Birchbrook Mill
A NOTELESS stream, the Birchbrook runs
Beneath its leaning trees;
That low, soft ripple is its own,
That dull roar is the sea's.
Of human signs it sees alone
The distant church spire's tip,
And, ghost-like, on a blank of gray,
The white sail of a ship.
No more a toiler at the wheel,
It wanders at its will;
Nor dam nor pond is left to tell
Where once was Birchbrook mill.
The timbers of that mill have fed
Long since a farmer's fires;
His doorsteps are the stones that ground
The harvest of his sires.
Man trespassed here; but Nature lost
No right of her domain;
She waited, and she brought the old
Wild beauty back again.
By day the sunlight through the leaves
Falls on its moist, green sod,
And wakes the violet bloom of spring
And autumn's golden-rod.
Its birches whisper to the wind,
The swallow dips her wings
In the cool spray, and on its banks
The gray song-sparrow sings.
But from it, when the dark night falls,
The school-girl shrinks with dread;
The farmer, home-bound from his fields,
Goes by with quickened tread.
They dare not pause to hear the grind
Of shadowy stone on stone;
The plashing of a water-wheel
Where wheel there now is none.
Has not a cry of pain been heard
Above the clattering mill?
The pawing of an unseen horse,
Who waits his mistress still?
Yet never to the listener's eye
Has sight confirmed the sound;
A wavering birch line marks alone
The vacant pasture ground.
No ghostly arms fling up to heaven
The agony of prayer;
No spectral steed impatient shakes
His white mane on the air.
The meaning of that common dread
No tongue has fitly told;
The secret of the dark surmise
The brook and birches hold.
What nameless horror of the past
Broods here forevermore?
What ghost his unforgiven sin
Is grinding o'er and o'er?
Does, then, immortal memory play
The actor's tragic part,
Rehearsals of a mortal life
And unveiled human heart?
God's pity spare a guilty soul
That drama of its ill,
And let the scenic curtain fall
On Birchbrook's haunted mill
poem by John Greenleaf Whittier
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The Mill
WINDING and grinding
Round goes the mill:
Winding and grinding
Should never stand still.
Ask not if neighbor
Grind great or small:
Spare not your labor,
Grind your wheat all.
Winding and grinding round goes the mill:
Winding and grinding should never stand still.
Winding and grinding
Work through the day,
Grief never minding--
Grind it away!
What though tears dropping
Rust as they fall?
Have no wheel stopping--
Work comforts all.
Winding and grinding round goes the mill:
Winding and grinding should never stand still.
poem by Dinah Maria Mulock Craik
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The Wheel of the Breast
Through rivers of veins on the nameless quest
The tide of my life goes hurriedly sweeping,
Till it reaches that curious wheel o' the breast,
The human heart, which is never at rest.
Faster, faster, it cries, and leaping,
Plunging, dashing, speeding away,
The wheel and the river work night and day.
I know not wherefore, I know not whither,
This strange tide rushes with such mad force:
It glides on hither, it slides on thither,
Over and over the selfsame course,
With never an outlet and never a source;
And it lashes itself to the heat of passion
And whirls the heart in a mill-wheel fashion.
I can hear in the hush of the still, still night,
The ceaseless sound of that mighty river;
I can hear it gushing, gurgling, rushing,
With a wild, delirious, strange delight,
And a conscious pride in its sense of might,
As it hurries and worries my heart forever.
And I wonder oft as I lie awake,
And list to the river that seethes and surges
Over the wheel that it chides and urges—
I wonder oft if that wheel will break
With the mighty pressure it bears, some day,
Or slowly and wearily wear away.
For little by little the heart is wearing,
Like the wheel of the mill, as the tide goes tearing
And plunging hurriedly through my breast,
In a network of veins on a nameless quet,
From and forth, unto unknown oceans,
Bringing its cargoes of fierce emotions,
With never a pause or an hour for rest.
poem by Ella Wheeler Wilcox
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A Song Of The Seasons
Sing a song of Spring-time,
The world is going round,
Blown by the south wind:
Listen to its sound.
'Gurgle' goes the mill-wheel,
'Cluck' clucks the hen;
And it's O for a pretty girl
To kiss in the glen.
Sing a song of Summer,
The world is nearly still,
The mill-pond has gone to sleep,
And so has the mill.
Shall we go a-sailing,
Or shall we take a ride,
Or dream the afternoon away
Here, side by side?
