En.Citatepedia^®.ro

Cloe Jealous

Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus what did I implore?
That ev'ry Grace which thence I took,
Shou'd know to charm my Damon more.

Reading Thy Verse; who heeds, said I,
If here or there his Glances flew?
O free for ever be His Eye,
Whose Heart to Me is always true.
My Bloom indeed, my little Flow'r
Of Beauty quickly lost it's Pride:
For sever'd from it's Native Bow'r,
It on Thy glowing Bosom dy'd.
Yet car'd I not, what might presage
Or withering Wreath, or fleeting Youth:
Love I esteem'd more strong than Age,
And Time less permanent than Truth.
Why then I weep, forbear to know:
Fall uncontroll'd my Tears, and free:
O Damon, 'tis the only Woe,
I ever yet conceal'd from Thee.
The secret Wound with which I bleed
Shall lie wrapt up, ev'n in my Herse:
But on my Tomb-stone Thou shalt read
My Answer to Thy dubious Verse.

poem by Matthew Prior
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The Garland

The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.

At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.

The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.

Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.

That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.

Dissembling what I knew too well,
My love, my life, said I, explain
This change of humour; pr'ythee tell,
That falling tear - what does it mean?

She sigh'd, she smiled; and to the flowers
Pointing, the lovely moralist said,
See, friend, in some few fleeting hours,
See yonder what a change is made.

Ah me! the blooming pride of May
And that of Beauty are but one;
At morn both flourish bright and gay,
Both fade at evening, pale, and gone.

At dawn poor Stella danced and sung,
The amorous youth around her bow'd;
At night her fatal knell was rung;
I saw and kiss'd her in her shroud.

Such as she is who died to-day,
Such I, alas! may be to-morrow;
Go, Damon, bid thy Muse display
The justice of thy Cloe's sorrow.

poem by Matthew Prior
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The Dove

In Virgil's Sacred Verse we find,
That Passion can depress or raise
The Heav'nly, as the Human Mind:
Who dare deny what Virgil says?
But if They shou'd; what our Great Master
Has thus laid down, my Tale shall prove.
Fair Venus wept the sad Disaster
Of having lost her Fav'rite Dove.
In Complaisance poor Cupid mourn'd;
His Grief reliev'd his Mother's Pain;
He vow'd he'd leave no Stone unturn'd,
But She shou'd have her Dove again.
Tho' None, said He, shall yet be nam'd,
I know the Felon well enough:
But be She not, Mamma, condemn'd
Without a fair and legal Proof.
With that, his longest Dart he took,
As Constable wou'd take his Staff:
That Gods desire like Men to look,
Wou'd make ev'n Heraclitus laugh.
Loves Subaltern, a Duteous Band,
Like Watchmen round their Chief appear:
Each had his Lanthorn in his Hand:
And Venus mask'd brought up the Rear.

Accouter'd thus, their eager Step
To Cloe's Lodging They directed:
(At once I write, alas! and weep,
That Cloe is of Theft suspected.)
Late They set out, had far to go:
St. Dunstan's, as They pass'd, struck One.
Cloe, for Reasons good, You know,
Lives at the sober End o'th' Town.
With one great Peal They rap the Door,
Like Footmen on a Visiting-Day.
Folks at Her House at such an Hour!
Lord! what will all the Neighbours say?
The Door is open'd: up They run:
Nor Prayers, nor Threats divert their Speed:
Thieves, Thieves! cries Susan; We're undone;
They'll kill my Mistress in her Bed.
In Bed indeed the Nymph had been
Three Hours: for all Historians say,
She commonly went up at Ten,
Unless Picquet was in the Way.
She wak'd, be sure, with strange Surprize.
O Cupid, is this Right or Law,
Thus to disturb the brightest Eyes,
That ever slept, or ever saw?
Have You observ'd a sitting Hare,
List'ning, and fearful of the Storm
Of Horns and Hounds, clap back her Ear,
Afraid to keep, or leave her Form?

