Patrick White

I Remember The Bees

I remember the bees
moving like heavy slow notes
among the sunflower microphones
two octaves lower than the fireflies
on late August afternoons
perishing in the light.
And the irrelevant felicity of being me
with nothing to do but time.
Many roads and years away now
and this is another life
another town
and I'm staring out of a window
that's been forgotten by the eyes
that used to look through it
at the bleak winter rain
trying to distinguish the oases
from the mirages
in this glass-blowing desert of pain.
I remember white sweet clover along the dusty roadside
overwhelming the still hot air with its sweetness
and how it grew so high and thick
in the drainage ditches
it folded it wings over the road like a swan.
I remember watching the moon
lower its hook into the lake
hoping to catch something.
And now I'm trying to get it out of my mouth
like a question I can't answer.
I'm envious of the happiness I used to know
as if it had all happened to someone else
I could never be again
because even a river
can't step into itself twice
and the same is true of a bloodstream.
So do we all wash ourselves clean of ourselves in the running.
It's the mind's way of not staining its own clarity.
You don't need to see to shine.
There are quantum events of the mind.
There are insights and thoughts
auroral premonitions
and solar prophecies
that flare like the Medusa's hair on fire.
There are shadows of the unforeseeable
that cast their eclipses and sunspots
like exponentially tiny black holes
that steal the seeing from the light
and make space and time gape at their own measure
in the darkness of the heart of a human.
And in the next era of a moment
terrify them with the wonder of breaking into stars.
And most strange and astonishing of all
elaborated out of a chaos of photons
emerging out of the random
like wind on water
like Penelope weaving and undoing the moon on the lake
membranous worlds in hyperspace
blowing bubbles at each other
as if the light in their eyes
were life itself
shaping the multiverse playfully
into mystic glains swallowed by cosmic serpents
and fireflies caught in the drapes
by the open window
like jewels in the net of Indra,
like primordial atoms going off spontaneously
for the sheer thrill of it.
Mark one world and they're all marked.
And there's no end of the accounting.
That's why the most gracious of numbers is zero
and in any world I find myself possible in
I am the spacious friend of its infinite variety.
Even in Perth on a Sunday
among the flagging ambitions of leafless backyard trees
that have given up
dreaming of the doors and arrows
the coffins and lifeboats
they could have become in the hands of a mastercraftsman
and content themselves by staying out of the way of the powerlines.
Worlds within worlds within worlds being born
under my skin
at the tip of my nose
the end of my fingertips my tongue
pouring from the precipice of my lips
like lemmings and words not afraid to take a chance
the wind might feather their falling.
If compassion is worth the weight
of one single tear
of what life suffers here
then all things must be falling toward paradise.
Even the willows with their yellow-tinged hair trapped in ice.
Even the mailman who was convicted of taking his own advice.
Even the young beauty queen whose mouth overflows with saliva
as she dreams her makeup has turned into a pillow
that's trying to smother her like a serial killer
trying to get her attention on the news.
Do you see?
When you get right down to the point
there is no point.
Ask Heisenberg.
There's only you and I
and what we are
embodied in this memory
is merely the shadow cast
by what we are becoming.
Ask any star.
Keep the light behind you
like a ufo file with a due date.
Make a photonic leap into space.
Jump orbitals.
Release your infinitesimal quantum of energy
into the mind-bending unforeseeable gateless expanses of space
and instead of depending
on the fossils of cyanobacteria in Martian meteors
to improve on being alone
create worlds of your own
where space isn't time flatlining
but a field of imagination
where the absurd lets its muse run free as an enzyme.
Why do you keep coming home empty-handed
like Ponce de Leon searching
for the disabled fountains of youth
when you must know by now
it's the questions that are the watersheds of the truth?
It's the questions that keep you alive and searching.
It's the looking and not knowing
that keeps the fires of life
moving and growing
one step ahead of their ashs.
It's not the questions.
It's the answers that are killing you.
You might seek like a phoenix
but all your lanterns are ghosts.
Your eyes might be faster than light
but you're still blind if you can't see
that the world is
merely the shadow of an insight
you cast behind you
like the stars
like the candles
like the fireflies in your skull.
And it's good to know them all.
It's good to trace the lifelines
on the palm of your hand
and follow them back to the source of the Nile.
It's good to know the imaginary animals
that talk like your fingers
held up to the lamp
like constellations on a starmap
like zodiacs and arks
like a dog that barks
in the voice of a human.
It's good to see your own face
in the shadowplay
of subatomic particles
and take small intimacies with the profound
as if you'd just opened your eyes
like God's umbrella
in the spirit's lost and found.
It's good to stand in your own light
under the nightskies
and add your lustre to the stars.
It's good to abide in clarity and law.
But enlightenment is a darkness that shines
beyond the reach of your eyes
and just as space is bent
by the mass of Mars
so time is as supple as water and silk
and yesterday
is just as much the future of tomorrow
as the perennial brevity of this moment now
flowing down the lifelines of the mindstream
like a wavelength of night and time
that can't be measured in lightyears.
I reflect on everything I'm missing
and my grief turns to wine,
my tears to honey.
I resonate with the forked harmonies of time
like the tremulous skin of serpentine cosines
it sheds as it moves up my spine
like a waterclock of snakefire
pouring into the watershed of my mind.
And all the threads and rivulets
of my string theory thought
and the membranous theses
that are spun from them
are gathered up
and woven into whole cloth
over the black hole
of an acoustic guitar
the shape of a universe
as if it were a loom of music.
Time is music.
Space is music.
Life is music.
And death isn't where the music stops.
When you listen to it
not just with your ears
but with your eyes your heart your mind your blood your skin.
When you let it come empty-handed
and go empty-handed
without trying to grasp it like a thing
you realize that everything is singing
about what it is to be a human.
And you must be a human to hear it as such
because you can never understand
more than what you are
out to and beyond the youngest stars
that are the oldest of your insights
into the birth of the universe.
Time is music
and neither time nor music
leave anything behind.
Here once
here for good.
Though time has a past and future
a coming and going
a lament and a longing fulfilled
reflected like opposites on the watermirrors of the mind
it's still the same waterbird
cosmic note
first word
from the void in the mouth of now
waking itself up from a dark dream
with the sound of our voices
arriving in joy
and crying with relief when we leave.
I can hear the locust tree in spring
even with snow on the ground
and this hopeless duty
of a bleak window before me
singing in my ear
like the slow whisper,
the murmurous humming
of an intimate voice full of bees.
Time is music.
Life is music.
Death is music.
All the syllables colours notes thoughts feelings images and symbols
all the doubts and half-lives of the certainties
all the ardency of our holiest guesses
and starless inspirations
all the brutal black lightning insights
and firefly epiphanies
that have ever expressed the hearts and minds of humans
all the homeless clarities
and godless vagrancies
of what we're doing in the world
feeling lost in the doorways of our own thresholds
where every step we take is arrival and departure.
They're all the picture-music of us
and we're as indelible
as the moon dropping her petals and feathers
her hooks and thorns
her horns and claws and surgical fangs
like white swans and peonies on the river
like the eyelids of a mask she takes off
a drowned nurse
to remember whose face she's looking at.
And you can't remove a quaver of it.
Not the slightest detail.
Not one black swan.
Not the swerve of a single photon
with an identity crisis
striking the lightning rod of a nerve
that runs it to ground
and roots it in the body
until the mind opens
like the eye of a flower
a New England aster
that can see from the inside out
that life is a phoenix
in the ashs of a blue guitar
with the wingspan
of a locust tree in the spring
and the afterlife of a star.
Light flows through the roots
of my dendritic lifelines
like a zodiac of fireflies
streaming through space
for a place in the sun
and I can remember the bees
before the arising of signs.
I can hear them with my eyes.
I can see them with my tongue.
And I might not know
all the words to the song
or even what the lyrics
are all about
but that's never kept me
from singing my heart out.

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Patrick White

This Is An Old Sorrow

This is an old sorrow, almost beautiful in the way
it underwhelms me from above, a sky caving in
like a circus tent under the weight of the rain,
a ghost of fruit that could not bear the weight of its tears.
This is a random sadness that's got me as its only friend
when it thaws like a mirror
looking back over its shoulder
at its glacial past, ex-lovers, friends, certain pets,
and eyes that were glass weeping
in the intense mystic heat of a blast furnace full of stars
for how little they understood at the time, things pass
like Canada geese migrating across the moon
like a river you can't step into twice.
Though it doesn't make any sense to say so.
This is an ancient sorrow. And though one direction
is as good as many, I'm still following
the herds of the grazing stars as far north as I can.

O we shall sit down on the good earth half lotus sometime
and cry together for the wound of being alive.
The rose has teeth. And celebrate the scars
in the herb garden as if they were crescent moons.
Or the eyes of a powerful wraith of sadness
saturating the atmosphere with the pathos
of a lament that's been sublimely burning
through its heart for lightyears
like some deep emptiness it knows can never be filled.

As if God would never be enough for herself
and the whole of the universe were
one long maternity of endless creation
that is manifested in its entirety in each one of us
the way the moon's reflected in a dropp of blood
hanging from the thorn of a rose
with the last of two beautiful sunsets for eyes
like the sheen of auroral silk glancing off the scales
of a black watersnake at nightfall when the swallows go in
and the bats come out on the nightshift
like the winged heels of some demonic messenger
with minions that squeal in a frequency too high to hear.

But however you send it, by sound or by silence,
by light or by night, be assured the message you send
however time and space bend things
is the message that's received, like a bee by a flower
or a star by the eye that transcribes it creatively
into hieroglyphic metaphors of picture-music
following a dream grammar of starmud
with a bird stuck in its voice like a phoenix in the Arctic.

Time washes the dust of the road off
by shedding the moonlight like a snake's skin
and skinny-dipping in the fathomless lakes of eternity
it finds along the way like eyes along the mindstream
full of stars and fireflies and what blooms in the soil of its sorrows
beside the stairs at the back doors of all those tomorrows
that left the way they came without saying good-bye.

