Parody

Parody in playful way displays
Appropriation of intents, sense, form,
Reversing roles while wearing uniform,
Or, ‘armed against a sea of troubles’ weighs
Defiance ‘gainst a double’s narrow gaze
Yet inner truth respects whatever norm
Perpetuates crowd loud whose rowdy storm
As waves upon life’s sea Time must erase.
Replay, revision, rhythmic interplays,
Original outshines, - wise words transform
Dull into fun, blind minds undone, cold, warm,
Yet still informing, never still each phrase.
Post scriptum’s rhyming couplet we adjoin
So Parody should never sign ‘purloin’!

[c) Jonathan Robin robi3_1299 acrostic sonnet written 25 January 2007

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Responsum to All my days are trances

A las the dream askance is
N or is Life what it seems,
A s swift pass all Time’s chances -
N ow here, now gone, - Man’s schemes
S mile once! Ephemeral glances
WER e spent on empty dreams!

© Jonathan Robin acrostic parody written 26 June 1996 Parody Responsum to All my days are trances

All my days are trances

And all my days are trances
and all my nightly dreams
are where thy dark eye glances
and where they footstep gleams
by what ethereal dances
in what eternal streams...

Author Unknown

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As Dew from Lily Pearls

AS DEW FROM LILY PEARLS
As dew from lily pea[r]ls away
Stretched time can’t rhyme eternity.
Desire whose fire may warm today
Ephemeris is seen to be.
We pass, time due, climb through life’s play,
Fall, fate forgotten, from life’s tree,
Remembered in leafed album stray,
Or – for a spell – where family
Must thrust dust, trust our writings may
Lift spirits from banality.
If ALL is in, through, ALL our stay
Lingers in some way to key
Youth, age, together, thus may mock despair,
PEARL Seed be[a]d-feed leads to new life, joy rare...

(c) Jonathan Robin acrostic sonnet written 3 January 2007


robi03_1551_robi03_0000 ASX_KZX

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How do I parody? after Elizabeth Barrett Browning Sonnet XLIII How do I love thee?

How Do I Parody?

How true I parody! Let me count the ways.
I parody in depth, taste copy paste insight
My mind can reach into your writing quite
Through APing Ways and Means, through rhyme’s mainstays.
I parody to the level of everyday's
post hosting feed, by sun, electric light.
In vers libres freely, sonnet set to right;
I pastiche purely, rarely spurning praise.
Reparody with passion put to use
through griefs, beliefs, rehearsed, though wanting faith.
I parody love’s theme, who dreams accuse.
Newfangled paints b[l]end colour bending brea[d]th,
Smiles, tears, [p]rune poem’s life! - and, if judge choose,
gold goblets garner, googled after death.


Parody Elizabeth Barrett Browning Sonnet XLIII How Do I Love Thee

12 February 2007 revised 10 June 2008 and 30 September 2009
for previous versions see below robi3_1323_brow7_0001 PSX_IXX


________________

How do I Parody?

How do I parody? Let me count the ways.
I parody in depth, with taste and with insight,
my mind may reach into your writing quite
through APing Ways and Means, through rhyme’s mainstays.
I parody to the level of everyday's
intimate grace, by sun, electric light.
in vers libres freely, sonnet set to right.
I pastiche purely, rarely turn from Praise,
reparody with passion put to use
through your old griefs, beliefs, though wanting faith.
I parody with love I’d never lose,
use paints newfangled, shading E.B.B.ing breath,
still showing your life's smiles, tears, for, should judge choose,
my golden goblet fame lives loved past death.

Parody Elizabeth Barrett Browning Sonnet XLIII How Do I Love Thee
[c] Jonathan Robin - 2 February 2007 revised 10 June 2008 robi3_1611_brow7_0001 PSX_IXX for previous version see below
_____________


Parody Elizabeth Barrett Browning Sonnet XLIII How Do I Love Thee
[c] Jonathan Robin - 2 February 2007 robi3_1611_brow7_0001 PSX_IXX for previous version see below

Sonnet XLIII


How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, - I love thee with the breath,
Smiles, tears, of all my life! - and, if God choose,
I shall but love thee better after death.


Elisabeth Barrett BROWNING 1806_1861

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One May Write With Forked Tongue

ON written ciphers you depend
EMit and then amend your speech,
AYe, there's the rub for when I teach
WRit long till generations' end
IT will run true, no falsehood rend.
Echoes base pale face - white leach -
WIll suck to meanings change to beach
THe sense when times upon fresh bend
FOrwards embark or backwards trend
Refuting fair traditions. Each
Knows Time revenge exacts to reach
EDitions new that few defend.
TONe tribal sends reviving stream
GUEst welcomes with true story's gleam.


