The Past is the Present
If external action is effete
and rhyme is outmoded,
I shall revert to you,
Habakkuk, as when in a Bible class
the teacher was speaking of unrhymed verse.
He said - and I think I repeat his exact words -
"Hebrew poetry is prose
with a sort of heightened consciousness." Ecstasy affords
the occasion and expediency determines the form.
poem by Marianne Moore
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Related quotes
Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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To a Vers Librist
"Oh bard," I said, "your verse is free;
The shackles that encumber me,
The fetters that are my obsession,
Are never gyves to your expression.
"The fear of falsities in rhyme,
In metre, quantity, or time,
Is never yours; you sing along
Your unpremeditated song."
"Correct," the young vers librist said.
"Whatever pops into my head
I write, and have but one small fetter:
I start each line with a capital letter.
"But rhyme and metre--Ishkebibble!--
Are actually negligible.
I go ahead, like all my school,
Without a single silly rule."
Of rhyme I am so reverential
He made me feel quite inconsequential.
I shed some strongly saline tears
For bards I loved in younger years.
"If Keats had fallen for your fluff,"
I said, "he might have done good stuff.
If Burns had thrown his rhymes away,
His songs might still be sung to-day."
O bards of rhyme and metre free,
My gratitude goes out to ye
For all your deathless lines--ahem!
Let's see, now . . . What is one of them?
poem by Franklin P. Adams
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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati
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Vain Words
Humble, surely, mine ambition;
It is merely to construct
Some occasion or condition
When I may say "usufruct."
Ernest am I and assiduous;
Yet I'm certain that I shan't amount
To a lot till I use "viduous,"
"Indiscerptible," and "tantamount."
poem by Franklin P. Adams
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Parafake: The 'Word'.....[English language; 'new' word]
My wife used the "word" parafake, one evening in our bed.
Now don't get any nasty idea she was speaking of ME, in your nasty head.
In fact I don't believe either of us recall, of WHAT she was speaking,
and "parafake" isn't even a word in my dictionary. I know; I went peeking.
There is paraffin and paraformaldehyde, and parakeet of course,
but I could not find parafake; nor was there parahorse.
So I looked up "para", which turns out to be some sort of money.
Then I looked up the prefix "para- (or par-) ", with no definitions that were funny.
The prefix definitions range from "beside" and "beyond", to "incorrect",
to "a diatomic molecule" which, without super-eyes, I could NOT detect.
Well there was one definition of para-, the prefix, which I thought would fit.
"Para" can mean "assistant" (such as in paralegal) . On that definition I bit.
So then I looked up "fake" in my dictionary to try to pin down "parafake".
Guess what. There are widely varying definitions of "fake", for goodness sake!
Well I've chosen the definition of fake which is "one that is not genuine".
Therefore I say a "parafake" is an "assistant to one that is not genuine". If you don't agree, that is fine.
So a paralegal would be a parafake if her boss had no law degree, and
a vintner's assistant would be a parafake if his boss neither made NOR sold wine. You SEE?
(Nov.2012)
poem by Bri Edwards
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Genius Born To Break Rules
slant rhyme corrected
poetry teacher corrections
stuck in muddy rules
the great and genius
are born to break rules
mainstream adhered
seasoned esteemed
recognized poetry teacher
had taught his poetry
classes for decades
basking in certainty
of set academic rules
inferior gerund form
not to be maturity used
in verse perfect line
please do not
embarrass him
do not mention
masterful classical poem
'The Rhyme Of The Ancient Mariner'
one of the greatest poems
ever written
penned to paper
dramatic verse
immediacy of active
masterful gerund form
infuses genius verse
poem by Terence George Craddock
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Speak Roughly to Your Little Boy
And with that she
began nursing her child again, singing a sort of
lullaby to it as she did so, and giving it a vio
lent shake at the end of every line: -- --
"Speak roughly to your little boy,
And beat him when he sneezes;
He only does it to annoy,
Because he knows it teases."CHORUS
(in which the cook and the baby joined): -- -- "Wow! wow! wow!"While the Duchess sang the second verse of
the song, she kept tossing the baby violently up
and down, and the poor little thing howled so,
that Alice could hardly hear the words: -- --
"I speak severely to my boy,
I beat him when he sneezes;
For he can thoroughly enjoy
The pepper when he pleases!" CHORUS"Wow! wow! wow!"
poem by Lewis Carroll
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Mi Piedra Sepulchral
I do not write for financial gain.
I write because my poetry
may produce more than a tombstone fame.
Rather than a "b" and "d",
my poetry may better preserve my name.
It also means my creative juices flow
giving me, and I hope you, a memorable glow.
"What is your poetry about?" they ask of me.
It is about what I hear, feel and see.
It is my religion, existence and philosophy.
It is spontaneous and none is fictitious.
Distilled to its essence,
I am my poetry; My poetry is me.
poem by Nile B. Norton
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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Arcturus
"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!
I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!
I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!
Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.
What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.
What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!
Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—
I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."
poem by Emily Dickinson
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Totally Biased
I do not often write free form
to me it is not poetry.
