Gioconda And Si-Ya-U
to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai
A CLAIM
Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.
The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.
I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.
1928
Part One
Excerpts from Gioconda's Diary
15 March 1924: Paris, Louvre Museum
At last I am bored with the Louvre Museum.
You can get fed up with boredom very fast.
I am fed up with my boredom.
And from the devastation inside me
I drew this lesson;
to visit
a museum is fine,
to be a museum piece is terrible!
In this palace that imprisons the past
I am placed under such a heavy sentence
that as the paint on my face cracks out of boredom
I'm forced to keep grinning without letting up.
Because
I am the Gioconda from Florence
whose smile is more famous than Florence.
I am bored with the Louvre Museum.
And since you get sick soon enough
of conversing with the past,
I decided
from now on
to keep a diary.
Writing of today may be of some help
in forgetting yesterday...
However, the Louvre is a strange place.
Here you might find
Alexander the Great's
Longines watch complete with chronometer,
but
not a single sheet of clean notebook paper
or a pencil worth a piaster.
Damn your Louvre, your Paris.
I'll write these entries
on the back of my canvas.
And so
when I picked a pen from the pocket
of a nearsighted American
sticking his red nose into my skirts
--his hair stinking of wine--
I started my memoirs.
I'm writing on my back
the sorrow of having a famous smile...
18 March: Night
The Louvre has fallen asleep.
In the dark, the armless Venus
looks like a veteran of the Great War.
The gold helmet of a knight gleams
as the light from the night watchman's lantern
strikes a dark picture.
Here
in the Louvre
my days are all the same
like the six sides of a wood cube.
My head is full of sharp smells
like the shelf of a medicine cabinet.
20 March
I admire those Flemish painters:
is it easy to give the air of a naked goddess
to the plump ladies
of milk and sausage merchants?
But
even if you wear silk panties,
cow + silk panties = cow.
Last night
a window
was left open.
The naked Flemish goddesses caught cold.
All day
today,
turning their bare
mountain-like pink behinds to the public,
they coughed and sneezed...
I caught cold, too.
So as not to look silly smiling with a cold,
I tried to hide my sniffles
from the visitors.
1 April
Today I saw a Chinese:
he was nothing like those Chinese with their topknots.
How long
he gazed at me!
I'm well aware
the favor of Chinese
who work ivory like silk
is not to be taken lightly...
11 April
I caught the name of the Chinese who comes every day:
SI-YA-U.
16 April
Today we spoke
in the language of eyes.
He works as a weaver days
and studies nights.
Now it's a long time since the night
came on like a pack of black-shirted Fascists.
The cry of a man out of work
who jumped into the Seine
rose from the dark water.
And ah! you on whose fist-size head
mountain-like winds descend,
at this very minute you're probably busy
building towers of thick, leather-bound books
to get answers to the questions you asked of the stars.
READ
SI-YA-U
READ...
And when your eyes find in the lines what they desire,
when your eyes tire,
rest your tired head
like a black-and-yellow Japanese chrysanthemum
on the books..
SLEEP
SI-YA-U
SLEEP...
18 April
I've begun to forget
the names of those Renaissance masters.
I want to see
the black bird-and-flower
watercolors
that slant-eyed Chinese painters
drip
from their long thin bamboo brushes.
NEWS FROM THE PARIS WIRELESS
HALLO
HALLO
HALLO
PARIS
PARIS
PARIS...
Voices race through the air
like the fiery greyhounds.
The wireless in the Eiffel Tower calls out:
HALLO
HALLO
HALLO
PARIS
PARIS
PARIS...
"I, TOO, am Oriental -- this voice is for me.
My ears are receivers, too.
I, too, must listen to Eiffel."
News from China
News from China
News from China:
The dragon that came down from the Kaf mountains
has spread his wings
across the golden skies of the Chinese homeland.
But
in this business it's not only the British lord's
gullet shaved
like the thick neck
of a plucked hen
that will be cut
but also
the long
thin
beard of Confucius!
FROM GIOCONDA'S DIARY
21 April
Today my Chinese
looked my straight
in the eye
and asked:
"Those who crush our rice fields
with the caterpillar treads of their tanks
and who swagger through our cities
like emperors of hell,
are they of YOUR race,
the race of him who CREATED you?"