Volcanic lunar oceans that are only as deep
as the dark tears I have left within me
when I dip the leaking cup of my heart
like the goblet of an impact crater
into a watershed of compassion that looks like the holy grail
and share it with my fellow mirages in this desert of stars
as if they were all as thirsty as I am and everyone
deep down inside somewhere within them
like the green star you can find at the core of an apple,
had a fountain within them like a moon dial or a wine glass
they smashed on the high notes of the nightbirds
just to express their joy as a kind of defiance
in the face of their lots in life, though, in fact
nothing is longer or shorter than anything else in eternity
just as there's only so much time and then there is forever.
And it's the black magic in the roots of a demon
that blossoms like Venus in the west
or New England asters up around Westport in the fall.

And though there's something beautiful in this sadness
that eludes me like a Braille starmap
I can't quite put my finger on to see what's shining
like Aldebaran through the tree line of a bride in a widow's veils,
as I listen to a whisper of flesh
pleading in the darkness not to be excluded
from the presence of time, or left behind by the spirit
like a false clue of cast off rags on a hawthorn bush
to say where it's gone forever and ever and ever
as if whatever the spirit and the flesh had
going on between them never mattered,
whenever the clarity cuts through
the thin-skinned mirror like this
as if it were trying to slash my eyes open
like an insight into what's beyond the obvious,
immediately out of a wounded mouth
I am healed by the balm in a voice of compassion
that rises sweetly like the new moon from the womb
of a scarred guitar that didn't know it had such music in it.

And it says in moonlit windows and nightbirds
that make all the dreaming children wake up and listen
to the intimate strangers that speak as gently as fireflies
to the vast nightskies of their own imaginations,
that the world that casts these shadows on your wall
like a crow preening its feathers, or a bell
that's lost its faith in knowing, and plunges like an apple
into its next afterlife, are merely the holy petals
and sacred syllables taken like pages from the Book of Life
left out like an orchard in a nightwind for every one to read
like a story each of us writes for ourselves
to help us drift gently off into sleep again
to find out how it all ends in a dream that goes on forever
like the fragrance of lilac in an old woman's memories
or the marrow of the apple bloom
that clings like the moon to our bones
or stars to the flypaper stairwells of our chromosomes.

No other way to explain the shining of this sadness deep within
as if my very blood mourned the passing of the things
that have drowned and disappeared into it over the years
like honey-bees in the lees at the bottom of a black tulip
full of rainwater, and by that I know
this is a sadness common to all
that's worthy of the stars in its windows,
and the dreams in the mirrors that paint our faces
like quick watercolour life studies of rainbows in tears.

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The Poem That Comes From Hearing The Poem Of Another

The poem that comes from hearing the poem of another
And tries to ride on its rhythm
Like the sea on its own waves-

A forced music finding nowhere in itself a music of its own
Because all the poems are melodies made light by more light
As all the poems are dreams made dreamlike by more dreaming-

And we in our poetic fervor hearing that lyric sound
Go round and round again and again
As if we were the music of the stars
When the universe empirically spherical –

But now in this more deeply instrumented time,
When what we see with our eyes is always less than what we measure
Time and Time again tells us that Space and Space again tell us
That all we are in this long distance darkness
Is one small point of light which in its own sad way will fade out before its music endures-

For the stars have only our imagined music
and not more than the light
of their own violent dying –

So here having heard the poem of another
And open to my own inner voice,
I cry and cry again for another sky and another music
That only God Who is Beyond these earthly hapless sounds
Can Dream and Feel and Know
In the Lyric Ending that justifies our home.

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Patrick White

Coming Out Of A Blue Funk

Coming out of a blue funk, this seal,
under a sky thickening like sheet ice all day
has found an airhole it can breathe through for awhile.
Been wondering about my life. What
it's been doing to me for the last fifty years
for the sake of poetry, for the sake
of pursuing an earthly excellence
though it hardly matters why anymore.
I used to have an answer on the tip of my tongue
when I was young and thought more
with my mouth than my heart. Less so now.
Time, death, suffering, love and the devil,
certain intense realms of creative bliss
attuned to the dark harmonies of hidden roots
that flow back like the delta of a river
to the watershed of a single dropp of water
that got it in its head to do something big with its life
and turn something trivial into the sublime.
Did not the sun and the moon, the whole of the sky,
fit it like skin? And that was just the outside.
It would take more than light years to measure
the wingspan of the abysmal spaces within.
Even time would run out of itself
before it got to the end of anything.

My life in art has been like keeping a fire alight outside
in a rainstorm of tears. To see clearly
through windows that thawed in the heat
of looking through them with the compassionate ferocity
of a crystal skull poured out of a terraforming meteor impact
like a prophetic lump of coal, a diamond in the rough,
that refused to burn in the furnace to prove it had the right stuff
to shine like a star, no one could follow, on its way to somewhere else.
Not a sign post. Just a sign. Your eyes
once you see it, are never going to be the same again.
You won't look at a starcluster like the Pleiades
as if you were waiting for the traffic lights to change.
You'll take your three and a half pounds of brainy starmud,
like a meteoritic kissing stone, a falling star,
and run it through a diamond tipped bandsaw
and discover the jewel of life that's been glowing
in the core of the ore since time immemorial
like a dna molecule wasted on space
that transforms the medium and the messenger
into a voice, free of content, that's the whole of the message.

I walked out to this dark, deserted place, redolent
with the duff and detritus of life, the flotsam and jetsam,
where the half life of the rate of decay of my insights
into your heart, eludes being used as an atomic clock
to determine the agelessness of either of us.
I came out to look at the stars but I've been startled
by the photonic discharges of your bioluminescent fireflies
ever since I started looking up like a starmap to make sure things
were where they were supposed to be. One moment
you get in my eyes like the sandstorm of a mandalic power painting,
a masterpiece of the wind, and the next,
I can feel the intransigence of your vulnerability
dyeing your hair like a comet to attract the attention
of the sun at midnight looking for asylum from a black hole
where it's third eye used to be.

You're a mermaid on the rocks of Andromeda singing to a telescope
to look up to see how far its got to sink in an ocean of stars
before it hits bottom like a shipwrecked moonrise
gone pearl diving for habitable planets
that can say I love you and mean it like an atmosphere
it's not going to lose again. Only in the Braille
of the scars on your heart so far, but I can read your pain
like the glyphs of an Aztec temple
I'm still clearing from the jungle of my indirections,
that recorded in imported stone how many times
it's been torn out to please the gods with a kidnapped sacrifice
worthy of the priestcraft in the sacred abattoirs
of modern drug cartels when you're too susceptible
to feeling too much, the same as me, when I'm thinking mythically
about what I've endured to be acceptable in my own eyes
that might shine across these aloof distances like a star into yours
that lights you up from the inside like an intimate familiar
whispering into your ear like a dream grammar of sacred syllables
that have liberated themselves from the syntax of the stars
just to speak subliminally in the same sign language as you
like the chaos of fireflies I see in the black mirror of my mindstream
bending space like the surface of a lake at night
where you can hear the echo of a loon ululating
like the wavelength of a mysterious love song
among these dark hills shapeshifting in the moonlight
toward you like a mirage of picture-music
emerging as something real in this wilderness of transformation
like a new constellation of fireflies I want to overhear with your heart.

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Patrick White

Something Said Softly

Something said softly in the night
like a tendril on a windowsill
tasting the moon, a whisper, a word
that walked in the light without
abandoning its shadow,
a phrase with wet wings
dreaming itself out of its chrysalis
not knowing whether it's a leaf or a dragonfly
until the whole tree wakes up beside it,
something sought but rarely said
saturated with the meaningless life of meaning
that could touch space like flesh
and make it feel the thrill of new eyes
running down its arm like tears.
And it's not that I want
to unsay the night or God
to define myself as a human,
and it's of little moment to me,
seed on the wind,
what worlds are born of my words,
what ends, what begins,
what comes of what I cannot say,
but I want to say something
with the savour of time in it
that's worth living for a little more each day
like a small tree rooted like a thought
in a crevasse of eternity,
greening the moon.
Late at night, in the darkness,
while the silence is off preserving something,
and all I can hear is your breath
off in the distance like an ocean,
I want to unpack my vagrant heart
like a patched guitar-case,
a grave-robber in a pyramid,
and attune my afterlife
to the key of this one
in such a way
I can play like a new star in Orion
to all the sad, beautiful fireflies of the moment
that hover over us like living constellations of our own
not bound to any paradigm of light
that can only be touched by a mountain of stone.
I want to paint something
that feels like the flower
that just brushed against your hand,
I want to be inspired by the mystic blue of midnight
like window glass fired in the kiln of a star
that has looked upon the suffering of humans for so long,
their atrocities and deprivations,
their terrors and wrecked joys,
compassion has turned it into an eye so clear
you can sip water from it like tears
that taste of the history of blood and wine
that danced alone like a vine at its own wedding
with a bride of rain that unveiled herself
like falling chandeliers.
Unfailingly, absurdly, obsessively human
in the shadow of thundering magnitudes
that feel like the extinctions of gods
that time has wheeled out
to the enormity of the gravepit
that limes every abyss of the heart
with the stars of a new universe,
I want to add one candle to the shining
in a folly of insight so illuminating
even the earliest galaxies
forever entering the darkness
on the threshold of their first shedding
could see it, something
so profoundly vernal and intimate
even I can believe in it.

