Boys Bathing
Round them a fierce, wide, crazy noon
Heaves with crushed lips and glowing sides
Against the huge and drowsy sun.
Beneath them turn the glittering tides
Where dizzy waters reel with gold,
And strange, rich trophies sink and rise
From decks of sunken argosies.
With shining arms they cleave the cold
Far reaches of the sea, and beat
The hissing foam with flash of feet
Into bright fangs, while breathlessly
Curls over them the amorous sea.
Naked they laugh and revel there.
One shakes the sea-drops from his hair,
Then, singing, takes the bubbles: one
Lies couched among the shells, the sands
Telling gold hours between his hands:
One floats like sea-wrack in the sun.
The gods of Youth, the lords of Love,
Greeks of eternal Thessaly,
Mocking the powers they know not of,
Naked and unembraced and free!
To whom the Siren sings in vain
To-day, to-morrow who shall be
The destined sport of gods and men.
Unseen, the immortal ones are here,
Remembering their mortal loves-
The strange, sweet flesh, the lips that were
Frail and most perishably fair.
Diana leaves her whispering groves,
And of Actaeon dreams and sighs,
And hears the hounds bay in the wood.
Oh, Cythera, the trembling blood
Upon one petal's paling mouth
Before thee and this noon must rise
While thou remember Adon's eyes!
One mournful and complaining shade
Beyond Avernus shakes his head,
Dreaming of one beloved youth
Borne from him, lost and dazed and dead,
Dragged by the nymphs avenging hair
Into the sea-bed oozing dim,
In that cold twilight unaware
Of each great sunrise over him.
. . . . . .
One day, while still these waters run,
And noon still heaves beneath this sun,
You shall creep, unremembering,
Whom Life has humbled and subdued,
Ruined your bodies, tamed your blood,
No more the lords of anything.
But spent and racked with mortal pains,
The slow tide pushing through your veins,
Coldly you face this magic shore;
For you the dsenchanted noon
Scarce haunted is with ghosts that were
Once, and were you, and are no more.
Faltering against the wind and sun
That vainly seek your hair for gold,
Stubborned with habit, grey and old,
You know not why you wander here,
Nor what vague dream pursues you still,
For Life ahs taken fullest toll
Of all your beauty; on each soul
Love's hand has left his bitter mark,
Has had of you his utmost will,
And thrusts you headlong to the dark.
And colder than these waters are
The stream that takes your limbs at last:
Earth's vales and hills drift slowly past. . .
One shore far off, and one more far
poem by Muriel Stuart
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Fragoletta
O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?
I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.
What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?
I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.
O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.
Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.
Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?
How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?
Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.
Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.
Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!
Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.
Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.
O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.
poem by Algernon Charles Swinburne
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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Shells
Where the long waves put cool, caressing hands
Upon the fevered temples of the shore,
And with their eager lips are telling o’er
Their strange, unspoken secrets to the sands,
Along the shining rim of cape and cove
The shells in fair, unplanned mosaic lie;
And there the children, keen of heart and eye,
Gather their harvest in of treasure-trove.
Yet this is one of ocean’s mysteries—
That, while the humbler shells the breakers brave,
The fairest are most fragile, and the wave,
Ruthless, has crushed and mutilated these!
Ah, sea of life, we, too, like children, stand
Through youth and age, expectant, at thy rim,
To pray for golden argosies from Him
Who holds thee in the hollow of His hand.
Capricious tides delude us, veer and turn,
And flash our dreams to view, again to hide;
A moment on the breaker’s crest they ride,
The while we watch, their destiny to learn.
Poor, fragile dreams! Our humbler hopes befall;
But crushed and shattered, tempest-tossed and torn,
These come to shore, the dreams of youthful morn—
Most fair, most frail, and best beloved of all!
poem by Guy Wetmore Carryl from The Garden of Years and Other Poems (1897)
Submitted by Veronica Serbanoiu
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The House Of Dust: Part 03: 12: Witches' Sabbath
Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .
The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away. Cold silence fell.
And again came tollings of a bell.
* * * * *
This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget! Our flesh is changed,
Lighter than smoke we wreathe and rise . . .
The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember. The storm-drops break on the leaves.
Something was lost in the darkness. Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.
* * * * *
The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said. And he heard a cry,
And another came, and another came,
And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said. And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said. The bough he broke—
Was it the snapping bough that spoke?
I am here! she said. The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the virgin breasts,
Passed beside him, and vanished away.
I am here! she cried. He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.
* * * * *
Look beloved! Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The virgin harlot sings,
She leans above the beautiful anguished body,
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .
