Epistle from Arthur Grey, the Footman, to Mrs. Murray, after His Condemnation for Attempting to Commit Violence.
Read, lovely nymph, and tremble not to read,
I have no more to wish, nor you to dread;
I ask not life, for life to me were vain,
And death a refuge from severer pain.
My only hope in these last lines I try --
I would be pitied, and I then would die.
Long had I liv'd as sordid as my fate,
Nor curs'd the destiny that made me wait
A servile slave: content with homely food,
The gross instinct of happiness pursued:
Youth gave me sleep at night and warmth of blood.
Ambition yet had never touch'd my breast;
My lordly master knew no sounder rest;
With labour healthy, in obedience blest.
But when I saw -- oh! had I never seen
That wounding softness, that engaging mien!
The mist of wretched education flies,
Shame, fear, desire, despair, and love arise,
The new creation of those beauteous eyes.
But yet that love pursu'd no guilty aim;
Deep in my heart I hid the secret flame:
I never hop'd my fond desire to tell,
And all my wishes were to serve you well.
Heav'ns! how I flew when wing'd by your command,
And kiss'd the letters giv'n me by your hand.
How pleas'd, how proud, how fond I was to wait,
Present the sparkling wine, or change the plate!
How, when you sung, my soul devour'd the sound,
And ev'ry sense was in the rapture drown'd!
Though bid to go, I quite forgot to move;
-- You knew not that stupidity was love!
But oh! the torment not to be express'd,
The grief, the rage, the hell, that fir'd this breast,
When my great rivals, in embroidery gay,
Sate by your side, or led you from the play!
I still contriv'd near as I could to stand
(the flambeau trembling in my shaking hand);
I saw, or thought I saw, those fingers press'd,
For thus their passion by my own I guess'd,
And jealous fury all my soul possess'd.
Like torrents, love and indignation meet,
And madness would have thrown me at your feet.
Turn, lovely nymph (for so I would have said),
Turn from those triflers who make love a trade;
This is true passion in my eyes you see;
They cannot, no -- they cannot love like me;
Frequent debauch has pall'd their sickly taste,
Faint their desire, and in a moment past;
They sigh not from the heart, but from the brain;
Vapours of vanity and strong champagne.
Too dull to feel what forms like yours inspire,
After long talking of their painted fire,
To some lewd brothel they at night retire;
There, pleas'd with fancy'd quality and charms,
Enjoy your beauties in a strumpet's arms.
Such are the joys those toasters have in view,
And such the wit and pleasure they pursue;
-- And is this love that ought to merit you?
Each opera night a new address begun,
They swear to thousands what they swear to one.
Not thus I sigh -- but all my sighs are vain --
Die, wretched Arthur, and conceal thy pain:
'Tis impudence to wish, and madness to complain.
Fix'd on this view, my only hope of ease,
I waited not the aid of slow disease;
The keenest instruments of death I sought,
And death alone employ'd my lab'ring thought.
This all the night -- when I remember well
The charming tinkle of your morning bell!
Fir'd by the sound, I hasten'd with your tea,
With one last look to smooth the darksome way --
But oh! how dear that fatal look has cost!
In that fond moment my resolves were lost.
Hence all my guilt, and all your sorrows rise --
I saw the languid softness of your eyes;
I saw the dear disorder of your bed;
Your cheeks all glowing with a tempting red;
Your night-clothes tumbled with resistless grace,
Your flowing hair play'd careless down your face
Your night-gown fasten'd with a single pin;
-- Fancy improv'd the wondrous charms within!
I fix'd my eyes upon that heaving breast,
And hardly, hardly, I forbore the rest:
Eager to gaze, unsatisfied with sight,
My head grew giddy with the near delight!
-- Too well you know the fatal following night!
Th'extremest proof of my desire I give,
And since you will not love, I will not live.
Condemn'd by you, I wait the righteous doom.
Careless and fearless of the woes to come.
But when you see me waver in the wind,
My guilty flame extinct, my soul resign'd,
Sure you may pity what you can't approve,
The cruel consequence of furious love.
Think the bold wretch, that could so greatly dare,
Was tender, faithful, ardent, and sincere;
Think when I held the pistol to your breast, --
Had I been of the world's large rule possess'd, --
That world had then been yours, and I been blest;
Think that my life was quite below my care,
Nor fear'd I any hell beyond despair. --
If these reflections, though they seize you late,
Give some compassion for your Arthur's fate:
Enough you give, nor ought I to complain:
You pay my pangs, nor have I died in vain.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Related quotes
Epistle from Arthur Grey, the Footman, to Mrs. Murray, after His Condemnation for Attempting to Comm
Read, lovely nymph, and tremble not to read,
I have no more to wish, nor you to dread;
I ask not life, for life to me were vain,
And death a refuge from severer pain.
My only hope in these last lines I try --
I would be pitied, and I then would die.
Long had I liv'd as sordid as my fate,
Nor curs'd the destiny that made me wait
A servile slave: content with homely food,
The gross instinct of happiness pursued:
Youth gave me sleep at night and warmth of blood.
Ambition yet had never touch'd my breast;
My lordly master knew no sounder rest;
With labour healthy, in obedience blest.
But when I saw -- oh! had I never seen
That wounding softness, that engaging mien!
The mist of wretched education flies,
Shame, fear, desire, despair, and love arise,
The new creation of those beauteous eyes.
But yet that love pursu'd no guilty aim;
Deep in my heart I hid the secret flame:
I never hop'd my fond desire to tell,
And all my wishes were to serve you well.
Heav'ns! how I flew when wing'd by your command,
And kiss'd the letters giv'n me by your hand.
How pleas'd, how proud, how fond I was to wait,
Present the sparkling wine, or change the plate!
How, when you sung, my soul devour'd the sound,
And ev'ry sense was in the rapture drown'd!
Though bid to go, I quite forgot to move;
-- You knew not that stupidity was love!
But oh! the torment not to be express'd,
The grief, the rage, the hell, that fir'd this breast,
When my great rivals, in embroidery gay,
Sate by your side, or led you from the play!
