June On The Merrimac
O dwellers in the stately towns,
What come ye out to see?
This common earth, this common sky,
This water flowing free?
As gayly as these kalmia flowers
Your door-yard blossoms spring;
As sweetly as these wild-wood birds
Your caged minstrels sing.
You find but common bloom and green,
The rippling river's rune,
The beauty which is everywhere
Beneath the skies of June;
The Hawkswood oaks, the storm-torn plumes
Of old pine-forest kings,
Beneath whose century-woven shade
Deer Island's mistress sings.
And here are pictured Artichoke,
And Curson's bowery mill;
And Pleasant Valley smiles between
The river and the hill.
You know full well these banks of bloom,
The upland's wavy line,
And how the sunshine tips with fire
The needles of the pine.
Yet, like some old remembered psalm,
Or sweet, familiar face,
Not less because of commonness
You love the day and place.
And not in vain in this soft air
Shall hard-strung nerves relax,
Not all in vain the o'erworn brain
Forego its daily tax.
The lust of power, the greed of gain
Have all the year their own;
The haunting demons well may let
Our one bright day alone.
Unheeded let the newsboy call,
Aside the ledger lay
The world will keep its treadmill step
Though we fall out to-day.
The truants of life's weary school,
Without excuse from thrift
We change for once the gains of toil
For God's unpurchased gift.
From ceiled rooms, from silent books,
From crowded car and town,
Dear Mother Earth, upon thy lap,
We lay our tired heads down.
Cool, summer wind, our heated brows;
Blue river, through the green
Of clustering pines, refresh the eyes
Which all too much have seen.
For us these pleasant woodland ways
Are thronged with memories old,
Have felt the grasp of friendly hands
And heard love's story told.
A sacred presence overbroods
The earth whereon we meet;
These winding forest-paths are trod
By more than mortal feet.
Old friends called from us by the voice
Which they alone could hear,
From mystery to mystery,
From life to life, draw near.
More closely for the sake of them
Each other's hands we press;
Our voices take from them a tone
Of deeper tenderness.
Our joy is theirs, their trust is ours,
Alike below, above,
Or here or there, about us fold
The arms of one great love!
We ask to-day no countersign,
No party names we own;
Unlabelled, individual,
We bring ourselves alone.
What cares the unconventioned wood
For pass-words of the town?
The sound of fashion's shibboleth
The laughing waters drown.
Here cant forgets his dreary tone,
And care his face forlorn;
The liberal air and sunshine laugh
The bigot's zeal to scorn.
From manhood's weary shoulder falls
His load of selfish cares;
And woman takes her rights as flowers
And brooks and birds take theirs.
The license of the happy woods,
The brook's release are ours;
The freedom of the unshamed wind
Among the glad-eyed flowers.
Yet here no evil thought finds place,
Nor foot profane comes in;
Our grove, like that of Samothrace,
Is set apart from sin.
We walk on holy ground; above
A sky more holy smiles;
The chant of the beatitudes
Swells down these leafy aisles.
Thanks to the gracious Providence
That brings us here once more;
For memories of the good behind
And hopes of good before.
And if, unknown to us, sweet days
Of June like this must come,
Unseen of us these laurels clothe
The river-banks with bloom;
And these green paths must soon be trod
By other feet than ours,
Full long may annual pilgrims come
To keep the Feast of Flowers;
The matron be a girl once more,
The bearded man a boy,
And we, in heaven's eternal June,
Be glad for earthly joy!
poem by John Greenleaf Whittier
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My Playmate
The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,-
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,-
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,-
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,-
The moaning of the sea of change
Between myself and thee!
poem by John Greenleaf Whittier
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The Laurels
FROM these wild rocks I look to-day
O'er leagues of dancing waves, and see
The far, low coast-line stretch away
To where our river meets the sea.
The light wind blowing off the land
Is burdened with old voices; through
Shut eyes I see how lip and hand
The greeting of old days renew.
O friends whose hearts still keep their prime,
Whose bright example warms and cheers,
Ye teach us how to smile at Time,
And set to music all his years!
I thank you for sweet summer days,
For pleasant memories lingering long,
For joyful meetings, fond delays,
And ties of friendship woven strong.
As for the last time, side by side,
You tread the paths familiar grown,
I reach across the severing tide,
And blend my farewells with your own.
