My Voice
WITHIN this restless, hurried, modern world
We took our hearts' full pleasure--You and I,
And now the white sails of our ship are furled,
And spent the lading of our argosy.
Wherefore my cheeks before their time are wan,
For very weeping is my gladness fled,
Sorrow hath paled my lip's vermilion,
And Ruin draws the curtains of my bed.
But all this crowded life has been to thee
No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
That sleeps, a mimic echo, in the shell.
poem by Oscar Wilde
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The Widow's Lullaby
She droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The sun comes up from the lea,
As he who will never come more
Came up that first day to her door,
When the ship furled her sails by the shore,
And the spring leaves were green on the tree.
But she droops like a dew-dropping lily,
'whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The sun goes down in the sea,
As he who will never go more
Went down that last day from her door,
When the ship set her sails from the shore,
And the dead leaves were sere on the tree.
But she droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The year comes glad o'er the lea,
As he who will never come more,
Never, ah never!
Came up that first day to her door,
When the ship furled her sails by the shore,
And the spring leaves were green on the tree.
Never, ah never!
He who will come again, never!
But she droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
The year goes sad to the sea,
As he who will never go more
For ever went down from her door,
Ever, for ever!
When the ship set her sails by the shore,
And the dead leaves were sere on the tree.
Ever, for ever!
For ever went down from her door.
But she droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
A gun, and a flash, and a gun,
The ship lies again where she lay!
High and low, low and high, in the sun,
There's a boat, a boat on the bay!
High and low, low and high, in the sun,
All as she saw it that day,
When he came who shall never come more,
And the ship furled her sails by the shore.
But she droops like a dew-dropping lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
All as she saw it that day,
With a gun, and a flash, and a gun,
The ship lies again where she lay,
And they run, and they ride, and they run,
Merry, merry, merry, down the merry highway,
To the boat, high and low in the sun.
Nearer and nearer she hears the rolling drum,
Clearer and clearer she hears the cry, 'They come,'
Far and near runs the cheer to her ear once so dear,
Merry, merry, merry, up the merry highway,
As it ran when he came that day
And said, 'Wilt thou be my dearie?
Oh, wilt thou be my dearie?
My boat is dry in the bay,
And I'll love till thou be weary!'
And she could not say him nay,
For his bonny eyes o' blue,
And never was true-love so true,
To never so kind a dearie,
As he who will never love more,
When the ship furls her sails by the shore.
Then she shakes like a wind-stricken lily,
'Whisht thee, boy, whisht thee, boy Willie!
Whisht whisht o' thy wailing, whisht thee, boy Willie!'
poem by Sydney Thompson Dobell
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Pan
1.
O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?
No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!
Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?
And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!
Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?
Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?
2.
Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.
No nymph of Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!
This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!
A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady.
This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!
Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!
poem by Oscar Wilde
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Double Villanelle
I.
O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?
No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!
Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold
And what remains to us of thee?
And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-loot God of Arcady!
Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?
Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?
II.
Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.
No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!
This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!
A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!
This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!
Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!
poem by Oscar Wilde
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The ship sails on plowing
the surface
of eternity´s echo.
Where new dogmas
will be born,
man die in the name
of a deity.
The ship sails on seas
of timelessness
till the echo ceases.
poem by Oskar Hansen
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Will Sail Tomorrow
THE good ship lies in the crowded dock,
Fair as a statue, firm as a rock:
Her tall masts piercing the still blue air,
Her funnel glittering white and bare,
Whence the long soft line of vapory smoke
Betwixt sky and sea like a vision broke,
Or slowly o'er the horizon curled
Like a lost hope fled to the other world:
She sails to-morrow,--
Sails to-morrow.
Out steps the captain, busy and grave,
With his sailor's footfall, quick and brave,
His hundred thoughts and his thousand cares,
And his steady eye that all things dares:
Though a little smile o'er the kind face dawns
On the loving brute that leaps and fawns,
And a little shadow comes and goes,
As if heart and fancy fled--where, who knows:
He sails to-morrow:
Sails to-morrow.
To-morrow the serried line of ships
Will quick close after her as she slips
Into the unknown deep once more:
To-morrow, to-morrow, some on shore
With straining eyes shall desperate yearn--
'This is not parting? return--return!'
Peace, wild-wrung hands! hush, sobbing breath!