'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words? Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.
* * * * *
In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and breasts are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .
Wind through the trees. . . .and a voice is heard
Singing far off. The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.
* * * * *
The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the breasts, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen! I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.
* * * * *
Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you? Where are you? It is I. It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you? Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.
* * * * *
Dance! Dance! Dance! Dance!
Dance till the brain is red with speed!
Dance till you fall! Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . .Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.
Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'
Silence. . . .the red leaves, one by one,
Fall. Far off, the maenads run.
Silence. Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.
* * * * *
The great bell cracks and falls at last.
The moon whirls out. The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .
'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,—
And touch my hand, and turn away.
poem by Conrad Potter Aiken
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The Tryst
I raised the veil, I loosed the bands,
I took the dead thing from its place.
Like a warm stream in frozen lands
My lips went wandering on her face,
My hands burnt in her hands.
She could not stay me, being dead;
Her body here was mine to hold.
What if her lips had lost their red?
To me they always tasted cold
With the cold words she said.
Did my breath run along her hair,
And free the pulse, and fire the brain,
My wild blood wake her wild blood there?
Here eyelids lifted wide again
In a blue, sudden stare.
Beneath my fierce, profane caress
The whole white length of body moved;
The drowsy bosom seemed to press
As if against a breast beloved,
Then fail for weariness.
No, not that anguish! Christ forbid
That I should raise such dead! I rose,
Stifled the mouth with lilies, hid
Those eyes, And drew the long hair close,
And shut the coffin lid.
My cold brow on the cold wood laid,
Quiet and close to-night we lie.
No cruel words her lips have said.
I shall not take nor she deny.
The dead is with the dead.
poem by Muriel Stuart
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The Moon's Minion
Thine eyes are like the sea, my dear,
The wand'ring waters, green and grey;
Thine eyes are wonderful and clear,
And deep, and deadly, even as they;
The spirit of the changeful sea
Informs thine eyes at night and noon,
She sways the tides, and the heart of thee,
The mystic, sad, capricious Moon!
The Moon came down the shining stair
Of clouds that fleck the summer sky,
She kissed thee, saying, 'Child, be fair,
And madden men's hearts, even as I;
Thou shalt love all things strange and sweet,
That know me and are known of me;
The lover thou shalt never meet,
The land where thou shalt never be!'
She held thee in her chill embrace,
She kissed thee with cold lips divine,
She left her pallor on thy face,
That mystic ivory face of thine;
And now I sit beside thy feet,
And all my heart is far from thee,
Dreaming of her I shall not meet,
And of the land I shall not see!
poem by Andrew Lang
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Love Magical
IF you had been where I have been
(Grey, grey the skies above),
And you had seen what I have seen,
You would not laugh at love.
Seek, seek till you find a rose
Red all through to its petal-tips,
And you shall know the curve of her mouth,
The scent of her breath and the red of her lips.
If you had heard what I have heard
(Dull, dull the beat of the sea).
Your heart would leap like a singing bird
Troubled and thrilled by ecstasy.
Stars sing in the dark o' the night,
Birds sing in the gold o' the noon;
Melody reigned in her speech a queen,
The song of the stars and the birds' tune.
The rose is dead that was her mouth
(Pale, pale on the earth it lies),
And East and West and North and South
The world is full of weeping eyes.
A noon is dark, a star is gone,
A rose is dead, a bird is mute;
And love that made sounds magical
Is silent like a broken lute.
poem by Roderic Quinn
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Lake Leman
It is the sacred hour: above the far
Low emerald hills that northward fold,
Calmly, upon the blue the evening star
Floats, wreathed in dusky gold.
The winds have sung all day; but now they lie
Faint, sleeping; and the evening sounds awake.
The slow bell tolls across the water: I
Am haunted by the spirit of the lake.
It seems as though the sounding of the bell
Intoned the low song of the water-soul,
And at some moments I can hardly tell
The long-resounding echo from the toll.
O thou mysterious lake, thy spell
Holds all who round thy fruitful margin dwell.
Oft have I seen home-going peasants' eyes
Lit with the peace that emanates from thee.
Those who among thy waters plunge, arise
Filled with new wisdom and serenity.
Thy veins are in the mountains. I have heard,
Down-stretched beside thee at the silent noon,
With leaning head attentive to thy word,
A secret and delicious mountain-tune,
Proceeding as from many shadowed hours
In ancient forests carpeted with flowers,
Or far, where hidden waters, wandering
Through banks of snow, trickle, and meet, and sing.
