Related quotes: The road of destiny is...

A Fairytale of Paisley

The road of destiny is long
And on that road a noisy throng
Determined me to make a move
To up my sticks and choose a groove
That wasn't quite a frying pan
Or too festooned with flames to fan
And so to Paisley toon I sped
Shy of romance, short of bread
And soon ensconced myself within
A one bed flat with bed and bin
From where I found my way about
Amongst the talent, dodging lout
Until I chose a comfy seat
In the Centre, in the heat
Armed with pad and idle pen
Watching eyes, and wondering when
I'd spot the girl with matchless class
When all at once that certain lass,
Almost knocked me off my chair
And left me twitching then and there
Had I no been so witless then
I would have said "Hello there hen"
And you'd have said "Get off my back,
Ya pompous grey haired rhymin' hack.
But witless was I then and when
We met at Etams on the bend
I watched you as you dannered on
An' sans a backward glance were gone.
I'm sorry I was lacking sense
‘Twas due to lack of confidence
I didnae quite appreciate
That you'd be looking just so great
But moments pass and chances fade
Hearts may break and hopes cascade
Into Paisley's swollen river
Should this parting be forever

Or so it seemed at least a while
‘til memories evoked a smile,
but, never let it be denied
I dithered when I should have tried
An' melodrama's no my art
I might have overplayed my part
For time soon fixed this blind fool's ass
As surely as all things must pass
So let us tae our tale return
Forget the heart dumped in the burn:

The gleaming square in Paisley toon
Has famous folk as weel as loon
To spread the word both far and wide
And justify her native pride.
Yon Sannie Wilson on the block
Dished oot monie a hefty knock
Wi a his weel turned rhymin' words
Until he took to breeding birds
In far flung Philadelphia
And the brothers Coates would help ye's a'
The chiselled words declare
When time's were hard and folks were pair
To such a bounteous extent
That toon folk built a monument
To show their heartfelt gratitude
That wi his cash he'd been sae good
And speaking o' the best o' men
wi rhyme sae blessed and razor pen
The multi-sided Rabbie Burns
In Fountain Gardens stands and spurns
The tacky turns that waste his name
As if his flaws should earn him fame
‘Twere better he had stilled his hand
Than fuel the fools who should be tanned
For dragging Scotland through the mire
For spitting on her finest fire
But nobler hearts remember still
True freedom's notes, our burning will
Tae hear that wistful tune ring out
In streets and halls tae banish doubt
To wake that clique in Holyrood
That breed who think that doing good
Means filching from the likes of us
And freedom means abuse of trust

Aye.. matters serious press in:
Your Hospital was for the bin
Had pressure no been brought to bear
Upon the suits who dinnae care
Their latest trick is cutting beds
Perhaps you should be banging heads
And yon new brig we cannae cross
Is surely working at a loss
Built by Lewis Carroll's Hatter
For ease o' stepping in the watter
They'll need tae start the thing fae scratch
Or fake a massive patterned patch
And just across the street a sign
That legal change can be benign
Nineteen smokers in a huddle
And butts enough to boil a puddle
That Mecca crowd have sorely whinged
Since their carpet's no been singed
I hear they're bussing up fae Ayr
To breath clean air that's going spare
And further doon, outside Phat Sam's
A wonbag there wi massive hams
Was sucking fag-ends off the street
To keep the smokers' footwear neat
By bla'n' them up amongst the stars
And storing nicotine on Mars,
As, from the east the nicht rolls roon
And folds across al Paisley toon
Her freight o' gifts for dawn tae bring
Oor wee bit joy, a sang tae sing...

