Marianne Moore

Spenser's Island

has not altered;--
a place as kind as it is green,
the greenest place I've never seen.
Every name is a tune.
Denunciations do not affect
the culprit; nor blows, but it
is torture to him to not be spoken to.
They're natural,--
the coat, like Venus'
mantle lined with stars,
buttoned close at the neck,-the sleeves new from disuse.

If in Ireland
they play the harp backward at need,
and gather at midday the seed
of the fern, eluding
their "giants all covered with iron," might
there be fern seed for unlearn-
ing obduracy and for reinstating
the enchantment?
Hindered characters
seldom have mothers
in Irish stories, but they all have grandmothers.

It was Irish;
a match not a marriage was made
when my great great grandmother'd said
with native genius for
disunion, "Although your suitor be
perfection, one objection
is enough; he is not
Irish." Outwitting
the fairies, befriending the furies,
whoever again
and again says, "I'll never give in," never sees

that you're not free
until you've been made captive by
supreme belief,--credulity
you say? When large dainty
fingers tremblingly divide the wings
of the fly for mid-July
with a needle and wrap it with peacock-tail,
or tie wool and
buzzard's wing, their pride,
like the enchanter's
is in care, not madness. Concurring hands divide

flax for damask
that when bleached by Irish weather
has the silvered chamois-leather
water-tightness of a
skin. Twisted torcs and gold new-moon-shaped
lunulae aren't jewelry
like the purple-coral fuchsia-tree's. Eire--
the guillemot
so neat and the hen
of the heath and the
linnet spinet-sweet-bespeak relentlessness? Then

they are to me
like enchanted Earl Gerald who
changed himself into a stag, to
a great green-eyed cat of
the mountain. Discommodity makes
them invisible; they've dis-
appeared. The Irish say your trouble is their
trouble and your
joy their joy? I wish
I could believe it;
I am troubled, I'm dissatisfied, I'm Irish.

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Give Ireland Back To The Irish

Give ireland back to the irish
Dont make them have to take it away
Give ireland back to the irish
Make ireland irish today
Great britian you are tremendous
And nobody knows like me
But really what are you doin
In the land across the sea
Tell me how would you like it
If on your way to work
You were stopped by irish soliders
Would you lie down do nothing
Would you give in, or go berserk
Give ireland back to the irish
Dont make them have to take it away
Give ireland back to the irish
Make ireland irish today
Great britian and all the people
Say that all people must be free
Meanwhile back in ireland
Theres a man who looks like me
And he dreams of God and country
And hes feeling really bad
And hes sitting in a prison
Should he lie down do nothing
Should give in or go mad
Give ireland back to the irish
Dont make them have to take it away
Give ireland back to the irish
Make ireland irish today
Give ireland back to the irish
Dont make them have to take it away
Give ireland back to the irish
Make ireland irish today

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The Potatoes' Dance

(A Poem Game.)


I

"Down cellar," said the cricket,
"Down cellar," said the cricket,
"Down cellar," said the cricket,
"I saw a ball last night,
In honor of a lady,
In honor of a lady,
In honor of a lady,
Whose wings were pearly-white.
The breath of bitter weather,
The breath of bitter weather,
The breath of bitter weather,
Had smashed the cellar pane.
We entertained a drift of leaves,
We entertained a drift of leaves,
We entertained a drift of leaves,
And then of snow and rain.
But we were dressed for winter,
But we were dressed for winter,
But we were dressed for winter,
And loved to hear it blow
In honor of the lady,
In honor of the lady,
In honor of the lady,
Who makes potatoes grow,
Our guest the Irish lady,
The tiny Irish lady,
The airy Irish lady,
Who makes potatoes grow.