Or have You mark'd a Partridge quake,
Viewing the tow'ring Faulcon nigh?
She cuddles low behind the Brake:
Nor wou'd she stay: nor dares she fly.
Then have You seen the Beauteous Maid;
When gazing on her Midnight Foes,
She turn'd each Way her frighted Head,
Then sunk it deap beneath the Cloaths.
Venus this while was in the Chamber
Incognito: for Susan said,
It smelt so strong of Myrrh and Amber—
And Susan is no lying Maid.
But since We have no present Need
Of Venus for an Episode;
With Cupid let us e'en proceed;
And thus to Cloe spoke the God:
Hold up your Head: hold up your Hand:
Wou'd it were not my Lot to show ye
This cruel Writ, wherein you stand
Indicted by the Name of Cloe:
For that by secret Malice stirr'd,
Or by an emulous Pride invited,
You have purloin'd the fav'rite Bird,
In which my Mother most delighted.
Her blushing Face the lovely Maid
Rais'd just above the milk-white Sheet.
A Rose-Tree in a Lilly Bed,
Nor glows so red, nor breathes so sweet.

Are You not He whom Virgins fear,
And Widows court? Is not your Name
Cupid? If so, pray come not near—
Fair Maiden, I'm the very same.
Then what have I, good Sir, to say,
Or do with Her, You call your Mother?
If I shou'd meet Her in my Way,
We hardly court'sy to each other.
Diana Chaste, and Hebe Sweet,
Witness that what I speak is true:
I wou'd not give my Paroquet
For all the Doves that ever flew.
Yet, to compose this Midnight Noise,
Go freely search where-e'er you please:
(The Rage that rais'd, adorn'd Her Voice)
Upon yon' Toilet lie my Keys.
Her Keys He takes; her Doors unlocks;
Thro' Wardrobe, and thro' Closet bounces;
Peeps into ev'ry Chest and Box;
Turns all her Furbeloes and Flounces.
But Dove, depend on't, finds He none;
So to the Bed returns again:
And now the Maiden, bolder grown,
Begins to treat Him with Disdain.
I marvel much, She smiling said,
Your Poultry cannot yet be found:
Lies he in yonder Slipper dead,
Or, may be, in the Tea-pot drown'd?

No, Traytor, angry Love replies,
He's hid somewhere about Your Breast;
A Place, nor God, nor Man denies,
For Venus' Dove the proper Nest.
Search then, She said, put in your Hand,
And Cynthia, dear Protectress, guard Me:
As guilty I, or free may stand,
Do Thou, or punish, or reward Me.
But ah! what Maid to Love can trust?
He scorns, and breaks all Legal Power:
Into her Breast his Hand He thrust;
And in a Moment forc'd it lower.
O, whither do those Fingers rove,
Cries Cloe, treacherous Urchin, whither?
O Venus! I shall find thy Dove,
Says He; for sure I touch his Feather.

poem by Matthew Prior
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A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy cheek all on fire, and thy hair all uncurl'd:
Pr'ythee quit this caprice; and (as old Falstaf says)
Let us e'en talk a little like folks of this world.

How can'st thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found Wit:
Od's Life! must one swear to the truth of a song?

What I speak, my fair Cloe, and what I write, shews
The diff'rence there is betwixt Nature and Art:
I court others in verse; but I love thee in prose:
And they have my whimsies; but thou hast my heart.

The god of us verse-men (you know child) the sun,
How after his journeys he sets up his rest:
If at morning o'er earth 'tis his fancy to run;
At night he reclines on his Thetis's breast.

So when I am weary'd with wand'ring all day,
To thee my delight in the evening I come:
No matter what beauties I saw in my way:
They were but my visits; but thou art my home.

Then finish, dear Cloe, this pastoral war;
And let us like Horace and Lydia agree:
For thou art a girl as much brighter than her
As he was a poet sublimer than me.

poem by Matthew Prior
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Cantata. Set By Mons. Galliard

Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.

Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.

Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and crystal streams?

Recit.
Thus sung the bard, and thus the goddess spoke:
Submissive bow to Love's imperious yoke;
Every state and every age
Shall own my rule and fear my rage:
Compell'd by me, thy Muse shall prove
That all the world was born to love.