... for onward flows the River Cart
And forward flees time's silent dart

The loves and hopes o' men abide
As constant as the throbbing tide
Oor tenure here is fleeting tho'
Brief as the swirlin' flake o' snow
An' dreams, oh dreams, they carry us
Beyond the stars, then bury us
The future's sweet talk turns tae snash
A moment precious, then we're ash

We walk a tightrope through this life
Between the primrose and the knife
Between the eagle and the louse
Between the vixen and the yowes
We're in the wind, we're in the wave
Bright as sunlight, dark as the cave
An' from the dust and from the sky
We carve our truth, we shape the lie
An' weave ourselves some kind o' sense
Beyond the gates of innocence

And noo, I'm neither bold nor blind
I'm stuck here on the path that's lined
We dared the music way back when
And I jigged all the wrong steps then
I left you standing on the shore
But now it's clear, the ceilidh's o'er
Yet there's a certain sweetness in
The thought that we might meet again
Tae sit an smile at might have beens
When we were special in oor teens
Or maybe yince I'll catch your eye
An' yin o' us will chance a "hi".

10 05 07 Paisley

poem by Jim Hogg
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Related quotes

song - The Primrose and the Knife

Whilst onward flows the River Cart
And forward flees time’s silent dart
The loves and hopes o’ men abide
As constant as the throbbing tide
Oor tenure here is fleeting tho’
Brief as the swirlin’ flake o’ snow
An’ dreams, oh dreams, they carry us
Beyond the stars, then bury us

The future’s sweet talk turns tae snash
A moment precious, then we’re ash
We walk a tightrope through this life
Between the primrose and the knife
Between the eagle and the louse
Between the vixen and the yowes
We’re in the wind, we’re in the wave
Bright as sunlight, dark as the cave

I’ve worn the holy cross of love
I’ve drawn the killing arrow back
I’ve seen the eagle flee the dove
And paradise rise out of ash

An’ from the dust and from the sky
We carve our truth, we shape the lie
An’ weave ourselves some kind o’ sense
Beyond the gates of innocence
And noo I’m neither bold nor blind
I’m stuck here on the path that’s lined
We dared the music way back when
And I jigged all the wrong steps then

I left you standing on the shore
But now it’s clear, the ceilidh’s o’er
Yet there’s a certain sweetness in
The thought that we might meet again
Tae sit an laugh at might have beens
When we were special in oor teens
Or maybe yince I’ll catch your eye
An’ yin o' us will chance a “hi”.

I’ve worn the holy cross of love
I’ve drawn the killing arrow back
I’ve seen the eagle flee the dove
And paradise rise out of ash

(From a Fairytale of Paisley)

poem by Jim Hogg
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All I Did Was Admire Her Aloud

"Quiet, please, " I tell her,
"I want to hear the music."
She is sitting next to me again,
this time on a paisley couch,
a woman in a lime bikini I met
only this morning sprawled
on the Morse Avenue Beach.
All I did was admire her aloud,
not recognize her age, and an hour later
she brought me home with her.
Now she is curling into me again
and moaning at a remarkable pitch.
Finally she spits into my neck
what it's all about
this time and every time
"Honey…I am…coming."

poem by Donal Mahoney
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Paisley Park (remix)

1 2, 1 2 3
Woo!
There is a park that is known 4 the face it attracts
Colorful people whose hair on one side is swept back
The smile on their faces, it speaks of profound inner peace
Ask where they're going, they'll tell U "Nowhere"
They've taken a lifetime lease on Paisley Park
CHORUS:
The girl on the seesaw is laughing
4 love is the color this place imparts (Paisley Park)
Admission is easy, just say U believe
Then come 2 this place in your heart
Paisley Park is in your heart
There is a woman who sits all alone by the pier
Her husband was naughty and caused his wife so many tears
He died without knowing forgiveness and now she is sad, so sad
Maybe she'll come 2 the park and forgive him
And life won't be so bad in Paisley Park
CHORUS
See the man cry as the city condemns where he lives
Memories die but taxes he'll still have 2 give
(Who?) Whoever said that elephants were stronger than mules?
Come 2 the Park and play with us
There aren't any rules in Paisley Park
CHORUS {x2}
(Paisley Park is in, yeah, your heart)
Your heart (Your heart)
Paisley Park
Your heart {x3}
(Say it is in your heart)
Paisley Park {x3

song performed by by Prince
Submitted by Lucian Velea
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George and the Dragon

I'll tell you the tale of an old country pub
As fancied itself up to date,
It had the word " Garage" wrote on t' stable door
And a petrol pump outside the gate.

