Mabel Martin
A HARVEST IDYL.
PROEM.
I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,
We dreamed it over, while the thrushes made
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.
And she was with us, living o'er again
Her life in ours, despite of years and pain,--
The Autumn's brightness after latter rain.
Beautiful in her holy peace as one
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!
Her memory makes our common landscape seem
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;
For she whose speech was always truth's pure gold
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.
I. THE RIVER VALLEY.
Across the level tableland,
A grassy, rarely trodden way,
With thinnest skirt of birchen spray
And stunted growth of cedar, leads
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all
The seasons' rainfalls. On its brink
The over-leaning harebells swing,
With roots half bare the pine-trees cling;
And, through the shadow looking west,
You see the wavering river flow
Along a vale, that far below
Holds to the sun, the sheltering hills
And glimmering water-line between,
Broad fields of corn and meadows green,
And fruit-bent orchards grouped around
The low brown roofs and painted eaves,
And chimney-tops half hid in leaves.
No warmer valley hides behind
Yon wind-scourged sand-dunes, cold and bleak;
No fairer river comes to seek
The wave-sung welcome of the sea,
Or mark the northmost border line
Of sun-loved growths of nut and vine.
Here, ground-fast in their native fields,
Untempted by the city's gain,
The quiet farmer folk remain
Who bear the pleasant name of Friends,
And keep their fathers' gentle ways
And simple speech of Bible days;
In whose neat homesteads woman holds
With modest ease her equal place,
And wears upon her tranquil face
The look of one who, merging not
Her self-hood in another's will,
Is love's and duty's handmaid still.
Pass with me down the path that winds
Through birches to the open land,
Where, close upon the river strand
You mark a cellar, vine o'errun,
Above whose wall of loosened stones
The sumach lifts its reddening cones,
And the black nightshade's berries shine,
And broad, unsightly burdocks fold
The household ruin, century-old.
Here, in the dim colonial time
Of sterner lives and gloomier faith,
A woman lived, tradition saith,
Who wrought her neighbors foul annoy,
And witched and plagued the country-side,
Till at the hangman's hand she died.
Sit with me while the westering day
Falls slantwise down the quiet vale,
And, haply ere yon loitering sail,
That rounds the upper headland, falls
Below Deer Island's pines, or sees
Behind it Hawkswood's belt of trees
Rise black against the sinking sun,
My idyl of its days of old,
The valley's legend, shall be told.
II. THE HUSKING.
It was the pleasant harvest-time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,
And the old swallow-haunted barns,--
Brown-gabled, long, and full of seams
Through which the rooted sunlight streams,
And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks,
Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.
On Esek Harden's oaken floor,
With many an autumn threshing worn,
Lay the heaped ears of unhusked corn.
And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.
They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.
How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!
On sturdy boyhood, sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!
And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;
And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;
And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,--
Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus' banks the young world's child,--
That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,
Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.
But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;
For Mabel Martin sat apart,
And let the hay-mow's shadow fall
Upon the loveliest face of all.
She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife's child a friend.
The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;
And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!
Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter's agony.
They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!
Dear God and Father of us all,
Forgive our faith in cruel lies,--
Forgive the blindness that denies!
Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.
Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!
Young Mabel from her mother's grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;
With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!
Oh, dreary broke the winter days,
And dreary fell the winter nights
When, one by one, the neighboring lights
Went out, and human sounds grew still,
And all the phantom-peopled dark
Closed round her hearth-fire's dying spark.
And summer days were sad and long,
And sad the uncompanioned eves,
And sadder sunset-tinted leaves,
And Indian Summer's airs of balm;
She scarcely felt the soft caress,
The beauty died of loneliness!
The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.
And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm!
That mother, poor and sick and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer;--
Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!
Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.
And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.
IV. THE CHAMPION.
So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.
But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.
She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.
And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,
Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.
He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.
'Good neighbors mine,' he sternly said,
'This passes harmless mirth or jest;
I brook no insult to my guest.
'She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.
'Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows--not I.
'I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them.'
The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.
None dared withstand him to his face,
But one sly maiden spake aside
'The little witch is evil-eyed!
'Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!'
V. IN THE SHADOW.
Poor Mabel, homeward turning, passed
The nameless terrors of the wood,
And saw, as if a ghost pursued,
Her shadow gliding in the moon;
The soft breath of the west-wind gave
A chill as from her mother's grave.
How dreary seemed the silent house!
Wide in the moonbeams' ghastly glare
Its windows had a dead man's stare!
And, like a gaunt and spectral hand,
The tremulous shadow of a birch
Reached out and touched the door's low porch,
As if to lift its latch; hard by,
A sudden warning call she beard,
The night-cry of a boding bird.
She leaned against the door; her face,
So fair, so young, so full of pain,
White in the moonlight's silver rain.
The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through
By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.
She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.
She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.
And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.
And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?
She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.
Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: 'Let me die!
'Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!
'I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!
'Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.
'O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!'
A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.
VI. THE BETROTHAL.
Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!
He laid his hand upon her arm
'Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.
'You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,
'The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!'
Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.
'O truest friend of all'' she said,
'God bless you for your kindly thought,
And make me worthy of my lot!'
He led her forth, and, blent in one,
Beside their happy pathway ran
The shadows of the maid and man.
He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.
'Good friends and neighbors!' Esek said,
'I'm weary of this lonely life;
In Mabel see my chosen wife!
'She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.
'Henceforth she stands no more alone;
You know what Esek Harden is;--
He brooks no wrong to him or his.
'Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!
'For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!'
Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm--boughs!
On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, 'It is well!'
poem by John Greenleaf Whittier

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Related quotes
The Witch's Daughter
It was the pleasant harvest time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,
And the old swallow-haunted barns -
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,
And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks -
Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.
On Esek Harden's oaken floor,
With many an autmn threshing worn,
Lay the heaped ears of unhusked corn.
And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.
They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.
How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs! -
On sturdy boyhood sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!
And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;
And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;
And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—
Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus’ banks the young world’s child,—
That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,
Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear’s kiss of forfeiture.
But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;
For Mabel Martin sat apart,
And let the hay-mow’s shadow fall
Upon the loveliest face of all.
She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife’s child a friend.
The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;
And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!
Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter’s agony.
They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!
Dear God and Father of us all,
Forgive our faith in cruel lies,—
Forgive the blindness that denies!
Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.
Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!
Poor Mabel from her mother’s grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;
With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!
The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.
And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm; -
That mother, poor, and sick, and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer; -
Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!
Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.
And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.
So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.
But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.
She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.
And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,
Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.
He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.
'Good neighbors mine,' he sternly said,
'This passes harmless mirth or jest;
I brook no insult to my guest.
'She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.
'Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows - not I.
'I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them.'
The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.
None dared withstand him to his face,
But one sly maiden spake aside
'The little witch is evil-eyed!
'Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!'
Poor Mabel, in her lonely home,
Sat by the window's narrow pane,
White in the moonlight's silver rain.
The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through
By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.
She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.
She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.
And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.
And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?
She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.
Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: 'Let me die!
'Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!
'I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!
'Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.
'O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!'
A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.
Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!
He laid his hand upon her arm
'Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.
'You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,
'The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!'
Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.
'O truest friend of all'' she said,
'God bless you for your kindly thought,
And make me worthy of my lot!'
He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.
'Good friends and neighbors!' Esek said,
'I'm weary of this lonely life;
In Mabel see my chosen wife!
'She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.
'Henceforth she stands no more alone;
You know what Esek Harden is: -
He brooks no wrong to him or his.'
Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!
For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!
Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!
On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, 'It is well!'
poem by John Greenleaf Whittier

Submitted by Poetry Lover
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit

