In a 'Bus
(A SPRING CONTRAST.)
A quarter of a century agone,
Just such a face as this upon me shone,
And in a 'bus too;
And then, as now, it was the warm springtide;
And then, as now, there was no soul inside
Excepting us two.
There are the same blue eyes, the delicate nose.
Same rosebud mouth, and cheeks of blushful rose,
Same chin bewitching;
Same throat of sheeny white and perfect mould,
Same light-brown hair, with scattered threads of gold
The brown enriching.
Ah! how this present beauty's counterpart
Woke instant tumult in my fluttering heart—
Pain, pleasure, blended!
Yet this one is as beautiful as that . .
Dear me! why don't my heart go pit-a-pat
Now, as it then did?
One glance of those bright eyes, and all was o'er:
I wished to die; at least I cared no more
For life without her:—
These, glancing on me now, are quite as fair;
Yet, strange to say, I do not seem to care
One bit about her.
I wished I were a glove upon that hand—
The eardrop in her ear, the zone that spanned
Her waist so trimly;
And now, in view of equal charms, the bliss
Of such astounding metamorphosis
I see but dimly.
Well I recall the mad desire to hear
Her name who turned the common atmosphere
To heavenly ether:—
Why is it that I do not now, as then,
Care twopence if the name be M. or N.,
Or both, or neither?
Well I remember how I longed to pay
Her fare, or in some other lordly way
Impress her duly:—
Why is it, then, though not less generous grown,
I'm better pleased this nymph should pay her own
Than mulct “yours truly”?
And how quick-soaring hope as quickly fell
When I descried a military swell
Her brooch portrayed in;
Why is it, then, 'twould leave me undistressed
If a whole regiment adorned the breast
Of this fair maiden?
And how my anguish, when she drew her glove,
And showed the plain gold sign of wedded love,
Refused assuagement:—
Why is it that I do not care a jot
If this one wears such fateful ring, or not—
Plain, or engagement?
Is it because my taste hath changed its style,
And now prefers, in place of Venus' smile,
The frown of Pallas?
Ah no: Minerva, too, has lost her sway;
I met her antitype this very day,
And felt quite callous.
Is it the climate? Ah, if vernal airs
Incline the heart to amorous affairs,
This Austral season
Should stir in every vein, when beauty's by,
The throb of lusty youth! Oh no; the cli-
mate's not the reason.
Is it the place! Still, no; this threepenny 'bus
Is much the same as rolled the twain of us
Through Piccadilly;
And fitter place, when all is said and done,
There could not be for “bussing.” (Pass the pun;
I know it's silly.)
Is it that I have learned their sweetest smiles
And airs and graces are but “wanton wiles,”
And mere pretences?
Or is it that the naked eye of youth
Sees all through glamour, while I see the truth
Through convex lenses?
But wherefore beat about the bush, old man?
You know that you can give, if any can,
Reasons in plenty.
Must I, then, own it?.. 'Tis—because—because—
I am not quite—not quite—the man I was
At five-and-twenty!
An empty socket shows where passion burned;
My sense of beauty now, alas, has turned
Pure intellectual,
And to arouse a tumult in the brain,
Or thrill the system with delicious pain,
Quite ineffectual.
So, I may gaze on her, and gaze my fill. . . .
D'ye know, I think I'm somewhat human still;
I like her, rather;
But oh, how things are changed from what they were!
For all she is so fair, I feel to her
Just like a father.
She dowers me with a smile from lip and eye,
And while I wonder what she meaneth by
The sweet bestowment,
“Please pass my fare,” comes from her beauteous lips,
And, as I take the coin, our finger tips
Meet for a moment.
A thrill! A thrill! I do declare, a thrill!
Upon my honour, I believe I'm still
Intensely human!
I pause and ponder what I mean to do.
Methinks I'd better scuttle home unto
My own old woman.
poem by James Brunton Stephens

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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit

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Our Indian Summer
You 'll believe me, dear boys, 't is a pleasure to rise,
With a welcome like this in your darling old eyes;
To meet the same smiles and to hear the same tone
Which have greeted me oft in the years that have flown.
Were I gray as the grayest old rat in the wall,
My locks would turn brown at the sight of you all;
If my heart were as dry as the shell on the sand,
It would fill like the goblet I hold in my hand.
There are noontides of autumn when summer returns.
Though the leaves are all garnered and sealed in their urns,
And the bird on his perch, that was silent so long,
Believes the sweet sunshine and breaks into song.
We have caged the young birds of our beautiful June;
Their plumes are still bright and their voices in tune;
One moment of sunshine from faces like these
And they sing as they sung in the green-growing trees.
The voices of morning! how sweet is their thrill
When the shadows have turned, and the evening grows still!
The text of our lives may get wiser with age,
But the print was so fair on its twentieth page!
Look off from your goblet and up from your plate,
Come, take the last journal, and glance at its date:
Then think what we fellows should say and should do,
If the 6 were a 9 and the 5 were a 2.
Ah, no! for the shapes that would meet with as here,
From the far land of shadows, are ever too dear!
Though youth flung around us its pride and its charms,
We should see but the comrades we clasped in our arms.
A health to our future--a sigh for our past,
We love, we remember, we hope to the last;
And for all the base lies that the almanacs hold,
While we've youth in our hearts we can never grow old!
poem by Oliver Wendell Holmes

