En.Citatepedia^®.ro

To My Readers

NAY, blame me not; I might have spared
Your patience many a trivial verse,
Yet these my earlier welcome shared,
So, let the better shield the worse.

And some might say, 'Those ruder songs
Had freshness which the new have lost;
To spring the opening leaf belongs,
The chestnut-burs await the frost.'

When those I wrote, my locks were brown,
When these I write--ah, well a-day!
The autumn thistle's silvery down
Is not the purple bloom of May.

Go, little book, whose pages hold
Those garnered years in loving trust;
How long before your blue and gold
Shall fade and whiten in the dust?

O sexton of the alcoved tomb,
Where souls in leathern cerements lie,
Tell me each living poet's doom!
How long before his book shall die?

It matters little, soon or late,
A day, a month, a year, an age,--
I read oblivion in its date,
And Finis on its title-page.

Before we sighed, our griefs were told;
Before we smiled, our joys were sung;
And all our passions shaped of old
In accents lost to mortal tongue.

In vain a fresher mould we seek,--
Can all the varied phrases tell
That Babel's wandering children speak
How thrushes sing or lilacs smell?

Caged in the poet's lonely heart,
Love wastes unheard its tenderest tone;
The soul that sings must dwell apart,
Its inward melodies unknown.

Deal gently with us, ye who read
Our largest hope is unfulfilled,--
The promise still outruns the deed,--
The tower, but not the spire, we build.

Our whitest pearl we never find;
Our ripest fruit we never reach;
The flowering moments of the mind
Drop half their petals in our speech.

These are my blossoms; if they wear
One streak of morn or evening's glow,
Accept them; but to me more fair
The buds of song that never blow.

poem by Oliver Wendell Holmes
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To His Lady

(Who asked a Song in Spring)

WHY do you bid your poet sing,
Who has no mind to song--
Who only wants to see the Spring,
Long sought and tarrying long?
The shivering, dreary winter through
My song enshrined my vow;
If then my songs were sweet to you,
Let me be silent now!

Have I not duly sung, my dear,
Your goodness and your grace?
Now that your rival, Spring, is here,
O let me see her face!
The hedge is white with buds of May,
The fields are green with Spring,
Oh, give your bard a holiday:
He does not want to sing!

He wants to listen; all alone,
He wants to steal away
To hear the ring-doves' tender tone,
And what the thrushes say.
He wants to hear what can't be heard
When you and love are near--
The sweet Spring's soft and secret word;
Oh, let him go, my dear!

poem by Edith Nesbit
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A Poet To Be

A poet I claim not to be,
For words are never there.
In all the years I've tried to write,
I have no words to share.

I sit and think but nothing comes,
No inspiration here.
I want to write of anything,
But still no words I fear.

I read the works of other poets,
I wish I were like them.
How do they write such beautiful lines,
A poet, I'm not him.

I try to write from the heart,
From deep within my soul.
I try to write of the love I have,
But cannot reach my goal.

But why I ask, why can't I write,
Of love so pure and true.
Why can't I write about her eyes,
A mix of green and blue.

I want to write about her smile,
It brightens up my day.
I try to think of anything,
But words I cannot say.

I wish I knew how to write,
A poem with such bliss.
I wish I knew how to describe,
Her soft but tender kiss.

I cannot even begin to write,
How she holds me tight.
How her arms around me,
Makes everything just right.

A poet does not have to think,
The words flow right out.
When I sit and try to write,
I want to scream and shout.

I mean come on, how hard can it be,
To write about her hair.
Such long beautiful natural blonde,
That flows in the air.

I try to write about her laugh,
The words will not fly.
Time passes and finally,
I say it's soft and high.

It's been an hour and a half,
I'm here on verse twelve.
I had to go to Rhymezone,
To find out the rhyme is shelve.

A poet does not do that,
Go online to find a rhyme.
A poet has it in his head,
And can write at any time.

But a poet I am not,
For I cannot write of love.
How the girl I am with,
Is an angel from up above.

How I love her with all my heart,
And want to spend my life with her.
How her love for me is more,
Than I can ever be for sure.