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Patrick White

Lighting It Up And Blowing It Out

Lighting it up and blowing it out
I try to make my way through the dark
by beginning at the end
as if the coming and the going
were the same door
or good-bye were the first thing
you would say to a friend.
I approach things like a night stream
as if my death were already achieved
and behind me.
And all the atoms of my being
dancing like frenzied gnats
in the sunset glow of a last eye-beam
are certifiably primordial
and any one of them
when they lose it in the light
could begin a world.
And what can you say more of a life
that dreams of what it is
than it's the taste of the same wine
in many different cups?
And as any fox knows
the grape is always sweetest
when you can taste it with your eyes.
Though why foxes eat grapes is anyone's guess
but life makes itself up as it goes
like music in a fish's earlobes.
It feathers its themes in fire and light
and goes up in smoke
like the ghost of a tree
looking for habitable planets among the stars.
New wounds with innocent root-room for old scars.
Chalking the cue to bank the long shot
you're trying to spin off into
the deep, dark pockets
of your game-winning afterlife.
And I don't believe in much anymore
though that hasn't stopped me from crying
like a slow window trying to keep
the stars from leaking out of me
as if there were a black hole
somewhere in my heart
waiting for an iris to make it an eye
whose seeing might be a new way of healing
what can't be healed.
Once here. Here forever.
But whether we're the eternal children of forever
or just another breath on the night air
that doesn't even know we live,
even death is just another way of killing time here.
When everywhere's the center of everything else,
the centre holds,
things don't fall apart.
They disappear.
And that's the mystic art
of knowing how to make the most out of existence
by offering no resistance
to the rocks in your own mindstream
that part the waters like the thoughts
of an exile in the promised land
who can't go back the way she came.
The river can't step into the same you twice.
And in every direction
your eyes have ever burned like stars
you can see the dark jewel of your own life
from the inside
before it breaks into light.
Sometimes I'm the lonely sign
on the only path to nowhere
and others I'm positively amniotic
with the schools of my blue lucidity
the albino dolphins of the moon leap through
without a chance of changing their colour.
A flower of prophetic blood bleaches my skull.
I swallow the snakefire of my last eclipse
like a lump of coal
I'm trying to turn into a diamond
that doesn't burn
and never sloughs its skin.
Reality isn't a religion or a science,
or the back and front of a mirror
that doesn't know whose eyes its looking through.
Religion: how many angels can dance on the head of a pin?
Science: how many pins can dance on the head of an angel?
Totem poles on a telephone booth where no one ever picks up.
Voodoo dolls that hex the cause of their effects.
The apple bloom on the tree of knowledge
lets go of its flightless wings
and follows the wind
like the eyelids of unfeathered angels
who opened their eyes like flawless fruit
as they fell toward paradise
without a parachute of smokey virtue
or the scale of a snake for a vice.
Emergence into the open
like a hidden secret revealed
is the engine of evolution
that empowers the dark matter
of this incorporeal starmud
to arise like the high note of a bird
that's flown beyond the night in its voice
like light beyond its myth of origin.
And the peduncle is lost in the ensuing phylum
as a madman is lost in the scream
that woke up the asylum,
or a god is lost in his own creation.
And the mountains listen
to the holy voices
in the valleys of their shadows
they deepen as they arise
like the guests of an echoless calling
to greet the unknown host.
It's what the moon feels
when she fondles her locket of water
and memories pull at her heartstrings
like tides on earth
and music is the way she recalls
the sirens that used to sing
like the brides of empty lifeboats
that prayed like smashed guitars
for the night to sow the seedless sea with stars.
And in every fish that swims through fire
like the sacred response of life
to the longing in its own desire
she knows they got their wish.
Fireflies in the ashes of the phoenix tree.
And the eggs of cosmic words
like serpents in a bird's nest
learning to fly like dragons
that have just swallowed the moon.
And it's one thing to pull the sword from the stone
but it's a greater power than magic and proof
with no urge to rule
that summons the butterfly from its cocoon
by giving the fool who inches toward the truth
along the green branch toward the apple-bloom
that already tastes like the forbidden fruit
of some radical insight
the whole orchard in a pair of wings
and more than enough night and light on its palette
to start a revolution in seeing among the flowers
who still labour in the chains of their roots
to turn their earthbound lucidities into stars
who might look back for a change
with eyes that have gathered like water out of the shining
and taste the light in the honey
that kissed their eyelids into gold
long before the night was old
and it wasn't enough just to see them.
When you opened your eyes
in the burning clarity of your lone vision
before this matrix of space and time
gave birth to the world
you were free to be whatever you could see.
That's when the light first spoke to you
in the mother-tongue of your seeing
and your voice broke
like a secret name in the mirror
that didn't know who you were
and the moon on nightwater
the thief at the window
your breath like stars on the cold, night air
summoned the whole of being
in every particulate shard
and radiant plinth of the mirror
to drive your shining into the shadows
so myriad things can appear as they are.
Many eyes open. Night. An eclipse. One star.
And the darkness an anti-romantic
in love with the moon from afar.

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Patrick White

If You Had Any Compassion For Yourself

If you had any compassion for yourself,
others wouldn't have to suffer for you
and the world wouldn't show you
such a sad, woeful, wounded face.
You wouldn't see the withering leaves
and petals of the rose in autumn
as merely the scar tissue of its thorns.
In winter, mend your severance.
In spring, attend to your joys.
Like fishing nets and snow fences.
Like delphiniums in a garden bed
that's beginning to bloom like a starmap.

And you know that stranger inside
that's always witnessing everything we do
like a perfectly clear mirror, even in dreams?
Take another look, you might be surprised
at whose face you see at a meeting of eyes.

It's important not to pass judgement on yourself
for fear of condemning the world.
Show me a mirage that isn't a friend to water
or a wishing-well that resents a rainbow
for the pot of gold at the end, though
no one ever knows which end at the time.

Be kind to your delusive paradigms of life,
as you would an old skin you shed like the moon
when your serpent-fire could no longer contain itself
and broke out of its sacred chrysalis like a dragonfly
that had made itself a house of life out of matchsticks
and went up in flames like a snake with wings.

If you could see your life for what it is,
a teaching device for mentoring your own enlightenment
you might read the books of all the sages
rooted and flowering in you like the wisdom of a seed,
or the star in the ore of a panspermic universe
that was planted in you like the garden you've been from birth.

You might think that the wildflowers
are looking up at the stars to understand themselves
but, in truth, they're looking up at their roots
like rain reveres the lightning that engenders it.

You don't need to convince the wind of your freedom,
you've just got to ride it out to the end,
a friend to yourself, a worthy companion,
the intimate familiar of a cloud with a clear blue sky
or a subliminal lover of the darkness
love mushrooms up in like a moonrise.

If you knew how to nurture yourself
by breaking bread with the spirit of life within you
there wouldn't be millions of children
all over the world who will go hungry tonight.
They'd be licking the spoon with stealthy laughter
like cookie-batter out of the begging bowl of your heart.

Enlightenment isn't going to add one ray of light
or a single star to the night you're already shining in,
and whatever wavelength you're on, regardless
of the mystic polarities your potential flows between,
like dark matter and light, whether the journey you're on
is orange or infrared or the blue white violet of the Pleiades,
absorption or emission spectrum alike, no wave
of thought or mind, light, heart or water
is discontinuous with the oceanic consciousness
they rise upon, so why turn back to the source
like a solar flare to ask for directions from a starmap
that sent you out like a bubble in the multiverse to look for land.
You know, if you were more of an explorer
without a preconceived destination, more
of a space probe leaving the solar system periodically,
the rest of us wouldn't feel so lost or out of place at your table.

And even if you've made a vehicle
of the wheel of birth and death
and think you have a firm grasp on things
with your arm out the window in the driver's seat,
enjoying the passing view with the wind in your hair
without clinging to anything along the way
it still might be a good idea to learn how
to come down off your throne like a pauper
and change a flat tire now and again.

Your life is not an untimely interruption of eternity.
The eternal sky does not inhibit the flight of the white clouds,
and it even bends down sometimes toward the earth
to pick up Venus like a lost earring in the sunset.
It's your point of view that turns your back on yourself
like the retrograde motion of Mars, not
the planet itself playing rope tricks with your spinal cord.

Why go looking for your mind
like a lighthouse with a flashlight,
a flame for the source of the fire
or a star for the constellation it belongs to,
or the homeless for a home when everyone's
the foundation stone of their own habitation
wherever they are at the moment.

If you chase the wind, it will be you
that loses its breath like the atmosphere of the moon.
And when you run out of air, breathe light, breathe space,
and don't try to fix an expanding universe
to your nostrils like a bicycle pump
to get you back on the road again.
Or you'll find you're swimming out of your depths
to run to the rescue of an empty lifeboat
that's already unloaded its contents ashore.

If you don't want to go blind as a starless night
it's prescient to eclipse your blazing from time to time,
turn the lights down low, snuff the candle,
and learn to see in the dark there's just as much reflected
in the depths of the dark abundance
of a black mirror, though it takes time to focus,
than there is in the expansiveness
of the bright vacancy of the white
that takes things in at a glance.
The seed of a every glimpse of insight contains
the whole of the vision in advance,
and at the core of the apple of the issue
is a green star with dark auburn eyes
on the nightshift of the maternity wards of spring.

And o come on now, how long can you hang on
to being this box kite on a string
watching another phoenix ride your thermals
like inspiration on the wing, without feeling
like the premature ghost of yourself at the onset of spring,
all smoke, and no fire, your flightfeathers smouldering
like a pyre of wet maple leaves who haven't got the courage
to break into flames and flap their wings and rise above it all.
Better to be a weather balloon losing altitude like Icarus
or even a candling parachute taking the fall for all of us,
as daring said feathers and falling took flight,
than not risk falling through the black holes of life to paradise?

And what if I were to tell you're they're just the pupils
the light enters through like your eyes into your imagination
to be transformed from a visual into a vision,
the visible form into the invisible shining of the spirit
that raises everything in the known and unknown multiverse,
and the trees and the stars, the rocks and the clouds
are all counting on you to do this for them,
because this is what you're here for,
if you've ever wondered,
to raise them up to eye-level
with a human who knows the names of things
like parents know the names of their own children
running toward them down the street. It's how
we were meant to meet and greet the universe.