(c) Jonathan Robin - acrostic sonnet One May Write With Forked Tongue written 14 January 2007

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Words Woven - Parody Mary BEULEY - Words Woven

Words woven into speech
soon reach
intact thread spirit of each act,
knit warp and weft of wit wish fact,
dreams' tapestry may teach.

Words express essentials,
transmit, unwind
from mind to mind,
address ideas which, blind,
would grope for means to equate
sensations refined,
coarse, sophisticate.
Thus they incarnate
emotion's multi coloured coat, pattern twist
around ideas which form,
unform,
inform or disinform,
or take by storm
precisely or by gist
the geist soul kissed.

Words woven into speech
pen hand,
when scanned
from thoughts’ life blood leach
emotions, sense, dressed to suit
points phallic and points mute,
ideo-grand!

© Jonathan Robin Parody Mary BEULEY 1837_1916 written 12 December 1995 – Words Woven revised 31 July 2008 notably first verse below
Words woven into speech
soon reach
to knit the spirit of each act,
the warp and weft of every fact,
through dreams to teach.

______________

Words Woven


Words woven into rhyme
In time
Become a tapestry of thought
A canvas of experience in which
Our dreams are wrought.

Words are the evidence of what goes on
communicate
Within the mind.
They clothe the invisible
With robes of speech,
Sophisticated as silk,
Homespun as hessian,
And in between
The many-patterned, many-textured range,
Familiar and strange,
Of words -
Woven and dyed and spun
For Fun
Or seriously aware
Of what is there.

Words woven into rhyme
Or prose
Transpose
Giving the tiny embryo of thought
A dress to wear, most delicately wrought,
And caught for ever in a form know
And understand.

Mary BEULEY 1837_1916

© Jonathan Robin Parody Mary BEULEY written 12 December 1995

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Ambiguity Arose - after Rose Aylmer Walter Savage LANDOR

Oh, what avails a pretty face
with beauty creams besprinkled,
for Father Time wins every race,
soon age Life’s page has wrinkled.

Where is the flush, the lush embrace,
starred eyes that carefree twinkled?
Night draws its shutters, leaves no trace
of light, save mem’ries sinkled.

Oh, What avails a pretty face,
and voice divinely tinkled,
if all behind be ugly, base,
with mind both blind and wrinkled?

Some say unique is every case,
eyes amber, periwinkled,
yet all too soon return to base,
AND DNA's ash sprinkled.

Oh, What avails a pretty face,
bright eye sublimely crinkled,
each must a double lie encase
life left confirms this inkle!


© Jonathan Robin – robi3_0313 parody written 17 December 1991 revised 14 May 2007 and 31 October 2008 Parody Walter Savage LANDOR 1775_1864 Rose Aylmer for previous versions - title Rose Aylmer's Cousin - see below


Rose Aylmer's Cousin


Oh, what avails a pretty face
with beauty creams besprinkled,
as Father Time wins every race,
soon age Life’s page has wrinkled.

Where is the flush, the lush embrace,
starred eyes that carefree twinkled?
Night draws its shutters, leaves no trace
of light, save mem’ries sinkled.

Oh, What avails a pretty face,
and voice dIvinely tinkled,
if all behind be ugly, base,
with mind both blind and wrinkled?

Oh, What avails a pretty face,
and eye sublimely crinkled,
should it a double lie encase
and life confirm this inkle? ...


© Jonathan Robin – parody written 17 December 1991 revised 14 May 2007 for initial version see below

Rose Aylmer's Cousin

Oh, what avails a pretty face
with beauty creams besprinkled,
for Father Time wins every race,
soon age Life’s page has wrinkled.

The flush once full that did embrace,
those eyes that carefree twinkled,
Night pulls its shutters, leaves no trace
of light, save mem’ries crinkled.

© Jonathan Robin – robi3_0313 parody written 17 December 1991
Parody Walter Savage LANDOR 1775_1864 Rose Aylmer

Rose Aylmer


Ah, what avails the sceptred race!
Ah, what the form divine!
What every virtue, every grace!
Rose Aylmer, all were thine.

Rose Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and signs
I consecrate to thee.

Walter Savage LANDOR 1775_1864

see also

Rose Aylmer’s Cousin


? ? ?


Gail White

Night of Memories

Rose Aylmer whom these wakeful eyes
May weep, but never see,
A night of memories and of sighs
I consecrate to thee.