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The Witch of Wenham
I.
Along Crane River's sunny slopes
Blew warm the winds of May,
And over Naumkeag's ancient oaks
The green outgrew the gray.
The grass was green on Rial-side,
The early birds at will
Waked up the violet in its dell,
The wind-flower on its hill.
'Where go you, in your Sunday coat,
Son Andrew, tell me, pray.'
For striped perch in Wenham Lake
I go to fish to-day.'
'Unharmed of thee in Wenham Lake
The mottled perch shall be
A blue-eyed witch sits on the bank
And weaves her net for thee.
'She weaves her golden hair; she sings
Her spell-song low and faint;
The wickedest witch in Salem jail
Is to that girl a saint.'
'Nay, mother, hold thy cruel tongue;
God knows,' the young man cried,
'He never made a whiter soul
Than hers by Wenham side.
'She tends her mother sick and blind,
And every want supplies;
To her above the blessed Book
She lends her soft blue eyes.
'Her voice is glad with holy songs,
Her lips are sweet with prayer;
Go where you will, in ten miles round
Is none more good and fair.'
'Son Andrew, for the love of God
And of thy mother, stay!'
She clasped her hands, she wept aloud,
But Andrew rode away.
'O reverend sir, my Andrew's soul
The Wenham witch has caught;
She holds him with the curled gold
Whereof her snare is wrought.
'She charms him with her great blue eyes,
She binds him with her hair;
Oh, break the spell with holy words,
Unbind him with a prayer!'
'Take heart,' the painful preacher said,
'This mischief shall not be;
The witch shall perish in her sins
And Andrew shall go free.
'Our poor Ann Putnam testifies
She saw her weave a spell,
Bare-armed, loose-haired, at full of moon,
Around a dried-up well.
''Spring up, O well!' she softly sang
The Hebrew's old refrain
(For Satan uses Bible words),
Till water flowed a-main.
'And many a goodwife heard her speak
By Wenham water words
That made the buttercups take wings
And turn to yellow birds.
'They say that swarming wild bees seek
The hive at her command;
And fishes swim to take their food
From out her dainty hand.
'Meek as she sits in meeting-time,
The godly minister
Notes well the spell that doth compel
The young men's eyes to her.
'The mole upon her dimpled chin
Is Satan's seal and sign;
Her lips are red with evil bread
And stain of unblest wine.
'For Tituba, my Indian, saith
At Quasycung she took
The Black Man's godless sacrament
And signed his dreadful book.
'Last night my sore-afflicted child
Against the young witch cried.
To take her Marshal Herrick rides
Even now to Wenham side.'
The marshal in his saddle sat,
His daughter at his knee;
'I go to fetch that arrant witch,
Thy fair playmate,' quoth he.
'Her spectre walks the parsonage,
And haunts both hall and stair;
They know her by the great blue eyes
And floating gold of hair.'
'They lie, they lie, my father dear!
No foul old witch is she,
But sweet and good and crystal-pure
As Wenham waters be.'
'I tell thee, child, the Lord hath set
Before us good and ill,
And woe to all whose carnal loves
Oppose His righteous will.
'Between Him and the powers of hell
Choose thou, my child, to-day
No sparing hand, no pitying eye,
When God commands to slay!'
He went his way; the old wives shook
With fear as he drew nigh;
The children in the dooryards held
Their breath as he passed by.
Too well they knew the gaunt gray horse
The grim witch-hunter rode
The pale Apocalyptic beast
By grisly Death bestrode.
II.
Oh, fair the face of Wenham Lake
Upon the young girl's shone,
Her tender mouth, her dreaming eyes,
Her yellow hair outblown.
By happy youth and love attuned
To natural harmonies,
The singing birds, the whispering wind,
She sat beneath the trees.
Sat shaping for her bridal dress
Her mother's wedding gown,
When lo! the marshal, writ in hand,
From Alford hill rode down.
His face was hard with cruel fear,
He grasped the maiden's hands
'Come with me unto Salem town,
For so the law commands!'
'Oh, let me to my mother say
Farewell before I go!'
He closer tied her little hands
Unto his saddle bow.
'Unhand me,' cried she piteously,
'For thy sweet daughter's sake.'
'I'll keep my daughter safe,' he said,
'From the witch of Wenham Lake.'
'Oh, leave me for my mother's sake,
She needs my eyes to see.'
'Those eyes, young witch, the crows shall peck
From off the gallows-tree.'
He bore her to a farm-house old,
And up its stairway long,
And closed on her the garret-door
With iron bolted strong.
The day died out, the night came down
Her evening prayer she said,
While, through the dark, strange faces seemed
To mock her as she prayed.
The present horror deepened all
The fears her childhood knew;
The awe wherewith the air was filled
With every breath she drew.
And could it be, she trembling asked,
Some secret thought or sin
Had shut good angels from her heart
And let the bad ones in?
Had she in some forgotten dream
Let go her hold on Heaven,
And sold herself unwittingly
To spirits unforgiven?
Oh, weird and still the dark hours passed;
No human sound she heard,
But up and down the chimney stack
The swallows moaned and stirred.
And o'er her, with a dread surmise
Of evil sight and sound,
The blind bats on their leathern wings
Went wheeling round and round.
Low hanging in the midnight sky
Looked in a half-faced moon.
Was it a dream, or did she hear
Her lover's whistled tune?
She forced the oaken scuttle back;
A whisper reached her ear
'Slide down the roof to me,' it said,
'So softly none may hear.'
She slid along the sloping roof
Till from its eaves she hung,
And felt the loosened shingles yield
To which her fingers clung.
Below, her lover stretched his hands
And touched her feet so small;
'Drop down to me, dear heart,' he said,
'My arms shall break the fall.'
He set her on his pillion soft,
Her arms about him twined;
And, noiseless as if velvet-shod,
They left the house behind.
But when they reached the open way,
Full free the rein he cast;
Oh, never through the mirk midnight
Rode man and maid more fast.
Along the wild wood-paths they sped,
The bridgeless streams they swam;
At set of moon they passed the Bass,
At sunrise Agawam.
At high noon on the Merrimac
The ancient ferryman
Forgot, at times, his idle oars,
So fair a freight to scan.
And when from off his grounded boat
He saw them mount and ride,
'God keep her from the evil eye,
And harm of witch!' he cried.
The maiden laughed, as youth will laugh
At all its fears gone by;
'He does not know,' she whispered low,
'A little witch am I.'
All day he urged his weary horse,
And, in the red sundown,
Drew rein before a friendly door
In distant Berwick town.
A fellow-feeling for the wronged
The Quaker people felt;
And safe beside their kindly hearths
The hunted maiden dwelt,
Until from off its breast the land
The haunting horror threw,
And hatred, born of ghastly dreams,
To shame and pity grew.
Sad were the year's spring morns, and sad
Its golden summer day,
But blithe and glad its withered fields,
And skies of ashen gray;
For spell and charm had power no more,
The spectres ceased to roam,
And scattered households knelt again
Around the hearths of home.
And when once more by Beaver Dam
The meadow-lark outsang,
And once again on all the hills
The early violets sprang,
And all the windy pasture slopes
Lay green within the arms
Of creeks that bore the salted sea
To pleasant inland farms,
The smith filed off the chains he forged,
The jail-bolts backward fell;
And youth and hoary age came forth
Like souls escaped from hell.
poem by John Greenleaf Whittier

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The Singer
Years since (but names to me before),
Two sisters sought at eve my door;
Two song-birds wandering from their nest,
A gray old farm-house in the West.
How fresh of life the younger one,
Half smiles, half tears, like rain in sun!
Her gravest mood could scarce displace
The dimples of her nut-brown face.
Wit sparkled on her lips not less
For quick and tremulous tenderness;
And, following close her merriest glance,
Dreamed through her eyes the heart's romance.
Timid and still, the elder had
Even then a smile too sweetly sad;
The crown of pain that all must wear
Too early pressed her midnight hair.
Yet ere the summer eve grew long,
Her modest lips were sweet with song;
A memory haunted all her words
Of clover-fields and singing birds.
Her dark, dilating eyes expressed
The broad horizons of the west;
Her speech dropped prairie flowers; the gold
Of harvest wheat about her rolled.
Fore-doomed to song she seemed to me
I queried not with destiny
I knew the trial and the need,
Yet, all the more, I said, God speed?
What could I other than I did?
Could I a singing-bird forbid?
Deny the wind-stirred leaf? Rebuke
The music of the forest brook?
She went with morning from my door,
But left me richer than before;
Thenceforth I knew her voice of cheer,
The welcome of her partial ear.
Years passed: through all the land her name
A pleasant household word became
All felt behind the singer stood
A sweet and gracious womanhood.
Her life was earnest work, not play;
Her tired feet climbed a weary way;
And even through her lightest strain
We heard an undertone of pain.
Unseen of her her fair fame grew,
The good she did she rarely knew,
Unguessed of her in life the love
That rained its tears her grave above.
When last I saw her, full of peace,
She waited for her great release;
And that old friend so sage and bland,
Our later Franklin, held her hand.
For all that patriot bosoms stirs
Had moved that woman's heart of hers,
And men who toiled in storm and sun
Found her their meet companion.
Our converse, from her suffering bed
To healthful themes of life she led
The out-door world of bud and bloom
And light and sweetness filled her room.
Yet evermore an underthought
Of loss to come within us wrought,
And all the while we felt the strain
Of the strong will that conquered pain.
God giveth quietness at last!
The common way that all have passed
She went, with mortal yearnings fond,
To fuller life and love beyond.
Fold the rapt soul in your embrace,
My dear ones! Give the singer place
To you, to her,--I know not where,--
I lift the silence of a prayer.
For only thus our own we find;
The gone before, the left behind,
All mortal voices die between;
The unheard reaches the unseen.
Again the blackbirds sing; the streams
Wake, laughing, from their winter dreams,
And tremble in the April showers
The tassels of the maple flowers.
But not for her has spring renewed
The sweet surprises of the wood;
And bird and flower are lost to her
Who was their best interpreter.
What to shut eyes has God revealed?
What hear the ears that death has sealed?
What undreamed beauty passing show
Requites the loss of all we know?
O silent land, to which we move,
Enough if there alone be love,
And mortal need can ne'er outgrow
What it is waiting to bestow!
O white soul! from that far-off shore
Float some sweet song the waters o'er.
Our faith confirm, our fears dispel,
With the old voice we loved so well!
poem by John Greenleaf Whittier