So if once, just once, for my sake, your sake, the sake
of the forsaken with their elbows on the windows of the world tonight
watching it all go by like stars on the firewalks beneath their noses,
that are not embedded in cement like a mausoleum
of movie-stars that refused to become fossils
before their shining was spent,
you took a chance, and that's all it would take,
one step forward with no return address,
to risk falling down at the dance,
and seven times down, eight times up,
such is life, get up on your own two good feet again
and discover you've got wings and spurs on your heels
the rest of us wouldn't feel so lame
when we came over to your place
like a riot of erratic fireflies to celebrate
the lightning moves of the rain that's dancing on our graves
where the dead lie down like the corpses of candles
knowing they'll be reincarnated
as wildflowers and Luna moths
because nothing that's ever given its life up
to this business of shining on everything alike
from a first magnitude star, to the night light in the hall
that shoos the ghosts away from their portraits on the wall
so the whole world can bloom in the tears of your eyes,
the fire in your heart, and in the human divinity
of the spirit of your imagination, can ever be put out
because every shadow of doubt
leads back the light that cast it
in love and sorrow, time and space
like the life and death mask of your own face.

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Patrick White

Out Here Alone

Out here alone so late at night
with all these spectacular stars
burning through the clean glass
of the freezing winter air
I can almost hear them thinking
behind the myths of the cover stories
they've told for years
dark truths about life and light
it would be madness in a man to understand.

Don't try to stuff the impersonal secret
of the universe
into your sentimental heart.
How could you ever fit its likeness
into a locket
and finger it lovingly as your own?

Out here alone so late
even if you have come
like a thief in the night
to steal from the light
when nobody's home
there are no cracks no facets no gaps
no backdoors, unlocked windows
or emergency exits,
no stairwells or entrances
in these jewels of insight
that can feel your eyes falling upon them
like rain running down a mirror
that shuts you out
like someone in the bathroom crying
for reasons that are light-years beyond you.

However deep and sincere your tears are
they're still only dry wells
in that vast ocean of awareness,
black snowflakes
on the roaring furnace of the abyss
and if you reach out with affection
hoping to make things better
by embracing it all
you're still only tendering a kiss
to the gaping jaws of your own lipless skull.

There's a silence older than space
in the bottomless heart of things
that makes intelligence seem
the unlikeliest of exaggerations
a human could ever mean
holding his mind up like a lamp to the stars
as if he could find his own way back by his own light
without the dream that themes his mindstream with creation.

But as foolish and futile as it is to surmise
or try to get a leg up on the wise
I don't think the darkness
is the negative space
around the troubled face that appeared
after all the dots were connected
like rising constellations
in a child's colouring book.

And I don't think there are gods
squatting like frogs
on the lotus of the world
making us up as they go along
like wheels and roads
to the grunts and groans
of an axial mating song
anyone could mistake for a joke.

And I don't think the stars
believe the things we say about them
or even remotely feel the mystic dread
of what it is to be a human
looking up at their shining
out of deeper darknesses within
where no direction can be given to the lost like eyes
that would never find their own way home again
were it not for the stars and fireflies that mislead us
from one illumination to the next
by giving the finger to the braille of the text
that would school a gust of stardust into us
like God gave life to Adam
and Eve gave life to God
long before there were any laws to blind them
like Satanic lightning bolts
uprooting their eyes like rain from the clouds
to put those fires out.

I look up at the stars
with the eyes of an exile
through the diaspora of my breath
and I want to think them all to death
like the people and things I've left behind me
when it was time to go my own way
anywhere into the darkness inside me
to see if I could shine a light upon myself
that didn't blind me to the fact
neither in the beginning
nor in the end
was I there to witness the act
that made a certainty as good as a doubt
to the great indifference
that wasn't trying to find me
like a needle of light in the heart of a haystack.

I look up at the stars
like a scarecrow in winter
trying to put its pants on
one leg after another
like a man
with nothing but time to burn
scattering his ashes among the stars
urn after urn
skull after skull
of the heretics and mystics
that were martyred by his scar-crossed heart
in the name of nothing real.

I don't know what they feel
but I look up at the stars
like a black rose
of blood and starmud
in the last death throes
of self-immolation
and see in my own image
what I've always had
in common with creation.

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I look Into People's Faces

I look into people's faces
and I see the same wound
under many different scars.

I look into their hearts
like a stranger at night
through a passing window
and I see how suffering through
the agonies of life
has ripened some
with sweetness and compassion
and others are already
rotten before they fall.

I look into people's eyes
and some are vast starlit skies
and some are the iota subscripts
of scholarly fireflies
that footnote the constellations
at the bottom of the page
with details off the beaten path
of their MLA mainstream cosmic thesis.

And some are like moons
with parenthetical crescents
with nothing in between
both sides of their smile
that isn't a cynical aside
about the lost innocence
of a phase they've already gone through.

And some stare back like eclipses
that have pulled the blinds down
over their eyes
like sunglasses disguised
by a witness protection program
but you just know
they're oilslicks
on the Sea of Shadows
as they were in the womb
and in the Gulf of Mexico
the black blood
of an incorporated miscarriage
that hemorrhaged like the pot of gold
at the end of the oleaginous rainbow.

I look into people's souls
and I see how afraid
they must be of life
to hide out in the open
like an ocean
that hasn't kept faith
with its own depths
and tries to pretend it's
as airy and light as the sky.

The birds are flying through the roots.
The fish are swimming in the treetops.

I see judas-goats chained
to the stakes of their ego-Is
like sacrificial tiger bait
devoted to their cunning.

I see the anti-muses
that shadow Mt. Helicon
like black holes
in the death valleys
of human imagination.
And I wonder how they ever got here.

What bend in space
led them to this twisted place
like a forsaken road
they keep taking
like a wormhole through time
into the womb
of a stillborn universe
where the moonlight
burns their embryos
on pyres of lime
beside the dry creekbeds
of nameless rivers going nowhere?

Along their flowerless banks
I see the rib-cages of dead snakes
that went witching for water
with tongues and tines
of Kundalini lightning
that ran up their spines
like time through a waterclock
and the hulls of empty lifeboats
that died in the desert
at the bottom of the mirage
they drowned in
hoping to find themselves
among those who survived
by learning to swim through sand
like fish in an hourglass aquarium.

I'd rather walk on stars
reflected in the shattered mirrors
of my last self-image
than repay
the generosity of my solitude
with mass ingratitude.

I listen to people's voices
and they all seem like the same echo
with many different mouths.

I've tried to respect
the mystic specificity
of the thousands of fierce individuals
I've met over the years
but the more I've learned
about myself and others
the more I see the same mind
in many different skulls.
The same genius of inspired water
that poured an ocean
of sentient awareness
into everyone of our cells.

Union differentiates.
Separation binds.
I look into people's faces
however young or old they are
and I see infinite spaces
moonlighting as time
on the nightshift of the stars.

I see horror and compassion.
I see butterflies sipping
the nectar of diamonds
like honey in the promised land
and maggots born in excrement
thriving on offal
like the janitors of the dead
because everything grows best
in the soil it was born into
like karma in the fortune-cookies
of wombs and eggs and cocoons.

I look into people's eyes
like sad stars
through the generous end
of the telescope
that brings the far near
like impact craters
and I see how some people
cling to the memory of themselves
like underground seas
in frozen lockets
of water on the moon.

I look into people's secret shrines
they build like birds
in the eye of the storm
looking for salvation.
And I can hear
the echo of their prayers
bouncing back off hydrogen clouds
like a nineteen twenties radio show
thousands of lightyears away
as if they just said them yesterday
and the universe as usual
threw the words back in their face
like the cosmic background hiss
of snowflakes on a furnace
going out like stars.

I've seen the innocence of fireflies
making halos
and the blood-rose weaving thorns
around the massive blackholes of death
as if they were merely
a pinprick in a voodoo doll
that got into white magic by mistake.

I've looked into
the nuclear blaze of madness
like an A bomb with shades on
and seen the flash and shadow
of embryo silhouettes
spit out like cave paintings
on the firewalls of the fusion wombs
that give birth to the heavier elements
it takes to survive.

But the water's not mad
just because the moon's a lunatic.
The mirror might seem
just as angry as you are
but it doesn't feel a thing.

Learning wisdom is learning space.

It doesn't eat flowers
and the weeds don't sting.
It takes everything it embraces to heart
and nothing's left out
from the very beginning.
Like the whole of the moon and the sky
in every eye of water
that's ever looked into me
and seen that everyone
is the heart of a mystery
whose lucidity
is their only true identity.

It's our seeing
that makes the flowers open
and the stars shine.
It's our hearing that gives
the wind something
meaningful to say
and the grass something
to whisper about.
Whatever you touch
walks in your skin from thereon.
Whatever you taste
be it roses and nettles
or sulphur and wine
or the sour-sweet radiance
of the stars on your tongue
you're the flavour of the day
in everything.

It's your nose
that gives the burning leaves
in the urns of autumn
the spectral fragrance
of chrysanthemums
that are barely holding on.

And it's your mind.
Your heart.
Your blood.
Your body.
Your imagination.
Your intuition.
Your wisdom.
Your ignorance.
Your darkness.
Your light.
Your spirit
enlightened or deluded
whatever you think or feel
is abundantly missing
or dream you're waking up to
that makes the world real
in every mystically specific detail
of who you are.

Who else?
I look into myself
as far as the stars
at the edge of my seeing
fourteen point five billion lightyears away
and I can see how much time and space
how many species of life
generation after generation
have been born to give birth and die.

All the roses swept
from the stairs
of our hopeless tomorrows
because they were a tribute to love
meant for someone else.

All the spontaneous joys
that cast their long random shadows
like occasional fireflies of insight
across the lunar mindscape
of this afterlife of sorrows
where every church is the gravestone
of an unsuspecting god.

I look into my own seeing
like light upon light
in the vast expanse
of an unknowable night
and I'm cosmically astonished
by how many worlds within worlds
eyes within eyes
minds within minds
lives within lives it takes
to make a single habitable human being
meaning everyone of us sacred fools
fit as a genius
for the crazy wisdom
of a creative life
in a self-inspired universe.

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I Stand Where The Listening Begins

I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.

