Hy-Brasil

"Daughter," said the ancient father, pausing by the evening sea,
"Turn thy face towards the sunset -- turn thy face and kneel with me!
Prayer and praise and holy fasting, lips of love and life of light,
These and these have made thee perfect -- shining saint with seraph's sight!
Look towards that flaming crescent -- look beyond that glowing space --
Tell me, sister of the angels, what is beaming in thy face?"
And the daughter, who had fasted, who had spent her days in prayer,
Till the glory of the Saviour touched her head and rested there,
Turned her eyes towards the sea-line -- saw beyond the fiery crest,
Floating over waves of jasper, far Hy-Brasil in the West.

All the calmness and the colour -- all the splendour and repose,
Flowing where the sunset flowered, like a silver-hearted rose!
There indeed was singing Eden, where the great gold river runs
Past the porch and gates of crystal, ringed by strong and shining ones!
There indeed was God's own garden, sailing down the sapphire sea --
Lawny dells and slopes of summer, dazzling stream and radiant tree!
Out against the hushed horizon -- out beneath the reverent day,
Flamed the Wonder on the waters -- flamed, and flashed, and passed away.
And the maiden who had seen it felt a hand within her own,
And an angel that we know not led her to the lands unknown.

Never since hath eye beheld it -- never since hath mortal, dazed
By its strange, unearthly splendour, on the floating Eden gazed!
Only once since Eve went weeping through a throng of glittering wings,
Hath the holy seen Hy-Brasil where the great gold river sings!
Only once by quiet waters, under still, resplendent skies,
Did the sister of the seraphs kneel in sight of Paradise!
She, the pure, the perfect woman, sanctified by patient prayer,
Had the eyes of saints of Heaven, all their glory in her hair:
Therefore God the Father whispered to a radiant spirit near --
"Show Our daughter fair Hy-Brasil -- show her this, and lead her here."

But beyond the halls of sunset, but within the wondrous West,
On the rose-red seas of evening, sails the Garden of the Blest.
Still the gates of glassy beauty, still the walls of glowing light,
Shine on waves that no man knows of, out of sound and out of sight.
Yet the slopes and lawns of lustre, yet the dells of sparkling streams,
Dip to tranquil shores of jasper, where the watching angel beams.
But, behold! our eyes are human, and our way is paved with pain,
We can never find Hy-Brasil, never see its hills again!
Never look on bays of crystal, never bend the reverent knee
In the sight of Eden floating -- floating on the sapphire sea!

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Orkney Lullaby

A moonbeam floateth from the skies,
Whispering, "Heigho, my dearie!
I would spin a web before your eyes,--
A beautiful web of silver light,
Wherein is many a wondrous sight
Of a radiant garden leagues away,
Where the softly tinkling lilies sway,
And the snow-white lambkins are at play,--
Heigho, my dearie!"

A brownie stealeth from the vine
Singing, "Heigho, my dearie!
And will you hear this song of mine,--
A song of the land of murk and mist
Where bideth the bud the dew hath kist?
Then let the moonbeam's web of light
Be spun before thee silvery white,
And I shall sing the livelong night,--
Heigho, my dearie!"

The night wind speedeth from the sea,
Murmuring, "Heigho, my dearie!
I bring a mariner's prayer for thee;
So let the moonbeam veil thine eyes,
And the brownie sing thee lullabies;
But I shall rock thee to and fro,
Kissing the brow he loveth so,
And the prayer shall guard thy bed, I trow,--
Heigho, my dearie!"

poem by Eugene FieldReport problemRelated quotes
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Thomas Hardy

A Meeting With Despair

AS evening shaped I found me on a moor
Which sight could scarce sustain:
The black lean land, of featureless contour,
Was like a tract in pain.

"This scene, like my own life," I said, "is one
Where many glooms abide;
Toned by its fortune to a deadly dun--
Lightless on every side.

I glanced aloft and halted, pleasure-caught
To see the contrast there:
The ray-lit clouds gleamed glory; and I thought,
"There's solace everywhere!"

Then bitter self-reproaches as I stood
I dealt me silently
As one perverse--misrepresenting Good
In graceless mutiny.

Against the horizon's dim-descernèd wheel
A form rose, strange of mould:
That he was hideous, hopeless, I could feel
Rather than could behold.

"'Tis a dead spot, where even the light lies spent
To darkness!" croaked the Thing.
"Not if you look aloft!" said I, intent
On my new reasoning.

"Yea--but await awhile!" he cried. "Ho-ho!--
Look now aloft and see!"
I looked. There, too, sat night: Heaven's radiant show
Had gone. Then chuckled he.

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Uhland's

There were three cavaliers that went over the Rhine,
And gayly they called to the hostess for wine.
"And where is thy daughter? We would she were here,--
Go fetch us that maiden to gladden our cheer!"