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The Three Graves. A Fragment Of A Sexton's Tale
The grapes upon the Vicar's wall
Were ripe as ripe could be;
And yellow leaves in sun and wind
Were falling from the tree.
On the hedge-elms in the narrow lane
Still swung the spikes of corn:
Dear Lord! it seems but yesterday--
Young Edward's marriage-morn.
Up through that wood behind the church,
There leads from Edward's door
A mossy track, all over boughed,
For half a mile or more.
And from their house-door by that track
The bride and bridegroom went;
Sweet Mary, though she was not gay,
Seemed cheerful and content.
But when they to the church-yard came,
I've heard poor Mary say,
As soon as she stepped into the sun,
Her heart it died away.
And when the Vicar join'd their hands,
Her limbs did creep and freeze;
But when they prayed, she thought she saw
Her mother on her knees.
And o'er the church-path they returned--
I saw poor Mary's back,
Just as she stepped beneath the boughs
Into the mossy track.
Her feet upon the mossy track
The married maiden set:
That moment--I have heard her say--
She wished she could forget.
The shade o'er-flushed her limbs with heat--
Then came a chill like death:
And when the merry bells rang out,
They seemed to stop her breath.
Beneath the foulest mother's curse
No child could ever thrive:
A mother is a mother still,
The holiest thing alive.
So five months passed: the mother still
Would never heal the strife;
But Edward was a loving man,
And Mary a fond wife.
'My sister may not visit us,
My mother says her nay:
O Edward! you are all to me,
I wish for your sake I could be
More lifesome and more gay.
'I'm dull and sad! indeed, indeed
I know I have no reason!
Perhaps I am not well in health,
And 'tis a gloomy season.'
'Twas a drizzly time--no ice, no snow!
And on the few fine days
She stirred not out, lest she might meet
Her mother in the ways.
But Ellen, spite of miry ways
And weather dark and dreary,
Trudged every day to Edward's house,
And made them all more cheery.
Oh! Ellen was a faithful friend,
More dear than any sister!
As cheerful too as singing lark;
And she ne'er left them till 'twas dark,
And then they always missed her.
And now Ash-Wednesday came-that day
But few to church repair:
For on that day you know we read
The Commination prayer.
Our late old Vicar, a kind man,
Once, Sir, he said to me,
He wished that service was clean out
Of our good Liturgy.
The mother walked into the church--
To Ellen's seat she went:
Though Ellen always kept her church
All church-days during Lent.
And gentle Ellen welcomed her
With courteous looks and mild:
Thought she, 'What if her heart should melt,
And all be reconciled!'
The day was scarcely like a day--
The clouds were black outright:
And many a night, with half a moon,
I've seen the church more light.
The wind was wild; against the glass
The rain did beat and bicker;
The church-tower swinging over head,
You scarce could hear the Vicar!
And then and there the mother knelt,
And audibly she cried-
'Oh! may a clinging curse consume
This woman by my side!
'O hear me, hear me, Lord in Heaven,
Although you take my life--
O curse this woman, at whose house
Young Edward woo'd his wife.
'By night and day, in bed and bower,
O let her cursed be!!! '
So having prayed, steady and slow,
She rose up from her knee!
And left the church, nor e'er again
The church-door entered she.
I saw poor Ellen kneeling still,
So pale! I guessed not why:
When she stood up, there plainly was
A trouble in her eye.
And when the prayers were done, we all
Came round and asked her why:
Giddy she seemed, and sure, there was
A trouble in her eye.
But ere she from the church-door stepped
She smiled and told us why:
'It was a wicked woman's curse,'
Quoth she, 'and what care I?'
She smiled, and smiled, and passed it off
Ere from the door she stept--
But all agree it would have been
Much better had she wept.
And if her heart was not at ease,
This was her constant cry--
'It was a wicked woman's curse--
God's good, and what care I?'
There was a hurry in her looks,
Her struggles she redoubled:
'It was a wicked woman's curse,
And why should I be troubled?'
These tears will come--I dandled her
When 'twas the merest fairy--
Good creature! and she hid it all:
She told it not to Mary.
But Mary heard the tale: her arms
Round Ellen's neck she threw;
'O Ellen, Ellen, she cursed me,
And now she hath cursed you!'
I saw young Edward by himself
Stalk fast adown the lee,
He snatched a stick from every fence,
A twig from every tree.
He snapped them still with hand or knee,
And then away they flew!
As if with his uneasy limbs
He knew not what to do!
You see, good Sir! that single hill?
His farm lies underneath:
He heard it there, he heard it all,
And only gnashed his teeth.
Now Ellen was a darling love
In all his joys and cares:
And Ellen's name and Mary's name
Fast-linked they both together came,
Whene'er he said his prayers.
And in the moment of his prayers
He loved them both alike:
Yea, both sweet names with one sweet joy
Upon his heart did strike!
He reach'd his home, and by his looks
They saw his inward strife:
And they clung round him with their arms,
Both Ellen and his wife.
And Mary could not check her tears,
So on his breast she bowed;
Then frenzy melted into grief,
And Edward wept aloud.
Dear Ellen did not weep at all,
But closelier did she cling,
And turned her face and looked as if
She saw some frightful thing.
PART II.
To see a man tread over graves
I hold it no good mark;
'Tis wicked in the sun and moon,
And bad luck in the dark!
You see that grave? The Lord he gives,
The Lord, he takes away:
O Sir! the child of my old age
Lies there as cold as clay.
Except that grave, you scarce see one
That was not dug by me;
I'd rather dance upon 'em all
Than tread upon these three!
'Aye, Sexton!'tis a touching tale.'
You, Sir! are but a lad;
This month I'm in my seventieth year,
And still it makes me sad.
And Mary's sister told it me,
For three good hours and more;
Though I had heard it, in the main,
From Edward's self, before.
Well! it passed off! the gentle Ellen
Did well nigh dote on Mary;
And she went oftener than before,
And Mary loved her more and more:
She managed all the dairy.
To market she on market-days,
To church on Sundays came;
All seemed the same: all seemed so, Sir!
But all was not the same!
Had Ellen lost her mirth? Oh! no!
But she was seldom cheerful;
And Edward look'd as if he thought
That Ellen's mirth was fearful.
When by herself, she to herself
Must sing some merry rhyme;
She could not now be glad for hours,
Yet silent all the time.
And when she soothed her friend, through all
Her soothing words 'twas plain
She had a sore grief of her own,
A haunting in her brain.
And oft she said, I'm not grown thin!
And then her wrist she spanned;
And once when Mary was down-cast,
She took her by the hand,
And gazed upon her, and at first
She gently pressed her hand;
Then harder, till her grasp at length
Did gripe like a convulsion!
'Alas!' said she, 'we ne'er can be
Made happy by compulsion!'
And once her both arms suddenly
Round Mary's neck she flung,
And her heart panted, and she felt
The words upon her tongue.
She felt them coming, but no power
Had she the words to smother;
And with a kind of shriek she cried,
'Oh Christ! you're like your mother!'
So gentle Ellen now no more
Could make this sad house cheery;
And Mary's melancholy ways
Drove Edward wild and weary.
Lingering he raised his latch at eve,
Though tired in heart and limb:
He loved no other place, and yet
Home was no home to him.
One evening he took up a book,
And nothing in it read;
Then flung it down, and groaning cried,
'O! Heaven! that I were dead.'
Mary looked up into his face,
And nothing to him said;
She tried to smile, and on his arm
Mournfully leaned her head.
And he burst into tears, and fell
Upon his knees in prayer:
'Her heart is broke! O God! my grief,
It is too great to bear!'
'Twas such a foggy time as makes
Old sextons, Sir! like me,
Rest on their spades to cough; the spring
Was late uncommonly.
And then the hot days, all at once,
They came, we knew not how:
You looked about for shade, when scarce
A leaf was on a bough.
It happened then ('twas in the bower,
A furlong up the wood:
Perhaps you know the place, and yet
I scarce know how you should,)
No path leads thither, 'tis not nigh
To any pasture-plot;
But clustered near the chattering brook,
Lone hollies marked the spot.
Those hollies of themselves a shape
As of an arbour took,
A close, round arbour; and it stands
Not three strides from a brook.
Within this arbour, which was still
With scarlet berries hung,
Were these three friends, one Sunday morn,
Just as the first bell rung.
'Tis sweet to hear a brook, 'tis sweet
To hear the Sabbath-bell,
'Tis sweet to hear them both at once,
Deep in a woody dell.
His limbs along the moss, his head
Upon a mossy heap,
With shut-up senses, Edward lay:
That brook e'en on a working day
Might chatter one to sleep.
And he had passed a restless night,
And was not well in health;
The women sat down by his side,
And talked as 'twere by stealth.
'The Sun peeps through the close thick leaves,
See, dearest Ellen! see!
'Tis in the leaves, a little sun,
No bigger than your ee;
'A tiny sun, and it has got
A perfect glory too;
Ten thousand threads and hairs of light,
Make up a glory gay and bright
Round that small orb, so blue.'
And then they argued of those rays,
What colour they might be;
Says this, 'They're mostly green'; says that,
'They're amber-like to me.'
So they sat chatting, while bad thoughts
Were troubling Edward's rest;
But soon they heard his hard quick pants,
And the thumping in his breast.
'A mother too!' these self-same words
Did Edward mutter plain;
His face was drawn back on itself,
With horror and huge pain.
Both groan'd at once, for both knew well
What thoughts were in his mind;
When he waked up, and stared like one
That hath been just struck blind.
He sat upright; and ere the dream
Had had time to depart,
'O God, forgive me!' (he exclaimed)
'I have torn out her heart.'
Then Ellen shrieked, and forthwith burst
Into ungentle laughter;
And Mary shivered, where she sat,
And never she smiled after.
Carmen reliquum in futurum tempus relegatum. To-morrow! and To-morrow! and To-morrow!----
poem by Samuel Taylor Coleridge

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The Changeling ( From The Tent on the Beach )
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray."
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,--
I live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
.
poem by John Greenleaf Whittier

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What Is A Slave, Mother
What is a slave, mother?—I heard you say
That word with a sorrowful voice, one day;
And it came again to my thoughts last night,
As I laid awake in the broad moonlight;
Methinks I have heard a story told,
Of some poor men, who are bought and sold,
And driven abroad with stripes to toil,
The live-long day on a stranger's soil;
Is this true mother?
May children as young as I be sold,
And torn away from their mother's hold—
From home—from all they have loved and known,
To dwell in the great wide world alone,
Far, far away in some distant place,
Where they never may see their parents’ face?
Ah! how I should weep to be torn from you!
Tell me, dear mother, can this be true?
Alas, yes, my child.
Does the master love the slave child well,
That he takes away in his house to dwell?
Does he teach him all that he ought to know,
And wipe his tears when they sometimes flow—
And watch beside him in sickness and pain,
Till health comes back to his cheek again—
And kneel each night by his side to pray,
That God will keep him through life's rough way?
Alas, no, my child.
Ah, then must the tales I have heard be true,
Of the cruel things that the masters do;
That the poor slaves often must creep to bed,
On their scatter'd straw, but scantily fed;
Be sometimes loaded with heavy chains;
And flogg'd till their blood the keen lash stains;
While none will care for their bitter cry,
Or soothe their hearts when their grief is high.
It is so, my child.
And is it not, mother, a sinful thing,
The bosoms of others with pain to wring—
To bid them go labour and delve the soil,
And seize the reward of their weary toil—
For men to tear men from their homes away,
And sell them for gold, like a lawful prey!
Oh surely the land where such deeds are done,
Must be a most savage and wicked one!
It is this, my child.
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