Love keepeth its own through life and death;
Though she sails to-morrow--
Sails to-morrow.
Sail, stately ship; down Southampton water
Gliding fair as old Nereus' daughter:
Christian ship that for burthen bears
Christians, speeded by Christian prayers;
All kinds of angels follow her track!
Pitiful God, bring the good ship back!
All the souls in her forever keep
Thine, living or dying, awake or asleep:
Then sail to-morrow!
Ship, sail to-morrow!
poem by Dinah Maria Mulock Craik
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My Lute Awake
My lute awake! perform the last
Labour that thou and I shall waste,
And end that I have now begun;
For when this song is sung and past,
My lute be still, for I have done.
As to be heard where ear is none,
As lead to grave in marble stone,
My song may pierce her heart as soon;
Should we then sigh or sing or moan?
No, no, my lute, for I have done.
The rocks do not so cruelly
Repulse the waves continually,
As she my suit and affection;
So that I am past remedy,
Whereby my lute and I have done.
Proud of the spoil that thou hast got
Of simple hearts thorough Love's shot,
By whom, unkind, thou hast them won,
Think not he hath his bow forgot,
Although my lute and I have done.
Vengeance shall fall on thy disdain
That makest but game on earnest pain.
Think not alone under the sun
Unquit to cause thy lovers plain,
Although my lute and I have done.
Perchance thee lie wethered and old
The winter nights that are so cold,
Plaining in vain unto the moon;
Thy wishes then dare not be told;
Care then who list, for I have done.
And then may chance thee to repent
The time that thou hast lost and spent
To cause thy lovers sigh and swoon;
Then shalt thou know beauty but lent,
And wish and want as I have done.
Now cease, my lute; this is the last
Labour that thou and I shall waste,
And ended is that we begun.
Now is this song both sung and past:
My lute be still, for I have done.
poem by Sir Thomas Wyatt
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My Lute Awake
My lute awake! perform the last
Labour that thou and I shall waste,
And end that I have now begun;
For when this song is sung and past,
My lute be still, for I have done.
As to be heard where ear is none,
As lead to grave in marble stone,
My song may pierce her heart as soon;
Should we then sigh or sing or moan?
No, no, my lute, for I have done.
The rocks do not so cruelly
Repulse the waves continually,
As she my suit and affection;
So that I am past remedy,
Whereby my lute and I have done.
Proud of the spoil that thou hast got
Of simple hearts thorough Love's shot,
By whom, unkind, thou hast them won,
Think not he hath his bow forgot,
Although my lute and I have done.
Vengeance shall fall on thy disdain
That makest but game on earnest pain.
Think not alone under the sun
Unquit to cause thy lovers plain,
Although my lute and I have done.
Perchance thee lie wethered and old
The winter nights that are so cold,
Plaining in vain unto the moon;
Thy wishes then dare not be told;
Care then who list, for I have done.
And then may chance thee to repent
The time that thou hast lost and spent
To cause thy lovers sigh and swoon;
Then shalt thou know beauty but lent,
And wish and want as I have done.
Now cease, my lute; this is the last
Labour that thou and I shall waste,
And ended is that we begun.
Now is this song both sung and past:
My lute be still, for I have done.
poem by David McKee Wright
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Echo Song
I
Who can say where Echo dwells?
In some mountain-cave, methinks,
Where the white owl sits and blinks;
Or in deep sequestered dells,
Where foxglove hangs its bells,
Echo dwells.
Echo!
Echo!
II
Phantom of the crystal Air,
Daughter of sweet Mystery!
Here is one has need of thee;
Lead him to thy secret lair,
Myrtle brings he for thy hair--
Hear his prayer,
Echo!
Echo!
III
Echo lift thy drowsy head,
And repeat each charmëd word
Thou must needs have overheard
Yestere'en ere, rosy-red,
Daphne down the valley fled--
Words unsaid,
Echo!
Echo!
IV
Breathe the vows she since denies!
She hath broken every vow;
What she would she would not now--
Thou didst hear her perjuries.
Whisper, whilst I shut my eyes,
Those sweet lies,
Echo!
Echo!
poem by Thomas Bailey Aldrich
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The Solitary Lyre
Wherefore, unlaurell'd Boy,
Whom the contemptuous Muse will not inspire,
With a sad kind of joy
Still sing'st thou to thy solitary lyre?
