Thursday, the Bassette-Table
CARDELIA.
The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.
SMILINDA.
Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --
CARDELIA.
Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.
As you by love, so I by fortune cross'd,
In one bad deal three Septleva's I lost.
SMILINDA.
Is that a grief which you compare with mine ?
With ease the smiles of fortune I resign.
Wou'd all my gold in one bad deal were gone,
Were lovely SHARPFR mine, and mine alone.
CARDELIA.
A lover lost, is but a common care,
And prudent nymphs against the change prepare.
The queen of Clubs thrice lost ! Oh ! who cou'd guess
This fatal stroke this unforeseen distress !
SMILINDA.
See ! BETTY LOVEIT very à propos !
She all the pains of love and play does know,
Deeply experienc'd many years ago.
Dear BETTY shall th' important point decide,
BETTY, who oft the pains of each has try'd :
Impartial, she shall say who suffers most,
By cards, ill-usage, or by lovers lost.
LOVEIT.
Tell, tell your griefs ; attentive will I stay,
Tho' time is precious, and I want some tea.
CARDELIA.
Behold this equipage by MATHERS wrought
With fifty guineas (a great pen'orth !) bought !
See on the tooth-pick MARS and CUPID strive,
And both the struggling figures seem to liue.
Upon the bottom see the Queen's bright face ;
A myrtle foliage round the thimble case ;
JOVE, JOVE himself does on the scissars shine,
The metal and the workmanship divine.
SMILINDA.
This snuff-box once the pledge of SHARPER's love,
When rival beauties for the present strove,
(At CORTICELLI's he the raffle won,
There first his passion was in public shown ;
HAZARDIA blush'd, and turn'd her head aside,
A rival's envy all in vain to hide)
This snuff-box -- on the hinge see diamonds shine ;
This snuff-box will I stake, the prize is mine.
CARDELIA.
Alas ! far lesser losses than I bear,
Have made a soldier sigh, a lover swear :
But oh ! what makes the disappointment hard,
'Twas my own Lord who drew the fatal card ! --
In complaisance I took the Queen he gave,
Tho' my own secret wish was for the Knave :
The Knave won son ecart that I had chose,
And the next pull my septleva I lose.
SMILINDA.
But ah ! what aggravates the killing smart,
The cruel thought that stabs me to the heart,
This curs'd OMBRELIA, this undoing fair,
By whose vile arts this heavy grief I bear,
She, at whose name I shed these spiteful tears,
She owes to me, the very charms she wears :
An aukward thing when first she came to town,
Her shape unfinish'd and her face unknown ;
She was my friend, I taught her first to spread
Upon her sallow cheeks enlivening red,
I introduc'd her to the park and plays,
And by my Interest COSINS made her stays ;
Ungrateful wretch ! with mimick airs grown pert,
She dares to steal my favourite lover's heart.
CARDELIA.
Wretch that I was ! how often have I swore,
When WINNALL tallied, I would punt no more !
I know the bite, yet to my ruin run,
And see the folly which I cannot shun.
SMILINDA.
How many maids have SHARPER's vows deceiv'd !
How many curs'd the moment they believ'd !
Yet, his known falshood could no warning prove :
Ah ! what are warnings to a maid in love !
CARDELIA.
But of what marble must that breast be form'd,
Can gaze on Bassette, and remain unwarm'd ?
When kings, queens, knaves are set in decent rank,
Expos'd in glorious heaps the tempting bank !
Guineas, half-guineas, all the shining train,
The Winner's pleasure and the Loser's pain ;
In bright confusion open rouleaus lie,
They strike the soul, and glitter in the eye ;
Fir'd by the sight, all reason I disdain,
My passions rise, and will not bear the rein :
Look upon Bassette, you who Reason boast,
And see if Reason may not there be lost !
SMILINDA.
What more than marble must that breast compose,
That listens coldly to my SHARPER's vows !
Then when he trembles, when his blushes rise,
When awful Love seems melting in his eyes !
With eager beats his Mechlin cravat moves :
He loves, I whisper to myself, He loves !
Such unfeign'd passion in his look appears,
I lose all mem'ry of my former fears ;
My panting heart confesses all his charms ;
I yield at once, and sink into his arms.
Think of that moment, you who Prudence boast !
For such a moment, Prudence well were lost.
CARDELIA.
At the Groom-porter's, batter'd bullies play ;
Some Dukes at Marybon bowl time away :
But who the bowl or rattling dice compares
To Bassette's heavenly joys and pleasing cares ?
SMILINDA.
Soft SIMPLICETTA doats upon a beau ;
PRUDINA likes a man, and laughs at show :
Their several graces in my SHARPER meet ;
Strong as the footman, as the master sweet.
LOVEIT.
Cease your contention, which has been too long,
I grow impatient, and the tea too strong :
Attend, and yield to what I now decide ;
The equipage shall grace SMILINDA's side ;
The snuff-box to CARDELIA I decree ;
So leave complaining, and begin your tea.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Related quotes
Town Eclogues: Thursday; the Bassette-Table
SMILINDA and CARDELIA.CARDELIA.
THE bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room ?
Rise, pensive nymph ! the tallier stays for you.
SMILINDA.
Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --
CARDELIA.
Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.
As you by love, so I by fortune cross'd,
In one bad deal three Septleva's I lost.
SMILINDA.
Is that a grief which you compare with mine ?
With ease the smiles of fortune I resign.
Wou'd all my gold in one bad deal were gone,
Were lovely SHARPFR mine, and mine alone.
CARDELIA.
A lover lost, is but a common care,
And prudent nymphs against the change prepare.
The queen of Clubs thrice lost ! Oh ! who cou'd guess
This fatal stroke this unforeseen distress !
SMILINDA.
See ! BETTY LOVEIT very à propos !
She all the pains of love and play does know,
Deeply experienc'd many years ago.
Dear BETTY shall th' important point decide,
BETTY, who oft the pains of each has try'd :
Impartial, she shall say who suffers most,
By cards, ill-usage, or by lovers lost.
LOVEIT.
Tell, tell your griefs ; attentive will I stay,
Tho' time is precious, and I want some tea.
CARDELIA.
Behold this equipage by MATHERS wrought
With fifty guineas (a great pen'orth !) bought !
See on the tooth-pick MARS and CUPID strive,
And both the struggling figures seem to liue.
Upon the bottom see the Queen's bright face ;
A myrtle foliage round the thimble case ;
JOVE, JOVE himself does on the scissars shine,
The metal and the workmanship divine.
SMILINDA.
This snuff-box once the pledge of SHARPER's love,
When rival beauties for the present strove,
(At CORTICELLI's he the raffle won,
There first his passion was in public shown ;
HAZARDIA blush'd, and turn'd her head aside,
A rival's envy all in vain to hide)
This snuff-box -- on the hinge see diamonds shine ;
This snuff-box will I stake, the prize is mine.
CARDELIA.
Alas ! far lesser losses than I bear,
Have made a soldier sigh, a lover swear :
But oh ! what makes the disappointment hard,
'Twas my own Lord who drew the fatal card ! --
In complaisance I took the Queen he gave,
Tho' my own secret wish was for the Knave :
The Knave won son ecart that I had chose,
And the next pull my septleva I lose.
SMILINDA.