The " George and the Dragon" were t' name of the pub,
And it stood in a spot wild and bleak,
Where nowt ever seemed to be passing that way
Except Carrier's cart once a week.

The Carrier's cart were a sturdy old Ford
And its driver were known as " Old Joe
He had passed pub each week but he'd never been in,
It's name even he didn't know.

One cold winter night, about quarter to one,
He were driving home over the moor,
And had just reached the pub, when his engine stopped dead
A thing it had ne'er done before.

He lifted the bonnet and fiddled around
And gave her a bit of a crank;
When he looked at his petrol he found what were wrong,
There wasn't a drop in the tank.

He had eight miles to go and 'twere starting to rain,
And he thought he were there for the night,
Till he saw the word " Garage" wrote on t' stable door;
Then he said, " Lizzie, Lass... we're all right."

He went up to t' pub and he hammered at door
Till a voice up above said " Hello!"
It were t' Publican's Wife-she said,
"Now what's to do?", "I've run out of petrol," said Joe.

She said " Who are you? " He said " Carrier Joe."
" Oh, so that's who it is," she replied
You've been passing this door now for close on ten years
And never once set foot inside."

"A nice time of night to come knocking folks up,
She continued. "Away with your truck,
" You'd best get your petrol where you buy your beer...
" You only come here when you re stuck."

Said Joe, "Aye, I'll go if you'll sell me some fuel,
"I can't start my engine without.
"I'm willing to pay." but she told him to go
Where he'd get his fuel for nowt.

"Coom, coom, Lass!" said Joe, conci-latory like,
"Let bygones be bygones, and when
I come round next time I'll look in."
She said, "Oh, Well, your petrol can wait until then."

With these few remarks th' old girl took in her head
And slammed winder to in his face;
He took a look round and for t' very first time
He noticed the name of the place.

He picked up some pebbles he found in the road
And tossed them against winder pane,
And before very long lattice opened above
And out came the old girl again.

What d'ye want? " she enquired. And " Not you," Joe replied,
For this treatment had fair raised his gorge
"I see George and t' Dragon's the name on the house,
"And I'd just like a word now with George."

poem by Marriott Edgar
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My Friend, The Parking Lot Attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"

"I left her at home...."

"Bullshit! I'll bet she dumped
you!"

and the next time
he really leaned into the car:

"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"

"how'd you guess?" I
answered.

that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.

poem by Charles Bukowski
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Clouds and Waves

Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.

poem by Rabindranath Tagore
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A Casualty

That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.

For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,

And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."

"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."

"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"

Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."

poem by Robert William Service
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The Premier and the Socialist

The Premier and the Socialist
Were walking through the State:
They wept to see the Savings Bank
Such funds accumulate.
"If these were only cleared away,"
They said, "it would be great."
"If three financial amateurs
Controlled them for a year,
Do you suppose," the Premier said,
"That they would get them clear?"
"I think so," said the Socialist;
"They would -- or very near!"

"If we should try to raise some cash
On assets of our own,
Do you suppose," the Premier said,
"That we could float a loan?"
"I doubt it," said the Socialist,
And groaned a doleful groan.

"Oh, Savings, come and walk with us!"
The Premier did entreat;
"A little walk, a little talk,
Away from Barrack Street;
My Socialistic friend will guide
Your inexperienced feet."

"We do not think," the Savings said,
"A socialistic crank,
Although he chance just now to hold
A legislative rank,
Can teach experienced Banking men
The way to run a Bank."

The Premier and the Socialist
They passed an Act or so
To take the little Savings out
And let them have a blow.
"We'll teach the Banks," the Premier said,
"The way to run the show.

"There's Tom Waddell -- in Bank finance
Can show them what is what.
I used to prove not long ago
His Estimates were rot.
But that -- like many other things --
I've recently forgot.

"Advances on a dried-out farm
Are what we chiefly need,
And loaned to friends of Ms.L.A.
Are very good, indeed,
See how the back-block Cockatoos
Are rolling up to feed."

"But not on us," the Savings cried,
Falling a little flat,
"We didn't think a man like you
Would do a thing like that;
For most of us are very small,
And none of us are fat."