Ariet.
Bid thy destined lyre discover
Soft desire and gentle pain:
Often praise, and always love her;
Through her ear her heart obtain.
Verse shall please and sight shall move her,
Cupid does with Phoebus reign.

poem by Matthew Prior
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I cannot hear anything but mine own heart beat

I cannot hear anything but mine own heart beat
Thou art still the most beautiful lady I've ever seen
So elegant and refined, graceful and petite
Thou art effeminate in love with beauty serene
Thou define beauty with such eloquence and such charm
No time, no age, no season nor death did trace
Worn lines, wrinkles, sorrow and decay on thee
For by thy bosom love pulsates to thy immortal face
The poetry of flesh; the beauty thy flesh be
An ideal imagination that steams thy beauty fast
And whispers nature's secret's like the silver moon
And reveals beauty like the sun's light cast
And reflects love like profound emotions swoon
I can only hear my heart beat, as I fall and faint
For mine heart, thy beauty took and with thy face did paint…

poem by Kevin Michael Murphy
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On The Number Three

Beauty rests not in one fix'd Place,
But seems to reign in every Face;
'Tis nothing sure, but Fancy then,
In various Forms bewitching Men;
Or is it Shape and Colour fram'd,
Proportion just, and woman nam'd?
If Fancy only rul'd in Love,
Why shou'd it then so strongly move?
Or why shou'd all that Look, agree
To own its mighty Pow'r in three?
In Three it shews a different Face,
Each shining with peculiar Grace;
Kindred a Native Likeness gives,
Which pleases, as in All it lives;
And where the Features disagree,
We praise the dear Variety.
Then Beauty surely ne'er was yet,
So much unlike it self and so complete.

poem by Thomas Parnell
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An Ode

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure;
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed: Euphelia frowned:
I sung and gazed: I played and trembled:
And Venus to the Loves around
Remarked, how ill we all dissembled.

poem by Matthew Prior
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The Merchant, To Secure His Treasure

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay—
When Cloe noted her desire
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.

poem by Matthew Prior
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A Pastoral Dialogue Between Two Shepherdesses

[Silvia] Pretty Nymph! within this Shade,
Whilst the Flocks to rest are laid,
Whilst the World dissolves in Heat,
Take this cool, and flow'ry Seat:
And with pleasing Talk awhile
Let us two the Time beguile;
Tho' thou here no Shepherd see,
To encline his humble Knee,
Or with melancholy Lays
Sing thy dangerous Beauty's Praise.

[Dorinda] Nymph! with thee I here wou'd stay,
But have heard, that on this Day,
Near those Beeches, scarce in view,
All the Swains some Mirth pursue:
To whose meeting now I haste.
Solitude do's Life but waste.

[Silvia] Prithee, but a Moment stay.

[Dorinda] No! my Chaplet wou'd decay;
Ev'ry drooping Flow'r wou'd mourn,
And wrong the Face, they shou'd adorn.

[Silvia] I can tell thee, tho' so Fair,
And dress'd with all that rural Care,
Most of the admiring Swains
Will be absent from the Plains.
Gay Sylvander in the Dance
Meeting with a shrew'd Mischance,
To his Cabin's now confin'd
By Mopsus, who the Strain did bind:
Damon through the Woods do's stray,
Where his Kids have lost their way:
Young Narcissus iv'ry Brow
Rac'd by a malicious Bough,
Keeps the girlish Boy from sight,
Till Time shall do his Beauty right.

[Dorinda] Where's Alexis?

[Silvia] –He, alas!
Lies extended on the Grass;
Tears his Garland, raves, despairs,
Mirth and Harmony forswears;
Since he was this Morning shown,
That Delia must not be his Own.

[Dorinda] Foolish Swain! such Love to place.

[Silvia] On any but Dorinda's Face.

[Dorinda] Hasty Nymph! I said not so.

[Silvia] No–but I thy Meaning know.
Ev'ry Shepherd thou wou'd'st have
Not thy Lover, but thy Slave;
To encrease thy captive Train,
Never to be lov'd again.
But, since all are now away,
Prithee, but a Moment stay.

[Dorinda] No; the Strangers, from the Vale,
Sure will not this Meeting fail;
Graceful one, the other Fair.
He too, with the pensive Air,
Told me, ere he came this way
He was wont to look more Gay.

[Silvia] See! how Pride thy Heart inclines
To think, for Thee that Shepherd pines;
When those Words, that reach'd thy Ear,
Chloe was design'd to hear;
Chloe, who did near thee stand,
And his more speaking Looks command.

[Dorinda] Now thy Envy makes me smile.
That indeed were worth his while:
Chloe next thyself decay'd,
And no more a courted Maid.