"I'll fetch thee thy goblets full foaming," she said,
"But in yon darkened chamber the maiden lies dead."
And lo! as they stood in the doorway, the white
Of a shroud and a dead shrunken face met their sight.

Then the first cavalier breathed a pitiful sigh,
And the throb of his heart seemed to melt in his eye,
And he cried, "Hadst thou lived, O my pretty white rose,
I ween I had loved thee and wed thee--who knows?"

The next cavalier drew aside a small space,
And stood to the wall with his hands to his face;
And this was the heart-cry that came with his tears:
"I loved her, I loved her these many long years!"

But the third cavalier kneeled him down in that place,
And, as it were holy, he kissed that dead face:
"I loved thee long years, and I love thee to-day,
And I'll love thee, dear maiden, forever and aye!"

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When Someone Says: "Alexandria"

When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.

When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.

When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"

poem by Mikhail Alekseevich KuzminReport problemRelated quotes
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Unlike Mother, Unlike Daughter

Her heart breaks for something she'll never have
A daughter of perfect honesty and obedience
With fair hair and bright eyes
Everything her son is

Instead the mother bore something strange
A loser, a liar, a Mrs. Lovett wannabe
Swearing not to change
Everything she doesn't want, doesn't need

But her daughter doesn't want to love anybody
She doesn't want love in return
She's sick of man's petty "acceptance"
She doesn't need "lessons" to learn

The Mother explains, "She understands, "
Clichés, "Daughter, tell me anything."

But her daughter knows,
She'd be afraid of what's in her head
Mother won't understand
The demons that chase her and charm her
For a while…

And scariest of all
The daughter realizes
The man she loves
She loves alone

It's sad to think about the monster
The Daughter holds so intrinsically close…

Her heart breaks for something she'll never have
A vengeful god of perfectly destructive melancholy
With dark hair and dark eyes
They try to tell her otherwise
But only the Daughter knows what her heart cannot compromise

Mother tries to convince her
Tries to stop a "fictional infatuation"
Still the daughter, unfazed, replies,
"You know you are my only condemnation."

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Mary Rivers

Path beside the silver waters, flashing in October’s sun—
Walk, by green and golden margins where the sister streamlets run—
Twenty shining springs have vanished, full of flower, and leaf, and bird,
Since the step of Mary Rivers in your lawny dell was heard!
Twenty white-haired Junes have left us—grey with frost and bleak with gale—
Since the hand of her we loved so plucked the blossoms in your dale.
Twenty summers, twenty autumns, from the grand old hills have passed,
With their robes of royal colour, since we saw the darling last.
Morning comes—the blessed morning! and the slow song of the sea,
Like a psalm from radiant altars, floats across a rose-red lea;
Then the fair, strong noonday blossoms, and the reaper seeks the cool
Valley of the moss and myrtle, and the glimmering water-pool.
Noonday flames and evening follows; and the lordly mountains rest
Heads arrayed with tenfold splendour on the rich heart of the West.
Evening walks with moon and music where the higher life has been;
But the face of Mary Rivers there will nevermore be seen.

Ah! when autumn dells are dewy, and the wave is very still,
And that grey ghost called the Twilight passes from the distant hill—
Even in the hallowed nightfall, when the fathers sit and dream,
And the splendid rose of heaven sees a sister in the stream—
Often do I watch the waters gleaming in a starry bay,
Thinking of a bygone beauty, and a season far away;
Musing on the grace that left us in a time of singing rain,
On the lady who will never walk amongst these heaths again.

Four there were, but two were taken; and this darling we deplore,
She was sweetest of the circle—she was dearest of the four!
In the daytime and the dewtime comes the phantom of her face:
None will ever sit where she did—none will ever fill her place.
With the passing of our Mary, like a sunset out of sight,
Passed away our pure first passion—all its life and all its light!
All that made the world a dreamland—all the glory and the glow
Of the fine, fresh, morning feeling vanished twenty years ago.

Girl, whose strange, unearthly beauty haunts us ever in our sleep,
Many griefs have worn our hearts out—we are now too tired to weep!
Time has tried us, years have changed us; but the sweetness shed by you
Falls upon our spirits daily, like divine, immortal dew.
Shining are our thoughts about you—of the blossoms past recall,
You are still the rose of lustre—still the fairest of them all;
In the sleep that brings the garland gathered from the bygone hours,
You are still our Mary Rivers—still the queen of all the flowers.

Let me ask, where none can hear me—When you passed into the shine,
And you heard a great love calling, did you know that it was mine?
In your life of light and music, tell me did you ever see,
Shining in a holy silence, what was as a flame in me?
Ah, my darling! no one saw it. Purer than untrodden dew
Was that first unhappy passion buried in the grave with you.
Bird and leaf will keep the secret—wind and wood will never tell
Men the thing that I have whispered. Mary Rivers, fare you well!