Sing a song of Autumn,
The world is going back;
They glean in the corn-field,
And stamp on the stack.
Our boy, Charlie,
Tall, strong, and light:
He shoots all the day
And dances all the night.
Sing a song of Winter,
The world stops dead;
Under snowy coverlid
Flowers lie abed.
There's hunting for the young ones
And wine for the old,
And a sexton in the churchyard
Digging in the cold.
poem by William Cosmo Monkhouse
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Keepsake Mill
Over the borders, a sin without pardon,
Breaking the branches and crawling below,
Out through the breach in the wall of the garden,
Down by the banks of the river we go.
Here is a mill with the humming of thunder,
Here is the weir with the wonder of foam,
Here is the sluice with the race running under--
Marvellous places, though handy to home!
Sounds of the village grow stiller and stiller,
Stiller the note of the birds on the hill;
Dusty and dim are the eyes of the miller,
Deaf are his ears with the moil of the mill.
Years may go by, and the wheel in the river
Wheel as it wheels for us, children, to-day,
Wheel and keep roaring and foaming for ever
Long after all of the boys are away.
Home for the Indies and home from the ocean,
Heroes and soldiers we all will come home;
Still we shall find the old mill wheel in motion,
Turning and churning that river to foam.
You with the bean that I gave when we quarrelled,
I with your marble of Saturday last,
Honoured and old and all gaily apparelled,
Here we shall meet and remember the past.
poem by Robert Louis Stevenson
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The King's Daughter
WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.
The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.
We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.
By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.
“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.
He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.
He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.
He’s set his heart to the goodliest,
Snow that snows in the mill-water;
Nine little kisses for all the rest,
An hundredfold for the king’s daughter.
He’s ta’en his leave at the goodliest,
Broken boats in the mill-water;
Golden gifts for all the rest,
Sorrow of heart for the king’s daughter.
“Ye’ll make a grave for my fair body,”
Running rain in the mill-water;
“And ye’ll streek my brother at the side of me,”
The pains of hell for the king’s daughter.
poem by Algernon Charles Swinburne
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Bouche-Mignonne
BOUCHE-MIGNONNE lived in the mill,
Past the vineyards shady,
Where the sun shone on a rill
Jewelled like a lady.
Proud the stream with lily-bud,
Gay with glancing swallow;
Swift its trillion-footed flood
Winding ways to follow;
Coy and still when flying wheel
Rested from its labour;
Singing when it ground the meal,
Gay as lute or tabor.
'Bouche-Mignonne,' it called, when red
In the dawn were glowing
Eaves and mill-wheel, 'leave thy bed;
Hark to me a-flowing!'
Bouche-Mignonne awoke, and quick
Glossy tresses braided.
Curious sunbeams clustered thick;
Vines her casement shaded
Deep with leaves and blossoms white
Of the morning-glory,
Shaking all their banners bright
From the mill-eaves hoary.
Swallows turned their glossy throats,
Timorous, uncertain,
When, to hear their matin notes,
Peeped she thro' her curtain.
Shook the mill-stream sweet and clear
With its silvery laughter;
Shook the mill, from flooring sere
Up to oaken rafter.
'Bouche-Mignonne!' it cried, 'come down;
Other flowers are stirring:
Pierre, with fingers strong and brown,
Sets the wheel a-birring.'
Bouche-Mignonne her distaff plies
Where the willows shiver;
Round the mossy mill-wheel flies;
Dragon-flies, a-quiver,
Flash athwart the lily-beds,
Pierce the dry reeds' thicket;
Where the yellow sunlight treads,
Chants the friendly cricket.
Butterflies about her skim-
Pouf! their simple fancies
In the willow shadows dim
Take her eyes for pansies.
Buzzing comes a velvet bee;
Sagely it supposes
Those red lips beneath the tree
Are two crimson roses.
Laughs the mill-stream wise and bright-
It is not so simple;
Knew it, since she first saw light,
Every blush and dimple.
'Bouche-Mignonne!' it laughing cries,
'Pierre as bee is silly;
Thinks two morning stars thine eyes,
And thy neck a lily.'
Bouche-Mignonne, when shadows crept
From the vine-dark hollows,
When the mossy mill-wheel slept,
Curved the airy swallows,
When the lilies closed white lids
Over golden fancies,
Homeward drove her goats and kids.