I almost raised my hand
and cried "No!"
27 April
Tonight at the blare of an American trumpet
--the horn of a 12-horsepower Ford--
I awoke from a dream,
and what I glimpsed for an instant
instantly vanished.
What I'd seen was a still blue lake.
In this lake the slant-eyed light of my life
had wrapped his fingers around the neck of a gilded fish.
I tried to reach him,
my boat a Chinese teacup
and my sail
the embroidered silk
of a Japanese
bamboo umbrella...
NEWS FROM THE PARIS WIRELESS
HALLO
HALLO
HALLO
PARIS
PARIS
PARIS
The radio station signs off.
Once more
blue-shirted Parisians
fill Paris with red voices
and red colors...
FROM GIOCONDA'S DIARY
2 May
Today my Chinese failed to show up.
5 May
Still no sign of him...
8 May
My days
are like the waiting room
of a station:
eyes glued
to the tracks...
10 May
Sculptors of Greece,
painters of Seljuk china,
weavers of fiery rugs in Persia,
chanters of hymns to dromedaries in deserts,
dancer whose body undulates like a breeze,
craftsman who cuts thirty-six facets from a one-carat stone,
and YOU
who have five talents on your five fingers,
master MICHELANGELO!
Call out and announce to both friends and foe:
because he made too much noise in Paris,
because he smashed in the window
of the Mandarin ambassador,
Gioconda's lover
has been thrown out
of France...
My lover from China has gone back to China...
And now I'd like to know
who's Romeo and Juliet!
If he isn't Juliet in pants
and I'm not Romeo in skirts...
Ah, if I could cry--
if only I could cry...
12 May
Today
when I caught a glimpse of myself
in the mirror of some mother's daughter
touching up the paint
on her bloody mouth
in front of me,
the tin crown of my fame shattered on my head.
While the desire to cry writhes inside me
I smile demurely;
like a stuffed pig's head
my ugly face grins on...
Leonardo da Vinci,
may your bones
become the brush of a Cubist painter
for grabbing me by the throat -- your hands dripping with paint --
and sticking in my mouth like a gold-plated tooth
this cursed smile...
Part Two
The Flight
FROM THE AUTHOR'S NOTEBOOK
Ah, friends, Gioconda is in a bad way...
Take it from me,
if she didn't have hopes
of getting word from afar,
she'd steal a guard's pistol,
and aiming to give the color of death
to her lips' cursed smile,
she'd empty it into her canvas breast...
FROM GIOCONDA'S DIARY
O that Leonardo da Vinci's brush
had conceived me
under the gilded sun of China!
That the painted mountain behind me
had been a sugar-loaf Chinese mountain,
that the pink-white color of my long face
could fade,
that my eyes were almond-shaped!
And if only my smile
could show what I feel in my heart!
Then in the arms of him who is far away
I could have roamed through China...
FROM THE AUTHOR'S NOTEBOOK
I had a heart-to-heart talk with Gioconda today.
The hours flew by
one after another
like the pages of a spell-binding book.
And the decision we reached
will cut like a knife
Gioconda's life
in two.
Tomorrow night you'll see us carry it out...
FROM THE AUTHOR'S NOTEBOOK
The clock of Notre Dame
strikes midnight.
Midnight
midnight.
Who knows at this very moment
which drunk is killing his wife?
Who know at this very moment
which ghost
is haunting the halls
of a castle?
Who knows at this very moment
which thief
is surmounting
the most unsurmountable wall?
Midnight... Midnight...
Who knows at this very moment...
I know very well that in every novel
this is the darkest hour.
Midnight
strikes fear into the heart of every reader...
But what could I do?
When my monoplane landed
on the roof of the Louvre,
the clock of Notre Dame
struck midnight.
And, strangely enough, I wasn't afraid
as I patted the aluminum rump of my plane
and stepped down on the roof...
Uncoiling the fifty-fathom-long rope wound around my waist,
I lowered it outside Gioconda's window
like a vertical bridge between heaven and hell.
I blew my shrill whistle three times.
And I got an immediate response
to those three shrill whistles.
Gioconda threw open her window.
This poor farmer's daughter
done up as the Virgin Mary
chucked her gilded frame
and, grabbing hold of the rope, pulled herself up...
