En.Citatepedia^®.ro

The Sycamores

In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.

One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.

Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.

Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.

Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.

How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---

Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.

When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,

And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.

When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.

Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,

By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.

How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.

Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!

Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"

Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.

Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.

Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!

When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---

When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---

Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.

Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.

And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---

On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.

And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."

Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.

Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.

But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.

Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;

Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.

Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.

Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.

All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.

But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.

poem by John Greenleaf Whittier
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Grand Rapids

Air -- "Bright Alfaretta"

Wild roved the Indians once
On the banks of Grand River,
And they built their little huts
Down by that flowing river.
In a pleasant valley fair,
Where flows the river rapid,
An Indian village once was there,
Where now stands Grand Rapids.

Indian girls and boys were seen,
With their bow and quiver,
Riding in their light canoes
Up and down the river.
Their hearts were full of joy,
Happy voices singing
Made music with forest birds,
They kept the valley ringing.

Indians have left and gone
Beyond the Mississippi.
They called the river Owashtenong
Where stands this pleasant city.
Louis Campau the first white man
Bought land in Grand Rapids.
He lived and died, an honored man
By people of Grand Rapids.

When Campau came to the valley
No bridge was across the river;
Indians in their light canoes
Rowed them o'er the water.
Railroads now from every way
Run through the city, Grand Rapids;
The largest town in west Michigan
Is the city of Grand Rapids.

poem by Julia A Moore
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The Suicide's Grave

On a tree by a river a little tomtit
Sang "Willow, titwillow, titwillow!"
And I said to him, "Dicky-bird, why do you sit
Singing 'Willow, titwillow, titwillow'?
Is it weakness of intellect, birdie?" I cried,
"Or a rather tough worm in your little inside?"
With a shake of his poor little head he replied,
"Oh, willow, titwillow, titwillow!"

He slapped at his chest, as he sat on that bough,
Singing "Willow, titwillow, titwillow!"
And a cold perspiration bespangled his brow,
Oh, willow, titwillow, titwillow!
He sobbed and he sighed, and a gurgle he gave,
Then he threw himself into the billowy wave,
And an echo arose from the suicide's grave -
"Oh, willow, titwillow, titwillow!"

Now I feel just as sure as I'm sure that my name
Isn't Willow, titwillow, titwillow,
That 'twas blighted affection that made him exclaim,
"Oh, willow, titwillow, titwillow!"
And if you remain callous and obdurate, I
Shall perish as he did, and you will know why,
Though I probably shall not exclaim as I die,
"Oh, willow, titwillow, titwillow!"

poem by William Schwenck Gilbert
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The River of Me

I launched myself on the river me
Way back when I was two or three
I sailed out through the wall of snow
Beneath the bridge where all kids go

That Cheyenne Bodie was ten feet tall
His voice so deep it filled a hall
And that was who I dreamed I’d be
Until Cochise came on the scene

There was ice on the river and ice on the pond
And the singing nun sang on and on
There were trees on the river bank, cliffs by the sea
And fish galore in the river of me

The fields were full of cows, corn or wheat
The air was thick with bees and heat
The summer lasted all year long
I never knew til it was gone

And then of course came that high school girl
Her glances made my river swirl
More complex than the universe
I never knew what she’d do next

There was light on the river and light on the pond
And the singing nun sang on and on
There were trees on the river bank, cliffs by the sea
And fish galore in the river of me

And up we soared towards the sky
Through songs and dancing by and by
My waterfalls and waves ran high
For just the winking of an eye

And in the distance the quiet sea
was waiting on the river me
And on the banks the weeds grew tall
Where rusting leaves began to fall

Now there’s night on the river and night on the pond
And the singing nun is long since gone
There are trees on the river bank, cliffs by the sea
And memories in the river of me

I launched myself on the river me
Way back when I was two or three
I sailed out through the wall of snow
Beneath the bridge where all kids go

poem by Jim Hogg
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The wind

(THE TALE)

Cometh the Wind from the garden, fragrant and full of sweet singing--
Under my tree where I sit cometh the Wind to confession.

"Out in the garden abides the Queen of the beautiful Roses--
Her do I love and to-night wooed her with passionate singing;
Told I my love in those songs, and answer she gave in her blushes--
She shall be bride of the Wind, and she is the Queen of the Roses!"

"Wind, there is spice in thy breath; thy rapture hath fragrance Sabaean!"

"Straight from my wooing I come--my lips are bedewed with her kisses--
My lips and my song and my heart are drunk with the rapture of loving!"

(THE SONG)

The Wind he loveth the red, red Rose,
And he wooeth his love to wed:
Sweet is his song
The Summer long
As he kisseth her lips so red;
And he recketh naught of the ruin wrought
When the Summer of love is sped!

(AGAIN THE TALE)

Cometh the Wind from the garden, bitter with sorrow of winter.

"Wind, is thy love-song forgot? Wherefore thy dread lamentations?"

Sigheth and moaneth the Wind: "Out of the desolate garden
Come I from vigils with ghosts over the grave of the Summer!"