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Her Beautiful Hands
Your hands--they are strangely fair!
O Fair--for the jewels that sparkle there,--
Fair--for the witchery of the spell
That ivory keys alone can tell;
But when their delicate touches rest
Here in my own do I love them best,
As I clasp with eager, acquisitive spans
My glorious treasure of beautiful hands!
Marvelous--wonderful--beautiful hands!
They can coax roses to bloom in the strands
Of your brown tresses; and ribbons will twine,
Under mysterious touches of thine,
Into such knots as entangle the soul
And fetter the heart under such a control
As only the strength of my love understands--
My passionate love for your beautiful hands.
As I remember the first fair touch
Of those beautiful hands that I love so much,
I seem to thrill as I then was thrilled,
Kissing the glove that I found unfilled--
When I met your gaze, and the queenly bow,
As you said to me, laughingly, 'Keep it now!' . . .
And dazed and alone in a dream I stand,
Kissing this ghost of your beautiful hand.
When first I loved, in the long ago,
And held your hand as I told you so--
Pressed and caressed it and gave it a kiss
And said 'I could die for a hand like this!'
Little I dreamed love's fullness yet
Had to ripen when eyes were wet
And prayers were vain in their wild demands
For one warm touch of your beautiful hands.
. . . . . . . . .
Beautiful Hands!--O Beautiful Hands!
Could you reach out of the alien lands
Where you are lingering, and give me, to-night,
Only a touch--were it ever so light--
My heart were soothed, and my weary brain
Would lull itself into rest again;
For there is no solace the world commands
Like the caress of your beautiful hands.
poem by James Whitcomb Riley

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The White Witch
O, brothers mine, take care! Take care!
The great white witch rides out to-night,
Trust not your prowess nor your strength;
Your only safety lies in flight;
For in her glance there is a snare,
And in her smile there is a blight.
The great white witch you have not seen?
Then, younger brothers mine, forsooth,
Like nursery children you have looked
For ancient hag and snaggled tooth;
But no, not so; the witch appears
In all the glowing charms of youth.
Her lips are like carnations red,
Her face like new-born lilies fair,
Her eyes like ocean waters blue,
She moves with subtle grace and air,
And all about her head there floats
The golden glory of her hair.
But though she always thus appears
In form of youth and mood of mirth,
Unnumbered centuries are hers,
The infant planets saw her birth;
The child of throbbing Life is she,
Twin sister to the greedy earth.
And back behind those smiling lips,
And down within those laughing eyes,
And underneath the soft caress
Of hand and voice and purring sighs,
The shadow of the panther lurks,
The spirit of the vampire lies.
For I have seen the great white witch,
And she has led me to her lair,
And I have kissed her red, red lips
And cruel face so white and fair;
Around me she has twined her arms,
And bound me with her yellow hair.
I felt those red lips burn and sear
My body like a living coal;
Obeyed the power of those eyes
As the needle trembles to the pole;
And did not care although I felt
The strength go ebbing from my soul.
Oh! she has seen your strong young limbs,
And heard your laughter loud and gay,
And in your voices she has caught
The echo of a far-off day,
When man was closer to the earth;
And she has marked you for her prey.
She feels the old Antæan strength
In you, the great dynamic beat
Of primal passions, and she sees
In you the last besieged retreat
Of love relentless, lusty, fierce,
Love pain-ecstatic, cruel-sweet.
O, brothers mine, take care! Take care!
The great white witch rides out to-night.
O, younger brothers mine, beware!
Look not upon her beauty bright;
For in her glance there is a snare,
And in her smile there is a blight.
poem by James Weldon Johnson