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The Girl's Lamentation
With grief and mourning I sit to spin;
My Love passed by, and he didn't come in;
He passes by me, both day and night,
And carries off my poor heart's delight.
There is a tavern in yonder town,
My Love goes there and he spends a crown;
He takes a strange girl upon his knee,
And never more gives a thought to me.
Says he, 'We'll wed without loss of time,
And sure our love's but a little crime;'-
My apron-string now it's wearing short,
And my Love he seeks other girls to court.
O with him I'd go if I had my will,
I'd follow him barefoot o'er rock and hill;
I'd never once speak of all my grief
If he'd give me a smile for my heart's relief.
In our wee garden the rose unfolds,
With bachelor's-buttons and marigolds;
I'll tie no posies for dance or fair,
A willow-twig is for me to wear.
For a maid again I can never be,
Till the red rose blooms on the willow tree.
Of such a trouble I've heard them tell,
And now I know what it means full well.
As through the long lonesome night I lie,
I'd give the world if I might but cry;
But I mus'n't moan there or raise my voice,
And the tears run down without any noise.
And what, O what will my mother say?
She'll wish her daughter was in the clay.
My father will curse me to my face;
The neighbours will know of my black disgrace.
My sister's buried three years, come Lent;
But sure we made far too much lament.
Beside her grave they still say a prayer-
I wish to God 'twas myself was there!
The Candlemas crosses hang near my bed;
To look at them puts me much in dread,
They mark the good time that's gone and past:
It's like this year's one will prove the last.
The oldest cross it's a dusty brown,
But the winter winds didn't shake it down;
The newest cross keeps the colour bright;
When the straw was reaping my heart was light.
The reapers rose with the blink of morn,
And gaily stook'd up the yellow corn;
To call them home to the field I'd run,
Through the blowing breeze and the summer sun.
When the straw was weaving my heart was glad,
For neither sin nor shame I had,
In the barn where oat-chaff was flying round,
And the thumping flails made a pleasant sound.
Now summer or winter to me it's one;
But oh! for a day like the time that's gone.
I'd little care was it storm or shine,
If I had but peace in this heart of mine.
Oh! light and false is a young man's kiss,
And a foolish girl gives her soul for this.
Oh! light and short is the young man's blame,
And a helpless girl has the grief and shame.
To the river-bank once I thought to go,
And cast myself in the stream below;
I thought 'twould carry us far out to sea,
Where they'd never find my poor babe and me.
Sweet Lord, forgive me that wicked mind!
You know I used to be well-inclined.
Oh, take compassion upon my state,
Because my trouble is so very great.
My head turns round with the spinning wheel,
And a heavy cloud on my eyes I feel.
But the worst of all is at my heart's core;
For my innocent days will come back no more.
poem by William Allingham

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Gone
Another hand is beckoning us,
Another call is given;
And glows once more with Angel-steps
The path which reaches Heaven.
Our young and gentle friend, whose smile
Made brighter summer hours,
Amid the frosts of autumn time
Has left us with the flowers.
No paling of the cheek of bloom
Forewarned us of decay;
No shadow from the Silent Land
Fell round our sister's way.
The light of her young life went down,
As sinks behind the hill
The glory of a setting star,
Clear, suddenly, and still.
As pure and sweet, her fair brow seemed
Eternal as the sky;
And like the brook's low song, her voice,--
A sound which could not die.
And half we deemed she needed not
The changing of her sphere,
To give to Heaven a Shining One,
Who walked an Angel here.
The blessing of her quiet life
Fell on us like the dew;
And good thoughts where her footsteps pressed
Like fairy blossoms grew.
Sweet promptings unto kindest deeds
Were in her very look;
We read her face, as one who reads
A true and holy book,
The measure of a blessed hymn,
To which our hearts could move;
The breathing of an inward psalm,
A canticle of love.
We miss her in the place of prayer,
And by the hearth-fire's light;
We pause beside her door to hear
Once more her sweet 'Good-night!'
There seems a shadow on the day,
Her smile no longer cheers;
A dimness on the stars of night,
Like eyes that look through tears.
Alone unto our Father's will
One thought hath reconciled;
That He whose love exceedeth ours
Hath taken home His child.
Fold her, O Father! in Thine arms,
And let her henceforth be
A messenger of love between
Our human hearts and Thee.
Still let her mild rebuking stand
Between us and the wrong,
And her dear memory serve to make
Our faith in Goodness strong.
And grant that she who, trembling, here
Distrusted all her powers,
May welcome to her holier home
The well-beloved of ours.
poem by John Greenleaf Whittier

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The Mother's Soul
When the moon was horned the mother died,
And the child pulled at her hand and knee,
And he rubbed her cheek and loudly cried:
'O mother, arise, give bread to me!'
But the pine tree bent its head,
And the wind at the door-post said:
'O child, thy mother is dead !'
The sun set his loom to weave the day;
The frost bit sharp like a silent cur;
The child by her pillow paused in his play:
'Mother, build up the sweet fire of fir !'
But the fir tree shook its cones,
And loud cried the pitiful stones:
'Wolf Death has thy mother's bones!'
They bore the mother out on her bier;
Their tears made warm her breast and shroud;
The smiling child at her head stood near;
And the long, white tapers shook and bowed,
And said with their tongues of gold,
To the ice lumps of the grave mold:
'How heavy are ye and cold!'
They buried the mother; to the feast
They flocked with the beaks of unclean crows.
The wind came up from the red-eyed east
And bore in its arms the chill, soft snows.
They said to each other: 'Sere
Are the hearts the mother held dear;
Forgotten, her babe plays here!'
The child with the tender snowflakes played,
And the wind on its fingers twined his hair;
And still by the tall, brown grave he stayed,
Alone in the churchyard lean and bare.
The sods on the high grave cried
To the mother's white breast inside:
'Lie still; in thy deep rest bide!'
Her breast lay still like a long-chilled stone,
Her soul was out on the bleak, grey day;
She saw her child by the grave alone,
With the sods and snow and wind at play.
Said the sharp lips of the rush,
'Red as thy roses,O bush,
With anger the dead can blush !'
A butterfly to the child's breast flew,*
Fluttered its wings on his sweet, round cheek,
Danced by his fingers, small, cold and blue.
The sun strode down past the mountain peak.
The butterfly whispered low
To the child: 'Babe, follow me; know,
Cold is the earth here below.'
The butterfly flew; followed the child,
Lured by the snowy torch of its wings;
The wind sighed after them soft and wild
Till the stars wedded night with golden rings
Till the frost upreared its head,
And the ground to it groaned and said:
'The feet of the child are lead!'
The child's head drooped to the brown, sere mold,
On the crackling cones his white breast lay;
The butterfly touched the locks of gold,
The soul of the child sprang from its clay.
The moon to the pine tree stole,
And silver-lipped, said to its bole:
'How strong is the mother's soul !'
The wings of the butterfly grew out
To the mother's arms, long, soft and white;
She folded them warm her babe about,
She kissed his lips into berries bright,
She warmed his soul on her breast;
And the east called out to the west:
'Now the mother's soul will rest!'
Under the roof where the burial feast
Was heavy with meat and red with wine,
Each crossed himself as out of the east
A strange wind swept over oak and pine.
The trees to the home-roof said:
' 'Tis but the airy rush and tread
Of angels greeting thy dead.'
poem by Isabella Valancy Crawford

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Grey-eyed mabel
I gazed on orbs of flashing black;
I met the glow of hazel light;
I marked the hue of laughing blue,
That sparkled in the festive night.
But none could fling a lasting spell
To hold me with unchanging power--
The chains they cast were never fast
Beyond the gay and fleeting hour--
Till Grey-eyed Mabel's gentle glance,
With blushing sense and beauty rife,
Bade my soul cry with burning sigh,
'I'm thine, and only thine, for life.'
Black, blue, and hazel stars have set,
But Mabel's grey eyes lead me yet.
What was it in sweet Mabel's eyes
That told me what no others told,
That roused the dull, that pleased the wise,
That charmed the young and cheered the old?
What was it held my world-worn breast
In holy thrall--unknown before?
What was it those grey eyes expressed
That made me worship and adore?
It was the pure and tender ray
That filled those eyes in joy or woe;
It was the beam that could not play
Without the fountain stream below;
It was the beam of simple truth,
Of Woman's faith and trusting Youth.
Those soft, grey eyes were watched by mine
With earnest, deep, and secret prayer;
I knew, I felt, my earthly shrine
Was found and fixed for ever--there.
I poured my heart one moonlit night
Into sweet Mabel's listening ear;
Our mutual vow, from then till now,
Bound each to each--fond, firm, and dear.
Our boys and girls are growing round,
And all give promise, brave and fair,
But one, young cherub form is found
First in my love, my hope, my care.
And why?--ah! why? My soul replies,
'She has dear Mabel's soft, grey eyes.'
poem by Eliza Cook