SI-YA-U, my friend,
you were truly lucky to fall
to a lion-hearted woman like her...
FROM GIOCONDA'S DIARY
This thing called an airplane
is a winged iron horse.
Below us is Paris
with its Eiffel Tower--
a sharp-nosed, pock-marked, moon-like face.
We're climbing,
climbing higher.
Like an arrow of fire
we pierce
the darkness.
The heavens rise overhead,
looming closer;
the sky is like a meadow full of flowers.
We're climbing,
climbing higher.
.................................. .................
................................................. ..
........................................... ........
I must have dozed off --
I opened my eyes.
Dawn's moment of glory.
The sky a calm ocean,
our plane a ship.
I call this smooth sailing, smooth as butter.
Behind us a wake of smoke floats.
Our eyes survey blue vacancies
full of glittering discs...
Below us the earth looks
like a Jaffa orange
turning gold in the sun...
By what magic have I
climbed off the ground
hundreds of minarets high,
and yet to gaze down at the earth
my mouth still waters...
FROM THE AUTHOR'S NOTEBOOK
Now our plane swims
within the hot winds
swarming over Africa.
Seen from above,
Africa looks like a huge violin.
I swear
they're playing Tchaikovsky on a cello
on the angry dark island
of Africa.
And waiving his long hairy arms,
a gorilla is sobbing...
FROM THE AUTHOR'S NOTEBOOK
We're crossing the Indian Ocean.
We're drinking in the air
like a heavy, faint-smelling syrup.
An keeping our eyes on the yellow beacon of Singapore
-- leaving Australia on the right,
Madagascar on the left --
and putting our faith in the fuel in the tank,
we're heading for the China Sea...
From the journal of a deckhand named John aboard a
British vessel in the China Sea
One night
a typhoon blows up out of the blue.
Man,
what a hurricane!
Mounted on the back of yellow devil, the Mother of God
whirls around and around, churning up the air.
And as luck would have it,
I've got the watch on the foretop.
The huge ship under me
looks about this big!
The wind is roaring
blast
after blast,
blast
after blast...
The mast quivers like a strung bow.(*)
*[What business do you have being way up there?
Christ, man, what do you think you are-a stork?
N.H.]
Oops, now we're shooting sky-high --
my head splits the clouds.
Oops, now we're sinking to the bottom --
my fingers comb the ocean floor.
We're learning to the left, we're leaning to the right --
that is, we're leaning larboard and starboard.
My God, we just sank!
Oh no! This time we're sure to go under!
The waves
leap over my head
like Bengal tigers.
Fear
leads me on
like a coffee-colored Javanese whore.
This is no joke -- this is the China Sea... (*)
*[The deckhand has every right to be afraid.
The rage of the China Sea is not to be taken lightly.
N.H.]
Okay, let's keep it short.
PLOP...
What's that?
A rectangular piece of canvas dropped from the air
into the crows nest.
The canvas
was some kind of woman!
It struck me this madame who came from the sky
would never understand
our seamen's talk and ways.
I got right down and kissed her hand,
and making like a poet, I cried:
"O you canvas woman who fell from the sky!
Tell me, which goddess should I compare you to?
Why did you descend here? What is your large purpose?"
She replied:
"I fell
from a 550-horsepower plane.
My name is Gioconda,
I come from Florence.
I must get to Shanghai
as soon as possible."
FROM GIOCONDA'S DIARY
The wind died down,
the sea calmed down.
The ship makes strides toward Shanghai.
The sailors dream,
rocking in their sailcloth hammocks.
A song of the Indian Ocean plays
on their thick fleshy lips:
"The fire of the Indochina sun
warms the blood
like Malacca wine.
They lure sailors to gilded stars,
those Indochina nights,
those Indochina nights.
Slant-eyed yellow Bornese cabin boys
knifed in Sigapore bars
paint the iron-belted barrels blood-red.
Those Indochina nights, those Indochina nights.
A ship plunges on
to Canton,
55,000 tons.
Those Indochina nights...
As the moon swims in the heavens
like the corpse of a blue-eyed sailor
tossed overboard,
Bombay watches, leaning on its elbow...
Bombay moon,
Arabian Sea.
The fire of the Indochina sun
warms the blood
lie Malacca wine.
They lure sailors to gilded stars,
those Indochina nights,
those Indochina nights..."
