To Leonardo

"Yes, LAURA, yes, pure as the virgin snow's
"That on the bosom of the whirlwind move,,
"For thee my faithful endless passion glows."

- LEONARDO TO LAURA.


COLD blows the wind upon the mountain's brow;
In murmuring cadence wave the leafless woods;
The feath'ry tribe mope on the frozen bough,
And icy fetters hold the silent floods;
But endless spring the POET'S breast shall prove,
Whose GENIUS kindles at the torch of LOVE.

For HIM, unfading, blooms the fertile mind,
The current of the heart for ever flows;
Fearless His bosom braves the wintry wind,
While thro' each nerve, eternal summer glows;
In vain would chilling apathy controul,
The lambent fire that warms the lib'ral soul!

To me the limped brook, the painted mead,
The crimson dawn, the twilight's purple close;
The mirthful dance, the shepherd's tuneful reed,
The musky fragrance of the opening rose;
To me, alas! all pleasures senseless prove,
Save the sweet converse of the FRIEND I love.

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Sara Teasdale

Four Winds

"Four winds blowing through the sky,
You have seen poor maidens die,
Tell me then what I shall do
That my lover may be true."
Said the wind from out the south,
"Lay no kiss upon his mouth,"
And the wind from out the west,
"Wound the heart within his breast,"
And the wind from out the east,
"Send him empty from the feast,"
And the wind from out the north,
"In the tempest thrust him forth;
When thou art more cruel than he,
Then will Love be kind to thee."

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Love Elegy, to Laura

Too heedless friend, why thus augment the flame
That glows resistless in my beating breast?
Why with thy praises grace his fatal name,
Who robs thy Emma's hapless heart of rest?

Why needest thou dwell on Henry's graceful ease;
Why praise the timid worth his glance reveals;
Why speak enraptured of his power to please,
Whose power to wound my aching bosom feels?

Say not, "That gentle voice was formed for love,"
Nor in his eyes such sweet expression see;
Say not, that tenderness those glances prove,
Which never fix with tenderness on me.

Too well my Henry's charms I've numbered o'er,
And thus to end the fond survey is mine:
His heart will own some brighter fair one's power;
Think not, lost Emma, he can e'er be thine.

Yet why despair? Though Beauty's boasted rose
On others' cheeks in livelier colours shine,
The tender heart that in my bosom glows
The palm of fondness will to none resign.

Though brighter radiance beams in others' eyes,
By shape, by colour formed the soul to steal;
If Love's expression Henry's heart can prize,
Then, Henry's heart the power of mine must feel.

Yet vain the hope: "Fond maid, thy love suppress,"
Calm Reason cries; "go, learn to check the sigh:
But, if resolved to love in rash excess,
Seek out some lonely shade, despair, and die!"

Then, Laura, bid to Henry's praise farewel!
Forget his merit, and my hopeless flame;
On the dear theme no more ill-judging dwell,
And from thy memory blot his fatal name.

But if I urge this plaintive prayer in vain,
Bid execrations on that name attend;
And him, my Laura, view with cold disdain,
Who sees unmoved the sorrows of thy friend.

Say, such the scorn, the pride of Henry's breast,
It cannot Love's endearing softness share,
Say, vice degrades....Hold! slight my wild request,
Nor by such calumny my fury dare.

No....from my frantic wishes still appeal,
Declare that Henry is from error free;
Or the keen hate for him I bade thee feel,
My wayward heart will learn to feel for thee.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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How Deep Is Your Love?

Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Rabindranath Tagore

The Gardener XXVII: Trust Love

"Trust love even if it brings sorrow.
Do not close up your heart."
"Ah no, my friend, your words are
dark, I cannot understand them."
"Pleasure is frail like a dewdrop,
while it laughs it dies. But sorrow is
strong and abiding. Let sorrowful
love wake in your eyes."
"Ah no, my friend, your words are
dark, I cannot understand them."
"The lotus blooms in the sight of
the sun, and loses all that it has. It
would not remain in bud in the
eternal winter mist."
"Ah no, my friend, your words are
dark, I cannot understand them."

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Mother and child

One night a tiny dewdrop fell
Into the bosom of a rose,--
"Dear little one, I love thee well,
Be ever here thy sweet repose!"

Seeing the rose with love bedight,
The envious sky frowned dark, and then
Sent forth a messenger of light
And caught the dewdrop up again.

"Oh, give me back my heavenly child,--
My love!" the rose in anguish cried;
Alas! the sky triumphant smiled,
And so the flower, heart-broken, died.

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Just A Kiss

Hold me close
So close.
My bosom
Heaves breathlessly
Hard
Against the thuds of your heart.
The nape of my neck,
Immobile,
For your grip
Holds it
A cage of feathers,
Tight…
and locked lie
our gazes,
your breath
mirroring mine.
My lips swollen,
Bruised,
Your taste a bitter sweet
Lingering in my mouth
Way past the moonless night.
Your tongue igniting
The deepest of my desires
And in cold fire
Burns "you" and "me"
Into ashes of" us".
My nape,
Still immobile,
In that feather grip
Of your hands
And all you asked for was
Just
"A kiss."