Make room, O river of our home!
For other feet in place of ours,
And in the summers yet to come,
Make glad another Feast of Flowers!
Hold in thy mirror, calm and deep,
The pleasant pictures thou hast seen;
Forget thy lovers not, but keep
Our memory like thy laurels green.
poem by John Greenleaf Whittier
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Revisited
The roll of drums and the bugle's wailing
Vex the air of our vales-no more;
The spear is beaten to hooks of pruning,
The share is the sword the soldier wore!
Sing soft, sing low, our lowland river,
Under thy banks of laurel bloom;
Softly and sweet, as the hour beseemeth,
Sing us the songs of peace and home.
Let all the tenderer voices of nature
Temper the triumph and chasten mirth,
Full of the infinite love and pity
For fallen martyr and darkened hearth.
But to Him who gives us beauty for ashes,
And the oil of joy for mourning long,
Let thy hills give thanks, and all thy waters
Break into jubilant waves of song!
Bring us the airs of hills and forests,
The sweet aroma of birch and pine,
Give us a waft of the north-wind laden
With sweethrier odors and breath of kine!
Bring us the purple of mountain sunsets,
Shadows of clouds that rake the hills,
The green repose of thy Plymouth meadows,
The gleam and ripple of Campton rills.
Lead us away in shadow and sunshine,
Slaves of fancy, through all thy miles,
The winding ways of Pemigewasset,
And Winnipesaukee's hundred isles.
Shatter in sunshine over thy ledges,
Laugh in thy plunges from fall to fall;
Play with thy fringes of elms, and darken
Under the shade of the mountain wall.
The cradle-song of thy hillside fountains
Here in thy glory and strength repeat;
Give us a taste of thy upland music,
Show us the dance of thy silver feet.
Into thy dutiful life of uses
Pour the music and weave the flowers;
With the song of birds and bloom of meadows
Lighten and gladden thy heart and ours.
Sing on! bring down, O lowland river,
The joy of the hills to the waiting sea;
The wealth of the vales, the pomp of mountains,
The breath of the woodlands, bear with thee.
Here, in the calm of thy seaward, valley,
Mirth and labor shall hold their truce;
Dance of water and mill of grinding,
Both are beauty and both are use.
Type of the Northland's strength and glory,
Pride and hope of our home and race,--
Freedom lending to rugged labor
Tints of beauty and lines of grace.
Once again, O beautiful river,
Hear our greetings and take our thanks;
Hither we come, as Eastern pilgrims
Throng to the Jordan's sacred banks.
For though by the Master's feet untrodden,
Though never His word has stilled thy waves,
Well for us may thy shores be holy,
With Christian altars and saintly graves.
And well may we own thy hint and token
Of fairer valleys and streams than these,
Where the rivers of God are full of water,
And full of sap are His healing trees!
poem by John Greenleaf Whittier
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April
April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;
April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;
April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,
Flora’s feet, the fleet and fair;
April, by thy hand caressed,
From her breast
Nature scatters everywhere
Handfuls of all sweet perfumes,
Buds and blooms,
Making faint the earth and air.
April, joy of the green hours,
Clothes with flowers
Over all her locks of gold
My sweet Lady; and her breast
With the blest
Birds of summer manifold.
April, with thy gracious wiles,
Like the smiles,
Smiles of Venus; and thy breath
Like her breath, the Gods’ delight,
(From their height
They take the happy air beneath)
It is thou that, of thy grace,
From their place
In the far-oft isles dost bring
Swallows over earth and sea,
Glad to be
Messengers of thee, and Spring.
Daffodil and eglantine,
And woodbine,
Lily, violet, and rose
Plentiful in April fair,
To the air,
Their pretty petals do unclose.
Nightingales ye now may hear,
Piercing clear,
Singing in the deepest shade;
Many and many a babbled note
Chime and float,
Woodland music through the glade.
April, all to welcome thee,
Spring sets free
Ancient flames, and with low breath
Wakes the ashes grey and old
That the cold
Chilled within our hearts to death.
Thou beholdest in the warm
Hours, the swarm
Of the thievish bees, that flies
Evermore from bloom to bloom
For perfume,
Hid away in tiny thighs.
Her cool shadows May can boast,
Fruits almost
Ripe, and gifts of fertile dew,
Manna-sweet and honey-sweet,
That complete
Her flower garland fresh and new.
