The Merchant, To Secure His Treasure
The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.
My softest verse, my darling lyre
Upon Euphelia's toilet lay—
When Cloe noted her desire
That I should sing, that I should play.
My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.
Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.
poem by Matthew Prior
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Related quotes
An Ode
The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure;
But Cloe is my real flame.
My softest verse, my darling lyre
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.
My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.
Fair Cloe blushed: Euphelia frowned:
I sung and gazed: I played and trembled:
And Venus to the Loves around
Remarked, how ill we all dissembled.
poem by Matthew Prior
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An Ode. The Merchant, To Secure
The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure:
But Cloe is my real flame.
My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.
My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And, whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.
Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.
poem by Matthew Prior
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Song
THE merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure;
But Chloe is my real flame.
My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Chloe noted her desire
That I should sing, that I should play.
My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And while I sing Euphelia's praise,
I fix my soul on Chloe's eyes.
Fair Chloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd, how ill we all dissembled.
poem by Matthew Prior
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Lisetta's Reply
Sure Cloe Just, and Cloe Fair
Deserves to be Your only Care:
But when You and She to-day
Far into the Wood did stray,
And I happen'd to pass by;
Which way did You cast your Eye?
But when your Cares to Her You sing,
Yet dare not tell Her whence they spring;
Does it not more afflict your Heart,
That in those Cares She bears a Part?
When You the Flow'rs for Cloe twine,
Why do You to Her Garland join
The meanest Bud that falls from Mine?
Simplest of Swains! the World may see,
Whom Cloe loves, and Who loves Me.
poem by Matthew Prior
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Cupid's Promise - Paraphrased
Soft Cupid, wanton, amorous boy,
The other day, moved with my lyre,
In flattering accents spoke his joy,
And uttered thus his fond desire.
Oh! raise thy voice, one song I ask,
Touch then th' harmonious string;
To Thyrsis easy is the task,
Who can so sweetly play and sing.
Two kisses from my mother dear,
Thyrsis, thy due reward shall be;
None, none like Beauty's queen is fair;
Paris has vouch'd this truth for me.
I straight reply'd, thou know'st alone,
That brightest Cloe rules my breast,
I'll sing thee two instead of one
If thou'lt be kind and make me blest.
One kiss from Cloe's lips, no more
I crave. He promised me success;
I play'd with all my skill and power,
My glowing passion to express.
But, oh! my Cloe, beauteous maid,
Wilt thou the wish'd reward bestow?
Wilt thou make good what Love has said,
And by thy grant his power show?
poem by Matthew Prior
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Venus Mistaken
When Cloe's Picture was to Venus shown;
Surpriz'd, the Goddess took it for Her own.
And what, said She, does this bold Painter mean?
When was I Bathing thus, and Naked seen?
Pleas'd Cupid heard, and check'd His Mother's Pride:
And who's blind now, Mamma? the Urchin cry'd.
'Tis Cloe's Eye, and Cheek, and Lip, and Breast:
Friend Howard's Genius fancy'd all the rest.
poem by Matthew Prior
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A Better Answer
Dear Cloe, how blubber'd is that pretty Face?
Thy cheek all on fire, and thy hair all uncurl'd:
Pr'ythee quit this caprice; and (as old Falstaf says)
Let us e'en talk a little like folks of this world.
How can'st thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found Wit:
Od's Life! must one swear to the truth of a song?
What I speak, my fair Cloe, and what I write, shews
The diff'rence there is betwixt Nature and Art:
I court others in verse; but I love thee in prose:
And they have my whimsies; but thou hast my heart.
The god of us verse-men (you know child) the sun,
How after his journeys he sets up his rest:
If at morning o'er earth 'tis his fancy to run;
At night he reclines on his Thetis's breast.
So when I am weary'd with wand'ring all day,
To thee my delight in the evening I come:
No matter what beauties I saw in my way:
They were but my visits; but thou art my home.