Part Three
Gioconda's End
THE CITY OF SHANGHAI
Shanghai is a big port,
an excellent port,
It's ships are taller than
horned mandarin mansions.
My, my!
What a strange place, this Shanghai...
In the blue river boats
with straw sails float.
In the straw-sailed boats
naked coolies sort rice,
raving of rice...
My, my!
What a strange place, this Shanghai...
Shanghai is a big port,
The whites' ships are tall,
the yellows' boats are small.
Shanghai is pregnant with a red-headed child.
My, my!
FROM THE AUTHOR'S NOTEBOOK
Last night
when the ship entered the harbor
Gioconda's foot kissed the land.
Shanghai the soup, she the ladle,
she searched high and low for her SI-YA-U.
FROM THE AUTHOR'S NOTEBOOK
"Chinese work! Japanese work!
Only two people make this --
a man and a woman.
Chinese work! Japanese work!
Just look at the art
in this latest work of LI-LI-FU."
Screaming at the tip of his voice,
the Chinese magician
LI.
His shriveled yellow spider of a hand
tossed long thin knives into the air:
one
one more
one
one more
five
one more.
Tracing lightning-like circles in the air,
his knives flew up in a steady stream.
Gioconda looked,
she kept looking,
she'd still be looking
but, like a large-colored Chinese lantern,
the crowd swayed and became confused:
"Stand back! Gang way!
Chiang Kai-shek's executioner
is hunting down a new head.
Stand back! Make way!"
One in front and one close behind,
two Chinese shot around the corner.
The one in front ran toward Gioconda.
The one racing toward her, it was him, it was him -- yes, him!
Her SI-YA-U,
her dove,
SI-YA-U...
A dull hollow stadium sound surrounded them.
And in the cruel English language
stained red with the blood
of yellow Asia
the crown yelled:
"He's catching up,
he's catching up,
he caught-
catch him!"
Just three steps away from Gioconda's arms
Chiang Kai-shek's executioner caught up.
His sword
flashed...
Thud of cut flesh and bone.
Like a yellow sun drenched in blood
SI-YA-U's head
rolled at her feet...
And this on a death day
Gioconda of Florence lost in Shanghai
her smile more famous than Florence.
FROM THE AUTHOR'S NOTEBOOK
A Chinese bamboo frame.
In the frame is a painting.
Under the painting, a name:
"La Gioconda"...
In the frame is a painting:
the eyes of the painting are burning, burning.
In the frame is painting:
the painting in the frame comes alive, alive.
And suddenly
the painting jumped out of the frame
as if from a window;
her feet hit the ground.
And just as I shouted her name
she stood up straight before me:
the giant woman of a colossal struggle.
She walked ahead.
I trailed behind.
From the blazing red Tibetan sun
to the China Sea
we went and came,
we came and went.
I saw
Gioconda
sneak out under the cover of darkness
through the gates of a city in enemy hands;
I saw her
in a skirmish of drawn bayonets
strangle a British officer;
I saw her
at the head of a blue stream swimming with stars
wash the lice from her dirty shirt...
Huffling and puffling, a wood-burning engine
dragged behind it
forty red cars seating forty people each.
The cars passed one by one.
In the last car I saw her
standing watch:
a frayed lambskin hat on her head,
boots on her feet,
a leather jacket on her back...
FROM THE AUTHOR'S NOTEBOOK
Ah, my patient reader!
Now we find ourselves in the French
military court in Shanghai.
The bench:
four generals, fourteen colonels,
and an armed black Congolese regiment.
The accused:
Gioconda.
The attorney for the defense:
an overly razed
--that is, overly artistic--
French painter.
The scene is set.
We're starting.
The defense attorney presents his case:
"Gentlemen,
this masterpiece
that stands in your presence as the accused
is the most accomplished daughter of a great artist.
Gentlemen,
this masterpiece...
Gentlemen...
my mind is on fire...
Gentlemen...
Renaissance...
Gentlemen,
this masterpiece--
twice this masterpiece...
Gentlemen, uniformed gentlemen..."
"C-U-U-U-T!
Enough.
stop sputtering like a jammed machine gun!
Bailiff,
read the verdict."
The bailiff reads the verdict:
"The laws of France
have been violated in China
by the above-named Gioconda, daughter of one Leonardo.
