En.Citatepedia^®.ro

The Enthusiast, or the Lover of Nature

Ye green-rob'd Dryads, oft' at dusky Eve
By wondering Shepherds seen, to Forests brown,
To unfrequented Meads, and pathless Wilds,
Lead me from Gardens deckt with Art's vain Pomps.
Can gilt Alcoves, can Marble-mimic Gods,
Parterres embroider'd, Obelisks, and Urns
Of high Relief; can the long, spreading Lake,
Or Vista lessening to the Sight; can Stow
With all her Attic Fanes, such Raptures raise,
As the Thrush-haunted Copse, where lightly leaps
The fearful Fawn the rustling Leaves along,
And the brisk Squirrel sports from Bough to Bough,
While from an hollow Oak the busy Bees
Hum drowsy Lullabies? The Bards of old,
Fair Nature's Friends, sought such Retreats, to charm
Sweet Echo with their Songs; oft' too they met,
In Summer Evenings, near sequester'd Bow'rs,
Or Mountain-Nymph, or Muse, and eager learnt
The moral Strains she taught to mend Mankind.
As to a secret Grot Ægeria stole
With Patriot Numa, and in silent Night
Whisper'd him sacred Laws, he list'ning sat
Rapt with her virtuous Voice, old Tyber leant
Attentive on his Urn, and husht his Waves.
Rich in her weeping Country's Spoils Versailles
May boast a thousand Fountains, that can cast
The tortur'd Waters to the distant Heav'ns;
Yet let me choose some Pine-topt Precipice
Abrupt and shaggy, whence a foamy Stream,
Like Anio, tumbling roars; or some bleak Heath,
Where straggling stand the mournful Juniper,
Or Yew-tree scath'd; while in clear Prospect round,
From the Grove's Bosom Spires emerge, and Smoak
In bluish Wreaths ascends, ripe Harvests wave,
Herds low, and Straw-rooft Cotts appear, and Streams
Beneath the Sun-beams twinkle -- The shrill Lark,
That wakes the Wood-man to his early Task,
Or love-sick Philomel, whose luscious Lays
Sooth lone Night-wanderers, the moaning Dove
Pitied by listening Milkmaid, far excell
The deep-mouth'd Viol, the Soul-lulling Lute,
And Battle-breathing Trumpet. Artful Sounds!
That please not like the Choristers of Air,
When first they hail th'Approach of laughing May.

Creative Titian, can thy vivid Strokes,
Or thine, O graceful Raphael, dare to vie
With the rich Tints that paint the breathing Mead?
The thousand-colour'd Tulip, Violet's Bell
Snow-clad and meek, the Vermil-tinctur'd Rose,
And golden Crocus? -- Yet with these the Maid,
Phillis or Phoebe, at a Feast or Wake,
Her jetty Locks enamels; fairer she,
In Innocence and home-spun Vestments drest,
Than if coerulean Sapphires at her Ears
Shone pendant, or a precious Diamond-Cross
Heav'd gently on her panting Bosom white.

Yon' Shepherd idly stretcht on the rude Rock,
Listening to dashing Waves, and Sea-Mews Clang
High-hovering o'er his Head, who views beneath
The Dolphin dancing o'er the level Brine,
Feels more true Bliss than the proud Ammiral,
Amid his Vessels bright with burnish'd Gold
And silken Streamers, tho' his lordly Nod
Ten thousand War-worn Mariners revere.
And great Æneas gaz'd with more Delight
On the rough Mountain shagg'd with horrid Shades,
(Where Cloud-compelling Jove, as Fancy dream'd,
Descending shook his direful Ægis black)
Than if he enter'd the high Capitol
On golden Columns rear'd, a conquer'd World
Contributing to deck its stately Head:
More pleas'd he slept in poor Evander's Cott
On shaggy Skins, lull'd by sweet Nightingales,
Than if a Nero, in an Age refin'd,
Beneath a gorgeous Canopy had plac'd
His royal Guest, and bade his Minstrels sound
Soft slumb'rous Lydian Airs to sooth his Rest.

Happy the first of Men, ere yet confin'd
To smoaky Cities; who in sheltering Groves,
Warm Caves, and deep-sunk Vallies liv'd and lov'd,
By Cares unwounded; what the Sun and Showers,
And genial Earth untillag'd could produce,
They gather'd grateful, or the Acorn brown,
Or blushing Berry; by the liquid Lapse
Of murm'ring Waters call'd to slake their Thirst,
Or with fair Nymphs their Sun-brown Limbs to bathe;
With Nymphs who fondly clasp'd their fav'rite Youths,
Unaw'd by Shame, beneath the Beechen Shade,
Nor Wiles, nor artificial Coyness knew.
Then Doors and Walls were not; the melting Maid
Nor Frowns of Parents fear'd, nor Husband's Threats;
Nor had curs'd Gold their tender Hearts allur'd;
Then Beauty was not venal. Injur'd Love,
O whither, God of Raptures, art thou fled?
While Avarice waves his golden Wand around,
Abhorr'd Magician, and his costly Cup
Prepares with baneful Drugs, t'enchant the Souls
Of each low-thoughted Fair to wed for Gain.

What tho' unknown to those primæval Sires,
The well-arch'd Dome, peopled with breathing Forms
By fair Italia's skilful Hand, unknown
The shapely Column, and the crumbling Busts
Of awful Ancestors in long Descent?
Yet why should Man mistaken deem it nobler
To dwell in Palaces, and high-rooft Halls,
Than in God's Forests, Architect supreme!
Say, is the Persian Carpet, than the Field's
Or Meadow's Mantle gay, more richly wov'n';
Or softer to the Votaries of Ease,
Than bladed Grass, perfum'd with dew-dropt Flow'rs?
O Taste corrupt! that Luxury and Pomp
In specious Names of polish'd Manners veil'd,
Should proudly banish Nature's simple Charms.
Tho' the fierce North oft smote with Iron Whip
Their shiv'ring Limbs, tho' oft the bristly Boar
Or hungry Lion 'woke them with their Howls,
And scar'd them from their Moss-grown Caves to rove,
Houseless and cold in dark, tempestuous Nights;
Yet were not Myriads in embattled Fields
Swept off at once, nor had the raving Seas
O'erwhelm'd the foundering Bark, and helpless Crew;
In vain the glassy Ocean smil'd to tempt
The jolly Sailor, unsuspecting Harm,
For Commerce was unknown. Then Want and Pine
Sunk to the Grave their fainting Limbs; but Us
Excess and endless Riot doom to die.
They cropt unweetingly, the poisonous Herb
But wiser we spontaneously provide
Rare powerful Roots, to quench Life's chearful Lamp.

What are the Lays of artful Addison,
Coldly correct, to Shakespear's Warblings wild?
Whom on the winding Avon's willow'd Banks
Fair Fancy found, and bore the smiling Babe
To a close Cavern: (still the Shepherds shew
The sacred Place, whence with religious Awe
They hear, returning from the Field at Eve,
Strange Whisperings of sweet Music thro' the Air)
Here, as with Honey gather'd from the Rock,
She fed the little Prattler, and with Songs
Oft' sooth'd his wondering Ears, with deep Delight
On her soft Lap he sat, and caught the Sounds.

Oft' near some crowded City would I walk,
Listening the far-off Noises, rattling Carrs,
Loud Shouts of Joy, sad Shrieks of Sorrow, Knells
Full slowly tolling, Instruments of Trade,
Striking mine Ears with one deep-swelling Hum.
Or wandering near the Sea, attend the Sounds
Of hollow Winds, and ever-beating Waves.
Ev'n when wild Tempests swallow up the Plains,
And Boreas' Blasts, big Hail, and Rains combine
To shake the Groves and Mountains, would I sit,
Pensively musing on th'outragious Crimes
That wake Heav'n's Vengeance: at such solemn Hours,
Dæmons and Goblins thro' the dark Air shriek,
While Hecat with her black-brow'd Sisters nine,
Rides o'er the Earth, and scatters Woes and Deaths.
Then too, they say, in drear Ægyptian Wilds
The Lion and the Tiger prowl for Prey
With Roarings loud! the list'ning Traveller
Starts Fear-struck, while the hollow-echoing Vaults
Of Pyramids encrease the deathful Sounds.

But let me never fail in cloudless Nights,
When silent Cynthia in her silver Car
Thro' the blue Concave slides, when shine the Hills,
Twinkle the Streams, and Woods look tipt with Gold,
To seek some level Mead, and there invoke
Old Midnight's Sister Contemplation sage,
(Queen of the rugged Brow, and stern-fixt Eye)
To lift my Soul above this little Earth,
This Folly-fetter'd World; to purge my Ears,
That I may hear the rolling Planets Song,
And tuneful-turning Spheres: If this debarr'd,
The little Fayes that dance in neighbouring Dales,
Sipping the Night-dew, while they laugh and love,
Shall charm me with a‰rial Notes. -- As thus
I wander musing, lo, what awful Forms
Yonder appear! sharp-ey'd Philosophy
Clad in dun Robes, an Eagle on his Wrist,
First meets my Eye; next, Virgin Solitude
Serene, who blushes at each Gazer's Sight;
Then Wisdom's hoary Head, with Crutch in Hand,
Trembling, and bent with Age; last Virtue's self
Smiling, in White array'd, who with her leads
Fair Innocence, that prattles by her Side,
A naked Boy! -- Harrass'd with Fear I stop,
I gaze, when Virtue thus -- "Whoe'er thou art,
"Mortal, by whom I deign to be beheld,
"In these my Midnight-Walks; depart, and say
"That henceforth I and my immortal Train
"Forsake Britannia's Isle; who fondly stoops
"To Vice, her favourite Paramour." -- She spoke,
And as she turn'd, her round and rosy Neck,
Her flowing Train, and long, ambrosial Hair,
Breathing rich Odours, I enamour'd view.

O who will bear me then to Western Climes,
(Since Virtue leaves our wretched Land) to Shades
Yet unpolluted with Iberian Swords;
With simple Indian Swains, that I may hunt
The Boar and Tiger thro' Savannah's wild?
There fed on Dates and Herbs, would I despise
The far-fetch'd Cates of Luxury, and Hoards
Of narrow-hearted Avarice; nor heed
The distant Din of the tumultuous World.
So when rude Whirlwinds rouze the roaring Main,
Beneath fair Thetis sits, in coral Caves,
Serenely gay, nor sinking Sailors Cries
Disturb her sportive Nymphs, who round her form
The light fantastic Dance, or for her Hair
Weave rosy Crowns, or with according Lutes
Grace the soft Warbles of her honied Voice.

poem by Joseph Warton
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Ode to Della Crusca

ENLIGHTEN'D Patron of the sacred Lyre?
Whose ever-varying, ever-witching song
Revibrates on the heart
With magic thrilling touch,
Till ev'ry nerve with quiv'ring throb divine,
In madd'ning tumults, owns thy wondrous pow'r;
For well thy dulcet notes
Can wind the mazy song,
In labyrinth of wild fantastic form;
Or with empassion'd pathos woo the soul
With sounds more sweetly mild,
Than SAPPHO's plaint forlorn,
When bending o'er the wave she sung her woes,
While pitying ECHO hover'd o'er the deep,
Till in their coral caves,
The tuneful NEREIDES wept.
AH! whither art thou flown? where pours thy song?
The model and the pride of British bards!
Sweet STAR of FANCY's orb,
"O, tell me, tell me, where?"