As I draw near the end,
My mind is not so numb.
I realize I've just written of love,
A poet I have become.

poem by Adam McKim
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To My Old Readers

You know 'The Teacups,' that congenial set
Which round the Teapot you have often met;
The grave DICTATOR, him you knew of old,--
Knew as the shepherd of another fold
Grayer he looks, less youthful, but the same
As when you called him by a different name.
Near him the MISTRESS, whose experienced skill
Has taught her duly every cup to fill;
'Weak;' 'strong;' 'cool;' 'lukewarm;' 'hot as you can pour;'
'No sweetening;' 'sugared;' 'two lumps;' 'one lump more.'
Next, the PROFESSOR, whose scholastic phrase
At every turn the teacher's tongue betrays,
Trying so hard to make his speech precise
The captious listener finds it overnice.

Nor be forgotten our ANNEXES twain,
Nor HE, the owner of the squinting brain,
Which, while its curious fancies we pursue,
Oft makes us question, 'Are we crack-brained too?'

Along the board our growing list extends,
As one by one we count our clustering friends,--
The youthful DOCTOR waiting for his share
Of fits and fevers when his crown gets bare;
In strong, dark lines our square-nibbed pen should draw
The lordly presence of the MAN OF LAW;
Our bashful TUTOR claims a humbler place,
A lighter touch, his slender form to trace.
Mark the fair lady he is seated by,--
Some say he is her lover,--some deny,--
Watch them together,--time alone can show
If dead-ripe friendship turns to love or no.
Where in my list of phrases shall I seek
The fitting words of NUMBER FIVE to speak?
Such task demands a readier pen than mine,--
What if I steal the Tutor's Valentine?

Why should I call her gracious, winning, fair?
Why with the loveliest of her sex compare?
Those varied charms have many a Muse inspired,--
At last their worn superlatives have tired;
Wit, beauty, sweetness, each alluring grace,
All these in honeyed verse have found their place;
I need them not,--two little words I find
Which hold them all in happiest form combined;
No more with baffled language will I strive,--
All in one breath I utter: Number Five!

Now count our teaspoons--if you care to learn
How many tinkling cups were served in turn,--
Add all together, you will find them ten,--
Our young MUSICIAN joined us now and then.
Our bright DELILAH you must needs recall,
The comely handmaid, youngest of us all;
Need I remind you how the little maid
Came at a pinch to our Professor's aid,--
Trimmed his long locks with unrelenting shears
And eased his looks of half a score of years?

Sometimes, at table, as you well must know,
The stream of talk will all at once run low,
The air seems smitten with a sudden chill,
The wit grows silent and the gossip still;
This was our poet's chance, the hour of need,
When rhymes and stories we were used to read.
One day a whisper round the teacups stole,--
'No scrap of paper in the silver bowl!'
(Our 'poet's corner' may I not expect
My kindly reader still may recollect?)
'What! not a line to keep our souls alive?'
Spoke in her silvery accents Number Five.
'No matter, something we must find to read,--
Find it or make it,--yes, we must indeed!
Now I remember I have seen at times
Some curious stories in a book of rhymes,--
How certain secrets, long in silence sealed,
In after days were guessed at or revealed.
Those stories, doubtless, some of you must know,--
They all were written many a year ago;
But an old story, be it false or true,
Twice told, well told, is twice as good as new;
Wait but three sips and I will go myself,
And fetch the book of verses from its shelf.'
No time was lost in finding what she sought,--
Gone but one moment,--lo! the book is brought.

'Now, then, Professor, fortune has decreed
That you, this evening, shall be first to read,--
Lucky for us that listen, for in fact
Who reads this poem must know how to _act_.'
Right well she knew that in his greener age
He had a mighty hankering for the stage.
The patient audience had not long to wait;
Pleased with his chance, he smiled and took the bait;
Through his wild hair his coaxing fingers ran,--
He spread the page before him and began.

poem by Oliver Wendell Holmes
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Programme

READER--gentle--if so be
Such still live, and live for me,
Will it please you to be told
What my tenscore pages hold?

Here are verses that in spite
Of myself I needs must write,
Like the wine that oozes first
When the unsqueezed grapes have burst.

Here are angry lines, 'too hard!'
Says the soldier, battle-scarred.
Could I smile his scars away
I would blot the bitter lay,

Written with a knitted brow,
Read with placid wonder now.
Throbbed such passion in my heart?
Did his wounds once really smart?

Here are varied strains that sing
All the changes life can bring,
Songs when joyous friends have met,
Songs the mourner's tears have wet.