"Thy breath that was fragrant anon with rapture of music and loving,
It grieveth all things with its sting and the frost of its wailing
displeasure."

The Wind maketh ever more moan and ever it giveth this answer:
"My heart it is numb with the cold of the love that was born of the
Summer--
I come from the garden all white with the wrath and the sorrow of Winter;
I have kissed the low, desolate tomb where my bride in her loveliness
lieth
And the voice of the ghost in my heart is the voice that forever
outcrieth!"

(AGAIN THE SONG)

The Wind he waileth the red, red Rose
When the Summer of love is sped--
He waileth above
His lifeless love
With her shroud of snow o'erspread--
Crieth such things as a true heart brings
To the grave of its precious dead.

poem by Eugene Field
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Hiawatha's Friends

Two good friends had Hiawatha,
Singled out from all the others,
Bound to him in closest union,
And to whom he gave the right hand
Of his heart, in joy and sorrow;
Chibiabos, the musician,
And the very strong man, Kwasind.
Straight between them ran the pathway,
Never grew the grass upon it;
Singing birds, that utter falsehoods,
Story-tellers, mischief-makers,
Found no eager ear to listen,
Could not breed ill-will between them,
For they kept each other's counsel,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.
Most beloved by Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers.
Beautiful and childlike was he,
Brave as man is, soft as woman,
Pliant as a wand of willow,
Stately as a deer with antlers.
When he sang, the village listened;
All the warriors gathered round him,
All the women came to hear him;
Now he stirred their souls to passion,
Now he melted them to pity.
From the hollow reeds he fashioned
Flutes so musical and mellow,
That the brook, the Sebowisha,
Ceased to murmur in the woodland,
That the wood-birds ceased from singing,
And the squirrel, Adjidaumo,
Ceased his chatter in the oak-tree,
And the rabbit, the Wabasso,
Sat upright to look and listen.
Yes, the brook, the Sebowisha,
Pausing, said, "O Chibiabos,
Teach my waves to flow in music,
Softly as your words in singing!"
Yes, the bluebird, the Owaissa,
Envious, said, "O Chibiabos,
Teach me tones as wild and wayward,
Teach me songs as full of frenzy!"
Yes, the robin, the Opechee,
Joyous, said, "O Chibiabos,
Teach me tones as sweet and tender,
Teach me songs as full of gladness!"
And the whippoorwill, Wawonaissa,
Sobbing, said, "O Chibiabos,
Teach me tones as melancholy,
Teach me songs as full of sadness!"
All the many sounds of nature
Borrowed sweetness from his singing;
All the hearts of men were softened
By the pathos of his music;
For he sang of peace and freedom,
Sang of beauty, love, and longing;
Sang of death, and life undying
In the Islands of the Blessed,
In the kingdom of Ponemah,
In the land of the Hereafter.
Very dear to Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers;
For his gentleness he loved him,
And the magic of his singing.
Dear, too, unto Hiawatha
Was the very strong man, Kwasind,
He the strongest of all mortals,
He the mightiest among many;
For his very strength he loved him,
For his strength allied to goodness.
Idle in his youth was Kwasind,
Very listless, dull, and dreamy,
Never played with other children,
Never fished and never hunted,
Not like other children was he;
But they saw that much he fasted,
Much his Manito entreated,
Much besought his Guardian Spirit.
"Lazy Kwasind!" said his mother,
"In my work you never help me!
In the Summer you are roaming
Idly in the fields and forests;
In the Winter you are cowering
O'er the firebrands in the wigwam!
In the coldest days of Winter
I must break the ice for fishing;
With my nets you never help me!
At the door my nets are hanging,
Dripping, freezing with the water;
Go and wring them, Yenadizze!
Go and dry them in the sunshine!"
Slowly, from the ashes, Kwasind
Rose, but made no angry answer;
From the lodge went forth in silence,
Took the nets, that hung together,
Dripping, freezing at the doorway;
Like a wisp of straw he wrung them,
Like a wisp of straw he broke them,
Could not wring them without breaking,
Such the strength was in his fingers.
"Lazy Kwasind!" said his father,
"In the hunt you never help me;
Every bow you touch is broken,
Snapped asunder every arrow;
Yet come with me to the forest,
You shall bring the hunting homeward."
Down a narrow pass they wandered,
Where a brooklet led them onward,
Where the trail of deer and bison
Marked the soft mud on the margin,
Till they found all further passage
Shut against them, barred securely
By the trunks of trees uprooted,
Lying lengthwise, lying crosswise,
And forbidding further passage.
"We must go back," said the old man,
"O'er these logs we cannot clamber;
Not a woodchuck could get through them,
Not a squirrel clamber o'er them!"
And straightway his pipe he lighted,
And sat down to smoke and ponder.
But before his pipe was finished,
Lo! the path was cleared before him;
All the trunks had Kwasind lifted,
To the right hand, to the left hand,
Shot the pine-trees swift as arrows,
Hurled the cedars light as lances.
"Lazy Kwasind!" said the young men,
As they sported in the meadow:
"Why stand idly looking at us,
Leaning on the rock behind you?
Come and wrestle with the others,
Let us pitch the quoit together!"
Lazy Kwasind made no answer,
To their challenge made no answer,
Only rose, and slowly turning,
Seized the huge rock in his fingers,
Tore it from its deep foundation,
Poised it in the air a moment,
Pitched it sheer into the river,
Sheer into the swift Pauwating,
Where it still is seen in Summer.
Once as down that foaming river,
Down the rapids of Pauwating,
Kwasind sailed with his companions,
In the stream he saw a beaver,
Saw Ahmeek, the King of Beavers,
Struggling with the rushing currents,
Rising, sinking in the water.
Without speaking, without pausing,
Kwasind leaped into the river,
Plunged beneath the bubbling surface,
Through the whirlpools chased the beaver,
Followed him among the islands,
Stayed so long beneath the water,
That his terrified companions
Cried, "Alas! good-by to Kwasind!
We shall never more see Kwasind!"
But he reappeared triumphant,
And upon his shining shoulders
Brought the beaver, dead and dripping,
Brought the King of all the Beavers.
And these two, as I have told you,
Were the friends of Hiawatha,
Chibiabos, the musician,
And the very strong man, Kwasind.
Long they lived in peace together,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.