Say, dost thou waste it on the viewless air
That bears it to the confines of high Heav'n?
Or does it court the meed
Of proud pre-eminence?
Or steals it o'er the glitt'ring Sapphire wave,
Calming the tempest with its silver sounds?
Or does it charm to love
The fond believing maid?
Or does it hover o'er the ALPINE steep,
Or softly breathing under myrtle shades,
With SYMPATHY divine,
Solace the child of woe?
Where'er thou art, Oh! let thy gentle strain
Again with magic pow'r delight mine ear,
Untutor'd in the spells,
And mysteries of song.
Then, on the margin of the deep I'll muse,
And bless the rocking bark ordain'd to bear
My sad heart o'er the wave,
From this ungrateful isle;
When the wan queen of night, with languid eye,
Peeps o'er the mountain's head, or thro' the vale
Illumes the glassy brook,
Or dew-besprinkled heath,
Or with her crystal lamp, directs the feet
Of the benighted TRAV'LLER, cold, and sad,
Thro' the long forest drear,
And pathless labyrinth,
To the poor PEASANT's hospitable cot,
For ever open to the wretch forlorn;
O, then I'll think on THEE,
And iterate thy strain,
And chaunt thy matchless numbers o'er and o'er,
And I will court the sullen ear of night,
To bear the rapt'rous sound,
On her dark shad'wy wing,
To where encircled by the sacred NINE,
Thy LYRE awakes the never-dying song!
Now, BARD admir'd, farwel!
The white sail flutters loud,
The gaudy streamers lengthen in the gale,
Far from my native shore I bend my way;
Yet, as my aching eye
Shall view the less'ning cliff,
'Till its stupendous head shall scarce appear
Above the surface of the swelling deep;
I'll snatch a ray of hope,
For HOPE's the lamp divine
That lights and vivifies the fainting soul,
With extacies beyond the pow'rs of song!
That ere I reach those banks
Where the loud TIBER flows,
Or milder ARNO slowly steals along,
To the soft music of the summer breeze,
The wafting wing of TIME
May bear this last ADIEU,
This wild untutor'd picture of the heart,
To HIM, whose magic verse INSPIR'D THE STRAIN.

poem by Mary Darby Robinson
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Oberon to the Queen of the Fairies

My OBERON, with ev'ry sprite
"That gilds the vapours of the night,
"Shall dance and weave the verdant ring
"With joy that mortals thus can sing;
"And when thou sigh'st MARIA'S name,
"And mourn'st to feel a hopeless flame,
"Eager they'll catch the tender note
"Just parting from thy tuneful throat,
"And bear it to the careless ear
"Of her who scorn'd a lover's tear. "

- QUEEN OF THE FARIES TO IL FERITO.

SWEET MAB! at thy command I flew
O'er glittering floods of midnight dew,
O'er many a silken violet's head,
Unpress'd by vulgar mortal tread;
Eager to execute thy will,
I mounted on the ZEPHYR'S wing,
And bid her whisp'ring tongue be still,
Nor thro' the air its murmurs fling.

Cold CYNTHIA hid her silver bow
Beneath her azure spangled vest;
No gentle ray my wand'rings blest,
Save the small night-worm's twinkling glow.
Upon the budding thorn I found
A veil of gossamer, which bound
My tiny head;­about my waist
A scarf of magic pow'r I threw,
With many a crystal dew-drop grac'd,
And deck'd with leaves of various hue.

Thus, gaily dress'd, I reach'd the grove,
Where, like the Paphian Queen of Love
Upon a bank of lillies fair
MARIA slept; the am'rous air
Snatch'd nectar from her balmy lips,
Sweeter than haughty JUNO sips,
When GANYMEDE her goblet fills
With juice, the citron bud distills.

Her breast was whiter than the down
That on the RING-DOVE'S bosom grows;
Her cheek, more blushing than the rose
That blooms on FLORA'S May-day crown!
Beneath her dark and "fringed lid,"
I spy'd LOVE'S glittering arrows hid;
I listen'd to the dulcet song
That trembled on her tuneful tongue;
And, "IL FERITO i;" was the sound
The babbling echo whisper'd round:
The blissful moment swift I caught,
And to the maiden's slumb'ring thought
Pictur'd the graces of his mind,
His taste, his eloquence refin'd!

His polish'd manners sweetly mild!
His soft poetic warblings wild !
His warm impassion'd verse, that fills
The soul with Love's extatic thrills.
I mark'd the blush upon her cheek,
Her spotless bosom's language speak;
I mark'd the tear of pity roll,
Sweet emblem of her feeling soul:
I heard the sympathetic sigh
Upon her lips vermilion die.
When busy LOVE too eager sped
His light steps near the charmer's bed;
His pinions rustling thro' the air
Awoke the trembling spotless fair;
Swiftly her radiant eyes unclose,
When, on my filmy wing I rose
Sweet MAB the rapt'rous tale to bear,
TO "IL FERITO'S" GRATEFUL EAR.

poem by Mary Darby Robinson
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We are Seven

--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.

"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."

Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."

"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."

"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"

poem by William Wordsworth
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The Sicilian Captive

The champions had come from their fields of war,
Over the crests of the billows far,
They had brought back the spoils of a hundred shores,
Where the deep had foam'd to their flashing oars.

They sat at their feast round the Norse-king's board;
By the glare of the torch-light the mead was pour'd;
The hearth was heap'd with the pine-boughs high,
And it flung a red radiance on shields thrown by.

The Scalds had chaunted in Runic rhyme,
Their songs of the Sword and the olden time,
And a solemn thrill, as the harp-chords rung,
Had breath'd from the walls where the bright spears hung.

But the swell was gone from the quivering string,
They had summon'd a softer voice to sing,
And a captive girl, at the warriors' call,
Stood forth in the midst of that frowning hall.

Lonely she stood:–in her mournful eyes
Lay the clear midnight of southern skies,
And the drooping fringe of their lashes low,
Half veil'd a depth of unfathom'd wo.

Stately she stood–tho' her fragile frame
Seem'd struck with the blight of some inward flame,
And her proud pale brow had a shade of scorn,
Under the waves of her dark hair worn.

And a deep flush pass'd, like a crimson haze,
O'er her marble cheek by the pine-fire's blaze;
No soft hue caught from the south-wind's breath,
But a token of fever, at strife with death.

She had been torn from her home away,
With her long locks crown'd for her bridal day,
And brought to die of the burning dreams
That haunt the exile by foreign streams.

They bade her sing of her distant land–
She held its lyre with a trembling hand,
Till the spirit its blue skies had given her, woke,
And the stream of her voice into music broke.

Faint was the strain, in its first wild flow;
Troubled its murmur, and sad, and low;
But it swell'd into deeper power ere long,
As the breeze that swept over her soul grew strong.

'They bid me sing of thee, mine own, my sunny land! of thee!
Am I not parted from thy shores by the mournful-sounding sea?
Doth not thy shadow wrap my soul?–in silence let me die,
In a voiceless dream of thy silvery founts, and thy pure, deep sapphire sky;
How should thy lyre give here its wealth of buried sweetness forth?
Its tones of summer's breathings born, to the wild winds of the north?
'Yet thus it shall be once, once more!–my spirit shall awake,
And thro' the mists of death shine out, my country, for thy sake!

That I may make thee known, with all the beauty and the light,
And the glory never more to bless thy daughter's yearning sight!
Thy woods shall whisper in my song, thy bright streams warble by,
Thy soul flow o'er my lips again–yet once, my Sicily!

'There are blue heavens–far hence, far hence! but oh! their glorious blue!
Its very night is beautiful, with the hyacinth's deep hue!
It is above my own fair land, and round my laughing home,
And arching o'er my vintage-hills, they hang their cloudless dome;
And making all the waves as gems, that melt along the shore,
And steeping happy hearts in joy–that now is mine no more.

'And there are haunts in that green land–oh! who may dream or tell,
Of all the shaded loveliness it hides in grot and dell!
By fountains flinging rainbow-spray on dark and glossy leaves,
And bowers wherein the forest-dove her nest untroubled weaves;
The myrtle dwells there, sending round the richness of its breath,
And the violets gleam like amethysts, from the dewy moss beneath.

'And there are floating sounds that fill the skies thro' night and day,
Sweet sounds! the soul to hear them faints in dreams of heaven away!
They wander thro' the olive-woods, and o'er the shining seas,
They mingle with the orange-scents that load the sleepy breeze;
Lute, voice, and bird, are blending there;–it were a bliss to die,
As dies a leaf, thy groves among, my flowery Sicily!

'I may not thus depart–farewell! yet no, my country! no!
Is not love stronger than the grave? I feel it must be so!
My fleeting spirit shall o'ersweep the mountains and the main,
And in thy tender starlight rove, and thro' thy woods again.
Its passion deepens–it prevails!–I break my chain– I come
To dwell a viewless thing, yet blest–in thy sweet air, my home!'

And her pale arms dropp'd the ringing lyre,
There came a mist o'er her eye's wild fire,
And her dark rich tresses, in many a fold,
Loosed from their braids, down her bosom roll'd.

For her head sank back on the rugged wall,–
A silence fell o'er the warriors' hall;
She had pour'd out her soul with her song's last tone;
The lyre was broken, the minstrel gone!

poem by Felicia Dorothea Hemans
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To Mr. Pope

To praise, and still with just respect to praise
A Bard triumphant in immortal bays,
The Learn'd to show, the Sensible commend,
Yet still preserve the province of the Friend,
What life, what vigour must the lines require?
What Music tune them, what affection fire?

O might thy Genius in my bosom shine!
Thou should'st not fail of numbers worthy thine;
The brightest Ancients might at once agree,
To sing within my lays, and sing of thee.

Horace himself wou'd own thou dost excell
In candid arts to play the Critic well.
Ovid himself might wish to sing the Dame,
Whom Windsor-Forest sees a gliding stream:
On silver feet, with annual Osier crown'd,
She runs for ever thro' Poetic ground.