But ah ! what aggravates the killing smart,
The cruel thought that stabs me to the heart,
This curs'd OMBRELIA, this undoing fair,
By whose vile arts this heavy grief I bear,
She, at whose name I shed these spiteful tears,
She owes to me, the very charms she wears :
An aukward thing when first she came to town,
Her shape unfinish'd and her face unknown ;
She was my friend, I taught her first to spread
Upon her sallow cheeks enlivening red,
I introduc'd her to the park and plays,
And by my Interest COSINS made her stays ;
Ungrateful wretch ! with mimick airs grown pert,
She dares to steal my favourite lover's heart.
CARDELIA.
Wretch that I was ! how often have I swore,
When WINNALL tallied, I would punt no more !
I know the bite, yet to my ruin run,
And see the folly which I cannot shun.
SMILINDA.
How many maids have SHARPER's vows deceiv'd !
How many curs'd the moment they believ'd !
Yet, his known falshood could no warning prove :
Ah ! what are warnings to a maid in love !
CARDELIA.
But of what marble must that breast be form'd,
Can gaze on Bassette, and remain unwarm'd ?
When kings, queens, knaves are set in decent rank,
Expos'd in glorious heaps the tempting bank !
Guineas, half-guineas, all the shining train,
The Winner's pleasure and the Loser's pain ;
In bright confusion open rouleaus lie,
They strike the soul, and glitter in the eye ;
Fir'd by the sight, all reason I disdain,
My passions rise, and will not bear the rein :
Look upon Bassette, you who Reason boast,
And see if Reason may not there be lost !
SMILINDA.
What more than marble must that breast compose,
That listens coldly to my SHARPER's vows !
Then when he trembles, when his blushes rise,
When awful Love seems melting in his eyes !
With eager beats his Mechlin cravat moves :
He loves, I whisper to myself, He loves !
Such unfeign'd passion in his look appears,
I lose all mem'ry of my former fears ;
My panting heart confesses all his charms ;
I yield at once, and sink into his arms.
Think of that moment, you who Prudence boast !
For such a moment, Prudence well were lost.
CARDELIA.
At the Groom-porter's, batter'd bullies play ;
Some Dukes at Marybon bowl time away :
But who the bowl or rattling dice compares
To Bassette's heavenly joys and pleasing cares ?
SMILINDA.
Soft SIMPLICETTA doats upon a beau ;
PRUDINA likes a man, and laughs at show :
Their several graces in my SHARPER meet ;
Strong as the footman, as the master sweet.
LOVEIT.
Cease your contention, which has been too long,
I grow impatient, and the tea too strong :
Attend, and yield to what I now decide ;
The equipage shall grace SMILINDA's side ;
The snuff-box to CARDELIA I decree ;
So leave complaining, and begin your tea.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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The Basset-Table : An Eclogue
Cardelia. Smilinda.
Cardelia.
The Basset-Table spread, the Tallier come;
Why stays Smilinda in the Dressing-Room?
Rise, pensive Nymph, the Tallier waits for you:
Smilinda.
Ah, Madam, since my Sharper is untrue,
I joyless make my once ador'd
Alpeu
.
I saw him stand behind Ombrelia's Chair,
And whisper with that soft, deluding air,
And those feign'd sighs which cheat the list'ning Fair.
Cardelia.
Is this the cause of your Romantic strains?
A mightier grief my heavy heart sustains.
As You by Love, so I by Fortune cross'd;
One, one bad
Deal
, Three
Septleva's
have lost.
Smilinda.
Is that the grief, which you compare with mine?
With ease, the smiles of Fortune I resign:
Would all my gold in one bad Deal were gone,
Were lovely Sharper mine, and mine alone.
Cardelia.
A Lover is lost, is but a common care;
And prudent Nymphs against that change prepare:
The Knave of Clubs thrice lost: Oh! who could guess
This fatal stroke, this unforeseen Distress?
Smilinda.
See Betty Lovet! very
a propos
,
She all the cares of
Love
and
Play
does know:
Dear Betty shall th' important point decide;
Betty, who oft the pain of each has try'd;
Impartial, she shall say who suffers most,
By
Cards' Ill Usage
, or by
Lover's lost
.
Lovet.
Tell, tell your griefs; attentive will I stay,
Tho' Time is precious, and I want some Tea.
Cardelia.
Behold this Equipage, by Mathers wrought,
With Fifty Guineas (a great Pen'worth) bought.
See, on the Tooth-pick, Mars and Cupid strive;
And both the struggling figures seem alive.
Upon the bottom shines the Queen's bright Face;
A Myrtle Foliage round the Thimble-Case.
Jove, Jove himself, does on the Scissors shine;
The Metal, and the Workmanship, divine!
Smilinda.
This Snuff-Box, - once the pledge of Sharper's love,
When rival beauties for the Present strove;
At Corticelli's he the Raffle won;
Then first his Passion was in public shown:
Hazardia blush'd, and turn'd her Head aside,
A Rival's envy (all in vain) to hide.
This Snuff-Box,- on the Hinge see Brilliants shine:
This Snuff-Box will I stake; the Prize is mine.
Cardelia.
Alas! far lesser losses than I bear,
Have made a Soldier sigh, a Lover swear.
And Oh! what makes the disappointment hard,
'Twas my own Lord that drew the fatal Card.
In complaisance, I took the Queen he gave;
Tho' my own secret wish was for the Knave.
The Knave won Sonica, which I had chose;
And, the next Pull, my Septleva I lose.
Smilinda.
But ah! what aggravates the killing smart,
The cruel thought, that stabs me to the heart;
This curs'd Ombrelia, this undoing Fair,
By whose vile arts this heavy grief I bear;
She, at whose name I shed these spiteful tears,
She owes to me the very charms she wears.
An awkward Thing, when first she came to Town;
Her Shape unfashion'd, and her Face unknown:
She was my friend; I taught her first to spread
Upon her sallow cheeks enliv'ning red:
I introduc'd her to the Park and Plays;
And, by my int'rest, Cozens made her Stays.
Ungrateful wretch, with mimic airs grown pert,
She dares to steal my Fav'rite Lover's heart.
Cardelia.
Wretch that I was, how often have I swore,
When Winnall tally'd, I would punt no more?
I know the Bite, yet to my Ruin run;
And see the Folly, which I cannot shun.
Smilinda.
How many Maids have Sharper's vows deceiv'd?
How many curs'd the moment they believ'd?
Yet his known Falsehoods could no Warning prove:
Ah! what is warning to a Maid in Love?
Cardelia.
But of what marble must that breast be form'd,
To gaze on Basset, and remain unwarm'd?
When Kings, Queens, Knaves, are set in decent rank;
Expos'd in glorious heaps the tempting Bank,
Guineas, Half-Guineas, all the shining train;
The Winner's pleasure, and the Loser's pain:
In bright Confusion open Rouleaux lie,
They strike the Soul, and glitter in the Eye.
Fir'd by the sight, all Reason I disdain;
My Passions rise, and will not bear the rein.
Look upon Basset, you who Reason boast;
And see if Reason must not there be lost.
Smilinda.
What more than marble must that heart compose,
Can hearken coldly to my Sharper's Vows?
Then, when he trembles! when his Blushes rise!
When awful Love seems melting in his Eyes!
With eager beats his Mechlin Cravat moves:
'He Loves,'
- I whisper to myself,
'He Loves!'
Such unfeign'd Passion in his Looks appears,
I lose all Mem'ry of my former Fears;
My panting heart confesses all his charms,
I yield at once, and sink into his arms:
Think of that moment, you who Prudence boast;
For such a moment, Prudence well were lost.
Cardelia.