Then finish, dear Cloe, this pastoral war;
And let us like Horace and Lydia agree:
For thou art a girl as much brighter than her
As he was a poet sublimer than me.
poem by Matthew Prior
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Cantata. Set By Mons. Galliard
Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.
Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.
Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and crystal streams?
Recit.
Thus sung the bard, and thus the goddess spoke:
Submissive bow to Love's imperious yoke;
Every state and every age
Shall own my rule and fear my rage:
Compell'd by me, thy Muse shall prove
That all the world was born to love.
Ariet.
Bid thy destined lyre discover
Soft desire and gentle pain:
Often praise, and always love her;
Through her ear her heart obtain.
Verse shall please and sight shall move her,
Cupid does with Phoebus reign.
poem by Matthew Prior
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Cloe Jealous
Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus what did I implore?
That ev'ry Grace which thence I took,
Shou'd know to charm my Damon more.
Reading Thy Verse; who heeds, said I,
If here or there his Glances flew?
O free for ever be His Eye,
Whose Heart to Me is always true.
My Bloom indeed, my little Flow'r
Of Beauty quickly lost it's Pride:
For sever'd from it's Native Bow'r,
It on Thy glowing Bosom dy'd.
Yet car'd I not, what might presage
Or withering Wreath, or fleeting Youth:
Love I esteem'd more strong than Age,
And Time less permanent than Truth.
Why then I weep, forbear to know:
Fall uncontroll'd my Tears, and free:
O Damon, 'tis the only Woe,
I ever yet conceal'd from Thee.
The secret Wound with which I bleed
Shall lie wrapt up, ev'n in my Herse:
But on my Tomb-stone Thou shalt read
My Answer to Thy dubious Verse.
poem by Matthew Prior
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To Chloe Weeping
See, whilst Thou weep'st, fair Cloe, see
The World in Sympathy with Thee.
The chearful Birds no longer sing,
Each drops his Head, and hangs his Wing.
The Clouds have bent their Bosom lower,
And shed their Sorrows in a Show'r.
The Brooks beyond their Limits flow;
And louder Murmurs speak their Woe.
The Nymphs and Swains adopt Thy Cares:
They heave Thy Sighs, and weep Thy Tears.
Fantastic Nymph! that Grief should move
Thy Heart, obdurate against Love.
Strange Tears! whose Pow'r can soften All,
But That dear Breast on which they fall.
poem by Matthew Prior
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A Song. If Wine And Music Have The Power
If wine and music have the power
To ease the sickness of the soul,
Let Phoebis every string explore,
And Bacchus fill the sprightly bowl:
Let them their friendly aid employ
To make my Cloe's absense light,
And seek for pleasure to destroy
The sorrows of this live-long night.
But she to-morrow will return:
Venus, be thou to-morrow great;
Thy myrtles strow, thy odours burn,
And meet thy favourite nymph in state,
Kind goddess, to no other powers
Let us to-morrow's blessings own,
Thy darling Loves shall guide the hours,
And all the day be thine alone.
poem by Matthew Prior
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The Dove
In Virgil's Sacred Verse we find,
That Passion can depress or raise
The Heav'nly, as the Human Mind:
Who dare deny what Virgil says?
But if They shou'd; what our Great Master
Has thus laid down, my Tale shall prove.
Fair Venus wept the sad Disaster
Of having lost her Fav'rite Dove.
In Complaisance poor Cupid mourn'd;
His Grief reliev'd his Mother's Pain;
He vow'd he'd leave no Stone unturn'd,
But She shou'd have her Dove again.
Tho' None, said He, shall yet be nam'd,
I know the Felon well enough:
But be She not, Mamma, condemn'd
Without a fair and legal Proof.
With that, his longest Dart he took,
As Constable wou'd take his Staff:
That Gods desire like Men to look,
Wou'd make ev'n Heraclitus laugh.
Loves Subaltern, a Duteous Band,
Like Watchmen round their Chief appear:
Each had his Lanthorn in his Hand:
And Venus mask'd brought up the Rear.