How flame the glories of Belinda's Hair,
Made by thy Muse the envy of the Fair?
Less shone the tresses Ægypt's Princess wore,
Which sweet Callimachus so sung before.
Here courtly trifles set the world at odds;
Belles war with Beaus, and Whims descend for Gods.
The new Machines, in names of ridicule,
Mock the grave frenzy of the Chimick fool.
But know, ye fair, a point conceal'd with art,
The Sylphs and Gnomes are but a woman's heart.
The Graces stand in sight; a Satyr-train,
Peeps o'er their head, and laughs behind the scene.

In Fame's fair Temple o'er the boldest wits,
Inshrin'd on high, the sacred Virgil sits,
And sits in measures, such as Virgil's Muse,
To place thee near him, might be fond to chuse.
How might he tune th' alternate reed with thee,
Perhaps a Strephon thou, a Daphnis he;
While some old Damon, o'er the vulgar wise,
Thinks he deserves, and thou deserv'st the Prize.
Rapt with the thought, my fancy seeks the plains,
And turns me shepherd while I hear the strains.
Indulgent nurse of ev'ry tender gale,
Parent of flowrets, old Arcadia hail!
Here in the cool my limbs at ease I spread,
Here let thy Poplars whisper o'er my head!
Still slide thy waters soft among the trees,
Thy Aspins quiver in a breathing breeze!
Smile, all ye valleys, in eternal spring,
Be hush'd, ye winds! while Pope and Virgil sing.

In English lays, and all sublimely great,
Thy Homer warms with all his ancient heat;
He shines in Council, thunders in the fight,
And flames with ev'ry sense of great delight.
Long has that Poet reign'd, and long unknown,
Like Monarchs sparkling on a distant throne;
In all the majesty of Greek retir'd,
Himself unknown, his mighty name admir'd;
His language failing, wrapt him round with night;
Thine, rais'd by thee, recalls the work to light.
So wealthy Mines, that ages long before
Fed the large realms around with golden Oar,
When choak'd by sinking banks, no more appear,
And shepherds only say, The mines were here:
Should some rich youth (if nature warm his heart,
And all his projects stand inform'd with art)
Here clear the caves, there ope the leading vein;
The mines detected flame with gold again.

How vast, how copious are thy new designs!
How ev'ry Music varies in thy lines!
Still, as I read, I feel my bosom beat,
And rise in raptures by another's heat.
Thus in the wood, when summer dress'd the days,
When Windsor lent us tuneful hours of ease,
Our ears the lark, the thrush, the turtle blest,
And Philomela sweetest o'er the rest:
The shades resound with song—O softly tread,
While a whole season warbles round my head.

This to my friend—and when a friend inspires,
My silent harp its master's hand requires,
Shakes off the dust, and makes these rocks resound;
For fortune plac'd me in unfertile ground.
Far from the joys that with my soul agree,
From wit, from learning—very far from thee.
Here moss-grown trees expand the smallest leaf;
Here half an Acre's corn is half a sheaf;
Here hills with naked heads the tempest meet,
Rocks at their sides, and torrents at their feet;
Or lazy lakes, unconscious of a flood,
Whose dull, brown Naiads ever sleep in mud.
Yet here Content can dwell, and learned ease,
A Friend delight me, and an Author please;
Ev'n here I sing, when Pope supplies the theme,
Shew my own love, tho' not increase his fame.

poem by Thomas Parnell
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Ode on St. Cecilia's Day

I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.

II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.

III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!

IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.

V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.

VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries -
- Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.

VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.

poem by Alexander Pope
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A Voyager's Dream Of Land

His very heart athirst
To gaze at nature in her green array,
Upon the ship's tall side he stands, possess'd
With visions prompted by intense desire;
Fair fields appear below, such as he left
Far distant, such as he would die to find:
He seeks them headlong, and is seen no more. ~ Cowper

The hollow dash of waves!–the ceaseless roar!
Silence, ye billows! vex my soul no more.

There's a spring in the woods by my sunny home,
Afar from the dark sea's tossing foam;
Oh! the fall of that fountain is sweet to hear,
As a song from the shore to the sailor's ear!

And the sparkle which up to the sun it throws,
Thro' the feathery fern and the olive boughs,
And the gleam on its path as it steals away
Into deeper shades from the sultry day,
And the large water-lilies that o'er its bed
Their pearly leaves to the soft light spread,
They haunt me! I dream of that bright spring's flow,
I thirst for its rills, like a wounded roe!

Be still, thou sea-bird, with thy clanging cry!
My spirit sickens, as thy wing sweeps by.

Know ye my home, with the lulling sound
Of leaves from the lime and the chestnut round?
Know ye it, brethren! where bower'd it lies,
Under the purple of southern skies?
With the streamy gold of the sun that shines
In thro' the cloud of its clustering vines,
And the summer-breath of the myrtle-flowers,
Borne from the mountain in dewy hours,
And the fire-fly's glance thro' the dark'ning shades,
Like shooting stars in the forest-glades,
And the scent of the citron at eve's dim fall
Speak! have ye known, have ye felt them all?

The heavy rolling surge! the rocking mast!
Hush! give my dream's deep music way, thou blast!

Oh! the glad sounds of the joyous earth!
The notes of the singing cicala's mirth,
The murmurs that live in the mountain pines,
The sighing of reeds as the day declines,
The wings flitting home thro' the crimson glow
That steeps the wood when the sun is low,
The voice of the night-bird that sends a thrill
To the heart of the leaves when the winds are still
I hear them! round me they rise, they swell,
They call back my spirit with Hope to dwell,
They come with a breath from the fresh spring-time,
And waken my youth in its hour of prime.

The white foam dashes high away, away!
Shroud my green land no more, thou blinding spray!

It is there! down the mountains I see the sweep
Of the chestnut forests, the rich and deep,
With the burden and glory of flowers that they bear,
Floating upborne on the blue summer-air,
And the light pouring thro' them in tender gleams,
And the flashing forth of a thousand streams!
Hold me not, brethren! I go, I go,
To the hills of my youth, where the myrtles blow,
To the depths of the woods, where the shadows rest,
Massy and still, on the greensward's breast,
To the rocks that resound with the water's play
I hear the sweet laugh of my fount give way!

Give way! the booming surge, the tempest's roar,
The sea-bird's wail, shall vex my soul no more.

poem by Felicia Dorothea Hemans
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The Ruin And Its Flowers

Sweets of the wild! that breathe and bloom,
On this lone tow'r, this ivy'd wall;
Lend to the gale a rich perfume,
And grace the ruin in its fall;
Tho' doom'd, remote from careless eye,
To smile, to flourish, and to die,
In solitude sublime,
Oh! ever may the spring renew,
Your balmy scent and glowing hue,
To deck the robe of time!

Breathe, fragrance! breathe, enrich the air,
Tho' wasted on its wing unknown!
Blow, flow'rets! blow, tho' vainly fair,
Neglected and alone!

These tow'rs, that long withstood the blast,
These mossy tow'rs are mouldering fast,
While Flora's children stay;
To mantle o'er the lonely pile,
To gild destruction with a smile,
And beautify decay!

Sweets of the wild! uncultur'd blowing,
Neglected in luxuriance glowing;
From the dark ruins frowning near,
Your charms in brighter tints appear,
And richer blush assume;
You smile with softer beauty crown'd,
Whilst, all is desolate around,
Like sun-shine on a tomb!

Thou hoary pile! majestic still,
Memento of departed fame!
While roving o'er the moss-clad hill,
I ponder on thine ancient name!

Here grandeur, beauty, valour, sleep,
That here, so oft have shone supreme;
While glory, honor, fancy, weep,
That vanish'd is the golden dream!

Where are the banners, waving proud,
To kiss the summer-gale of ev'n?
All purple as the morning-cloud,
All streaming to the winds of heav'n!

Where is the harp, by rapture strung,
To melting song, or martial story?
Where are the lays the minstrel sung,
To loveliness, or glory?

Lorn echo of these mouldering walls,
To thee no festal measure calls;
No music thro' the desert-halls,
Awakes thee to rejoice!

How still thy sleep! as death profound,
As if, within this lonely round,
A step-a note-a whisper'd sound,
Had ne'er arous'd thy voice!

Thou hear'st the zephyr murmuring, dying,
Thou hear'st the foliage waving, sighing;
But ne'er again shall harp, or song,
These dark, deserted courts along,
Disturb thy calm repose;
The harp is broke, the song is fled,
The voice is hush'd, the bard is dead;
And never shall thy tones repeat,
Or lofty strain, or carol sweet,
With plaintive close!

Proud castle! tho' the days are flown,
When once thy tow'rs in glory shone;
When music thro' thy turrets rung,
When banners o'er thy ramparts hung,
Tho' 'midst thine arches, frowning lone,
Stern desolation rear his throne;
And silence, deep and awful, reign,
Where echoed once the choral strain;
Yet oft, dark ruin! ling'ring here,
The muse will hail thee with a tear;
Here, when the moon-light, quiv'ring, beams,
And thro' the fringing ivy streams,
And softens ev'ry shade sublime,
And mellows ev'ry tint of time,
Oh ! here shall contemplation love,
Unseen, and undisturb'd, to rove;
And bending o'er some mossy tomb,
Where valor sleeps, or beauties bloom,
Shall weep for glory's transient day,
And grandeur's evanescent ray!
And list'ning to the swelling blast,
Shall wake the spirit of the past,
Call up the forms of ages fled,
Of warriors and of minstrels dead;
Who sought the field, who struck the lyre,
With all ambition's kindling fire!

Nor wilt thou, Spring! refuse to breathe,
Soft odours on this desert-air;
Refuse to twine thine earliest wreath,
And fringe these tow'rs with garlands fair

Sweets of the wild, oh! ever bloom,
Unheeded on this ivy'd wall!
Lend to the gale a rich perfume,
And grace the ruin in its fall!

Thus, round Misfortune's holy head,
Would Pity wreaths of honor spread;
Like you, thus blooming on this lonely pile,
She seeks despair, with heart-reviving smile!

poem by Felicia Dorothea Hemans
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The Passions. An Ode to Music

When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart
Sweet lessons of her forceful art,
Each, for madness rul'd the hour,
Would prove his own expressive pow'r.

First Fear his hand, its skill to try,
Amid the chords bewilder'd laid,
And back recoil'd, he knew not why,
Ev'n at the sound himself had made.

Next Anger rush'd; his eyes, on fire,
In lightnings own'd his secret stings;
In one rude clash he struck the lyre,
And swept with hurried hand the strings.

