Marianne Moore

The Pangolin

Another armored animal–scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail row! This near artichoke with head and legs and
grit-equipped gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci’s replica–
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge–
or bare ear licking even this small
eminence and similarly safe
contracting nose and eye apertures
impenetrably closable, are not;–a true ant-eater,
not cockroach-eater, who endures
exhausting solitary trips through unfamiliar ground at night,
returning before sunrise; stepping in the moonlight,
on the moonlight peculiarly, that the outside
edges of his hands may bear the weight and save the
claws
for digging. Serpentined about
the tree, he draws
away from danger unpugnaciously,
with no sound but a harmless hiss; keeping
the fragile grace of the Thomas-
of-Leighton Buzzard Westminster Abbey wrought-iron
vine, or
rolls himself into a ball that has
power to defy all effort to unroll it; strongly intailed, neat
head for core, on neck not breaking off, with curled-in feet.
Nevertheless he has sting-proof scales; and nest
of rocks closed with earth from inside, which he can
thus darken.
Sun and moon and day and night and man and beast
each with a splendor
which man in all his vileness cannot
set aside; each with an excellence!
"Fearful yet to be feared," the armored
ant-eater met by the driver-ant does not turn back, but
engulfs what he can, the flattered sword-
edged leafpoints on the tail and artichoke set leg-and
body-plates
quivering violently when it retaliates
and swarms on him. Compact like the furled fringed frill
on the hat-brim of Gargallo’s hollow iron head of a
matador, he will drop and will
then walk away
unhurt, although if unintruded on,
he cautiously works down the tree, helped
by his tail. The giant-pangolin-
tail, graceful tool, as prop or hand or broom or ax, tipped like
an elephant’s trunk with special skin,
is not lost on this ant-and stone-swallowing uninjurable
artichoke which simpletons thought a living fable
whom the stones had nourished, whereas ants had done
so. Pangolins are not aggressive animals; between
dusk and day they have the not unchain-like machine-like
form and frictionless creep of a thing
made graceful by adversities, con-
versities. To explain grace requires
a curious hand. If that which is at all were not forever,
why would those who graced the spires
with animals and gathered there to rest, on cold luxurious
low stone seats–a monk and monk and monk–between the
thus
ingenious roof-supports, have slaved to confuse
grace with a kindly manner, time in which to pay a
debt,
the cure for sins, a graceful use
of what are yet
approved stone mullions branching out across
the perpendiculars? A sailboat
was the first machine. Pangolins, made
for moving quietly also, are models of exactness,
on four legs; on hind feet plantigrade,
with certain postures of a man. Beneath sun and moon,
man slaving
to make his life more sweet, leaves half the flowers worth
having,
needing to choose wisely how to use his strength;
a paper-maker like the wasp; a tractor of foodstuffs,
like the ant; spidering a length
of web from bluffs
above a stream; in fighting, mechanicked
like to pangolin; capsizing in
disheartenment. Bedizened or stark
naked, man, the self, the being we call human, writing-
master to this world, griffons a dark
"Like does not like like that is obnoxious"; and writes error
with four
r’s. Among animals, one has a sense of humor.
Humor saves a few steps, it saves years. Uningnorant,
modest and unemotional, and all emotion,
he has everlasting vigor,
power to grow,
though there are few creatures who can make one
breathe faster and make one erecter.
Not afraid of anything is he,
and then goes cowering forth, tread paced to meet an obstacle
at every step. Consistent with the
formula–warm blood, no gills, two pairs of hands and a few
hairs–that
is a mammal; there he sits in his own habitat,
serge-clad, strong-shod. The prey of fear, he, always
curtailed, extinguished, thwarted by the dusk, work
partly done,
says to the alternating blaze,
"Again the sun!
anew each day; and new and new and new,
that comes into and steadies my soul."

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Elefans' Fans - Elefans' Fans - Gray Eulogy written in a Country Backyard

Enormous fan ears,
Like trees legs large, small rope tail,
Ends pointed, tusk spears.
Flanks walls, pack I derm trunk snake
ANSwer: blind faith tale's trumps wake.

21 March 2009 robi3_1871_saxe1_0003 PAH_NXX
Acrostic Tanka Elefans

The Blind Men and the Elephant

It was six men of Hindostan
To learning much inclined
Who went to see the Elephant
[Though all of them were blind];
That each by observation
Might satisfy his mind.

The first approached the Elephant,
And happening to fall
Against his broad and sturdy side,
At once began to bawl:
"Bless me, it seems the Elephant
Is very like a wall."