Bright the gay moon dances
With her light and silver feet,
On the mill-stream flowing;
Come a thousand perfumes sweet,
Dewy buds are blowing;
Comes an owl and greyly flits,
Jewel-eyed and hooting,
Past the green tree where she sits;
Nightingales are fluting;
Soft the wind as rustling silk
On a courtly lady;
Tinkles down the flowing milk;
Huge and still and shady
Stands the mill-wheel, resting still
From its loving labour.
Dances on the tireless rill,
Gay as lute or tabor;
'Bouche-Mignonne!' it laughing cries,
'Do not blush and tremble;
If the night has ears and eyes,
I'll for thee dissemble;
'Loud and clear and sweet I'll sing
On my far way straying;
I will hide the whispered thing
Pierre to thee is saying.
'Bouche-Mignonne, good night, good night!
Every silver hour
I will toss my lilies white
'Gainst thy maiden bower.'
poem by Isabella Valancy Crawford
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A Portrait
LIKE the sway of the silver birch in the breeze of dawn
Is her dainty way;
Like the gray of a twilight sky or a starlit lawn
Are her eyes of gray;
Like the clouds in their moving white
Is her breast's soft stir;
And white as the moon and bright
Is the soul of her.
Like murmur of woods in spring ere the leaves be green,
Like the voice of a bird
That sings by a stream that sings through the night unseen,
So her voice is heard.
And the secret her eyes withhold
In my soul abides,
For white as the moon and cold
Is the heart she hides.
poem by Edith Nesbit
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The Forsaken Merman
Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!
This way, this way!
Call her once before you go--
Call once yet!
In a voice that she will know:
"Margaret! Margaret!"
Children's voices should be dear
(Call once more) to a mother's ear;
Children's voices, wild with pain--
Surely she will come again!
Call her once and come away;
This way, this way!
"Mother dear, we cannot stay!
The wild white horses foam and fret."
Margaret! Margaret!
Come, dear children, come away down;
Call no more!
One last look at the white-wall'd town,
And the little gray church on the windy shore;
Then come down!
She will not come though you call all day;
Come away, come away!
Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world forever and aye?
When did music come this way?
Children dear, was it yesterday?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
She sigh'd, she look'd up through the clear green sea;
She said: "I must go, for my kinsfolk pray
In the little gray church on the shore to-day.
'Twill be Easter-time in the world--ah me!
And I lose my poor soul, Merman! here with thee."
I said: "Go up, dear heart, through the waves;
Say thy prayer, and come back to the kind sea-caves!"
She smil'd, she went up through the surf in the bay.
Children dear, was it yesterday?
Children dear, were we long alone?
"The sea grows stormy, the little ones moan;
Long prayers," I said, "in the world they say;
Come!" I said; and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town;
Through the narrow pav'd streets, where all was still,
To the little gray church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb'd on the graves, on the stones worn with rains,
And we gaz'd up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
"Margaret, hist! come quick, we are here!
Dear heart," I said, "we are long alone;
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were seal'd to the holy book!
Loud prays the priest: shut stands the door.
Come away, children, call no more!
Come away, come down, call no more!
Down, down, down!
Down to the depths of the sea!
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: "O joy, O joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well;
For the wheel where I spun,
And the blessèd light of the sun!"
And so she sings her fill,
Singing most joyfully,
Till the spindle drops from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand,
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh;
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.
Come away, away, children;
Come, children, come down!
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing: "Here came a mortal,
But faithless was she!
And alone dwell forever
The kings of the sea."
But, children, at midnight,
When soft the winds blow,
When clear falls the moonlight,
When spring-tides are low;
When sweet airs come seaward
From heaths starr'd with broom,
And high rocks throw mildly
On the blanch'd sands a gloom;
Up the still, glistening beaches,
Up the creeks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side--
And then come back down.
Singing: "There dwells a lov'd one,
But cruel is she!
She left lonely forever
The kings of the sea."
poem by Matthew Arnold (1849)
Submitted by Veronica Serbanoiu
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Autumn Falling Leaves
When all have been and gone away,
Like leaves from green to amber orange,
Falling down and to decay,
Is the time for all in nature to fall,
And the leaves on the trees show it all,
Autumn and its falls of fall,
Where all the branches have dropped their leaves,
All have gone except the evergreens,
Showing signs to us that live among,
Four seasons weather,
Where Autumn is,
Just like in life,
When full circle of life is known,
A start in spring where buds appear,
Then in summer full bloom trees will be,
Hence, fall shows all,
When nature falls,
Begining another season,
Winter and chill tempetures,
Where nature decays,
And leaves do fall,
To generate again,
Renewing its life,
Come spring again,
Untill then,
Autumn sheads its leaves of blossom and blooms,
And soon again autumn begins,
From new to old,
And then old to new,
Buds in spring and leaves of green,
Showing birth from what did decayed,
And brought forth from,
What was bear on the trees,
From where beneath was where once,
Those Autumn falling leaves.
poem by Ellen Ni Bheachain
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Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
Heigho! the lark and the owl!