Ah, what repose at noon to go,
Lean on thy bosom, hold thee with wide hands,
And listen for the music of the snow!
But most, as now,
When harvest covers thy surrounding lands,
I love thee, with a coronal of sheaves
Crowned regent of the day;
And on the air thy placid breathing leaves
A scent of corn and hay.
For thou hast gathered (as a mother will
The sayings of her children in her heart)
The harvest-thoughts of reapers on the hill,
When the cool rose and honeysuckle fill
The air, and fruit is laden on the cart.
Thou breathest the delight
Of summer evening at the deep-roofed farm
And meditation of the summer night,
When the enravished earth is lying warm
From the recent kisses of the conquering sun.
Dwell as a spirit in me, O thou one
Sweet natural presence. In the years to be
When all the mortal loves perchance are done,
Them I will bid farewell, but, oh, not thee.
I love thee. When the youthful visions fade,
Fade thou not also in the hopeless past.
Be constant and delightful, as a maid
Sought over all the world, and found at last.
poem by Harold Monro
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Orpheus
Love will make men dare to die for their beloved. . . Of this
Alcestis is a monument . . . for she was willing to lay down her
life for her husband . . . and so noble did this appear to the gods
that they granted her the privilege of returning to earth . . . but
Orpheus, the son of OEagrus, they sent empty away. . .
Plato: The Symposium
Orpheus the Harper, coming to the gate
Where the implacable dim warder sate,
Besought for parley with a shade within,
Dearer to him than life itself had been,
Sweeter than sunlight on Illyrian sea,
Or bloom of myrtle, or murmur of laden bee,
Whom lately from his unconsenting breast
The Fates, at some capricious blind behest,
Intolerably had reft—Eurydice,
Dear to the sunlight as Illyrian sea,
Sweet as the murmur of bees, or myrtle bloom—
And uncompanioned led her to the tomb.
There, solitary by the Stygian tide,
Strayed her dear feet, the shadow of his own,
Since, ’mid the desolate millions who have died,
Each phantom walks its crowded path alone;
And there her head, that slept upon his breast,
No more had such sweet harbour for its rest,
Nor her swift ear from those disvoiced throats
Could catch one echo of his living notes,
And, dreaming nightly of her pallid doom,
No solace had he of his own young bloom,
But yearned to pour his blood into her veins
And buy her back with unimagined pains.
To whom the Shepherd of the Shadows said:
“Yea, many thus would bargain for their dead;
But when they hear my fatal gateway clang
Life quivers in them with a last sweet pang.
They see the smoke of home above the trees,
The cordage whistles on the harbour breeze;
The beaten path that wanders to the shore
Grows dear because they shall not tread it more,
The dog that drowsing on their threshold lies
Looks at them with their childhood in his eyes,
And in the sunset’s melancholy fall
They read a sunrise that shall give them all.”
“Not thus am I,” the Harper smiled his scorn.
“I see no path but those her feet have worn;
My roof-tree is the shadow of her hair,
And the light breaking through her long despair
The only sunrise that mine eyelids crave;
For doubly dead without me in the grave
Is she who, if my feet had gone before,
Had found life dark as death’s abhorred shore.”
The gate clanged on him, and he went his way
Amid the alien millions, mute and grey,
Swept like a cold mist down an unlit strand,
Where nameless wreckage gluts the stealthy sand,
Drift of the cockle-shells of hope and faith
Wherein they foundered on the rock of death.
So came he to the image that he sought
(Less living than her semblance in his thought),
Who, at the summons of his thrilling notes,
Drew back to life as a drowned creature floats
Back to the surface; yet no less is dead.
And cold fear smote him till she spoke and said:
“Art thou then come to lay thy lips on mine,
And pour thy life’s libation out like wine?
Shall I, through thee, revisit earth again,
Traverse the shining sea, the fruitful plain,
Behold the house we dwelt in, lay my head
Upon the happy pillows of our bed,
And feel in dreams the pressure of thine arms
Kindle these pulses that no memory warms?
Nay: give me for a space upon thy breast
Death’s shadowy substitute for rapture—rest;
Then join again the joyous living throng,
And give me life, but give it in thy song;
For only they that die themselves may give
Life to the dead: and I would have thee live.”
Fear seized him closer than her arms; but he
Answered: “Not so—for thou shalt come with me!
I sought thee not that we should part again,
But that fresh joy should bud from the old pain;
And the gods, if grudgingly their gifts they make,
Yield all to them that without asking take.”
“The gods,” she said, “(so runs life’s ancient lore)
Yield all man takes, but always claim their score.