Nay, but I will give my praise,
To these days,
Named with the glad name of Her
That from out the foam o’ the sea
Came to be
Sudden light on earth and air.
poem by Remy Belleau
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Down Stream
BETWEEN Holmscote and Hurstcote
The river-reaches wind,
The whispering trees accept the breeze,
The ripple's cool and kind;
With love low-whispered 'twixt the shores,
With rippling laughters gay,
With white arms bared to ply the oars,
On last year's first of May.
Between Holmscote and Hurstcote
The river's brimmed with rain,
Through close-met banks and parted banks
Now near, now far again:
With parting tears caressed to smiles,
With meeting promised soon,
With every sweet vow that beguiles,
On last year's first of June.
Between Holmscote and Hurstcote
The river's flecked with foam,
'Neath shuddering clouds that hang in shrouds
And lost winds wild for home:
With infant wailings at the breast,
With homeless steps astray,
With wanderings shuddering tow'rds one rest
On this year's first of May.
Between Holmscote and Hurstcote
The summer river flows
With doubled flight of moons by night
And lilies' deep repose:
With lo! beneath the moon's white stare
A white face not the moon,
With lilies meshed in tangled hair,
On this year's first of June.
Between Holmscote and Hurstcote
A troth was given and riven,
From heart's trust grew one life to two,
Two lost lives cry to Heaven:
With banks spread calm to meet the sky,
With meadows newly mowed,
The harvest-paths of glad July,
The sweet school-children's road.
poem by Dante Gabriel Rossetti
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The Singer
Years since (but names to me before),
Two sisters sought at eve my door;
Two song-birds wandering from their nest,
A gray old farm-house in the West.
How fresh of life the younger one,
Half smiles, half tears, like rain in sun!
Her gravest mood could scarce displace
The dimples of her nut-brown face.
Wit sparkled on her lips not less
For quick and tremulous tenderness;
And, following close her merriest glance,
Dreamed through her eyes the heart's romance.
Timid and still, the elder had
Even then a smile too sweetly sad;
The crown of pain that all must wear
Too early pressed her midnight hair.
Yet ere the summer eve grew long,
Her modest lips were sweet with song;
A memory haunted all her words
Of clover-fields and singing birds.
Her dark, dilating eyes expressed
The broad horizons of the west;
Her speech dropped prairie flowers; the gold
Of harvest wheat about her rolled.
Fore-doomed to song she seemed to me
I queried not with destiny
I knew the trial and the need,
Yet, all the more, I said, God speed?
What could I other than I did?
Could I a singing-bird forbid?
Deny the wind-stirred leaf? Rebuke
The music of the forest brook?
She went with morning from my door,
But left me richer than before;
Thenceforth I knew her voice of cheer,
The welcome of her partial ear.
Years passed: through all the land her name
A pleasant household word became
All felt behind the singer stood
A sweet and gracious womanhood.
Her life was earnest work, not play;
Her tired feet climbed a weary way;
And even through her lightest strain
We heard an undertone of pain.
Unseen of her her fair fame grew,
The good she did she rarely knew,
Unguessed of her in life the love
That rained its tears her grave above.
When last I saw her, full of peace,
She waited for her great release;
And that old friend so sage and bland,
Our later Franklin, held her hand.
For all that patriot bosoms stirs
Had moved that woman's heart of hers,
And men who toiled in storm and sun
Found her their meet companion.
Our converse, from her suffering bed
To healthful themes of life she led
The out-door world of bud and bloom
And light and sweetness filled her room.
Yet evermore an underthought
Of loss to come within us wrought,
And all the while we felt the strain
Of the strong will that conquered pain.
God giveth quietness at last!
The common way that all have passed
She went, with mortal yearnings fond,
To fuller life and love beyond.
Fold the rapt soul in your embrace,
My dear ones! Give the singer place
To you, to her,--I know not where,--
I lift the silence of a prayer.
For only thus our own we find;
The gone before, the left behind,
All mortal voices die between;
The unheard reaches the unseen.
Again the blackbirds sing; the streams
Wake, laughing, from their winter dreams,
And tremble in the April showers
The tassels of the maple flowers.
But not for her has spring renewed
The sweet surprises of the wood;
And bird and flower are lost to her
Who was their best interpreter.
What to shut eyes has God revealed?