At the Groom-Porter's, batter'd Bullies play,
Some Dukes at Mary-Bone bowl Time away.
But who the Bowl, or ratt'ling Dice compares
To Basset's heav'nly Joys, and pleasing Cares?
Smilinda.
Soft Simplicetta doats upon a Beau;
Prudina likes a Man, and laughs at Show.
Their several graces in my Sharper meet;
Strong as the Footman, as the Master sweet.
Lovet.
Cease your contention, which has been too long;
I grow impatient, and the Tea's too strong.
Attend, and yield to what I now decide;
The Equipage shall grace Smilinda's Side:
The Snuff-Box to Cardelia I decree,
Now leave complaining, and begin your Tea.
poem by Alexander Pope
Submitted by Poetry Lover
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Town Eclogues: Saturday; The Small-Pox
FLAVIA.
THE wretched FLAVIA on her couch reclin'd,
Thus breath'd the anguish of a wounded mind ;
A glass revers'd in her right hand she bore,
For now she shun'd the face she sought before.
' How am I chang'd ! alas ! how am I grown
' A frightful spectre, to myself unknown !
' Where's my Complexion ? where the radiant Bloom,
' That promis'd happiness for Years to come ?
' Then with what pleasure I this face survey'd !
' To look once more, my visits oft delay'd !
' Charm'd with the view, a fresher red would rise,
' And a new life shot sparkling from my eyes !
' Ah ! faithless glass, my wonted bloom restore;
' Alas ! I rave, that bloom is now no more !
' The greatest good the GODS on men bestow,
' Ev'n youth itself, to me is useless now.
' There was a time, (oh ! that I could forget !)
' When opera-tickets pour'd before my feet ;
' And at the ring, where brightest beauties shine,
' The earliest cherries of the spring were mine.
' Witness, O Lilly ; and thou, Motteux, tell
' How much Japan these eyes have made ye sell.
' With what contempt ye you saw me oft despise
' The humble offer of the raffled prize ;
' For at the raffle still the prize I bore,
' With scorn rejected, or with triumph wore !
' Now beauty's fled, and presents are no more !
' For me the Patriot has the house forsook,
' And left debates to catch a passing look :
' For me the Soldier has soft verses writ ;
' For me the Beau has aim'd to be a Wit.
' For me the Wit to nonsense was betray'd ;
' The Gamester has for me his dun delay'd,
' And overseen the card, I would have play'd.
' The bold and haughty by success made vain,
' Aw'd by my eyes has trembled to complain:
' The bashful 'squire touch'd by a wish unknown,
' Has dar'd to speak with spirit not his own ;
' Fir'd by one wish, all did alike adore ;
' Now beauty's fled, and lovers are no more!
' As round the room I turn my weeping eyes,
' New unaffected scenes of sorrow rise !
' Far from my sight that killing picture bear,
' The face disfigure, and the canvas tear !
' That picture which with pride I us'd to show,
' The lost resemblance but upbraids me now.
' And thou, my toilette! where I oft have sat,
' While hours unheeded pass'd in deep debate,
' How curls should fall, or where a patch to place :
' If blue or scarlet best became my face;
' Now on some happier nymph thy aid bestow ;
' On fairer heads, ye useless jewels glow !
' No borrow'd lustre can my charms restore ;
' Beauty is fled, and dress is now no more !
' Ye meaner beauties, I permit ye shine ;
' Go, triumph in the hearts that once were mine ;
' But midst your triumphs with confusion know,
' 'Tis to my ruin all your arms ye owe.
' Would pitying Heav'n restore my wonted mien,
' Ye still might move unthought-of and unseen.
' But oh ! how vain, how wretched is the boast
' Of beauty faded, and of empire lost !
' What now is left but weeping, to deplore
' My beauty fled, and empire now no more !
' Ye, cruel Chymists, what with-held your aid !
' Could no pomatums save a trembling maid ?
' How false and trifling is that art you boast ;
' No art can give me back my beauty lost.
' In tears, surrounded by my friends I lay,
' Mask'd o'er and trembled at the sight of day;
' MIRMILLO came my fortune to deplore,
' (A golden headed cane, well carv'd he bore)
' Cordials, he cried, my spirits must restore :
' Beauty is fled, and spirit is no more !
' GALEN, the grave ; officious SQUIRT was there,
' With fruitless grief and unavailing care :
' MACHAON too, the great MACHAON, known
' By his red cloak and his superior frown ;
' And why, he cry'd, this grief and this despair ?
' You shall again be well, again be fair ;
' Believe my oath ; (with that an oath he swore)
' False was his oath ; my beauty is no more !
' Cease, hapless maid, no more thy tale pursue,
' Forsake mankind, and bid the world adieu !
' Monarchs and beauties rule with equal sway ;
' All strive to serve, and glory to obey :
' Alike unpitied when depos'd they grow ;
' Men mock the idol of their former vow.
' Adieu ! ye parks ! -- in some obscure recess,
' Where gentle streams will weep at my distress,
' Where no false friend will in my grief take part,
' And mourn my ruin with a joyful heart ;
' There let me live in some deserted place,
' There hide in shades this lost inglorious face.
' Ye, operas, circles, I no more must view !
' My toilette, patches, all the world adieu!
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Saturday, the Small-Pox
FLAVIA.
The wretched FLAVIA on her couch reclin'd,
Thus breath'd the anguish of a wounded mind ;
A glass revers'd in her right hand she bore,
For now she shun'd the face she sought before.
'How am I chang'd ! alas ! how am I grown
'A frightful spectre, to myself unknown !
'Where's my Complexion ? where the radiant Bloom,
'That promis'd happiness for Years to come ?
'Then with what pleasure I this face survey'd !
'To look once more, my visits oft delay'd !
'Charm'd with the view, a fresher red would rise,
'And a new life shot sparkling from my eyes !
'Ah ! faithless glass, my wonted bloom restore;
'Alas ! I rave, that bloom is now no more !
'The greatest good the GODS on men bestow,
'Ev'n youth itself, to me is useless now.
'There was a time, (oh ! that I could forget !)
'When opera-tickets pour'd before my feet ;
'And at the ring, where brightest beauties shine,
'The earliest cherries of the spring were mine.
'Witness, O Lilly ; and thou, Motteux, tell
'How much Japan these eyes have made ye sell.
'With what contempt ye you saw me oft despise
'The humble offer of the raffled prize ;
'For at the raffle still the prize I bore,
'With scorn rejected, or with triumph wore !
' Now beauty's fled, and presents are no more !
'For me the Patriot has the house forsook,
'And left debates to catch a passing look :
'For me the Soldier has soft verses writ ;
'For me the Beau has aim'd to be a Wit.
'For me the Wit to nonsense was betray'd ;
'The Gamester has for me his dun delay'd,
'And overseen the card, I would have play'd.
'The bold and haughty by success made vain,
'Aw'd by my eyes has trembled to complain:
'The bashful 'squire touch'd by a wish unknown,
'Has dar'd to speak with spirit not his own ;
'Fir'd by one wish, all did alike adore ;
'Now beauty's fled, and lovers are no more!
'As round the room I turn my weeping eyes,
'New unaffected scenes of sorrow rise !
'Far from my sight that killing picture bear,
'The face disfigure, and the canvas tear !
'That picture which with pride I us'd to show,
'The lost resemblance but upbraids me now.