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Lewis Carroll

Brother And Sister

"SISTER, sister, go to bed!
Go and rest your weary head."
Thus the prudent brother said.

"Do you want a battered hide,
Or scratches to your face applied?"
Thus his sister calm replied.

"Sister, do not raise my wrath.
I'd make you into mutton broth
As easily as kill a moth"

The sister raised her beaming eye
And looked on him indignantly
And sternly answered, "Only try!"

Off to the cook he quickly ran.
"Dear Cook, please lend a frying-pan
To me as quickly as you can."

And wherefore should I lend it you?"
"The reason, Cook, is plain to view.
I wish to make an Irish stew."

"What meat is in that stew to go?"
"My sister'll be the contents!"
"Oh"
"You'll lend the pan to me, Cook?"
"No!"

Moral: Never stew your sister.

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Orara

THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.

But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.

The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.

The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.

The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.

A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:

The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.

Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!

Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!

But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.

The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.

But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.

And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.

Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—

The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!

Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.

The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.

And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight

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Thomas Hardy

I have lived with Shades

I

I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;

II

And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.

III

"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."

IV

"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."

V

"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"

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No Lilies For Lisette

Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.

Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.

Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.

Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.

Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.

"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .

Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.

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Pity Me, Loo!

On the sunset borders of the mountains I stray,
Of a dear home dreaming 'yond the snow peaks far away,
While the bubbling brook beside me goes dancing along,
As it seeks the "Golden Gate" of the ocean blue;
And a lone bird murmurs in the bush-top his song--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

Tra la la la, la la la la
From mate to mate the carol rings:
Tra la la la, la la la la!
la la la la
A thousand valleys through;
Yet the lone bird sorrows as he plaintively sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

'Neath the rocks I'm treading there are treasures of gold,
But by far more precious is my own native mold.
Nevermore, in search of Beauty need Fancy take wings:
Here is beauty, here is grandeur, at ev'ry view;
Yet my heart grows heavy, and the lone bird still sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

In the green-clad valley where the wayward brook mends
There are homes most charming--there are warmhearted friends.
Lovely dell! it seems an Eden, afloat in mid-air,
As if God had sent from Heaven a creation new;
But its charm is broken, for my heart is not there--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

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Rudyard Kipling

Heriot's Ford

"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.

"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!

"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.

"Oh, do not slay me in my sins!"
You're safe awhile with us, my lord.
"Nay, kill me ere my fear begins!"
We would not serve you thus, my lord.

"Where is the doom that I must face?"
Three little leagues away, my lord.
"Then mend the horses' laggard pace!"
We need them for next day, my lord.

"Next day--next day! Unloose my cords!"
Our sister needed none, my lord.
You had no mind to face our swords,
And--where can cowards run, my lord?

"You would not kill the soul alive?"
'Twas thus our sister cried, my lord.
"I dare not die with none to shrive."
But so our sister died, my lord.

"Then wipe the sweat from brow and cheek."
It runnels forth afresh, my lord.
"Uphold me--for the flesh is weak."
You've finished with the Flesh, my lord!

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Thank You Lord

"Thank You Lord"

A year has passed with a blink of an eye

I thank you Lord, for I'm still alive.

Pardon me if ever I did wrong

Keep me safe and keep me strong.

I pray for good health and courage to face

That life may bring just incase…..

So show me the light…the road to success

Build up my confidence…that I forget.

Keep my loved ones safe and sound

I know in prayers it can be found.

A special prayer for a special "U"

I love you God so help me through

I close my eyes and bow before you

Make my wishes and dreams come true.

For it's "U" I turn to in times of pain

And I know my prayers will be heard again…

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Khalil Gibran

Beauty XXV

And a poet said, "Speak to us of Beauty."

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?

And how shall you speak of her except she be the weaver of your speech?

The aggrieved and the injured say, "Beauty is kind and gentle.

Like a young mother half-shy of her own glory she walks among us."

And the passionate say, "Nay, beauty is a thing of might and dread.

Like the tempest she shakes the earth beneath us and the sky above us."

The tired and the weary say, "beauty is of soft whisperings. She speaks in our spirit.

Her voice yields to our silences like a faint light that quivers in fear of the shadow."

But the restless say, "We have heard her shouting among the mountains,

And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions."

At night the watchmen of the city say, "Beauty shall rise with the dawn from the east."

And at noontide the toilers and the wayfarers say, "we have seen her leaning over the earth from the windows of the sunset."

In winter say the snow-bound, "She shall come with the spring leaping upon the hills."

And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair."

All these things have you said of beauty.

Yet in truth you spoke not of her but of needs unsatisfied,

And beauty is not a need but an ecstasy.