Accordingly,
we sentence the accused
to death
by burning.
And tomorrow night at moonrise,
a Senegalese regiment
will execute said decision
of this military court..."
THE BURNING
Shanghai is a big port.
The whites have tall ships,
the yellows' boats are small.
A thick whistle.
A thin Chinese scream.
A ship steaming into the harbor
capsized a straw-sailed boat...
Moonlight.
Night.
Handcuffed,
Gioconda waits.
Blow, wind, blow...
A voice:
"All right, the lighter.
Burn, Gioconda, burn..."
A silhouette advances,
a flash...
They lit the lighter
and set Gioconda on fire.
The flames painted Gioconda red.
She laughed with a smile that came from her heart.
Gioconda burned laughing...
Art, Shmart, Masterpiece, Shmasterpiece, And So On,
And So Forth,
Immortality, Eternity-
H-E-E-E-E-E-E-E-E-E-E-E-E-Y...
"HERE ENDS MY TALE'S CONTENDING,
THE REST IS LIES UNENDING..."
THE END
Nazim Hikmet - 1929
Trans. by Randy Blasing and Mutlu Konuk 1993
FOOTNOTE:
GIOCONDA AND SI-YA-U: Si-Ya-U, Hsiao San (b. 1896), Chinese
revolutionary and man of letters. Hikmet met him in Moscow in 1922
and believed he had been executed in the bloody 1927 crackdown on
Shanghai radicals after returning to China via Paris in 1924, when the
Mona Lisa did in fact disappear from the Louvre. The two friends were
reunited in Vienna in 1951 and traveled to Peking together in 1952.
Translated into Chinese, this poem was later burned-along with Hsiao's
works- in the Cultural Revolution.
poem by Nazim Hikmet
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Related quotes
Are You Drinking?
washed-up, on shore, the old yellow notebook
out again
I write from the bed
as I did last
year.
will see the doctor,
Monday.
"yes, doctor, weak legs, vertigo, head-
aches and my back
hurts."
"are you drinking?" he will ask.
"are you getting your
exercise, your
vitamins?"
I think that I am just ill
with life, the same stale yet
fluctuating
factors.
even at the track
I watch the horses run by
and it seems
meaningless.
I leave early after buying tickets on the
remaining races.
"taking off?" asks the motel
clerk.
"yes, it's boring,"
I tell him.
"If you think it's boring
out there," he tells me, "you oughta be
back here."
so here I am
propped up against my pillows
again
just an old guy
just an old writer
with a yellow
notebook.
something is
walking across the
floor
toward
me.
oh, it's just
my cat
this
time.
poem by Charles Bukowski
Submitted by Poetry Lover
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
Submitted by Poetry Lover
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A Domestic Tragedy
Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"
"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"
She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."
poem by Robert William Service
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I like your books
In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"
"uh huh," I answered.
"I like your books," he went
on.
"thanks," I answered.
"who do you like in this
race?" he asked.
"uh uh," I answered.
"I like the 4 horse," he
told me.
I made my bet and went back
to my seat....
the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.
"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."
"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."
"what kind of rule is that?"
he asked. "God doesn't make
rules..."
I turned around and looked at him:
"maybe not, but I
do."
after the next race
I got in line, glanced behind
me:
he was not there:
lost another reader.
I lose 2 or 3 each
week.
fine.
let 'em go back to
Kafka.
poem by Charles Bukowski
Submitted by Poetry Lover
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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The Blind And The Dead
She lay like a saint on her copper couch;
Like an angel asleep she lay,
In the stare of the ghoulish folks that slouch
Past the Dead and sneak away.
Then came old Jules of the sightless gaze,
Who begged in the streets for bread.
Each day he had come for a year of days,
And groped his way to the Dead.
"What's the Devil's Harvest to-day?" he cried;
"A wanton with eyes of blue!
I've known too many a such," he sighed;
"Maybe I know this . . . mon Dieu!"
He raised the head of the heedless Dead;
He fingered the frozen face. . . .
Then a deathly spell on the watchers fell --
God! it was still, that place!
He raised the head of the careless Dead;
He fumbled a vagrant curl;
And then with his sightless smile he said:
"It's only my little girl."
"Dear, my dear, did they hurt you so!