Mr Latimer in County Chronicle 1950

Angela Thirkell 1890_1961
Parody Walter Savage LANDOR 1775_1864 Rose Aylmer


A Confession

Roundel

I’ve loved but thee, who art but stay!
If told the startling truth must be,
I'llspeak: forget the words, I pray,
'I've loved but thee.'

'Twas not on Herrick, but on me
That Julia cast for many a day
Her wondrous spell of witcherie;
And I it was who, wakeful, lay,
And sighed that I should never see
Rose Aylmer: so I cannot say,
I’ve loved but thee.


Parody Julia – Robert Herrick
and
Parody Walter Savage LANDOR 1775_1864 Rose Aylmer


Published 1890 J. G. CUPPLES Co. Boston
Herbert Walcott Bowen 1856_1927



Oh, What Avail?

Ah, what avail the loaded dice?
Ah, what the tubs of wine?
What every weakness, every vice?
Tom Cardan, all were thine.

Aldous Huxley 1894_1963 Barren Leaves
Parody Walter Savage LANDOR 1775_1864 Rose Aylmer

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Polyacrostic Palimpsest - What Will Follow?

Notes on Polyacrostic Palimpsests

Acrostic: Verse in which certain letters form a word or message
Polyacrostic: Several acrostics within the same composition;

Acrostics to be found below:
What will follow - external
Name an Acrostic - vertical from middle
Robin Jonathan - double diagonal from middle


Palimpsest: A manuscript on which more than one text is written
with earlier writing, or one level of meaning, partially visible.

Enjoy!


3 versions below:
4 March 2009
6 January 2007
2 January 1992 [Jonathan Wrobel]

What Will Follow?


Who knows what in our future lies ahead,
How will man's banana skin unpeel,
And thus show him what follows on, reveal
Tomorrow's stated story. Living dead,
We wait and ask vain sages why we're led
In ignorance to never-never's wheel.
Life is lost as man sets out, why steal
Little joys in scheming, joys gainsaid:
Fond intention ropes soon ties instead
Of painting scroll whose links naught need conceal.
Let be all fears, shine out as beacon real.
Look forward to trial met book open, read,
Or is all error, nightmares' terrors where
We puppets find chance rules us? Judgements spare!

© Jonathan Robin polyacrostic palimpsest sonnet written 2 January 1992 revised 4 March 2009


What Will Follow?

Who knows what in our future lies ahead,
How will man's banana skin unpeel,
And thus show him what follows on, reveal
Tomorrow's stated story. Living dead,
We wait and ask vain sages why we're led
In ignorance to never-never's wheel.
Life is lost as man sets out, why steal
Little joys in scheming, joys gainsaid
Fate, in waiting, rarely runs, - instead
Our sins turns to our loss without appeal.
Let be all fears, shine out as beacon real.
Look forward to the future, - grow, love, wed -
Or all’s terror, nightmare error where
We soon will see climactic climes none spare…

© Jonathan Robin polyacrostic palimpsest sonnet written 2 January 1992 revised 6 January 2007


What will Follow?

Who knows what in our future lies ahead,
How will man's banana skin unpeel,
And thus show him what follows on, reveal
Tomorrow's stated story, live or dead.
We wait and ask vain sages why we're led
In ignorance to never-never's wheel.
Life is lost as man sets out, why steal
Little joys in scheming, joys when fed
Fulfill our hearts which lay too long abed.
Our selves we should revive, all sloth repeal,
Let be all fears, shine out as beacon real.
Look forward to the future, - grow, love, wed!
Or all is error, 'tis but nightmare where
We soon will see chance rules us without heir!

Jonathan Wrobel polyacrostic palimpsest sonnet © Jonathan Robin written 2 January 1992

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Fabulous Lent Rib

FABULOUS LENT RIB
please read notes

F IT LINT, IF, FIN, IN FLINT FILLS FAST FIRST phrase
L IT, LATER LIFTS, OUR explanation clears,
I NF..IN..ITE FUN, sense SOUL FELT SENT appears
N IFTy - trophy FINE LIFE'S LABOR rep[l]ays.
T he RIB LENT pulls your leg, LETS BUILT relays
E xtract ABLE STABLE FABLE, LINE TONE endears.
R EAL skill? SURE RUSE AS TRUE meaning NEARS,
B AB Ballads calls TO mind.. FAB BLAB essays
A llow BALL flight AS INTERplays
B ury - INTER - BLUES, TOIL, ROIL, TO FOIL TEARS.
U n[l]inked F, ABULOUS, INTERpret cheers
L IE IN LIFE'S letters' BABEL LABEL praise.
O UT, IN, UNTIE, UNITE - ONE BIBLE RULES,
US - U and I - IN anagram TUNE FUELS.