With woful measures wan Despair
Low sullen sounds his grief beguil'd;
A solemn, strange, and mingled air;
'Twas sad by fits, by starts 'twas wild.

But thou, O Hope, with eyes so fair,
What was thy delightful measure;
Still it whisper'd promis'd pleasure,
And bade the lovely scenes at distance hail!

Still would her touch the strain prolong,
And from the rocks, the woods, the vale,
She call'd on Echo still thro' all the song;
And where her sweetest theme she chose,
A soft responsive voice was heard at ev'ry close,
And Hope enchanted smil'd, and wav'd her golden hair.

And longer had she sung,-but with a frown
Revenge impatient rose;
He threw his blood-stain'd sword in thunder down
And with a with'ring look
The war-denouncing trumpet took,
And blew a blast so loud and dread,
Were ne'er prophetic sounds so full of woe.
And ever and anon he beat
The doubling drum with furious heat;
And tho' sometimes, each dreary pause between,
Dejected Pity, at his side,
Her soul-subduing voice applied,
Yet still he kept his wild unalter'd mien,
While each strain'd ball of sight seem'd bursting from his head.

Thy numbers, Jealousy, to nought were fix'd,
Sad proof of thy distressful state;
Of diff'ring themes the veering song was mix'd,
And now it courted Love, now raving call'd on Hate.

With eyes uprais'd, as one inspir'd,
Pale Melancholy sate retir'd,
And from her wild sequester'd seat,
In notes by distance made more sweet,
Pour'd thro' the mellow horn her pensive soul:
And, dashing soft from locks around,
Bubbling runnels join'd the sound;
Thro' glades and glooms the mingled measure stole;
Or o'er some haunted stream with fond delay
Round an holy calm diffusing,
Love of peace and lonely musing,
In hollow murmurs died away.

But oh, how alter'd was its sprightlier tone,
When Cheerfulness, a nymph of healthiest hue,
Her bow across her shoulder flung,
Her buskins gemm'd with morning dew,
Blew an inspiring air, that dale and thicket rung,
The hunter's call to faun and dryad known!
The oak-crown'd sisters, and their chaste-ey'd queen,
Satyrs, and sylvan boys, were seen,
Peeping from forth their alleys green;
Brown Exercise rejoic'd to heal,
And Sport leapt up, and seiz'd his beechen spear.

Last came Joy's ecstatic trial.
He, with viny crown advancing,
First to the lively pipe his hand addrest;
But soon he saw the brisk awak'ning viol,
Whose sweet entrancing voice he lov'd the best.
They would have thought, who heard the strain,
They saw in Tempe's vale her native maids
Amidst the vestal sounding shades,
To some unwearied minstrel dancing,
While, as his flying fingers kiss'd the strings,
Love fram'd with Mirth a gay fantastic round;
Loose were her tresses seen, her zone unbound,
And he, amidst his frolic play,
As if he would the charming air repay,
Shook thousand odours from his dewy wings.

O Music, sphere-descended maid,
Friend of Pleasure, Wisdom's aid,
Why, goddess, why, to us denied,
Lay'st thou thy ancient lyre aside?
As in that lov'd Athenian bow'r
You learn'd an all-commanding pow'r,
Thy mimic soul, O nymph endear'd,
Can well recall what then it heard.
Where is thy native simple heart,
Devote to Virtue Fancy, Art?
Arise as in that eider time,
Warm, energic, chaste, sublime!
Thy wonders, in that godlike age,
Fill thy recording sister's page.-
'Tis said, and I believe the tale,
Thy humblest reed could more prevail,
Had more of strength, diviner rage,
Than all which charms this laggard age,
Ev'n all at once together found,
Cæcilia's mingled world of sound.
O bid our vain endeavours cease,
Revive the just designs of Greece,
Return in all thy simple state,
Confirm the tales her sons relate!

poem by William Taylor Collins
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To The Honourable T. H. Esq; On the Death Of His Daughter

WHILE deep you mourn beneath the cypress-shade
The hand of Death, and your dear daughter
laid
In dust, whose absence gives your tears to flow,
And racks your bosom with incessant woe,
Let Recollection take a tender part,
Assuage the raging tortures of your heart,
Still the wild tempest of tumultuous grief,
And pour the heav'nly nectar of relief:
Suspend the sigh, dear Sir, and check the groan,
Divinely bright your daughter's Virtues shone:
How free from scornful pride her gentle mind,
Which ne'er its aid to indigence declin'd!
Expanding free, it sought the means to prove
Unfailing charity, unbounded love!
She unreluctant flies to see no more
Her dear-lov'd parents on earth's dusky shore:
Impatient heav'n's resplendent goal to gain,
She with swift progress cuts the azure plain,
Where grief subsides, where changes are no more,
And life's tumultuous billows cease to roar;
She leaves her earthly mansion for the skies,
Where new creations feast her wond'ring eyes.
To heav'n's high mandate cheerfully resign'd
She mounts, and leaves the rolling globe behind;
She, who late wish'd that Leonard might return,
Has ceas'd to languish, and forgot to mourn;
To the same high empyreal mansions come,
She joins her spouse, and smiles upon the tomb:
And thus I hear her from the realms above:
"Lo! this the kingdom of celestial love!
"Could ye, fond parents, see our present bliss,
"How soon would you each sigh, each fear dismiss?
"Amidst unutter'd pleasures whilst I play
"In the fair sunshine of celestial day,
"As far as grief affects an happy soul
"So far doth grief my better mind controul,
"To see on earth my aged parents mourn,
"And secret wish for T-----! to return:
"Let brighter scenes your ev'ning-hours employ:
"Converse with heav'n, and taste the promis'd joy"

poem by Phillis Wheatley
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Written From Dublin, To A Lady In The Country.

A wretch, in smoaky Dublin pent,
Who rarely sees the Firmament,
You graciously invite, to view
The Sun's enliv'ning Rays with you;
To change the Town for flow'ry Meads,
And sing beneath the sylvan Shades.

You're kind in vain -- It will not be --
Retirement was deny'd to me;
Doom'd by inexorable Fate,
To pass thro' crouded Scenes I hate.
O with what Joy could I survey
The rising, glorious Source of Day!

Attend the Shepherd's fleecy Care,
Transported with the vernal Air;
Behold the Meadow's painted Pride,
Or see the limpid Waters glide;
Survey the distant, shaded Hills,
And, pensive, hear the murm'ring Rills.

Thro' your Versailles with Pleasure rove,
Admire the Gardens, and the Grove;
See Nature's bounteous Hand adorn
The blushing Peach, and blooming Thorn;
Beheld the Birds distend their Throats,
And hear their wild, melodious Notes.

Delighted, thro' your Pastures roam,
Or see the Kine come lowing home;
Whose od'rous Breaths a Joy impart,
That sooths the Sense, and glads the Heart;
With Pleasure view the frothing Pails,
And silent hear the creaking Rails;
See whistling Hinds attend their Ploughs,
Who never hear of broken Vows;
Where no Ambition to be great,
E'er taught the Nymph, or Swain, Deccit.

Thus thro' the Day, delighted, run;
Then raptur'd view the setting Sun;
The rich, diffufive God behold,
On distant Mountains pouring Gold,
Gilding the beauteous, rising Spire,
While Crystal Windows glow with Fire;
Gaze, till he quit the Western Skies,
And long to see his Sister rise;
Prefer the silent, Silver Moon
To the too radiant, noisy Noon.

Or Northward turn, with new Delight,
To mark what Triumphs wait the Night;
When Shepherds think the Heav'ns foreshow
Some dire Commotions here below;
When Light the human Form assumes,
And Champions meet with nodding Plumes,
With Silver Streamers, wide unfurl'd,
And gleaming Spears amaze the World.

Thence to the higher Heav'ns I soar,
And the great Architect adore;
Behold what Worlds are hung in Air,
And view ten thousand Empires there;
Then prostrate to Jehovah fall,
Who into Being spake them all.

poem by Mary Barber
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Ode to the Muse

O, let me seize thy pen sublime
That paints, in melting dulcet rhyme,
The glowing pow'r, the magic art,
Th' extatic raptures of the Heart;
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien;
The sweet descriptive tale to trace;
To picture Nature's winning grace;
To steal the tear from Pity's eye;
To catch the sympathetic sigh;
O teach me, with swift light'nings force
To watch wild passion's varying course;
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.

SWEET Nymph, enchanting Poetry!
I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly;
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose;
Repose, whose balmy joys o'er-pay
The sultry labours of the day.

And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears;
Or blushing opes her silver gate,
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star;
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth;
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,­a glitt'ring train,
Or swarm along the sultry plain.
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove,
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs;
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream.

Or when, at twilight's placid hour,
We stroll to some sequester'd bow'r;
And watch the haughty Sun retire
Beneath his canopy of fire;
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky:
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train;
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs,
And wing with joy my silent hours.

When Sleep, with downy hand, shall spread
A wreath of poppies round my head;
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue,
That flame, where SHAKESPEARE us'd to fill,
With matchless fire, his "golden quill."
While, from its point bright Genius caught
The wit supreme, the glowing thought,
The magic tone, that sweetly hung
About the music of his tongue.
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky,
And hear the vaulted roof repeat
The song of Inspiration sweet;
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note;
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam.

DEAR Maid! of ever-varying mien,
Exulting, pensive, gay, serene,
Now, in transcendent pathos drest,
Now, gentle as the turtle's breast;
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead;
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray,
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads,
And decorate their verdant beds;
While to the grass-hopper's shrill tune,
They quaff libations to the moon,
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours,
From its dark urn, impetuous show'rs,
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring,
And shield me with thy golden wing.

Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre,
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast.

But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense;
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.

poem by Mary Darby Robinson
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Madeline. A Domestic Tale

My child, my child, thou leav'st me!–I shall hear
The gentle voice no more that blest mine ear
With its first utterance; I shall miss the sound
Of thy light step amidst the flowers around,
And thy soft-breathing hymn at twilight's close,
And thy 'Good-night' at parting for repose.
Under the vine-leaves I shall sit alone,
And the low breeze will have a mournful tone
Amidst their tendrils, while I think of thee,
My child! and thou, along the moonlight sea,
With a soft sadness haply in thy glance,
Shalt watch thine own, thy pleasant land of France,
Fading to air.–Yet blessings with thee go!
Love guard thee, gentlest! and the exile's wo
From thy young heart be far! And sorrow not
For me, sweet daughter! in my lonely lot,
God shall be with me.–Now, farewell! farewell!
Thou that hast been what words may never tell
Unto thy mother's bosom, since the days
When thou wert pillow'd there, and wont to raise
In sudden laughter thence thy loving eye
That still sought mine:–these moments are gone by,
Thou too must go, my flower!–Yet with thee dwell
The peace of God!–One, one more gaze–farewell!'