poem by Henry Wadsworth Longfellow
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Mariana In The South

With one black shadow at its feet,
The house thro' all the level shines,
Close-latticed to the brooding heat,
And silent in its dusty vines:
A faint-blue ridge upon the right,
An empty river-bed before,
And shallows on a distant shore,
In glaring sand and inlets bright.
But "Aye Mary," made she moan,
And "Aye Mary," night and morn,
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."

She, as her carol sadder grew,
From brow and bosom slowly down
Thro' rosy taper fingers drew
Her streaming curls of deepest brown
To left and right, and made appear,
Still-lighted in a secret shrine,
Her melancholy eyes divine,
The home of woe without a tear.
And "Aye Mary," was her moan,
"Madonna, sad is night and morn;"
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."

Till all the crimson changed, and past
Into deep orange o'er the sea,
Low on her knees herself she cast,
Before Our Lady murmur'd she:
Complaining, "Mother, give me grace
To help me of my weary load."
And on the liquid mirror glow'd
The clear perfection of her face.
"Is this the form," she made her moan,
"That won his praises night and morn?"
And "Ah," she said, "but I wake alone,
I sleep forgotten, I wake forlorn."

Nor bird would sing, nor lamb would bleat,
Nor any cloud would cross the vault,
But day increased from heat to heat,
On stony drought and steaming salt;
Till now at noon she slept again,
And seem'd knee-deep in mountain grass,
And heard her native breezes pass,
And runlets babbling down the glen.
She breathed in sleep a lower moan,
And murmuring, as at night and morn
She thought, "My spirit is here alone,
Walks forgotten, and is forlorn."

Dreaming, she knew it was a dream:
She felt he was and was not there.
She woke: the babble of the stream
Fell, and, without, the steady glare
Shrank one sick willow sere and small.
The river-bed was dusty-white;
And all the furnace of the light
Struck up against the blinding wall.
She whisper'd, with a stifled moan
More inward than at night or morn,
"Sweet Mother, let me not here alone
Live forgotten and die forlorn."

And, rising, from her bosom drew
Old letters, breathing of her worth,
For "Love", they said, "must needs be true,
To what is loveliest upon earth."
An image seem'd to pass the door,
To look at her with slight, and say,
"But now thy beauty flows away,
So be alone for evermore."
"O cruel heart," she changed her tone,
"And cruel love, whose end is scorn,
Is this the end to be left alone,
To live forgotten, and die forlorn?"

But sometimes in the falling day
An image seem'd to pass the door,
To look into her eyes and say,
"But thou shalt be alone no more."
And flaming downward over all
From heat to heat the day decreased,
And slowly rounded to the east
The one black shadow from the wall.
"The day to night," she made her moan,
"The day to night, the night to morn,
And day and night I am left alone
To live forgotten, and love forlorn."

At eve a dry cicala sung,
There came a sound as of the sea;
Backward the lattice-blind she flung,
And lean'd upon the balcony.
There all in spaces rosy-bright
Large Hesper glitter'd on her tears,
And deepening thro' the silent spheres
Heaven over Heaven rose the night.
And weeping then she made her moan,
"The night comes on that knows not morn,
When I shall cease to be all alone,
To live forgotten, and love forlorn."

poem by Alfred Lord Tennyson
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Come Out with Me

There's sun on the river and sun on the hill . . .
You can hear the sea if you stand quite still!
There's eight new puppies at Roundabout Farm-
And I saw an old sailor with only one arm!

But everyone says, "Run along!"
(Run along, run along!)
All of them say, "Run along! I'm busy as can be."
Every one says, "Run along,
There's a little darling!"
If I'm a little darling, why don't they run with me?