"This haughty tone," the Premier said,
"Is not the proper line;
Before I'd be dictated to
My billet I'd resign!"
"How brightly," said the Socialist,
"Those little sovereigns shine."

The Premier and the Socialist
They had their bit of fun;
They tried to call the Savings back
But answer came there none,
Because the back-block Cockatoos
Had eaten every one.

poem by Andrew Barton Paterson
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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

poem by Spike Milligan
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New Year's Eve

The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.

The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite
Had sat with me, the moonlight lay like snow.
But she, my comrade and my friend of youth,
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence,
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came!

There in the dear old dusky room she stood
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand;
"But I must hear what secret talk you planned
"With father. Come, my friend, be good,
"And tell me your affairs of state:
"Why you have stayed away and made me wait
"So long. Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?"

Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side;
And then the talk flowed on with brimming tide
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done,
What work was planned, and what begun;
My troubles, failures, fears she understood,
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends.
(Ah, what self-beggared fool was he
That said a woman cannot be
The very best of friends?)
Then there were memories of old times,
Recalled with many a gentle jest;
And at the last she brought the book of rhymes
We made together, trying to translate
The Songs of Heine (hers were always best).
"Now come," she said,
"To-night we will collaborate
"Again; I'll put you to the test.
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, --
"I give this song to you."
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh.

* * * * * * * * * *

But all the while a silent question stirred
Within me, though I dared not speak the word:
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear,
"Cold though so kind, and will she gently fade
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"

But while my heart was troubled by this fear
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt.
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold,
"That by this token I may understand
"You are the same true friend you were of old?"
She answered with a smile so bright and calm
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!"
Then I awoke; but strangely comforted,
Although I knew again that she was dead.

III

Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep,
Present reward of all my heart's desire,
Watching with me beside the winter fire,
Interpret now this vision that I had.
But while you read the meaning, let me keep
The touch of you: for the Old Year with storm
Is passing through the midnight, and doth shake
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!

poem by Henry Van Dyke
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To a Young Poet who Killed Himself

1 When you had played with life a space
2 And made it drink and lust and sing,
3 You flung it back into God's face
4 And thought you did a noble thing.
5 "Lo, I have lived and loved," you said,
6 "And sung to fools too dull to hear me.
7 Now for a cool and grassy bed
8 With violets in blossom near me."

9 Well, rest is good for weary feet,
10 Although they ran for no great prize;
11 And violets are very sweet,
12 Although their roots are in your eyes.
13 But hark to what the earthworms say
14 Who share with you your muddy haven:
15 "The fight was on -- you ran away.
16 You are a coward and a craven."

17 "The rug is ruined where you bled;
18 It was a dirty way to die!
19 To put a bullet through your head
20 And make a silly woman cry!
21 You could not vex the merry stars
22 Nor make them heed you, dead or living.
23 Not all your puny anger mars
24 God's irresistible forgiving.

25 "Yes, God forgives and men forget,
26 And you're forgiven and forgotten.
27 You may be gaily sinning yet
28 And quick and fresh instead of rotten.
29 And when you think of love and fame
30 And all that might have come to pass,
31 Then don't you feel a little shame?
32 And don't you think you were an ass?"

poem by Joyce Kilmer
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Has Anyone Got The Time

Dreams live far in the future,
Memories dwell back in the past,
The only time that is real,
Is now, and it surely won't last,
This is the moment to live,
The only time that is true,
All other times are irrelevant,
Now is the time to be you.
The time to enjoy, is here now,
Because "now", will not happen again,
This time is unique and un-charted,
So make happy the memories that remain.
You may plan for the future you wish,
You may save, and prepare, even steer,
But the future is coming; you can't change it,
Re-arrange it, or stop it, or veer.
On arrival, it's "now"; you must live it,
For in a fleeting moment, it's gone,
Then all that is left is the memory,
The future is coming……………….it's gone!