I still contriv'd near as I could to stand
(the flambeau trembling in my shaking hand);
I saw, or thought I saw, those fingers press'd,
For thus their passion by my own I guess'd,
And jealous fury all my soul possess'd.
Like torrents, love and indignation meet,
And madness would have thrown me at your feet.
Turn, lovely nymph (for so I would have said),
Turn from those triflers who make love a trade;
This is true passion in my eyes you see;
They cannot, no -- they cannot love like me;
Frequent debauch has pall'd their sickly taste,
Faint their desire, and in a moment past;
They sigh not from the heart, but from the brain;
Vapours of vanity and strong champagne.
Too dull to feel what forms like yours inspire,
After long talking of their painted fire,
To some lewd brothel they at night retire;
There, pleas'd with fancy'd quality and charms,
Enjoy your beauties in a strumpet's arms.
Such are the joys those toasters have in view,
And such the wit and pleasure they pursue;
-- And is this love that ought to merit you?
Each opera night a new address begun,
They swear to thousands what they swear to one.
Not thus I sigh -- but all my sighs are vain --
Die, wretched Arthur, and conceal thy pain:
'Tis impudence to wish, and madness to complain.
Fix'd on this view, my only hope of ease,
I waited not the aid of slow disease;
The keenest instruments of death I sought,
And death alone employ'd my lab'ring thought.
This all the night -- when I remember well
The charming tinkle of your morning bell!
Fir'd by the sound, I hasten'd with your tea,
With one last look to smooth the darksome way --
But oh! how dear that fatal look has cost!
In that fond moment my resolves were lost.
Hence all my guilt, and all your sorrows rise --
I saw the languid softness of your eyes;
I saw the dear disorder of your bed;
Your cheeks all glowing with a tempting red;
Your night-clothes tumbled with resistless grace,
Your flowing hair play'd careless down your face
Your night-gown fasten'd with a single pin;
-- Fancy improv'd the wondrous charms within!
I fix'd my eyes upon that heaving breast,
And hardly, hardly, I forbore the rest:
Eager to gaze, unsatisfied with sight,
My head grew giddy with the near delight!
-- Too well you know the fatal following night!
Th'extremest proof of my desire I give,
And since you will not love, I will not live.
Condemn'd by you, I wait the righteous doom.
Careless and fearless of the woes to come.
But when you see me waver in the wind,
My guilty flame extinct, my soul resign'd,
Sure you may pity what you can't approve,
The cruel consequence of furious love.
Think the bold wretch, that could so greatly dare,
Was tender, faithful, ardent, and sincere;
Think when I held the pistol to your breast, --
Had I been of the world's large rule possess'd, --
That world had then been yours, and I been blest;
Think that my life was quite below my care,
Nor fear'd I any hell beyond despair. --
If these reflections, though they seize you late,
Give some compassion for your Arthur's fate:
Enough you give, nor ought I to complain:
You pay my pangs, nor have I died in vain.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Wednesday, the Tête à Tête
DANCINDA.
"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."
Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise --
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.
Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.
Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.
Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.
Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.
O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.
She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love -- but he cou'd say no more,
For Mademoiselle came rapping at the door.
The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.
poem by Lady Mary Wortley Montagu
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Town Eclogues: Wednesday
DANCINDA.
" NO, fair DANCINDA, no ; you strive in vain
" To calm my care and mitigate my pain ;
" If all my sighs, my cares, can fail to move,
" Ah ! sooth me not with fruitless vows of love."
Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride ?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart ;
`What proof of love remains for me to grant ?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise --
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.
Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.
Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.
Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.
Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.
O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.
She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love -- but he cou'd say no more,
For Mademoiselle came rapping at the door.
The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.
poem by Lady Mary Wortley Montagu
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To Delia
Me to whatever state the gods assign,
Believe, my love, whatever state be mine,
Ne'er shall my breast one anxious sorrow know,
Ne'er shall my heart confess a real woe,
If to thy share heaven's choicest blessings fall,
As thou hast virtue to deserve them all.
Yet vain, alas! that idle hope would be
That builds on happiness remote from thee.
Oh! may thy charms, whate'er our fate decrees,
Please, as they must, but let them only please--
Not like the sun with equal influence shine,
Nor warm with transport any heart but mine.
Ye who from wealth the ill-grounded title boast
To claim whatever beauty charms you most;
Ye sons of fortune, who consult alone
Her parents' will, regardless of her own,
Know that a love like ours, a generous flame,
No wealth can purchase, and no power reclaim.
The soul's affection can be only given
Free, unextorted, as the grace of heaven.
Is there whose faithful bosom can endure
Pangs fierce as mine, nor ever hope a cure?
Who sighs in absence of the dear-loved maid?
Nor summons once indifference to his aid?
Who can, like me, the nice resentment prove,
The thousand soft disquietudes of love;
The trivial strifes that cause a real pain;
The real bliss when reconciled again?
Let him alone dispute the real prize,
And read his sentence in my Delia's eyes;
There shall he read all gentleness and truth,
But not himself, the dear distinguished youth;
Pity for him perhaps they may express--
Pity, that will but heighten his distress.
But, wretched rival! he must sigh to see
The sprightlier rays of love directed all to me.
And thou, dear antidote of every pain
Which fortune can inflict, or love ordain,
Since early love has taught thee to despise
What the world's worthless votaries only prize,
Believe, my love! no less the generous god
Rules in my breast, his ever blest abode;
There has he driven each gross desire away,
Directing every wish and every thought to thee!
Then can I ever leave my Delia's arms,
A slave, devoted to inferior charms?
Can e'er my soul her reason so disgrace?
For what blest minister of heavenly race
Would quit that heaven to find a happier place?
poem by William Cowper
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Love Elegy, to Laura
Too heedless friend, why thus augment the flame
That glows resistless in my beating breast?
Why with thy praises grace his fatal name,
Who robs thy Emma's hapless heart of rest?
Why needest thou dwell on Henry's graceful ease;
Why praise the timid worth his glance reveals;
Why speak enraptured of his power to please,
Whose power to wound my aching bosom feels?