There's wind on the river and wind on the hill . . .
There's a dark dead water-wheel under the mill!
I saw a fly which had just been drowned-
And I know where a rabbit goes into the ground!

But everyone says, "Run along!"
(Run along, run along!)
All of them say, "Yes, dear," and never notice me.
Every one says, "Run along,
There's a little darling!"
If I'm a little darling, why won't they come and see?

poem by Alan Alexander Milne
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Maud Muller

Maud Muller on a summer's day
Raked the meadow sweet with hay.

Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry gleee
The mock-bird echoed from his tree.

But when she glanced to the far-off town
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast,-

A wish that she hardly dared to own,
For something better than she had known.

The Judge rode slowly down the lane,
Smoothing his horse's chestnut mane.

He drew his bridle in the shade
Of the apple-trees, to greet the maid,

And asked a draught from the spring that flowed
Through the meadow across the road.

She stooped where the cool spring bubbled up,
And filled for him her small tin cup,

And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.

"Thanks!" said the Judge; "a sweeter draught
From a fairer hand was never quaffed."

He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;

Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.

And Maud forgot her brier-torn gown
And her graceful ankles bare and brown;

And listened, while a pleased surprise
Looked from her long-lashed hazel eyes.

At last, like one who for delay
Seeks a vain excuse, he rode away.

Maud Muller looked and sighed: "Ah me!
That I the Judge's bride might be!

"He would dress me up in silks so fine,
And praise and toast me at his wine.

"My father should wear a broadcloth coat;
My brother should sail a pointed boat.

"I'd dress my mother so grand and gay,
And the baby should have a new toy each day.

"And I'd feed the hungry and clothe the poor,
And all should bless me who left our door."

The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.

"A form more fair, a face more sweet,
Ne'er hath it been my lot to meet.

"And her modest answer and graceful air
Show her wise and good as she is fair.

"Would she were mine, and I to-day,
Like her, a harvester of hay.

"No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,

"But low of cattle and song of birds,
And health and quiet and loving words."

But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.

So, closing his heart, the Judge rode on,
And Maud was left in the field alone.

But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;

And the young girl mused beside the well
Till the rain on the unraked clover fell.

He wedded a wife of richest dower,
Who lived for fashion, as he for power.

Yet oft, in his marble hearth's bright glow,
He watched a picture come and go;

And sweet Maud Muller's hazel eyes
Looked out in their innocent surprise.

Oft, when the wine in his glass was red,
He longed for the wayside well instead;

And closed his eyes on his garnished rooms
To dream of meadows and clover-blooms.

And the proud man sighed, and with a secret pain,
"Ah, that I were free again!

"Free as when I rode that day,
Where the barefoot maiden raked her hay."

She wedded a man unlearned and poor,
And many children played round her door.

But care and sorrow, and childbirth pain,
Left their traces on heart and brain.

And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,

And she heard the little spring brook fall
Over the roadside, through a wall,

In the shade of the apple-tree again
She saw a rider draw his rein;

And, gazing down with timid grace,
She felt his pleased eyes read her face.

Sometimes her narrow kitchen walls
Stretched away into stately halls;

The weary wheel to a spinet turned,
The tallow candle an astral burned,

And for him who sat by the chimney lug,
Dozing and grumbling o'er pipe and mug,

A manly form at her side she saw,
And joy was duty and love was law.

Then she took up her burden of life again,
Saying only, "It might have been."

Alas for the maiden, alas for the Judge,
For rich repiner and househole drudge!

God pity them both and pity us all,
Who vainly the dreams of youth recall.

For of all sad words of tongue or pen,
The saddest are these: "It might have been!"

Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;

And, in the hereafter, angels may
Roll the stone from its grave away!

poem by John Greenleaf Whittier
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If the foolish, call them "flowers"

168

If the foolish, call them "flowers"—
Need the wiser, tell?
If the Savants "Classify" them
It is just as well!

Those who read the "Revelations"
Must not criticize
Those who read the same Edition—
With beclouded Eyes!

Could we stand with that Old "Moses"—
"Canaan" denied—
Scan like him, the stately landscape
On the other side—

Doubtless, we should deem superfluous
Many Sciences,
Not pursued by learned Angels
In scholastic skies!

Low amid that glad Belles lettres
Grant that we may stand,
Stars, amid profound Galaxies—
At that grand "Right hand"!

poem by Emily Dickinson
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The Prairie

I see the grass shake in the sun for leagues on either hand,
I see a river loop and run about a treeless land --
An empty plain, a steely pond, a distance diamond-clear,
And low blue naked hills beyond. And what is that to fear?"

"Go softly by that river-side or, when you would depart,
You'll find its every winding tied and knotted round your heart.
Be wary as the seasons pass, or you may ne'er outrun
The wind that sets that yellowed grass a-shiver 'neath the Sun."