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The Practical Uses Of Poetry

Not to be practical, not
to mean, be, do,
no more than the wind
to insist upon itself, to
move like the wind,
like a disembodied intelligence
over the mindfields
practicing the twin disciplines
of light and rain,
scattering the mystic pollen
of intuitive seeds
that bloom like roseate fire
in the shadowless gardens of the abyss
arranging the cosmos like a wild bouquet
in the blood vase of the human heart.
To remind us
we're not fireflies or stars
stuck on a chromosome
of intellectual flypaper,
a buzzing that will stop,
but a passion of native iron
in the arms of alien oxygen,
urged into creative consummation
by carbon.
Free as water, free as God
the night she put the universe on
like make-up
to attend to the beginning of everything
with a cosmic efflorescence of fireworks,
to speak for the stones, the stars, the trees,
to say them into being,
to say us, to whisper us
into the enormity of her solitude,
the inconceivability of her darkness,
a secret she couldn't keep anymore.
Experience is a child playing,
not function, not a job, not a career.
What's practical about singing alone
because the mysterious nightbird
has come like a blossom of joy
to the bough of the tree in winter?
Or must dancing have a use,
music be enchained to the stone ear of utility?
Bleeding isn't very practical either
but how would you ever know
you were a rose scarred by your own thorns
if you didn't?
Sooner renounce the sweetness
of the star-flavoured summer night air
or teach the wind a compass and a map,
the sky to consult a control tower
than try to grind the stars of poetry
with a stone and an ox
into a function and a fee.
The wages of poetry are always a gift
that takes the recipient by surprise
with the beauty of its subtlety
and a coin as true as the moon.
Who asks to be paid
to dance alone with God?
And even the abyss
has provided you with a world
like a passport to anywhere you want to go.
Among the birds and the leaves
flowing along with this pilgrimage of stars
to shrines that are older than knowing,
if the sun or the moon
should open your voice like a flower
in the deep woods
to hear you singing in the light,
and you are urged into poetry
through a gate as open as the cosmos,
and you discover colours have echoes
and the notes of your song
are a palette of gardens,
and everything you paint with your picture-music
is the portrait of someone you're becoming
until you look like everyone
from the inside out,
every passion
the longing of a planet
to burn with life,
and the deepest watershed of your humanity
is itself
the fountain
where the goddess drinks from her own reflection,
and you understand
that the word in the morning
is the word at the end of the day,
and that the life that adorns your body within
is the wine of the worlds
in a cup of clay
encrusted with stars
and you are the delirium the dream seeks,
the lightning and lucidity of the dark sage
your roots consult like a storm,
would you then look upon the first crescent of the moon
and try to fix it to a plough,
would you look forever
into the wells of now
like the eyes of a lover
who combs out the tresses of the willow like the wind
as if he played the whole of the night
on the blue guitar of your heart,
would you renounce the music as impractical?
To walk through this world aware,
with a spear of moonlight through your heart
like a poet, to feel
everything a human can feel
and have the courage and the art
to sing
the joys and sorrows,
the gardens and intimate hells alike
with compassion and understanding,
even when you often don't understand
because the shadow of the world
eclipses your eyes,
or the windows are saturated with pain,
to be able to do that, to be that
is beyond assessing
because there is no intention to life
or the running of the river
or the unspooling of a poem
that conceives of its seeing as progress.
What the eye writes
on these pages of percipient sky
that bring the world to a focus in us
is not a reality in advance
of the dream that shadows it.

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A Little Thought In A Big Space

A little thought in a big space, I'm falling
through my own immensities here at my desk,
one of my Icarian propensities for plunging into things.
My voice intimidated by the violence of the silence within.
I'm on the dark side of my eyes.
No one's ever been here before.
No window, no wall, no door,
I'm on the threshold of my homelessness again.
I'm looking at stars, but I feel like rain.
I'm talking to ghosts that I don't remember.
Might be the wrong medium, but it's the right seance.
I don't even know what I'm doing here myself
but it seems I'm free to go or stay as I wish.
I'm wearing my shadow like a candling parachute
that didn't step back from the edge in time.
No point in pretending you're an airborne dandelion
when you feel like a rock with a message
someone just threw like the moon through a mirror
disguised as a sky the night birds keep flying into blind.

No one asks your name here on this pyre of a sky burial
if your birth certificate says you were born in fire.
Desire anything you like. It was all written in smoke
before you came. And these words that are saying me here
have been out of the aviary of the lantern for light years.
Who knows where the light goes or what if falls upon?
Trying to shine in a dark time without taking anything away
from the lunar eclipses that aren't in need of enlightenment.
Don't know if I'm a solar flare, a firefly, a matchbook,
or a lightning bolt that keeps stressing my starmud out
by sneaking up on it from behind and overdoing things a bit.

If you find yourself trying to pry the flowers open
with a crowbar or a koan, and it's nightfall, it's
time to turn your hourglass in for a waterclock
and see how the stars emerge out of nothing
as soon as you deepen the dark with a more acute sense of timing
that let's everything happen spontaneously by itself.
Even if you're the lighthouse of your dreams
that doesn't mean you're the nightwatchman
keeping his third eye on you in the shadows
like a theft of fire you can get away with
this second time around with only a warning.

If you can't do the time, don't do the crime.
And if you did, whining about it in your sleep
isn't going to help and who's Spartan enough these days
to stash the fox under their tunic to keep
from being caught while it eats them alive?
If you want to be a dragon you've got to learn
to swallow people's hearts like hot coals as if they were chocolates,
without wincing. The stars don't come out
like emergency candles you've been saving
for exactly this kind of situation. And if
you really want to know the truth about illumination,
try and blow one out. Quick, now, look
and see immediately into the clear light of the void
what it's like to shine without a metaphoric reflection.

The stars here don't hide their nakedness under a cloak
of black holes and dwarfs that take it all in
but give nothing back like the second hand clothes
of serpents shedding their skin. One size fits all
like a bubble in a watershed of dark worlds
dazzled by how much a single eye can contain
whether it's hanging from the lip of a flower in the fall
or going down the drain in spring. I know
you hit it like a snowflake on a furnace
and do your damnedest not to cry. Thing is
as unique among billions as you think you are,
there's not a star in the sky that isn't a rite of passage.

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The Blonde Shock

The blonde shock of wild sea grass from New Brunswick.
At first I thought it was your hair.
And tiny beads of iridescent peacock seeds
as small as the myriad hopes of a poppy
she'll come again
that fell out of the envelope
into my coffee
as a muse of patchouli oil
inspired the air like an Egyptian temple
tending to the rites of Isis
when the moon's in the nymph phase
of her ancient seduction.
And a drawing of a rainbow phoenix
in the form of a flower
and a money-order for five hundred dollars
to paint violet horns
on the black inverted star
with its plinths open like legs
giving birth to helical vines and snakes.
A symbolic tattoo
that means you
that will hang like a flag from your spine
down your back
as a sign of whose country it is
should anyone ever get lost.
You're right.
You can't draw butterflies.
But your darkness intrigues.
Your light is true to its star.
Space bends around you like water.
And there's not a chained tree
in the whole of your wilderness.
The gates of your rivers are open and free
as the salmon who jump them
conjured out of the sea
by the siren who sings to them
like a journey of things to come
at the end of the long way home.
Love breathes life into death
and even on the fly
love is the prime circumstance of now.
And I feel the gold of your harvest in every seed.
And there's no scarecrow with a sword
trying to defeat the ploughshare
it was born from
like the moon as it moves
like a white horse
through a wounded valley
looking for its lost rider
somewhere out there like the wind.
I've been blinded by squalls of stars before
the sphinx blew in my face
and I have felt my eyes
evaporate in the blazing
of certain fireflies
who could read the braille of my face
like elegant fingertips of light
deciphering the writing on the wall.
And I've lived through it all like space
whether I was a celestial snakepit of passion
with a mouse for a heart
or I was blowing kisses
like the petals of bruised flowers
into the grave of an enlightened starfish
passing by in a deathcart.
And sometimes the geni gets his wish
by rubbing the lamp on the inside
and asking the night to need him
like water needs a fish
like fire needs a tree
like air needs a bird
like earth an unpoached elephant.
I'm not a species bent on martyrdom
to any cause lesser than the love
I aspire to
and I won't burn my eyes
on insincere candles at a black mass
or the votive fires of delusional crucifixions
that yearn without conviction
for a better infancy in their afterlife.
Things have been tough
but I still go to bed at night
with the door wide open
as hope to folly
to catch a thief
that might put the moon back
she stole from my window
like the coin from my mouth
I had hoped would pay for my passage.
And I've been given up
like the sea gives up its dead
like the ghosts of old cliches
to the voice of a new medium
and I've discovered
that love isn't the forensic history
of a mystery that can be cracked by the truth.
It's apocalyptic lightyears beyond both
like a prophecy
uttered in the secrecy of your solitude
that can only be overheard
with your eyes.
And there is no age in it
no youth that leaves the stage
a wiser happier skeleton
no shrines to spring
no pyres of autumn.
It isn't the beginning or end of anything
that wanders in a world of forms
like a road with all the answers
to questions it never stops to ask.
Love isn't a lost cause
looking for someone to take a risk.
And it isn't the silence
it isn't the singing
it isn't the longing
to be pulled out like the lucky straw
in a random draw among exiles
to decide who should go first.
It isn't a thumb in a plum pie.
It isn't the kiss that lifted the curse.
Or a lifeboat on the moon
that overturns like a blessing
that only makes matters worse.
And it would be unforgivably spacious of me
though I have loved long and intensely
to say what love is
when it wings its own immensity
like a nightbird of blood
that sheds its hood
to fly among the stars
like a fire feathering its own solitude.
But if I were to say anything
I would say
love might be a mighty sword
drawn from a dark ore
tempered in secret waters on the moon
enfolded like time in space
like a worldly loveletter
in a cosmic envelope
with a return address by the sea
that keeps faith with its prey
by giving its word to life
it's not the expedience of the slayer
or the obedience of the slain
not the exaltation of joy in death
or the mystic terror there is in birth
that calls the lightning down
to make the weathervane crow at midnight:
I have tasted the light on my tongue
like the tine of a new direction.
A dragon sheds it skin
like the ashes of a spent fire.
And the serpents of desire
dance to the flutes
of a lyrical resurrection
like words that take
their meaning from us
when love's the native language,
the grammar, the muse, the voice, the silence
the playfully profound way the picture-music
hides like a Rosetta stone
that doesn't want to be found
like a key to the meaning of everything
when we're what it's trying to say.