The second, feeling of his tusk,
Cried, "Ho! what have we here
So very round and smooth and sharp.
To me ‘tis mighty clear
This wonder of an Elephant
Is very like a spear."

The third approached the animal,
And happening to take
The squirming trunk within his hands,
Then boldly up and spake:
"I see, " quoth he, "the Elephant
Is very like a snake."

The fouth stretched out his eager hand
And felt about the knee,
"What most this mighty beast is like
Is mighty plain, " quoth he:
"'Tis clear enough, the Elephant
Is very like a tree."

The fifth who chanced to touch the ear
Said, "Even the blindest man
Can tell what this resembles most;
Deny the fact who can,
This marvel of an Elephant
Is very like a fan."

The sixth, no sooner had began
About the beast to grope,
Than, seizing on the swinging tail
That fell within his scope,
"I see, " cried he, "the Elephant
Is very like a rope."

And so these men of Hindostan
Disputed loud and long,
Each in his own opinion
Exceeding stiff and strong,
Though each was partly in the right
And all were in the wrong.


John Godfrey SAXE 1816_1887 saxe01_0003_saxe01_0000 PXX_EJX

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Elefans' Fans' Grey Tanka Eulogy written on a Grass Green Country Backyard after John Godfrey Saxe The Blind Men and the Elephant

The King was ill. A travelling monk told him to look upon the healing colour of green. The king spent lakhs and lakhs of money hiring artists to paint the entire country green. The monk once again travelled in the vicinity and came to court. He said to the king: 'Would it not have been better to put on green glasses? ' Paraphrased from a story told by Sathya Sai Baba

Guard us from advice
Responses aping logic
As King in a trice
Should have rejected both monk,
Story artists' green leafed trunk.

Green dreams in dark night
Reveal lies theologic
Emerald eyes quite
Express blood red as black junk -
Simplistic suggestions sunk.

Enormous fan ears,
Like trees legs large, small rope tail,
Ends pointed, tusk spears.
Flanks walls, pack I derm trunk snake
ANSwer: blind faith tale's trumps wake.

Guard from blind minds blind
Leads up undermined mined path
As grass green scene signed
Shows more than meets eye. debunk
Surface virid, vivid drunk.

The Blind Men and the Elephant
It was six men of Hindostan
To learning much inclined
Who went to see the Elephant
[Though all of them were blind];
That each by observation
Might satisfy his mind.

The first approached the Elephant,
And happening to fall
Against his broad and sturdy side,
At once began to bawl:
"Bless me, it seems the Elephant
Is very like a wall."

The second, feeling of his tusk,
Cried, "Ho! what have we here
So very round and smooth and sharp.
To me ‘tis mighty clear
This wonder of an Elephant
Is very like a spear."

The third approached the animal,
And happening to take
The squirming trunk within his hands,
Then boldly up and spake:
"I see, " quoth he, "the Elephant
Is very like a snake."

The fouth stretched out his eager hand
And felt about the knee,
"What most this mighty beast is like
Is mighty plain, " quoth he:
"'Tis clear enough, the Elephant
Is very like a tree."

The fifth who chanced to touch the ear
Said, "Even the blindest man
Can tell what this resembles most;
Deny the fact who can,
This marvel of an Elephant
Is very like a fan."

The sixth, no sooner had began
About the beast to grope,
Than, seizing on the swinging tail
That fell within his scope,
"I see, " cried he, "the Elephant
Is very like a rope."

And so these men of Hindostan
Disputed loud and long,
Each in his own opinion
Exceeding stiff and strong,
Though each was partly in the right
And all were in the wrong.
John Godfrey Saxe

(26 February 2012)

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Rudyard Kipling

Cold Iron

Gold is for the mistress -- silver for the maid --
Copper for the craftsman cunning at his trade.
"Good!" said the Baron, sitting in his hall,
"But Iron -- Cold Iron -- is master of them all."

So he made rebellion 'gainst the King his liege,
Camped before his citadel and summoned it to siege.
"Nay!" said the cannoneer on the castle wall,
"But Iron -- Cold Iron -- shall be master of you all!"

Woe for the Baron and his knights so strong,
When the cruel cannon-balls laid 'em all along;
He was taken prisoner, he was cast in thrall,
And Iron -- Cold Iron -- was master of it all!

Yet his King spake kindly (ah, how kind a Lord!)
"What if I release thee now and give thee back thy sword?"
"Nay!" said the Baron, "mock not at my fall,
For Iron -- Cold Iron -- is master of men all."