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The Emigrant Mother
ONCE in a lonely hamlet I sojourned
In which a Lady driven from France did dwell;
The big and lesser griefs with which she mourned,
In friendship she to me would often tell.
This Lady, dwelling upon British ground,
Where she was childless, daily would repair
To a poor neighbouring cottage; as I found,
For sake of a young Child whose home was there.
Once having seen her clasp with fond embrace
This Child, I chanted to myself a lay,
Endeavouring, in our English tongue, to trace
Such things as she unto the Babe might say:
And thus, from what I heard and knew, or guessed,
My song the workings of her heart expressed.
I
'Dear Babe, thou daughter of another,
One moment let me be thy mother!
An infant's face and looks are thine,
And sure a mother's heart is mine:
Thy own dear mother's far away,
At labour in the harvest field:
Thy little sister is at play;--
What warmth, what comfort would it yield
To my poor heart, if thou wouldst be
One little hour a child to me!
II
'Across the waters I am come,
And I have left a babe at home:
A long, long way of land and sea!
Come to me--I'm no enemy:
I am the same who at thy side
Sate yesterday, and made a nest
For thee, sweet Baby!--thou hast tried,
Thou know'st the pillow of my breast;
Good, good art thou:--alas! to me
Far more than I can be to thee.
III
'Here, little Darling, dost thou lie;
An infant thou, a mother I!
Mine wilt thou be, thou hast no fears;
Mine art thou--spite of these my tears.
Alas! before I left the spot,
My baby and its dwelling-place;
The nurse said to me, 'Tears should not
Be shed upon an infant's face,
It was unlucky'--no, no, no;
No truth is in them who say so!
IV
'My own dear Little-one will sigh,
Sweet Babe! and they will let him die.
'He pines,' they'll say, 'it is his doom,
And you may see his hour is come.'
Oh! had he but thy cheerful smiles,
Limbs stout as thine, and lips as gay,
Thy looks, thy cunning, and thy wiles,
And countenance like a summer's day,
They would have hopes of him;--and then
I should behold his face again!
V
''Tis gone--like dreams that we forget;
There was a smile or two--yet--yet
I can remember them, I see
The smiles, worth all the world to me.
Dear Baby! I must lay thee down;
Thou troublest me with strange alarms;
Smiles hast thou, bright ones of thy own;
I cannot keep thee in my arms;
For they confound me;--where--where is
That last, that sweetest smile of his?
VI
'Oh! how I love thee!--we will stay
Together here this one half day.
My sister's child, who bears my name,
From France to sheltering England came;
She with her mother crossed the sea;
The babe and mother near me dwell:
Yet does my yearning heart to thee
Turn rather, though I love her well:
Rest, little Stranger, rest thee here!
Never was any child more dear!
VII
'--I cannot help it; ill intent
I've none, my pretty Innocent!
I weep--I know they do thee wrong,
These tears---and my poor idle tongue.
Oh, what a kiss was that! my cheek
How cold it is! but thou art good;
Thine eyes are on me--they would speak,
I think, to help me if they could.
Blessings upon that soft, warm face,
My heart again is in its place!
VIII
'While thou art mine, my little Love,
This cannot be a sorrowful grove;
Contentment, hope, and mother's glee,
I seem to find them all in thee:
Here's grass to play with, here are flowers;
I'll call thee by my darling's name;
Thou hast, I think, a look of ours,
Thy features seem to me the same;
His little sister thou shalt be;
And, when once more my home I see,
I'll tell him many tales of Thee.'
poem by William Wordsworth

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The Kind Word
Speak kindly, wife; the little ones will grow
Fairest and straightest in the warmest sun.
We talk so often of the seed we sow;
But, maybe, when we think our labour done,
And when we look to gather in the grain,
We'll find these stones, we fling about, again
Strewing the fruitless sod,
Having crush'd down and stunted the sweet life
That bore the likeness of the life of God.
All your hard words of bitterness and strife
Will lie upon their love, as stones would lie;
You think to pick them up, but, by-and-by,
You'll find where they have lain
By the poor, meagre, crooked ears of grain.
You will be sorry then.
Speak kindly, wife; you know not half the wealth
Kind words bring in. Ah! I remember when
I was a little lad, all youth and health,
How I went wrong for want of one, and how
One saved my life—ay, keeps it steady now.
* * * * *
My mother died, you know, when I had seen
Only a few days' light; they say her face
Was fair and young—and so it might have been;
I cannot tell. But she, who took her place,
Was coarse and hard, and had a shrewish tongue
That fretted all the household into strife.
Ah, how that sharp voice rung
Through ear and heart—through all the peace of life!
It drove my father from his home at length,
And drove him to the ale-house, where he learn'd
To drink away the good name he had earn'd,
And drink away his precious health and strength.
I can remember well how he would sigh,
Would sigh, and turn from his own chimney nook;
And how, though wintry winds blew fierce and high,
He fumbled at the door with hands that shook,
And pass'd out slowly, as though caring not
Whither he went. And she, who tempted him,
Was first to see the change—to mark the blot
That made his manhood's beauty blurred and dim—
But had no mercy and no help for him.
I think I see her now!
Standing, with that red flush upon her brow,
Hurling her stinging insults thick and fast,
As he was sadly creeping through the door;
Until he raised his grizzled head, and swore,
And suddenly struck her, growing mad at last.
Was that the way to better him? Ah, no;
She taunted him, and stung his spirit so,
That what was weakness became sin and crime.
Wife, did you ever hear
What happen'd in that dark and dreadful time?
One night, when I was wide awake for fear,
Straining my baby ears to catch the sound
Of the fierce voices that were storming near—
One night, I heard a cry—
So sharp! so shrill! a strange and fearful cry—
And then a heavy fall upon the ground;
And then—and then—in the grey morning light
I saw her lie,
With her hard face so strangely still and white,
With a broad purple stain upon her brow,
And dusky shadows on her lips and eyes.
Ah me! ah me! I think I see her now,
Wrapped in that awful death-sleep, as she lies!
I well remember how I cried and shook
In childish terror, and with what a look
I turn'd to all the living faces there,
Seeking in vain,
With the first dreary thrill of my despair,
The one face that I never saw again!
* * * * *
I was so young—a little lad, a child—
And it was hard, ay, very hard, to be
So helpless and so ignorant and wild,
With not a soul to love and care for me.
She, when she storm'd about,
Had roughly used me, and had turn'd me out
Into the streets, to gather what I could
And what I liked of all the evil there;
But he, my father, at odd times he would
Sit, with his arms flung round me, in his chair,
And tell me, as he stroked my curly head,
How he could see the mother that was dead
In my blue eyes and in my golden hair.
And now I was alone—quite, quite alone.
Ah, you can never know how I was toss'd
From place to place; how like a thing of stone,
Frozen for want of just a kindly tone,
My heart became—all its good instincts cross'd!
And how like some distorted tree I grew,
Barren of all things beautiful and true.
Sullen, and hard, and reckless, I was fit
And ready, when the devil laid his snare—
Quite ready—to rush headlong into it.
And who was there to care?
In a wild night—a well-remember'd night,
When I was prowling in a darken'd street,
Trying to hush the echo of my feet,
Trying to hide me out of sound and sight—
Just as I heard the bells begin to call
From a church-tower—as I caught a gleam
Of marble pillars, standing white and tall,
And saw the stream
Of tender, mellow light make, as it were,
A shining pathway in the misty air,
Whither soft footsteps trod
Out of the world into the courts of God—
Just then they found me out—
They who had watch'd and follow'd me so long—
They found me as I idly hung about
That stately doorway; and I felt the strong
Relentless grip upon my arm—I saw
The quiet, cruel, smiling eyes, and saw
That I was bound.
That night I lay awake upon the ground
Of a dark cell. The moonlight quiver'd in,
Tender, and pure, and sweet, and hover'd round—
Trying to cool the raging fire within
My eyes and heart; like tender mother's touch,
It wander'd over lips, and hands, and hair.
I think I feel it now—it came with such
An unexpected pity to me there!
It was so dark—and I was all alone.
No gentle tone
To comfort and to keep me from despair!
A blessing had been sent—ah, now I know,
Just by that little moonbeam; its white glow
Lay on my heart, till the tears fell like rain.
The long-endured, sullen sense of pain,
So dark and deep,
Was stirred and touch'd, and almost lighten'd, when
I plunged my face into my hands to weep.
Somehow the boyish spirit came again,
With just a little of its softness, then;
The burning fever cool'd, and I could sleep.
Ah, I remember, as I lay there, she
I never knew came gliding through my dream,
As through the shadows that encompass'd me
Glided the tender moonshine; I could see,
Dim and yet purely bright—just in the gleam
That cross'd the prison-floor—a girlish face,
Divinely beautiful—an angel's face;
And long robes, fair and white,
Shadow'd with wings that shone like living light.
I seem'd to feel, e'en in that gloomy place,
The soft, sweet kisses stray
Over my feverish forehead as I lay;
But when I woke, and look'd with glistening eyes
Up through the grating, I could only see
The pale rose-colour dawning in the skies
From whence that message had come down to me.
I was so lonely! Yet more lonely far
In the bright day-time, when my sight was bound
By cold, hard, scornful faces all around,
Instead of prison-wall and iron bar.
More lonely—ay, so much more lonely! They,
My judges and accusers, and the crowd
That witness'd all my misery that day,
They knew not that my spirit was as proud,
As sensitive to suffering, as theirs.
They knew the sweet hearth-love, that makes the cares
And storms of life so light!
And the great safeguard against sin and crime
Stood round about their homes by day and night.
But I had no one in that bitter time,
No one, I thought—no one to stand by me,
No one to teach me or to care for me!
I pass'd through fire as I stood waiting—stood
In that great, dreary, dreadful, crowded place;
A fire that scorch'd out even the faintest trace
My tearful dream had left, of good and true.
* * * * *
Wearily, wearily, I laid me down
Within my little prison-cell that night;
And then I long'd for death to come, and drown
The sinful, lonely, sorrowful earthly life
That always seem'd at strife
With God and man. I know it was not right—
I know it, dear; but it is hard to be
Shut out from all the pleasant, genial life
That makes life worth!—and it was hard for me.
And so I lay, and fix'd a vacant stare
Upon my grated bars, now dimly drawn
Across a grey-blue thunder-cloud; for there
The moonlight came, and there the rosy dawn
Peep'd in—a kind and friendly face to see;
One thing, at least, of peace and purity.
And dark thoughts brooded in my heart and brain,
Such wicked, reckless thoughts! I wonder'd why
I had been born to so much misery,
Born to so large a heritage of pain!
Sure it was wrong, I murmur'd bitterly,
Setting my teeth again.
And then there slowly drifted through my mind—
Vaguely and darkly, gaining shape at length—
A thought whose likeness it were hard to find
In any common words. I felt the strength
Of stern endurance and resolve die out,
And felt a fierce new strength creep round about
My smouldering heart. Eager I turn'd to gaze
At my new vision—and the warning doubt
Died in the passion that was set ablaze.
What was the vision? Wife, I scarcely dare
Paint it again.
It's very memory enfolds such pain!
A river, dark, and deep, and dreadful, where
The moaning eddies swirl'd about the piers
Of a high bridge; lights twinkling in the air;
Unnumber'd voices thrilling in my ears;
And one—one only—speaking to me there—
Calling from out the deep,
Dark water, in its slow, reluctant sweep . . . . .
An awful space of shadows; then the gleam
Of steely ripples, lying far below,
Like bright snakes coil'd together on the stream;—
Ah, wife, you know! you know!
I saw—but did not see—the grey-blue cloud
Change into black; the thunder roar'd aloud;
And shining arrows glanced across the floor,
Striking a blaze upon my staring eyes;—
Darling, these are such painful memories,
I cannot tell you more.
* * * * *
But in the day that follow'd—when the sun
Was high in heaven, and the crimson flame
Danced on the bleak white wall above me—one
Bearing a sweet and holy message, came.
He found me lying motionless, alone,
Passionately quiet, and as hard as stone;
And he stepped softly, and bent over me
Until I saw his face—
Fair as an angel's, with a shining crown
Of wavy golden hair—a boyish face,
But shadow'd with a wondrous dignity.
As he bent down,
His grave eyes looking deeply into mine,
The dignity seem'd born of the divine.
Ah me, he was so good! so true! so kind!
He melted that black shadow on my mind
With his sweet, earnest tones; I sat and wept
Just like a child; and a new life and light
Once more, as he sat by me, gently crept
Into my spirit, that was dark as night.
He did not talk as if he were above
The sins and follies of his fellow-men;
But all his words were sympathy and love—
Or I had never listen'd to them then.
He did not once reproach me, though he heard—
Because he would not ask it—every word
I had to tell him; but he counselled me,
Framing his lips in that humility
Which seems the stamp of a good man and true.
Saying not, “I know this,” but “God has said;”
Saying not, with the solemn warning, “you,”
But mostly “we;” yet over all he shed
The high and special dignity he bore.
One felt he was a priest, as if he wore
His surplice—standing in the church, instead
Of on a prison-floor.
* * * * *
And those kind words—they brought a blessed morn
Unto my soul; I never wish'd again
That I might die; I never felt forlorn,
As if my life were given me in vain.
But I went out into the world, and fought
Against its legions, with an arm of strength!
Wife, though I often falter'd, what he taught
Nerved me to courage, and I won at length.
poem by Ada Cambridge