Come to your daddy's heart. . . ."
Aye, and he held so tight, you know,
They were hard to force apart.
No! Paris isn't always gay;
And the morgue has its stories too:
You are a writer of tales, you say --
Then there is a tale for you.
poem by Robert William Service
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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Pressure
There was a kind of pressure, in the room,
I mean, it wasn't anything tangible but it was there
and he looked about him to try to spot the culprit.
A suspicious character was drinking brandy,
he could certainly be the one, but wait,
there she was, a tall red head with hawk like eyes.
They looked at each other and then she crooked her finger,
"yes… you" she mouthed! "Come here, talk to me"
He slowly walked towards her, settling at her side.
"It's cold for the time of year", he whispered.
"Not cold enough" was the coded reply.
Then she took out a yellow glove from her bag.
"When are you going to introduce me? " she asked
"That's right, " she said, "I'm from the ministry"
and I want you to act as though we're old friends.
"O.K." he replied, "slip me the key first and I'll
take you over. The stooge is that small,
rather portly man in the black bow tie."
"But can he lead us to Nightingales, " she asked
They've killed two of our spies already.
At that she dropped the yellow glove on the floor.
The lights went out and as they fumbled in the dark
the pressure grew……….do you feel it?
Nah, its just that dodgy guy sitting next to you.
************************************* ************
Footnote:
No spies were killed or yellow gloves
dropped during the making
of this episode.
However, some fumbling
did take place.
*********************************** ***************
Next episode:
Dazed and sore, Montague came round,
feeling pressure on his head
which seemed to be warm and comforting.
It was Marjorie's soft hand.
"Are you alright, my dear" she said,
looking concerned and worried.
Blood dripped down Montague's cheek,
he'd been hit on the head with a sharp object!
"Where is she? " he stammered, "She still has the key"
"Leave her to us" said the man in the black bow tie
"We've got it all under control,
Just tell us who sent you! "
Monty's eyes rolled back in his head.
The pressure was all too hard to take
and Marjorie's perfume had
triggered off his allergy.
Or was this a counter plot to extract the truth?
Did they know he was allergic to Channel no 5?
Too late! A sharp pain in Montague's chest
saw the end of him…….
poem by Ruth Walters
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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati
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A Child's Nightmare
Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."
That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."
When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"
poem by Robert Graves
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The Gardener XXVI: What Comes From Your Willing Hands
"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
poem by Rabindranath Tagore
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Father Explains
"There where that ray touches the plain
And the shadows escape as if they really ran,
Warsaw stands, open from all sides,
A city not very old but quite famous.
"Farther, where strings of rain hang from a little cloud,
Under the hills with an acacia grove
Is Prague. Above it, a marvelous castle
Shored against a slope in accordance with old rules.
"What divides this land with white foam
Is the Alps. The black means fir forests.
Beyond them, bathing in the yellow sun
Italy lies, like a deep-blue dish.
"Among the many fine cities that are there
You will recogni2e Rome, Christendom's capital,
By those round roofs on the church
Called the Basilica of Saint Peter.
"And there, to the north, beyond a bay,
Where a level bluish mist moves in waves,
Paris tries to keep pace with its tower
And reins in its herd of bridges.
"Also other cities accompany Paris,
They are adorned with glass, arrayed in iron,
But for today that would be too much,
I'll tell the rest another time
poem by Czeslaw Milosz
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The duel
The gingham dog and the calico cat
Side by side on the table sat;
'T was half-past twelve, and (what do you think!)
Nor one nor t' other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I wasn't there; I simply state
What was told to me by the Chinese plate!)
The gingham dog went "bow-wow-wow!"
And the calico cat replied "mee-ow!"
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind: I'm only telling you
What the old Dutch clock declares is true!)
The Chinese plate looked very blue,
And wailed, "Oh, dear! what shall we do!"
But the gingham dog and the calico cat
Wallowed this way and tumbled that,
Employing every tooth and claw
In the awfullest way you ever saw -
And, oh! how the gingham and calico flew!
(Don't fancy I exaggerate -
I got my news from the Chinese plate!)
Next morning, where the two had sat
They found no trace of dog or cat;
And some folks think unto this day
That burglars stole that pair away!
But the truth about the cat and pup
Is this: they ate each other up!