The iron wings of the Eumenides
When heard far off seem but a summer breeze;
But me thou’lt have alive on earth again
Only by paying here my meed of pain.
Then lay on my cold lips the tender ghost
Of the dear kiss that used to warm them most,
Take from my frozen hands thy hands of fire,
And of my heart-strings make thee a new lyre,
That in thy music men may find my voice,
And something of me still on earth rejoice.”
Shuddering he heard her, but with close-flung arm
Swept her resisting through the ghostly swarm.
“Swift, hide thee ’neath my cloak, that we may glide
Past the dim warder as the gate swings wide.”
He whirled her with him, lighter than a leaf
Unwittingly whirled onward by a brief
Autumnal eddy; but when the fatal door
Suddenly yielded him to life once more,
And issuing to the all-consoling skies
He turned to seek the sunlight in her eyes,
He clutched at emptiness—she was not there;
And the dim warder answered to his prayer:
“Only once have I seen the wonder wrought.
But when Alcestis thus her master sought,
Living she sought him not, nor dreamed that fate
For any subterfuge would swing my gate.
Loving, she gave herself to livid death,
Joyous she bought his respite with her breath,
Came, not embodied, but a tenuous shade,
In whom her rapture a great radiance made.
For never saw I ghost upon this shore
Shine with such living ecstasy before,
Nor heard an exile from the light above
Hail me with smiles: Thou art not Death but Love!
“But when the gods, frustrated, this beheld,
How, living still, among the dead she dwelled,
Because she lived in him whose life she won,
And her blood beat in his beneath the sun,
They reasoned: ‘When the bitter Stygian wave
The sweetness of love’s kisses cannot lave,
When the pale flood of Lethe washes not
From mortal mind one high immortal thought,
Akin to us the earthly creature grows,
Since nature suffers only what it knows.
If she whom we to this grey desert banned
Still dreams she treads with him the sunlit land
That for his sake she left without a tear,
Set wide the gates—her being is not here.’
“So ruled the gods; but thou, that sought’st to give
Thy life for love, yet for thyself wouldst live.
They know not for their kin; but back to earth
Give, pitying, one that is of mortal birth.”
Humbled the Harper heard, and turned away,
Mounting alone to the empoverished day;
Yet, as he left the Stygian shades behind,
He heard the cordage on the harbour wind,
Saw the blue smoke above the homestead trees,
And in his hidden heart was glad of these.
poem by Edith Wharton
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The Nile
Out of the unknown South,
Through the dark lands of drouth,
Far wanders ancient Nile in slumber gliding:
Clear-mirrored in his dream
The deeds that haunt his stream
Flash out and fade like stars in midnight sliding.
Long since, before the life of man
Rose from among the lives that creep,
With Time's own tide began
That still mysterious sleep,
Only to cease when Time shall reach the eternal deep.
From out his vision vast
The early gods have passed,
They waned and perished with the faith that made them;
The long phantasmal line
Of Pharaohs crowned divine
Are dust among the dust that once obeyed them.
Their land is one mute burial mound,
Save when across the drifted years
Some chant of hollow sound,
Some triumph blent with tears,
From Memnon's lips at dawn wakens the desert meres.
O Nile, and can it be
No memory dwells with thee
Of Grecian lore and the sweet Grecian singer?
The legions' iron tramp,
The Goths' wide-wandering camp,
Had these no fame that by thy shore might linger?
Nay, then must all be lost indeed,
Lost too the swift pursuing might
That cleft with passionate speed
Aboukir's tranquil night,
And shattered in mid-swoop the great world-eagle's flight.
Yet have there been on earth
Spirits of starry birth,
Whose splendour rushed to no eternal setting:
They over all endure,
Their course through all is sure,
The dark world's light is still of their begetting.
Though the long past forgotten lies,
Nile! in thy dream remember him,
Whose like no more shall rise
Above our twilight's rim,
Until the immortal dawn shall make all glories dim.
For this man was not great
By gold or kingly state,
Or the bright sword, or knowledge of earth's wonder;
But more than all his race
He saw life face to face,
And heard the still small voice above the thunder.
O river, while thy waters roll
By yonder vast deserted tomb,
There, where so clear a soul
So shone through gathering doom,
Thou and thy land shall keep the tale of lost Khartoum.
poem by Sir Henry Newbolt
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The Voyagers
We shall launch our shallop on waters blue from some dim primrose shore,
We shall sail with the magic of dusk behind and enchanted coasts before,
Over oceans that stretch to the sunset land where lost Atlantis lies,
And our pilot shall be the vesper star that shines in the amber skies.