The melancholy winds
Pour through unnumber'd reeds their idle woes,
And every Naiad finds
A stream to weep her sorrow as it flows.
Her sighs unto the air
The Wood-maid's native oak doth broadly tell,
And Echo's fond despair
Intelligible rocks re-syllable.
Wherefore then should not I,
Albeit no haughty Muse my heart inspire,
Fated of grief to die,
Impart it to my solitary lyre?
poem by George Darley
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Silence is in Our Festal Halls
Silence is in our festal halls --
Sweet son of song! thy course is o'er;
In vain on thee sad Erin calls,
Her minstrel's voice responds no more; --
All silent as the Eolian shell
Sleeps at the close of some bright day,
When the sweet breeze, that waked its swell
At sunny morn, hath died away.
Yet, at our feasts, thy spirit long,
Awaked by music's spell, shall rise;
For, name so link'd with deathless song
Partakes its charm and never dies;
And even within the holy fane,
When music wafts the soul to heaven,
One thought to him, whose earliest strain
Was echoed there, shall long be given.
But where is now the cheerful day,
The social night, when by thy side,
He who now weaves this parting lay
His skilless voice with thine allied;
And sung those songs whose every tone,
When bard and minstrel long have past,
Shall still, in sweetness all their own,
Embalm'd by fame, undying last.
Yes, Erin, shine alone the fame --
Or, if thy bard have shared the crown,
From thee the borrow'd glory came,
And at thy feet is now laid down.
Enough, if Freedom still inspire,
His latest song, and still there be,
As evening closes round his lyre,
One ray upon its chords from thee.
poem by Thomas Moore
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To His Lute
MY lute, awake! perform the last
Labour that thou and I shall waste,
And end that I have now begun;
For when this song is said and past,
My lute, be still, for I have done.
As to be heard where ear is none,
As lead to grave in marble stone,
My song may pierce her heart as soon:
Should we then sing, or sigh, or moan?
No, no, my lute! for I have done.
The rocks do not so cruelly
Repulse the waves continually,
As she my suit and affectiòn;
So that I am past remedy:
Whereby my lute and I have done.
Proud of the spoil that thou hast got
Of simple hearts thorough Love's shot,
By whom, unkind, thou hast them won;
Think not he hath his bow forgot,
Although my lute and I have done.
Vengeance shall fall on thy disdain,
That makest but game of earnest pain:
Trow not alone under the sun
Unquit to cause thy lover's plain,
Although my lute and I have done.
May chance thee lie wither'd and old
The winter nights that are so cold,
Plaining in vain unto the moon:
Thy wishes then dare not be told:
Care then who list! for I have done.
And then may chance thee to repent
The time that thou has lost and spent
To cause thy lover's sigh and swoon:
Then shalt thou know beauty but lent,
And wish and want as I have done.
Now cease, my lute! this is the last
Labour that thou and I shall waste,
And ended is that we begun:
Now is this song both sung and past--
My lute, be still, for I have done.
poem by Sir Thomas Wyatt
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Airs for the Lute
I
When the sobbing lute complains,
Grieving for an ancient sorrow,
This poor sorrow that remains
Fain would borrow,
To give pleading unto sorrow,
Those uncapturable strains.
All, that hands upon the lute
Helped the voices to declare,
Voices mute
But for this, might I not share,
If, alas, I could but suit
Hand and voice unto the lute?
II
If time so sweetly
On true according viols make
Her own completely
The lawless laws of turn and shake;
How should I doubt then
Love, being tuned unto your mood,
Should bring about then
True time and measure of your blood?
III
Why are you sorrowful in dreams?
I am sad in the night;
The hours till morning are white,
I hear the hours' flight
All night in dreams.
Why do you send me your dreams?
For an old love's sake;
I dream if I sleep or wake,
And shall but one heart ache,
For the sake of dreams?
Pray that we sleep without dreams!
Ah, love, the only way
To put sorrow away,
Night or day, night or day,
From the way of dreams!
IV
Strange, to remember tears!
Yet I know that I wept;
And those hopes and those fears,
Strange, were as real as tears!
What's this delicate pain,
Twilight-coloured and grey?
Odour-like through my brain
Steals a shadowy pain.