I hear the summer storm outblown -- the drip of the grateful wheat.
I hear the hard trail telephone a far-off horse's feet.
I hear the horns of Autumn blow to the wild-fowl overhead;
And I hear the hush before the snow. And what is that to dread?"

"Take heed what spell the lightning weaves -- what charm the echoes shape --
Or, bound among a million sheaves, your soul shall not escape.
Bar home the door of summer nights lest those high planets drown
The memory of near delights in all the longed-for town."

"What need have I to long or fear? Now, friendly, I behold
My faithful seasons robe the year in silver and in gold.
Now I possess and am possessed of the land where I would be,
And the curve of half Earth's generous breast shall soothe and ravish me!"

poem by Rudyard Kipling
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A Farm House by the River

I know a little country place
Where still my heart doth linger,
And o'er its fields is every grace
Lined out by memory's finger.
Back from the lane where poplars grew
And aspens quake and quiver,
There stands all bath'd in summer's glow
A farm house by the river.

Its eaves are touched with golden light
So sweetly, softly shining,
And morning glories full and bright
About the doors are twining.
And there endowed with every grace
That nature's hand could giver her,
There lived the angel of the place
In the farm house by the river.

Her eyes were blue, her hair was gold,
Her face was bright and sunny;
The songs that from her bosom rolled
Were sweet as summer's honey.
And I loved her well, that maid divine,
And I prayed the Gracious Giver,
That I some day might call her mine
In the farm house by the river.

Twas not to be - but God knows best.
His will for aye be heeded!
Perhaps amid the angels' bliss,
My little love was needed.
Her spirit from its thralldom torn
Went singing o'er the river,
And that sweet life my heart shall mourn
Forever and forever.

She dies one morn at early light
When all the birds are singing,
And Heaven itself in pure delight
Its bells of joy seemed ringing.
They laid her dust where soon and late
The solemn grasses quiver,
And left alone and desolate
The farm house by the river.

poem by Paul Laurence Dunbar
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The Wreck of the Golfer

It was the Bondi golfing man
Drove off from the golf house tee,
And he had taken his little daughter
To bear him company.
"Oh, Father, why do you swing the club
And flourish it such a lot?"
"You watch it fly o'er the fences high!"
And he tried with a brassey shot.

"Oh, Father, why did you hit the fence
Just there where the brambles twine?"
And the father he answered never a word,
But he got on the green in nine.

"Oh, Father, hark from behind those trees,
What dismal yells arrive!"
"'Tis a man I ween on the second green,
And I've landed him with my drive."

"Oh, Father, why does the poor Chinee
Fall down on his knees and cry?"
"He taketh me for his Excellency,
And he thinks once hit twice shy."

So on they fared to the waterhole,
And he drove with a lot of dash,
But his balls full soon in the dread lagoon
Fell down with a woeful splash.

"Oh, Father, why do you beat the sand
Till it flies like the carded wool?"
And the father he answered never a word,
For his heart was much too full.

"Oh, Father, why are they shouting 'fore'
And screaming so lustily?"
But the father he answered never a word,
A pallid corpse was he.

For a well-swung drive on the back of his head
Had landed and laid him low.
Lord save us all from a fate like this
When next to the links we go.

poem by Andrew Barton Paterson
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Introduction To The Song Of Hiawatha