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Victor Hugo

The Grave and The Rose

The Grave said to the Rose,
"What of the dews of dawn,
Love's flower, what end is theirs?"
"And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares?"
The Rose said to the Grave.

The Rose said, "In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet."
"And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,"
The Grave said to the Rose.

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Sweet Echo Dell

"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"

"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."

Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.

"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"

"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."

Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"

Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."

"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"

"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."

"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"

"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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The wind

(THE TALE)

Cometh the Wind from the garden, fragrant and full of sweet singing--
Under my tree where I sit cometh the Wind to confession.

"Out in the garden abides the Queen of the beautiful Roses--
Her do I love and to-night wooed her with passionate singing;
Told I my love in those songs, and answer she gave in her blushes--
She shall be bride of the Wind, and she is the Queen of the Roses!"

"Wind, there is spice in thy breath; thy rapture hath fragrance Sabaean!"

"Straight from my wooing I come--my lips are bedewed with her kisses--
My lips and my song and my heart are drunk with the rapture of loving!"

(THE SONG)

The Wind he loveth the red, red Rose,
And he wooeth his love to wed:
Sweet is his song
The Summer long
As he kisseth her lips so red;
And he recketh naught of the ruin wrought
When the Summer of love is sped!

(AGAIN THE TALE)

Cometh the Wind from the garden, bitter with sorrow of winter.

"Wind, is thy love-song forgot? Wherefore thy dread lamentations?"

Sigheth and moaneth the Wind: "Out of the desolate garden
Come I from vigils with ghosts over the grave of the Summer!"

"Thy breath that was fragrant anon with rapture of music and loving,
It grieveth all things with its sting and the frost of its wailing
displeasure."

The Wind maketh ever more moan and ever it giveth this answer:
"My heart it is numb with the cold of the love that was born of the
Summer--
I come from the garden all white with the wrath and the sorrow of Winter;
I have kissed the low, desolate tomb where my bride in her loveliness
lieth
And the voice of the ghost in my heart is the voice that forever
outcrieth!"

(AGAIN THE SONG)

The Wind he waileth the red, red Rose
When the Summer of love is sped--
He waileth above
His lifeless love
With her shroud of snow o'erspread--
Crieth such things as a true heart brings
To the grave of its precious dead.

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Book Of Suleika - Hatem 03

HOLD me, locks, securely caught

In the circle of her face!
Dear brown serpents, I have nought

To repay this act of grace,

Save a heart whose love ne'er dies,

Throbbing with aye-youthful glow;
For a raging ETA lies

'Neath its veil of mist and snow.

Yonder mountain's stately brow

Thou, like morning beams, dost shame;
Once again feels Hatem now

Spring's soft breath and summer's flame.

One more bumper! Fill the glass;

This last cup I pledge to thee!--
By mine ashes if she pass,

"He consumed," she'll say, "for me."

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Love's Message

"I LOVE YOU" HAS THREE SEPARATE PARTS

THAT TAKEN TOGETHER WILL BIND LOVING HEARTS.

IF ONE PART IS MISSING, THERE'S NO LOVE AT ALL.

SO OUT-OF-LOVE IS THE SAD AND EVENTUAL FALL.

THE "I" FIRST MUST KNOW AND LOVE ITSELF FOR SURE.

ONLY THEN CAN IT GIVE SELFLESS "LOVE" THAT IS PURE.

THE "YOU" CHOSEN WITH NO RESTRAINT OR COMPLAINTS

IS "I LOVE YOU, " A MESSAGE FROM GOD AND THE SAINTS.

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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Suppose?

It's mighty nice at shut of day
With weariness to hit the hey,
To close your eyes, tired through and through,
And just forget that "you are you."

It's mighty sweet to wake again
When sunshine floods the window pain;
I love in cosy couch to lie,
And re-discover "I am I."

It would be grand could we conceive
A heaven in which to believe,
And in a better life to be be,
Find out with joy "we still are we."

Though we assume with lapsing breath
Eternal is the sleep of death,
Would it not be divinely odd
To wake and find that - "God is God."

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Licia Sonnets 04

Love and my love did range the forest wild,
Mounted alike, upon swift coursers both.
Love her encountered, though he was a child.
"Let's strive," saith he, whereat my love was wroth,
And scorned the boy, and checked him with a smile.
"I mounted am, and arméd with my spear;
Thou art too weak, thyself do not beguile;
I could thee conquer if I naked were."
With this love wept, and then my love replied:
"Kiss me, sweet boy, so weep my boy no more."
Thus did my love, and then her force she tried;
Love was made ice, that fire was before.
A kiss of hers, as I, poor soul, do prove,
Can make the hottest freeze and coldest love.

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Christina Georgina Rossetti

The Three Enemies

THE FLESH

"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."

"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."

"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."

"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."

THE WORLD

"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."

"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."

"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."

"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."

THE DEVIL

"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"

"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."

"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."

"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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