'And thou, my toilette! where I oft have sat,
'While hours unheeded pass'd in deep debate,
'How curls should fall, or where a patch to place :
'If blue or scarlet best became my face;
'Now on some happier nymph thy aid bestow ;
'On fairer heads, ye useless jewels glow !
'No borrow'd lustre can my charms restore ;
'Beauty is fled, and dress is now no more !
'Ye meaner beauties, I permit ye shine ;
'Go, triumph in the hearts that once were mine ;
'But midst your triumphs with confusion know,
''Tis to my ruin all your arms ye owe.
'Would pitying Heav'n restore my wonted mien,
'Ye still might move unthought-of and unseen.
'But oh ! how vain, how wretched is the boast
'Of beauty faded, and of empire lost !
'What now is left but weeping, to deplore
'My beauty fled, and empire now no more !
'Ye, cruel Chymists, what with-held your aid !
'Could no pomatums save a trembling maid ?
'How false and trifling is that art you boast ;
'No art can give me back my beauty lost.
'In tears, surrounded by my friends I lay,
'Mask'd o'er and trembled at the sight of day;
'MIRMILLO came my fortune to deplore,
'(A golden headed cane, well carv'd he bore)
'Cordials, he cried, my spirits must restore :
'Beauty is fled, and spirit is no more !
'GALEN, the grave ; officious SQUIRT was there,
'With fruitless grief and unavailing care :
'MACHAON too, the great MACHAON, known
'By his red cloak and his superior frown ;
'And why, he cry'd, this grief and this despair ?
'You shall again be well, again be fair ;
'Believe my oath; (with that an oath he swore)
'False was his oath; my beauty is no more!
'Cease, hapless maid, no more thy tale pursue,
'Forsake mankind, and bid the world adieu !
'Monarchs and beauties rule with equal sway ;
'All strive to serve, and glory to obey :
'Alike unpitied when depos'd they grow ;
'Men mock the idol of their former vow.
'Adieu ! ye parks ! -- in some obscure recess,
'Where gentle streams will weep at my distress,
'Where no false friend will in my grief take part,
'And mourn my ruin with a joyful heart ;
'There let me live in some deserted place,
'There hide in shades this lost inglorious face.
'Ye, operas, circles, I no more must view !
'My toilette, patches, all the world adieu!
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Which is chaste?
My eyes are sharper than swords.
Your attention was held.
My words are sharper than eyes.
Your heart was won.
My pen is sharper than words.
Your senses struggle.
Is my sharpest weapon blunt
‘Cause your senses are strong?
No, your senses are iron sheathed.
Else, your senses are the weakest.
The senses shown can be visible.
Hence you dread to show.
The shown heart, who knows?
Hence, you dare to concede.
Heart, more precious, is given.
Yet you guard your senses.
Throne is lost; sword is guarded.
War is lost; battle is waged.
Kings are friendly; subjects only war.
Heart is given; senses are withheld.
Visibly chaste; Invisibly what?
13.06.99
poem by Rm. Shanmugam Chettiar
Submitted by Poetry Lover
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Celia To Damon
What can I say? What Arguments can prove
My Truth? What Colors can describe my Love?
If it's Excess and Fury be not known,
In what Thy Celia has already done?
Thy Infant Flames, whilst yet they were conceal'd
In tim'rous Doubts, with Pity I beheld;
With easie Smiles dispell'd the silent Fear,
That durst not tell Me, what I dy'd to hear:
In vain I strove to check my growing Flame,
Or shelter Passion under Friendship's Name:
You saw my Heart, how it my Tongue bely'd;
And when You press'd, how faintly I deny'd-
E'er Guardian Thought could bring it's scatter'd Aid;
E'er Reason could support the doubting Maid;
My Soul surpriz'd, and from her self disjoin'd,
Left all Reserve, and all the Sex behind:
From your Command her Motions She receiv'd;
And not for Me, but You, She breath'd and liv'd.
But ever blest be Cytherea's Shrine;
And Fires Eternal on Her Altars shine;
Since Thy dear Breast has felt an equal Wound;
Since in Thy Kindness my Desires are crown'd.
By Thy each Look, and Thought, and Care 'tis shown,
Thy Joys are center'd All in Me Alone;
And sure I am, Thou would'st not change this Hour
For all the white Ones, Fate has in it's Pow'r.—
Yet thus belov'd, thus loving to Excess;
Yet thus receiving and returning Bliss;
In this great Moment, in this golden Now,
When ev'ry Trace of What, or When, or How
Should from my Soul by raging Love be torn,
And far on Swelling Seas of Rapture born;
A melancholy Tear afflicts my Eye;
And my Heart labours with a sudden Sigh:
Invading Fears repel my Coward Joy;
And Ills foreseen the present Bliss destroy.
Poor as it is, This Beauty was the Cause,
That with first Sighs Your panting Bosom rose:
But with no Owner Beauty long will stay,
Upon the Wings of Time born swift away:
Pass but some fleeting Years, and These poor Eyes
(Where now without a Boast some Lustre lyes)
No longer shall their little Honors keep;
Shall only be of use to read, or weep:
And on this Forehead, where your Verse has said,
The Loves delighted, and the Graces play'd;
Insulting Age will trace his cruel Way,
And leave sad Marks of his destructive Sway.
Mov'd by my Charms, with them your Love may cease,
And as the Fuel sinks, the Flame decrease:
Or angry Heav'n may quicker Darts prepare;
And Sickness strike what Time awhile would spare.
Then will my Swain His glowing Vows renew:
Then will His throbbing Heart to Mine beat true;
When my own Face deters Me from my Glass;
And Kneller only shows what Celia was.
Fantastic Fame may sound her wild Alarms:
Your Country, as You think, may want your Arms.
You may neglect, or quench, or hate the Flame,
Whose Smoke too long obscured your rising Name:
And quickly cold Indiff'rence will ensue;
When You Love's Joys thro' Honor's Optic view.
Then Celia's loudest Pray'r will prove too weak,
To this abandon'd Breast to bring You back;
When my lost Lover the tall Ship ascends,
With Musick gay, and wet with Jovial Friends:
The tender Accents of a Woman's Cry
Will pass unheard, will unreguarded die;
When the rough Seaman's louder Shouts prevail;
When fair Occasion shows the springing Gale;
And Int'rest guides the Helm; and Honor swells the Sail.
Some wretched Lines from this neglected Hand,
May find my Hero on the foreign Strand,
Warm with new Fires, and pleas'd with new Command:
While She who wrote 'em, of all Joy bereft,
To the rude Censure of the World is left;
Her mangl'd Fame in barb'rous Pastime lost,
The Coxcomb's Novel, and the Drunkard's Toast.
But nearer Care (O pardon it!) supplies
Sighs to my Breast, and Sorrow to my Eyes.
Love, Love himself (the only Friend I have)
May scorn his Triumph, having bound his Slave.
That Tyrant God, that restless Conqueror
May quit his Pleasure, to assert his Pow'r;
Forsake the Provinces that bless his Sway,
To vanquish Those which will not yet obey.
Another Nymph with fatal Pow'r may rise,
To damp the sinking Beams of Celia's Eyes;
With haughty Pride may hear Her Charms confest;
And scorn the ardent Vows that I have blest:
You ev'ry Night may sigh for Her in vain;
And rise each Morning to some fresh Disdain:
While Celia's softest Look may cease to Charm;
And Her Embraces want the Pow'r to warm:
While these fond Arms, thus circling You, may prove
More heavy Chains, than Those of hopeless Love.