Accouter'd thus, their eager Step
To Cloe's Lodging They directed:
(At once I write, alas! and weep,
That Cloe is of Theft suspected.)
Late They set out, had far to go:
St. Dunstan's, as They pass'd, struck One.
Cloe, for Reasons good, You know,
Lives at the sober End o'th' Town.
With one great Peal They rap the Door,
Like Footmen on a Visiting-Day.
Folks at Her House at such an Hour!
Lord! what will all the Neighbours say?
The Door is open'd: up They run:
Nor Prayers, nor Threats divert their Speed:
Thieves, Thieves! cries Susan; We're undone;
They'll kill my Mistress in her Bed.
In Bed indeed the Nymph had been
Three Hours: for all Historians say,
She commonly went up at Ten,
Unless Picquet was in the Way.
She wak'd, be sure, with strange Surprize.
O Cupid, is this Right or Law,
Thus to disturb the brightest Eyes,
That ever slept, or ever saw?
Have You observ'd a sitting Hare,
List'ning, and fearful of the Storm
Of Horns and Hounds, clap back her Ear,
Afraid to keep, or leave her Form?
Or have You mark'd a Partridge quake,
Viewing the tow'ring Faulcon nigh?
She cuddles low behind the Brake:
Nor wou'd she stay: nor dares she fly.
Then have You seen the Beauteous Maid;
When gazing on her Midnight Foes,
She turn'd each Way her frighted Head,
Then sunk it deap beneath the Cloaths.
Venus this while was in the Chamber
Incognito: for Susan said,
It smelt so strong of Myrrh and Amber—
And Susan is no lying Maid.
But since We have no present Need
Of Venus for an Episode;
With Cupid let us e'en proceed;
And thus to Cloe spoke the God:
Hold up your Head: hold up your Hand:
Wou'd it were not my Lot to show ye
This cruel Writ, wherein you stand
Indicted by the Name of Cloe:
For that by secret Malice stirr'd,
Or by an emulous Pride invited,
You have purloin'd the fav'rite Bird,
In which my Mother most delighted.
Her blushing Face the lovely Maid
Rais'd just above the milk-white Sheet.
A Rose-Tree in a Lilly Bed,
Nor glows so red, nor breathes so sweet.
Are You not He whom Virgins fear,
And Widows court? Is not your Name
Cupid? If so, pray come not near—
Fair Maiden, I'm the very same.
Then what have I, good Sir, to say,
Or do with Her, You call your Mother?
If I shou'd meet Her in my Way,
We hardly court'sy to each other.
Diana Chaste, and Hebe Sweet,
Witness that what I speak is true:
I wou'd not give my Paroquet
For all the Doves that ever flew.
Yet, to compose this Midnight Noise,
Go freely search where-e'er you please:
(The Rage that rais'd, adorn'd Her Voice)
Upon yon' Toilet lie my Keys.
Her Keys He takes; her Doors unlocks;
Thro' Wardrobe, and thro' Closet bounces;
Peeps into ev'ry Chest and Box;
Turns all her Furbeloes and Flounces.
But Dove, depend on't, finds He none;
So to the Bed returns again:
And now the Maiden, bolder grown,
Begins to treat Him with Disdain.
I marvel much, She smiling said,
Your Poultry cannot yet be found:
Lies he in yonder Slipper dead,
Or, may be, in the Tea-pot drown'd?
No, Traytor, angry Love replies,
He's hid somewhere about Your Breast;
A Place, nor God, nor Man denies,
For Venus' Dove the proper Nest.
Search then, She said, put in your Hand,
And Cynthia, dear Protectress, guard Me:
As guilty I, or free may stand,
Do Thou, or punish, or reward Me.
But ah! what Maid to Love can trust?
He scorns, and breaks all Legal Power:
Into her Breast his Hand He thrust;
And in a Moment forc'd it lower.
O, whither do those Fingers rove,
Cries Cloe, treacherous Urchin, whither?