From my recently published book; 'By The Way...' By Derek A. Sim

poem by Derek. A. Sim
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The Death of the Hired Man

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. "Silas is back."
She pushed him outward with her through the door
And shut it after her. "Be kind," she said.
She took the market things from Warren's arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

"When was I ever anything but kind to him?
But I'll not have the fellow back," he said.
"I told him so last haying, didn't I?
'If he left then,' I said, 'that ended it.'
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won't have to beg and be beholden.'
'All right,' I say, 'I can't afford to pay
Any fixed wages, though I wish I could.'
'Someone else can.' 'Then someone else will have to.'
I shouldn't mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there's someone at him
Trying to coax him off with pocket-money,--
In haying time, when any help is scarce.
In winter he comes back to us. I'm done."

"Sh! not so loud: he'll hear you," Mary said.

"I want him to: he'll have to soon or late."

"He's worn out. He's asleep beside the stove.
When I came up from Rowe's I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too--
You needn't smile--I didn't recognise him--
I wasn't looking for him--and he's changed.
Wait till you see."

"Where did you say he'd been?"

"He didn't say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off."

"What did he say? Did he say anything?"

"But little."

"Anything? Mary, confess
He said he'd come to ditch the meadow for me."

"Warren!"

" ;But did he? I just want to know."

"Of course he did. What would you have him say?
Surely you wouldn't grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times--he made me feel so queer--
To see if he was talking in his sleep.
He ran on Harold Wilson--you remember--
The boy you had in haying four years since.
He's finished school, and teaching in his college.
Silas declares you'll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education--you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on."

"Yes, I took care to keep well out of earshot."

"Well, those days trouble Silas like a dream.
You wouldn't think they would. How some things linger!
Harold's young college boy's assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold's associated in his mind with Latin.
He asked me what I thought of Harold's saying
He studied Latin like the violin
Because he liked it--that an argument!
He said he couldn't make the boy believe
He could find water with a hazel prong--
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay----"

"I know, that's Silas' one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds' nests.
You never see him standing on the hay
He's trying to lift, straining to lift himself."

"He thinks if he could teach him that, he'd be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different."

Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
"Warren," she said, "he has come home to die:
You needn't be afraid he'll leave you this time."

"Home," he mocked gently.

"Yes, what else but home?
It all depends on what you mean by home.
Of course he's nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail."

"Home is the place where, when you have to go there,
They have to take you in."

"I should have called it
Something you somehow haven't to deserve."

Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
"Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn't he go there? His brother's rich,
A somebody--director in the bank."

"He never told us that."

"We know it though."

"I think his brother ought to help, of course.
I'll see to that if there is need. He ought of right
To take him in, and might be willing to--
He may be better than appearances.
But have some pity on Silas. Do you think
If he'd had any pride in claiming kin
Or anything he looked for from his brother,
He'd keep so still about him all this time?"

"I wonder what's between them."

"I can tell you.
Silas is what he is--we wouldn't mind him--
But just the kind that kinsfolk can't abide.
He never did a thing so very bad.
He don't know why he isn't quite as good
As anyone. He won't be made ashamed
To please his brother, worthless though he is."

"I can't think Si ever hurt anyone."

"No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn't let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You'll be surprised at him--how much he's broken.
His working days are done; I'm sure of it."

"I'd not be in a hurry to say that."

"I haven't been. Go, look, see for yourself.
But, Warren, please remember how it is:
He's come to help you ditch the meadow.
He has a plan. You mustn't laugh at him.
He may not speak of it, and then he may.
I'll sit and see if that small sailing cloud
Will hit or miss the moon."

It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.

Warren returned--too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.

"Warren," she questioned.

"Dead," was all he answered.

poem by Robert Frost
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The Silent Melody

"BRING me my broken harp," he said;
"We both are wrecks,-- but as ye will,--
Though all its ringing tones have fled,
Their echoes linger round it still;
It had some golden strings, I know,
But that was long-- how long!-- ago.

"I cannot see its tarnished gold,
I cannot hear its vanished tone,
Scarce can my trembling fingers hold
The pillared frame so long their own;
We both are wrecks,-- awhile ago
It had some silver strings, I know,

"But on them Time too long has played
The solemn strain that knows no change,
And where of old my fingers strayed
The chords they find are new and strange,--
Yes! iron strings,-- I know,-- I know,--
We both are wrecks of long ago.