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The Hermit of Thebaid
O strong, upwelling prayers of faith,
From inmost founts of life ye start,-
The spirit's pulse, the vital breath
Of soul and heart!
From pastoral toil, from traffic's din,
Alone, in crowds, at home, abroad,
Unheard of man, ye enter in
The ear of God.
Ye brook no forced and measured tasks,
Nor weary rote, nor formal chains;
The simple heart, that freely asks
In love, obtains.
For man the living temple is
The mercy-seat and cherubim,
And all the holy mysteries,
He bears with him.
And most avails the prayer of love,
Which, wordless, shapes itself in needs,
And wearies Heaven for naught above
Our common needs.
Which brings to God's all-perfect will
That trust of His undoubting child
Whereby all seeming good and ill
Are reconciled.
And, seeking not for special signs
Of favor, is content to fall
Within the providence which shines
And rains on all.
Alone, the Thebaid hermit leaned
At noontime o'er the sacred word.
Was it an angel or a fiend
Whose voice be heard?
It broke the desert's hush of awe,
A human utterance, sweet and mild;
And, looking up, the hermit saw
A little child.
A child, with wonder-widened eyes,
O'erawed and troubled by the sight
Of hot, red sands, and brazen skies,
And anchorite.
''What dost thou here, poor man? No shade
Of cool, green palms, nor grass, nor well,
Nor corn, nor vines.' The hermit said
'With God I dwell.
'Alone with Him in this great calm,
I live not by the outward sense;
My Nile his love, my sheltering palm
His providence.'
The child gazed round him. 'Does God live
Here only?-where the desert's rim
Is green with corn, at morn and eve,
We pray to Him.
'My brother tills beside the Nile
His little field; beneath the leaves
My sisters sit and spin, the while
My mother weaves.
'And when the millet's ripe heads fall,
And all the bean-field hangs in pod,
My mother smiles, and, says that all
Are gifts from God.'
Adown the hermit's wasted cheeks
Glistened the flow of human tears;
'Dear Lord!' he said, 'Thy angel speaks,
Thy servant hears.'
Within his arms the child he took,
And thought of home and life with men;
And all his pilgrim feet forsook
Returned again.
The palmy shadows cool and long,
The eyes that smiled through lavish locks,
Home's cradle-hymn and harvest-song,
And bleat of flocks.
'O child!' he said, 'thou teachest me
There is no place where God is not;
That love will make, where'er it be,
A holy spot.'
He rose from off the desert sand,
And, leaning on his staff of thorn,
Went with the young child hand in hand,
Like night with morn.
They crossed the desert's burning line,
And heard the palm-tree's rustling fan,
The Nile-bird's cry, the low of kine,
And voice of man.
Unquestioning, his childish guide
He followed, as the small hand led
To where a woman, gentle-eyed,
Her distaff fed.
She rose, she clasped her truant boy,
She thanked the stranger with her eyes;
The hermit gazed in doubt and joy
And dumb surprise.
And to!-with sudden warmth and light
A tender memory thrilled his frame;
New-born, the world-lost anchorite
A man became.
'O sister of El Zara's race,
Behold me!-had we not one mother?'
She gazed into the stranger's face
'Thou art my brother!'
'And when to share our evening meal,
She calls the stranger at the door,
She says God fills the hands that deal
Food to the poor.'
'O kin of blood! Thy life of use
And patient trust is more than mine;
And wiser than the gray recluse
This child of thine.
'For, taught of him whom God hath sent,
That toil is praise, and love is prayer,
I come, life's cares and pains content
With thee to share.'
Even as his foot the threshold crossed,
The hermit's better life began;
Its holiest saint the Thebaid lost,
And found a man!
poem by John Greenleaf Whittier

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To Nimue
I had clean forgotten all, her face who had caused my trouble.
Gone was she as a cloud, as a bird which passed in the wind, as a glittering stream--borne bubble,
As a shadow set by a ship on the sea, where the sail looks down on its double.
I had laid her face to the wall, on the shelf where my fancies sleep.
I had laid my pain in its grave, in its rose--leaf passionless grave, with the things I had dared not keep.
I had left it there. I had dried my tears. I had said, ``Ah, why should I weep?''
I will not be fooled by her, by the spell of her fair child's face.
What is its meaning to me, who have seen, who have known, who have loved what miracle forms of grace?
What are its innocent wiles, its smiles, its idle sweet girlishness?
I will not love without love. I despise the ways of a fool.
Let me prevail as of old, as lover, as lord, as king, or have done with Love's tyrant rule.
I was born to command, not serve, not obey. No boy am I in Love's school.
I have fled to the fields, the plains, the desert places of rest,
To the forest's infinite smile, where the cushat calls from the trees and the yaffle has lined her nest,
To the purple hills with the spray of the sea, when the wind blows loud from the west.
I have done with her love and her, the wine--draughts of human pleasure.
The voice of nature is best, the cradle song of the trees which is hymned to Time's stateliest measure,
As once a boy in the woods I heard it and held it an exquisite treasure.
I had clean forgotten all. I had sung to the indolent hills
Songs of joy without grief, since grief is of human things the shadow of human ills.
I sang aloud in my pride of song to the chime of the answering rills.
And, behold, the whole world heard, the dull mad manridden Earth.
And they cried, ``A prophet hath risen, a sage with the heart of a child, a bard of no human birth,
A soul that hath known nor pain, nor sin, a singer of infinite mirth.''
And she too heard it and came. And she knew it was I grown wise.
And she stood from the rest apart, and I watched her with pitying scorn, and then with a sad surprise,
And last with a new sweet passionate joy, for I saw there were tears in her eyes.
And she came and sat at my feet, as in days ere our grief began.
And I saw her a woman grown. And I was a prophet no more, but a desolate voiceless man.
And I clasped her fast in my arms in joy and kissed her tears as they ran.
And I shall not be fooled by her, though her face is fair as a rose.
And I shall not live without love, though the world should forget my songs and I should forget its woes,
And the purple hills should forget the sea and the spray when the west wind blows.
poem by Wilfrid Scawen Blunt