What hear the ears that death has sealed?
What undreamed beauty passing show
Requites the loss of all we know?
O silent land, to which we move,
Enough if there alone be love,
And mortal need can ne'er outgrow
What it is waiting to bestow!
O white soul! from that far-off shore
Float some sweet song the waters o'er.
Our faith confirm, our fears dispel,
With the old voice we loved so well!
poem by John Greenleaf Whittier
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Orara
THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.
But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.
The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.
The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.
The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.
A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:
The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.
Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!
Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!
But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.
The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.
But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.
And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.
Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—
The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!
Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.
The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.
And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight
poem by Henry Kendall
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A Mystery
The river hemmed with leaning trees
Wound through its meadows green;
A low, blue line of mountains showed
The open pines between.
One sharp, tall peak above them all
Clear into sunlight sprang
I saw the river of my dreams,
The mountains that I sang!
No clue of memory led me on,
But well the ways I knew;
A feeling of familiar things
With every footstep grew.
Not otherwise above its crag
Could lean the blasted pine;
Not otherwise the maple hold
Aloft its red ensign.
So up the long and shorn foot-hills
The mountain road should creep;
So, green and low, the meadow fold
Its red-haired kine asleep.
The river wound as it should wind;
Their place the mountains took;
The white torn fringes of their clouds
Wore no unwonted look.
Yet ne'er before that river's rim
Was pressed by feet of mine,
Never before mine eyes had crossed
That broken mountain line.
A presence, strange at once and known,
Walked with me as my guide;
The skirts of some forgotten life
Trailed noiseless at my side.
Was it a dim-remembered dream?
Or glimpse through ions old?
The secret which the mountains kept
The river never told.
But from the vision ere it passed
A tender hope I drew,
And, pleasant as a dawn of spring,
The thought within me grew,
That love would temper every change,
And soften all surprise,
And, misty with the dreams of earth,
The hills of Heaven arise.
poem by John Greenleaf Whittier
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Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
poem by Algernon Charles Swinburne
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The West Wind
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
poem by William Cullen Bryant
Submitted by Veronica Serbanoiu
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West Wind, The
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread--
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;--
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
poem by William Cullen Bryant
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The Summons
Some day, when the golden glory
Of June is over the earth,
And the birds are singing together
In a wild, mad strain of mirth;
When the skies are as clear and cloudless
As the skies in June can be,
I would like to have the summons
Sent down from God to me.
Some glowing, golden morning
In the heart of the summer time,
As I stand in the perfect vigour
And strength of my youth's glad prime;
When my heart is light and happy,
And the word seems to bright to me,
I would like to dropp from this earth life,
As a green leaf drops from a tree.
I would not wait for the furrows -
For the faded eyes and hair;
But pass out swift and sudden,
Ere I grow heart-sick with care;
I would break some morn in my singing -
Or fall in my springing walk
As a full-blown flower will sometimes
Drop, all a-bloom, from the stalk.
I think the leaf would sooner
Be the first to break away,
Than to hang alone in the orchard
In the bleak November day.
And I think the fate of the flower
That falls in the midst of bloom
Is sweeter than if it lingered
To die in the autumn's gloom.
And so, in my youth's glad morning,
While the summer walks abroad,
I would like to hear the summons,
That must come, sometime, from God.
I would pass from the earth's perfection
To the endless June above:
From the fullness of living and loving,
To the noon of Immortal Love.
poem by Ella Wheeler Wilcox
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Spring in Town
The country ever has a lagging Spring,
Waiting for May to call its violets forth,
And June its roses--showers and sunshine bring,
Slowly, the deepening verdure o'er the earth;
To put their foliage out, the woods are slack,
And one by one the singing-birds come back.
Within the city's bounds the time of flowers
Comes earlier. Let a mild and sunny day,
Such as full often, for a few bright hours,
Breathes through the sky of March the airs of May,
Shine on our roofs and chase the wintry gloom--
And lo! our borders glow with sudden bloom.
For the wide sidewalks of Broadway are then
Gorgeous as are a rivulet's banks in June,
That overhung with blossoms, through its glen,
Slides soft away beneath the sunny noon,
And they who search the untrodden wood for flowers
Meet in its depths no lovelier ones than ours.