Say not, "That gentle voice was formed for love,"
Nor in his eyes such sweet expression see;
Say not, that tenderness those glances prove,
Which never fix with tenderness on me.
Too well my Henry's charms I've numbered o'er,
And thus to end the fond survey is mine:
His heart will own some brighter fair one's power;
Think not, lost Emma, he can e'er be thine.
Yet why despair? Though Beauty's boasted rose
On others' cheeks in livelier colours shine,
The tender heart that in my bosom glows
The palm of fondness will to none resign.
Though brighter radiance beams in others' eyes,
By shape, by colour formed the soul to steal;
If Love's expression Henry's heart can prize,
Then, Henry's heart the power of mine must feel.
Yet vain the hope: "Fond maid, thy love suppress,"
Calm Reason cries; "go, learn to check the sigh:
But, if resolved to love in rash excess,
Seek out some lonely shade, despair, and die!"
Then, Laura, bid to Henry's praise farewel!
Forget his merit, and my hopeless flame;
On the dear theme no more ill-judging dwell,
And from thy memory blot his fatal name.
But if I urge this plaintive prayer in vain,
Bid execrations on that name attend;
And him, my Laura, view with cold disdain,
Who sees unmoved the sorrows of thy friend.
Say, such the scorn, the pride of Henry's breast,
It cannot Love's endearing softness share,
Say, vice degrades....Hold! slight my wild request,
Nor by such calumny my fury dare.
No....from my frantic wishes still appeal,
Declare that Henry is from error free;
Or the keen hate for him I bade thee feel,
My wayward heart will learn to feel for thee.
poem by Amelia Opie
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A Parody Of Donec Gratus Eram In A dialogue Between M--- & His Wife
He. When first my Biddy love profest
My rapture ran so high
Not Gentle S---s fondly prest
To beautious G---s panting breast
Was half so blest as I
She. When first my bard you taught my name
To sound in Song divine
Not S---s exalted fame
Tho S---s a P--- aim
I wishd instead of mine
He. But now the Muse thy late delight
You See thy rival prove
For night & day & day & night
To write & read & read & write
Is all ye life I love
She Forlorn yet senceless of ye pain
I to the Mirrour fly
Survey my self am Justly vain
And but I know my self again
For that dear face coud dy
He. But shoud thy Bard no longer pore
Wilt thou forsake thy glass
If I admire my works no more
Wilt thou to court thy shade give o're
And all be as it was
She Since none but we our rivals are
And none the lovers too
Be fond or void of am'rous care
I fond or vain of being fair
Yet both are ever true.
poem by Thomas Parnell
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Celia To Damon
What can I say? What Arguments can prove
My Truth? What Colors can describe my Love?
If it's Excess and Fury be not known,
In what Thy Celia has already done?
Thy Infant Flames, whilst yet they were conceal'd
In tim'rous Doubts, with Pity I beheld;
With easie Smiles dispell'd the silent Fear,
That durst not tell Me, what I dy'd to hear:
In vain I strove to check my growing Flame,
Or shelter Passion under Friendship's Name:
You saw my Heart, how it my Tongue bely'd;
And when You press'd, how faintly I deny'd-
E'er Guardian Thought could bring it's scatter'd Aid;
E'er Reason could support the doubting Maid;
My Soul surpriz'd, and from her self disjoin'd,
Left all Reserve, and all the Sex behind:
From your Command her Motions She receiv'd;
And not for Me, but You, She breath'd and liv'd.
But ever blest be Cytherea's Shrine;
And Fires Eternal on Her Altars shine;
Since Thy dear Breast has felt an equal Wound;
Since in Thy Kindness my Desires are crown'd.
By Thy each Look, and Thought, and Care 'tis shown,
Thy Joys are center'd All in Me Alone;
And sure I am, Thou would'st not change this Hour
For all the white Ones, Fate has in it's Pow'r.—
Yet thus belov'd, thus loving to Excess;
Yet thus receiving and returning Bliss;
In this great Moment, in this golden Now,
When ev'ry Trace of What, or When, or How
Should from my Soul by raging Love be torn,
And far on Swelling Seas of Rapture born;
A melancholy Tear afflicts my Eye;
And my Heart labours with a sudden Sigh:
Invading Fears repel my Coward Joy;
And Ills foreseen the present Bliss destroy.
Poor as it is, This Beauty was the Cause,
That with first Sighs Your panting Bosom rose:
But with no Owner Beauty long will stay,
Upon the Wings of Time born swift away:
Pass but some fleeting Years, and These poor Eyes
(Where now without a Boast some Lustre lyes)
No longer shall their little Honors keep;
Shall only be of use to read, or weep:
And on this Forehead, where your Verse has said,
The Loves delighted, and the Graces play'd;
Insulting Age will trace his cruel Way,
And leave sad Marks of his destructive Sway.
Mov'd by my Charms, with them your Love may cease,
And as the Fuel sinks, the Flame decrease:
Or angry Heav'n may quicker Darts prepare;
And Sickness strike what Time awhile would spare.
Then will my Swain His glowing Vows renew:
Then will His throbbing Heart to Mine beat true;
When my own Face deters Me from my Glass;
And Kneller only shows what Celia was.
Fantastic Fame may sound her wild Alarms:
Your Country, as You think, may want your Arms.
You may neglect, or quench, or hate the Flame,
Whose Smoke too long obscured your rising Name:
And quickly cold Indiff'rence will ensue;
When You Love's Joys thro' Honor's Optic view.
Then Celia's loudest Pray'r will prove too weak,
To this abandon'd Breast to bring You back;
When my lost Lover the tall Ship ascends,
With Musick gay, and wet with Jovial Friends:
The tender Accents of a Woman's Cry
Will pass unheard, will unreguarded die;
When the rough Seaman's louder Shouts prevail;
When fair Occasion shows the springing Gale;
And Int'rest guides the Helm; and Honor swells the Sail.