What's this joy in the air?
Musical as the leaves,
When the white winds are there,
Faint joy breathes in the air.
poem by Arthur Symons
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The Mourners
LOW she lies, who blest our eyes
Through many a sunny day;
She may not smile, she will not rise--
The life hath past away!
Yet there is a world of light beyond,
Where we neither die nor sleep--
She is there, of whom our souls were fond--
Then wherefore do we weep?
The heart is cold, whose thoughts were told
In each glance of her glad bright eye;
And she lies pale, who was so bright,
She scarce seemed made to die.
Yet we know that her soul is happy now,
Where the saints their calm watch keep;
That angels are crowning that fair young brow--
Then wherefore do we weep?
Her laughing voice made all rejoice,
Who caught the happy sound;
There was gladness in her very step,
As it lightly touched the ground.
The echoes of voice and step are gone;
There is silence still and deep:
Yet we know she sings by God's bright throne--
Then wherefore do we weep?
The cheek's pale tinge, the lid's dark fringe;
That lies like a shadow there,
Were beautiful in the eyes of all--
And her glossy golden hair!
But though that lid may never wake
From its dark and dreamless sleep,
She is gone where young hearts do not break--
Then wherefore do we weep?
That world of light with joy is bright,
This is a world of woe:
Shall we grieve that her soul hath taken flight,
Because we dwell below?
We will bury her under the mossy sod,
And one long bright tress we'll keep;
We have only given her back to God--
Ah! wherefore do we weep?
poem by Caroline Elizabeth Sarah Norton
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The Night-Blooming Cereus
FLOWER of the moon!
Still white is her brow whom we worshiped on earth long ago;
Yea, purer than pearls in deep seas, and more virgin than snow.
The dull years veil their eyes from her shining, and vanish afraid,
Nor profane her with age—the immortal, nor dim her with shade.
It is we are unworthy, we worldlings, to dwell in her ways;
We have broken her altars and silenced her voices of praise.
She hath hearkened to singing more silvern, seen raptures more bright;
To some planet more pure she hath fled on the wings of the night,—
Flower of the moon!
Yet she loveth the world that forsook her, for, lo! once a year
She, Diana, translucent, pale, scintillant, down from her sphere
Floateth earthward like star-laden music, to bloom in a flower,
And our hearts feel the spell of the goddess once more for an hour.
See! she sitteth in splendor nor knoweth desire nor decay,
And the night is a glory around her more bright than the day,
And her breath hath the sweetness of worlds where no sorrow is known;
And we long as we worship to follow her back to her own,—
Flower of the moon!
poem by Harriet Monroe
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Sorrow is better than insomnia.
Neither a sister, nor a daughter,
Nor any one by blood you are.
Yet my sorrow never sleeps.
Never a tryst, nor a rendezvous,
Nor an innuendo, you granted.
Yet my sorrow never sleeps.
Glamour, splendor, or pretext,
You never played to gravitate.
Yet my sorrow never sleeps.
Formidable and forbidden you were.
Sojourn was so short.
Parting was abrupt and aborting.
Yet my sorrow never sleeps.
Every beginning has an end.
An episode should, however, end.
But abortion and usurpation?
May be, by a boon I’ll see you soon.
That can retrieve our past monsoon.
But the crop is already gone.
So my sorrow never sleeps.
Time was over before I could score.
No more game is set up in the court.
That is why my sorrow never sleeps.
With your parting, came to an end
All my springs and monsoons.
Let my sorrow never sleep.
It is better than insomnia.
08.05.2001, Pmdi
poem by Rm. Shanmugam Chettiar
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The Chattahoochee River
The Chattahoochee River is muddy and deep,
Rolls restless in her bed, and never sleeps.
She churns, whirls, and sometimes creeps,
But the Chattahoochee River never sleeps.
She cascades, crashes, her falls are steep,
So the Chattahoochee River never sleeps.
A child, in innocence, in her water leaps,
Unaware, the Chattahoochee never sleeps.
She snatches him down, his little body to keep,
Cause the Chattahoochee River never sleeps.
He struggles for his life, so tender and meek.
Oh! the Chattahoochee River never sleeps.
She steals his breath, while caressing his cheeks.