This was a mother's parting with her child,
A young meek bride, on whom fair fortune smil'd,
And wooed her with a voice of love away
From childhood's home; yet there, with fond delay,
She linger'd on the threshold, heard the note
Of her cag'd bird thro' trellis'd rose-leaves float,
And fell upon her mother's neck, and wept,
Whilst old remembrances, that long had slept,
Gush'd o'er her soul, and many a vanish'd day,
As in one picture traced, before her lay.

But the farewell was said; and on the deep,
When its breast heav'd in sunset's golden sleep,
With a calm'd heart, young Madeline ere long,
Pour'd forth her own sweet solemn vesper-song,
Breathing of home: thro' stillness heard afar,
And duly rising with the first pale star,
That voice was on the waters; till at last
The sounding ocean-solitudes were pass'd,

And the bright land was reach'd, the youthful world
That glows along the West: the sails were furl'd
In its clear sunshine, and the gentle bride
Look'd on the home that promis'd hearts untried
A bower of bliss to come.–Alas! we trace
The map of our own paths, and long ere years
With their dull steps the brilliant lines efface,
On sweeps the storm, and blots them out with tears.
That home was darken'd soon: the summer breeze
Welcom'd with death the wanderers from the seas,
Death unto one, and anguish–how forlorn!
To her, that widow'd in her marriage-morn,
Sat in her voiceless dwelling, whence with him
Her bosom's first belov'd, her friend and guide,
Joy had gone forth, and left the green earth dim,
As from the sun shut out on every side,
By the close veil of misery!–Oh! but ill,
When with rich hopes o'erfraught, the young high heart
Bears its first blow!–it knows not yet the part
Which life will teach–to suffer and be still,

And with submissive love to count the flowers
Which yet are spared, and thro' the future hour;
To send no busy dream!–She had not learn'd
Of sorrow till that hour, and therefore turn'd
In weariness from life: then came th' unrest,
The heart-sick yearning of the exile's breast,
The haunting sounds of voices far away,
And household steps: until at last she lay
On her lone couch of sickness, lost in dreams
Of the gay vineyards and blue-rushing streams
In her own sunny land, and murmuring oft
Familiar names, in accents wild, yet soft,
To strangers round that bed, who knew not aught
Of the deep spells wherewith each word was fraught.
To strangers?–Oh! could strangers raise the head
Gently as hers was raised?–did strangers shed
The kindly tears which bath'd that feverish brow
And wasted cheek with half-unconscious flow?
Something was there, that thro' the lingering night
Outwatches patiently the taper's light,

Something that faints not thro' the day's distress,
That fears not toil, that knows not weariness;
Love, true, and perfect love!–Whence came that power,
Uprearing thro' the storm the drooping flower?
Whence?–who can ask?–the wild delirium pass'd,
And from her eyes the spirit look'd at last
Into her mother's face, and wakening knew
The brow's calm grace, the hair's dear silvery hue,
The kind sweet smile of old!–and had she come,
Thus in life's evening, from her distant home,
To save her child?–Ev'n so–nor yet in vain:
In that young heart a light sprung up again,
And lovely still, with so much love to give,
Seem'd this fair world, tho' faded; still to live
Was not to pine forsaken. On the breast
That rock'd her childhood, sinking in soft rest,
'Sweet mother! gentlest mother! can it be?'
The lorn one cried, 'and do I look on thee?
Take back thy wanderer from this fatal shore,
Peace shall be ours beneath our vines once more.'

poem by Felicia Dorothea Hemans
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An Imitation of Spenser

Golden Apollo, that thro' heaven wide
Scatter'st the rays of light, and truth's beams,
In lucent words my darkling verses dight,
And wash my earthy mind in thy clear streams,
That wisdom may descend in fairy dreams,
All while the jocund hours in thy train
Scatter their fancies at thy poet's feet;
And when thou yields to night thy wide domain,
Let rays of truth enlight his sleeping brain.
For brutish Pan in vain might thee assay
With tinkling sounds to dash thy nervous verse,
Sound without sense; yet in his rude affray,
(For ignorance is Folly's leasing nurse
And love of Folly needs none other's curse)
Midas the praise hath gain'd of lengthen'd ears,
For which himself might deem him ne'er the worse
To sit in council with his modern peers,
And judge of tinkling rimes and elegances terse.

And thou, Mercurius, that with wingèd brow
Dost mount aloft into the yielding sky,
And thro' Heav'n's halls thy airy flight dost throw,
Entering with holy feet to where on high
Jove weighs the counsel of futurity;
Then, laden with eternal fate, dost go
Down, like a falling star, from autumn sky,
And o'er the surface of the silent deep dost fly:

If thou arrivest at the sandy shore
Where nought but envious hissing adders dwell,
Thy golden rod, thrown on t 1000 he dusty floor,
Can charm to harmony with potent spell.
Such is sweet Eloquence, that does dispel
Envy and Hate that thirst for human gore;
And cause in sweet society to dwell
Vile savage minds that lurk in lonely cell

O Mercury, assist my lab'ring sense
That round the circle of the world would fly,
As the wing'd eagle scorns the tow'ry fence
Of Alpine hills round his high aëry,
And searches thro' the corners of the sky,
Sports in the clouds to hear the thunder's sound,
And see the wingèd lightnings as they fly;
Then, bosom'd in an amber cloud, around
Plumes his wide wings, and seeks Sol's palace high.

And thou, O warrior maid invincible,
Arm'd with the terrors of Almighty Jove,
Pallas, Minerva, maiden terrible,
Lov'st thou to walk the peaceful solemn grove,
In solemn gloom of branches interwove?
Or bear'st thy AEgis o'er the burning field,
Where, like the sea, the waves of battle move?
Or have thy soft piteous eyes beheld
The weary wanderer thro' the desert rove?
Or does th' afflicted man thy heav'nly bosom move?

poem by William Blake
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The Negro Girl

I.

Dark was the dawn, and o'er the deep
The boist'rous whirlwinds blew;
The Sea-bird wheel'd its circling sweep,
And all was drear to view--
When on the beach that binds the western shore
The love-lorn ZELMA stood, list'ning the tempest's roar.

II.

Her eager Eyes beheld the main,
While on her DRACO dear
She madly call'd, but call'd in vain,
No sound could DRACO hear,
Save the shrill yelling of the fateful blast,
While ev'ry Seaman's heart, quick shudder'd as it past.

III.

White were the billows, wide display'd
The clouds were black and low;
The Bittern shriek'd, a gliding shade
Seem'd o'er the waves to go !
The livid flash illum'd the clam'rous main,
While ZELMA pour'd, unmark'd, her melancholy strain.

IV.

"Be still!" she cried, "loud tempest cease!
"O ! spare the gallant souls:
"The thunder rolls--the winds increase--
"The Sea, like mountains, rolls!
"While, from the deck, the storm worn victims leap,
"And o'er their struggling limbs, the furious billows sweep.

V.

"O! barb'rous Pow'r! relentless Fate!
"Does Heav'n's high will decree
"That some should sleep on beds of state,--
"Some, in the roaring Sea ?
"Some, nurs'd in splendour, deal Oppression's blow,
"While worth and DRACO pine--in Slavery and woe!

VI.

"Yon Vessel oft has plough'd the main
"With human traffic fraught;
"Its cargo,--our dark Sons of pain--
"For worldly treasure bought !
"What had they done?--O Nature tell me why--
"Is taunting scorn the lot, of thy dark progeny?

VII.

"Thou gav'st, in thy caprice, the Soul
"Peculiarly enshrin'd;
"Nor from the ebon Casket stole
"The Jewel of the mind!
"Then wherefore let the suff'ring Negro's breast
"Bow to his fellow, MAN, in brighter colours drest.

VIII.

"Is it the dim and glossy hue
"That marks him for despair?--
"While men with blood their hands embrue,
"And mock the wretch's pray'r?
"Shall guiltless Slaves the Scourge of tyrants feel,
"And, e'en before their GOD ! unheard, unpitied kneel.

IX.

"Could the proud rulers of the land
"Our Sable race behold;
"Some bow'd by torture's Giant hand
"And others, basely sold !
"Then would they pity Slaves, and cry, with shame,
"Whate'er their TINTS may be, their SOULS are still the same!

X.

"Why seek to mock the Ethiop's face?
"Why goad our hapless kind?
"Can features alienate the race--
"Is there no kindred mind?
"Does not the cheek which vaunts the roseate hue
"Oft blush for crimes, that Ethiops never knew?

XI.

"Behold ! the angry waves conspire
"To check the barb'rous toil!
"While wounded Nature's vengeful ire--
"Roars, round this trembling Isle!
"And hark ! her voice re-echoes in the wind--
"Man was not form'd by Heav'n, to trample on his kind!

XII.

"Torn from my Mother's aching breast,
"My Tyrant sought my love--
"But, in the Grave shall ZELMA rest,
"E'er she will faithless prove--
"No DRACO!--Thy companion I will be
"To that celestial realm, where Negros shall be free!

XIII.

"The Tyrant WHITE MAN taught my mind--
"The letter'd page to trace;--
"He taught me in the Soul to find
"No tint, as in the face:
"He bade my Reason, blossom like the tree--
"But fond affection gave, the ripen'd fruits to thee.

XIV.

"With jealous rage he mark'd my love
"He sent thee far away;--
"And prison'd in the plantain grove--
"Poor ZELMA pass'd the day--
"But ere the moon rose high above the main,
"ZELMA, and Love contriv'd, to break the Tyrant's chain.

XV.

"Swift, o'er the plain of burning Sand
"My course I bent to thee;
"And soon I reach'd the billowy strand
"Which bounds the stormy Sea.--
"DRACO! my Love! Oh yet, thy ZELMA'S soul
"Springs ardently to thee,--impatient of controul.

XVI.

"Again the lightning flashes white--
"The rattling cords among!
"Now, by the transient vivid light,
"I mark the frantic throng!
"Now up the tatter'd shrouds my DRACO flies--
While o'er the plunging prow, the curling billows rise.

XVII.

"The topmast falls--three shackled slaves--
"Cling to the Vessel's side!
"Now lost amid the madd'ning waves--
"Now on the mast they ride--
"See ! on the forecastle my DRACO stands
"And now he waves his chain, now clasps his bleeding hands.

XVIII.

"Why, cruel WHITE-MAN! when away
"My sable Love was torn,
"Why did you let poor ZELMA stay,
On Afric's sands to mourn?
"No ! ZELMA is not left, for she will prove
"In the deep troubled main, her fond--her faithful LOVE."