O Venus! I shall find thy Dove,
Says He; for sure I touch his Feather.
poem by Matthew Prior
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Mercury And Cupid
In sullen Humour one Day Jove
Sent Hermes down to Ida's Grove,
Commanding Cupid to deliver
His Store of Darts, his total Quiver;
That Hermes shou'd the Weapons break,
Or throw 'em into Lethe's Lake.
Hermes, You know, must do his Errand:
He found his Man, produc'd his Warrant:
Cupid, your Darts-this very Hour-
There's no contending against Power.
How sullen Jupiter, just now
I think I said: and You'll allow,
That Cupid was as bad as He:
Hear but the Youngster's Repartee.
Come Kinsman (said the little God)
Put off your Wings; lay by your Rod;
Retire with Me to yonder Bower;
And rest your self for half an Hour:
'Tis far indeed from hence to Heav'n:
And You fly fast: and 'tis but Seven.
We'll take one cooling Cup of Nectar;
And drink to this Celestial Hector-
He break my Darts, or hurt my Pow'r!
He, Leda's Swan, and Danae's Show'r!
Go, bid him his Wife's Tongue restrain;
And mind his Thunder, and his Rain.-
My Darts? O certainly I'll give 'em:
From Cloe's Eyes He shall receive 'em.
There's One, the Best in all my Quiver,
Twang! thro' his very Heart and Liver.
He then shall Pine, and Sigh, and Rave:
Good Lord! what Bustle shall We have!
Neptune must straight be sent to Sea;
And Flora summon'd twice a-day:
One must find Shells, and t'other Flow'rs,
For cooling Grotts, and fragrant Bow'rs,
That Cloe may be serv'd in State:
The Hours must at Her Toilet wait:
Whilst all the reasoning Fools below,
Wonder their Watches go too slow.
Lybs must fly South, and Eurus East,
For Jewels for Her Hair and Breast:
No Matter tho' their cruel Haste
Sink Cities, and lay Forrests waste.
No Matter tho' This Fleet be lost;
Or That lie wind-bound on the Coast.
What whis'pring in my Mother's Ear!
What Care, that Juno shou'd not hear!
What Work among You Scholar Gods!
Phoebus must write Him am'rous Odes:
And Thou, poor Cousin, must compose
His Letters in submissive Prose:
Whilst haughty Cloe, to sustain
The Honour of My mystic Reign,
Shall all his Gifts and Vows disdain;
And laugh at your Old Bully's Pain.
Dear Couz, said Hermes in a Fright,
For Heav'n sake keep Your Darts: Good Night.
poem by Matthew Prior
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The Garland
The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.
At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.
The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.
Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.
That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.
Dissembling what I knew too well,
My love, my life, said I, explain
This change of humour; pr'ythee tell,
That falling tear - what does it mean?
She sigh'd, she smiled; and to the flowers
Pointing, the lovely moralist said,
See, friend, in some few fleeting hours,
See yonder what a change is made.
Ah me! the blooming pride of May
And that of Beauty are but one;
At morn both flourish bright and gay,
Both fade at evening, pale, and gone.
At dawn poor Stella danced and sung,
The amorous youth around her bow'd;
At night her fatal knell was rung;
I saw and kiss'd her in her shroud.
Such as she is who died to-day,
Such I, alas! may be to-morrow;
Go, Damon, bid thy Muse display
The justice of thy Cloe's sorrow.
poem by Matthew Prior
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An Ode To Mr. Howard
Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?
To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:
The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.
While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.
The prince, renown'd in bounty as in arms,
With pity saw the ill-conceal'd distress;
Quitted his title to Campaspe's charms,
And gave the fair one to the friend's embrace.
Thus the more beauteous Cloe sat to thee,
Good Howard, emulous of the Grecian art:
But happy thou, from Cupid's arrow free,
And flames that pierced thy predecessor's heart!
Had thy poor breast received an equal pain;
Had I been vested with the monarch's power;
Thou must have sigh'd, unlucky youth, in vain;
Nor from my bounty hadst thou found a cure.