It is not a mouth thirsting nor an empty hand stretched forth,

But rather a heart enflamed and a soul enchanted.

It is not the image you would see nor the song you would hear,

But rather an image you see though you close your eyes and a song you hear though you shut your ears.

It is not the sap within the furrowed bark, nor a wing attached to a claw,

But rather a garden forever in bloom and a flock of angels for ever in flight.

People of Orphalese, beauty is life when life unveils her holy face.

But you are life and you are the veil.

Beauty is eternity gazing at itself in a mirror.

But you are eternity and you are the mirror.

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Upon the road of my life,

Upon the road of my life,
Passed me many fair creatures,
Clothed all in white, and radiant.
To one, finally, I made speech:
"Who art thou?"
But she, like the others,
Kept cowled her face,
And answered in haste, anxiously,
"I am good deed, forsooth;
You have often seen me."
"Not uncowled," I made reply.
And with rash and strong hand,
Though she resisted,
I drew away the veil
And gazed at the features of vanity.
She, shamefaced, went on;
And after I had mused a time,
I said of myself,
"Fool!"

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The Opening of the Piano

IN the little southern parlor of tbe house you may have seen
With the gambrel-roof, and the gable looking westward to the green,
At the side toward the sunset, with the window on its right,
Stood the London-made piano I am dreaming of to-night!

Ah me! how I remember the evening when it came!
What a cry of eager voices, what a group of cheeks in flame,
When the wondrous box was opened that had come from over seas,
With its smell of mastic-varnish and its flash of ivory keys!

Then the children all grew fretful in the restlessness of joy,
For the boy would push his sister, and the sister crowd the boy,
Till the father asked for quiet in his grave paternal way,
But the mother hushed the tumult with the words, "Now, Mary, play."

For the dear soul knew that music was a very sovereign balm;
She had sprinkled it over Sorrow and seen its brow grow calm,
In the days of slender harpsichords with tapping tinkling quills,
Or carolling to her spinet with its thin metallic thrills.

So Mary, the household minstrel, who always loved to please,
Sat down to the new "Clementi," and struck the glittering keys.
Hushed were the children's voices, and every eye grew dim,
As, floating from lip and finger, arose the "Vesper Hymn."

Catharine, child of a neighbor, curly and rosy-red,
(Wedded since, and a widow,-- something like ten years dead,)
Hearing a gush of music such as none before,
Steals from her mother's chamber and peeps at the open door.

Just as the "Jubilate" in threaded whisper dies,
"Open it! open it, lady!" the little maiden cries,
(For she thought 't was a singing creature caged in a box she heard,)
"Open it! open it, lady! and let me see the bird!"

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Let the Light Enter

"The dying words of Goethe."


"Light! more light! the shadows deepen,
And my life is ebbing low,
Throw the windows widely open:
Light! more light! before I go.

"Softly let the balmy sunshine
Play around my dying bed,
E'er the dimly lighted valley
I with lonely feet must tread.

"Light! more light! for Death is weaving
Shadows 'round my waning sight,
And I fain would gaze upon him
Through a stream of earthly light."

Not for greater gifts of genius;
Not for thoughts more grandly bright,
All the dying poet whispers
Is a prayer for light, more light.

Heeds he not the gathered laurels,
Fading slowly from his sight;
All the poet's aspirations
Centre in that prayer for light.

Gracious Saviour, when life's day-dreams
Melt and vanish from the sight,
May our dim and longing vision
Then be blessed with light, more light.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael DraytonReport problemRelated quotes
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Rudyard Kipling

The Four Angels

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Earth came down, and offered Earth in fee;
But Adam did not need it,
Nor the plough he would not speed it,
Singing: --"Earth and Water, Air and Fire,
What more can mortal man desire?"
(The Apple Tree's in bud)

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Waters offered all the Seas in fee;
But Adam would not take 'em,
Nor the ships he wouldn't make 'em,
Singing:--"Water, Earth and Air and Fire,
What more can mortal man desire? "
(The Apple Tree's in leaf.)

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Air he offered all the Air in fee;
But Adam did not crave it,
Nor the flight he wouldn't brave it,
Singing: --"Air and Water, Earth and Fire,
What more can mortal man desire:"
(The Apple Tree's in bloom.)

As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Fire rose up and not a word said he;
But he wished a flame and made it,
And in Adam's heart he laid it,
Singing: --"Fire, Fire, burning Fire!
Stand up, and reach your heart's desire!"
(The Apple Blossom's set.)

As Adam was a-working outside of Eden-Wall,
He used the Earth, he used the Seas, he used the Air and all;
Till out of black disaster
He arose to be a master
Of Earth and Water, Air and Fire,
But never reached his heart's desire!
(The Apple Tree's cut down!)

poem by Rudyard KiplingReport problemRelated quotes
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