Some wretched Lines from this neglected Hand,
May find my Hero on the foreign Strand,
Warm with new Fires, and pleas'd with new Command:
While She who wrote 'em, of all Joy bereft,
To the rude Censure of the World is left;
Her mangl'd Fame in barb'rous Pastime lost,
The Coxcomb's Novel, and the Drunkard's Toast.
But nearer Care (O pardon it!) supplies
Sighs to my Breast, and Sorrow to my Eyes.
Love, Love himself (the only Friend I have)
May scorn his Triumph, having bound his Slave.
That Tyrant God, that restless Conqueror
May quit his Pleasure, to assert his Pow'r;
Forsake the Provinces that bless his Sway,
To vanquish Those which will not yet obey.
Another Nymph with fatal Pow'r may rise,
To damp the sinking Beams of Celia's Eyes;
With haughty Pride may hear Her Charms confest;
And scorn the ardent Vows that I have blest:
You ev'ry Night may sigh for Her in vain;
And rise each Morning to some fresh Disdain:
While Celia's softest Look may cease to Charm;
And Her Embraces want the Pow'r to warm:
While these fond Arms, thus circling You, may prove
More heavy Chains, than Those of hopeless Love.
Just Gods! All other Things their Like produce:
The Vine arises from her Mother's Juice:
When feeble Plants, or tender Flow'rs decay;
They to their Seed their Images convey:
Where the old Myrtle her good Influence sheds;
Sprigs of like Leaf erect their Filial Heads:
And when the Parent Rose decays, and dies;
With a resembling Face the Daughter-Buds arise.
That Product only which our Passions bear,
Eludes the Planter's miserable Care:
While blooming Love assures us Golden Fruit;
Some inborn Poison taints the secret Root:
Soon fall the Flow'rs of Joy: soon Seeds of Hatred shoot.
Say, Shepherd, say: Are these Reflections true?
Or was it but the Woman's Fear, that drew
This cruel Scene, unjust to Love and You?
Will You be only, and for ever Mine?
Shall neither Time, nor Age our Souls disjoin?
From this dear Bosom shall I ne'er be torn?
Or You grow cold, respectful, and forsworn?
And can You not for Her You love do more,
Than any Youth for any Nymph before?
poem by Matthew Prior
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The Disappointment
One day the Amorous Lysander,
By an impatient Passion sway'd,
Surpris'd fair Chris, that lov'd Maid,
Who could defend herself no longer.
All things did with his Love conspire;
The gilded Planet of the Day,
In his gay Chariot drawn by Fire,
Was now descending to the Sea,
And left no Light to guide the World,
But what from Claris Brighter Eyes was hurld.
In a lone Thicket made for Love,
Silent as yielding Maids Consent,
She with a Charming Languishment,
Permits his Force, yet gently strove ;
Her Hands his Bosom softly meet.
But not to put him back design'd.
Rather to draw 'em on inclin'd:
Whilst he lay trembling at her Feet,
Resistance 'tis in vain to show ;
She wants the pow'r to say — Ah ! what d'ye do ?
Her Bright Eyes sweet, and yet severe,
Where Love and Shame confus'dly strive,
Fresh Vigor to Lysander give;
And breathing faintly in his Ear,
She cry'd — Cease, Cease — your vain Desire,
Or I'll call out — What would you do ?
My Dearer Honour ev'n to You
I canfwt, must not give — Retire,
Or take this Life, whose chiefest part
I gave you with the Conquest of my Heart.
But he as much unus'd to Fear,
As he was capable of Love,
The blessed minutes to improve.
Kisses her Mouth, her Neck, her Hair;
Each Touch her new Desire Alarms,
His burning trembling Hand he prest
Upon her swelling Snowy Brest,
While she lay panting in his Arms.
All her unguarded Beauties lie
The Spoils and Trophies of the Enemy.
And now without Respect or Fear,
He seeks the Object of his Vows,
(His Love no Modesty allows)
His swift degrees advancing — where
His daring Hand that Altar seiz'd.
Where Gods of Love do Sacrifice:
That Awful Throne, the Paradice
Where Rage is calm'd, and Anger pleas'd;
That Fountain where Delight still flows,
And gives the Universal World Repose.
Her Balmy Lips incountring his,
Their Bodies, as their Souls, are joyn'd;
Where both in Transports Unconfin'd
Extend themselves upon the Moss.
Claris half dead and breathless lay;
Her soft Eyes cast a Humid Light,
Such as divides the Day and Night;
Or falling Stars, whose Fires decay:
And now no signs of Life she shows,
But what in short-breath'd Sighs returns & goes.
He saw how at her Length she lay;
He saw her rising Bosom bare;
Her loose thin Robes, through which appear
A Shape design'd for Love and Play;
Abandon'd by her Pride and Shame,
She does her softest joys dispence,
Off'ring her Virgin-Innocence
A Victim to Loves Sacred Flame;
While the o'er-Ravish'd Shepherd lies
Unable to perform the Sacrifice.
Ready to taste a thousand Joys,
The too transported hapless Swain
Found the vast Pleasure turn'd to Pain;
Pleasure which too much Love destroys:
The willing Garments by he laid,
And Heaven all open'd to his view,
Mad to possess, himself he threw
On the Defenceless Lovely Maid.
But Oh what envying God conspires
To snatch his Power, yet leaves him the Desire.
Nature's Support, (without whose Aid
She can no Humane Being give)
It self now wants the Art to live;
Faintness its slack'ned Nerves invade:
In vain th'enraged Youth essay'd
To call its fleeting Vigor back,
No motion 'twill from Motion take;
Excess of Love his Love betray'd:
In vain he toils, in vain Commands;
The insensible fell weeping in his Hand.
In this so Amorous Cruel Strife,
Where Love and Fate were too severe,
The poor Lysander in dispair
Renounc'd his Reason with his Life:
Now all the brisk and active Fire
That should the Nobler parts inflame,
Serv'd to increase his Rage and Shame,
And left no .spark for New Desire:
Not all her Naked Charms cou'd move
Or calm that Rage that had debauch'd his Love.
