Seconds Away

Here's to the times being unfair
to the spontaneous choices that one makes
as for you only live once… not twice
here's to those wise words they said once…

"Do make sure that each and every single moment counts! "

Troubled minds never saw no bright future
only doubled their troubles and lost in a bubble
only those who never wished were granted their wishes
yes, doesn't make sense… But if it did, it'll all be too easy,

won't it..?

Let the soft breeze dance with the strands of your hair
Dear one… Let there be light in your eyes, forever
catch and hold on to those smiles before they fade away
and fail not to see through the pretexts of those wild souls

Lay your Trust in me!

Here's to the idiots with Big Dreams
trying to reach out for the utterly unreachable
always looking for change in the making, thus
here's to the memories they preserved

"So again, my dear memory collector,
he'll hold on to those until he dies! "

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael DraytonReport problemRelated quotes
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Our Love

Just "us" and "we"
For we are one
Not "you" and "me"
Or we are done

There for always
Every moment
Good and bad days
That's our intent

As we embark
On this journey
Out of the dark
Where we can see

And live each day
Giving it all
I pray we stay
And do not fall

So hold on tight
And don't let go
We'll make it right
Our love will grow

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A Poet's Wooing

I woo'd a woman once,
But she was sharper than an eastern wind.
Tennyson

"What may I do to make you glad,
To make you glad and free,
Till your light smiles glance
And your bright eyes dance
Like sunbeams on the sea?
Read some rhyme that is blithe and gay
Of a bright May morn and a marriage day?"
And she sighed in a listless way she had,--
"Do not read--it will make me sad!"

"What shall I do to make you glad--
To make you glad and gay,
Till your eyes gleam bright
As the stars at night
When as light as the light of day
Sing some song as I twang the strings
Of my sweet guitar through its wanderings?"
And she sighed in the weary way she had,--
"Do not sing--it will make me sad!"

"What can I do to make you glad--
As glad as glad can be,
Till your clear eyes seem
Like the rays that gleam
And glint through a dew-decked tree?--
Will it please you, dear, that I now begin
A grand old air on my violin?"
And she spoke again in the following way,--
"Yes, oh yes, it would please me, sir;
I would be so glad you'd play
Some grand old march--in character,--
And then as you march away
I will no longer thus be sad,
But oh, so glad--so glad--so glad!"

poem by James Whitcomb RileyReport problemRelated quotes
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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Has Anyone Got The Time

Dreams live far in the future,
Memories dwell back in the past,
The only time that is real,
Is now, and it surely won't last,
This is the moment to live,
The only time that is true,
All other times are irrelevant,
Now is the time to be you.
The time to enjoy, is here now,
Because "now", will not happen again,
This time is unique and un-charted,
So make happy the memories that remain.
You may plan for the future you wish,
You may save, and prepare, even steer,
But the future is coming; you can't change it,
Re-arrange it, or stop it, or veer.
On arrival, it's "now"; you must live it,
For in a fleeting moment, it's gone,
Then all that is left is the memory,
The future is coming……………….it's gone!

From my recently published book; 'By The Way...' By Derek A. Sim

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

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Independence

I never did, I never did,
I never did like "Now take care, dear!"
I never did, I never did,
I never did want "Hold-my-hand";
I never did, I never did,
I never did think much of "Not up there, dear!"
It's no good saying it.
They don't understand.

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Sonnet LIX: As Love and I

As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.

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Dilemma

If I were mild, and I were sweet,
And laid my heart before your feet,
And took my dearest thoughts to you,
And hailed your easy lies as true;
Were I to murmur "Yes," and then
"How true, my dear," and "Yes," again,
And wear my eyes discreetly down,
And tremble whitely at your frown,
And keep my words unquestioning
My love, you'd run like anything!

Should I be frail, and I be mad,
And share my heart with every lad,
But beat my head against the floor
What times you wandered past my door;
Were I to doubt, and I to sneer,
And shriek "Farewell!" and still be here,
And break your joy, and quench your trust-
I should not see you for the dust!

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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The Seance

"The spirits do not like the light,"
The medium said, and turned the switch;
The little lady on my right
Clutched at my hand with nervous twitch.
(She seemed to be a pretty bitch.)

The moustached women on my left,
With spirits on hr heavy breath,
Lasciviously leaned her heft
On me as one who languisheth.
The sordid room was still as death.

"A shape I see," the medium cried,
"Whose face and name I do not know . . ."
"'Tis Robert service," soft replied
A voice - "I passed a month ago,
And I've come back to let you know.

"The Other Side is gay and bright;
We are so happy there and free,
And Dan McGrew I oft recite,
And follow up with Sam McGee . . .
But now excuse me, I must flee."

The fat dame leaned to get my ear,
(Her breast was soft as feather bed.)
"I love his verses; oh dear, dear,
I didn't know that he was dead."
"No more did I," I sourly said.

The little lady grabbed me hard;
(She looked to me a "yesful" dear.)
Said she: "Don't you adore the Bard?"
Said I: "Before he fades, I fear
I'd like to kick his astral rear."

So then I bravely broke away
From spooks and ectoplasic gauze.
Yet in the brazen light of day
I had to pinch myself because
Really! I wondered if I was.

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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Lead "me" to "me

What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Lewis Carroll

Brother And Sister

"SISTER, sister, go to bed!
Go and rest your weary head."
Thus the prudent brother said.

"Do you want a battered hide,
Or scratches to your face applied?"
Thus his sister calm replied.

"Sister, do not raise my wrath.
I'd make you into mutton broth
As easily as kill a moth"

The sister raised her beaming eye
And looked on him indignantly
And sternly answered, "Only try!"

Off to the cook he quickly ran.
"Dear Cook, please lend a frying-pan
To me as quickly as you can."

And wherefore should I lend it you?"
"The reason, Cook, is plain to view.
I wish to make an Irish stew."

"What meat is in that stew to go?"
"My sister'll be the contents!"
"Oh"
"You'll lend the pan to me, Cook?"
"No!"

Moral: Never stew your sister.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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I like your books

In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"

"uh huh," I answered.

"I like your books," he went
on.

"thanks," I answered.

"who do you like in this
race?" he asked.

"uh uh," I answered.

"I like the 4 horse," he
told me.

I made my bet and went back
to my seat....

the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.

"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."

"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."

"what kind of rule is that?"
he asked. "God doesn't make
rules..."

I turned around and looked at him:
"maybe not, but I
do."

after the next race
I got in line, glanced behind
me:
he was not there:

lost another reader.

I lose 2 or 3 each
week.

fine.

let 'em go back to
Kafka.

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Bjørnstjerne Bjørnson

Marit's Song

"Dance!" called the fiddle,
Its strings loudly giggled,
The bailiff's man wriggled
Ahead for a spree.
"Hold!" shouted Ola
And tripped him to tumbling,
The bailiff's man humbling,
To maidens' great glee.

"Hop!" said then Erik,
His foot struck the ceiling,
The beams rang their pealing,
The walls gave a shriek.
"Stop!" said now Elling,
And seizing him collared,
He held him and hollered:
"You still are too weak!"

"Hei!" said then Rasmus,
Fair Randi embracing:
"Be quick now in placing
The kiss that you know!"

"Nay!" answered Randi.
A slapping she gave him,
And from her she drave him:
"Here take what I owe!"

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