See the banquet's dead bouquet,
Fair and fragrant in its day;
Do they read the selfsame lines,--
He that fasts and he that dines?

Year by year, like milestones placed,
Mark the record Friendship traced.
Prisoned in the walls of time
Life has notched itself in rhyme.

As its seasons slid along,
Every year a notch of song,
From the June of long ago,
When the rose was full in blow,

Till the scarlet sage has come
And the cold chrysanthemum.
Read, but not to praise or blame;
Are not all our hearts the same?

For the rest, they take their chance,--
Some may pay a passing glance;
Others,-well, they served a turn,--
Wherefore written, would you learn?

Not for glory, not for pelf,
Not, be sure, to please myself,
Not for any meaner ends,--
Always 'by request of friends.'

Here's the cousin of a king,--
Would I do the civil thing?
Here 's the first-born of a queen;
Here 's a slant-eyed Mandarin.

Would I polish off Japan?
Would I greet this famous man,
Prince or Prelate, Sheik or Shah?--
Figaro gi and Figaro la!

Would I just this once comply?--
So they teased and teased till I
(Be the truth at once confessed)
Wavered--yielded--did my best.

Turn my pages,--never mind
If you like not all you find;
Think not all the grains are gold
Sacramento's sand-banks hold.

Every kernel has its shell,
Every chime its harshest bell,
Every face its weariest look,
Every shelf its emptiest book,

Every field its leanest sheaf,
Every book its dullest leaf,
Every leaf its weakest line,--
Shall it not be so with mine?

Best for worst shall make amends,
Find us, keep us, leave us friends
Till, perchance, we meet again.
Benedicite.--Amen!

poem by Oliver Wendell Holmes
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Book Of Days

Your life is as a book
Written on the pages are the weeks
For you would give anything to take just one look
Into the next chapter, the next page

Each page is a new thought, a new dream
Sometimes it takes so long to pass that page
And sometimes nothing is as it seams
For you know you can not go ahead or back

You know you are where you are
You know you can't change that
As you read page to page, so near to fear
You write the chapters as you go, with each turn

Each turn, each move changes what's to come
And you know each moment could be the last
With this in mind you go so mumb
So numb to the touch, to the thought

You turn page after page
until you reach the 'end'
And only then, you are freed from the title
The title that has kept your thoughts bound, and tight

You turn the pages one by one
You take the pain, take the joy
Until you are done
And your story becomes another on the shelf of eternity

(1/24/2008)

poem by Bethany Maxwell
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Blue, Brown and Gold

Blue, brown and gold, bold, I'll unfold
a portrait drawn upon a train
one summer morn which shall remain
for heart to hold if truth be told.

Brown, gold and blue she sat, smiled too,
to me it seemed true beauty gleamed, -
my spirit teemed with hopes that, teamed,
we'd share love through fair seasons new.

Blue, gold and brown without a frown
she journeyed on, too soon was gone, -
yet still upon my soul she shone.
Brown bag, blue gown, - Life's golden crown!

Blue, brown and gold, cannot grow [c]old
Year in year out their tale is told...

poem by Jonathan Robin
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A Poet's Song

~♥ ♥ ♥ ~

I have read
Works of great men and women
Simple poems and stories
I also have written
This is the song of a poet
The song of my soul

I love poetries
So too are stories
They are simple daisies
Filling my fantasies
This is the song of a poet
The song of my soul

It is my refuge
When in sorrow
My hopes and dreams
In my unknown tomorrow
This is the song of a poet
The song of my soul

I am a poetess
With the dream of sharing
And with my knowledge and skills
Tomorrow, my dreams I will be fulfilling
This is the song of a poet
The song of my soul

I and my works
May never be great
But I will never lose hope
In God, I place my faith
This is the song of a poet
The song of my soul

I will never surrender to failure
I shall never retire until I reach my goal
I will read and write literature
I will hear the cry of my hoping soul
This is the song of a poet
The song of my soul

~♥ ♥ ♥ ~

poem by Belleza Edella Marian SwanCullen
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Our Indian Summer

You 'll believe me, dear boys, 't is a pleasure to rise,
With a welcome like this in your darling old eyes;
To meet the same smiles and to hear the same tone
Which have greeted me oft in the years that have flown.

Were I gray as the grayest old rat in the wall,
My locks would turn brown at the sight of you all;
If my heart were as dry as the shell on the sand,
It would fill like the goblet I hold in my hand.