The sirens will call to us again, all sweet and demon-fair,
And a pale mermaiden will beckon us, with mist on her night-black hair;
We shall see the flash of her ivory arms, her mocking and luring face,
And her guiling laughter will echo through the great, wind-winnowed space.
But we shall not linger for woven spell, or sea-nymph's sorceries,
It is ours to seek for the fount of youth, and the gold of Hesperides,
Till the harp of the waves in its rhythmic beat keeps time to our pulses' swing,
And the orient welkin is smit to flame with auroral crimsoning.
And at last, on some white and wondrous dawn, we shall reach the fairy isle
Where our hope and our dream are waiting us, and the to-morrows smile;
With song on our lips and faith in our hearts we sail on our ancient quest,
And each man shall find, at the end of the voyage, the thing he loves the best.
poem by Lucy Maud Montgomery
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The City (2)
Canst thou not rest, O city,
That liest so wide and fair;
Shall never an hour bring pity,
Nor end be found for care?
Thy walls are high in heaven,
Thy streets are gay and wide,
Beneath thy towers at even
The dreamy waters glide.
Thou art fair as the hills at morning,
And the sunshine loveth thee,
But its light is a gloom of warning
On a soul no longer free.
The curses of gold are about thee,
And thy sorrow deepeneth still;
One madness within and without thee,
One battle blind and shrill.
I see the crowds for ever
Go by with hurrying feet;
Through doors that darken never
I hear the engines beat.
Through days and nights that follow
The hidden mill-wheel strains;
In the midnight's windy hollow
I hear the roar of trains.
And still the day fulfilleth,
And still the night goes round,
And the guest-hall boometh and shrilleth,
With the dance's mocking sound.
In chambers of gold elysian,
The cymbals clash and clang,
But the days are gone like a vision
When the people wrought and sang.
And toil hath fear for neighbour,
Where singing lips are dumb,
And life is one long labour,
Till death or freedom come.
Ah! the crowds that for ever are flowing--
They neither laugh nor weep--
I see them coming and going,
Like things that move in sleep:
Grey sires and burdened brothers,
The old, the young, the fair,
Wan cheeks of pallid mothers,
And the girls with golden hair.
Care sits in many a fashion,
Grown grey on many a head,
And lips are turned to ashen
Whose years have right to red.
Canst thou not rest, O city,
That liest so wide, so fair;
Shalt never an hour bring pity,
Nor end be found for care?
poem by Archibald Lampman
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The House of Life: 71. The Choice, I
Eat thou and drink; to-morrow thou shalt die.
Surely the earth, that's wise being very old,
Needs not our help. Then loose me, love, and hold
Thy sultry hair up from my face; that I
May pour for thee this golden wine, brim-high,
Till round the glass thy fingers glow like gold.
We'll drown all hours: thy song, while hours are toll'd,
Shall leap, as fountains veil the changing sky.
Now kiss, and think that there are really those,
My own high-bosom'd beauty, who increase
Vain gold, vain lore, and yet might choose our way!
Through many years they toil; then on a day
They die not,--for their life was death,--but cease;
And round their narrow lips the mould falls close.
poem by Dante Gabriel Rossetti
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LXXI The Choice, I
Eat thou and drink; to-morrow thou shalt die.
Surely the earth, that's wise being very old,
Needs not our help. Then loose me, love, and hold
Thy sultry hair up from my face; that I
May pour for thee this golden wine, brim-high,
Till round the glass thy fingers glow like gold.
We'll drown all hours: thy song, while hours are toll'd,
Shall leap, as fountains veil the changing sky.
Now kiss, and think that there are really those,
My own high-bosom'd beauty, who increase
Vain gold, vain lore, and yet might choose our way!
Through many years they toil; then on a day
They die not,--for their life was death,--but cease;
And round their narrow lips the mould falls close.
poem by Dante Gabriel Rossetti
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My Lost Youth
Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the black wharves and the ships,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun, with its hollow roar,
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the sea-fight far away,
How it thundered o'er the tide!
And the dead captains, as they lay
In their graves, o'erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the breezy dome of groves,
The shadows of Deering's Woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighborhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the gleams and glooms that dart
Across the school-boy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And Deering's Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
poem by Henry Wadsworth Longfellow
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Before the Mirror
I.
WHITE ROSE in red rose-garden
Is not so white;
Snowdrops that plead for pardon
And pine for fright
Because the hard East blows
Over their maiden rows
Grow not as this face grows from pale to bright.