Claris returning from the Trance
Which Love and soft Desire had bred,
Her timerous Hand she gently laid
(Or guided by Design or Chance)
Upon that Famous Friapas,
That Potent God, as Poets feign;
But never did young Shepherdess,
Gath'ring of Fern upon the Plain,
More nimbly draw her Fingers back,
Finding beneath the verdant Leaves a Snake.
Than Claris her fair Hand withdrew,
Finding that God of her Desires
Disarm'd of all his Awful Fires,
And Cold as Flow'rs bath'd in the Morning Dew.
Who can the Nymph's Confusion guess?
The Blood forsook the hinder Place,
And strew'd with Blushes all her Face,
Which both Disdain and Shame exprest:
And from Lysatider's Arms she fled,
Leaving him fainting on the Gloomy Bed.
Like Lightning through the Grove she hies.
Or Daphne from the Delphick God,
No Print upon the grassey Road
She leaves, t'instruct Pursuing Eyes.
The Wind that wanton'd in her Hair,
And with her Ruffled Garments plaid,
Discover'd in the Flying Maid
All that the God e'er made, if Fair.
So Ve7iiis, when her Love was slain,
With Fear and Haste flew o'er the Fatal Plain.
The Nymphs resentment none but I
Can well Imagine or Condole:
But none can guess Lysander's Soul,
But those who sway'd his Destiny.
His silent Griefts swell up to Storms,
And not one God his Fury spares;
He curs'd his Birth, his Fate, his Stars;
But more the Shepherdess's Charms,
Whose soft bewitching Influence
Had Damn'd him to the Hell of Impotence.
poem by Aphra Behn from National Ballad and Song (1897)
Submitted by Veronica Serbanoiu
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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To This Moment a Rebel
To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.
When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?
Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,
Then what room for Despair, since Delight is Love's end?
There can be no danger in sweetness and youth,
Where Love is secured by good nature and truth;
On her beauty I'll gaze and of pleasure complain
While every kind look adds a link to my chain.
'Tis more to maintain than it was to surprise,
But her Wit leads in triumpth the slave of her eyes;
I beheld, with the loss of my freedom before,
But hearing, forever must serve and adore.
Too bright is my Goddess, her temple too weak:
Retire, divine image! I feel my heart break.
Help, Love! I dissolve in a rapture of charms
At the thought of those joys I should meet in her arms.
poem by Lord John Wilmot
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Farewell, Fair Armida. A Song
Farewell, fair Armida, my joy and my grief!
In vain I have loved you, and hope no relief;
Undone by your virtue, too strict and severe,
Your eyes gave me love, and you gave me despair:
Now called by my honour, I seek with content
The fate which in pity you would not prevent:
To languish in love were to find, by delay,
A death that's more welcome the speediest way.
On seas and in battles, in bullets and fire,
The danger is less than in hopeless desire;
My death's wound you give me, though far off I bear
My fall from your sight—not to cost you a tear:
But if the kind flood on a wave should convey,
And under your window my body should lay,
The wound on my breast when you happen to see,
You'll say with a sigh—it was given by me.
poem by John Dryden
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Psalm 25 part 3
v.15-22
S. M.
Distress of soul; or, Backsliding and desertion.
Mine eyes and my desire
Are ever to the Lord;
I love to plead his promises,
And rest upon his word.
Turn, turn thee to my soul,
Bring thy salvation near;
When will thy hand release my feet
Out of the deadly snare?
When shall the sovereign grace
Of my forgiving God
Restore me from those dangerous ways
My wand'ring feet have trod?
The tumult of my thoughts
Doth but enlarge my woe;
My spirit languishes, my heart
Is desolate and low.
With ev'ry morning light
My sorrow new begins;
Look on my anguish and my pain,
And pardon all my sins.
PAUSE.
Behold the hosts of hell,
How cruel is their hate!
Against my life they rise, and join
Their fury with deceit.
O keep my soul from death,
Nor put my hope to shame,
For I have placed my only trust
In my Redeemer's name.
With humble faith I wait
To see thy face again:
Of Isr'el it shall ne'er be said,
He sought the Lord in vain.
poem by Isaac Watts
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Julia to Ovid
Written at Twelve Years of Age, in imitation of Ovid's Epistles.
Are love and pow'r incapable to meet?
And must they all be wretched who are great?
Enslav'd by titles, and by forms confin'd,
For wretched victims to the state design'd.
What rural maid, that my sad fortune knows,
Would quit her cottage to embrace my woes?
Would be this cursed sacrifice to pow'r,
This wretched daughter of Rome's emperour?
When sick with sighs to absent Ovid given,
I tire with vows the unrelenting Heaven,
Drown'd in my tears, and with my sorrows pale,
What then do all my kindred gods avail?
Let proud Augustus the whole world subdue,
be mine to place all happiness in you;
With nobler pride I can on throes look down,
Can court your love and can despise a crown, --
O Love! thou pleasure never dearly bought!
Whose joys exceed the very lover's thought;
Of that soft passion, when you teach the art,
In gentle sounds it steals into the heart;
With such sweet magic does the soul surprise,
'Tis only taught us better by your eyes.
O Ovid! first of the inspired train,
To Heaven I speak in that enchanting strain,
So sweet a voice can never plead in vain.
Apollo will protect his favourite son,
And all the little Loves unto thy succour run.
The Loves and Muses in thy prayer shall join,
And all their wishes and their vows be thine;
Some god will soften my hard Father's breast,
And work a miracle to make thee blest.
* * * * * * * *
* * * * * * * *
Hard as this is, I even could this bear,
But greater ills than what I feel, I fear.
My fame -- my Ovid -- both for ever fled,
what greater evil is there left to dread!
Yes, there is one . . . . . . . . . . .
Avert it, Gods, who do my sorrows see!
Avert it, thou, who art a god to me!
When back to Rome your wishing eyes are cast,
And on the lessening towers you gaze your last --
When fancy shall recal unto your view
The pleasures now for ever lost to you,
The shining court, and all the thousand ways
To melt the nights and pass the happy days --
Will you not sigh, and hate the wretched maid,
Whose fatal love your safety has betray'd?
Say that from me your banishment does come,
And curse the eyes that have expell'd you Rome?