For here are eyes that shame the violet,
Or the dark drop that on the pansy lies,
And foreheads, white, as when in clusters set,
The anemonies by forest fountains rise;
And the spring-beauty boasts no tenderer streak
Than the soft red on many a youthful cheek.
And thick about those lovely temples lie
Locks that the lucky Vignardonne has curled,
Thrice happy man! whose trade it is to buy,
And bake, and braid those love-knots of the world;
Who curls of every glossy colour keepest,
And sellest, it is said, the blackest cheapest.
And well thou may'st--for Italy's brown maids
Send the dark locks with which their brows are dressed,
And Gascon lasses, from their jetty braids,
Crop half, to buy a riband for the rest;
But the fresh Norman girls their tresses spare,
And the Dutch damsel keeps her flaxen hair.
Then, henceforth, let no maid nor matron grieve,
To see her locks of an unlovely hue,
Frouzy or thin, for liberal art shall give
Such piles of curls as nature never knew.
Eve, with her veil of tresses, at the sight
Had blushed, outdone, and owned herself a fright.
Soft voices and light laughter wake the street,
Like notes of woodbirds, and where'er the eye
Threads the long way, plumes wave, and twinkling feet
Fall light, as hastes that crowd of beauty by.
The ostrich, hurrying o'er the desert space,
Scarce bore those tossing plumes with fleeter pace.
No swimming Juno gait, of languor born,
Is theirs, but a light step of freest grace,
Light as Camilla's o'er the unbent corn,
A step that speaks the spirit of the place,
Since Quiet, meek old dame, was driven away
To Sing Sing and the shores of Tappan bay.
Ye that dash by in chariots! who will care
For steeds or footmen now? ye cannot show
Fair face, and dazzling dress, and graceful air,
And last edition of the shape! Ah no,
These sights are for the earth and open sky,
And your loud wheels unheeded rattle by.
poem by William Cullen Bryant
Submitted by Veronica Serbanoiu
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Medway Song
(Air: Carnaval de Venise)
LET Housman sing of Severn shore,
Of Thames let Arnold sing,
But we will sing no river more
Save this where crowbars ring.
Let others sing of Henley,
Of fashion and renown,
But we will sing the thirteen locks
That lead to Tonbridge town!
Then sing the Kentish river,
The Kentish fields and flowers,
We waste no dreams on other streams
Who call the Medway ours.
When on the level golden meads
The evening sunshine lies,
The little voles among the reeds
Look out with wondering eyes.
The patient anglers linger
The placid stream beside,
Where still with towering tarry prow
The stately barges glide.
Then sing the Kentish river,
The Kentish fields and flowers,
We waste no dreams on other streams
Who call the Medway ours.
On Medway banks the May droops white,
The wild rose blossoms fair,
O'er meadow-sweet and loosestrife bright,
For water nymphs to wear.
And mid the blowing rushes
Pan pipes a joyous song,
And woodland things peep from the shade
As soft we glide along.
Then sing the Kentish river,
The Kentish fields and flowers,
We waste no dreams on other streams
Who call the Medway ours.
You see no freight on Medway boats
Of fashions fine and rare,
But happy men in shabby coats,
And girls with wind-kissed hair.
The world's a pain forgotten,
And very far away,
The stream that flows, the boat that goes--
These are our world to-day.
Then sing the Kentish river,
The Kentish fields and flowers,
We waste no dreams on other streams
Who call the Medway ours.
poem by Edith Nesbit
Submitted by Poetry Lover
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After Many Years
The song that once I dreamed about,
The tender, touching thing,
As radiant as the rose without,
The love of wind and wing:
The perfect verses, to the tune
Of woodland music set,
As beautiful as afternoon,
Remain unwritten yet.
It is too late to write them now --
The ancient fire is cold;
No ardent lights illume the brow,
As in the days of old.
I cannot dream the dream again;
But, when the happy birds
Are singing in the sunny rain,
I think I hear its words.
I think I hear the echo still
Of long-forgotten tones,
When evening winds are on the hill
And sunset fires the cones;
But only in the hours supreme,
With songs of land and sea,
The lyrics of the leaf and stream,
This echo comes to me.
No longer doth the earth reveal
Her gracious green and gold;
I sit where youth was once, and feel
That I am growing old.
The lustre from the face of things
Is wearing all away;
Like one who halts with tired wings,
I rest and muse to-day.