There are noontides of autumn when summer returns.
Though the leaves are all garnered and sealed in their urns,
And the bird on his perch, that was silent so long,
Believes the sweet sunshine and breaks into song.

We have caged the young birds of our beautiful June;
Their plumes are still bright and their voices in tune;
One moment of sunshine from faces like these
And they sing as they sung in the green-growing trees.

The voices of morning! how sweet is their thrill
When the shadows have turned, and the evening grows still!
The text of our lives may get wiser with age,
But the print was so fair on its twentieth page!

Look off from your goblet and up from your plate,
Come, take the last journal, and glance at its date:
Then think what we fellows should say and should do,
If the 6 were a 9 and the 5 were a 2.

Ah, no! for the shapes that would meet with as here,
From the far land of shadows, are ever too dear!
Though youth flung around us its pride and its charms,
We should see but the comrades we clasped in our arms.

A health to our future--a sigh for our past,
We love, we remember, we hope to the last;
And for all the base lies that the almanacs hold,
While we've youth in our hearts we can never grow old!

poem by Oliver Wendell Holmes
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The Prince's Progress (excerpt)

"Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate.
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.

"Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.

"Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?

"We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.

"We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.

"You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread."

poem by Christina Georgina Rossetti
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The Book Of My Life

Let me watch by the fire and remember my days
And it may be a trick of the firelight
But the flickering pages that trouble my sight
Is a book I'm afraid to write
It's the book of my days, it's the book of my life
And it's cut like a fruit on the blade of a knife
And it's all there to see as the section reveals
There's some sorrow in every life
If it reads like a puzzle, a wandering maze
Then I won't understand 'til the end of my days
I'm still forced to remember,
Remember the words of my life
There are promises broken and promises kept
Angry words that were spoken, when I should have wept
There's a chapter of secrets, and words to confess
If I lose everything that I possess
There's a chapter on loss and a ghost who won't die
There's a chapter on love where the ink's never dry
There are sentences served in a prison I built out of lies.
Though the pages are numbered
I can't see where they lead
For the end is a mystery no-one can read
In the book of my life
There's a chapter on fathers a chapter on sons
There are pages of conflicts that nobody won
And the battles you lost and your bitter defeat,
There's a page where we fail to meet
There are tales of good fortune that couldn't be planned
There's a chapter on god that I don't understand
There's a promise of Heaven and Hell but I'm damned if I see
Though the pages are numbered
I can't see where they lead
For the end is a mystery no-one can read
In the book of my life
Now the daylight's returning
And if one sentence is true
All these pages are burning
And all that's left is you
Though the pages are number

song performed by by Sting
Submitted by Lucian Velea
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The Unhappy One

“HE is false to the heart!' she said, stern-lipped; 'he is all untruth;
He promises fair as a tree in blossom, and then
The fruit is rotten ere ripe. Tears, prayers and youth,
All withered and wasted! and still—I love this falsest of men!'

Comfort? There is no comfort when the soul sees pain like a sun:
It is better to stare at the blinding truth: if it blind, one woe is done.
We cling to a coward hope, when hope has the seed of the pain:
If we tear out the roots of the grief, it will never torment again.
Ay, even if part of our life is lost, and the deep-laid nerves
That carry all joy to the heart are wounded or killed by the knife;
When a gangrene sinks to the bone, it is only half-death that serves;
And a life with a cureless pain is only half a life.

But why unhealed must the spirit endure? There are drugs for the body's dole;
Have we wholly lived for the lower life? Is there never a balm for the soul?
O Night, cry out for the healer of woe, for the priest-physician cry,
With the pouring oil for the bleeding grief, for the life that may not die!
'He is false to the heart!' she moaned; 'and I love him and cannot hate!'
Then bitterly, fiercely —'What have I done, my God, for such a fate?'

'Poor heart!' said the Teacher; 'for thee and thy sorrow the daily parables speak.
Thy grief, that is dark, illumes for me a sign that was dim and weak.
In the heart of my garden I planted a tree —I had chosen the noblest shoot:
It was sheltered and tended, and hope reached out for the future's precious fruit.
The years of its youth flew past, and I looked on a spreading tree
All gloried with maiden blossoms, that smiled their promise to me.
I lingered to gaze on their color and shape—I knew I had chosen well;
And I smiled at the death that was promise of life as the beautiful petals fell.
But the joy was chilled, though the lip laughed on, by the withered proof to the eye:
The blossoms had shielded no tender bud, but cradled a barren lie.
Before me it lay, the mystery—the asking, the promise, the stone;
The tree that should give good fruit was bare—the cause unseen, unknown!