Careless Chattahoochee River just never sleeps.
poem by Willie Wilburn Walker
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I Do Not Love Thee For That Fair
I do not love thee for that fair
Rich fan of thy most curious hair;
Though the wires thereof be drawn
Finer than threads of lawn,
And are softer than the leaves
On which the subtle spider weaves.
I do not love thee for those flowers
Growing on thy cheeks, love's bowers;
Though such cunning them hath spread,
None can paint them white and red:
Love's golden arrows thence are shot,
Yet for them I love thee not.
I do not love thee for those soft
Red coral lips I've kissed so oft,
Nor teeth of pearl, the double guard
To speech whence music still is heard;
Though from those lips a kiss being taken
Mighty tyrants melt, and death awaken.
I do not love thee, O my fairest,
For that richest, for that rarest
Silver pillar, which stands under
Thy sound head, that globe of wonder;
Though that neck be whiter far
Than towers of polished ivory are.
poem by Thomas Carew
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A Friend
Old age is gentle as an autumn morn;
The harvest over, you will put the plough
Into another, stronger hand, and watch
The sowing you were wont to do.
Old age
Is like an alabaster room, with soft
White curtains. All is light, but light so mild,
So quiet, that it cannot hurt.
The pangs
Are hushed, for life is wild no more with strife,
Nor breathless uphill work, nor heavy with
The brewing tempests, which have torn away
So much, that nothing more remains to fear.
What once was hope, is gone. You know. You saw
The worst, and not a sigh is left of all
The heavy sighs that tore your heart, and not
A tear of all those tears that burnt your cheeks,
And ploughed the forrows into them.
You see
How others work again and weep again,
And hope and fear. Thy alabaster room
With marble floor and dainty hangings has
A look so still, that others wonder why
They feel it churchlike. All thy life is here;
Thy life hath built the vault and paved it, and
Thy hands have woven yonder curtains that
Surround thy seat, a shady sunshine.
Age
Is feeble not to thee, as all thy wishes
Are silent and demand no effort. Age
is kind to thee, allows thee all the rest
That never came, when life was hard and toilsome.
Receive it with a smile and clothe thyself
In white, in Nature's silver crown, and sing
A lullaby of promise and of comfort.
Tell them that life is precious, after work,
And after grief and after all the deaths,
And not a loathsome burden of a life.
Old age is like a room of alabaster,
The curtains silken; thou art priest and Druid!
No mystery for thee, but Light from heaven!
poem by Carmen Sylva
Submitted by Veronica Serbanoiu
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With a Nantucket Shell
I SEND thee a shell from the ocean beach;
But listen thou well, for my shell hath speech.
Hold to thine ear,
And plain thou’lt hear
Tales of ships
That were lost in the rips,
Or that sunk on shoals
Where the bell-buoy tolls,
And ever and ever its iron tongue rolls
In a ceaseless lament for the poor lost souls.
And a song of the sea
Has my shell for thee;
The melody in it
Was hummed at Wauwinet,
And caught at Coatue
By the gull that flew
Outside to the ship with its perishing crew.
But the white wings wave
Where none may save,
And there ’s never a stone to mark a grave.
See, its sad heart bleeds
For the sailors’ needs;
But it bleeds again
For more mortal pain,
More sorrow and woe,
Than is theirs who go
With shuddering eyes and whitening lips
Down in the sea on their shattered ships.
Thou fearest the sea?
And a tyrant is he,—
A tyrant as cruel as tyrant may be;
But though winds fierce blow,
And the rocks lie low,
And the coast be lee,
This I say to thee:
Of Christian souls more have been wrecked on shore
Than ever were lost at sea!
poem by Charles Harper Webb
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I Love Thee
I love thee—I love thee!
'Tis all that I can say;—
It is my vision in the night,
My dreaming in the day;
The very echo of my heart,
The blessing when I pray:
I love thee—I love thee!
Is all that I can say.
I love thee—I love thee!
Is ever on my tongue;
In all my proudest poesy
That chorus still is sung;
It is the verdict of my eyes,
Amidst the gay and young:
I love thee—I love thee!
A thousand maids among.
I love thee—I love thee!
Thy bright hazel glance,
The mellow lute upon those lips,
Whose tender tones entrance;
But most, dear heart of hearts, thy proofs
That still these words enhance,
I love thee—I love thee!
Whatever be thy chance.
poem by Thomas Hood
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