XIX.

The lab'ring Ship was now a wreck,
The shrouds were flutt'ring wide!
The rudder gone, the lofty deck
Was rock'd from side to side--
Poor ZELMA'S eyes now dropp'd their last big tear,
While, from her tawny cheek, the blood recoil'd with fear.

XX.

Now frantic, on the sands she roam'd,
Now shrieking stop'd to view
Where high the liquid mountains foam'd,
Around the exhausted crew--
'Till, from the deck, her DRACO'S well known form
Sprung mid the yawning waves, and buffetted the Storm.

XXI.

Long, on the swelling surge sustain'd
Brave DRACO sought the shore,
Watch'd the dark Maid, but ne'er complain'd,
Then sunk, to gaze no more!
Poor ZELMA saw him buried by the wave--
And, with her heart's true Love, plung'd in a wat'ry grave.

poem by Mary Darby Robinson
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Second Ode to the Nightingale

BLEST be thy song, sweet NIGHTINGALE,
Lorn minstrel of the lonely vale !
Where oft I've heard thy dulcet strain
In mournful melody complain;
When in the POPLAR'S trembling shade,
At Evening's purple hour I've stray'd,
While many a silken folded flow'r
Wept on its couch of Gossamer,
And many a time in pensive mood
Upon the upland mead I've stood,
To mark grey twilight's shadows glide
Along the green hill's velvet side;
To watch the perfum'd hand of morn
Hang pearls upon the silver thorn,
Till rosy day with lustrous eye
In saffron mantle deck'd the sky,
And bound the mountain's brow with fire,
And ting'd with gold the village spire:
While o'er the frosted vale below
The amber tints began to glow:
And oft I seek the daisied plain
To greet the rustic nymph and swain,
When cowslips gay their bells unfold,
And flaunt their leaves of glitt'ring gold,
While from the blushes of the rose
A tide of musky essence flows,
And o'er the odour-breathing flow'rs
The woodlands shed their diamond show'rs,
When from the scented hawthorn bud
The BLACKBIRD sips the lucid flood,
While oft the twitt'ring THRUSH essays
To emulate the LINNET'S lays;
While the poiz'd LARK her carol sings
And BUTTERFLIES expand their wings,
And BEES begin their sultry toils
And load their limbs with luscious spoils,
I stroll along the pathless vale,
And smile, and bless thy soothing tale.

But ah ! when hoary winter chills
The plumy race­and wraps the hills
In snowy vest, I tell my pains
Beside the brook in icy chains
Bound its weedy banks between,
While sad I watch night's pensive queen,
Just emblem of MY weary woes:
For ah ! where'er the virgin goes,
Each flow'ret greets her with a tear
To sympathetic sorrow dear;
And when in black obtrusive clouds
The chilly MOON her pale cheek shrouds,
I mark the twinkling starry train
Exulting glitter in her wane,
And proudly gleam their borrow'd light
To gem the sombre dome of night.
Then o'er the meadows cold and bleak,
The glow-worm's glimm'ring lamp I seek.
Or climb the craggy cliff to gaze
On some bright planet's azure blaze,
And o'er the dizzy height inclin'd
I listen to the passing wind,
That loves my mournful song to seize,
And bears it to the mountain breeze.
Or where the sparry caves among
Dull ECHO sits with aëry tongue,
Or gliding on the ZEPHYR'S wings
From hill to hill her cadence flings,
O, then my melancholy tale
Dies on the bosom of the gale,
While awful stillness reigning round
Blanches my cheek with chilling fear;
Till from the bushy dell profound,
The woodman's song salutes mine ear.

When dark NOVEMBER'S boist'rous breath
Sweeps the blue hill and desart heath,
When naked trees their white tops wave
O'er many a famish'd REDBREAST'S grave,
When many a clay-built cot lays low
Beneath the growing hills of snow,
Soon as the SHEPHERD's silv'ry head
Peeps from his tottering straw-roof'd shed,
To hail the glimm'ring glimpse of day,
With feeble steps he ventures forth
Chill'd by the bleak breath of the North,
And to the forest bends his way,
To gather from the frozen ground
Each branch the night-blast scatter'd round.­
If in some bush o'erspread with snow
He hears thy moaning wail of woe,
A flush of warmth his cheek o'erspreads,
With anxious timid care he treads,
And when his cautious hands infold
Thy little breast benumb'd with cold,
"Come, plaintive fugitive," he cries,
While PITY dims his aged eyes,
"Come to my glowing heart, and share
"My narrow cell, my humble fare,
"Tune thy sweet carol­plume thy wing,
"And quaff with me the limpid spring,
"And peck the crumbs my meals supply,
"And round my rushy pillow fly."

O, MINSTREL SWEET, whose jocund lay
Can make e'en POVERTY look gay,
Who can the poorest swain inspire
And while he fans his scanty fire,
When o'er the plain rough Winter pours
Nocturnal blasts, and whelming show'rs,
Canst thro' his little mansion fling
The rapt'rous melodies of spring.
To THEE with eager gaze I turn,
Blest solace of the aching breast;
Each gaudy, glitt'ring scene I spurn,
And sigh for solitude and rest,
For art thou not, blest warbler, say,
My mind's best balm, my bosom's friend ?
Didst thou not trill thy softest lay,
And with thy woes my sorrows blend ?
YES, darling Songstress ! when of late
I sought thy leafy-fringed bow'r,
The victim of relentless fate,
Fading in life's dark ling'ring hour,
Thou heard'st my plaint, and pour'd thy strain
Thro' the sad mansion of my breast,
And softly, sweetly lull'd to rest
The throbbing anguish of my brain.

AH ! while I tread this vale of woe,
Still may thy downy measures flow,
To wing my solitary hours
With kind, obliterating pow'rs;
And tho' my pensive, patient heart
No wild, extatic bliss shall prove,
Tho' life no raptures shall impart,
No boundless joy, or, madd'ning love,
Sweet NIGHTINGALE, thy lenient strain
Shall mock Despair, AND BLUNT THE SHAFT OF PAIN.

poem by Mary Darby Robinson
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On The Death Of A Young Lady Of Five Years Of Age

FROM dark abodes to fair etherial light
Th' enraptur'd innocent has wing'd her flight;
On the kind bosom of eternal love
She finds unknown beatitude above.
This known, ye parents, nor her loss deplore,
She feels the iron hand of pain no more;
The dispensations of unerring grace,
Should turn your sorrows into grateful praise;
Let then no tears for her henceforward flow,
No more distress'd in our dark vale below,
Her morning sun, which rose divinely bright,
Was quickly mantled with the gloom of night;
But hear in heav'n's blest bow'rs your Nancy fair,
And learn to imitate her language there.
"Thou, Lord, whom I behold with glory crown'd,
"By what sweet name, and in what tuneful sound
"Wilt thou be prais'd? Seraphic pow'rs are faint
"Infinite love and majesty to paint.
"To thee let all their graceful voices raise,
"And saints and angels join their songs of praise."
Perfect in bliss she from her heav'nly home
Looks down, and smiling beckons you to come;
Why then, fond parents, why these fruitless groans?
Restrain your tears, and cease your plaintive moans.
Freed from a world of sin, and snares, and pain,
Why would you wish your daughter back again?
No--bow resign'd. Let hope your grief control,
And check the rising tumult of the soul.
Calm in the prosperous, and adverse day,
Adore the God who gives and takes away;
Eye him in all, his holy name revere,
Upright your actions, and your hearts sincere,
Till having sail'd through life's tempestuous sea,
And from its rocks, and boist'rous billows free,
Yourselves, safe landed on the blissful shore,
Shall join your happy babe to part no more.

poem by Phillis Wheatley
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The Brown Dwarf of Rügen (From Narrative and Legendary Poems )

THE pleasant isle of Rügen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian shore;

And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the sea-surf played.

Alike were they in beauty if not in their degree:
He was the Amptman's first-born, the miller's child was she.

Now of old the isle of Rügen was full of Dwarfs and Trolls,
The brown-faced little Earth-men, the people without souls;

And for every man and woman in Rügen's island found
Walking in air and sunshine, a Troll was underground.

It chanced the little maiden, one morning, strolled away
Among the haunted Nine Hills, where the elves and goblins play.

That day, in barley fields below, the harvesters had known
Of evil voices in the air, and heard the small horns blown.

She came not back; the search for her in field and wood was vain:
They cried her east, they cried her west, but she came not again.

"She's down among the Brown Dwarfs," said the dream-wives wise and old,
And prayers were made, and masses said, and Rambin's church bell tolled.

Five years her father mourned her; and then John Deitrich said:
"I will find my little playmate, be she alive or dead."

He watched among the Nine Hills, he heard the Brown Dwarfs sing,
And saw them dance by moonlight merrily in a ring.

And when their gay-robed leader tossed up his cap of red,
Young Deitrich caught it as it fell, and thrust it on his head.

The Troll came crouching at his feet and wept for lack of it.
"Oh, give me back my magic cap, for your great head unfit!"

"Nay," Deitrich said; "the Dwarf who throws his charmëd cap away,
Must serve its finder at his will, and for his folly pay.

"You stole my pretty Lisbeth, and hid her in the earth;
And you shall ope the door of glass and let me lead her forth."

"She will not come; she's one of us; she's mine!" the Brown Dwarf said;
"The day is set, the cake is baked, to-morrow we shall wed."

"The fell fiend fetch thee!" Deitrich cried, "and keep thy foul tongue still.
Quick! open, to thy evil world, the glass door of the hill!"

The Dwarf obeyed; and youth and Troll down the long stairway passed,
And saw in dim and sunless light a country strange and vast.

Weird, rich, and wonderful, he saw the elfin under-land, --
Its palaces of precious stones, its streets of golden sand.

He came unto a banquet-hall with tables richly spread,
Where a young maiden served to him the red wine and the bread.

How fair she seemed among the Trolls so ugly and so wild!
Yet pale and very sorrowful, like one who never smiled!

Her low, sweet voice, her gold-brown hair, her tender blue eyes seemed
Like something he had seen elsewhere or something he had dreamed.

He looked; he clasped her in his arms; he knew the long-lost one;
"O Lisbeth! See thy playmate -- I am the Amptman's son!"

She leaned her fair head on his breast, and through her sobs she spoke:
"Oh, take me from this evil place, and from the elfin folk!

"And let me tread the grass-green fields and smell the flowers again,
And feel the soft wind on my cheek and hear the dropping rain!