[Silvia] Next myself! Young Nymph, forbear.
Still the Swains allow me Fair,
Tho' not what I was that Day,
When Colon bore the Prize away;
When–

[Dorinda] –Oh, hold! that Tale will last,
Till all the Evening Sports are past;
Till no Streak of Light is seen,
Nor Footstep prints the flow'ry Green.
What thou wert, I need not know,
What I am, must haste to show.
Only this I now discern
From the things, thou'd'st have me learn,
That Woman-kind's peculiar Joys
From past, or present Beauties rise.

poem by Anne Kingsmill Finch
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An Ode. The Merchant, To Secure

The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure:
But Cloe is my real flame.

My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And, whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.

poem by Matthew Prior
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To Chloe Weeping

See, whilst Thou weep'st, fair Cloe, see
The World in Sympathy with Thee.
The chearful Birds no longer sing,
Each drops his Head, and hangs his Wing.
The Clouds have bent their Bosom lower,
And shed their Sorrows in a Show'r.
The Brooks beyond their Limits flow;
And louder Murmurs speak their Woe.
The Nymphs and Swains adopt Thy Cares:
They heave Thy Sighs, and weep Thy Tears.
Fantastic Nymph! that Grief should move
Thy Heart, obdurate against Love.
Strange Tears! whose Pow'r can soften All,
But That dear Breast on which they fall.

poem by Matthew Prior
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Song: Tis Not the Beam

'Tis not the beam of her bright blue eye,
Nor the smile of her lip of rosy dye,
Nor the dark brown wreaths of her glossy hair,
Nor her changing cheek, so rich and rare.
Oh! these are the sweets of a fairy dream,
The changing hues of an April sky.
They fade like dew in the morning beam,
Or the passing zephyr's odour'd sigh.

'Tis a dearer spell that bids me kneel,
'Tis the heart to love, and the soul to feel:
'Tis the mind of light, and the spirit free,
And the bosom that heaves alone for me.
Oh! these are the sweets that kindly stay
From youth's gay morning to age's night;
When beauty's rainbow tints decay,
Love's torch still burns with a holy light.

Soon will the bloom of the fairest fade,
And love will droop in the cheerless shade,
Or if tears should fall on his wing of joy,
It will hasten the flight of the laughing boy.
But oh! the light of the constant soul
Nor time can darken nor sorrow dim;
Though woe may weep in life's mingled bowl,
Love still shall hover around its brim.

poem by Joseph Rodman Drake
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Cupid's Promise - Paraphrased

Soft Cupid, wanton, amorous boy,
The other day, moved with my lyre,
In flattering accents spoke his joy,
And uttered thus his fond desire.

Oh! raise thy voice, one song I ask,
Touch then th' harmonious string;
To Thyrsis easy is the task,
Who can so sweetly play and sing.

Two kisses from my mother dear,
Thyrsis, thy due reward shall be;
None, none like Beauty's queen is fair;
Paris has vouch'd this truth for me.

I straight reply'd, thou know'st alone,
That brightest Cloe rules my breast,
I'll sing thee two instead of one
If thou'lt be kind and make me blest.

One kiss from Cloe's lips, no more
I crave. He promised me success;
I play'd with all my skill and power,
My glowing passion to express.

But, oh! my Cloe, beauteous maid,
Wilt thou the wish'd reward bestow?
Wilt thou make good what Love has said,
And by thy grant his power show?

poem by Matthew Prior
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Licia Sonnets 09

Love was laid down, all weary fast asleep,
Whereas my love his armor took away;
The boy awaked, and straight began to weep,
But stood amazed, and knew not what to say.
"Weep not, my boy," said Venus to her son,
"Thy weapons none can wield, but thou alone;
Licia the fair, this harm to thee hath done,
I saw her here, and presently was gone;
She will restore them, for she hath no need
To take thy weapons where thy valour lies;
For men to wound the Fates have her decreed,
With favour, hands, with beauty, and with eyes."
No, Venus, no: she scorns them, credit me;
But robbed thy son that none might care for thee

poem by Giles Fletcher The Elder
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Sonnet 41: Those pretty wrongs that liberty commits

Those pretty wrongs that liberty commits
When I am sometime absent from thy heart,
Thy beauty and thy years full well befits,
For still temptation follows where thou art.
Gentle thou art, and therefore to be won;
Beauteous thou art, therefore to be assailed;
And when a woman woos, what woman's son
Will sourly leave her till he have prevailed?
Ay me, but yet thou mightst my seat forbear,
And chide thy beauty and thy straying youth,
Who lead thee in their riot even there
Where thou art forced to break a twofold truth:
Hers, by thy beauty tempting her to thee,
Thine, by thy beauty being false to me.

poem by William Shakespeare
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An Ode To Mr. Howard

Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?