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I Wish Everyone In The World Were As Mad As You Are

I wish everyone in the world were as mad as you are.
I wish everyone in the world talked the same nonsense you do
and meant as much.
Stop crying.
I wish everyone in the world were as good as you are
and didn't lie to anyone else
other than themselves
about what the truth is.
You shape chaos to your mind
like light to space
to make a habitable planet you can live on
and if it isn't round sometimes
and O doesn't always cast the same shadow
that the others mimic with theirs
I wish everyone could put on your kind of airs
and be as good to life as the kind of atmosphere you are.
Come on now.
Here.
Dry your tears with this.
All those constellations you made up
out of the stars in your eyes
are your own private myths and mandalas
and you're free to change them as you will
and I wish everyone made as much
of the light they were given to go by
as you have.
I'm too much of a thorn
to paint the delicate iridescent watercolours
I see smeared on your tender bubbles
like original pictures of the universe
from a thousand spaced-out Hubbles
but I wish everyone in the world
had your kind of genius for vulnerability.
You hold up a single feather of light
like a candle among stars
like a green leaf in the middle of winter
and the world that is inured to three dimensions
for infinitely tedious reasons
would rather put its eyes out
and gape like blackholes
than see as you do
that there are countless seasons to the soul
that burn like a phoenix
and there's nowhere you can point to in the darkness
that isn't an equinox of love and understanding
when the sun shines at midnight
and spring harvests what the autumn sows.
Having a deep cosmic insight
like a stranger beyond lucidity
into the windows of the houses of your own zodiac
might make you look like a maniac to the neighbours
who keep watch in their asylum
against any kind of freedom
that might release them from their lighthouse
like a geni from a lamp
that doesn't conform to anyone's wishs but her own
but I wish everyone had the courage
you have not to be them.
Life isn't fair or unfair.
Life isn't kind or cruel.
It isn't half-Buddha and half-fool.
Neither impersonal
nor sentimental
life isn't a kind of obedience
to its own rules
as if it were bound like God to keep its word.
Or what?
Who else is there to answer to?
All the taboos want to be thresholds
and all the thresholds
want to run away from home.
Could be a curse.
Could be a blessing.
Could be just more idle words.
But you're not like that.
You're not a fountain mouth
that mistakes alphabets for birds
and holds them to the letter of the law
in a world full of music.
It's enlightenment to sing to a window.
It's ignorance to sing to a mirror.
But you don't sing to either
and your song is clear as running water
all the way down the mountain.
The picture-music
of your eyes and your ears
can already hear the ocean from here
that gathers to receive the flowing
like the heart receives blood
like the mind receives your thoughts.
Look out at the world.
You're the host.
Look inward.
You're the guest.
You can break bread with the dead
without being a ghost.
You can drink wine with the living
and it's the wine that gets high on you
flowing into a seabed of shadows on the moon
that hasn't touched a dropp for years.
Don't believe what the cynics say about innocence.
They have the sensibilities of blackflies
trying to draw blood from the Mona Lisa.
Don't grieve if you're a butterfly
that can't follow the flightplans of the maggots.
There's only a slight difference in wingspan
between a waterbird and a phoenix
but it would take lightyears
to measure a single feather of yours.
There's no cult of the rose
that insists it fall upon its own thorns first
or the moon draw first blood
on the blades of its own crescents.
You don't have to scar
your own deathmask with experience
just to prove you knew
how to eat the pain and bleed.
You don't have to wear your face in public
as if it were something you kept up your sleeve.
Dice might be the foundation-stones of the lost
but that doesn't mean
you have to go pearl-diving
for the moon in quicksand
or change your song like a jukebox
playing the slots
when you're a mermaid on the rocks.
I wish everyone had the same chance
to risk it all as you do
and win back their lives
like eleven come of seven
insteading of seeing everything
as if they were jinxed by inasuspicious birds
turning the wrong way on a prayer-wheel
that keeps coming up snake-eyes
with every roll of their skulls.
You can't heal the luck
of a wounded Nazi
by turning his swastika the other way.
You can't teach snakes to bite other people.
And you don't know enough
if there's anything left to say or understand
and even then there's a silence
that still longs to be heard
like a humming bird sipping honey from your ears
or deep in a telescopic wishing well of stars
burning in a dream of mirrors
they walk across
like fire on the water
or the distant blue notes
of the hidden nightbird
that echoes your tears
as if it were crying out in the darkness
from the safety of a secret place
for the same reasons you are.
As if it were trying to befriend its own sorrow
and weep for tomorrow as you do
for all the things of the past
it won't even know it's missing.
I wish everyone in the world
could live the future as you do
as something that is already happening now.
Even when you're crying
because you don't think you're brave enough
not to.
You're not a lame princess
that anyone needs to rescue.
You're a dragon bringing rain.
And if the snakepit hisses at you
like a social structure
and calls you insane sometimes
because you have wings
and they still hug the earth
all tied up in knots
taking their poisons out on each other
to keep from feeling anything
it's just their way of defining sanity
by the standards of the numbest.
It's not you that's crazy.
It's not you that's the dumbest.
I wish everyone in the world
were as warm-blooded and wise as you are.
When the serpent fire at the base of your spine
has passed through the doors
of all your chakras like vertebrae
and you're already a circumpolar constellation j
just a little off true north
shining like Draco
why worry if you're no good
at the game of snakes and ladders
they play like politics and religion back here on earth
to see who gets to be the pillar
and who the quicksand.
You understand way more than that.
I can tell by the fire in your eyes
that you're a phoenix among stars
and you've transcended the eagles and the houseflies
that can't even begin to imagine
the kind of heights you can reach to
or the depth of the view below you
when you're riding your own thermals
like beautiful helices in the mindstream
for the sheer joy of being only you.
Even now.
These tears
that run all the way down to your lips
as if water had fingertips
what are they
but the way you cry for things
that everyone else didn't?
I wish everyone in the world could be like you.
I wish you could teach us all
to stop living a spiritual lie
on the deathbed of an earthly truth
as if that were the only way
to foolproof ourselves
against reality
like a stranger looking through our windows at night
who doesn't recognize herself in us
because most of us aren't as brave and free as you are
to leave the door ajar
and let whatever wants to come in
come in.
Some track in mud.
Some.
Stars.
And the mud flowers in light.
And the stars bloom in fire.
And one looks up
and the other looks down
on each other's likeness
reflected in the other
as if they were engendered by the same being.
Sight is a kind of love
and I wish everyone in the world
were inspired by the mystic dimensions
and intimate clarity of your kind of seeing
that even through these tears
that I'm not having much luck in wiping away
can comprehend a world
that's more wonderful than it thinks it is.