One flies the morning, and one lulls the night:
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.
'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.
'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'
poem by Percy Bysshe Shelley
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Oliver Basselin. (Birds Of Passage. Flight The First)
In the Valley of the Vire
Still is seen an ancient mill,
With its gables quaint and queer,
And beneath the window-sill,
On the stone,
These words alone:
'Oliver Basselin lived here.'
Far above it, on the steep,
Ruined stands the old Chateau;
Nothing but the donjon-keep
Left for shelter or for show.
Its vacant eyes
Stare at the skies,
Stare at the valley green and deep.
Once a convent, old and brown,
Looked, but ah! it looks no more,
From the neighboring hillside down
On the rushing and the roar
Of the stream
Whose sunny gleam
Cheers the little Norman town.
In that darksome mill of stone,
To the water's dash and din,
Careless, humble, and unknown,
Sang the poet Basselin
Songs that fill
That ancient mill
With a splendor of its own.
Never feeling of unrest
Broke the pleasant dream he dreamed;
Only made to be his nest,
All the lovely valley seemed;
No desire
Of soaring higher
Stirred or fluttered in his breast.
True, his songs were not divine;
Were not songs of that high art,
Which, as winds do in the pine,
Find an answer in each heart;
But the mirth
Of this green earth
Laughed and revelled in his line.
From the alehouse and the inn,
Opening on the narrow street,
Came the loud, convivial din,
Singing and applause of feet,
The laughing lays
That in those days
Sang the poet Basselin.
In the castle, cased in steel,
Knights, who fought at Agincourt,
Watched and waited, spur on heel;
But the poet sang for sport
Songs that rang
Another clang,
Songs that lowlier hearts could feel.
In the convent, clad in gray,
Sat the monks in lonely cells,
Paced the cloisters, knelt to pray,
And the poet heard their bells;
But his rhymes
Found other chimes,
Nearer to the earth than they.
Gone are all the barons bold,
Gone are all the knights and squires,
Gone the abbot stern and cold,
And the brotherhood of friars;
Not a name
Remains to fame,
From those mouldering days of old!
But the poet's memory here
Of the landscape makes a part;
Like the river, swift and clear,
Flows his song through many a heart;
Haunting still
That ancient mill,
In the Valley of the Vire.
poem by Henry Wadsworth Longfellow
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Where do I go from here?
The sun was hidden on the autumn seasons
And the wind whistled in their sadness song
The leaves start to fall scattered on the ground
They are like the memories that blew inside my mind
I bended my knees and pick them one by one
Hoping I could picture them in my palm
A long and wading road that I had to walk on
Following the footsteps that I could not be seen
It was vanished by the golden leaf of autumn
Here I am alone sat on a bench of memory lane
I kept wondering why, thinking I was lost and gone
Hoping for tomorrow, I will face the rising sun
Where do I go from here?
I don’t had the eyes to see the shades of green
Everything is like a shadow of gray
I was alone in this journey
I could not be able to see the beauty of spring
Looking for someone to hold my hands
Sometimes I forgot, how life is beautiful
To face the morning comes to inhale them,
I forgot to feel the magic of the sunrise
The wind that touches me every time I shiver
The rain that washes my pain and sorrow
and enjoys every dropp that falls inside my being
Where do I go from here?
I see the lights shining from a distant
I heard voices whisper in my ear
Perhaps, they are the angels that lead me
in this journey within the distant
and search the world, where I belong.
poem by Cheryl Aldea
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The Norsemen ( From Narrative and Legendary Poems )
.
GIFT from the cold and silent Past!
A relic to the present cast,
Left on the ever-changing strand
Of shifting and unstable sand,
Which wastes beneath the steady chime
And beating of the waves of Time!
Who from its bed of primal rock
First wrenched thy dark, unshapely block?
Whose hand, of curious skill untaught,
Thy rude and savage outline wrought?
The waters of my native stream
Are glancing in the sun's warm beam;
From sail-urged keel and flashing oar
The circles widen to its shore;
And cultured field and peopled town
Slope to its willowed margin down.