II

"Potatoes were the waiters,
Potatoes were the waiters,
Potatoes were the waiters,
Potatoes were the band,
Potatoes were the dancers
Kicking up the sand,
Kicking up the sand,
Kicking up the sand,
Potatoes were the dancers
Kicking up the sand.
Their legs were old burnt matches,
Their legs were old burnt matches,
Their legs were old burnt matches,
Their arms were just the same.
They jigged and whirled and scrambled,
Jigged and whirled and scrambled,
Jigged and whirled and scrambled,
In honor of the dame,
The noble Irish lady
Who makes potatoes dance,
The witty Irish lady,
The saucy Irish lady,
The laughing Irish lady
Who makes potatoes prance.


III

"There was just one sweet potato.
He was golden brown and slim.
The lady loved his dancing,
The lady loved his dancing,
The lady loved his dancing,
She danced all night with him,
She danced all night with him.
Alas, he wasn't Irish.
So when she flew away,
They threw him in the coal-bin,
And there he is today,
Where they cannot hear his sighs
And his weeping for the lady,
The glorious Irish lady,
The beauteous Irish lady,
Who
Gives
Potatoes
Eyes."

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Lewis Carroll

Brother And Sister

"SISTER, sister, go to bed!
Go and rest your weary head."
Thus the prudent brother said.

"Do you want a battered hide,
Or scratches to your face applied?"
Thus his sister calm replied.

"Sister, do not raise my wrath.
I'd make you into mutton broth
As easily as kill a moth"

The sister raised her beaming eye
And looked on him indignantly
And sternly answered, "Only try!"

Off to the cook he quickly ran.
"Dear Cook, please lend a frying-pan
To me as quickly as you can."

And wherefore should I lend it you?"
"The reason, Cook, is plain to view.
I wish to make an Irish stew."

"What meat is in that stew to go?"
"My sister'll be the contents!"
"Oh"
"You'll lend the pan to me, Cook?"
"No!"

Moral: Never stew your sister.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Springtime and Old Irishmen

As an Irishman,
tis my prerogative
To be an authority on all things
Great and small

As an "old" Irishman
it's my fate
Of late (and as always)
To simply know it all

As an old Irishman of visage worn
Of craggy face, rheumy blue eyes
With clothing crudely rent and worn
Prone to ale, stout and whisky sighs

As an old wise, wizened Irishman
Who loves the winter as a wondrous thing
But as sure it is, I'm an old Irishman
I treasure most…the Irish Spring

As a wise, wizened, oft inebriated Irishman
Given well to know that one's only given so many things
I relish the pleasure of the Springs I have left
Until this old wrinkled Irishman takes wing

As when this old Irishman
leaves the moor and the glen
There's but a few things I'll rue
To not see nor to hear once again

ne'er again see na' more The hind end of Winters…
ne'er hear "Danny boy" pluck again at me heartstrings…
And Na' more to smell the cold Irish sea
Nor know the fresh faces of fine Irish Springs

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Rudyard Kipling

Belts

There was a row in Silver Street that's near to Dublin Quay,
Between an Irish regiment an' English cavalree;
It started at Revelly an' it lasted on till dark:
The first man dropped at Harrison's, the last forninst the Park.
For it was: -- "Belts, belts, belts, an' that's one for you!"
An' it was "Belts, belts, belts, an' that's done for you!"
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!

There was a row in Silver Street -- the regiments was out,
They called us "Delhi Rebels", an' we answered "Threes about!"
That drew them like a hornet's nest -- we met them good an' large,
The English at the double an' the Irish at the charge.
Then it was: -- "Belts . . .

There was a row in Silver Street -- an' I was in it too;
We passed the time o' day, an' then the belts went whirraru!
I misremember what occurred, but subsequint the storm
A ~Freeman's Journal Supplemint~ was all my uniform.
O it was: -- "Belts . . .

There was a row in Silver Street -- they sent the Polis there,
The English were too drunk to know, the Irish didn't care;
But when they grew impertinint we simultaneous rose,
Till half o' them was Liffey mud an' half was tatthered clo'es.
For it was: -- "Belts . . .