Though, to convince thee that the friend did feel
A kind concern for thy ill-fated care,
I would have sooth'd thy flame I could not heal;
Given thee the world; though I withheld the fair.
poem by Matthew Prior
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Fragmentary Ending Of A Poem II
Then do not Cloe do not more
Boast what success youve found
Tis pride to tell your conquests ore
Tis cruelty to wound.
These are the ills which Beauty breeds
its blisses woud you give
With pitty all your slaves besides
& me with love relieve.
poem by Thomas Parnell
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From Anacreon
I wish to tune my quivering lyre
To deed of fame and notes of fire;
To echo, from its rising swell,
How heroes fought and nations fell,
When Atreus' sons advanced to war,
Or Tyrian Cadmus roved afar;
But still, to martial strains unknown,
My lyre recurs to love alone.
Fired with the hope of future fame,
I seek some nobler hero's name;
The dying chords are strung anew,
To war, to war, my harp is due.
With glowing strings, the epic strain
To Jove's great son I raise again;
Alcides and his glorious deeds,
Beneath whose arm the Hydra bleeds.
All, all in vain; my wayward lyre
Wakes silver notes of soft desire.
Adieu, ye chiefs renown'd in arms!
Adieu the clang of war's alarms!
To other deeds my soul is strung,
And sweeter notes shall now be sung;
My harp shall all its powers reveal,
To tell the tale my heart must feel;
Love, Love alone, my lyre shall claim,
In songs of bliss and sighs of flame.
Cupid Mistaken
As after noon, one summer's day,
Venus stood bathing in a river;
Cupid a-shooting went that way,
New strung his bow, new fill'd his quiver.
With skill he chose his sharpest dart:
With all his might his bow he drew:
Swift to his beauteous parent's heart
The too well-guided arrow flew.
I faint! I die! the Goddess cry'd:
O cruel, could'st thou find none other,
To wreck thy spleen on? Parricide!
Like Nero, thou hast slain thy mother.
Poor Cupid sobbing scarce could speak;
Indeed, Mamma, I did not know ye:
Alas! how easy my mistake?
I took you for your likeness, Cloe.
poem by Matthew Prior
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Songs Set To Music: 24. Set By Mr. C. R.
Cloe beauty has, and wit,
And an air that is not common;
Every charm in her does meet,
Fit to make a handsome woman.
But we do not only find
Here a lovely face or feature,
For she's merciful and kind;
Beauty's answer'd by good-nature.
She is always doing good,
Of her favours never sparing,
And, as all good Christians should,
Keeps poor mortals from despairing.
Jove the power knew of her charms,
And that no man could endure 'em,
So providing 'gainst all harms,
Gave to her the power to cure 'em,
And 'twould be a cruel thing,
When her black eyes have raised desire,
Should she not her bucket bring,
And kindly help to quench the fire.
poem by Matthew Prior
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Her Right Name
As Nancy at her toilette sat,
Admiring this, and blaming that,
Tell me, she said, but tell me true,
The nymph who could your heart subdue.
What sort of charms does she possess?
Absolve me, fair one, I'll confess
With pleasure, I replied: Her hair,
In ringlets rather dark than fair,
Does down her ivory bosom roll,
And hiding half adorns the whole,
In her high forehead's fair half round
Love sits, in open triumph crown'd;
He, in the dimple of her chin,
In private state, by friends is seen.
Her eyes are neither black nor grey,
Nor fierce nor feeble is their ray;
Their dubious lustre seems to show
Something that speaks nor yes nor no.
Her lips no living bard, I weet,
May say how red, how round, how sweet:
Old Homer only could indite
Their vagrant grace and soft delight:
They stand recorded in his book,
When Helen smiled, and Hebe spoke -
The gypsy, turning to her glass,
Too plainly show'd she knew the face;
And which am I most like, she said,
Your Cloe or your Nut-brown Maid!
poem by Matthew Prior
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