Just Gods! All other Things their Like produce:
The Vine arises from her Mother's Juice:
When feeble Plants, or tender Flow'rs decay;
They to their Seed their Images convey:
Where the old Myrtle her good Influence sheds;
Sprigs of like Leaf erect their Filial Heads:
And when the Parent Rose decays, and dies;
With a resembling Face the Daughter-Buds arise.
That Product only which our Passions bear,
Eludes the Planter's miserable Care:
While blooming Love assures us Golden Fruit;
Some inborn Poison taints the secret Root:
Soon fall the Flow'rs of Joy: soon Seeds of Hatred shoot.
Say, Shepherd, say: Are these Reflections true?
Or was it but the Woman's Fear, that drew
This cruel Scene, unjust to Love and You?
Will You be only, and for ever Mine?
Shall neither Time, nor Age our Souls disjoin?
From this dear Bosom shall I ne'er be torn?
Or You grow cold, respectful, and forsworn?
And can You not for Her You love do more,
Than any Youth for any Nymph before?
poem by Matthew Prior
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An Ode : While From Our Looks, Fair Nymph, You Guess
While from our looks, fair nymph, you guess
The secret passions of our mind;
My heavy eyes, you say, confess
A heart to love and grief inclined.
There needs, alas! but little art
To have this fatal secret found;
With the same ease you threw the dart,
'Tis certain you can show the wound.
How can I see you, and not love,
While you as opening cast are fair?
While cold as northern blasts you prove,
How can I love, and not despair?
The wretch in double fetters bound
Your potent mercy may release;
Soon, if my love but once were crown'd,
Fair prophetess, my grief would cease.
poem by Matthew Prior
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The God And The Bayadere - An Indian Legend
MAHADEVA, Lord of earth
For the sixth time comes below,
As a man of mortal birth,--
Like him, feeling joy and woe.
Hither loves he to repair,
And his power behind to leave;
If to punish or to spare,
Men as man he'd fain perceive.
And when he the town as a trav'ller hath seen,
Observing the mighty, regarding the mean,
He quits it, to go on his journey, at eve.
He was leaving now the place,
When an outcast met his eyes,--
Fair in form, with painted face,--
Where some straggling dwellings rise.
"Maiden, hail!"--"Thanks! welcome here!
Stay!--I'll join thee in the road.'
"Who art thou?"--"A Bayadere,
And this house is love's abode."
The cymbal she hastens to play for the dance,
Well skill'd in its mazes the sight to entrance,
Then by her with grace is the nosegay bestow'd.
Then she draws him, as in play,
O'er the threshold eagerly:
"Beauteous stranger, light as day
Thou shalt soon this cottage see.
I'll refresh thee, if thou'rt tired,
And will bathe thy weary feet;
Take whate'er by thee's desired,
Toying, rest, or rapture sweet."--
She busily seeks his feign'd suff'rings to ease;
Then smiles the Immortal; with pleasure he sees
That with kindness a heart so corrupted can beat.
And he makes her act the part
Of a slave; he's straight obey'd.
What at first had been but art,
Soon is nature in the maid.
By degrees the fruit we find,
Where the buds at first obtain;
When obedience fills the mind,
Love will never far remain.
But sharper and sharper the maiden to prove,
The Discerner of all things below and above,
Feigns pleasure, and horror, and maddening pain.
And her painted cheeks he kisses,
And his vows her heart enthrall;
Feeling love's sharp pangs and blisses,
Soon her tears begin to fall.
At his feet she now must sink,
Not with thoughts of lust or gain,--
And her slender members shrink,
And devoid of power remain.
And so the bright hours with gladness prepare
Their dark, pleasing veil of a texture so fair,
And over the couch softly, tranquilly reign.
Late she falls asleep, thus bless'd,--
Early wakes, her slumbers fled,
And she finds the much-loved guest
On her bosom lying dead.
Screaming falls she on him there,
But, alas, too late to save!
And his rigid limbs they bear
Straightway to their fiery grave.
Then hears she the priests and the funeral song,
Then madly she runs, and she severs the throng:
"Why press tow'rd the pile thus? Why scream thus, and rave?"
Then she sinks beside his bier,
And her screams through air resound:
"I must seek my spouse so dear,
E'en if in the grave he's bound.
Shall those limbs of grace divine
Fall to ashes in my sight?
Mine he was! Yes, only mine!
Ah, one single blissful night!"
The priests chaunt in chorus: "We bear out the old,
When long they've been weary, and late they've grown cold:
We bear out the young, too, so thoughtless and light.
"To thy priests' commands give ear!
This one was thy husband ne'er;
Live still as a Bayadere,
And no duty thou need'st share.
To deaths silent realms from life,
None but shades attend man's frame,
With the husband, none but wife,--
That is duty, that is fame.
Ye trumpets, your sacred lament haste to raise
Oh, welcome, ye gods, the bright lustre of days!
Oh, welcome to heaven the youth from the flame!"
Thus increased her torments are
By the cruel, heartless quire;
And with arms outstretching far
Leaps she on the glowing pyre.
But the youth divine outsprings
From the flame with heav'nly grace,
And on high his flight he wings,
While his arms his love embrace.
In the sinner repentant the Godhead feels joy;
Immortals delight thus their might to employ.
Lost children to raise to a heavenly place.
poem by Johann Wolfgang von Goethe
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Elegy X: The Dream
Image of her whom I love, more than she,
Whose fair impression in my faithful heart
Makes me her medal, and makes her love me,
As Kings do coins, to which their stamps impart
The value: go, and take my heart from hence,
Which now is grown too great and good for me:
Honours oppress weak spirits, and our sense
Strong objects dull; the more, the less we see.
When you are gone, and Reason gone with you,
Then Fantasy is queen and soul, and all;
She can present joys meaner than you do;
Convenient, and more proportional.
So, if I dream I have you, I have you,
For, all our joys are but fantastical.
And so I 'scape the pain, for pain is true;
And sleep which locks up sense, doth lock out all.
After a such fruition I shall wake,
And, but the waking, nothing shall repent;
And shall to love more thankful sonnets make
Than if more honour, tears, and pains were spent.
But dearest heart, and dearer image, stay;
Alas, true joys at best are dream enough;
Though you stay here you pass too fast away:
For even at first life's taper is a snuff.
Filied with her love, may I be rather grown
Mad with much heart, than idiot with none.
poem by John Donne
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Epistle from Arthur Grey, the Footman, to Mrs. Murray, after His Condemnation for Attempting to Comm
Read, lovely nymph, and tremble not to read,
I have no more to wish, nor you to dread;
I ask not life, for life to me were vain,
And death a refuge from severer pain.
My only hope in these last lines I try --
I would be pitied, and I then would die.
Long had I liv'd as sordid as my fate,
Nor curs'd the destiny that made me wait
A servile slave: content with homely food,
The gross instinct of happiness pursued:
Youth gave me sleep at night and warmth of blood.
Ambition yet had never touch'd my breast;
My lordly master knew no sounder rest;
With labour healthy, in obedience blest.
But when I saw -- oh! had I never seen
That wounding softness, that engaging mien!
The mist of wretched education flies,
Shame, fear, desire, despair, and love arise,
The new creation of those beauteous eyes.
But yet that love pursu'd no guilty aim;
Deep in my heart I hid the secret flame:
I never hop'd my fond desire to tell,
And all my wishes were to serve you well.
Heav'ns! how I flew when wing'd by your command,
And kiss'd the letters giv'n me by your hand.
