Clock and Compass

Ardent arms that never dare halt
The flailing gestures in a dawdling waltz.
Clock and Compass, and the solitude curse
That leashed their hands onto their hearse,
Whilst chasing the tails of tales of vicissitude
The blasé endeavor, the blithe ineptitude
Of the labyrinthine revelry, where they frolic
And tinker, the macabre in the melody is chronic.

"Clock, in your hands that fumble to rock
An infant to ripen in a tale of another deadlock
Take me in a cavalcade to the shards of your ocean
Jarred in your veins, with tides in constant ashen-
Currents, and I shall fumble to catch your waves
Immortal cradles in a flimsy steady pace
In your flannel tux and silver scaffolds
Tell me what to consume, tell what to hold."

"Compass, lead me down into your darkness
Into your clandestine garden, into your nest
And I will seize your tired moribund arms
Lithe arms of sentries, broken arms of tramps
You're a faceless void, a nameless face
With gilded frames and such liquid lace
In an orchid gown that extends too far
To guide my trail like the northern star."

"Clock, you are surmised to a predetermined sequence
An extensive pre-morbid saga in feigned eloquence
That matured every epoch, every decade, and every second
Baneful with the repletion of a wish to depart and abscond
Let me caress your arms, rigid and enfeebled arms
That caught every instance but never possessed charms
To hex all that saunters past these circlet roads
And touch your gallant frames weary from its loads."

"Compass, your fate is callously casted
To obliterate your path left encrusted
With hopes in tombs and scornful chances
And nary praying arms, but throbbing lances.
I will hold your impositions, with hands oblivious
With its erratic directions I would gladly reduce
Myself, and my own coerced path will vacillate
To induce pain, for pain is life and it will regulate."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Katherine Mansfield

Sea

The Sea called--I lay on the rocks and said:
"I am come."
She mocked and showed her teeth,
Stretching out her long green arms.
"Go away!" she thundered.
"Then tell me what I am to do," I begged.
"If I leave you, you will not be silent,
But cry my name in the cities
And wistfully entreat me in the plains and forests;
All else I forsake to come to you--what must I do?"
"Never have I uttered your name," snarled the Sea.
"There is no more of me in your body
Than the little salt tears you are frightened of shedding.
What can you know of my love on your brown rock
pillow....
Come closer."

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Emily Dickinson

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?

"I am Jesus—Late of Judea—
Now—of Paradise"—

Wagons—have you—to convey me?
This is far from Thence—

"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—

I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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God's Grief

"Lord God of Hosts," the people pray,
"Make strong our arms that we may slay
Our cursed foe and win the day."
"Lord God of Battles," cries the foe,
"Guide us to strike a bloody blow,
And lay the adversary low."

But brooding o'er the battle smother
Bewails the Lord: "Brother to brother,
Why must ye slaughter one another?
When will ye come to understand
My peace, and hand reach out to hand,
In every race, in every land?"

And yet, his weary words despite,
Went murderously on the fight,
Till God from mankind hid His sight,
Saying: "Poor children, must you gain
To brotherhood through millions slain?
--Was anguish on the Cross in vain?"

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Abelard and Heloïse

["There are so many things I want to talk to you about." Abelard probably said to Heloïse, "but how can I when I can only think about kissing you?" --KATHARINE LANE in the Evening Mail.]

Said Abelard to Heloïse:
"Your tresses blowing in the breeze
Enchant my soul; your cheek allures;
I never knew such lips as yours."

Said Heloïse to Abelard:
"I know that it is cruel, hard,
To make you fold your yearning arms
And think of things besides my charms."

Said Abelard to Heloïse:
"Pray, lets discuss the Portuguese;
Their status in the League of Nations.
. . . . Come, slip me seven osculations.
"The Fourteen Points," said Heloïse,
"Are pure Woodrovian fallacies."
Said Abelard: "Ten times fourteen
The points you have, O beaucoup queen!"

"Lay off," said Heloïse, "all that stuff.
I've heard the same old thing enough."
"But," answered Abelard, "your lips
Put all my thoughts into eclipse."

"O Abelard," said Heloïse,
"Don't take so many liberties."
"I do it but to show regard."

And Heloïse told her chum that night
That Abelard was Awful Bright;
And--thus is drawn the cosmic plan--
She loved an Intellectual Man.

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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My Friend, The Parking Lot Attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"

"I left her at home...."

"Bullshit! I'll bet she dumped
you!"

and the next time
he really leaned into the car:

"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"

"how'd you guess?" I
answered.

that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.

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Katherine Mansfield

The Quarrel

Our quarrel seemed a giant thing,
It made the room feel mean and small,
The books, the lamp, the furniture,
The very pictures on the wall--

Crowded upon us as we sat
Pale and terrified, face to face.
"Why do you stay?" she said, "my room
Can never be your resting place."

"Katinka, ere we part for life,
I pray you walk once more with me."
So down the dark, familiar road
We paced together, silently.

The sky--it seemed on fire with stars!
I said:--"Katinka dear, look up!"
Like thirsty children, both of us
Drank from the giant loving cup.

"Who were those dolls?" Katinka said
"What were their stupid, vague alarms?"
And suddenly we turned and laughed
And rushed into each other's arms.

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My Prayer of Thanks

"One day when I from slumber deep
To see the sunlight sweet
I say to him who brought me through
Thanks, God, for the wonders that you do." "Thanks for the luxury of another day,
I live and follow in thine own way,
Do some good whenever I can
Help and serve my fellow man." "And when again I see the setting sun
And all my earthly work is done
As I fall asleep in thy dear arms
Content, secure, and safe from harm."

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I Met a Seer

I met a seer.
He held in his hands
The book of wisdom.
"Sir," I addressed him,
"Let me read."
"Child -- " he began.
"Sir," I said,
"Think not that I am a child,
For already I know much
Of that which you hold.
Aye, much."

He smiled.
Then he opened the book
And held it before me. --
Strange that I should have grown so suddenly blind.

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Thomas Hardy

The Ruined Maid

"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.

-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.

-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.

-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.

-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.

-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,

Cannot quite expect that. You ain't ruined," said she.

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The True Lover

The lad came to the door at night,
When lovers crown their vows,
And whistled soft and out of sight
In shadow of the boughs.

"I shall not vex you with my face
Henceforth, my love, for aye;
So take me in your arms a space
Before the cast is grey.

"When I from hence away am past
I shall not find a bride,
And you shall be the first and last
I ever lay beside."

She heard and went and knew not why;
Her heart to his she laid;
Light was the air beneath the sky
But dark under the shade.

"Oh do you breathe, lad, that your breast
Seems not to rise and fall,
And here upon my bosom prest
There beats no heart at all?"

"Oh loud, my girl, it once would knock,
You should have felt it then;
But since for you I stopped the clock
It never goes again."

"Oh lad, what is it, lad, that drips
Wet from your neck on mine?
What is it falling on my lips,
My lad, that tastes of brine?"

"Oh like enough 'tis blood, my dear,
For when the knife was slit,
The throat across from ear to ear
'Twill bleed because of it."

Under the stars the air was light
But dark below the boughs,
The still air of the speechless night,
When lovers crown their vows.

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