Those eyes, which now are weeping for your woes,
The sleep of death shall then for ever close.
poem by Lady Mary Wortley Montagu
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Sappho to Phaon (Ovid Heroid XV)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
poem by Alexander Pope
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Love, Hope, Desire, And Fear
...
And many there were hurt by that strong boy,
His name, they said, was Pleasure,
And near him stood, glorious beyond measure
Four Ladies who possess all empery
In earth and air and sea,
Nothing that lives from their award is free.
Their names will I declare to thee,
Love, Hope, Desire, and Fear,
And they the regents are
Of the four elements that frame the heart,
And each diversely exercised her art
By force or circumstance or sleight
To prove her dreadful might
Upon that poor domain.
Desire presented her [false] glass, and then
The spirit dwelling there
Was spellbound to embrace what seemed so fair
Within that magic mirror,
And dazed by that bright error,
It would have scorned the [shafts] of the avenger
And death, and penitence, and danger,
Had not then silent Fear
Touched with her palsying spear,
So that as if a frozen torrent
The blood was curdled in its current;
It dared not speak, even in look or motion,
But chained within itself its proud devotion.
Between Desire and Fear thou wert
A wretched thing, poor heart!
Sad was his life who bore thee in his breast,
Wild bird for that weak nest.
Till Love even from fierce Desire it bought,
And from the very wound of tender thought
Drew solace, and the pity of sweet eyes
Gave strength to bear those gentle agonies,
Surmount the loss, the terror, and the sorrow.
Then Hope approached, she who can borrow
For poor to-day, from rich tomorrow,
And Fear withdrew, as night when day
Descends upon the orient ray,
And after long and vain endurance
The poor heart woke to her assurance.
—At one birth these four were born
With the world’s forgotten morn,
And from Pleasure still they hold
All it circles, as of old.
When, as summer lures the swallow,
Pleasure lures the heart to follow--
O weak heart of little wit!
The fair hand that wounded it,
Seeking, like a panting hare,
Refuge in the lynx’s lair,
Love, Desire, Hope, and Fear,
Ever will be near.
poem by Percy Bysshe Shelley
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Love Triumphant
Your body’s treasures are mine to-day,
Though bitter as gall be their savour still;
From head to foot shall my kisses play,
Till naught is kept from their sovereign will!
The voice of my need supreme must guide
My passionate love to its destined goal;
My feverish fingers shall seek and glide
Until at the last I hold the soul.
My hot strong hands will no veil endure
That shadows your radiant nakedness;
Lay bare each beauty, conceal no lure,
Leave naught to hinder my fond caress!
Young blood beats onward, unchecked by shame,
When passion’s harvest is ripe to reap;
For who shall speak with the raging flame,
Or stay the cataract in its leap?
My armies have stormed at your city’s gate—
I have conquered you, hold you. Might is right
With the beasts of the wild that celebrate
In the jungle their primal marriage night.
You too are moved by the selfsame power,
Your quick breath tells in its shuddering fall:
There is naught so strong as love this hour—
Call it god or beast, it is lord of all!
The god in me and the beast in me
And all deep things come up to light;
And I would barter my soul to be
The prize of love for a single night.
One long, long night of supreme desire,
One long, long night of riot and rage;
For you are the sea and I the fire,
And old as the world is the war we wage.
The old, old strife of woman and man
That ever has been, and still shall be
Until the day when the vaulted span
Shall sink a wreck in the whelming sea.
Once fed, no longer the wolf-pack raves:
But love can never of madness tire,
And I must drown in your passion’s waves,
And you consume in my hot desire.
This the law of the flowering south,
Of the snow-clad north where the world is white …
You shall faint and fall as I crush your mouth
Beneath a conqueror’s ruthless might!
My life is poured in the stream of yours,
But fire and flood were not meant to mate:
We shall never be one while the world endures—
And the meaning of love at the last is hate!
My soul is drunk with your maddening charms;
You have taken all—I have naught to lose.
About me tighten your slender arms
With the very grip of the hangman’s noose.
So let us struggle, both flame and flood,
Let love and hate and sense have play
Till the slow dawn rises bathed in blood,
And you and I are dead ere day!
poem by George Sylvester Viereck from Nineveh and Other Poems (1907)
Submitted by Veronica Serbanoiu
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Euphelia
As roam'd a pilgrim o'er the mountain drear,
On whose lone verge the foaming billows roar,
The wail of hopeless sorrow pierc'd his ear,
And swell'd at distance on the sounding shore.
The mourner breath'd her deep complaint to night,
Her moan she mingled with the rapid blast,
That bar'd her bosom in its wasting flight,
And o'er the earth her scatter'd tresses cast,
"Ye winds," she cried, "still heave the lab'ring deep,
The mountain shake, the howling forest rend;
Still dash the shiv'ring fragments from the steep,
Nor for a wretch like me the storm suspend.
"Ah, wherefore wish the rising storm to spare?
Ah, why implore the raging winds to save?
What refuge can the breast, where lives despair,
Desire but death?--what shelter but the grave?
"To me congenial is the gloom of night,
The savage howlings that infest the air;
I unappall'd can view the fatal light
That issues from the pointed lightning's glare.
"And yet erewhile, if night her shadows threw
O'er the known woodlands of my native vale,
Fancy in visions wild the landscape drew,
And swell'd with boding sounds the whisp'ring gale.
"But deep despair has arm'd my timid soul,
And agony has numb'd the throb of fear;
Taught a weak heart its terrors to controul,
And more to court than shun the danger near.
"Yet could I welcome the return of light,
Its glimm'ring beam might guide my searching eye;
The sacred spot might then emerge from night
On which a lover's bleeding relics lie.
"For sure 'twas here, as late a shepherd stray'd,
Bewilder'd, o'er the mountain's dreary bound,
Close to the pointed cliff he saw him laid,
Where heav'd the waters of the deep around.
"Alas, no longer could his heart endure
The woes that heart was doom'd for me to prove;
He sought for death--for death the only cure
That fate has not refus'd to hopeless love!