"And oh, to hear the singing bird, the rustling of the tree,
The lowing cows, the bleat of sheep, the voices of the sea;

"And oh, upon my father's knee to set beside the door,
And hear the bell of vespers ring in Rambin church once more!"

He kissed her cheek, he kissed her lips; the Brown Dwarf groaned to see,
And tore his tangled hair and ground his long teeth angrily.

But Deitrich said: "For five long years this tender Christian maid
Has served you in your evil world, and well must she be paid!

"Haste! -- hither bring me precious gems, the richest in your store;
Then when we pass the gate of glass, you'll take your cap once more."

No choice was left the baffled Troll, and, murmuring, he obeyed,
And filled the pockets of the youth and apron of the maid.

They left the dreadful under-land and passed the gate of glass;
They felt the sunshine's warm caress, they trod the soft, green grass.

And when, beneath, they saw the Dwarf stretch up to them his brown
And crooked claw-like fingers, they tossed his red cap down.

Oh, never shone so bright a sun, was never sky so blue,
As hand in hand they homeward walked the pleasant meadows through!

And never sang the birds so sweet in Rambin's woods before,
And never washed the waves so soft along the Baltic shore;

And when beneath his door-yard trees the father met his child,
The bells rung out their merriest peal, the folks with joy ran wild.

And soon from Rambin's holy church the twain came forth as one,
The Amptman kissed a daughter, the miller blest a son.

John Deitrich's fame went far and wide, and nurse and maid crooned o'er
Their cradle song: "Sleep on, sleep well, the Trolls shall come no more!"

for in the haunted Nine Hills he set a cross of stone;
And Elf and Brown Dwarf sought in vain a door where door was none.

The tower he built in Rambin, fair Rügen's pride and boast,
Looked o'er the Baltic water to the Pomeranian coast;

And, for his worth ennobled, and rich beyond compare,
Count Deitrich and his lovely bride dwelt long and happy there.

poem by John Greenleaf Whittier
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Imelda

……………….Sometimes
The young forgot the lessons they had learnt,
And lov'd when they should hate, like thee, Imelda! ~
Italy, a Poem

Passa la bella Donna, e par che dorma. ~
Tasso

We have the myrtle's breath around us here,
Amidst the fallen pillars; this hath been
Some Naiad's fane of old. How brightly clear,
Flinging a vein of silver o'er the scene,
Up thro' the shadowy grass, the fountain wells,
And music with it, gushing from beneath
The ivy'd altar! that sweet murmur tells
The rich wild-flowers no tale of wo or death;

Yet once the wave was darken'd, and a stain
Lay deep, and heavy drops but not of rain?
On the dim violets by its marble bed,
And the pale shining water-lily's head.

Sad is that legend's truth. A fair girl met
One whom she lov'd, by this lone temple's spring,
Just as the sun behind the pine-grove set,
And eve's low voice in whispers woke, to bring
All wanderers home. They stood, that gentle pair
With the blue heaven of Italy above,
And citron-odours dying on the air,
And light leaves trembling round, and early love
Deep in each breast. What reck'd their souls of strife
Between their fathers? Unto them young life
Spread out the treasures of its vernal years;
And if they wept, they wept far other tears

Than the cold world wrings forth. They stood, that hour,
Speaking of hope, while tree, and fount, and flower,
And star, just gleaming thro' the cypress boughs,
Seem'd holy things, as records of their vows.

But change came o'er the scene. A hurrying tread
Broke on the whispery shades. Imelda knew
The footstep of her brother's wrath, and fled
Up where the cedars make yon avenue
Dim with green twilight: pausing there, she caught-
Was it the clash of swords? a swift dark thought
Struck down her lip's rich crimson as it pass'd,
And from her eye the sunny sparkle took
One moment with its fearfulness, and shook
Her slight frame fiercely, as a stormy blast
Might rock the rose. Once more, and yet once more,
She still'd her heart to listen all was o'er;
Sweet summer winds alone were heard to sigh,
Bearing the nightingale's deep spirit by.

That night Imelda's voice was in the song,
Lovely it floated thro' the festive throng
Peopling her father's halls. That fatal night
Her eye look'd starry in its dazzling light,
And her cheek glow'd with beauty's flushing dyes,
Like a rich cloud of eve in southern skies,
A burning, ruby cloud. There were, whose gaze
Follow'd her form beneath the clear lamp's blaze,
And marvell'd at its radiance. But a few
Beheld the brightness of that feverish hue,
With something of dim fear; and in that glance
Found strange and sudden tokens of unrest,
Startling to meet amidst the mazy dance,
Where thought, if present, an unbidden guest,
Comes not unmask'd. Howe'er this were, the time
Sped as it speeds with joy, and grief, and crime
Alike: and when the banquet's hall was left
Unto its garlands of their bloom bereft,
When trembling stars look'd silvery in their wane,
And heavy flowers yet slumber'd, once again

There stole a footstep, fleet, and light, and lone,
Thro' the dim cedar shade; the step of one
That started at a leaf, of one that fled,
Of one that panted with some secret dread:
What did Imelda there? She sought the scene
Where love so late with youth and hope had been;
Bodings were on her soul?a shuddering thrill
Ran thro' each vein, when first the Naiad's rill
Met her with melody?sweet sounds and low;
We hear them - yet they live along its flow -
Her voice is music lost! The fountain-side
She gain'd?the wave flash'd forth?'twas darkly dyed
Ev'n as from warrior-hearts; and on its edge,
Amidst the fern, and flowers, and moss-tufts deep,
There lay, as lull'd by stream and rustling sedge,
A youth, a graceful youth. 'Oh! dost thou sleep,
Azzo?' she cried, 'my Azzo! is this rest?'
?But then her low tones falter'd: 'On thy breast

Is the stain - yes, 'tis blood! and that cold cheek -
That moveless lip! thou dost not slumber? speak,
Speak, Azzo, my belov'd - no sound - no breath -
What hath come thus between our spirits? Death!
Death? I but dream - I dream!' and there she stood,
A faint, frail trembler, gazing first on blood,
With her fair arm around yon cypress thrown,
Her form sustain'd by that dark stem alone,
And fading fast, like spell-struck maid of old,
Into white waves dissolving, clear and cold;
When from the grass her dimm'd eye caught a gleam?
'Twas where a sword lay shiver'd by the stream,?
Her brother's sword! - she knew it; and she knew
'Twas with a venom'd point that weapon slew!
Wo for young love! But love is strong. There came
Strength upon woman's fragile heart and frame,

There came swift courage! On the dewy ground
She knelt, with all her dark hair floating round,
Like a long silken stole; she knelt, and press'd
Her lips of glowing life to Azzo's breast,
Drawing the poison forth. A strange, sad sight!
Pale death, and fearless love, and solemn night!
So the moon saw them last.
The Morn came singing
Thro' the green forests of the Appenines,
With all her joyous birds their free flight winging,
And steps and voices out amongst the vines.
What found that day-spring here? Two fair forms laid
Like sculptured sleepers; from the myrtle shade
Casting a gleam of beauty o'er the wave,
Still, mournful, sweet. Were such things for the grave?
Could it be so indeed? That radiant girl,
Deck'd as for bridal hours!?long braids of pearl

Amidst her shadowy locks were faintly shining,
As tears might shine, with melancholy light;
And there was gold her slender waist entwining;
And her pale graceful arms how sadly bright!
And fiery gems upon her breast were lying,
And round her marble brow red roses dying.
But she died first! the violet's hue had spread
O'er her sweet eyelids with repose oppress'd,
She had bow'd heavily her gentle head,
And on the youth's hush'd bosom sunk to rest.
So slept they well! the poison's work was done;
Love with true heart had striven?but Death had won.

poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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The Pleasures of Melancholy