"We both are wrecks,-- a shattered pair,
Strange to ourselves in time's disguise
What say ye to the lovesick air
That brought the tears from Marian's eyes?
Ay! trust me,-- under breasts of snow
Hearts could be melted long ago!

"Or will ye hear the storm-song's crash
That from his dreams the soldier woke,
And bade him face the lightning flash
When battle's cloud in thunder broke?
Wrecks,-- nought but wrecks!-- the time was when
We two were worth a thousand men!"

And so the broken harp they bring
With pitying smiles that none could blame;
Alas there's not a single string
Of all that filled the tarnished frame!
But see! like children overjoyed,
His fingers rambling through the void!

"I clasp thee! Ay . . . mine ancient lyre. . .
Nay, guide my wandering fingers. . . There!
They love to dally with the wire
As Isaac played with Esan's hair. . . .
Hush! ye shall hear the famous tune
That Marina called the Breath of June!"

And so they softly gather round:
Rapt in his tuneful trance he seems:
His fingers move: but not a sound!
A silence like the song of dreams. . . .
"There! ye have heard the air," he cries,
"That brought the tears from Marina's eyes!"

Ah, smile not at his fond conceit,
Nor deem his fancy wrought in vain;
To him the unreal sounds are sweet,--
No discord mars the silent strain
Scored on life's latest, starlit page--
The voiceless melody of age.

Sweet are the lips of all that sing,
When Nature's music breathes unsought,
But never yet could voice or string
So truly shape our tenderest thought
As when by life's decaying fire
Our fingers sweep the stringless lyre!

poem by Oliver Wendell Holmes
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Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"

"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

poem by Lewis Carroll
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Hide and Seek

All the trees are sleeping, all the winds are still,
All the flocks of fleecy clouds have wandered past the hill;
Through the noonday silence, down the woods of June,
Hark, a little hunter's voice comes running with a tune.
"Hide and seek!
"When I speak,
"You must answer me:
"Call again,
"Merry men,
"Coo-ee, coo-ee, coo-ee!"

Now I hear his footsteps, rustling through the grass:
Hidden in my leafy nook, shall I let him pass?
Just a low, soft whistle,--quick the hunter turns,
Leaps upon me laughing, rolls me in the ferns.
"Hold him fast,
"Caught at last!
"Now you're it, you see.
"Hide your eye,
"Till I cry,
"Coo-ee, coo-ee, coo-ee!"

Long ago he left me, long and long ago:
Now I wander through the world and seek him high and low;
Hidden safe and happy, in some pleasant place,--
Ah, if I could hear his voice, I soon should find his face.
Far away,
Many a day,
Where can Barney be?
Answer, dear,
Don't you hear?
Coo-ee, coo-ee, coo-ee!

Birds that in the spring-time thrilled his heart with joy,
Flowers he loved to pick for me, mind me of my boy.
Surely he is waiting till my steps come nigh;
Love may hide itself awhile, but love can never die.
Heart, be glad,
The little lad
Will call some day to thee:
"Father dear,
"Heaven is here,
"Coo-ee, coo-ee, coo-ee!"

poem by Henry Van Dyke
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I have lived with Shades

I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;

And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.

III

"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."

"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."

"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"

poem by Thomas Hardy
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Seth Compton

When I died, the circulating library
Which I built up for Spoon River,
And managed for the good of inquiring minds,
Was sold at auction on the public square,
As if to destroy the last vestige
Of my memory and influence.
For those of you who could not see the virtue
Of knowing Volney's "Ruins" as well as Butler's "Analogy"
And "Faust" as well as "Evangeline,"
Were really the power in the village,
And often you asked me,
"What is the use of knowing the evil in the world?"
I am out of your way now, Spoon River,
Choose your own good and call it good.
For I could never make you see
That no one knows what is good
Who knows not what is evil;
And no one knows what is true
Who knows not what is false.

poem by Edgar Lee Masters
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Thank You Lord

"Thank You Lord"

A year has passed with a blink of an eye

I thank you Lord, for I'm still alive.

Pardon me if ever I did wrong

Keep me safe and keep me strong.

I pray for good health and courage to face

That life may bring just incase…..