Tears are for the craven, prayers are for the clown --
Halters for the silly neck that cannot keep a crown.
"As my loss is grievous, so my hope is small,
For Iron -- Cold Iron -- must be master of men all!"

Yet his King made answer (few such Kings there be!)
"Here is Bread and here is Wine -- sit and sup with me.
Eat and drink in Mary's Name, the whiles I do recall
How Iron -- Cold Iron -- can be master of men all!"

He took the Wine and blessed it. He blessed and brake the Bread,
With His own Hands He served Them, and presently He said:
"See! These Hands they pierced with nails, outside My city wall,
Show Iron -- Cold Iron -- to be master of men all."

"Wounds are for the desperate, blows are for the strong.
Balm and oil for weary hearts all cut and bruised with wrong.
I forgive thy treason -- I redeem thy fall --
For Iron -- Cold Iron -- must be master of men all!"

Crowns are for the valiant -- sceptres for the bold!
Thrones and powers for mighty men who dare to take and hold.
"Nay!" said the Baron, kneeling in his hall,
"But Iron -- Cold Iron -- is master of men all!
Iron out of Calvary is master of men all!"

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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The Ghost Machine

Wittgenstein took a sip from his tea.

"You're wrong Descartes, I can tell you,

because body and mind are one".

"Wittgenstein is right", seconded Ryle.

He looked very angry

and shook his head as he continued:

"In claiming that your thoughts are separated

from your body you created a dogma

of the ghost in the machine."

"Gentlemen", Descartes said, "relax.

Where were you when I talked about these things?

You were not even born then".

"Wait a minute", said Bohm. "You're all wrong."

"What? " snapped out Ryle.

"You heard it correctly. You're all wrong", insisted Bohm.

"You have to explain", Wittgenstein said.

Descartes looked to be perplexed.

"Well", explained Bohm,

"since everything in the universe is information,

the existence of matter is nothing but a myth.

The universe is an enormous thought, a giant computer.

It is the machine, which is the ghost."

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Fascination

My little brother crouches down, studying the ground, intently.
His porky legs look cute in their long grey socks and he doesn't
seem to notice I am here.

I creep over beside him to see that which holds his attention.
The ground is alive with ants, little tiny creatures moving in never
ending formation.

We both crouch to watch the ants, studying them, enthralled.
Mother is wondering where we are, calling to us.
"We're watching little men marching, " we reply, giggling

She rushes out, hands dripping with soap suds, pinny wet.
"Men! " she says, in a worried tone. "What men? "
"Ant men" we say. "they're playing soldiers".

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The Creation of the Moon

The man cut his throat and left his head there.
The others went to get it.
When they got there they put the head in a sack.
Farther on the head fell out onto the ground.
They put the head back in the sack.
Farther on the head fell out again.
Around the first sack they put a second one that
was thicker.
But the head fell out just the same.
It should be explained that they were taking the head
to show to the others.
They did not put the head back in the sack.
They left it in the middle of the road.
They went away.

They crossed the river.
But the head followed them.
They climbed up a tree full of fruit
to see whether it would go past.

The head stopped at the foot of the tree
and asked them for some fruit.
So the men shook the tree.
The head went to get the fruit.
Then it asked for some more.

So the men shook the tree
so that the fruit fell into the water.
The head said it couldn't get the fruit from there.
So the men threw the fruit a long way
to make the head go a long way to get it so they could go.
While the head was getting the fruit
the men got down from the tree and went on.

The head came back and looked at the tree
and didn't see anybody
so went on rolling down the road.

The men had stopped to wait
to see whether the head would follow them.
They saw the head come rolling.

They ran.
They got to their hut they told the others that the head
was rolling after them and to shut the door.

All the huts were closed tight.
When it got there the head commanded them to open the doors.
The owners would not open them because they were afraid.

So the head started to think what it would turn into.
If it turned into water they would drink it.
If it turned into earth they would walk on it.
If it turned into a house they would live in it.
If it turned into a steer they would kill it and eat it.
If it turned into a cow they would milk it.
If it turned into a bean they would cook it.
If it turned into the sun
When men were cold it would heat them.
If it turned into rain the grass would grow and the
animals would crop it.

So it thought, and it said, "I will turn into the moon."
It called, "Open the doors, I want to get my things."
They would not open them.

The head cried. It called out, "At least give me
my two balls of twine."
They threw out the two balls of twine through a hole.
It took them and threw them into the sky.