Should you ask me,
whence these stories?
Whence these legends and traditions,
With the odors of the forest
With the dew and damp of meadows,
With the curling smoke of wigwams,
With the rushing of great rivers,
With their frequent repetitions,
And their wild reverberations
As of thunder in the mountains?
I should answer, I should tell you,
"From the forests and the prairies,
From the great lakes of the Northland,
From the land of the Ojibways,
From the land of the Dacotahs,
From the mountains, moors, and fen-lands
Where the heron, the Shuh-shuh-gah,
Feeds among the reeds and rushes.
I repeat them as I heard them
From the lips of Nawadaha,
The musician, the sweet singer."
Should you ask where Nawadaha
Found these songs so wild and wayward,
Found these legends and traditions,
I should answer, I should tell you,
"In the bird's-nests of the forest,
In the lodges of the beaver,
In the hoofprint of the bison,
In the eyry of the eagle!
"All the wild-fowl sang them to him,
In the moorlands and the fen-lands,
In the melancholy marshes;
Chetowaik, the plover, sang them,
Mahng, the loon, the wild-goose, Wawa,
The blue heron, the Shuh-shuh-gah,
And the grouse, the Mushkodasa!"
If still further you should ask me,
Saying, "Who was Nawadaha?
Tell us of this Nawadaha,"
I should answer your inquiries
Straightway in such words as follow.
"In the vale of Tawasentha,
In the green and silent valley,
By the pleasant water-courses,
Dwelt the singer Nawadaha.
Round about the Indian village
Spread the meadows and the corn-fields,
And beyond them stood the forest,
Stood the groves of singing pine-trees,
Green in Summer, white in Winter,
Ever sighing, ever singing.
"And the pleasant water-courses,
You could trace them through the valley,
By the rushing in the Spring-time,
By the alders in the Summer,
By the white fog in the Autumn,
By the black line in the Winter;
And beside them dwelt the singer,
In the vale of Tawasentha,
In the green and silent valley.
"There he sang of Hiawatha,
Sang the Song of Hiawatha,
Sang his wondrous birth and being,
How he prayed and how be fasted,
How he lived, and toiled, and suffered,
That the tribes of men might prosper,
That he might advance his people!"
Ye who love the haunts of Nature,
Love the sunshine of the meadow,
Love the shadow of the forest,
Love the wind among the branches,
And the rain-shower and the snow-storm,
And the rushing of great rivers
Through their palisades of pine-trees,
And the thunder in the mountains,
Whose innumerable echoes
Flap like eagles in their eyries;-
Listen to these wild traditions,
To this Song of Hiawatha!
Ye who love a nation's legends,
Love the ballads of a people,
That like voices from afar off
Call to us to pause and listen,
Speak in tones so plain and childlike,
Scarcely can the ear distinguish
Whether they are sung or spoken;-
Listen to this Indian Legend,
To this Song of Hiawatha!
Ye whose hearts are fresh and simple,
Who have faith in God and Nature,
Who believe that in all ages
Every human heart is human,
That in even savage bosoms
There are longings, yearnings, strivings
For the good they comprehend not,
That the feeble hands and helpless,
Groping blindly in the darkness,
Touch God's right hand in that darkness
And are lifted up and strengthened;-
Listen to this simple story,
To this Song of Hiawatha!
Ye, who sometimes, in your rambles
Through the green lanes of the country,
Where the tangled barberry-bushes
Hang their tufts of crimson berries
Over stone walls gray with mosses,
Pause by some neglected graveyard,
For a while to muse, and ponder
On a half-effaced inscription,
Written with little skill of song-craft,
Homely phrases, but each letter
Full of hope and yet of heart-break,
Full of all the tender pathos
Of the Here and the Hereafter;
Stay and read this rude inscription,
Read this Song of Hiawatha!

poem by Henry Wadsworth Longfellow
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Harbury

All the men of Harbury go down to the sea in ships,
The wind upon their faces, the salt upon their lips.

The little boys of Harbury when they are laid to sleep,
Dream of masts and cabins and the wonders of the deep.

The women-folk of Harbury have eyes like the sea,
Wide with watching wonder, deep with mystery.

I met a woman: "Beyond the bar," she said,
"Beyond the shallow water where the green lines spread,

"Out beyond the sand-bar and the white spray,
My three sons wait for the Judgment Day."

I saw an old man who goes to sea no more,
Watch from morn till evening down on the shore.

"The sea's a hard mistress," the old man said;
"The sea is always hungry and never full fed.

"The sea had my father and took my son from me --
Sometimes I think I see them, walking on the sea!

"I'd like to be in Harbury on the Judgment Day,
When the word is spoken and the sea is wiped away,

"And all the drowned fisher boys, with sea-weed in their hair,
Rise and walk to Harbury to greet the women there.

"I'd like to be in Harbury to see the souls arise,
Son and mother hand in hand, lovers with glad eyes.

"I think there would be many who would turn and look with me,
Hoping for another glimpse of the cruel sea!

"They tell me that in Paradise the fields are green and still,
With pleasant flowers everywhere that all may take who will,

"And four great rivers flowing from out the Throne of God
That no one ever drowns in and souls may cross dry-shod.

"I think among those wonders there will be men like me,
Who miss the old salt danger of the singing sea.

"For in my heart, like some old shell, inland, safe and dry,
Any one who harks will still hear the sea cry."

poem by Louise Driscoll
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The Foolish Fir-Tree

A tale that the poet Rückert told
To German children, in days of old;
Disguised in a random, rollicking rhyme
Like a merry mummer of ancient time,
And sent, in its English dress, to please
The little folk of the Christmas trees.

A little fir grew in the midst of the wood
Contented and happy, as young trees should.
His body was straight and his boughs were clean;
And summer and winter the bountiful sheen
Of his needles bedecked him, from top to root,
In a beautiful, all-the-year, evergreen suit.

But a trouble came into his heart one day,
When he saw that the other trees were gay
In the wonderful raiment that summer weaves
Of manifold shapes and kinds of leaves:
He looked at his needles so stiff and small,
And thought that his dress was the poorest of all.
Then jealousy clouded the little tree's mind,
And he said to himself, "It was not very kind
"To give such an ugly old dress to a tree!
"If the fays of the forest would only ask me,
"I'd tell them how I should like to be dressed,—
"In a garment of gold, to bedazzle the rest!"
So he fell asleep, but his dreams were bad.
When he woke in the morning, his heart was glad;
For every leaf that his boughs could hold
Was made of the brightest beaten gold.
I tell you, children, the tree was proud;
He was something above the common crowd;
And he tinkled his leaves, as if he would say
To a pedlar who happened to pass that way,
"Just look at me! don't you think I am fine?
"And wouldn't you like such a dress as mine?"
"Oh, yes!" said the man, "and I really guess
I must fill my pack with your beautiful dress."
So he picked the golden leaves with care,
And left the little tree shivering there.

