The Green Eye of the Little Yellow God

There's a one-eyed yellow idol to the north of Khatmandu,
There's a little marble cross below the town;
There's a broken-hearted woman tends the grave of Mad Carew,
And the Yellow God forever gazes down.

He was known as "Mad Carew" by the subs at Khatmandu,
He was hotter than they felt inclined to tell;
But for all his foolish pranks, he was worshipped in the ranks,
And the Colonel's daughter smiled on him as well.

He had loved her all along, with a passion of the strong,
The fact that she loved him was plain to all.
She was nearly twenty-one and arrangements had begun
To celebrate her birthday with a ball.

He wrote to ask what present she would like from Mad Carew;
They met next day as he dismissed a squad;
And jestingly she told him then that nothing else would do
But the green eye of the little Yellow God.

On the night before the dance, Mad Carew seemed in a trance,
And they chaffed him as they puffed at their cigars:
But for once he failed to smile, and he sat alone awhile,
Then went out into the night beneath the stars.

He returned before the dawn, with his shirt and tunic torn,
And a gash across his temple dripping red;
He was patched up right away, and he slept through all the day,
And the Colonel's daughter watched beside his bed.

He woke at last and asked if they could send his tunic through;
She brought it, and he thanked her with a nod;
He bade her search the pocket saying "That's from Mad Carew,"
And she found the little green eye of the god.

She upbraided poor Carew in the way that women do,
Though both her eyes were strangely hot and wet;
But she wouldn't take the stone and Mad Carew was left alone
With the jewel that he'd chanced his life to get.

When the ball was at its height, on that still and tropic night,
She thought of him and hurried to his room;
As she crossed the barrack square she could hear the dreamy air
Of a waltz tune softly stealing thro' the gloom.

His door was open wide, with silver moonlight shining through;
The place was wet and slipp'ry where she trod;
An ugly knife lay buried in the heart of Mad Carew,
'Twas the "Vengeance of the Little Yellow God."

There's a one-eyed yellow idol to the north of Khatmandu,
There's a little marble cross below the town;
There's a broken-hearted woman tends the grave of Mad Carew,
And the Yellow God forever gazes down.

poem by John Milton HayesReport problemRelated quotes
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Jim Carew

Born of a thoroughbred English race,
Well proportioned and closely knit,
Neat, slim figure and handsome face,
Always ready and always fit,
Hardy and wiry of limb and thew,
That was the ne'er-do-well Jim Carew.
One of the sons of the good old land --
Many a year since his like was known;
Never a game but he took command,
Never a sport but he held his own;
Gained at his college a triple blue --
Good as they make them was Jim Carew.
Came to grief -- was it card or horse?
Nobody asked and nobody cared;
Ship him away to the bush of course,
Ne'er-do-well fellows are easily spared;
Only of women a sorrowing few
Wept at parting from Jim Carew.

Gentleman Jiim on the cattle-camp,
Sitting his horse with an easy grace;
But the reckless living has left its stamp
In the deep drawn linies of that handsome face,
And the harder look in those eyes of blue:
Prompt at a quarrel is Jim Carew.

Billy the Lasher was out for gore --
Twelve-stone navvy with chest of hair --
When he opened out with a hungry roar
On a ten-stone man, it was hardly fair;
But his wife was wise if his face she knew
By the time you were done with him, Jim Carew.
Gentleman Jim in the stockmen's hut
Works with them, toils with them, side by side;
As to his past -- well, his lips are shut.
"Gentleman once," say his mates with pride,
And the wildest Cornstalk can ne'er outdo
In feats of recklessness Jim Carew.

What should he live for? A dull despair!
Drink is his master and drags him down,
Water of Lethe that drowns all care.
Gentleman Jiim has a lot to drown,
And he reigns as king with a drunken crew,
Sinking to misery, Jim Carew.