'But I said: ' Next year it shall bourgeon, my part shall be faithfully done;
My love shall be doubled—I trust my tree for its beautiful strength alone.'
But tenderness failed, and loving care, and the chalice of faith was dried
When the next spring blossoms had spoken their promise smiled at the sun and lied;
The heart of the petals was withered to dust. Then, for duty, I trusted again;
For who should stand if God were to frown on the twice-told failures of men?
Unloving I tended, with care increased, but never a song or smile;
For duty is love that is dead but is kept from the grave for a while.

The third year came, with the sweet young leaves, and I could not fear or doubt;
But the petals smiled at the sun and lied,—and the curse in my blood leaped out!
'This corpse,' I cried, 'that has cumbered the earth, let it hence to the waste be torn!'
That moment of wrath beheld its death—while to me was a life-truth born:
The straight young trunk at my feet lay prone; and I bent to scan the core,
And there read the pitiful secret the noble sapling bore.
Through the heart of the pith, in its softest youth, it had bored its secret way,
A gnawing worm, a hideous grief,—and the life it had tortured lay
Accursed and lost for the cruel devil that nestled its breast within.
Ah, me, poor heart! had I known in time, I had cut out the clinging sin,
And saved the life that was all as good and as noble as it seemed!'

He ceased, and she rose, the unresigned, as one who had slept and dreamed;
Her face was radiant with insight: 'It is true! it is true!' she said;
'And my love shall not die, like your beautiful tree, till the hidden pain is dead!'

poem by John Boyle O'Reilly
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Parker Clare

To a forgotten culture perhaps he now belongs
The man who could sing over a thousand songs
The father of the famous poet John Clare
Even in his own time people like him were rare.

The ballad singer of the Helpston countryside
Hundreds of the old songs he sung with him died
So little of the oral tradition now remain
Forever lost not to be found again.

Two hundred years ago one of a dying breed
Poor Parker Clare he could not write nor read
Yet through his son his name lives on today
A memory lost but yet to fade away.

He came from an oral tradition that is forever gone
Yet memories of what was still living on
And at a time when great change was happening in his English countryside
Most of the songs he sung with Parker died.

A fading memory that won't fade away
And through his son his name still lives today
Still a genius in his own right the thresher Parker Clare
And even in his time his type were quite rare.

poem by Francis Duggan
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My Garden

My garden aboundeth in pleasant nooks
And fragrance is over it all;
For sweet is the smell of my old, old books
In their places against the wall.

Here is a folio that's grim with age
And yellow and green with mould;
There's the breath of the sea on every page
And the hint of a stanch ship's hold.

And here is a treasure from France la belle
Exhaleth a faint perfume
Of wedded lily and asphodel
In a garden of song abloom.

And this wee little book of Puritan mien
And rude, conspicuous print
Hath the Yankee flavor of wintergreen,
Or, may be, of peppermint.

In Walton the brooks a-babbling tell
Where the cheery daisy grows,
And where in meadow or woodland dwell
The buttercup and the rose.

But best beloved of books, I ween,
Are those which one perceives
Are hallowed by ashes dropped between
The yellow, well-thumbed leaves.

For it's here a laugh and it's there a tear,
Till the treasured book is read;
And the ashes betwixt the pages here
Tell us of one long dead.

But the gracious presence reappears
As we read the book again,
And the fragrance of precious, distant years
Filleth the hearts of men.

Come, pluck with me in my garden nooks
The posies that bloom for all;
Oh, sweet is the smell of my old, old books
In their places against the wall!

poem by Eugene Field
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Bride Song

From 'The Prince's Progress'

TOO late for love, too late for joy,
   Too late, too late!
You loiter'd on the road too long,
   You trifled at the gate:
The enchanted dove upon her branch
   Died without a mate;
The enchanted princess in her tower
   Slept, died, behind the grate;
Her heart was starving all this while
   You made it wait.

Ten years ago, five years ago,
   One year ago,
Even then you had arrived in time,
   Though somewhat slow;
Then you had known her living face
   Which now you cannot know:
The frozen fountain would have leap'd,
   The buds gone on to blow,
The warm south wind would have awaked
   To melt the snow.