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Mother And Son
Now sleeps the land of houses,
and dead night holds the street,
And there thou liest, my baby,
and sleepest soft and sweet;
My man is away for awhile,
but safe and alone we lie,
And none heareth thy breath but thy mother,
and the moon looking down from the sky
On the weary waste of the town,
as it looked on the grass-edged road
Still warm with yesterday’s sun,
when I left my old abode;
Hand in hand with my love,
that night of all nights in the year;
When the river of love o’erflowed
and drowned all doubt and fear,
And we two were alone in the world,
and once if never again,
We knew of the secret of earth
and the tale of its labour and pain.
Lo amidst London I lift thee,
and how little and light thou art,
And thou without hope or fear
thou fear and hope of my heart!
Lo here thy body beginning,
O son, and thy soul and thy life;
But how will it be if thou livest,
and enterest into the strife,
And in love we dwell together
when the man is grown in thee,
When thy sweet speech I shall hearken,
and yet ’twixt thee and me
Shall rise that wall of distance,
that round each one doth grow,
And maketh it hard and bitter
each other’s thought to know.
Now, therefore, while yet thou art little
and hast no thought of thine own,
I will tell thee a word of the world;
of the hope whence thou hast grown;
Of the love that once begat thee,
of the sorrow that hath made
Thy little heart of hunger,
and thy hands on my bosom laid.
Then mayst thou remember hereafter,
as whiles when people say
All this hath happened before
in the life of another day;
So mayst thou dimly remember
this tale of thy mother’s voice,
As oft in the calm of dawning
I have heard the birds rejoice,
As oft I have heard the storm-wind
go moaning through the wood;
And I knew that earth was speaking,
and the mother’s voice was good.
Now, to thee alone will I tell it
that thy mother’s body is fair,
In the guise of the country maidens
Who play with the sun and the air;
Who have stood in the row of the reapers
in the August afternoon,
Who have sat by the frozen water
in the high day of the moon,
When the lights of the Christmas feasting
were dead in the house on the hill,
And the wild geese gone to the salt-marsh
had left the winter still.
Yea, I am fair, my firstling;
if thou couldst but remember me!
The hair that thy small hand clutcheth
is a goodly sight to see;
I am true, but my face is a snare;
soft and deep are my eyes,
And they seem for men’s beguiling
fulfilled with the dreams of the wise.
Kind are my lips, and they look
as though my soul had learned
Deep things I have never heard of,
my face and my hands are burned
By the lovely sun of the acres;
three months of London town
And thy birth-bed have bleached them indeed,
“But lo, where the edge of the gown”
(So said thy father) “is parting
the wrist that is white as the curd
From the brown of the hand that I love,
bright as the wing of a bird.”
Such is thy mother, O firstling,
yet strong as the maidens of old,
Whose spears and whose swords were the warders
of homestead, of field and of fold.
Oft were my feet on the highway,
often they wearied the grass;
From dusk unto dusk of the summer
three times in a week would I pass
To the downs from the house on the river
through the waves of the blossoming corn.
Fair then I lay down in the even,
and fresh I arose on the morn,
And scarce in the noon was I weary.
Ah, son, in the days of thy strife,
If thy soul could but harbour a dream
of the blossom of my life!
It would be as the sunlit meadows
beheld from a tossing sea,
And thy soul should look on a vision
of the peace that is to be.
Yet, yet the tears on my cheek!
and what is this doth move
My heart to thy heart, beloved,
save the flood of yearning love?
For fair and fierce is thy father,
and soft and strange are his eyes
That look on the days that shall be
with the hope of the brave and the wise.
It was many a day that we laughed,
as over the meadows we walked,
And many a day I hearkened
and the pictures came as he talked;
It was many a day that we longed,
and we lingered late at eve
Ere speech from speech was sundered,
and my hand his hand could leave.
Then I wept when I was alone,
and I longed till the daylight came;
And down the stairs I stole,
and there was our housekeeping dame
(No mother of me, the foundling)
kindling the fire betimes
Ere the haymaking folk went forth
to the meadows down by the limes;
All things I saw at a glance;
the quickening fire-tongues leapt
Through the crackling heap of sticks,
and the sweet smoke up from it crept,
And close to the very hearth
the low sun flooded the floor,
And the cat and her kittens played
in the sun by the open door.
The garden was fair in the morning,
and there in the road he stood
Beyond the crimson daisies
and the bush of southernwood.
Then side by side together
through the grey-walled place we went,
And O the fear departed,
and the rest and sweet content!
Son, sorrow and wisdom he taught me,
and sore I grieved and learned
As we twain grew into one;
and the heart within me burned
With the very hopes of his heart.
Ah, son, it is piteous,
But never again in my life
shall I dare to speak to thee thus;
So may these lonely words
about thee creep and cling,
These words of the lonely night
in the days of our wayfaring.
Many a child of woman
to-night is born in the town,
The desert of folly and wrong;
and of what and whence are they grown?
Many and many an one
of wont and use is born;
For a husband is taken to bed
as a hat or a ribbon is worn.
Prudence begets her thousands;
“good is a housekeeper’s life,
So shall I sell my body
that I may be matron and wife.”
“And I shall endure foul wedlock
and bear the children of need.”
Some are there born of hate,
many the children of greed.
“I, I too can be wedded,
though thou my love hast got.”
“I am fair and hard of heart,
and riches shall be my lot.”
And all these are the good and the happy,
on whom the world dawns fair.
O son, when wilt thou learn
of those that are born of despair,
As the fabled mud of the Nile
that quickens under the sun
With a growth of creeping things,
half dead when just begun?
E’en such is the care of Nature
that man should never die,
Though she breed of the fools of the earth,
and the dregs of the city sty.
But thou, O son, O son,
of very love wert born,
When our hope fulfilled bred hope,
and fear was a folly outworn.
On the eve of the toil and the battle
all sorrow and grief we weighed,
We hoped and we were not ashamed,
we knew and we were not afraid.
Now waneth the night and the moon;
ah, son, it is piteous
That never again in my life
shall I dare to speak to thee thus.
But sure from the wise and the simple
shall the mighty come to birth;
And fair were my fate, beloved,
if I be yet on the earth
When the world is awaken at last,
and from mouth to mouth they tell
Of thy love and thy deeds and thy valour,
and thy hope that nought can quell.
poem by William Morris

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She Sat Alone Beside Her Hearth
SHE sat alone beside her hearth—
For many nights alone;
She slept not on the pleasant couch
Where fragrant herbs were strewn.
At first she bound her raven hair
With feather and with shell;
But then she hoped; at length, like night,
Around her neck it fell.
They saw her wandering mid the woods,
Lone, with rite cheerless dawn,
And then they said, 'Can this be her
We called 'The Startled Fawn?' '
Her heart was in her large sad eyes,
Half sunshine and half shade;
And love, as love first springs to life,
Of every thing afraid.
The red leaf far more heavily
Fell down to autumn earth,
Than her light feet, which seemed to move
To music and to mirth.
With the light feet of early youth,
What hopes and joys depart,
Ah! nothing like the heavy step
Betrays the heavy heart.
It is a usual history
That Indian girl could tell;
Fate sets apart one common doom
For all who love too well.
The proud—the shy—the sensitive,—
Life has not many such;
They dearly buy their happiness,
By feeling it too much.
A stranger to her forest home,
That fair young stranger came;
They raised for him the funeral song—
For him the funeral flame.
Love sprang from pity,—and her arms
Around his arms she threw;
She told her father, 'If he dies,
Your daughter dieth too.'
For her sweet sake they set him free—
He lingered at her side;
And many a native song yet tells
Of that pale stranger's bride.
Two years have passed—how much two years
Have taken in their flight!
They've taken from the lip its smile,
And from the eye its light.
Poor child! she was a child in years—
So timid and so young;
With what a fond and earnest faith
To desperate hope she clung!
His eyes grew cold—his voice grew strange—
They only grew more dear.
She served him meekly, anxiously,
With love—half faith—half fear.
And can a fond and faithful heart
Be worthless in those eyes
For which it beats?—Ah! wo to those
Who such a heart despise.
Poor child! what lonely days she passed,
With nothing to recall
But bitter taunts, and careless words,
And looks more cold than all.
Alas! for love, that sits at home,
Forsaken, and yet fond;
The grief that sits beside the hearth—
Life has no grief beyond.
He left her, but she followed him—
She thought he could not bear,
When she had left her home for him,
To look on her despair.
Adown the strange and mighty stream
She took her lonely way;
The stars at night her pilots were,
As was the sun by day.
Yet mournfully—how mournfully!—
The Indian looked behind,
When the last sound of voice or step
Died on the midnight wind,
Yet still adown the gloomy stream
She plied her weary oar;
Her husband—he had left their home,
And it was home no more.
She found him—but she found in vain—
He spurned her from his side;
He said, her brow was all too dark,
For her to be his bride.
She grasped his hands,—her own were cold,—
And silent turned away,
As she had not a tear to shed,
And not a word to say.
And pale as death she reached her boat,
And guided it along;
With broken voice she strove to raise
A melancholy song.
None watched the lonely Indian girl,—
She passed unmarked of all,
Until they saw her slight canoe
Approach the mighty Fall!
Upright, within that slender boat
They saw the pale girl stand,
Her dark hair streaming far behind—
Upraised her desperate hand.
The air is filled with shriek and shout—
They call, but call in vain;
The boat amid the waters dash'd—
'Twas never seen again!
poem by Letitia Elizabeth Landon