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Trying To Express

Trying to express a more immediate intimacy
with the life of the mind
without attributing a form to madness
might just be another way
of looking for comic relief
from the actual facts
of the tragic folly that confronts us
like a world that won't tolerate any mask
you want to put on it for long
to lie about the atrocity of your irrelevance
and pretend you don't know
what you're looking at.
I dream I suffer the same
corpuscular purpose as a paramecium.
I wake up from these desert mirages
and it's true.
OK it's true.
Next.
Because nothing in life is an endgame.
And despite the full stop like an empty cup
at the end of a thought
with the lifespan of a punctuation mark
my cup runneth over like the new moon
and everything is drunk on the lunacy of its light.
It's not the content of life that matters
as much as the way space bends
to accommodate it.
It's not the wine
it's the emptiness of the cup
that shapes the forms of our knowing
so that they can be grasped
by our eyes and hands
as separate things in the world.
Mind is a poet a potter a painter a parent a prophet
that will not be bound by its own works
or the laws of the defenceless who expound them.
Look out into space
and the furthest you will ever see
is a face in the mirror that's older than matter.
Space is a vehicle of transformation
that doesn't go anywhere
because anywhere it goes
its wheels are centered
in the still points of themselves
as we are to our navels.
And all lifelines
straight or otherwise
are emanations of its radiance.
Order and logic and reason
are the dry wishbones of the fearful
looking for predictability in a world
that can't be contained
by a unified field theory
or an elaborated straitjacket
on the fashion ramps of science.
Physics says one size fits all
but by the time the spiders
are finished weaving it
the sleeves are always too short
to keep up with a universe
that's growing at the speed of light
and I'd rather walk naked
in the skin of my own clarity
than be clothed
in someone else's hand-me-downs.
I'm not out hunting birds and butterflies
with a dreamcatcher.
I'm not looking for peace and healing
by abstaining from myself
like a promise I broke to my ancestors.
Everyone was born a lifeboat
in an abysmal sea of awareness
or they wouldn't be here to know it.
So who needs to be saved?
Or is there some kind of holy war going on
between the lifeboats and the waves?
And where does Jerusalem go
to free itself of infidels
when it goes on crusade?
All waves are waterbells
that never stop tolling
and the mindstream
they're raised upon
is in everyone
the sum of what's holy about life.
Learn to transcend your certainties
if you want to get over your doubts.
Don't hoard the effects of your efforts
in the name of a good cause
that's so blinded by its own light
that it can't see
that there's as much randomness in the wonder
as there is in the horror.
That what's most terrifying about life
is that it's free
of anything you can say or feel or think about it.
That every part in every moment
is not the sum
but the consummation of the whole
that roots and flowers in everyone
as if it were a secret
that bloomed for them alone.
To know the names of things
like the names of stars and flowers
is to look at them from the outside.
Who called you Eve?
Who called you Adam?
If you know your name
you're already in exile.
But it was not us
who were driven out of the garden.
Knowledge drives the garden out of us.
It turns our eyes around
so we can't see Eden from the inside
where our beginnings are always now
and we are no more dispossessed
of our innocence
than the passion expressed by a flower
in a loveletter to the light
can be disenchanted
of the insight that inspired it.
What's truly tragic about life when it seems so
is not that it's evil
but that it's innocent
and its innocence is older than compassion.
The moon sheds its phases.
The flower its petals.
They're always coming and going
from the same abyss they're heading into.
The emptiness engenders this abundance
out of its own potential for growth
and even death is not culpable.
This is space.
That is space.
But the two
can no more be separated
than a wave can be from water.
You don't need a unified field theory
to understand unity.
You don't need to hold a mirror up
to your face
to see your own reflection
when you can see yourself in everything.
What does space look like to space?
Mind to mind?
Light to light?
The dreamer to the dream?
What could God possibly say to herself
that she didn't already know?
There's nothing hidden.
There's nothing secret.
There's nothing that escapes detection.
There's no simulacrum for the void
that elaborates everyone's likeness.
There's no dead metaphor in the word
waiting to be resurrected.
The absolutes may be in denial
about the way things seem
but even when their eyes
burn through glass like stars
lost in their own immensities
they can't impress the darkness
with a theory of cosmic shadows.
They don't need to look
any further into space
than the ends of their noses
to see the constellations
casting them
across the universe
like the shadows of the stars
that aren't there anymore
trying to throw a light on black matter
by noting its absence.
Gravitational eyes devoid of light.
Black holes without keys
in the doors of perception.
Dry wishing wells on the moon
that have never plumbed the depths
of their bottomless longing
to hear something irrevocably truer
than the echoes of their own voices
coming back to them
like crows and doves to an ark.
By the time you know it
any event is over.
By the time you see the dawn
the sun has already set.
In the seed of every insight
you can read your own gravestone.
You can see there's as much death in it
as there is life.
You can feel the spring coming on
as if you were already buried
under the savage tiger-lilies.
And you can ask
until you're as blue in the face as a hyacinth
what it all meant
after you're dead
out in the incredible open
that's closed to the living
just past the end of their fingertips.
Or if it ever meant anything at all.
You can see and be it this way.
You can go on a long journey
to a prison or a shrine or a hospital
and return home
with no more insight
than you had when you left.
And still wonder if it was all worth it.
Because no experience of life
is truer than another
reality is not separated
from our awareness of it
nor subject to reform.
There is no norm
that isn't a prevailing illusion by consensus.
But the desert isn't looking for water
and only the one-eyed fools
mistake their eye-patchs
for an eclipse of the moon
and their own mirages
for a new way of thinking
when it's thinking's best virtue not to have one.
People and things are ok as they are
but they don't realize it.
They keep trying to live up
to their own reflections.
They keep trying to sweep
the stars and the deserts
off their front stairs
looking for a stairway to heaven
where the dust of the world
can't find a place to rest.
But time is a pulse of the heart
not the heavy pendulum
of a grandfather clock
and as Pablo Neruda once wisely said
the poetry is under your fingernails
and I would less wisely add
as is heaven.
No one's on the wrong path
once they open both their eyes
to what's underfoot
whether you're walking
on water stars or fireflies
or riding dolphins.
Whether your road
is a shoelace or smoke
or the lifeline of an umbilical cord
measured in wavelengths and lightyears
or your journey's still
an astronaut in the womb.
Mirrors holding mirrors up
to judgement for their spots.
Narcissus doesn't like what he's looking at.
So what?
The roads don't suddenly
turn back on themselves
because they lack floors
and a place of their own.
Heaven uses the same return address as hell.
But when death comes knocking in Aleppo
and you're out walking your own mile
in your own shoes
to nowhere in particular
free of arrivals and departures
no one's ever home
and every threshold you cross
is not hindered by an exit or an entrance.
Some walk.
Some run.
Some swim.
Some fly.
Some crawl.
Some ride.
Some dance.
And some sit still by the window
growing younger by the moment
the longer they look into the distance.

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In You

In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.

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If Only I Could Remember You As You Were

If only I could remember you as you were
for a few, brief radiant moments as indelible
as light in space and not as time would have it
the way things have changed. To see you
lingering in the doorway on a winter night,
the snow lying lightly on your hair like the Pleiades
over your shoulder descending below the treeline
as if it knew more about saying good-bye than you did,
and o how I loved you for it. If only I could
remember that lonely ghost of a mirage
that hovered over the watershed of your tears
and looked at me like the first lifeboat
you'd seen in a thousand years respond
to your s.o.s. in a hourglass. If only I could remember
the fragrance of the summer rain on your skin
as if it had mistaken you for one of the flowers
and how I used to like wiping your tears away
with my opposable thumb like plum blossoms from your cheeks.

Eternity coming to the surface of time
like old corduroy roads and bones in a makeshift graveyard.
Not likely I'll ever see you again in this life
but if only I could remember you before circumstance
underwhelmed itself and killed the ambiance
of our last dance by turning all the lights on at once.
But there you go, no help for it. The nightbird
transits the moon and the eternal sky as is said in Zen
doesn't inhibit the flight of the white clouds.
And this moment, too, though it's endured
a thousand deaths to come to this afterlife,
always saying good-bye to some aspect of you
that symbolizes the evanescence of love and life
in metaphors that buff the open wound
like scar tissue on the moon, like fireflies
welding living insights into the dead brain coral
of this encyclopedic coma life
can sometimes seem without you, even after
all these ensuing misadventures it would take a fire
and half a dozen bottles of wine to tell you about
if only I could remember you as you once were
like the lamb that laid down with the lion without fear.

For light years, images of you have flashed out of the abyss
as sharp and quick and vital as moonlight
wielding a sabre, or a bird quickened by a purpose
out of the unknown into the unknown
and I recognize them as blossoms that have blown
far from the tree that was lovelier
than the whole orchard to me, though angels
attended upon it like scripture from its roots to its leaves,
you were the locust tree with your demonic thorns
I wanted to tear my heart on like a rag of blood
on the galactic razorwire that encircled your heart
like a storm of dark matter with unlimited potential
for creative destruction that got the light out of the way
long enough for us to see what glowed behind it.
If only I could remember you as you were
when we both made eye-contact with each other
like exo-planets in the void, and understood spontaneously
it wasn't going to take much of a wavelength
for either of us to understand this immediately
as if we could read each other's shadows like Mayan calendars.

Water hemlock, wild parsnip, sometimes
the memories scald like volcanic dew on bare skin,
but seldom have I ever regretted
that I lived through you for awhile,
when the stars raged in my heart like a madman
obsessed by the crazy wisdom of a woman
who had the wingspan of a bow on a bent event horizon
but knew enough about compassion
to push the burning arrow of my fascination with her
all the way through like a blood sacrifice to love and life
and the mystery that moved in the darkness up ahead
like the fork in the road that separated us,
like a wishbone that had granted all it had to give.

How tenderly painful the brevity of what
we actually relive again as if some moments in life
are illuminated by a different light than that
we read by in bed late into the night
looking for translucency in the windows of insight
that keep on opening their eyes in this recurrent dream
like the black waterlilies of new moons coming into bloom.

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Patrick White

Some People Go Looking For Happiness

Some people go looking for happiness.
Some prefer power or beauty wealth and fame.
Some crave intensity.
Some seek peace.
Some search for food and shelter.
Some want to die with a good name.
Everybody takes their lead from the way they came.
And everyone says they're looking for love
though no one knows what it looks like.
They try to fit their thoughts to their words
like skin they can touch
that doesn't scar like the moon
or shed like a petal too delicate for the senses
but most just end up trying
to mummify the mindstream
by laying thousands of years of starmaps
down on troubled waters
like autumn leaves
that don't know where they're going.
Eventually everything's swept away
in the undertow of a dark ocean
that only smells sweet from a distance.
And longing shifts like infra-red into the blackness.
And bones on the moon are the only signs
that life once perished here.
Orphic skulls whose jaws dropped
like gates before their own gaping prophecies.
Time flows like a non-existent future into us
and it fills us with a hunger
for everything we've lost
or feel somehow was always missing.
One of the cardinal features of the emptiness
we are conceived again and again out of
is there's nothing behind its face
you can fix like an identity to space.
For fourteen billion years
the universe has been nothing
but one long beginning without end
making everything up as it goes along
out of nothing
like a man whistling down a long road
far from home
late at night
to let anything that might be listening in the darkness
know he's there
so nothing can take him by surprise.
And every step he takes
he steps across a threshold like a star
just coming into being
whose light goes off in all directions
looking for blind water it can turn into eyes.
Bosons hadrons leptons neutrinos wimps and quarks
the deeper you look into the matter
the more you realize
out to the furthest galaxy and beyond
seeing is being
and being is all fireflies.
And every one of them
is true north of nowhere.
Some people follow their own beginnings
like laws into the future
hoping to become someone else
that doesn't recognize them anymore
for who they were.
The peduncle's lost in the ensuing phylum.
Their future's rich
but their past is always poor.
The planet doesn't spin on its axis for them.
It's hinged like a door
that only opens one way
though it's a two-faced god
that begins them like last year.
But the leaves of autumn
aren't the laundered money of spring
because if our fulfilment
weren't already behind us
we wouldn't be here
trying to true the last to the first
of an unfinished multiverse
like the best to the worst
as if red were the past of blue.
Stop thinking birth is the past of death
or spring is the future of winter
as if they weren't the same breath
and one breath of life weren't enough
to keep the fireflies glowing in your ashes for eternity
and everywhere you look
you will flower like a vine
that divines its way to the wine
by ripening the grapes of gratitude.
You will understand
for all that you have grasped
and brought to fruition
your most exalted aspiration
is a heap of dead branches in the spring
burning like leaves of fire
still reaching out for the sun
and you will hear the mind-mirror whisper to itself
like the wind on far off waters
Narcissus is drowning in his own reflection
like the flashback of a life he left unlived
but everything is immersed in me
like a mind
like a sea in a fish that ran aground
on the uncharted landfalls of its own teaching.
And the wine will flower in your mouth like a grail
that's given up preaching
and finally found its own voice
like a bird returning to a tree at nightfall
to call out in its solitude
to the stars as they appear
we are here we are here we are here
where we belong
at peace with everything we're missing
everything we long for
everything we are and are becoming
that overtakes us like music from within
transforming the silence into song
the water into wine
small beings into a big space
looking into the passing face
of everything's that's mortal about us
with our eyes fixed upon the divine
not to see it in any one place
but with the presence of mind
to be wholly and impurely not that not this
without anywhere a trace of ultimacy
in this world that we take for a sign
we are here we are here we are here
and things are as they are
not as they must be.
Nothing got here legally.
What's the expanding universe
if not a refugee in its own country
somehow exiled from itself for reasons
only it can express?
Citizen Universe
show me your papers
your paintings your poems
show me how you dance on your own
show me how you put your children to sleep
show me how you bar an F chord
show me what you weep for
what you delight in
what you esteem
what you despise
what you ignore
what darkness of yours
feeds that inferno of stars above you
burning its constellations like passports
that aren't going anywhere
show me the black mirror
that says you don't belong here
like some misplaced night of the full moon
not marked on any calendar
show me the law of being human
that says this little piggy has one
and this little piggy has none
show me where it's written
the guest shall turn strangers away
from his host's generosity
like a dog at the door
that bares its teeth at the table
show me the home-made honey
of your wisdom
show me the dead lamps
of the apocalyptic fireflies
that designed your chaotic cosmology
by plagiarizing the light
to prove the stars
don't reserve
a space in the universe
for any insight of yours.
Nothing got here legally.
No one followed a coyote or a law
to cross the border
into this insurgency of being
no one checked the colour of your eyes
or profiled the light
to see if they were fit for seeing.
You don't need a constitution
to verify your liberty.
Well before you were born
you were free and ever shall be
to belong here as we all do
to pursue what makes us
sad mad bad or happy
the way we all got here
the way we all get through
the way we're all alone here together
with one another as we are with you
as we are with her and him and me
as we are with everything
as we are with ourselves
when we don't know who we're becoming
when we don't know the stranger on the bridge
watching the water flow
that's waiting to greet us on the other side
in the only way the unblighted heart of reality
we're all looking for
like blood on a grail-quest for our humanity
accepts the darkness that seeks us out
like a miraculous elixir of insight
so the kingdom won't fail
so the garden doesn't ask us
for a green card to know and grow
in the only way we truly belong here
in the only way we know how to be
so the lifeboat we're all in
like the same boundless mind
is always as full
as it is empty
so no one gets left out at sea
like a wave that couldn't be saved
and no one gets in
who doesn't know how to swim
the way we all got here
and continue to be
all these thresholds of the sea
that steps across us
even as we move like waves
breaking discipline with our own continuum
creatively.
Just to be here.
Just to crawl up on the shore of a new medium
like a refugee planting flowers
we brought from home
hoping we'll still be here
to watch them bloom.