Such is the end of the ne'er-do-well --
Jimmy the Boozer, all down at heel;
But he straightens up when he's asked to tell
His name and race, and a flash of steel
Still lightens up in those eyes of blue --
"I am, or -- no, I was -- Jim Carew."

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The Primrose

Ask me why I send you here
The firstling of the infant year;
Ask me why I send to you
This primrose all bepearled with dew:
I straight will whisper in your ears,
The sweets of love are washed with tears.
Ask me why this flower doth show
So yellow, green, and sickly too;
Ask me why the stalk is weak
And bending, yet it doth not break:
I must tell you, these discover
What doubts and fears are in a lover.

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Are You Drinking?

washed-up, on shore, the old yellow notebook
out again
I write from the bed
as I did last
year.
will see the doctor,
Monday.
"yes, doctor, weak legs, vertigo, head-
aches and my back
hurts."
"are you drinking?" he will ask.
"are you getting your
exercise, your
vitamins?"
I think that I am just ill
with life, the same stale yet
fluctuating
factors.
even at the track
I watch the horses run by
and it seems
meaningless.
I leave early after buying tickets on the
remaining races.
"taking off?" asks the motel
clerk.
"yes, it's boring,"
I tell him.
"If you think it's boring
out there," he tells me, "you oughta be
back here."
so here I am
propped up against my pillows
again
just an old guy
just an old writer
with a yellow
notebook.
something is
walking across the
floor
toward
me.
oh, it's just
my cat
this
time.

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It was you, Atthis, who said

It was you, Atthis, who said

"Sappho, if you will not get
up and let us look at you
I shall never love you again!

"Get up, unleash your suppleness,
lift off your Chian nightdress
and, like a lily leaning into

"a spring, bathe in the water.
Cleis is bringing your best
pruple frock and the yellow

"tunic down from the clothes chest;
you will have a cloak thrown over
you and flowers crowning your hair...

"Praxinoa, my child, will you please
roast nuts for our breakfast? One
of the gods is being good to us:

"today we are going at last
into Mitylene, our favorite
city, with Sappho, loveliest

"of its women; she will walk
among us like a mother with
all her daughters around her

"when she comes home from exile..."

But you forget everything

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
In every show ring, on every course,
They always counted The Swagman best.

He was a wonder, a raking bay --
One of the grand old Snowdon strain --
One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo;
The girl herself on his back might ride,
And The Swagman would carry her safely through.

He would travel gaily from daylight's flush
Till after the stars hung out their lamps;
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that The Swagman went.

When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track
Through plains as pathless as ocean's foam;
He mounted straight on The Swagman's back.

He left the camp by the sundown light,
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.

He rode all noght, and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright.
The doctor met him outside the town
"Carew! How far did you come last night?"
"A hundred miles since the sun went down."

And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last,
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well;
The pride of the district far and wide,
He lived in style at the bush hotel.

Such wasThe Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on The Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but "Swagman -- stable wall;
Go to the stable and mind your eye."

He caught her meaning, and quickly turned
To the trooper: "Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it." So off they went,
And as soon as ever they turned their backs
The girl slipped down, on some errand bent
Behind the stable and seized an axe.

The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall --
'Twas done 'fore ever the trooper knew --
And Ryan, as soon as he saw them fall,
Mounted The Swagman and rushed him through.

The trooper heard the hoof-beats ring
In the stable yard, and he jammed the gate,
But The Swagman rose with a mighty spring
At the fence, and the trooper fired too late
As they raced away, and his shots flew wide,
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch The Swagman in Conroy's Gap.

And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.

Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold The Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.

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Thomas Hardy

The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

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Thomas Hardy

In The Moonlight

"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"

"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"

"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"

"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"

"Nay: she was the woman I did not love,
Whom all the other were ranked above,
Whom during her life I thought nothing of."

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Celia Beeding, To the Surgeon

Fond man, that canst believe her blood
Will from those purple channels flow;
Or that the pure untainted flood
Can any foul distemper know;
Or that thy weak steel can incise
The crystal case wherein it lies:

Know, her quick blood, proud of his seat,
Runs dancing through her azure veins;
Whose harmony no cold nor heat
Disturbs, whose hue no tincture stains:
And the hard rock wherein it dwells
The keenest darts of love repels.