Behind the veil, forbidden,
Shut up from sight,
Love, is there sorrow hidden,
Is there delight?
Is joy thy dower or grief,
White rose of weary leaf,
Late rose whose life is brief, whose loves are light?
Soft snows that hard winds harden
Till each flake bite
Fill all the flowerless garden
Whose flowers took flight
Long since when summer ceased,
And men rose up from feast,
And warm west wind grew east, and warm day night.
II.
“Come snow, come wind or thunder
High up in air,
I watch my face, and wonder
At my bright hair;
Nought else exalts or grieves
The rose at heart, that heaves
With love of her own leaves and lips that pair.
“She knows not loves that kissed her
She knows not where.
Art thou the ghost, my sister,
White sister there,
Am I the ghost, who knows?
My hand, a fallen rose,
Lies snow-white on white snows, and takes no care.
“I cannot see what pleasures
Or what pains were;
What pale new loves and treasures
New years will bear;
What beam will fall, what shower,
What grief or joy for dower;
But one thing knows the flower; the flower is fair.”
III.
Glad, but not flushed with gladness,
Since joys go by;
Sad, but not bent with sadness,
Since sorrows die;
Deep in the gleaming glass
She sees all past things pass,
And all sweet life that was lie down and lie.
There glowing ghosts of flowers
Draw down, draw nigh;
And wings of swift spent hours
Take flight and fly;
She sees by formless gleams,
She hears across cold streams,
Dead mouths of many dreams that sing and sigh.
Face fallen and white throat lifted,
With sleepless eye
She sees old loves that drifted,
She knew not why,
Old loves and faded fears
Float down a stream that hears
The flowing of all men’s tears beneath the sky.
poem by Algernon Charles Swinburne
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Lethe
Through the noiseless doors of Death
Three passed out, as with one breath.
Two had faces stern as Fate,
Stamped with unrelenting hate.
One upon her lips of guile
Wore a cold, mysterious smile.
Each of each unseen, the pale
Shades went down the hollow vale
Till they came unto the deep
River of Eternal Sleep.
Breath of wind, or wing of bird,
Never that dark stream hath stirred;
Still it seems as is the shore,
But it flows for evermore
Softly, through the meadows wan
To the Sea Oblivion.
In the dusk, like drops of blood,
Poppies hang above the flood;
On its surface lies a thin,
Ghostly web of mist, wherein
All things vague and changing seem
As the faces in a dream.
Two knelt down upon the bank
And of that dark water drank.
But the Third stood by the while,
Smiling her mysterious smile.
Rising up, those shades of men
Gazed upon each other, then
Side by side, upon the bank,
In a bed of poppies sank.
“What,” one to the other saith,
“Sent thee through the doors of death?”—
“While life throbbed in every vein,
For a woman I was slain.
“Love is but a fleeting spell,
Hate alone remembers well.
“For my slayer I shall wait,
And though he at Heaven’s gate
“Stand, and wear an angel’s crown,
I shall seize and drag him down!”
So the stern shade made reply.
Then the first that spake said: “I
“For a woman’s sake, also,
Slew myself—and slew my foe.
“Slew myself, that in no shape
He my vengeance should escape,
“Till Oblivion swallow both:
And I swore a solemn oath
“I would—hate remembers well—
Hunt his spotted soul to hell.
“But I left, ere leave-taking,
Round her throat a dark red ring.
“I shall know her—you shall note—
By that red ring round her throat.
“Well I loved my fair, false wife,
And perchance in this new life
“She may love me—we shall see—
She shall choose ’twixt him and me.”
Softly did the other sigh:
“My love’s love will never die.
“Love is not a fleeting spell—
Love, like hate, remembers well.
“Soon—mayhap on this dim shore—
We shall meet to part no more.”
Then the first Shade spoke and said:
“In this Kingdom of the Dead
“Let us, who so strangely meet,
Pledge each other in this sweet
“Water, our revenge to wreak
Side by side, and so to seek,
“Side by side, whate’er our fate,
Those we love and those we hate.”
Kneeling on the dim shore then,
Side by side, they drank again.
And they saw, like drops of blood,
Poppies nodding o’er the flood,
And they gazed upon the thin
Ghostly web of mist, wherein
All things vague and changing seem
As the faces in a dream;
And by some enchantment weird,
As they gazed thereon appeared
Unto each, down-bending low,
Form and features of his foe,
For a moment, then were gone,
And upon the meadows wan—
Half in Death and half a-swoon—
Shone a pale and spectral moon.