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Kathleen
O Norah, lay your basket down,
And rest your weary hand,
And come and hear me sing a song
Of our old Ireland.
There was a lord of Galaway,
A mighty lord was he;
And he did wed a second wife,
A maid of low degree.
But he was old, and she was young,
And so, in evil spite,
She baked the black bread for his kin,
And fed her own with white.
She whipped the maids and starved the kern,
And drove away the poor;
'Ah, woe is me!' the old lord said,
'I rue my bargain sore!'
This lord he had a daughter fair,
Beloved of old and young,
And nightly round the shealing-fires
Of her the gleeman sung.
'As sweet and good is young Kathleen
As Eve before her fall;'
So sang the harper at the fair,
So harped he in the hall.
'Oh, come to me, my daughter dear!
Come sit upon my knee,
For looking in your face, Kathleen,
Your mother's own I see!'
He smoothed and smoothed her hair away,
He kissed her forehead fair;
'It is my darling Mary's brow,
It is my darling's hair!'
Oh, then spake up the angry dame,
'Get up, get up,' quoth she,
'I'll sell ye over Ireland,
I'll sell ye o'er the sea!'
She clipped her glossy hair away,
That none her rank might know;
She took away her gown of silk,
And gave her one of tow,
And sent her down to Limerick town
And to a seaman sold
This daughter of an Irish lord
For ten good pounds in gold.
The lord he smote upon his breast,
And tore his beard so gray;
But he was old, and she was young,
And so she had her way.
Sure that same night the Banshee howled
To fright the evil dame,
And fairy folks, who loved Kathleen,
With funeral torches came.
She watched them glancing through the trees,
And glimmering down the hill;
They crept before the dead-vault door,
And there they all stood still!
'Get up, old man! the wake-lights shine!'
'Ye murthering witch,' quoth he,
'So I'm rid of your tongue, I little care
If they shine for you or me.'
'Oh, whoso brings my daughter back,
My gold and land shall have!'
Oh, then spake up his handsome page,
'No gold nor land I crave!
'But give to me your daughter dear,
Give sweet Kathleen to me,
Be she on sea or be she on land,
I'll bring her back to thee.'
'My daughter is a lady born,
And you of low degree,
But she shall be your bride the day
You bring her back to me.'
He sailed east, he sailed west,
And far and long sailed he,
Until he came to Boston town,
Across the great salt sea.
'Oh, have ye seen the young Kathleen,
The flower of Ireland?
Ye'll know her by her eyes so blue,
And by her snow-white hand!'
Out spake an ancient man, 'I know
The maiden whom ye mean;
I bought her of a Limerick man,
And she is called Kathleen.
'No skill hath she in household work,
Her hands are soft and white,
Yet well by loving looks and ways
She doth her cost requite.'
So up they walked through Boston town,
And met a maiden fair,
A little basket on her arm
So snowy-white and bare.
'Come hither, child, and say hast thou
This young man ever seen?'
They wept within each other's arms,
The page and young Kathleen.
'Oh give to me this darling child,
And take my purse of gold.'
'Nay, not by me,' her master said,
'Shall sweet Kathleen be sold.
'We loved her in the place of one
The Lord hath early ta'en;
But, since her heart's in Ireland,
We give her back again!'
Oh, for that same the saints in heaven
For his poor soul shall pray,
And Mary Mother wash with tears
His heresies away.
Sure now they dwell in Ireland;
As you go up Claremore
Ye'll see their castle looking down
The pleasant Galway shore.
And the old lord's wife is dead and gone,
And a happy man is he,
For he sits beside his own Kathleen,
With her darling on his knee.
poem by John Greenleaf Whittier

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Twilight
IT is the twilight hour,
The daylight toil is done,
And the last rays are departing
Of the cold and wintry sun.
It is the time when Friendship
Holds converse fair and free,
It is the time when children
Dance round the mother's knee.
But my soul is faint and heavy,
With a yearning sad and deep,
By the fireside lone and dreary
I sit me down and weep!
Where are ye, merry voices,
Whose clear and bird-like tone,
Some other ear now blesses,
Less anxious than my own?
Where are ye, steps of lightness,
Which fell like blossom-showers?
Where are ye, sounds of laughter,
That cheer'd the pleasant hours?
Thro' the dim light slow declining,
Where my wistful glances fall,
I can see your pictures hanging
Against the silent wall;--
They gleam athwart the darkness,
With their sweet and changeless eyes,
But mute are ye, my children!
No voice to mine replies.
Where are ye? Are ye playing
By the stranger's blazing hearth;
Forgetting in your gladness,
Your old home's former mirth?
Are ye dancing? Are ye singing?
Are ye full of childish glee?
Or do your light hearts sadden
With the memory of me?
Round whom, oh! gentle darlings,
Do your young arms fondly twine,
Does she press you to her bosom
Who hath taken you from mine?
Oh! boys, the twilight hour
Such a heavy time hath grown,--
It recalls with such deep anguish
All I used to call my own,--
That the harshest word that ever
Was spoken to me there,
Would be trivial--would be welcome--
In the depth of my despair!
Yet no! Despair shall sink not,
While Life and Love remain,--
Tho' the weary struggle haunt me,
And my prayer be made in vain:
Tho' at times my spirit fail me,
And the bitter tear-drops fall,
Tho' my lot be hard and lonely,
Yet I hope--I hope thro' all!
When the mournful Jewish mother
Laid her infant down to rest,
In doubt, and fear, and sorrow,
On the water's changeful breast;
She knew not what the future
Should bring the sorely-tried:
That the High Priest of her nation,
Was the babe she sought to hide.
No! in terror wildly flying,
She hurried on her path;
Her swoln heart full to bursting
Of woman's helpless wrath;
Of that wrath so blent with anguish,
When we seek to shield from ill
Those feeble little creatures
Who seem more helpless still!
Ah! no doubt, in such an hour,
Her thoughts were harsh and wild;
The fiercer burned her spirit,
The more she loved her child;
No doubt, a frenzied anger
Was mingled with her fear,
When that prayer arose for justice
Which God hath sworn to hear.
He heard it! From His Heaven,
In its blue and boundless scope,
He saw that task of anguish,
And that fragile ark of hope;
When she turn'd from that lost infant,
Her weeping eyes of love,
And the cold reeds bent beneath it--
His angels watch'd above!
She was spared the bitter sorrow
Of her young child's early death,
Or the doubt where he was carried
To draw his distant breath;
She was call'd his life to nourish
From the well-springs of her heart,
God's mercy re-uniting
Those whom man had forced apart!
Nor was thy woe forgotten,
Whose worn and weary feet
Were driven from thy homestead,
Through the red sand's parching heat;
Poor Hagar! scorn'd and banish'd,
That another's son might be
Sole claimant on that father,
Who felt no more for thee.
Ah! when thy dark eye wander'd,
Forlorn Egyptian slave!
Across that lurid desert,
And saw no fountain wave,--
When thy southern heart, despairing,
In the passion of its grief,
Foresaw no ray of comfort,
No shadow of relief;
But to cast the young child from thee,
That thou might'st not see him die,
How sank thy broken spirit--
But the Lord of Hosts was nigh!
He (He, too oft-forgotten,
In sorrow as in joy)
Had will'd they should not perish--
The outcast and her boy:
The cool breeze swept across them
From the angel's waving wing,--
The fresh tide gush'd in brightness
From the fountain's living spring,--
And they stood--those two--forsaken
By all earthly love or aid,
Upheld by God's firm promise,
Serene and undismay'd!
And thou, Nain's grieving widow!
Whose task of life seem'd done,
When the pale corse lay before thee
Of thy dear and only son;
Though Death, that fearful shadow,
Had veil'd his fair young eyes,
There was mercy for thy weeping,
There was pity for thy sighs!
The gentle voice of Jesus,
(Who the touch of sorrow knew)
The grave's cold claim arrested
E'er it hid him from thy view;
And those loving orbs re-open'd
And knew thy mournful face,--
And the stiff limbs warm'd and bent them
With all life's moving grace,--
And his senses dawn'd and waken'd
From the dark and frozen spell,
Which death had cast around him
Whom thou did'st love so well;
Till, like one return'd from exile
To his former home of rest,
Who speaks not, while his mother
Falls sobbing on his breast;
But with strange bewilder'd glances
Looks round on objects near,
To recognise and welcome
All that memory held dear,--
Thy young son stood before thee
All living and restored,
And they who saw the wonder
Knelt down to praise the Lord!
The twilight hour is over!
In busier homes than mine
I can see the shadows crossing
Athwart the taper's shine;
I hear the roll of chariots
And the tread of homeward feet,
And the lamps' long rows of splendor
Gleam through the misty street.
No more I mark the objects
In my cold and cheerless room;
The fire's unheeded embers
Have sunk--and all is gloom;
But I know where hang your pictures
Against the silent wall,
And my eyes turn sadly towards them,
Tho' I hope--I hope thro' all.
By the summons to that mother,
Whose fondness fate beguiled,
When the tyrant's gentle daughter
Saved her river-floating child;--
By the sudden joy which bounded
In the banish'd Hagar's heart,
When she saw the gushing fountain
From the sandy desert start;--
By the living smile which greeted
The lonely one of Nain,
When her long last watch was over
And her hope seem'd wild and vain;--
By all the tender mercy
God hath shown to human grief,
When fate or man's perverseness
Denied and barr'd relief,--
By the helpless woe which taught me
To look to him alone,
From the vain appeals for justice
And wild efforts of my own,--
By thy light--thou unseen future,
And thy tears--thou bitter past,
I will hope--tho' all forsake me,
In His mercy to the last!
poem by Caroline Elizabeth Sarah Norton

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A Laugh -- And A Moan
The brook that down the valley
So musically drips,
Flowed never half so brightly
As the light laugh from her lips.
Her face was like the lily,
Her heart was like the rose,
Her eyes were like a heaven
Where the sunlight always glows.
She trod the earth so lightly
Her feet touched not a thorn;
Her words wore all the brightness
Of a young life's happy morn.
Along her laughter rippled
The melody of joy;
She drank from every chalice,
And tasted no alloy.
Her life was all a laughter,
Her days were all a smile,
Her heart was pure and happy,
She knew not gloom nor guile.
She rested on the bosom
Of her mother, like a flower
That blooms far in a valley
Where no storm-clouds ever lower.
And -- 'Merry, merry, merry!'
Rang the bells of every hour,
And -- 'Happy, happy, happy!'
In her valley laughed the flower.
There was not a sign of shadow,
There was not a tear nor thorn,
And the sweet voice of her laughter
Filled with melody the morn.
* * * * *
Years passed -- 'twas long, long after,
And I saw a face at prayer;
There was not a sign of laughter,
There was every sign of care.
For the sunshine all had faded
From the valley and the flower,
And the once fair face was shaded
In life's lonely evening hour.
And the lips that smiled with laughter
In the valley of the morn,
In the valley of the evening
They were pale and sorrow-worn.
And I read the old, old lesson
In her face and in her tears,
While she sighed amid the shadows
Of the sunset of her years.
All the rippling streams of laughter
From our hearts and lips that flow,
Shall be frozen, cold years after,
Into icicles of woe.
poem by Abram Joseph Ryan

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