"My sire, unjust while passion swell'd his breast,
From the lov'd ALFRED his EUPHELIA tore;
Mock'd the keen sorrows that my soul opprest,
And bade me--vainly bade me, love no more.
"He told me love was like yon troubled deep,
Whose restless billows never know repose,
Are wildly dash'd upon the rocky steep,
And tremble to the slightest breeze that blows!
"From those rude scenes remote her gentle balm,
Dear to the suff'ring spirit, peace applies;
Peace! 'tis th' oblivious lake's detested calm,
Whose dull, slow waters never fall or rise.
"Ah, what avails a parent's stern command,
The force of conqu'ring passion to subdue?
Ah, wherefore seek to rend with cruel hand
The ties enchanted love so fondly drew?
"Yet I could see my ALFRED'S fix'd despair,
And, aw'd by filial fear, conceal my woes!
My coward heart could separation bear,
And check the struggling anguish as it rose!
"'Twas guilt the barb'rous mandate to obey,
Which bade no parting sigh my bosom move!
Victim of duty's unrelenting sway,
I seem'd a traitor, while a slave to love!
"Let her who seal'd a lover's fate, endure
The sharpest pressure of deserv'd distress;
'Twere added perfidy to seek a cure,
And, stain'd with falsehood, wish to suffer less.
"For wretches doom'd in other griefs to pine,
Oft will benignant hope her ray impart;
And pity oft from her celestial shrine
Drop a warm tear upon the fainting heart:
"But o'er the lasting gloom of love's despair,
Can hope's bright ray its cheering visions shed?
Can pity sooth the woes that breast must bear
Which vainly loves, and vainly mourns the dead?
"No! ling'ring still, and still prolong'd, the moan
Shall never pause 'till heaves my latest breath;
Till memory's distracting pang is flown,
And all my sorrows shall be hush'd in death.
And death is pitying come, whose hand shall tear
From this afflicted heart the sense of pain;
My fainting limbs refuse their load to bear,
And life no longer will my form sustain.
"Yet once did health's enliv'ning glow adorn,
And pleasure shed for me her loveliest ray,
Pure as the gentle star that gilds the morn,
And constant as the equal light of day.
"Now, those lost pleasures trac'd by mem'ry, seem
Like yon illusive meteor's glancing light,
That o'er the darkness threw its instant gleam,
Then sunk, and vanish'd in the depth of night.
"My native vale, and thou, delightful bower!
Scenes to my hopeless love for ever dear!
Sweet vale, for whom the morning wak'd her flower,
Fresh bower, for whom the evening pour'd her tear:
"I ask no more to see your beauties rise;
Ye rocks and mountains, on whose rugged breast
My ALFRED , murder'd by EUPHELIA , lies,
In your deep solitudes, I come to rest!
"And sure the dawning ray that lights the steep,
And slowly wanders o'er the purple wave,
Will shew me where his sacred relics sleep,
Will lead his mourner to her destin'd grave!"--
O'er the high precipice unmov'd she bent,
A fearful path the beams of morning shew;
The pilgrim reach'd with toil the rude ascent,
And saw her brooding o'er the deep below.
"EUPHELIA , stay!" he cried, "thy ALFRED calls--
O, stay--in desperation yet more dear!--
I come!"--in vain the tender accent falls,
Alas, it reach'd not her distracted ear.
"Ah what avails," she said, "that morning rose,
With fruitless pain I seek his mould'ring clay;
Vain search! to fill the measure of my woes,
The foaming surge has wash'd his corse away.
"This cruel agony why longer bear?
Death, death alone, can all my pangs remove--
Kind death will banish from my heart despair,
And when I live again--I live to love."
She said, and plung'd into the awful deep!
He saw her meet the fury of the wave,
He frantic saw! and, darting to the steep,
With desp'rate anguish, sought her wat'ry grave.
He clasp'd her dying form, he shar'd her sighs,
He check'd the billow rushing on her breast;
She felt his dear embrace!--her closing eyes
Were fix'd on ALFRED, and her death was blest!
poem by Helen Maria Williams
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Love Elegy, to Henry
Then thou hast learnt the secret of my soul,
Officious Friendship has its trust betrayed;
No more I need the bursting sigh control,
Nor summon pride my struggling soul to aid.
But think not banished hope returns again,
Think not I write thy thankless heart to move;
The faded form that tells my tender pain
May win thy pity, but it can't thy love.
Nor can I move thee by soft winning art,
By manners taught to charm, or practised glance;
Artless as thine, my too too feeling heart
Disdains the tutored eye, the fond advance.
The cold coquette, to win her destined prey,
May feign a passion which she ne'er can feel;
But I true Passion's soft commands obey,
And fain my tender feelings would conceal.
In others' eyes, when fixed on thine, I see
That fondness painted which alone I know;
Think not, my Henry, they can love like me,
More love I hide than they can e'er bestow.
While tender glances their emotions speak,
And oft they heave and oft suppress the sigh;
O turn to me, behold my pallid cheek
Shrinking from thine, behold my downcast eye!
While they by mirth, by wit, thine ear amuse,
And by their eloquence thy plaudits seek;
See me the fond contention still refuse,
Nor in thy presence, Henry, dare to speak.
When asked to breathe the soul-enchanting song,
See them o'erjoyed exert their utmost art;
While vainly I would join the choral throng,
Lost are those tones which once could touch the heart.
But, Henry, wert thou in Love's language wise,
Vainly would others more than Emma shine;
Beyond their sweetest strains thy heart would prize
One faint, one broken, tender tone of mine.
O proofs of passion, eloquent as vain!
By thee unheeded, or perhaps unknown,....
But learn, the pangs that prompt this pensive strain,
Ere long, disdainful youth, may be thine own.
Ah! no....in hopeless love thou canst not pine,
Thou ne'er canst woo the brightest maid in vain;
For thee Love's star midst cloudless skies will shine,
And light thy graceful steps to Hymen's fane:
While I, as hope, and strength, and life recede,
Far, far from thee shall waste the languid day;
Blest, if the scroll that speaks thy bliss I read,
But far more blest to feel life's powers decay.
poem by Amelia Opie
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An Epistle to the Earl of Burlington
How happy you! who varied joys pursue;
And every hour presents you something new!