There is a river in the range
I love to think about;
Perhaps the searching feet of change
Have never found it out.
Ah! oftentimes I used to look
Upon its banks, and long
To steal the beauty of that brook
And put it in a song.
I wonder if the slopes of moss,
In dreams so dear to me --
The falls of flower, and flower-like floss --
Are as they used to be!
I wonder if the waterfalls,
The singers far and fair,
That gleamed between the wet, green walls,
Are still the marvels there!
Ah! let me hope that in that place
Those old familiar things
To which I turn a wistful face
Have never taken wings.
Let me retain the fancy still
That, past the lordly range,
There always shines, in folds of hill,
One spot secure from change!
I trust that yet the tender screen
That shades a certain nook
Remains, with all its gold and green,
The glory of the brook.
It hides a secret to the birds
And waters only known:
The letters of two lovely words --
A poem on a stone.
Perhaps the lady of the past
Upon these lines may light,
The purest verses, and the last,
That I may ever write:
She need not fear a word of blame:
Her tale the flowers keep --
The wind that heard me breathe her name
Has been for years asleep.
But in the night, and when the rain
The troubled torrent fills,
I often think I see again
The river in the hills;
And when the day is very near,
And birds are on the wing,
My spirit fancies it can hear
The song I cannot sing.
poem by Henry Kendall
Submitted by Poetry Lover
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The First Flowers
For ages on our river borders,
These tassels in their tawny bloom,
And willowy studs of downy silver,
Have prophesied of Spring to come.
For ages have the unbound waters
Smiled on them from their pebbly hem,
And the clear carol of the robin
And song of bluebird welcomed them.
But never yet from smiling river,
Or song of early bird, have they
Been greeted with a gladder welcome
Than whispers from my heart to-day.
They break the spell of cold and darkness,
The weary watch of sleepless pain;
And from my heart, as from the river,
The ice of winter melts again.
Thanks, Mary! for this wild-wood token
Of Freya's footsteps drawing near;
Almost, as in the rune of Asgard,
The growing of the grass I hear.
It is as if the pine-trees called me
From ceiled room and silent books,
To see the dance of woodland shadows,
And hear the song of April brooks!
As in the old Teutonic ballad
Of Odenwald live bird and tree,
Together live in bloom and music,
I blend in song thy flowers and thee.
Earth's rocky tablets bear forever
The dint of rain and small bird's track
Who knows but that my idle verses
May leave some trace by Merrimac!
The bird that trod the mellow layers
Of the young earth is sought in vain;
The cloud is gone that wove the sandstone,
From God's design, with threads of rain!
So, when this fluid age we live in
Shall stiffen round my careless rhyme,
Who made the vagrant tracks may puzzle
The savants of the coming time;
And, following out their dim suggestions,
Some idly-curious hand may draw
My doubtful portraiture, as Cuvier
Drew fish and bird from fin and claw.
And maidens in the far-off twilights,
Singing my words to breeze and stream,
Shall wonder if the old-time Mary
Were real, or the rhymer's dream!
poem by John Greenleaf Whittier
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Norembega
THE winding way the serpent takes
The mystic water took,
From where, to count its beaded lakes,
The forest sped its brook.
A narrow space 'twixt shore and shore,
For sun or stars to fall,
While evermore, behind, before,
Closed in the forest wall.
The dim wood hiding underneath
Wan flowers without a name;
Life tangled with decay and death,
League after league the same.
Unbroken over swamp and hill
The rounding shadow lay,
Save where the river cut at will
A pathway to the day.
Beside that track of air and light,
Weak as a child unweaned,
At shut of day a Christian knight
Upon his henchman leaned.
The embers of the sunset's fires
Along the clouds burned down;
'I see,' he said, 'the domes and spires
Of Norembega town.'
'Alack! the domes, O master mine,
Are golden clouds on high;
Yon spire is but the branchless pine
That cuts the evening sky.'
'Oh, hush and hark! What sounds are these
But chants and holy hymns?'
'Thou hear'st the breeze that stirs the trees
Though all their leafy limbs.'
'Is it a chapel bell that fills
The air with its low tone?'
'Thou hear'st the tinkle of the rills,
The insect's vesper drone.'
'The Christ be praised!--He sets for me
A blessed cross in sight!'
'Now, nay, 't is but yon blasted tree
With two gaunt arms outright!'