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Patrick White

Faceless This Time Of Night

Faceless this time of night, my skin evaporates like dry ice
into a deepening sense of containment
by a dark space with distant cities of light
trying to colonize the Pythagorean fireflies of Cretona,
or the shimmering mirage of Port Angeles
dancing like a seance at the foot of the mountains
across a hundred miles of the Georgia Strait at night,
the immensity of the freedom that dwarfs the stars
with the sheer magnitude of the labour before them.

The fragility of a spinal cord traversing the abyss
of a one-stringed box guitar made of cardboard
when you were a kid, the mere filament
of an anachronistic light bulb with the lifespan
of the wick of an apostate candle at a black mass,
disappointed it wasn't born a flower,
but a weed more at home among the stars
that uprooted it from its intimacy with the earth
like a kindred spirit of light
that must wander through its own solitude
like music at night from an open window
in the life of the mind to reach out to them
like a tendril of smoke from the embering nugget
of the heart nesting in a private crown of fire
that abdicated its empire of ashes for a single note
of the night bird's longing to sing back up
like a bell for a sad universe that's always on the road.

I hear crying in the distance, the dark lament of the hills.
The night creek weeping unseen through hidden valleys.
I can taste the deaths and sorrows, the broken promises
of the rain, drifting like the fragrance of a waterlily
like a star reflected on the undivined watershed of its tears
saturating the air. Matter a condensation of the light,
I can feel life moving through this body, this flesh,
this scrap of starmud, a rush of water, a gust of stars,
a purple passage of blood, a breath of fire and wind,
and the earth, not solid, but real, animating all my limbs,
my vital organs like the ripening fruit of a rootless tree
as if time wept like a bell in me as well, and its tears,
heavy with the weight of too many separations,
yet wise in the ways of the sky, sweetened the fall to come.

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Patrick White

My Lonely Island Music

My lonely island music,
already I see in your eyes, devastation in the dead zone,
skulls littering the field, autumns wandering away
weeping like windows that mistook themselves for the sky
and murdered a bird. Mystic September, vamp of this vision,
how could the moon not leap from my tongue
in praise of the world that shines through you
bathing alone in the dawn of every moment, utterly
alive, your beauty the page of a unwritten scripture
poised in the ink at the nib of every blade of grass to say
beyond the saying
what can’t be said. How unbearably sad
in this defeated hour that so few know the truth
that walks ahead of them like their own footprints
returning to the door they left by, already lost,
their houses, foundation stones of quicksand. Get it right in the seed,
get it right in the root of the eye, let the wind
take the ashes, sweep the shadows from the stairs,
and all the moons of yesterday are caravans of blossoms on the water.
Get it wrong and you’re a widow plundering corpses
for wedding rings and pocket-watches, black rain
on the open eyes of the dead. Devoid of transcendence
in the mirroring awareness, on a diet of fire,
you’ll end up combing your hair with a ladder.
Can you hear this bell of green before it rings, can you see
the painting in your blood before the brush is lifted
like a maggot of consciousness to the rose?
If you can, then check your shadow at the threshold
and walk naked into the far fields of your seeing, your feet
on the ground, your head in the stars; if you can’t,
you’re deepening your ignorance by ignoring your depths,
your light passes over itself like an eclipse or the hand
of a black magician, conjuring. Peril in the seeing.
A mask of frost over the surgical face of the heart. Understand
deeply and with authority that this dream cannot be understood,
taste this dream for yourself and look once
into the brilliant darkness that lies beyond wisdom and forsaking
and acknowledge in a crown of water
you are queen of that, your own teacherless realms.
Can’t you feel the roots of the black orchid of this space
wounding the soil with the stars of another night-sky
already opening above and below you? Rightly and brightly,
you are that opening, the sum of all the awareness of the whole of your life
expressed in the unborn no-point of a star of perception in space,
blue knowledge beyond the scope of the death-sighted.
Why study your own legends like snapped twigs on the trail
and send yourself in a straitjacket to school
when you already know by heart
the book of the breath you must live? Open your fist. Where
did it go? What’s in your hand? Do you understand? Our lives
are the shadows of birds sown like seed across the skies,
fish-maps printed on water, compasses looking for directions
that don’t exist. We are brief and we are vital, pilgrims
on a bridge of ancient zeroes, angels under every stone,
gypsies at home. Hold your life up like a match to a mirror in a dark room
to see whose face it is
then blow yourself out like an orchard
before blazing becomes a kind of blindness.
Put the world to your lips like a finger
in the black clarity of the silence. Do you see, do you see
the white songbird of the moon enter the throat of the well
to flaunt its plumage privately in an empty theater,
the roar of the ghosts of the infinite aeons for applause,
the sound of one hand clapping? Anciently, you were so
and now you are so
and tomorrow after tomorrow you shall be so, hidden
right under your own nose, calling yourself like a girl to her friend
when the game is over to come out of hiding. Most people
never understand more than a keyhole and a whisper of themselves,
trembling behind the dangerous doors of their own names
when they’re called to come out and play
with a universe that begins in every moment,
a fire-fly in a canning jar. They graze on the fodder of illusions,
domesticated by their own cupboards and cowardice,
peopling the wilderness beyond their artificial paradise
with demons that threaten to behead them in a palace coup
for the genuine liberation of an empty throne.
The blossom doesn’t know its own beginning,
nor the snowflake, its end. Can you find your true face
in this mirror of echoes,
the one you wore before the birth of silence?
I shall come looking for you like the wind
and I shall find you among trees and flowers
and among the grasses of the fields
and in the living light that breathes over the harvest
and in the water-mind of the stream that flexes the reeds
and playfully graces the ripe honey of the sun
with a sweetness unknown to the business of bees. No inside, no outside,
everywhere I step is the arrival and the walking of my blood
the whole of the way to you from whom I cannot be separated,
slipped like a letter under a door that opens, a mouth in space,
to paint the moon on an eye of scarlet water. One leaf falling,
the whole history of the world
in the way I love you by letting go; in the way
when you are closest, your heart, the thunder
of subtle intimacies in a lost well,
I drown in the vastness like a bird in the reflection of the sky,
happy refugees all along the side-roads of my nerves,
my mind, a fool of the moon, all parade and passage.
Do you understand? Not different, not the same,
we are rain on a window, faces beyond
the blindness of mirrors that use our eyes to see.
In every feather, in every leaf, in every flight of the word
ten thousand dawns, all of the earth,
this emptiness within emptiness singing to itself in the void.

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Maya

Maya this song's for you
I have your name print tattooed upon my skin
There's so much to say to you
And where do I begin?
Cos all these prayers must be going somewhere
Somewhere I can never trace
But it seems so far look in the stars
And the empty space
Chorus:
There are worlds within worlds, that keep rotating
And so many thoughts that flow through my mind
If this universe is really shrinking
We'll be together in time
I had a vision of this place
It looked like heaven but the colours seemed to change
And no matter what I do yeah
It's slowly fading away
So all of these prayers have to be going somewhere
Somewhere I can never trace
And one could get lost in all of these stars
And drift in space
Chorus:
There are worlds within worlds, that keep rotating
And so many thoughts that flow through my mind
If this universe is really shrinking
We'll be together in time
Chorus:
There are worlds within worlds, that keep rotating
And so many thoughts that flow through my mind
If this universe is really shrinking
We'll be together in time
Chorus:
There are worlds within worlds, that keep rotating
And so many thoughts that flow through my mind
If this universe is really shrinking
We'll be together in time

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