But thou repli'st, "behold, she bleeds!"
Fool! thou 'rt deceiv'd, and dost not know
The mystic knot whence this proceeds,
How lovers in each other grow:
Thou struck'st her arm, but 'twas my heart
Shed all the blood, felt all the smart.

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Hitting is an art, but not an exact science.

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Katherine Mansfield

The Family

Hinemoa, Tui, Maina,
All of them were born together;
They are quite an extra special
Set of babies--wax and leather.

Every day they took an airing;
Mummy made them each a bonnet;
Two were cherry, one was yellow
With a bow of ribbon on it.

Really, sometimes we would slap them,
For if ever we were talking,
They would giggle and be silly,
Saying, "Mamma, take us walking."

But we never really loved them
Till one day we left them lying
In the garden--through a hail-storm,
And we heard the poor dears crying.

Half-Past-Six said--"You're a mother!
What if Mummy did forget you?"
So I said, "Well, you're their Father.
Get them!" but I wouldn't let you.

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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The Yellow Ribbon On The Old Oak Tree

who can forget the yellow ribbon
on that old oak tree? tell me.

tomorrow, i shall wear my yellow cap
my yellow shirt, my yellow brief,
my yellow pants.

my jaundiced eye, my golden yellow ring.
tomorrow, in my country, the sky is yellow.

all steps lead to the yellow brick road.
all fruits are ripe and mellow and yellow.

Tomorrow, the country is yellow.
Yellow for integrity, Yellow for change.
Yellow for justice. Yellow for truth.

One day more, and the sun shall rise
Yellow as ever.Yellow forever.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Pressure

There was a kind of pressure, in the room,
I mean, it wasn't anything tangible but it was there
and he looked about him to try to spot the culprit.

A suspicious character was drinking brandy,
he could certainly be the one, but wait,
there she was, a tall red head with hawk like eyes.

They looked at each other and then she crooked her finger,
"yes… you" she mouthed! "Come here, talk to me"
He slowly walked towards her, settling at her side.

"It's cold for the time of year", he whispered.
"Not cold enough" was the coded reply.
Then she took out a yellow glove from her bag.

"When are you going to introduce me? " she asked
"That's right, " she said, "I'm from the ministry"
and I want you to act as though we're old friends.

"O.K." he replied, "slip me the key first and I'll
take you over. The stooge is that small,
rather portly man in the black bow tie."

"But can he lead us to Nightingales, " she asked
They've killed two of our spies already.
At that she dropped the yellow glove on the floor.

The lights went out and as they fumbled in the dark
the pressure grew……….do you feel it?
Nah, its just that dodgy guy sitting next to you.

************************************* ************

Footnote:

No spies were killed or yellow gloves
dropped during the making
of this episode.
However, some fumbling
did take place.

*********************************** ***************
Next episode:

Dazed and sore, Montague came round,
feeling pressure on his head
which seemed to be warm and comforting.
It was Marjorie's soft hand.

"Are you alright, my dear" she said,
looking concerned and worried.
Blood dripped down Montague's cheek,
he'd been hit on the head with a sharp object!

"Where is she? " he stammered, "She still has the key"
"Leave her to us" said the man in the black bow tie
"We've got it all under control,
Just tell us who sent you! "

Monty's eyes rolled back in his head.
The pressure was all too hard to take
and Marjorie's perfume had
triggered off his allergy.

Or was this a counter plot to extract the truth?
Did they know he was allergic to Channel no 5?
Too late! A sharp pain in Montague's chest
saw the end of him…….

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Thomas Hardy

Ah, Are You Digging on My Grave?

"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"

"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"

"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.

"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"

"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"

"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place."

poem by Thomas HardyReport problemRelated quotes
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