How pleas'd, how proud, how fond I was to wait,
Present the sparkling wine, or change the plate!
How, when you sung, my soul devour'd the sound,
And ev'ry sense was in the rapture drown'd!
Though bid to go, I quite forgot to move;
-- You knew not that stupidity was love!
But oh! the torment not to be express'd,
The grief, the rage, the hell, that fir'd this breast,
When my great rivals, in embroidery gay,
Sate by your side, or led you from the play!
I still contriv'd near as I could to stand
(the flambeau trembling in my shaking hand);
I saw, or thought I saw, those fingers press'd,
For thus their passion by my own I guess'd,
And jealous fury all my soul possess'd.
Like torrents, love and indignation meet,
And madness would have thrown me at your feet.
Turn, lovely nymph (for so I would have said),
Turn from those triflers who make love a trade;
This is true passion in my eyes you see;
They cannot, no -- they cannot love like me;
Frequent debauch has pall'd their sickly taste,
Faint their desire, and in a moment past;
They sigh not from the heart, but from the brain;
Vapours of vanity and strong champagne.
Too dull to feel what forms like yours inspire,
After long talking of their painted fire,
To some lewd brothel they at night retire;
There, pleas'd with fancy'd quality and charms,
Enjoy your beauties in a strumpet's arms.
Such are the joys those toasters have in view,
And such the wit and pleasure they pursue;
-- And is this love that ought to merit you?
Each opera night a new address begun,
They swear to thousands what they swear to one.
Not thus I sigh -- but all my sighs are vain --
Die, wretched Arthur, and conceal thy pain:
'Tis impudence to wish, and madness to complain.
Fix'd on this view, my only hope of ease,
I waited not the aid of slow disease;
The keenest instruments of death I sought,
And death alone employ'd my lab'ring thought.
This all the night -- when I remember well
The charming tinkle of your morning bell!
Fir'd by the sound, I hasten'd with your tea,
With one last look to smooth the darksome way --
But oh! how dear that fatal look has cost!
In that fond moment my resolves were lost.
Hence all my guilt, and all your sorrows rise --
I saw the languid softness of your eyes;
I saw the dear disorder of your bed;
Your cheeks all glowing with a tempting red;
Your night-clothes tumbled with resistless grace,
Your flowing hair play'd careless down your face
Your night-gown fasten'd with a single pin;
-- Fancy improv'd the wondrous charms within!
I fix'd my eyes upon that heaving breast,
And hardly, hardly, I forbore the rest:
Eager to gaze, unsatisfied with sight,
My head grew giddy with the near delight!
-- Too well you know the fatal following night!
Th'extremest proof of my desire I give,
And since you will not love, I will not live.
Condemn'd by you, I wait the righteous doom.
Careless and fearless of the woes to come.
But when you see me waver in the wind,
My guilty flame extinct, my soul resign'd,
Sure you may pity what you can't approve,
The cruel consequence of furious love.
Think the bold wretch, that could so greatly dare,
Was tender, faithful, ardent, and sincere;
Think when I held the pistol to your breast, --
Had I been of the world's large rule possess'd, --
That world had then been yours, and I been blest;
Think that my life was quite below my care,
Nor fear'd I any hell beyond despair. --
If these reflections, though they seize you late,
Give some compassion for your Arthur's fate:
Enough you give, nor ought I to complain:
You pay my pangs, nor have I died in vain.
poem by Lady Mary Wortley Montagu
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Epistle from Arthur Grey, the Footman, to Mrs. Murray, after His Condemnation for Attempting to Commit Violence.
Read, lovely nymph, and tremble not to read,
I have no more to wish, nor you to dread;
I ask not life, for life to me were vain,
And death a refuge from severer pain.
My only hope in these last lines I try --
I would be pitied, and I then would die.
Long had I liv'd as sordid as my fate,
Nor curs'd the destiny that made me wait
A servile slave: content with homely food,
The gross instinct of happiness pursued:
Youth gave me sleep at night and warmth of blood.
Ambition yet had never touch'd my breast;
My lordly master knew no sounder rest;
With labour healthy, in obedience blest.
But when I saw -- oh! had I never seen
That wounding softness, that engaging mien!
The mist of wretched education flies,
Shame, fear, desire, despair, and love arise,
The new creation of those beauteous eyes.
But yet that love pursu'd no guilty aim;
Deep in my heart I hid the secret flame:
I never hop'd my fond desire to tell,
And all my wishes were to serve you well.
Heav'ns! how I flew when wing'd by your command,
And kiss'd the letters giv'n me by your hand.
How pleas'd, how proud, how fond I was to wait,
Present the sparkling wine, or change the plate!
How, when you sung, my soul devour'd the sound,
And ev'ry sense was in the rapture drown'd!
Though bid to go, I quite forgot to move;
-- You knew not that stupidity was love!
But oh! the torment not to be express'd,
The grief, the rage, the hell, that fir'd this breast,
When my great rivals, in embroidery gay,
Sate by your side, or led you from the play!
I still contriv'd near as I could to stand
(the flambeau trembling in my shaking hand);
I saw, or thought I saw, those fingers press'd,
For thus their passion by my own I guess'd,
And jealous fury all my soul possess'd.
Like torrents, love and indignation meet,
And madness would have thrown me at your feet.
Turn, lovely nymph (for so I would have said),
Turn from those triflers who make love a trade;
This is true passion in my eyes you see;
They cannot, no -- they cannot love like me;
Frequent debauch has pall'd their sickly taste,
Faint their desire, and in a moment past;
They sigh not from the heart, but from the brain;
Vapours of vanity and strong champagne.
Too dull to feel what forms like yours inspire,
After long talking of their painted fire,
To some lewd brothel they at night retire;
There, pleas'd with fancy'd quality and charms,
Enjoy your beauties in a strumpet's arms.
Such are the joys those toasters have in view,
And such the wit and pleasure they pursue;
-- And is this love that ought to merit you?
Each opera night a new address begun,
They swear to thousands what they swear to one.
Not thus I sigh -- but all my sighs are vain --
Die, wretched Arthur, and conceal thy pain:
'Tis impudence to wish, and madness to complain.
Fix'd on this view, my only hope of ease,
I waited not the aid of slow disease;
The keenest instruments of death I sought,
And death alone employ'd my lab'ring thought.
This all the night -- when I remember well
The charming tinkle of your morning bell!
Fir'd by the sound, I hasten'd with your tea,
With one last look to smooth the darksome way --
But oh! how dear that fatal look has cost!
In that fond moment my resolves were lost.
Hence all my guilt, and all your sorrows rise --
I saw the languid softness of your eyes;
I saw the dear disorder of your bed;
Your cheeks all glowing with a tempting red;
Your night-clothes tumbled with resistless grace,
Your flowing hair play'd careless down your face
Your night-gown fasten'd with a single pin;
-- Fancy improv'd the wondrous charms within!
I fix'd my eyes upon that heaving breast,
And hardly, hardly, I forbore the rest:
Eager to gaze, unsatisfied with sight,
My head grew giddy with the near delight!
-- Too well you know the fatal following night!
Th'extremest proof of my desire I give,
And since you will not love, I will not live.
Condemn'd by you, I wait the righteous doom.
Careless and fearless of the woes to come.
But when you see me waver in the wind,
My guilty flame extinct, my soul resign'd,
Sure you may pity what you can't approve,
The cruel consequence of furious love.