'Be it wind so sad or tree so stark,
It mattereth not, my knave;
Methinks to funeral hymns I hark,
The cross is for my grave!
'My life is sped; I shall not see
My home-set sails again;
The sweetest eyes of Normandie
Shall watch for me in vain.
'Yet onward still to ear and eye
The baffling marvel calls;
I fain would look before I die
On Norembega's walls.
'So, haply, it shall be thy part
At Christian feet to lay
The mystery of the desert's heart
My dead hand plucked away.
'Leave me an hour of rest; go thou
And look from yonder heights;
Perchance the valley even now
Is starred with city lights.'
The henchman climbed the nearest hill,
He saw nor tower nor town,
But, through the drear woods, lone and still,
The river rolling down.
He heard the stealthy feet of things
Whose shapes he could not see,
A flutter as of evil wings,
The fall of a dead tree.
The pines stood black against the moon,
A sword of fire beyond;
He heard the wolf howl, and the loon
Laugh from his reedy pond.
He turned him back: 'O master dear,
We are but men misled;
And thou hast sought a city here
To find a grave instead.'
'As God shall will! what matters where
A true man's cross may stand,
So Heaven be o'er it here as there
In pleasant Norman land?
'These woods, perchance, no secret hide
Of lordly tower and hall;
Yon river in its wanderings wide
Has washed no city wall;
'Yet mirrored in the sullen stream
The holy stars are given
Is Norembega, then, a dream
Whose waking is in Heaven?
'No builded wonder of these lands
My weary eyes shall see;
A city never made with hands
Alone awaiteth me--
''_Urbs Syon mystica_;' I see
Its mansions passing fair,
'/Condita caelo/;' let me be,
Dear Lord, a dweller there!'
Above the dying exile hung
The vision of the bard,
As faltered on his failing tongue
The song of good Bernard.
The henchman dug at dawn a grave
Beneath the hemlocks brown,
And to the desert's keeping gave
The lord of fief and town.
Years after, when the Sieur Champlain
Sailed up the unknown stream,
And Norembega proved again
A shadow and a dream,
He found the Norman's nameless grave
Within the hemlock's shade,
And, stretching wide its arms to save,
The sign that God had made,
The cross-boughed tree that marked the spot
And made it holy ground
He needs the earthly city not
Who hath the heavenly found.
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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I Feel That I am Free
To me the sky looks bluer,
And the green grass greener still,
And earth's flowers seem more lovely
As they bloom on heath and hill.
There's a beauty breathing round me
Like a newborn Eden now,
And forgotten are the furrows
Grief has graven on my brow.
There is gladness in the sunshine,
As its gold light gilds the trees,
And I hear a voice of music
Singing to me in the breeze.
There is in my heart a lightness
That seemeth not of me,
For today I've burst from bondage,
And I feel that I am free.
Free in the golden sunshine,
Free in the fresh pure air,
Where the flowers of the forest
In their wild homes flourish fair.
Free to thought to give expression,
To sing, to dance, and show
That the stern world has not crushed me
With its weary weight of woe.
Are the years of care and sorrow
But a dark dream of the past,
Or this new life but a vision
That is all too bright to last?
How exaltingly my spirit
Flashes forth its newborn glee,
As amid rejoicing nature
I can feel that I am free.
I have neither friend nor loved one
To welcome me, nor home;
And lonely through the wide world
As a stranger I must roam;
I know not where tomorrow
To procure my daily bread,
And tonight the waving branches
Must canopy my head.
But if I had a palace,
If of friends a gladsome throng,
If some darling one were near me
To cheer with love and song,
If I'd riches which were boundless,
No more joyous could I be
Than what I am, exulting
In the thought that I am free.
Free in the bright glad sunshine,
Free in the fresh pure air,
My heart with gladness throbbing,
And on my brow no care.
There's the blue sky all above me -
Not a prison roof between -
And at my feet the flowers
Nestle in the verdure green.
Hark! I hear the breezes singing -
'Lift thy heart to God on high,
Who hath brought theee back from sorrow
To this world of hope and joy.'
And the little nodding flowers
In a chorus sing to me -
'If God from sin shall free thee,
Then thou shalt indeed be free!'
poem by Owen Suffolk
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The Wood Fairy’s Well
“Thou hast been to the forest, thou sorrowing maiden,
Where Summer reigns Queen in her fairest array,
Where the green earth with sunshine and fragrance is laden,
And birds make sweet music throughout the long day.
