that shakes the diamonds out of the cuffs of your crazy wisdom
like dew from the mandalic cobwebs of the morning
and turns the lint in your empty pockets out
to show you you were richer than you thought
before you left home to seek your treasure elsewhere.
You cherish the jewels at the expense of your eyes.
One star tweaks your devotion more than the rest.
And they all go out at the same time. The spirit
doesn't refuse the mind anything that allures it.
The full moon doesn't obstruct the flight of the blue herons.

The spirit isn't the voice coach or dream grammar
of what gets written about your life long after
you're too far, too long, the moment you're gone, to read it.
The spirit is like sentient space. It doesn't come
with an entrance or an exit. The axis of the earth
might be the tent pole of a circus going up in a starfield,
and all the constellations swinging on a trapeze
in a travelling freak show of ring masters
and snake oil salesmen pitching their wares
on a blazing midway meant to befuddle the senses
into buying a peek at the grotesque and ugly
so you can secretly gloat at the shapeliness
of your own reality depending upon the comparison
for your sense of ascendency, your shaky rung
on the ladder out of the snakepit it's got a foothold in
like a black hole cornerstone in an avalanche of galactic quicksand.

Spirit is flame, muse, familiar, sybil and friend.
No more than butterflies need to be liberated from their cocoons,
or dragonflies from their chrysales, the gerry-mandered huts
of their koans and fortune-cookies, does the spirit
need to be liberated from its earthly transformations. Who
can liberate the wave from water. Who can liberate
space from space? Just because the blossoms blow away
doesn't mean they're trying to flee the apple tree.
Let the spirit dance to its own picture-music.
Let the spirit play like the sea with its own weather.
In a bifurcated world that revels in reflecting its opposite
to get a rise out of consciousness, need one eye
be the disciple of the other? Speak quickly
or you'll regret you forgot the answer
and start looking for intercessors to do it for you.

Dark watershed and radiant wellsprings of the muses
hauling up buckets of stars to bathe in like a moonrise,
your spirit a fountain, what need for it to drink spit
out of other people's mouths, or masticate
the sacred syllables of someone else's rapture at being alive
but its own? Whether you're at a foodbank
or sipping nectar from the birdhouses of the gods,
even the angels can't chew your spiritual food for you
and have it do you any good. Say, ah,
when you look at the world with infantile appetites
like gaping new moons trying to add to their collection
of silver spoons. Let the thief run off with them
like a crow with an eye for shiny things. The sooner
you get rid of the tinfoil, the sooner the shining
will get real for once and everything you rejoice in,
everything you feel and think and grieve for,
your commonsensical ignorance of the goat paths
up the mountain, and the avalanche of asteroids
you bring down on yourself as if your valley were a grave
the mountain dug for itself, to the enlightened lunatic
of your crazy wisdom raving in laughter with the wolves
at the rising moon, everything thereafter will taste of stars
in the eyes of the ageless friend you've made
of your own presence sweetening the air of a late October night.

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Patrick White

Coming Out Of A Blue Funk

Coming out of a blue funk, this seal,
under a sky thickening like sheet ice all day
has found an airhole it can breathe through for awhile.
Been wondering about my life. What
it's been doing to me for the last fifty years
for the sake of poetry, for the sake
of pursuing an earthly excellence
though it hardly matters why anymore.
I used to have an answer on the tip of my tongue
when I was young and thought more
with my mouth than my heart. Less so now.
Time, death, suffering, love and the devil,
certain intense realms of creative bliss
attuned to the dark harmonies of hidden roots
that flow back like the delta of a river
to the watershed of a single dropp of water
that got it in its head to do something big with its life
and turn something trivial into the sublime.
Did not the sun and the moon, the whole of the sky,
fit it like skin? And that was just the outside.
It would take more than light years to measure
the wingspan of the abysmal spaces within.
Even time would run out of itself
before it got to the end of anything.

My life in art has been like keeping a fire alight outside
in a rainstorm of tears. To see clearly
through windows that thawed in the heat
of looking through them with the compassionate ferocity
of a crystal skull poured out of a terraforming meteor impact
like a prophetic lump of coal, a diamond in the rough,
that refused to burn in the furnace to prove it had the right stuff
to shine like a star, no one could follow, on its way to somewhere else.
Not a sign post. Just a sign. Your eyes
once you see it, are never going to be the same again.
You won't look at a starcluster like the Pleiades
as if you were waiting for the traffic lights to change.
You'll take your three and a half pounds of brainy starmud,
like a meteoritic kissing stone, a falling star,
and run it through a diamond tipped bandsaw
and discover the jewel of life that's been glowing
in the core of the ore since time immemorial
like a dna molecule wasted on space
that transforms the medium and the messenger
into a voice, free of content, that's the whole of the message.

I walked out to this dark, deserted place, redolent
with the duff and detritus of life, the flotsam and jetsam,
where the half life of the rate of decay of my insights
into your heart, eludes being used as an atomic clock
to determine the agelessness of either of us.
I came out to look at the stars but I've been startled
by the photonic discharges of your bioluminescent fireflies
ever since I started looking up like a starmap to make sure things
were where they were supposed to be. One moment
you get in my eyes like the sandstorm of a mandalic power painting,
a masterpiece of the wind, and the next,
I can feel the intransigence of your vulnerability
dyeing your hair like a comet to attract the attention
of the sun at midnight looking for asylum from a black hole
where it's third eye used to be.

You're a mermaid on the rocks of Andromeda singing to a telescope
to look up to see how far its got to sink in an ocean of stars
before it hits bottom like a shipwrecked moonrise
gone pearl diving for habitable planets
that can say I love you and mean it like an atmosphere
it's not going to lose again. Only in the Braille
of the scars on your heart so far, but I can read your pain
like the glyphs of an Aztec temple
I'm still clearing from the jungle of my indirections,
that recorded in imported stone how many times
it's been torn out to please the gods with a kidnapped sacrifice
worthy of the priestcraft in the sacred abattoirs
of modern drug cartels when you're too susceptible
to feeling too much, the same as me, when I'm thinking mythically
about what I've endured to be acceptable in my own eyes
that might shine across these aloof distances like a star into yours
that lights you up from the inside like an intimate familiar
whispering into your ear like a dream grammar of sacred syllables
that have liberated themselves from the syntax of the stars
just to speak subliminally in the same sign language as you
like the chaos of fireflies I see in the black mirror of my mindstream
bending space like the surface of a lake at night
where you can hear the echo of a loon ululating
like the wavelength of a mysterious love song
among these dark hills shapeshifting in the moonlight
toward you like a mirage of picture-music
emerging as something real in this wilderness of transformation
like a new constellation of fireflies I want to overhear with your heart.

poem by Patrick WhiteReport problemRelated quotes
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