There was a row in Silver Street -- it might ha' raged till now,
But some one drew his side-arm clear, an' nobody knew how;
'Twas Hogan took the point an' dropped; we saw the red blood run:
An' so we all was murderers that started out in fun.
While it was: -- "Belts . . .

There was a row in Silver Street -- but that put down the shine,
Wid each man whisperin' to his next: "'Twas never work o' mine!"
We went away like beaten dogs, an' down the street we bore him,
The poor dumb corpse that couldn't tell the bhoys were sorry for him.
When it was: -- "Belts . . .

There was a row in Silver Street -- it isn't over yet,
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street -- begod, I wonder why!
But it was: -- "Belts, belts, belts, an' that's one for you!"
An' it was "Belts, belts, belts, an' that's done for you!"
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!

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Little Ireland N.Y.

SAINT PATRICK S DAY
LITTLE IRELAND N.Y.

It was going to be another SAINT PATRICK S DAY in New York
But what they was planning was just talk.
Every year new Yorkers would be dressed in green
Which in itself was a sight to be seen.

The New York police with their marching bands
Would always be there to give a hand.
The people all lined up on Manhattan streets
Trying to get a front row seat.

Children with their four leaf clovers on their faces
And the elderly showing their finest silks and laces.
OH! The pride in all their eyes was something they could not hide.
They would talk about centuries of leprechaun tales
And how people would hide their gold
In the bottoms of their coal pails
or hide them deep In the ground
in the hope that it wouldn't be found.

Now! Any family that had a surname that started off
With Mc or Mac was the first ones
the leprechauns would attack.
For they were known to have businesses
through out the land, and lots of gold in their hands.

And the ones that started with the letter "o"
(o keefe - o donnell) had a little less and it was told.

Now this is folklore we all know
But they still search for that " pot o gold ".
Strange as this may all seem - in their eyes you'll see a "gleam."

Is it because they know something that we don't know?
Or is it just an Irish show?

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If You're Lucky Enough To Be Irish

If you're lucky enough to be Irish
Then you're lucky enough they say.
I count my Irish blessings,
As I breathe the air each day.
When I'm somewhere o'er the water
Not walking Erin's shore,
I know my resting place will be
In Ireland for evermore.
I have Irish songs on my lips,
And Irish blood in my veins,
So I tell you I'm lucky to be Irish,
And I'll keep telling you over again.
I'm lucky enough to be Irish.
My children who walk by my side,
Will I hope, too feel the calling,
And someday walk Erin's fields wide.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Irish

St. Patrick's day is with us,
The day when all that's seen
From right and left
And everywhere is green, green, green.

I'll wear an Irish shamrock
In my coat the glad day through,
For my mother and Grandma are Irish,
And I am half way Irish, too!

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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I like your books

In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"

"uh huh," I answered.

"I like your books," he went
on.

"thanks," I answered.

"who do you like in this
race?" he asked.

"uh uh," I answered.

"I like the 4 horse," he
told me.

I made my bet and went back
to my seat....

the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.

"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."

"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."

"what kind of rule is that?"
he asked. "God doesn't make
rules..."

I turned around and looked at him:
"maybe not, but I
do."

after the next race
I got in line, glanced behind
me:
he was not there:

lost another reader.

I lose 2 or 3 each
week.

fine.

let 'em go back to
Kafka.

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Rudyard Kipling

Soldier, Soldier

"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.

"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.

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My Irish Granny

A Tribute To My Irish Granny

By Marie Hurst on 17 June 2011

land of my grt grt grt grandmother beckon to me

Lure me home over the Irish sea

There with eyes of pure emerald green

My granny once walked, my Irish queen

Mary I never knew you, I wish I had

You died long before for that am sad

All I know is you where my granny

my Irish queen.

from County Derry, Where I have never been

Let the Irish music play so sweet

let the shamrocks be crushed not by my feet

For I am the outsider, born in the UK

yet I would love to be Irish Just for a day

Mary Glendenning born in 1836 I love you


I have never seen your home land

But May God Bless You

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