Think the bold wretch, that could so greatly dare,
Was tender, faithful, ardent, and sincere;
Think when I held the pistol to your breast, --
Had I been of the world's large rule possess'd, --
That world had then been yours, and I been blest;
Think that my life was quite below my care,
Nor fear'd I any hell beyond despair. --
If these reflections, though they seize you late,
Give some compassion for your Arthur's fate:
Enough you give, nor ought I to complain:
You pay my pangs, nor have I died in vain.
poem by Lady Mary Wortley Montagu
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To Delia
Me to whatever state the gods assign,
Believe, my love, whatever state be mine,
Ne'er shall my breast one anxious sorrow know,
Ne'er shall my heart confess a real woe,
If to thy share heaven's choicest blessings fall,
As thou hast virtue to deserve them all.
Yet vain, alas! that idle hope would be
That builds on happiness remote from thee.
Oh! may thy charms, whate'er our fate decrees,
Please, as they must, but let them only please--
Not like the sun with equal influence shine,
Nor warm with transport any heart but mine.
Ye who from wealth the ill-grounded title boast
To claim whatever beauty charms you most;
Ye sons of fortune, who consult alone
Her parents' will, regardless of her own,
Know that a love like ours, a generous flame,
No wealth can purchase, and no power reclaim.
The soul's affection can be only given
Free, unextorted, as the grace of heaven.
Is there whose faithful bosom can endure
Pangs fierce as mine, nor ever hope a cure?
Who sighs in absence of the dear-loved maid?
Nor summons once indifference to his aid?
Who can, like me, the nice resentment prove,
The thousand soft disquietudes of love;
The trivial strifes that cause a real pain;
The real bliss when reconciled again?
Let him alone dispute the real prize,
And read his sentence in my Delia's eyes;
There shall he read all gentleness and truth,
But not himself, the dear distinguished youth;
Pity for him perhaps they may express--
Pity, that will but heighten his distress.
But, wretched rival! he must sigh to see
The sprightlier rays of love directed all to me.
And thou, dear antidote of every pain
Which fortune can inflict, or love ordain,
Since early love has taught thee to despise
What the world's worthless votaries only prize,
Believe, my love! no less the generous god
Rules in my breast, his ever blest abode;
There has he driven each gross desire away,
Directing every wish and every thought to thee!
Then can I ever leave my Delia's arms,
A slave, devoted to inferior charms?
Can e'er my soul her reason so disgrace?
For what blest minister of heavenly race
Would quit that heaven to find a happier place?
poem by William Cowper
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Softly, O! dropp mine eyes
Softly, O! dropp mine eyes, lest you be dry,
And make my heart with grief to melt and die.
Now pour out tears apace,
Now stay, O heavy case!
O sour sweet woe!
Alas! O grief! O joy! Why strive you so?
Can griefs and joys at once in one poor heart consent?
Then sigh and sing, rejoice, lament.
Ah me! O passions strange and violent!
Was never poor wretch so tormented:
Nor joy, nor grief can make my heart contented.
For while with joy I look on high,
Down, down I fall with grief, and die.
poem by John Wilbye
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Julia to Ovid
Written at Twelve Years of Age, in imitation of Ovid's Epistles.
Are love and pow'r incapable to meet?
And must they all be wretched who are great?
Enslav'd by titles, and by forms confin'd,
For wretched victims to the state design'd.
What rural maid, that my sad fortune knows,
Would quit her cottage to embrace my woes?
Would be this cursed sacrifice to pow'r,
This wretched daughter of Rome's emperour?
When sick with sighs to absent Ovid given,
I tire with vows the unrelenting Heaven,
Drown'd in my tears, and with my sorrows pale,
What then do all my kindred gods avail?
Let proud Augustus the whole world subdue,
be mine to place all happiness in you;
With nobler pride I can on throes look down,
Can court your love and can despise a crown, --
O Love! thou pleasure never dearly bought!
Whose joys exceed the very lover's thought;
Of that soft passion, when you teach the art,
In gentle sounds it steals into the heart;
With such sweet magic does the soul surprise,
'Tis only taught us better by your eyes.
O Ovid! first of the inspired train,
To Heaven I speak in that enchanting strain,
So sweet a voice can never plead in vain.
Apollo will protect his favourite son,
And all the little Loves unto thy succour run.
The Loves and Muses in thy prayer shall join,
And all their wishes and their vows be thine;
Some god will soften my hard Father's breast,
And work a miracle to make thee blest.
* * * * * * * *
* * * * * * * *
Hard as this is, I even could this bear,
But greater ills than what I feel, I fear.
My fame -- my Ovid -- both for ever fled,
what greater evil is there left to dread!
Yes, there is one . . . . . . . . . . .
Avert it, Gods, who do my sorrows see!
Avert it, thou, who art a god to me!
When back to Rome your wishing eyes are cast,
And on the lessening towers you gaze your last --
When fancy shall recal unto your view
The pleasures now for ever lost to you,
The shining court, and all the thousand ways
To melt the nights and pass the happy days --
Will you not sigh, and hate the wretched maid,
Whose fatal love your safety has betray'd?
Say that from me your banishment does come,
And curse the eyes that have expell'd you Rome?
Those eyes, which now are weeping for your woes,
The sleep of death shall then for ever close.
poem by Lady Mary Wortley Montagu
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Sappho to Phaon (Ovid Heroid XV)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
poem by Alexander Pope
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Wednesday, the Tête à Tête
DANCINDA.
"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."
Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise --
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.
Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.
Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.
Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.
Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.
O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.
She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love -- but he cou'd say no more,
For Mademoiselle came rapping at the door.
The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.
poem by Lady Mary Wortley Montagu
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Town Eclogues: Wednesday
DANCINDA.
" NO, fair DANCINDA, no ; you strive in vain
" To calm my care and mitigate my pain ;
" If all my sighs, my cares, can fail to move,
" Ah ! sooth me not with fruitless vows of love."
Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride ?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart ;
`What proof of love remains for me to grant ?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise --
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.
Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.
Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.
Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.
Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.
O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.
She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love -- but he cou'd say no more,
For Mademoiselle came rapping at the door.
The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.
poem by Lady Mary Wortley Montagu
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Town Eclogues: Tuesday; St. James's Coffee-House
SILLIANDER and PATCH.
THOU so many favours hast receiv'd,
Wondrous to tell, and hard to be believ'd,
Oh ! H---- D, to my lays attention lend,
Hear how two lovers boastingly contend ;
Like thee successful, such their bloomy youth,
Renown'd alike for gallantry and truth.
St. JAMES's bell had toll'd some wretches in,
(As tatter'd riding-hoods alone could sin)
The happier sinners now their charms put out,
And to their manteaus their complexions suit :
The opera queens had finish'd half their faces,
And city-dames allready taken places ;
Fops of all kinds to see the Lion, run ;
The beauties stay till the first act's begun,
And beaux step home to put fresh linen on.
No well-dress'd youth in coffee-house remain'd,
But pensive PATCH, who on the window lean'd ;
And SILLIANDER, that alert and gay,
First pick'd his teeth, and then began to say.
SILLIANDER.
Why all these sighs ? ah ! why so pensive grown ?
Some cause there is that thus you sit alone.
Does hapless passion all this sorrow move ?
Or dost thou envy where the ladies love ?
PATCH.
If, whom they love, my envy must pursue,
'Tis sure, at least, I never envy You.
SILLIANDER.