Is she fair now as she lies?
   Once she was fair;
Meet queen for any kingly king,
   With gold-dust on her hair.
Now there are poppies in her locks,
   White poppies she must wear;
Must wear a veil to shroud her face
   And the want graven there:
Or is the hunger fed at length,
   Cast off the care?

We never saw her with a smile
   Or with a frown;
Her bed seem'd never soft to her,
   Though toss'd of down;
She little heeded what she wore,
   Kirtle, or wreath, or gown;
We think her white brows often ached
   Beneath her crown,
Till silvery hairs show'd in her locks
   That used to be so brown.

We never heard her speak in haste:
   Her tones were sweet,
And modulated just so much
   As it was meet:
Her heart sat silent through the noise
   And concourse of the street.
There was no hurry in her hands,
   No hurry in her feet;
There was no bliss drew nigh to her,
   That she might run to greet.

You should have wept her yesterday,
   Wasting upon her bed:
But wherefore should you weep to-day
   That she is dead?
Lo, we who love weep not to-day,
   But crown her royal head.
Let be these poppies that we strew,
   Your roses are too red:
Let be these poppies, not for you
   Cut down and spread.

poem by Christina Georgina Rossetti
Submitted by Poetry Lover
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Faded Pages

Recently I started retyping
a manuscript of short stories
I had written twenty years ago.
The pages were faded;
too much time being opened to the sun.
As I typed, I smiled
at the things I had written
and the dialogue I had created.
The stories are about a cat
and looking at the world
through his eyes and thoughts.
I had even created him a language
that I had to write a glossary
at the back of the book to explain
what some of the phrases meant.
There is a vast array of characters
and most have a funny turn.
I also remember what prompted me
to write the stories long ago.
My original intention was to write
one story and one story only,
but a friend of mine at the time
persuaded me to write another and another.
Before long, a volume was finished
with enough stories to start another.
From a one off story I have written over sixty now
about the cat and all his friends.
Now as I flick through these faded pages,
which I haven’t read in years,
I find myself being reunited
with many long lost friends.

26 January 2009

poem by David Harris
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Lament For Leaf Loss

Sing sad songs for the days that are gone
Now the days are growing darker and the night lasts long
But listen for the flutter of each shrivelled tear
As it drops in golden leaf-fall of the fading, dying year.

Sing sad songs for the days that are gone
Now the light is growing dimmer and the night lasts long
But listen for the echoes of the summer’s breeze
As it gossips with the branches of the leafless poplar trees.

Sing sad songs for the days that are gone
Now the frost is growing grimmer and the night lasts long
But listen for the rustle of lost autumn leaves
And the crying of the dewdrops as the barren forest grieves.

Sing sad songs for the days that are gone
Now the mood is growing glummer and the night lasts long
But listen for the whispers of the coming spring
When the buds begin their bursting and the birds begin to sing.

Sing no more for the days that are gone
For the light will soon be stronger and the night less long
And listen to the rhythm of season’s song
As spring will soon be with us while the winter won’t be long.

poem by C. Richard Miles
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James Russell Lowell

1819-1891

THOU shouldst have sung the swan-song for the choir
That filled our groves with music till the day
Lit the last hilltop with its reddening fire,
And evening listened for thy lingering lay.

But thou hast found thy voice in realms afar
Where strains celestial blend their notes with thine;
Some cloudless sphere beneath a happier star
Welcomes the bright-winged spirit we resign.

How Nature mourns thee in the still retreat
Where passed in peace thy love-enchanted hours!
Where shall she find an eye like thine to greet
Spring's earliest footprints on her opening flowers?

Have the pale wayside weeds no fond regret
For him who read the secrets they enfold?
Shall the proud spangles of the field forget
The verse that lent new glory to their gold?

And ye whose carols wooed his infant ear,
Whose chants with answering woodnotes he repaid,
Have ye no song his spirit still may hear
From Elmwood's vaults of overarching shade?

Friends of his studious hours, who thronged to teach
The deep-read scholar all your varied lore,
Shall he no longer seek your shelves to reach
The treasure missing from his world-wide store?