To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:

The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.

While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.

The prince, renown'd in bounty as in arms,
With pity saw the ill-conceal'd distress;
Quitted his title to Campaspe's charms,
And gave the fair one to the friend's embrace.

Thus the more beauteous Cloe sat to thee,
Good Howard, emulous of the Grecian art:
But happy thou, from Cupid's arrow free,
And flames that pierced thy predecessor's heart!

Had thy poor breast received an equal pain;
Had I been vested with the monarch's power;
Thou must have sigh'd, unlucky youth, in vain;
Nor from my bounty hadst thou found a cure.

Though, to convince thee that the friend did feel
A kind concern for thy ill-fated care,
I would have sooth'd thy flame I could not heal;
Given thee the world; though I withheld the fair.

poem by Matthew Prior
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Lines on the Death of Julia

Accept, bright spirit, reft in life's best bloom
This votive wreath to thy untimely tomb.
Formed to adorn all scenes, and charm in all,
The fire-side circle, and the courtly hall;
Thy friends to gladden, and thy home to bless;---
Fair form thou hadst, and grace, and graciousness;
A mind that sought, a tongue that spoke, the truth,
And thought mature beneath the smiles of youth.
Dear, dear young friend! ingenuous, cordial heart!
And can it be, that thou shouldst first depart?
That age should sorrow o'er thy youthful shrine?
It owns more near, more sacred griefs than mine;
Yet, midst the many who thy loss deplore,
Few loved thee better, and few mourn thee more.

poem by Thomas Love Peacock
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Ballade Of Mature Beauty

Easy comes beauty in youth’s natural spring,
But with age its mellow dimensions grow.
Like to a bud, a full bloom, age will bring.
With grace its beauty does ebb and glow,
Its liberty allows its new functions to show.
Mature beauty is and will be admired always,
Youth’s beauty and its esteem goes to and fro,
But ageless deeper beauty has endless days.

Mature beauty has a melody to sing,
And this it releases so that you will know,
The elegance and blessing of its echo’s ring.
The evidence of a mind is part of its show,
For it opens tastefully with a view to bestow.
Ageless beauty never lacks for praise.
The beauty of life’s spring may lose its glow,
But ageless deeper beauty has endless days.

In poetry and melody its praises we bring,
For mature beauty’s many dimensions we know.
With fervid dignity I see it take to wing,
Giving the young buds an inspiring show.
May you long guide youth as they grow,
Leading them in elegance the celestial ways.
So youth will know how easy beauty may go,
But ageless deeper beauty has endless days.

Now young buds aspire to full blooms grow,
And become worthy of nature’s timeless praise.
Allow your charm in majesty and grace to glow,
And may your ageless beauty have endless days.

poem by Albert Price
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Lisetta's Reply

Sure Cloe Just, and Cloe Fair
Deserves to be Your only Care:
But when You and She to-day
Far into the Wood did stray,
And I happen'd to pass by;
Which way did You cast your Eye?
But when your Cares to Her You sing,
Yet dare not tell Her whence they spring;
Does it not more afflict your Heart,
That in those Cares She bears a Part?
When You the Flow'rs for Cloe twine,
Why do You to Her Garland join
The meanest Bud that falls from Mine?
Simplest of Swains! the World may see,
Whom Cloe loves, and Who loves Me.

poem by Matthew Prior
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What Are We?

What are we?
A dream none-the-less
or perhaps just maybe,
a lost shepherd's sheep?

What are we?
A caged bird who sings
or are we more than what we see?
Perhaps we're a dream within itself,
or maybe the dreamer.

Have we lost our ways,
a reason to live?
Have we forgotten the beauty of life,
that of a natures worth?

Perhaps we fratricide our being,
as we fall unto greed.
We steal from the poor man,
and we give it all to the rich.

We teach the youth to kill;
to teach love is a crime.
We forgot what we once believed,
blamed it all on God, not ourselves.

What are we? Who are we?
A dream none-the-less
or perhaps just maybe,
a lost shepherd's sheep?

poem by Adam M. Snow
Submitted by Poetry Lover
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