Freely admit my prejudice
I think it’s just a passing phase
Although I can appreciate
poetic and well written prose
This does not make it poetry
When I consult my dictionary
it makes it very clear to me.
All writing must be one of those
It can’t be both at he same time.
Prose poetry cannot exist
an obvious oxymoron
Though modern writer still insist
that what they write is poetry
.It may be really beautiful
and well presented on the page
but definitely not poetry.
Why can they not be satisfied
with their well written thoughts in prose.
Why do they call it poetry
a dandelions not a rose.
Its meter defines poetry
it doesn’t even need to rhyme.
Even free verse had its rules
but writers seem to think today
There are no rules anything goes.
I nail my colours to the mast
Not afraid to let my bias show.
31-Jan-08
poem by Ivor Or Ivor.e Hogg
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Pledge No Longer
after watching films like "The Killing Fields, "
"Apocalypse Now, " "Full Metal Jacket" &
beginning to think long and hard about what
his country had really been doing in Vietnam, Cambodia & Laos,
this high school senior refuses in early morning
home room
to stand up & say
The Pledge of Allegiance
to the flag hanging from the corner of the wall,
where all his classmates, holding their hands over their hearts
mutter along the words that they have repeated
day in & day out,
since they can remember-
his homeroom teacher takes him aside when the rest sit down &
he is told that he needs to say the pledge just like the rest of the kids,
but he sits there staring up at the teacher with
fierce eyes that the teacher sees other classmates already being inspired by at that very moment,
and he utters simply,
"i'm not pledging any longer."
poem by Andrew Delapruch
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Twin idols
There are two phrases, you must know,
So potent (yet so small)
That wheresoe'er a man may go
He needs none else at all;
No servile guide to lead the way
Nor lackey at his heel,
If he be learned enough to say
"Comme bien" and "Wie viel."
The sleek, pomaded Parleyvoo
Will air his sweetest airs
And quote the highest rates when you
"Comme bien" for his wares;
And, though the German stolid be,
His so-called heart of steel
Becomes as soft as wax when he
Detects the words "Wie viel."
Go, search the boulevards and rues
From Havre to Marseilles--
You'll find all eloquence you use
Except "Comme bien" fails;
Or in the country auf der Rhine
Essay a business deal
And all your art is good fuhr nein
Beyond the point--"Wie viel."
It matters not what game or prey
Attracts your greedy eyes--
You must pursue the good old way
If you would win the prize;
It is to get a titled mate
All run down at the heel,
If you inquire of stock effete,
"Comme bien" or "Wie viel."
So he is wise who envieth not
A wealth of foreign speech,
Since with two phrases may be got
Whatever's in his reach;
For Europe is a soulless shrine
In which all classes kneel
Before twin idols, deemed divine--
"Comme bien" and "Wie viel."
poem by Eugene Field
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A Domestic Tragedy
Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"
"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"
She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."
poem by Robert William Service
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Sonnet XXIV: I Hear Some Say
I hear some say, "This man is not in love."
"What? Can he love? A likely thing," they say;
"Read but his verse, and it will easily prove."
O judge not rashly, gentle Sir, I pray.
Because I trifle loosely in this sort,
As one that fain his sorrows would beguile,
You now suppose me all this time in sport,
And please yourself with this conceit the while.
Ye shallow censors, sometime see ye not
In greatest perils some men pleasant be?
Where fame by death is only to be got,
They resolute? So stands the case with me.
Where other men in depth of passion cry,
I laugh at Fortune, as in jest to die.
poem by Michael Drayton
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The Prophet And The Poet: Sing Songs In Poetry
"The prophet and the poet
both writing pages spanning history
as yet unrealized in their own age."
Is poetry gift lofty thoughts
impassioned feelings expressed
through imaginative words?
Poetry once served
a sacred divine purpose
still poses questions.
Why was beautiful poetry
so carefully scripted
into both an Old Testament
and contrast New Testament
of divine inspired Bible?
Poetry in the Book of Psalms?
Poetry blesses
written literature
of Hebrew people.
Read the Song of Moses
the Song of Miriam
celebrating their salvation
celebrating the destruction
of Pharaoh's army
drowned in the Red Sea. Exodus 15: 1-21.
Poetry preserves history
a poetic work a Hebrew hymn
dating from 12th century B.C.?
Remember Song of Deborah.
Remember Song of Barak son of Abinoam. Judges 5: 1-31.
Lessons of how God's enemies have fallen.
But God's people
also fall slain by sword
as did proud Saul.
Remember Song of the Bow
David's lament over the death
of Saul and three of his sons 2 Samuel 1: 17-27.
Abinadab Malchishua Jonathan. 1 Samuel 31: 1-6.
Remember lessons in poetry
lessons by astute wise attended.
Remember Burden of Nineveh Nahum 1: 10-3: 19.
God decrees time of judgement
prophet speaks sentence God acts.
Quotation from "The Prophet And The Poet" by Terence George Craddock.
poem by Terence George Craddock
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The Gardener XXVI: What Comes From Your Willing Hands
"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
poem by Rabindranath Tagore
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