Yet, while this morning breeze is bringing
The home-life sound of school-bells ringing,
And rolling wheel, and rapid jar
Of the fire-winged and steedless car,
And voices from the wayside near
Come quick and blended on my ear,--
A spell is in this old gray stone,
My thoughts are with the Past alone!
A change! -- The steepled town no more
Stretches along the sail-thronged shore;
Like palace-domes in sunset's cloud,
Fade sun-gilt spire and mansion proud:
Spectrally rising where they stood,
I see the old, primeval wood;
Dark, shadow-like, on either hand
I see its solemn waste expand;
It climbs the green and cultured hill,
It arches o'er the valley's rill,
And leans from cliff and crag to throw
Its wild arms o'er the stream below.
Unchanged, alone, the same bright river
Flows on, as it will flow forever!
I listen, and I hear the low
Soft ripple where its water go;
I hear behind the panther's cry,
The wild-bird's scream goes thrilling by,
And shyly on the river's brink
The deer is stooping down to drink.
But hard! -- from wood and rock flung back,
What sound come up the Merrimac?
What sea-worn barks are those which throw
The light spray from each rushing prow?
Have they not in the North Sea's blast
Bowed to the waves the straining mast?
Their frozen sails the low, pale sun
Of Thulë's night has shone upon;
Flapped by the sea-wind's gusty sweep
Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters
Have watched them fading o'er the waters,
Lessening through driving mist and spray,
Like white-winged sea-birds on their way!
Onward they glide, -- and now I view
Their iron-armed and stalwart crew;
Joy glistens in each wild blue eye,
Turned to green earth and summer sky.
Each broad, seamed breast has cast aside
Its cumbering vest of shaggy hide;
Bared to the sun and soft warm air,
Streams back the Northmen's yellow hair.
I see the gleam of axe and spear,
A sound of smitten shields I hear,
Keeping a harsh and fitting time
To Saga's chant, and Runic rhyme;
Such lays as Zetland's Scald has sung,
His gray and naked isles among;
Or mutter low at midnight hour
Round Odin's mossy stone of power.
The wolf beneath the Arctic moon
Has answered to that startling rune;
The Gael has heard its stormy swell,
The light Frank knows its summons well;
Iona's sable-stoled Culdee
Has heard it sounding o'er the sea,
And swept, with hoary beard and hair,
His altar's foot in trembling prayer!
'T is past, -- the 'wildering vision dies
In darkness on my dreaming eyes!
The forest vanishes in air,
Hill-slope and vale lie starkly bare;
I hear the common tread of men,
And hum of work-day life again;
The mystic relic seems alone
A broken mass of common stone;
And if it be the chiselled limb
Of Berserker or idol grim,
A fragment of Valhalla's Thor,
The stormy Viking's god of War,
Or Praga of the Runic lay,
Or love-awakening Siona,
I know not, -- for no graven line,
Nor Druid mark, nor Runic sign,
Is left me here, by which to trace
Its name, or origin, or place.
Yet, for this vision of the Past,
This glance upon its darkness cast,
My spirit bows in gratitude
Before the Giver of all good,
Who fashioned so the human mind,
That, from the waste of Time behind,
A simple stone, or mound of earth,
Can summon the departed forth;
Quicken the Past to life again,
The Present lose in what hath been,
And in their primal freshness show
The buried forms of long ago.
As if a portion of that Thought
By which the Eternal will is wrought,
Whose impulse fills anew with breath
The frozen solitude of Death,
To mortal mind were sometimes lent,
To mortal musing sometimes sent,
To whisper -- even when it seems
But Memory's fantasy of dreams --
Through the mind's waste of woe and sin,
Of an immortal origin!
.
poem by John Greenleaf Whittier
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It's Autumn Again
It’s autumn again
Leaves whisper the sound of our past
In loss they pay a descent
To the ground we fall
It’s autumn again
Our song is sung by the wind
Echoes of loss and grief
Through chilled air we wade
It’s autumn again
The waters grow as cold as our hearts
We are alike – crusted in ice
In ourselves we freeze
It’s autumn again
Flowers vanish from our sadness
Our beauty grows weak
Covered in frost we wither
It’s autumn again
The rain falls like our tears
Can’t dry our eyes
From the sky we descend
It’s autumn again
The sun shines then fails like us
Our sight becomes a wintry gray
Lost in darkness we will fade
It’s autumn again
poem by Andrea Rieck
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The Broken Ring
To the willows of the brookside
The mill wheel sings to-day--
Sings and weeps,
As the brooklet creeps
Wondering on its way;
And here is the ring _she_ gave me
With love's sweet promise then--
It hath burst apart
Like the trusting heart
That may never be soothed again!