Then these twain rose, drowsy-eyed,
And departed side by side.
But the Woman Shade the while
Smiled her cold, mysterious smile.
And her beauty made a light
In that realm of pallid night
(Beauty laughs at worm and grave)
Like the moon beneath the wave.
Back she flung her hair of gold,
Glowing, gleaming, fold on fold,
Showing—all but these might note—
The red ring around her throat.
But they passed with cold surprise,
And unrecognising eyes.
Lightly laughed she then, and said:
“In this Kingdom of the Dead
“Strange the sights that one may see!
There go twain who died for me
“Seeking, through Creation wide,
For each other—side by side!”
Then she wove a poppy crown,
Placed it on her head, and down
On the river’s margin sank
Midst the poppies of its bank,
Saying: “In the world above
Long he tarries, my true love.
“Here beside this river’s rim
I will sleep, and wait for him.”
poem by Victor James Daley
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Hy-Brasil
"Daughter," said the ancient father, pausing by the evening sea,
"Turn thy face towards the sunset -- turn thy face and kneel with me!
Prayer and praise and holy fasting, lips of love and life of light,
These and these have made thee perfect -- shining saint with seraph's sight!
Look towards that flaming crescent -- look beyond that glowing space --
Tell me, sister of the angels, what is beaming in thy face?"
And the daughter, who had fasted, who had spent her days in prayer,
Till the glory of the Saviour touched her head and rested there,
Turned her eyes towards the sea-line -- saw beyond the fiery crest,
Floating over waves of jasper, far Hy-Brasil in the West.
All the calmness and the colour -- all the splendour and repose,
Flowing where the sunset flowered, like a silver-hearted rose!
There indeed was singing Eden, where the great gold river runs
Past the porch and gates of crystal, ringed by strong and shining ones!
There indeed was God's own garden, sailing down the sapphire sea --
Lawny dells and slopes of summer, dazzling stream and radiant tree!
Out against the hushed horizon -- out beneath the reverent day,
Flamed the Wonder on the waters -- flamed, and flashed, and passed away.
And the maiden who had seen it felt a hand within her own,
And an angel that we know not led her to the lands unknown.
Never since hath eye beheld it -- never since hath mortal, dazed
By its strange, unearthly splendour, on the floating Eden gazed!
Only once since Eve went weeping through a throng of glittering wings,
Hath the holy seen Hy-Brasil where the great gold river sings!
Only once by quiet waters, under still, resplendent skies,
Did the sister of the seraphs kneel in sight of Paradise!
She, the pure, the perfect woman, sanctified by patient prayer,
Had the eyes of saints of Heaven, all their glory in her hair:
Therefore God the Father whispered to a radiant spirit near --
"Show Our daughter fair Hy-Brasil -- show her this, and lead her here."
But beyond the halls of sunset, but within the wondrous West,
On the rose-red seas of evening, sails the Garden of the Blest.
Still the gates of glassy beauty, still the walls of glowing light,
Shine on waves that no man knows of, out of sound and out of sight.
Yet the slopes and lawns of lustre, yet the dells of sparkling streams,
Dip to tranquil shores of jasper, where the watching angel beams.
But, behold! our eyes are human, and our way is paved with pain,
We can never find Hy-Brasil, never see its hills again!
Never look on bays of crystal, never bend the reverent knee
In the sight of Eden floating -- floating on the sapphire sea!
poem by Henry Kendall
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Mentana : First Anniversary
At the time when the stars are grey,
And the gold of the molten moon
Fades, and the twilight is thinned,
And the sun leaps up, and the wind,
A light rose, not of the day,
A stronger light than of noon.
As the light of a face much loved
Was the face of the light that clomb;
As a mother's whitened with woes
Her adorable head that arose;
As the sound of a God that is moved,
Her voice went forth upon Rome.
At her lips it fluttered and failed
Twice, and sobbed into song,
And sank as a flame sinks under;
Then spake, and the speech was thunder,
And the cheek as he heard it paled
Of the wrongdoer grown grey with the wrong.
"Is it time, is it time appointed,
Angel of time, is it near?
For the spent night aches into day
When the kings shall slay not or pray,
And the high-priest, accursed and anointed,
Sickens to deathward with fear.
"For the bones of my slain are stirred,
And the seed of my earth in her womb
Moves as the heart of a bud
Beating with odorous blood
To the tune of the loud first bird
Burns and yearns into bloom.