It asked them to throw it a little stick too
to roll the thread around so it could climb up.

Then it said, "I can climb, I am going to the sky."
It started to climb.

The men opened the doors right away.
The head went on climbing.
The men shouted, "You going to the sky, head?"
It didn't answer.

As soon as it got to the Sun
it turned into the Moon.
Toward evening the Moon was white, it was beautiful.
And the men were surprised
to see that the head had turned into the Moon.

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The Woman and the Wife

I--THE EXPLANATION

"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.

"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
But I can tell you only what is true--
God never made me for the wife of you.
This we can say,--believe me! . . . Tell me so!"

II--THE ANNIVERSARY

"Give me the truth, whatever it may be.
You thought we knew, but now tell me what you miss:
You are the one to tell me what it is--
You are a man, and you have married me.
What is it worth to-night that you can see
More marriage in the dream of one dead kiss
Than in a thousand years of life like this?
Passion has turned the lock. Pride keeps the key.

"Whatever I have said or left unsaid,
Whatever I have done or left undone,--
Tell me. Tell me the truth . . . Are you afraid?
Do you think that Love was ever fed with lies
But hunger lived thereafter in his eyes?
Do you ask me to take moonlight for the sun?"

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Swinging the Lead

Said the soldier to the Surgeon, "I've got noises in me head
And a kind o' filled up feeling after every time I'm fed;
I can sleep all night on picket, but I can't sleep in my bed".
And the Surgeon said,
"That's Lead!"
Said the soldier to the Surgeon, "Do you think they'll send me back?
For I really ain't adapted to be carrying a pack
Though I've humped a case of whisky half a mile upon my back".
And the Surgeon said,
"That's Lead!"

"And my legs have swelled up cruel, I can hardly walk at all,
Bur when the Taubes come over you should see me start to crawl;
When we're sprinting for the dugout, I can easy beat 'em all".
And the Surgeon said,
"That's Lead!"

So they sent him to the trenches where he landed safe and sound,
And he drew his ammunition, just about two fifty round:
"Oh Sergeant, what's this heavy stuff I've got to hump around?"
And the Sergeant said,
"That's Lead!"

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The Ape And God

Son put a poser up to me
That made me scratch my head:
"God made the whole wide world," quoth he;
"That's right, my boy," I said.
Said son: "He mad the mountains soar,
And all the plains lie flat;
But Dad, what did he do before
He did all that?

Said I: "Creation was his biz;
He set the stars to shine;
The sun and moon and all that is
Were His unique design.
The Cosmos is his concrete thought,
The Universe his chore..."
Said Son: "I understand, but what
Did He before?"

I gave it up; I could not cope
With his enquiring prod,
And must admit I've little hope
Of understanding God.
Indeed I find more to my mind
The monkey in the tree
In whose crude form Nature defined
Our human destiny.

Thought I: "Why search for Deity
In visionary shape?
'Twould better be if we could see
The angel in the ape.
Let mystic seek a God above:
Far wiser he who delves,
To find in kindliness and love
God in ourselves."

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A Casualty

That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.

For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,

And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."

"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."

"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"

Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."

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Sue In The Stew

In my "Stew" my "Stew of Goo" I will have control over you.
Yes, I will control you with my evil spell,
I will control this doll with named Mel.
I will say things that are not NICE,
you see I took your Power and I control the Dice!
Everything is "neat" in this "Game of Deceit"
This Game where I control everything.
Yes, I took your power that you willfully gave to me,
that was Deal, don't you see? ? ?
Don't tell me you want your Power intact,
You chose me as your mother! !
So I can talk behind your back! !
Now, now, you say "Why would I do that? "
You had to find yourself and get back on track...
See how would you ever know who you really are.
"Why, you think you came into this world complete like Sarah Star? ? ? "
You needed my "Evil" ways to make you strong,
you can thank ME when I am long gone...
Now, now you realize it wasn't about ME,
why it was all about YOU,
Yes you finding You—"YOU in the Stew"

Written By Suzae Chevalier in 2006 & 2010

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Isaac Watts

Psalm 91 part 2

v.9-16
C. M.
Protection from death, guard of angels, victory and deliverance.

Ye sons of men, a feeble race,
Exposed to every snare,
Come, make the Lord your dwelling-place,
And try and trust his care.

No ill shall enter where you dwell;
Or if the plague come nigh,
And sweep the wicked down to hell,
'Twill raise his saints on high.

He'll give his angels charge to keep
Your feet in all their ways;
To watch your pillow while you sleep,
And guard your happy days.