Oh, I would be a minstrel
To wander far and wide,
Weaving in song the merciless wrong
Done by a perjured bride!
Or I would be a soldier,
To seek in the bloody fray
What gifts of fate can compensate
For the pangs I suffer to-day!
Yet may this aching bosom,
By bitter sorrow crushed,
Be still and cold
In the churchyard mould
Ere _thy_ sweet voice be hushed;
So sing, sing on forever,
O wheel of the brookside mill,
For you mind me again
Of the old time when
I felt love's gracious thrill.
poem by Eugene Field
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Lady Maggie
You must not call me Maggie, you must not call me Dear,
For I'm Lady of the Manor now stately to see;
And if there comes a babe, as there may some happy year,
'Twill be little lord or lady at my knee.
Oh, but what ails you, my sailor cousin Phil,
That you shake and turn white like a cockcrow ghost?
You're as white as I turned once down by the mill,
When one told me you and ship and crew were lost:
Philip my playfellow, when we were boy and girl
(It was the Miller's Nancy told it to me),
Philip with the merry life in lip and curl,
Philip my playfellow drowned in the sea!
I thought I should have fainted, but I did not faint;
I stood stunned at the moment, scarcely sad,
Till I raised my wail of desolate complaint
For you, my cousin, brother, all I had.
They said I looked so pale—some say so fair—
My lord stopped in passing to soothe me back to life:
I know I missed a ringlet from my hair
Next morning; and now I am his wife.
Look at my gown, Philip, and look at my ring,
I'm all crimson and gold from top to toe:
All day long I sit in the sun and sing,
Where in the sun red roses blush and blow.
And I'm the rose of roses says my lord;
And to him I'm more than the sun in the sky,
While I hold him fast with the golden cord
Of a curl, with the eyelash of an eye.
His mother said 'fie,' and his sisters cried 'shame,'
His highborn ladies cried 'shame' from their place:
They said 'fie' when they only heard my name,
But fell silent when they saw my face.
Am I so fair, Philip? Philip, did you think
I was so fair when we played boy and girl,
Where blue forget-me-nots bloomed on the brink
Of our stream which the mill-wheel sent a whirl?
If I was fair then sure I'm fairer now,
Sitting where a score of servants stand,
With a coronet on high days for my brow
And almost a sceptre for my hand.
You're but a sailor, Philip, weatherbeaten brown,
A stranger on land and at home on the sea,
Coasting as best you may from town to town:
Coasting along do you often think of me?
I'm a great lady in a sheltered bower,
With hands grown white through having nought to do:
Yet sometimes I think of you hour after hour
Till I nigh wish myself a child with you.
poem by Christina Georgina Rossetti
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The House Of Dust: Part 04: 04: Counterpoint: Two Rooms
He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,
His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.
His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.
She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.
Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.
What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.
What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .
He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight.
. . . The soft grey clouds go slowly across the sky.
poem by Conrad Potter Aiken
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Cobbler Keezar's Vision
The beaver cut his timber
With patient teeth that day,
The minks were fish-wards, and the crows
Surveyors of highway,-
When Keezar sat on the hillside
Upon his cobbler's form,
With a pan of coals on either hand
To keep his waxed-ends warm.
And there, in the golden weather,
He stitched and hammered and sung;
In the brook he moistened his leather,
In the pewter mug his tongue.
Well knew the tough old Teuton
Who brewed the stoutest ale,
And he paid the goodwife's reckoning
In the coin of song and tale.
The songs they still are singing
Who dress the hills of vine,
The tales that haunt the Brocken
And whisper down the Rhine.
Woodsy and wild and lonesome,
The swift stream wound away,
Through birches and scarlet maples
Flashing in foam and spray,-
Down on the sharp-horned ledges
Plunging in steep cascade,
Tossing its white-maned waters
Against the hemlock's shade.
Woodsy and wild and lonesome,
East and west and north and south;
Only the village of fishers
Down at the river's mouth;
Only here and there a clearing,
With its farm-house rude and new,
And tree-stumps, swart as Indians,
Where the scanty harvest grew.
No shout of home-bound reapers,
No vintage-song he heard,
And on the green no dancing feet
The merry violin stirred.