11 August 2007
robi03_1669_robi03_0000 AQS_IXX


Author notes
Words in capitals are to be found within the letters of the prompt word FLINTERBABULOUS and the title provides the definition sought by the contest whose keyword is also to be found as an acrostic for the sonnet.

BAB BALLADS Sir William Schwenk GILBERT Light Verse

Fabulous Lent Rib poem (c) Jonathan Robin

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Sheepish Bo Peep Recombined

Little Bo Peep has lost her sheep
and cannot tell where to find them,
splice more DNA for cloning today
with no zoning law to unwind them...

[c] Jonathan Robin Parody Bo Peep written 27 November 2008

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Hot Air - Parody Witter Bynner Spectra

Just deserted after make-up refuselled,
I, who would have snoozled, hereafter
lose laughter, appear a foozle cahoozled,
as daft as a woozle or even dafter.
The hamstrung string is bamboozled,
snaking like a hung verdict noose loose from the rafters, -
when will the West wind flow less confuselled
blowing our just desserts as afters?

© Jonathan Robin – Parody author unknown possibly Witter Bynner written 3 January 1992 revised 8 October 2006 previous title Winds

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Birthday Letter for Lucinda

Let this, your eighteenth birthday, offer you
Unique joy, and understanding’s light,
Cha[lle) nging uncertainties you might
In future face tomorrow with steps true.
New horizons open up, and through
Determination, courage, sage insight, -
All needed if you wish to win the fight
Life weighs against us joy may come. Thus to
Unknown regions venture. Much to do.
Completion still awaits, true wings for flight.
In life stay true to tenets you feel right,
Never betraying principles, virtue.
Decide to use your mind and you will find
A new world welcome, - work up from behind...


© Jonathan Robin – acrostic sonnet robi3_0593_robi3_0000 LUCINDA written 5 August 1992

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Men State - Parody Diana MORGAN - Statement

Men State

Ladies who would break the rules
toy with boys they take as tools.

(c) Jonathan Robin - Parody written 1 December 1995


Statement

Gentlemen who are not fools
Take out girls who know the rules.


Diana MORGAN My Sex Right or Wrong: 1947

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This Day What Future Will It Bring (Kyrielle Sonnet)

This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.

We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.

No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.

This day what future will it bring.
There will then come a silent sound.

- Ben Gieske, March 5,2008


*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

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War at Home

Ever since they took him away,
to fight that God forsaken war.
I daydream in our fields all day.
They took the man that I adore.

Gazing across the windswept grass
and waiting for the time to pass.
The memory of times before,
they took the man that I adore.

I know he’ll walk across that field
with battle wounds yet still unhealed.
My broken heart can take no more,
they took the man that I adore.

Ever since they took him away,
they took the man that I adore.


Author Notes:

Kyrielle Sonnet
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme
for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

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Parody Of John Keats 'On The Sonnet

Parody to follow, but first, the real deal sonnet by John Keats,1819...
----------…
John Keats sonnet.....'On the Sonnet'...

If by dull rhymes our English must be chained,
And, like Andromeda, the Sonnet sweet
Fettered, in spite of painéd loveliness;
Let us find out, if we must be constrained,
Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gained
By ear industrious, and attention meet;
Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay-wreath crown;
So, if we may not let the Muse be free,
She will be bound with garlands of her own.
----------…
My parody.....'On Rhyme and Money'

If by dull rhyme our fortune's attained,
let us speak, shout, seek, complete with all pain
tomorrow's journey to our bank account.
Ignore that woman chained by wisdom's fount.

Was she not acclaimed in her day and time?
Her eternal beauty bought for a dime
from every passing vendor. How vane!
Her shame, wanting blonde tresses. Brunette's bane!

Forlorn, forsworn, we apply merely base
words, structure, to the poetics of haste.
And, all meaning wanting, we write cheap
nonsensical verse, all rhyming replete.

We of beggars' free verse stand time's testing,
penniless, but with no gods are jesting.

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Once more unto the [B]Reach, Dear Friends

Once more extend your reach, fair friend, revise!
None who on laurels stand can raise praised bay,
Charm birds from trees however hard pen tries,
Enraptured, keep time's creeping lines at bay.