Plans, schemes, and models, all Palladio's art,
For six long months have gain'd upon your heart;
Of collonades, of corridors you talk,
The winding staircase and the cover'd walk;
You blend the orders with Vitruvian toil,
And raise with wond'rous joy the fancy'd pile:
But the dull workman's slow-performing hand
But coldly executes his lord's command.
With dirt and mortar soon you grow displeas'd,
Planting succeeds, and avenues are rais'd,
Canals are cut, and mountains level made,
Bow'rs of retreat, and galleries of shade;
The shaven turf presents a lively green;
The bordering flowers in mystic knots are seen:
With studied art on nature you refine --
The spring beheld you warm in this design,
But scarce the cold attacks your fav'rite trees,
Your inclination fails, and wishes freeze:
You quit the grove so lately you admir'd;
With other views your eager hopes are fir'd;
Post to the city you direct your way;
Not blooming paradise could bribe your stay:
Ambition shows you power's brightest side,
'Tis meanly poor in solitude to hide:
Though certain pains attend the cares of state,
A good man owes his country to be great;
Should act abroad the high distinguish'd part,
Or show at least the purpose of his heart.
With thoughts like these the shining courts you seek,
Full of new projects for almost a week;
You then despise the tinsel-glittering snare,
Think vile mankind below a serious care.
Life is too short for any distant aim;
And cold the dull reward of future fame:
Be happy then, while yet you have to live;
And love is all the blessing Heav'n can give.
Fir'd by new passion you address the fair,
Survey the opera as a gay parterre;
Young Chloe's bloom had made you certain prize,
But for a sidelong glance from Celia's eyes:
Your beating heart acknowledges her pow'r;
Your eager eyes her lovely form devour;
You feel the poison swelling in your breast,
And all your soul by fond desire possess'd.
In dying sighs a long three hours are past;
To some assembly with impatient haste,
With trembling hope, and doubtful fear, you move,
Resolv'd to tempt your fate, and own your love:
But there Belinda meets you on the stairs,
Easy her shape, attracting all her airs;
A smile she gives, and with a smile can wound;
Her melting voice hath music in the sound;
Her every motion wears resistless grace;
Wit in her mien, and pleasure in her face:
Here while you vow eternity of love,
Chloe and Celia unregarded move.
Thus on the sands of Afric's burning plains,
However deeply made, no long impress remains;
The slightest leaf can leave its figure there;
The strongest form is scatter'd by the air.
So yielding the warm temper of your mind,
So touch'd by every eye, so toss'd by wind;
Oh! how unlike the Heav'n my soul design'd!
Unseen, unheard, the throng around me move;
Not wishing praise, insensible of love;
No whispers soften, nor no beauties fire;
Careless I see the dance, and coldly hear the lyre.
So num'rous herds are driv'n o'er the rock;
No print is left of all the passing flock:
So sings the wind around the solid stone;
So vainly beat the waves with fruitless moan.
Tedious the toil, and great the workman's care,
Who dare attempt to fix impressions there:
But should some swain, more skilful than the rest,
Engrave his name upon this marble breast,
Not rolling ages could deface that name;
Through all the storms of life 'tis still the same:
Though length of years with moss may shade the ground,
Deep, though unseen, remains the secret wound.
poem by Lady Mary Wortley Montagu
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To Sensibility
In SENSIBILITY'S lov'd praise
I tune my trembling reed,
And seek to deck her shrine with bays,
On which my heart must bleed!
No cold exemption from her pain
I ever wish to know;
Cheer'd with her transport, I sustain
Without complaint her woe.
Above whate'er content can give,
Above the charm of ease,
The restless hopes and fears, that live
With her, have power to please.
Where, but for her, were Friendship's power
To heal the wounded heart,
To shorten sorrow's ling'ring hour,
And bid its gloom depart?
'Tis she that lights the melting eye
With looks to anguish dear;
She knows the price of every sigh,
The value of a tear.
She prompts the tender marks of love
Which words can scarce express;
The heart alone their force can prove,
And feel how much they bless.
Of every finer bliss the source!
'Tis she on love bestows
The softer grace, the boundless force,
Confiding passion knows;
When to another, the fond breast
Each thought for ever gives;
When on another leans for rest,
And in another lives!
Quick, as the trembling metal flies
When heat or cold impels,
Her anxious heart to joy can rise,
Or sink where anguish dwells!
Yet though her soul must griefs sustain
Which she alone can know,
And feel that keener sense of pain
Which sharpens every woe;
Though she, the mourners' grief to calm,
Still shares each pang they feel,
And, like the tree distilling balm,
Bleeds others' wounds to heal;
Though she, whose bosom, fondly true,
Has never wish'd to range,
One alter'd look will trembling view,
And scarce can bear the change;
Though she, if death the bands should tear
She vainly thought secure,
Through life must languish in despair,
That never hopes a cure;
Though wounded by some vulgar mind,
Unconscious of the deed,
Who never seeks those wounds to bind,
But wonders why they bleed;--
She oft will heave a secret sigh,
Will shed a lonely tear,
O'er feelings nature wrought so high,
And gave on terms so dear.
Yet who would hard INDIFFERENCE choose,
Whose breast no tears can steep?
Who, for her apathy, would lose
The sacred power to weep?
Though in a thousand objects pain
And pleasure tremble nigh,
Those objects strive to reach in vain
The circle of her eye.
Cold as the fabled god appears
To the poor suppliant's grief,
Who bathes the marble form in tears,
And vainly hopes relief.
Ah, GREVILLE ! why the gifts refuse
To souls like thine allied?
No more thy nature seem to lose,
No more thy softness hide.
No more invoke the playful sprite
To chill, with magic spell,
The tender feelings of delight,
And anguish sung so well;
That envied case thy heart would prove
Were sure too dearly bought
With friendship, sympathy, and love,
And every finer thought.
poem by Helen Maria Williams
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