'Why should folk be glum,' said Keezar,
'When Nature herself is glad,
And the painted woods are laughing
At the faces so sour and sad?'
Small heed had the careless cobbler
What sorrow of heart was theirs
Who travailed in pain with the births of God,
And planted a state with prayers,-
Hunting of witches and warlocks,
Smiting the heathen horde,-
One hand on the mason's trowel,
And one on the soldier's sword.
But give him his ale and cider,
Give him his pipe and song,
Little he cared for Church or State,
Or the balance of right and wrong.
'T is work, work, work,' he muttered,-
'And for rest a snuffle of psalms!'
He smote on his leathern apron
With his brown and waxen palms.
'Oh for the purple harvests
Of the days when I was young
For the merry grape-stained maidens,
And the pleasant songs they sung!
'Oh for the breath of vineyards,
Of apples and nuts and wine
For an oar to row and a breeze to blow
Down the grand old river Rhine!'
A tear in his blue eye glistened,
And dropped on his beard so gray.
'Old, old am I,' said Keezar,
'And the Rhine flows far away!'
But a cunning man was the cobbler;
He could call the birds from the trees,
Charm the black snake out of the ledges,
And bring back the swarming bees.
All the virtues of herbs and metals,
All the lore of the woods, he knew,
And the arts of the Old World mingle
With the marvels of the New.
Well he knew the tricks of magic,
And the lapstone on his knee
Had the gift of the Mormon's goggles
Or the stone of Doctor Dee.
For the mighty master Agrippa
Wrought it with spell and rhyme
From a fragment of mystic moonstone
In the tower of Nettesheim.
To a cobbler Minnesinger
The marvellous stone gave he,-
And he gave it, in turn, to Keezar,
Who brought it over the sea.
He held up that mystic lapstone,
He held it up like a lens,
And he counted the long years coming
Ey twenties and by tens.
'One hundred years,' quoth Keezar,
'And fifty have I told
Now open the new before me,
And shut me out the old!'
Like a cloud of mist, the blackness
Rolled from the magic stone,
And a marvellous picture mingled
The unknown and the known.
Still ran the stream to the river,
And river and ocean joined;
And there were the bluffs and the blue sea-line,
And cold north hills behind.
But-the mighty forest was broken
By many a steepled town,
By many a white-walled farm-house,
And many a garner brown.
Turning a score of mill-wheels,
The stream no more ran free;
White sails on the winding river,
White sails on the far-off sea.
Below in the noisy village
The flags were floating gay,
And shone on a thousand faces
The light of a holiday.
Swiftly the rival ploughmen
Turned the brown earth from their shares;
Here were the farmer's treasures,
There were the craftsman's wares.
Golden the goodwife's butter,
Ruby her currant-wine;
Grand were the strutting turkeys,
Fat were the beeves and swine.
Yellow and red were the apples,
And the ripe pears russet-brown,
And the peaches had stolen blushes
From the girls who shook them down.
And with blooms of hill and wildwood,
That shame the toil of art,
Mingled the gorgeous blossoms
Of the garden's tropic heart.
'What is it I see?' said Keezar
'Am I here, or ant I there?
Is it a fete at Bingen?
Do I look on Frankfort fair?
'But where are the clowns and puppets,
And imps with horns and tail?
And where are the Rhenish flagons?
And where is the foaming ale?
'Strange things, I know, will happen,-
Strange things the Lord permits;
But that droughty folk should be jolly
Puzzles my poor old wits.
'Here are smiling manly faces,
And the maiden's step is gay;
Nor sad by thinking, nor mad by drinking,
Nor mopes, nor fools, are they.
'Here's pleasure without regretting,
And good without abuse,
The holiday and the bridal
Of beauty and of use.
'Here's a priest and there is a Quaker,
Do the cat and dog agree?
Have they burned the stocks for ovenwood?
Have they cut down the gallows-tree?
'Would the old folk know their children?
Would they own the graceless town,
With never a ranter to worry
And never a witch to drown?'
Loud laughed the cobbler Keezar,
Laughed like a school-boy gay;
Tossing his arms above him,
The lapstone rolled away.
It rolled down the rugged hillside,
It spun like a wheel bewitched,
It plunged through the leaning willows,
And into the river pitched.
There, in the deep, dark water,
The magic stone lies still,
Under the leaning willows
In the shadow of the hill.
But oft the idle fisher
Sits on the shadowy bank,
And his dreams make marvellous pictures
Where the wizard's lapstone sank.