"I lay my hand on her bosom,
My hand on the heart of my earth,
And I feel as with shiver and sob
The triumphant heart in her throb,
The dead petals dilate into blossom,
The divine blood beat into birth.
"O my earth, are the springs in thee dry?
O sweet, is thy body a tomb?
Nay, springs out of springs derive,
And summers from summers alive,
And the living from them that die;
No tomb is here, but a womb.
"O manifold womb and divine,
Give me fruit of my children, give!
I have given thee my dew for thy root,
Give thou me for my mouth of thy fruit;
Thine are the dead that are mine,
And mine are thy sons that live.
"O goodly children, O strong
Italian spirits, that wear
My glories as garments about you,
Could time or the world misdoubt you,
Behold, in disproof of the wrong,
The field of the grave-pits there.
"And ye that fell upon sleep,
We have you too with us yet.
Fairer than life or than youth
Is this, to die for the truth:
No death can sink you so deep
As their graves whom their brethren forget.
"Were not your pains as my pains?
As my name are your names not divine?
Was not the light in your eyes
Mine, the light of my skies,
And the sweet shed blood of your veins,
O my beautiful martyrs, mine?
"Of mine earth were your dear limbs made,
Of mine air was your sweet life's breath;
At the breasts of my love ye were fed,
O my children, my chosen, my dead,
At my breasts where again ye are laid,
At the old mother's bosom, in death.
"But ye that live, O their brothers,
Be ye to me as they were;
Give me, my children that live,
What these dead grudged not to give,
Who alive were sons of your mother's,
Whose lips drew breath of your air.
"Till darkness by dawn be cloven,
Let youth's self mourn and abstain;
And love's self find not an hour,
And spring's self wear not a flower,
And Lycoris, with hair unenwoven,
Hail back to the banquet in vain.
"So sooner and surer the glory
That is not with us shall be,
And stronger the hands that smite
The heads of the sons of night,
And the sound throughout earth of our story
Give all men heart to be free."
poem by Algernon Charles Swinburne
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Favorites of Pan
Once, long ago, before the gods
Had left this earth, by stream and forest glade,
Where the first plough upturned the clinging sods,
Or the lost shepherd strayed,
Often to the tired listener's ear
There came at noonday or beneath the stars
A sound, he knew not whence, so sweet and clear,
That all his aches and scars
And every brooded bitterness,
Fallen asunder from his soul took flight,
Like mist or darkness yielding to the press
Of an unnamed delight,-
A sudden brightness of the heart,
A magic fire drawn down from Paradise,
That rent the cloud with golden gleam apart,-
And far before his eyes
The loveliness and calm of earth
Lay like a limitless dream remote and strange,
The joy, the strife, the triumph and the mirth,
And the enchanted change;
And so he followed the sweet sound,
Till faith had traversed her appointed span,
And murmured as he pressed the sacred ground:
'It is the note of Pan!'
Now though no more by marsh or stream
Or dewy forest sounds the secret reed-
For Pan is gone-Ah yet, the infinite dream
Still lives for them that heed.
In April, when the turning year
Regains its pensive youth, and a soft breath
And amorous influence over marsh and mere
Dissolves the grasp of death,
To them that are in love with life,
Wandering like children with untroubled eyes,
Far from the noise of cities and the strife,
Strange flute-like voices rise
At noon and in the quiet of the night
From every watery waste; and in that hour
The same strange spell, the same unnamed delight,
Enfolds them in its power.
An old-world joyousness supreme,
The warmth and glow of an immortal balm,
The mood-touch of the gods, the endless dream,
The high lethean calm.
They see, wide on the eternal way,
The services of earth, the life of man;
And, listening to the magic cry they say:
'It is the note of Pan!'
For, long ago, when the new strains
Of hostile hymns and conquering faiths grew keen,
And the old gods from their deserted fanes,
Fled silent and unseen,
So, too, the goat-foot Pan, not less
Sadly obedient to the mightier hand,
Cut him new reeds, and in a sore distress
Passed out from land to land;
And lingering by each haunt he knew,
Of fount or sinuous stream or grassy marge,
He set the syrinx to his lips, and blew
A note divinely large;
And all around him on the wet
Cool earth the frogs came up, and with a smile
He took them in his hairy hands, and set
His mouth to theirs awhile,
And blew into their velvet throats;
And ever from that hour the frogs repeat
The murmur of Pan's pipes, the notes,
And answers strange and sweet;
And they that hear them are renewed
By knowledge in some god-like touch conveyed,
Entering again into the eternal mood,
Wherein the world was made.
poem by Archibald Lampman
Submitted by Poetry Lover
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