So show me the light…the road to success

Build up my confidence…that I forget.

Keep my loved ones safe and sound

I know in prayers it can be found.

A special prayer for a special "U"

I love you God so help me through

I close my eyes and bow before you

Make my wishes and dreams come true.

For it's "U" I turn to in times of pain

And I know my prayers will be heard again…

poem by Meena Mustafa
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The Town Down by the River

Said the Watcher by the Way
To the young and the unladen,
To the boy and to the maiden,
"God be with you both to-day.
First your song came ringing,
Now you come, you two--
Knowing naught of what you do,
Or of what your dreams are bringing.

"O you children who go singing
To the Town down the River,
Where the millions cringe and shiver,
Tell me what you know to-day;
Tell me how far you are going,
Tell me how you find your way.
O you children who are dreaming,
Tell me what you dream to-day."

"He is old and we have heard him,"
Said the boy then to the maiden;
"He is old and heavy laden
With a load we throw away.
Care may come to find us,
Age may lay us low;
Still, we seek the light we know,
And the dead we leave behind us.

"Did he think that he would blind us
Into such a small believing
As to live without achieving,
When the lights have led so far?
Let him watch or let him wither,--
Shall he tell us where we are?
We know best, who go together,
Downward, onward, and so far."

Said the Watcher by the Way
To the fiery folk that hastened
To the loud and the unchastened,
"You are strong, I see, to-day.
Strength and hope may lead you
To the journey's end,--
Each to be the other's friend
If the Town should fail to need you.

"And are ravens there to feed you
In the Town down the River,
Where the gift appalls the giver
And youth hardens day by day?
O you brave and you unshaken,
Are you truly on your way?
And are sirens in the River,
That you come so far to-day?"

"You are old and we have listened,"
Said the voice of one who halted;
"You are sage and self-exalted,
But your way is not our way.
You that cannot aid us
Give us words to eat.
Be assured that they are sweet,
And that we are as God made us.

"Not in vain have you delayed us,
Though the river still be calling
Through the twilight that is falling
And the Town be still so far.
By the whirlwind of your wisdom
Leagues are lifted as leaves are;
But a king without a kingdom
Fails us, who have come so far."

III

Said the Watcher by the Way
To the slower folk who stumbled,
To the weak and the world-humbled,
"Tell me how you fare to-day.
Some with ardor shaken,
All with honor scarred,
Do you falter, finding hard
The far chance that you have taken?

"Or, do you at length awaken
To an antic retribution,
Goading to a new confusion
The drugged hopes of yesterday?
O you poor mad men that hobble,
Will you not return or stay?
Do you trust, you broken people,
To a dawn without the day?"

"You speak well of what you know not,"
Muttered one; and then a second:
"You have begged, and you have beckoned,
But you see us on our way.
Who are you to scold us,
Knowing what we know?
Jeremiah, long ago,
Said as much as you have told us.

"As we are, then, you behold us:
Derelicts of all conditions,
Poets, rogues, and sick physicians,
Plodding forward from afar;
Forward now into the darkness
Where the men before us are;
Forward, onward, out of grayness,
To the light that shone so far."

Said the Watcher by the Way
To some aged ones who lingered,
To the shrunken, the claw-fingered,
"So you come for me to-day."--
"Yes, to give you warning;
You are old," one said;
"You have hairs on your head,
Fit for laurel, not for scorning.

"From the first of early morning
We have toiled along to find you;
We, as others, have maligned you,
But we need your scorn to-day.
By the light that we saw shining,
Let us not be lured alway;
Let us hear no River calling
When to-morrow is to-day."

"But your lanterns are unlighted
And the Town is far before you:
Let us hasten, I implore you,"
Said the Watcher by the Way.
"Long have I waited,
Longer have I known
That the Town would have its own,
And the call be for the fated.

"In the name of all created.
Let us hear no more my brothers;
Are we older than all others?
Are the planets in our way?"--
"Hark," said one; I hear the River,
Calling always, night and day."--
"Forward, then! The lights are shining,"
Said the Watcher by the Way.

poem by Edwin Arlington Robinson
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