"Oh, why did I wish for golden leaves?"
The fir-tree said, "I forgot that thieves
"Would be sure to rob me in passing by.
"If the fairies would give me another try,
"I'd wish for something that cost much less,
"And be satisfied with glass for my dress!"
Then he fell asleep; and, just as before,
The fairies granted his wish once more.
When the night was gone, and the sun rose clear,
The tree was a crystal chandelier;
And it seemed, as he stood in the morning light,
That his branches were covered with jewels bright.
"Aha!" said the tree. "This is something great!"
And he held himself up, very proud and straight;
But a rude young wind through the forest dashed,
In a reckless temper, and quickly smashed
The delicate leaves. With a clashing sound
They broke into pieces and fell on the ground,
Like a silvery, shimmering shower of hail,
And the tree stood naked and bare to the gale.

Then his heart was sad; and he cried, "Alas
"For my beautiful leaves of shining glass!
"Perhaps I have made another mistake
"In choosing a dress so easy to break.
"If the fairies only would hear me again
"I'd ask them for something both pretty and plain:
"It wouldn't cost much to grant my request,—
"In leaves of green lettuce I'd like to be dressed!"
By this time the fairies were laughing, I know;
But they gave him his wish in a second; and so
With leaves of green lettuce, all tender and sweet,
The tree was arrayed, from his head to his feet.
"I knew it!" he cried, "I was sure I could find
"The sort of a suit that would be to my mind.
"There's none of the trees has a prettier dress,
"And none as attractive as I am, I guess."
But a goat, who was taking an afternoon walk,
By chance overheard the fir-tree's talk.
So he came up close for a nearer view;—
"My salad!" he bleated, "I think so too!
"You're the most attractive kind of a tree,
"And I want your leaves for my five-o'clock tea."
So he ate them all without saying grace,
And walked away with a grin on his face;
While the little tree stood in the twilight dim,
With never a leaf on a single limb.

Then he sighed and groaned; but his voice was weak—
He was so ashamed that he could not speak.
He knew at last that he had been a fool,
To think of breaking the forest rule,
And choosing a dress himself to please,
Because he envied the other trees.
But it couldn't be helped, it was now too late,
He must make up his mind to a leafless fate!
So he let himself sink in a slumber deep,
But he moaned and he tossed in his troubled sleep,
Till the morning touched him with joyful beam,
And he woke to find it was all a dream.
For there in his evergreen dress he stood,
A pointed fir in the midst of the wood!
His branches were sweet with the balsam smell,
His needles were green when the white snow fell.
And always contented and happy was he,—
The very best kind of a Christmas tree.

poem by Henry Van Dyke
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The Sussex sailor

O, once, by Cuckmere Haven,
I heard a sailor sing
Of shores beyond the sunset,
And lands of lasting spring,
Of blue lagoons and palm trees
And isles where all was young;
But this was ever the burden
of ev'ry note he sung:

"O, have you seen my true love
A-walking in that land?
Or have you seen her footprints
Upon that shining sand?
Beneath the happy palmtrees,
By Eden whispers fanned...
O, have you seen my true love
A-walking in that land?"

And, once in San Diego,
I heard him sing again,
Of Amberley, Rye, and Bramber,
And Brede and Fairlight Glen:
The nestling hills of Sussex,
The russet-roofed elfin towns,
And the skylark up in a high wind
Carolling over the downs.

"From Warbleton to Wild Brook,
When May is white as foam,
O, have you seen my dearling
on any hills of home?
Or have you seen her shining,
Or only touch'd her hand.
O, have you seen my true love
A-walking in that land?"

And, once again, by Cowfold,
I heard him singing low,
'Tis not the leagues of ocean
That hide the hills I know.
The May that shines before me
Has made a ghost of May.
The valleys that I would walk in
Are twenty years away.

"Ah, have you seen my true love
A-walking in that land...
On hills that I remember,
In valleys I understand,
So far beyond the sunset,
So very close at hand,
O have you seen my true love
In that immortal land?"

poem by Alfred Noyes
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The Tree

Ready with leaves and with buds stood the tree.
"Shall I take them?" the frost said, now puffing with glee.
"Oh my, no, let them stand,
Till flowers are at hand!"
All trembling from tree-top to root came the plea.

Flowers unfolding the birds gladly sung.
"Shall I take them?" the wind said and merrily swung.
"Oh my, no, let them stand,
Till cherries are at hand!"
Protested the tree, while it quivering hung.

The cherries came forth 'neath the sun's glowing eye.
"Shall I take them?" a rosy young girl's eager cry.
"Oh my, yes, you can take,
I've kept them for your sake!"
Low bending its branches, the tree brought them nigh.

poem by Bjørnstjerne Bjørnson
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The dying sycamores

A beauty like young womanhood's
Upon the green earth lies,
And June's sweet smile hath waked again
All summer's harmonies.