Moreover meaning may with each revision
Open more windows, clearer writer link
Reader who shows often indecision,
Ease seeks through white write black and blue true [th]ink.

Unto the breach once more, make mind outreach,
Nuances shading, fading froth away,
Turning potter's wheel words' clay to teach
Oncoming generations of their Way.

THE gem, once polished, one more chance deserves,
REACH out, revise, streamline rhyme's sinews, curves.


[c] Jonathan Robin acrostic sonnet ONCE MORE UNTO THE REACH written 8 June 2008 robi3_1390_robi3_0000 AWX_IXX

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Ph[r]ase by Gilded Ph[r]ase

PHRASE BY GILDED PHRASE


Welcome beams' streams weight true words in ways
A ll others only dream of imitating.
N one turn prose to free verse impersonating
D epth and scope of Night Hope's interplays
A s pleasure treasured fills each page, lights days,
L inks leisure to unmeasured selfless stating
E ternal truths through voice for choice all waiting
A dmire as choir unanimous relays
B right softness, sets scene for serene screen blaze.
R eflections simple, not simplistic, sating,
A lways gentle, unique style relating
Y ears, tears, or longings ph[r]ase by gilded ph[r]ase.
T he appetite awaits more verse uncloyed,
ON white wings, unabating, overjoyed.


14 August 2007
robi03_1670_robi03_0000 ASX_IKX


Phrase by Gilded Phrase poem (c) Jonathan Robin

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From Ink to Inklings

FROM INK TO INKLINGS

From ink to inklings visions flow
to stitch life's tapestry and sow
seeds which obscurity reject
as search for light owes slight respect
to monochromes which seldom show
more than man thinks he needs to know
or throw as viewpoint to reject
the inklings others' inks project.
So when one writes on rags to glow
upon a screen ensure thoughts throw
no jealous shadow yet protect
true principles few should forget.
Concluding couplet signs a smile
to mystic storm's intense sense style.


© Jonathan Robin sonnet written 27 December 2006
robi03_1533_robi03_0000 SXX_IXX
See also:
Ink Links Inklings robi03_1831_robi03_0000 SXX_IXX 20081228
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIII

Ink Links Inklings

Ink from inklings flows
weaving tapestry,
understanding grows,
rejecting falsity.

Monochromatic glow’s
innate harmony
kaleidoscopic shows
serendipity.

Image imago
instantaneously
enlightenment bestows,
imagination free.

Impressions’ unity
scorns ambiguity.


See also:
From Ink to Inklings 20061227
robi03_1533_robi03_0000 SXX_IXX

© Jonathan Robin sonnet written 28 December 2008

robi03_1831_robi03_0000 SXX_IXX

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

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Ink Links Inklings

INK LINKS INKLINGS

Ink from inklings flows
weaving tapestry,
understanding grows,
rejecting falsity.

Monochromatic glow’s
innate harmony
kaleidoscopic shows
serendipity.

Image imago
instantaneously
enlightenment bestows,
imagination free.

Impressions’ unity
scorns ambiguity.


See also:
From Ink to Inklings 20061227
robi03_1533_robi03_0000 SXX_IXX

© Jonathan Robin sonnet written 28 December 2008

robi03_1831_robi03_0000 SXX_IXX

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
FROM INK TO INKLINGS

From ink to inklings visions flow
to stitch life's tapestry and sow
seeds which obscurity reject
as search for light owes slight respect
to monochromes which seldom show
more than man thinks he needs to know
or throw as viewpoint to reject
the inklings others' inks project.
So when one writes on rags to glow
upon a screen ensure thoughts throw
no jealous shadow yet protect
true principles few should forget.
Concluding couplet signs a smile
to mystic storm's intense sense style.


© Jonathan Robin sonnet written 27 December 2006
robi03_1533_robi03_0000 SXX_IXX
See also:
Ink Links Inklings robi03_1831_robi03_0000 SXX_IXX 20081228
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIII

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Paint Life’s Book

Play through infra violent ultra read
As animate, inanimate induce
Inner vibrations spelling soul_in_head,
New stimulations which in turn produce
The colours of the mind behind diffuse
Tone temptations senses may seduce.
Heed each heartbeat pulse - though seem abstruse
Echoes of stone to stone, star, star, - what loose
Before appeared, neared, no words need be said.
One second blind, mind focus finds, to spread,
Over dimensions few tune into, fed
Kabbalah key all questions will reduce,
OFfer solutions to the here and now -
LIFE is an open book, - touch, know no fear!

© Jonathan Robin – Acrostic sonnet written 19 April 2005

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