Each step thou hast taken has been over flowers,
Of forms full of beauty—of perfumes most rare,
Why comest thou home, then, with footsteps so weary,
No smiles on thy lip, and no buds in thy hair?”
“Ah! my walk through the wild-wood has been full of sadness,
My thoughts were with him who there oft used to rove,
That stranger with bright eyes and smiles full of gladness
Who first taught my young heart the power of love.
He had promised to come to me ere the bright summer
With roses and sunshine had decked hill and lea.
I, simple and trusting, believed in that promise,
But summer has come, and, alas! where is he?”
“Yes, simple and trusting—ah! child, the old story!
Say, when will thy sex learn that man can forget?
Thy lover was highborn, and thou art but lowly,
Ere this he’s forgotten that ever you met;
But, methought, as I watch’d thee to-day slowly treading
With step full of sadness yon green shady dell,
Thou didst pause by the brink of its bright crystal treasure,
Say, what didst thou see in our Wood Fairy’s Well?”
“No sparkles of promise for me gemmed its surface,
I saw that the rose from my cheek had nigh fled,
That the eyes whose light he never weaned of praising,
Are dimmed by the tears that I for him have shed;
And I felt as I gazed that it would be far better,
E’en though I might grieve to my heart’s inmost core,
That he should forget than, returning to seek me,
Should find me thus changed, and then love me no more.”
“What! love thee no more!—say, to love thee forever!
See, true to my vows, I am here by thy side,
Quick to bear thee away to a fair home of splendor,
To reign there its mistress, my own gentle bride!”
Oh! moment of bliss to that girl heart, grief laden,
The lover so mourned for, no ingrate had grown,
Despite absence and change he stood there by the maiden,
With faith still unshaken and true as her own.
poem by Rosanna Eleanor Leprohon
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Our River
FOR A SUMMER FESTIVAL AT 'THE LAURELS' ON THE MERRIMAC.
Once more on yonder laurelled height
The summer flowers have budded;
Once more with summer's golden light
The vales of home are flooded;
And once more, by the grace of Him
Of every good the Giver,
We sing upon its wooded rim
The praises of our river,
Its pines above, its waves below,
The west-wind down it blowing,
As fair as when the young Brissot
Beheld it seaward flowing,--
And bore its memory o'er the deep,
To soothe a martyr's sadness,
And fresco, hi his troubled sleep,
His prison-walls with gladness.
We know the world is rich with streams
Renowned in song and story,
Whose music murmurs through our dreams
Of human love and glory
We know that Arno's banks are fair,
And Rhine has castled shadows,
And, poet-tuned, the Doon and Ayr
Go singing down their meadows.
But while, unpictured and unsung
By painter or by poet,
Our river waits the tuneful tongue
And cunning hand to show it,--
We only know the fond skies lean
Above it, warm with blessing,
And the sweet soul of our Undine
Awakes to our caressing.
No fickle sun-god holds the flocks
That graze its shores in keeping;
No icy kiss of Dian mocks
The youth beside it sleeping
Our Christian river loveth most
The beautiful and human;
The heathen streams of Naiads boast,
But ours of man and woman.
The miner in his cabin hears
The ripple we are hearing;
It whispers soft to homesick ears
Around the settler's clearing
In Sacramento's vales of corn,
Or Santee's bloom of cotton,
Our river by its valley-born
Was never yet forgotten.
The drum rolls loud, the bugle fills
The summer air with clangor;
The war-storm shakes the solid hills
Beneath its tread of anger;
Young eyes that last year smiled in ours
Now point the rifle's barrel,
And hands then stained with fruits and flowers
Bear redder stains of quarrel.
But blue skies smile, and flowers bloom on,
And rivers still keep flowing,
The dear God still his rain and sun
On good and ill bestowing.
His pine-trees whisper, 'Trust and wait!'
His flowers are prophesying
That all we dread of change or fate
His live is underlying.
And thou, O Mountain-born!--no more
We ask the wise Allotter
Than for the firmness of thy shore,
The calmness of thy water,
The cheerful lights that overlay,
Thy rugged slopes with beauty,
To match our spirits to our day
And make a joy of duty.
poem by John Greenleaf Whittier
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