The insects hum their dreamy song,
The trees their honors wear,
And languid with its perfume spoils
Sighs the voluptuous air.

A gorgeous wealth of leaf and bloom
Enchants the dazzled sight;
And over earth and sky there smiles
A Presence of delight.

From yon sad dying Sycamores,
Alone a shadow falls, --
As from the ghastly form of Death,
In Egypt's banquet-halls.

Against the soft blue sky they stand,
Their naked limbs outspread,
And to the throbbing life around,
They murmur of the dead.

Spring, with her soft and odorous breath,
Hath sighed o'er them in vain,
Nor sun, nor dew, nor summer shower,
Awakes their bloom again.

Oh stately monarchs of the wood,
What blight hath o'er ye passed?
What kanker wastes your noble hearts?
What spell is on ye cast?

I watch ye where a thousand forms
With life and beauty glow,
Till half I deem that on ye lies
Some weight of human woe.

Sad emblems are ye of those hearts
In this fair world of ours,
Who live unloving and unloved,
Oh dying Sycamores.

poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Spring

Wake up again, sad heart, wake up again !
(I heard the birds this morning singing sweet.)
Wake up again ! The sky was crystal clear,
And washed quite clean with rain ;
And tar below my heart stirred with the year,
Stirred with the year and sighed. O pallid feet
Move now at last, O heart that sleeps with pain
Rise up and hear
The voices in the valleys, run to meet
The songs and shadows. O wake up again !

Put out green leaves, dead tree, put out green leaves t
(Last night the moon was soft and kissed the air.)
Put out green leaves ! The moon was in the skies,
All night she wakes and weaves.
The dew was on the grass like fairies' eyes,
Like fairies' eyes. O trees so black and bare,
Remember all the fruits, the full gold sheaves;
For nothing dies,
The songs that are, are silences that were,
Summer was Winter. O put but green leaves!

Break through the earth, pale flower, break through the earth !
(All day the lark has sung a madrigal.)
Break through the earth that lies not lightly yet
And waits thy patient birth,
Waits for the jonquil and the violet,
The violet. Full soon the heavy pall
Will be a bed, and in the noon of mirth
Some rivulet
Will bubble in my wilderness, some call
Will touch my silence. O break through the earth.

poem by Lord Alfred Douglas
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Hy-Brasil

"Daughter," said the ancient father, pausing by the evening sea,
"Turn thy face towards the sunset -- turn thy face and kneel with me!
Prayer and praise and holy fasting, lips of love and life of light,
These and these have made thee perfect -- shining saint with seraph's sight!
Look towards that flaming crescent -- look beyond that glowing space --
Tell me, sister of the angels, what is beaming in thy face?"
And the daughter, who had fasted, who had spent her days in prayer,
Till the glory of the Saviour touched her head and rested there,
Turned her eyes towards the sea-line -- saw beyond the fiery crest,
Floating over waves of jasper, far Hy-Brasil in the West.

All the calmness and the colour -- all the splendour and repose,
Flowing where the sunset flowered, like a silver-hearted rose!
There indeed was singing Eden, where the great gold river runs
Past the porch and gates of crystal, ringed by strong and shining ones!
There indeed was God's own garden, sailing down the sapphire sea --
Lawny dells and slopes of summer, dazzling stream and radiant tree!
Out against the hushed horizon -- out beneath the reverent day,
Flamed the Wonder on the waters -- flamed, and flashed, and passed away.
And the maiden who had seen it felt a hand within her own,
And an angel that we know not led her to the lands unknown.

Never since hath eye beheld it -- never since hath mortal, dazed
By its strange, unearthly splendour, on the floating Eden gazed!
Only once since Eve went weeping through a throng of glittering wings,
Hath the holy seen Hy-Brasil where the great gold river sings!
Only once by quiet waters, under still, resplendent skies,
Did the sister of the seraphs kneel in sight of Paradise!
She, the pure, the perfect woman, sanctified by patient prayer,
Had the eyes of saints of Heaven, all their glory in her hair:
Therefore God the Father whispered to a radiant spirit near --
"Show Our daughter fair Hy-Brasil -- show her this, and lead her here."

But beyond the halls of sunset, but within the wondrous West,
On the rose-red seas of evening, sails the Garden of the Blest.
Still the gates of glassy beauty, still the walls of glowing light,
Shine on waves that no man knows of, out of sound and out of sight.
Yet the slopes and lawns of lustre, yet the dells of sparkling streams,
Dip to tranquil shores of jasper, where the watching angel beams.
But, behold! our eyes are human, and our way is paved with pain,
We can never find Hy-Brasil, never see its hills again!
Never look on bays of crystal, never bend the reverent knee
In the sight of Eden floating -- floating on the sapphire sea!

poem by Henry Kendall
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