And still, in the summer twilights,
When the river seems to run
Out from the inner glory,
Warm with the melted sun,
The weary mill-girl lingers
Beside the charmed stream,
And the sky and the golden water
Shape and color her dream.
Air wave the sunset gardens,
The rosy signals fly;
Her homestead beckons from the cloud,
And love goes sailing by.
poem by John Greenleaf Whittier
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The Homestead
AGAINST the wooded hills it stands,
Ghost of a dead home, staring through
Its broken lights on wasted lands
Where old-time harvests grew.
Unploughed, unsown, by scythe unshorn,
The poor, forsaken farm-fields lie,
Once rich and rife with golden corn
And pale green breadths of rye.
Of healthful herb and flower bereft,
The garden plot no housewife keeps;
Through weeds and tangle only left,
The snake, its tenant, creeps.
A lilac spray, still blossom-clad,
Sways slow before the empty rooms;
Beside the roofless porch a sad
Pathetic red rose blooms.
His track, in mould and dust of drouth,
On floor and hearth the squirrel leaves,
And in the fireless chimney's mouth
His web the spider weaves.
The leaning barn, about to fall,
Resounds no more on husking eves;
No cattle low in yard or stall,
No thresher beats his sheaves.
So sad, so drear! It seems almost
Some haunting Presence makes its sign;
That down yon shadowy lane some ghost
Might drive his spectral kine!
O home so desolate and lorn!
Did all thy memories die with thee?
Were any wed, were any born,
Beneath this low roof-tree?
Whose axe the wall of forest broke,
And let the waiting sunshine through?
What goodwife sent the earliest smoke
Up the great chimney flue?
Did rustic lovers hither come?
Did maidens, swaying back and forth
In rhythmic grace, at wheel and loom,
Make light their toil with mirth?
Did child feet patter on the stair?
Did boyhood frolic in the snow?
Did gray age, in her elbow chair,
Knit, rocking to and fro?
The murmuring brook, the sighing breeze,
The pine's slow whisper, cannot tell;
Low mounds beneath the hemlock-trees
Keep the home secrets well.
Cease, mother-land, to fondly boast
Of sons far off who strive and thrive,
Forgetful that each swarming host
Must leave an emptier hive.
O wanderers from ancestral soil,
Leave noisome mill and chaffering store:
Gird up your loins for sturdier toil,
And build the home once more!
Come back to bayberry-scented slopes,
And fragrant fern, and ground-nut vine;
Breathe airs blown over holt and copse
Sweet with black birch and pine.
What matter if the gains are small
That life's essential wants supply?
Your homestead's title gives you all
That idle wealth can buy.
All that the many-dollared crave,
The brick-walled slaves of 'Change and mart,
Lawns, trees, fresh air, and flowers, you have,
More dear for lack of art.
Your own sole masters, freedom-willed,
With none to bid you go or stay,
Till the old fields your fathers tilled,
As manly men as they!
With skill that spares your toiling hands,
And chemic aid that science brings,
Reclaim the waste and outworn lands,
And reign thereon as kings
poem by John Greenleaf Whittier
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An Autumn Landscape
No wind there is that either pipes or moans;
The fields are cold and still; the sky
Is covered with a blue-gray sheet
Of motionless cloud; and at my feet
The river, curling softly by,
Whispers and dimples round its quiet gray stones.
Along the chill green slope that dips and heaves
The road runs rough and silent, lined
With plum-trees, misty and blue-gray,
And poplars pallid as the day,
In masses spectral, undefined,
Pale greenish stems half hid in dry gray leaves.
And on beside the river's sober edge
A long fresh field lies black. Beyond,
Low thickets gray and reddish stand,
Stroked white with birch; and near at hand,
Over a little steel-smooth pond,
Hang multitudes of thin and withering sedge.
Across a waste and solitary rise
A ploughman urges his dull team,
A stooped gray figure with prone brow
That plunges bending to the plough
With strong, uneven steps. The stream
Rings and re-echoes with his furious cries.
Sometimes the lowing of a cow, long-drawn,
Comes from far off; and crows in strings
Pass on the upper silences.
A flock of small gray goldfinches,
Flown down with silvery twitterings,
Rustle among the birch-cones and are gone.
This day the season seems like one that heeds,
With fixed ear and lifted hand,
All moods that yet are known on earth,
All motions that have faintest birth,
If haply she may understand
The utmost inward sense of all her deeds.
poem by Archibald Lampman
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