Their hands shall bear you, lest you fall
And dash against the stones:
Are they not servants at his call,
And sent t' attend his sons?

Adders and lions ye shall tread;
The tempters wiles defeat;
He that hath broke the serpent's head
Puts him beneath your feet.

"Because on me they set their love,
I'll save them," saith the Lord;
"I'll bear their joyful souls above
Destruction and the sword.

"My grace shall answer when they call,
In trouble I'll be nigh;
My power shall help them when they fall,
And raise them when they die.

"Those that on earth my name have known
I'll honor them in heav'n;
There my salvation shall be shown,
And endless life be giv'n."

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Isaac Watts

Hymn 128

The apostles' commission.

Mark 16:15ff; Matt. 28:18ff.

"O preach my gospel," saith the Lord,
"Bid the whole earth my grace receive;
He shall be saved that trusts my word,
He shall be damned that won't believe.

"I'll make your great commission known,
And ye shall prove my gospel true,
By all the works that I have done,
By all the wonders ye shall do.

"Go heal the sick, go raise the dead,
Go cast out devils in my name;
Nor let my prophets be afraid,
Though Greeks reproach, and Jews blaspheme.

"Teach all the nations my commands,
I'm with you till the world shall end;
All power is trusted to my hands,
I can destroy, and I defend."

He spake, and light shone round his head
On a bright cloud to heav'n he rode;
They to the farthest nations spread
The grace of their ascended God.

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Katherine Mansfield

Night-Scented Stock

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...
"Come into the garden--it's as light as day!"

"I can't dance to that Hungarian stuff,
The rhythm in it is not passionate enough,"
Said somebody. "I absolutely refuse...."
But he took off his socks and his shoes
And round he spun. "It's like Hungarian fruit dishes
Hard and bright--a mechanical blue!"
His white feet flicked in the grass like fishes...
Someone cried: "I want to dance, too!"

But one with a queer Russian ballet head
Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall--
Walked in the shadow of the dark house wall,
Someone beside her. It shone in the gloom,
His round grey hat, like a wet mushroom.

"Don't you think perhaps..." piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink,
Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?"
Asked somebody. Nobody would tell.
The faces and the hands moved in a pattern
As the music rose and fell,
In a dancing, mysterious, moon-bright pattern
Like flowers nodding under the sea...

The music stopped and there was nothing left of them
But the moon dancing over the tree.

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Grandfather Says

"Sit in my hand."
I'm ten.
I can't see him,
but I hear him breathing
in the dark.
It's after dinner playtime.
We're outside,
hidden by trees and shrubbery.
He calls it hide-and-seek,
but only my little sister seeks us
as we hide
and she can't find us,
as grandfather picks me up
and rubs his hands between my legs.
I only feel a vague stirring
at the edge of my consciousness.
I don't know what it is,
but I like it.
It gives me pleasure
that I can't identify.
It's not like eating candy,
but it's just as bad,
because I had to lie to grandmother
when she asked,
"What do you do out there?"
"Where?" I answered.
Then I said, "Oh, play hide-and-seek."
She looked hard at me,
then she said, "That was the last time.
I'm stopping that game."
So it ended and I forgot.
Ten years passed, thirtyfive,
when I began to reconstruct the past.
When I asked myself
why I was attracted to men who disgusted me
I traveled back through time
to the dark and heavy breathing part of my life
I thought was gone,
but it had only sunk from view
into the quicksand of my mind.
It was pulling me down
and there I found grandfather waiting,
his hand outstretched to lift me up,
naked and wet
where he rubbed me.
"I'll do anything for you," he whispered,
"but let you go."
And I cried, "Yes," then "No."
"I don't understand how you can do this to me.
I'm only ten years old,"
and he said, "That's old enough to know."

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Bjørnstjerne Bjørnson

The Tree

Ready with leaves and with buds stood the tree.
"Shall I take them?" the frost said, now puffing with glee.
"Oh my, no, let them stand,
Till flowers are at hand!"
All trembling from tree-top to root came the plea.

Flowers unfolding the birds gladly sung.
"Shall I take them?" the wind said and merrily swung.
"Oh my, no, let them stand,
Till cherries are at hand!"
Protested the tree, while it quivering hung.

The cherries came forth 'neath the sun's glowing eye.
"Shall I take them?" a rosy young girl's eager cry.
"Oh my, yes, you can take,
I've kept them for your sake!"
Low bending its branches, the tree brought them nigh.

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