This singer whom we long have held so dear
Was Nature's darling, shapely, strong, and fair;
Of keenest wit, of judgment crystal-clear,
Easy of converse, courteous, debonair,

Fit for the loftiest or the lowliest lot,
Self-poised, imperial, yet of simplest ways;
At home alike in castle or in cot,
True to his aim, let others blame or praise.

Freedom he found an heirloom from his sires;
Song, letters, statecraft, shared his years in turn;
All went to feed the nation's altar-fires
Whose mourning children wreathe his funeral urn.

He loved New England,--people, language, soil,
Unweaned by exile from her arid breast.
Farewell awhile, white-handed son of toil,
Go with her brown-armed laborers to thy rest.

Peace to thy slumber in the forest shade!
Poet and patriot, every gift was thine;
Thy name shall live while summers bloom and fade,
And grateful Memory guard thy leafy shrine!

poem by Oliver Wendell Holmes
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In the spirit of Rumi - 67 - To Rumi

I’m not too proud to say
please write a new poem through me
and I promise not to claim that
I wrote it myself…

or if that’s too much to ask,
just a line somewhere, that I’ll watch
as it writes itself and know
that you, not I, write it

or if that’s too much to ask,
open an old book at
a page that smells just faintly
of attar of roses, and know that
Rumi read this page too

or sitting quietly waiting for a poem,
or after a poem, and there’ll be
a slight breeze for a moment
carrying the memory of a rose
from an old Persian species
mixed with the faintest scent of wild herbs
after desert rain

or if that’s too much to ask,
just the occasional memory
that you lived, and wrote,
and a poem comes to mind
as if you’re reading it first to a friend

and I’ll smile and look at
the rose in the blue and white vase over there,
neither of us caring about time
while your book lies open by the window,
the breeze turning the pages gently
as if it knew which poem to choose

poem by Michael Shepherd
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Book Of Love

Written by lindsey buckingham and richard dashut.
Walked out, goodbye
I swore I never would cry
Tore a page of my heart
She wants me to be her friend
Im lonely again
Tore a page of my heart
Oh, tell me who wrote the book of love
Was it somebody from above
(ha, ha, ha)
Surely he must know all the rules
(ha, ha, ha)
Knowledge not meant for mortal fools
Must have been someone from above
Tell me, who wrote the book of love
In silence the lonely make all their mistakes
Tore a page of my heart
Someone in heaven above
Shop me how to love
Tore a page of my heart
Oh, tell me who wrote the book of love
Was it somebody from above
(ha, ha, ha)
Surely he must know all the rules
(ha, ha, ha)
Knowledge not meant for mortal fools
Must have been someone from above
Tell me, who wrote the book of love
Oh, tell me who wrote the book of love
Was it somebody from above
(ha, ha, ha)
Surely he must know all the rules
(ha, ha, ha)
Knowledge not meant for mortal fools
Must have been someone from above
Tell me, who wrote the book of love

song performed by by Fleetwood Mac
Submitted by Lucian Velea
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To The Eleven Ladies

WHO PRESENTED ME WITH A SILVER LOVING CUP
ON THE TWENTY-NINTH OF AUGUST, M DCCC LXXXIX

'WHO gave this cup?' The secret thou wouldst steal
Its brimming flood forbids it to reveal:
No mortal's eye shall read it till he first
Cool the red throat of thirst.

If on the golden floor one draught remain,
Trust me, thy careful search will be in vain;
Not till the bowl is emptied shalt thou know
The names enrolled below.

Deeper than Truth lies buried in her well
Those modest names the graven letters spell
Hide from the sight; but wait, and thou shalt see
Who the good angels be.

Whose bounty glistens in the beauteous gift
That friendly hands to loving lips shall lift
Turn the fair goblet when its floor is dry,--
Their names shall meet thine eye.

Count thou their number on the beads of Heaven
Alas! the clustered Pleiads are but seven;
Nay, the nine sister Muses are too few,--
The Graces must add two.

'For whom this gift?' For one who all too long
Clings to his bough among the groves of song;
Autumn's last leaf, that spreads its faded wing
To greet a second spring.

Dear friends, kind friends, whate'er the cup may hold,
Bathing its burnished depths, will change to gold
Its last bright drop let thirsty Maenads drain,
Its fragrance will remain.

Better love's perfume in the empty bowl
Than wine's nepenthe for the aching soul;
Sweeter than song that ever poet sung,
It makes an old heart young!

poem by Oliver Wendell Holmes
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