No, I'm unhappy, You are in the right,
'Tis You they favour, and 'tis Me they slight.
Yet I could tell, but that I hate to boast,
A club of ladies where 'tis Me they toast.
PATCH.
Toasting does seldom any favour prove ;
Like us, they never toast the thing they love.
A certain Duke one night my health begun ;
With chearful pledges round the room it run,
Till the young SILVIA press'd to drink it too,
Started, and vow'd she knew not what to do :
What, drink a fellow's health ! she dy'd with shame :
Yet blush'd whenever she pronounc'd my name.
SILLIANDER.
Ill fates pursue me, may I never find
The dice propitious, or the ladies kind,
If fair Miss FLIPPY's fan I did not tear,
And one from me she condescends to wear.
PATCH.
Women are always ready to receive ;
'Tis then a favour when the sex will give.
A lady (but she is too great to name)
Beauteous in person, spotless is her fame,
With gentle strugglings let me force this ring ;
Another day may give another thing.
SILLIANDER.
I cou'd say something -- see this billet-doux --
And as for presents -- look upon my shoe --
These buckles were not forc'd, nor half a theft,
But a young Countess fondly made the gift.
PATCH.
My Countess is more nice, more artful too,
Affects to fly that I may fierce pursue :
This snuff-box which I begg'd, she still deny'd,
And when I strove to snatch it, seem'd to hide ;
She laugh'd and fled, and as I sought to seize,
With affectation cramm'd it down her stays :
Yet hop'd she did not place it there unseen,
I press'd her breasts, and pull'd it from between.
SILLIANDER.
Last night, as I stood ogling of her Grace,
Drinking delicious poison from her face,
The soft enchantress did that face decline,
Nor ever rais'd her eyes to meet with mine ;
With sudden art some secret did pretend,
Lean'd cross two chairs to whisper to a friend,
While the stiff whalebone with the motion rose,
And thousand beauties to my sight expose.
PATCH.
Early this morn -- (but I was ask'd to come)
I drank bohea in CÆLIA's dressing-room :
Warm from her bed, to me alone within,
Her night-gown fasten'd with a single pin ;
Her night-cloaths tumbled with resistless grace,
And her bright hair play'd careless round her face ;
Reaching the kettle, made her gown unpin,
She wore no waistcoat, and her shift was thin.
SILLIANDER.
See TITIANA driving to the park,
Hark ! let us follow, 'tis not yet too dark ;
In her all beauties of the spring are seen,
Her cheeks are rosy, and her mantle green.
PATCH.
See, TINTORETTA to the opera goes !
Haste, or the crowd will not permit our bows ;
In her the glory of the heav'ns we view,
Her eyes are star-like, and her mantle blue.
SILLIANDER.
What colour does in CÆLIA's stockings shine ?
Reveal that secret, and the prize is thine.
PATCH.
What are her garters ! tell me if you can ;
I'll freely own thee for the happier man.
Thus PATCH continued his heroic strain,
While SILLIANDER but contends in vain.
After a conquest so important gain'd,
Unrival'd PATCH in ev'ry ruelle reign'd.
poem by Lady Mary Wortley Montagu
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Deserted
O Love, my love, it's over then—
Your heart flies free;
And it's now no more us two again,
The door on you and me.
And it's now no more the supper spread,
The stove singing low.
Oh, worlds away your feet are led,
Where wild winds blow!
Oh, seas between and worlds away
Our paths run now.
Go, for more dead than coffined clay
Is love's dead vow.
Go, may your bread be sweet, your rest
As soft and deep be
As when you slept upon my breast
And gave the world for me.
Go, for my heart cries out with pain,
With joy cries out.
Go ! you've unwound the golden chain—
Love's hope, love's doubt.
Go! you were mine—now mine shall be
The whole brave world.
My spirit flutters and is free,
With wings unfurled.
Out of my little house of bliss,
O lost love sweet,
Out of my grief and loneliness
Now will I rise to greet
My friend who begs in the street below,
My friend who prays above;
And each will be—oh, well I know!—
You—you, lost love.
poem by Harriet Monroe
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Friday, The Toilette
LYDIA.
Now twenty springs had cloth'd the Park with green,
Since Lydia knew the blossom of fifteen;
No lovers now her morning hours molest,
And catch her at her toilet half undrest.
The thund'ring knocker wakes the street no more,
Nor chairs, nor coaches, crowd the silent door;
Now at the window all her mornings pass,
Or at the dumb devotion of her glass:
Reclin'd upon her arm she pensive sate,
And curs'd th' inconstancy of man too late.
"O youth! O spring of life, for ever lost!
No more my name shall reign the fav'rite toast:
On glass no more the diamond grave my name,
And lines mis-spelt record my lover's flame:
Nor shall side-boxes watch my wand'ring eyes,
And, as they catch the glance, in rows arise
With humble bows; nor white-glov'd beaux encroach
In crowds behind, to guard me to my coach.
"What shall I do to spend the hateful day?
At chapel shall I wear the morn away?
Who there appears at these unmodish hours,
But ancient matrons with their frizzled tow'rs,
And gray religious maids? My presence there,
Amidst that sober train, would own despair?
Nor am I yet so old, nor is my glance
As yet fix'd wholly on devotion's trance.
Strait then I'll dress, and take my wonted range
Through India's shops, to Motteux's, or the Change,
Where the tall jar erects its stately pride,
With antic shapes in China's azure dy'd;
There careless lies a rich brocade unroll'd,
Here shines a cabinet with burnish'd gold.
But then alas! I must be forc'd to pay,
And bring no penn'orth, not a fan away!
"How am I curs'd, unhappy and forlorn!
My lover's triumph, and my sex's scorn!
False is the pompous grief of youthful heirs;
False are the loose coquet's inveigling airs;
False is the crafty courtier's plighted word;
False are the dice when gamesters stamp the board;
False is the sprightly widow's public tear;
Yet these to Damon's oaths are all sincere.
"For what young flirt, base man, am I abus'd?
To please your wife am I unkindly us'd?
'Tis true her face may boast the peach's bloom;
But does her nearer whisper breathe perfume?
I own her taper shape is form'd to please;
But don't you see her unconfin'd by stays?
She doubly to fifteen may claim pretence;
Alike we read it in her face and sense.
Insipid, servile thing! whom I disdain;
Her phlegm can best support the marriage chain.
Damon is practis'd in the modish life,
Can hate, and yet be civil to his wife:
He games, he drinks, he swears, he fights, he roves;
Yet Cloe can believe he fondly loves.
Mistress and wife by turns supply his need;
A miss for pleasure, and a wife for breed.
Powder'd with diamonds, free from spleen or care,
She can a sullen husband's humour bear;
Her credulous friendship and her stupid ease,
Have often been my jest in happier days;
How Chloe boasts and triumphs in my pains!
To her he's faithful; 'tis to me he feigns.
Am I that stupid thing to bear neglect,
And force a smile, not daring to suspect?
No, perjur'd man! a wife may be content;
But you shall find a mistress can resent."
Thus love-sick Lydia rav'd; her maid appears,
And in her faithful hand the band-box bears
The cestus, that reform'd inconstant Jove,
Not better fill'd with what allur'd to love);
"How well this ribbon's gloss becomes your face!"
She cries in rapture; "then so sweet a lace!
How charmingly you look! so bright! so fair!
"Tis to your eyes the head-dress owes its air!"
Straight Lydia smiled; the comb adjusts her locks;
And at the play-house Harry keeps her box.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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