Mother of musings, Contemplation sage,
Whose grotto stands upon the topmost rock
Of Teneriffe; 'mid the tempestuous night,
On which, in calmest meditation held,
Thou hear'st with howling winds the beating rain
And drifting hail descend; or if the skies
Unclouded shine, and through the blue serene
Pale Cynthia rolls her silver-axled car,
Whence gazing steadfast on the spangled vault
Raptured thou sitt'st, while murmurs indistinct
Of distant billows soothe thy pensive ear
With hoarse and hollow sounds; secure, self-blest,
There oft thou listen´st to the wild uproar
Of fleets encount´ring, that in whispers low
Ascends the rocky summit, where thou dwell´st
Remote from man, conversing with the spheres!
O, lead me, queen sublime, to solemn glooms
Congenial with my soul; to cheerless shades,
To ruin´d seats, to twilight cells and bowers,
Where thoughtful Melancholy loves to muse
Her favorite midnight haunts. The laughing scenes
Of purple Spring, where all the wanton train
Of Smiles and Graces seem to lead the dance
In sportive round, while from their hands they shower
Ambrosial blooms and flowers, no longer charm;
Tempe, no more I court thy balmy breeze,
Adieu green vales! Ye broider´d meads, adieu!
Beneath yon ruin'd abbey's moss-grown piles
Oft let me sit, at twilight hour of eve,
Where through some western window the pale moon
Pours her long-levell'd rule of streaming light;
While sullen sacred silence reigns around,
Save the lone screech-owl's note, who builds his bower
Amid the mould'ring caverns dark and damp,
Or the calm breeze, that rustles in the leaves
Of flaunting ivy, that with mantle green
Invests some wasted tower. Or let me tread
Its neighb'ring walk of pines, where mus'd of old
The cloister'd brothers : thro' the gloomy void
That far extends beneath their ample arch
As on I pace, religious horror wraps
My soul in dread repose. But when the world
Is clad in Midnight's raven-colour'd robe,
'Mid hollow charnel let me watch the flame
Of taper dim, shedding a livid glare
O'er the wan heaps; while airy voices talk
Along the glimm'ring walls; or ghostly shape
At distance seen, invites with beck'ning hand
My lonesome steps, thro' the far-winding vaults.
Nor undelightful is the solemn noon
Of night, when haply wakeful from my couch
I start: lo, all is motionless around!
Roars not the rushing wind; the sons of men
And every beast in mute oblivion lie;
All nature's hush'd in silence and in sleep.
O then how fearful is it to reflect,
That thro' the still globe's awful solitude,
No being wakes but me! till stealing sleep
My drooping temples bathes in opiate dews.
Nor then let dreams, of wanton folly born
My senses lead thro' flow'ry paths of joy;
But let the sacred Genius of the night
Such mystic visions send, as Spenser saw,
When thro' bewild'ring Fancy's magic maze,
To the fell house of Busyrane, he led
Th' unshaken Britomart; or Milton knew,
When in abstracted thought he first conceiv'd
All heav'n in tumult, and the Seraphim
Come tow'ring, arm'd in adamant and gold.
Let others love soft Summer's evening smiles,
As listening to the distant waterfall,
They mark the blushes of the streaky west';
I choose the pale December's foggy glooms.
Then, when the sullen shades of evening close,
Where through the room a blindly- glimmering gleam
They dying embers scatter, far remote
From Mirth's mad shouts, that through th' illumined roof
Resound with festive echo, let me sit,
Blest with the lowly cricket's drowsy dirge.
Then let my thought contemplative explore
This fleeting state of things, the vain delights,
The fruitless toils, that still our search elude,
As through the wilderness of life we rove.
This sober hour of silence will unmask
False Folly's smile , that like the dazzling spells
Of wily Comus cheat th' unweeting eye
With blear illusion, and persuade to drink
That charmed cup, which Reason's mintage fair
Unmoulds, and stamps the monster on the man.
Eager we taste, but in the luscious draught
Forget the poisonous dregs that lurk beneath.
Few know that elegance of soul refin'd,
Whose soft sensation feels a quicker joy
From Melancholy's scenes, than the dull pride
Of tasteless splendour and magnificence
Can e'er afford. Thus Eloise, whose mind
Had languish'd to the pangs of melting love,
More genuine transport found, as on some tomb
Reclin'd, she watch'd the tapers of the dead;
Or thro' the pillar'd aisles, amid pale shrines
Of imag'd saints, and intermingled graves,
Mus'd a veil'd votaress; than Flavia feels,
As thro' the mazes of the festive ball,
Proud of her conquering charms, and beauty's blaze,
She floats amid the silken sons of dress,
And shines the fairest of th' assembled fair.
When azure noontide cheers the daedal globe,
And the blest regent of the golden day
Rejoices in his bright meridian tower,
How oft my wishes ask the night's return,
That best befriends the melancholy mind!
Hail, sacred Night! thou too shalt share my song!
Sister of ebon-scepter´d Hecate, hail!
Whether in congregated clouds thou wrapp'st
Thy viewless chariot, or with silver crown
Thy beaming head encirclest, ever hail!
What though beneath thy gloom the sorceress train,
Far in obscured haunt of Lapland moors,
With rhymes uncouth the bloody caldron bless;
Though Murder wan beneath thy shrouding shade
Summons her slow-eyed votaries to devise
Of secret slaughter, while by one blue lamp
In hideous conference sits the listening band,
And start at each low wind, or wakeful sound;
What though thy stay the pilgrim curseth oft,
As all-benighted in Arabian wastes
He hears the wilderness around him howl
With roaming monsters, while on his hoar head
The black-descending tempest ceaseless beats;
Yet more delightful to my pensive mind
Is thy return, than blooming morn's approach,
E'en then, in youthful pride of opening May,
When from the portals of the saffron east
She sheds fresh roses, and ambrosial dews.
Yet not ungrateful is the morn's approach,
When dropping wet she comes, and clad in clouds,
While through the damp air scowls the lowering south,
Blackening the landscape's face, that grove and hill
In formless vapours undistinguish'd swim:
Th' afflicted of the sadden'd groves
Hail not the sullen gloom; the waving elms
That, hoar through time, and ranged in thick array,
Enclose with stately row some rural hall,
Are mute, nor echo with the clamours hoarse
Of rooks rejoicing on their airy; boughs
While to the shed the dripping poultry crowd,
A mournful train: secure the village hind
Hangs o'er the crackling blaze, nor tempts the storm;
Fix'd in unfinish'd furrow furrow rests the plough:
Rings not the high wood with enliven'd shouts
Of early hunter: all is silence drear;
And deeptest saness wraps the face of things.
Thro' Pope's soft song tho' all the Graces breathe,
And happiest art adorn his Attic page;
Yet does my mind with sweeter transport glow,
As at the root of mossy trunk reclin'd,
In magic Spenser's wildly-warbled song
I see deserted Una wander wide
Thro' wasteful solitudes, and lurid heaths,
Weary, forlorn; than when the fated fair
Upon the bosom bright of silver Thames
Launches in all the lustre of brocade,
Amid the splendours of the laughing Sun.
The gay description palls upon the sense,
And coldly strikes the mind with feeble bliss.
Ye youths of Albion's beauty-blooming isle,
Whose brows have worn the wreath of luckless love,
Is there a pleasure like the pensive mood,
Whose magic wont to soothe your soften'd souls?
O tell how rapturous the joy, to melt
To Melody's assuasive voice; to bend
Th' uncertain step along the midnight mead,
And pour your sorrows to the pitying moon,
By many a slow trill from the bird of woe
Oft interrupted; in embowering woods
By darksome brook to muse, and there forget
The solemn dulness of the tedious world,
While Fancy grasps the visionary fair:
And now no more th' abstracted ear attends
The water's murmuring lapse, th' entranced eye
Pierces no longer through th' extended rows
Of thick-ranged trees; till haply from the depth
The woodman's stroke, or distant tinkling team
Or heifers rustling through the brake, alarms
Th' illuded sense, and mars the golden dream.
These are delights that absence drear has made
Familiar to my soul, e'er since the form
Of young Sapphira, beauteous as the Spring,
When from her violet-woven couch awaked
By frolic Zephyr's hand, her tender cheek
Graceful she lifts, and blushing from her bower
Issues to clothe in gladsome-glistering green
The genial globe, first met my dazzled sight:
These are delights unknown to minds profane,
And which alone the pensive soul can taste.
The taper'd choir, at the late hour of prayer,
Oft let me tread, while to th' according voice
The many-sounding organ peals on high
The clear slow-dittied chant, or varied hymn,
Till all my soul is bathed in ecstasies,
And lapp'd in Paradise. Or let me sit
Far in sequester'd aisles of the deep dome,
There lonesome listen to the sacred sounds,
Which, as they lengthen through the Gothic vaults,
In hollow murmurs reach my ravish'd ear.
Nor when the lamps expiring yield to night,
And solitude returns, would I forsake
The solemn mansion, but attentive mark
The due clock swinging slow with sweepy sway,
Measuring Time's flight with momentary sound.

Nor let me fail to cultivate my mind
With the soft thrillings of the tragic Muse,
Divine Melpomene, sweet Pity's nurse,
Queen of the stately step, and flowing pall.
Now let Monimia mourn streaming eyes
Her joys incestuous, and polluted love:
Now let soft Juliet in the gaping tomb
Print the last kiss on her true Romeo's lips,
His lips yet reeking from the deadly draught:
Or Jaffier kneel for one forgiving look.
Nor seldom let the Moor on Desdemone
Pour the misguided threats of jealous rage.
By soft degrees the manly torrent steals
From my swollen eyes; and at a brother's woe
My big heart melts in sympathizing tears.

What are the splendours of the gaudy court,
Its tinsel trappings, and its pageant pomps?
To me far happier seems the banish'd lord,
Amid Siberia's unrejoicing wilds
Who pines all lonesome, in the chambers hoar
Of some high castle shut, whose windows dim
In distant ken discover trackless plains,
Where Winter ever whirls his icy car;
While still repeated objects of his view,
The gloomy battlements, and ivied spires,
That crown the solitary dome, arise;
While from the topmost turret the slow clock,
Far heard along th' inhospitable wastes,
With sad-returning chime awakes new grief;
Ev'n he far happier seems than is the proud,
The potent Satrap, whom he left behind
`Mid Moscow's golden palaces, to drown
In ease and luxury the laughing hours.

Illustrious objects strike the gazer's mind
With feeble bliss, and but allure the sight,
Nor rose with impulse quick th' unfeeling heart.
Thus seen by shepard from Hymettus' brow,
What daedal landscapes smile! here palmy groves,
Resounding once with Plato's voice, arise,
Amid whose umbrage green her silver head
Th' unfading olive lifts; here vine-clad hills
Lay forth their purple store, and sunny vales
In prospect vast their level laps expand,
Amid whose beauties glistering Athens towers.
Though through the blissful scenes Ilissus roll
His sage-inspiring flood, whose winding marge
The thick-wove laurel shades; though roseate Morn
Pour all her splendors on th' empurpled scene;
Yet fells the hoary hermit truer joys,
As from the cliff that o'er his cavern hangs
He views the piles of fallen Persepolis
In deep arrangement hide the darksome plain.
Unbounded waste! the mouldering obelisk
Here, like a blasted oak, ascends the clouds;
Here Parian domes their vaulted halls disclose
Horrid with thorn, where lurks th' unpitying thief,
Whence flits the twilight-loving bat at eve,
And the deaf adder wreaths her spotted train,
The dwellings once of elegance and art.
Here temples rise, amid whose hallow'd bounds
Spires the black pine, while through the naked street ,
Once haunt of tradeful merchants, springs the grass:
Here columns heap'd on prostrate columns, torn
From their firm base, increase the mouldering mass.
Far as the sight can pierce, appear the spoils
Of sunk magnificence! A blended scene
Of moles, fanes, arches, domes, and palaces,
Where, with his brother Horror, Ruin sits.

O come then, Melancholy, queen of thought!
O come with saintly look, and steadfast step,
From forth thy cave embower'd with mournful yew,
Where ever to the curfew's solemn sound
Listening thou sitt'st, and with thy cypress bind
Thy votary's hair, and seal him for thy son.
But never let Euphrosyne beguile
With toys of wanton mirth my fixed mind,
Nor in my path her primrose-garland cast.
Though 'mid her train the dimpled Hebe bare
Her rosy bosom to th' enamour'd view;
Though Venus, mother of the Smiles and Loves,
And Bacchus, ivy-crown'd, in citron bower
With her on nectar-streaming fruitage feast:
What though 'tis hers to calm the lowering skies,
And at her presence mild th' embattled clouds
Disperse in air, and o'er the face of heaven
New day diffusive gleam at her approach;
Yet are these joys that Melancholy gives,
Than all her witless revels happier far;
These deep-felt joys, by Contemplation taught.

Then ever, beautious Contemplation, hail!
From thee began, auspicious maid, my song,
With thee shall end; for thou art fairer far
Than are the nymph of Cirrha´s mossy grot;
To loftier rapture thou canst wake the thought,
Than all the fabling Poets´; boasted powers.
Hail, queen divine! whom, as tradition tells,
Once in his evening walk a druid found,
Far in a hollow glade of Mona´s woods;
And piteous bore with hospitable hand
To the close shelter of his oaken bower.
There soon the sage admiring mark´d the dawn
Of solemn musing in your pensive thought;
For when a smiling babe, you loved to lie
Oft deeply listening to the rapid roar
Of wood-hung Menai, stream of druids old.

poem by Thomas Warton Jr.
Submitted by Poetry Lover
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