Now what do you really think of that!
(The old Dutch clock it told me so,
And that is how I came to know.)
poem by Eugene Field
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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Another Acrostic ( In the style of Father William )
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"
"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
poem by Lewis Carroll
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The Egg-Shell
The wind took off with the sunset--
The fog came up with the tide,
When the Witch of the North took an Egg-shell
With a little Blue Devil inside.
"Sink," she said, "or swim," she said,
"It's all you will get from me.
And that is the finish of him!" she said
And the Egg-shell went to sea.
The wind fell dead with the midnight--
The fog shut down like a sheet,
When the Witch of the North heard the Egg-shell
Feeling by hand for a fleet.
"Get!" she said, "or you're gone," she said.,
But the little Blue Devil said "No!
"The sights are just coming on," he said,
And he let the Whitehead go.
The wind got up with the morning--
The fog blew off with the rain,
When the Witch of the North saw the Egg-shell
And the little Blue Devil again.
"Did you swim?" she said. "Did you sink?" she said,
And the little Blue Devil replied:
"For myself I swam, but I think," he said,
"There's somebody sinking outside."
poem by Rudyard Kipling
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Her Gioconda Smile
Beauty
never came into it
it was more
carnal desire
than love
for the Gioconda smile.
poem by Vince Gullaci
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There was one I met upon the road
There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.
poem by Stephen Crane
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The Dormouse and the Doctor
There once was a Dormouse who lived in a bed
Of delphiniums (blue) and geraniums (red),
And all the day long he'd a wonderful view
Of geraniums (red) and delphiniums (blue).
A Doctor came hurrying round, and he said:
"Tut-tut, I am sorry to find you in bed.
Just say 'Ninety-nine' while I look at your chest....
Don't you find that chrysanthemums answer the best?"
The Dormouse looked round at the view and replied
(When he'd said "Ninety-nine") that he'd tried and he'd tried,
And much the most answering things that he knew
Were geraniums (red) and delphiniums (blue).
The Doctor stood frowning and shaking his head,
And he took up his shiny silk hat as he said:
"What the patient requires is a change," and he went
To see some chrysanthemum people in Kent.
The Dormouse lay there, and he gazed at the view
Of geraniums (red) and delphiniums (blue),
And he knew there was nothing he wanted instead
Of delphiniums (blue) and geraniums (red).
The Doctor came back and, to show what he meant,
He had brought some chrysanthemum cuttings from Kent.
"Now these," he remarked, "give a much better view
Than geraniums (red) and delphiniums (blue)."
They took out their spades and they dug up the bed
Of delphiniums (blue) and geraniums (red),
And they planted chrysanthemums (yellow and white).
"And now," said the Doctor, "we'll soon have you right."
The Dormouse looked out, and he said with a sigh:
"I suppose all these people know better than I.
It was silly, perhaps, but I did like the view
Of geraniums (red) and delphiniums (blue)."
The Doctor came round and examined his chest,
And ordered him Nourishment, Tonics, and Rest.
"How very effective," he said, as he shook
The thermometer, "all these chrysanthemums look!"
The Dormouse turned over to shut out the sight
Of the endless chrysanthemums (yellow and white).
"How lovely," he thought, "to be back in a bed
Of delphiniums (blue) and geraniums (red.)"
The Doctor said, "Tut! It's another attack!"
And ordered him Milk and Massage-of-the-back,
And Freedom-from-worry and Drives-in-a-car,
And murmured, "How sweet your chrysanthemums are!"
The Dormouse lay there with his paws to his eyes,
And imagined himself such a pleasant surprise:
"I'll pretend the chrysanthemums turn to a bed
Of delphiniums (blue) and geraniums (red)!"
The Doctor next morning was rubbing his hands,
And saying, "There's nobody quite understands
These cases as I do! The cure has begun!
How fresh the chrysanthemums look in the sun!"
The Dormouse lay happy, his eyes were so tight
He could see no chrysanthemums, yellow or white.
And all that he felt at the back of his head
Were delphiniums (blue) and geraniums (red).
And that is the reason (Aunt Emily said)
If a Dormouse gets in a chrysanthemum bed,
You will find (so Aunt Emily says) that he lies
Fast asleep on his front with his paws to his eyes.
poem by Alan Alexander Milne
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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