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The Leaden Echo and the Golden Echo
(Maidens’ song from St. Winefred’s Well)
THE LEADEN ECHO
How to kéep—is there ány any, is there none such, nowhere known some, bow or brooch or braid or brace, láce, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, beauty, … from vanishing away?
Ó is there no frowning of these wrinkles, rankéd wrinkles deep,
Dówn? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No there ’s none, there ’s none, O no there ’s none,
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age’s evils, hoar hair,
Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O there ’s none; no no no there ’s none:
Be beginning to despair, to despair,
Despair, despair, despair, despair.
THE GOLDEN ECHO
Spare!
There ís one, yes I have one (Hush there!);
Only not within seeing of the sun,
Not within the singeing of the strong sun,
Tall sun’s tingeing, or treacherous the tainting of the earth’s air,
Somewhere elsewhere there is ah well where! one,
Oné. Yes I can tell such a key, I do know such a place,
Where whatever’s prized and passes of us, everything that ’s fresh and fast flying of us, seems to us sweet of us and swiftly away with, done away with, undone,
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matchèd face,
The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,
Never fleets móre, fastened with the tenderest truth
To its own best being and its loveliness of youth: it is an everlastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant, girlgrace—
Resign them, sign them, seal them, send them, motion them with breath,
And with sighs soaring, soaring síghs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver.
See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then why
When the thing we freely fórfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept.—Where kept? Do but tell us where kept, where.—
Yonder.—What high as that! We follow, now we follow.—Yonder, yes yonder, yonder,
Yonder.
poem by Gerard Manley Hopkins

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Love and Music. Written at Oxford, When Young
Shall Love alone for ever claim
An universal right to fame,
An undisputed sway?
Or has not Music equal charms,
To fill the breast with strange alarms,
And make the world obey?
The Thracian bard, as poets tell,
Could mitigate the powers of hell,
Even Pluto's nicer ear:
His arts, no more than Love's, we find
To deities or men confined,
Drew brutes in crowds to hear.
Whatever favourite passion reign'd,
The poet still his right maintain'd
O'er all that ranged the plain:
The fiercer tyrants could assuage,
Or fire the timorous into rage,
Whene'er he changed the strain.
In milder lays the bard began;
Soft notes through every finger ran,
And echoing charm'd the place:
See! fawning lions gaze around,
And, taught to quit their savage sound,
Assume a gentler grace.
When Cymon view'd the fair one's charms,
Her ruby lips, and snowy arms,
And told her beauties o'er:
When Love reform'd his awkward tone,
And made each clownish gesture known,
It show'd but equal power.
The bard now tries a sprightlier sound,
When all the feather'd race around
Perceived the varied strains;
The soaring lark the note pursues;
The timorous dove around him coos,
And Philomel complains.
An equal power of Love I've seen,
Incite the deer to scour the green,
And chase his barking foe.
Sometimes has Love, with greater might,
To challenge-nay-sometimes-to fight,
Provoked the enamour'd beau.
When Silvia treads the smiling plain,
How glows the heart of every swain,
By pleasing tumults tost!
When Handel's solemn accents roll,
Each breast is fired, each raptured soul
In sweet confusion lost.
If she her melting glances dart,
Or he his dying airs impart,
Our spirits sink away.
Enough, enough! dear nymph, give o'er;
And thou, great artist! urge no more
Thy unresisted sway.
Thus Love or Sound affects the mind:
But when their various powers are join'd,
Fly, daring mortal, fly!
For when Selinda's charms appear,
And I her tuneful accents hear-
I burn, I faint, I die!
poem by William Shenstone

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Which Comes First
when two people get married
is it a marriage of Body and Mind?
or is it a marriage of Heart and Soul?
and which one comes first?
SOMETHING TO PONDER!
what did i feel when i proposed?
my Body: told me that i ached for
the joining together, and sexual fulfillment.
my Mind: told me that i wanted to be
with her for the rest of my life.
my Heart: felt empty without her.
my Soul: soared to the highest height
to see all that could be given and achieved.
when i first saw you my Heart stood still
like on a roller coaster going down
and feeling the thrill.
and as that thrill rose, my Soul climbed high above
to show me this beautiful love.
this love so strong that it consumed my Body and Mind.
that it took me to 'the end of time'.
so for me which came first, as you can
plainly see, Heart and Soul was the one for me.
i give you my Heart- and all it contains
for without you, my life will never be the same.
i give you my Soul-for that is the other part
that i have to give
for without a Soul we can not live.
i give you my Mind- for your love to control
for it protects my Heart and Soul.
i give you my Body-
which is an empty shell
for without your love, i'm in living hell.
these are the four parts of this mere man
and i give it to you, for that's my plan.
i would take the human sufferings of
torture, pain and defeat
as long as i know your love i'll keep.
'YOU ARE LIFE' and all that it holds
Body, Mind, Heart and Soul.
take me as you would a breath of air
and my life with you i will share.
I THINK THE ANSWER THAT I HAVE GIVEN
SHOWS THAT LIFE IS WORTH LIVING.
poem by Louis Rams

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Plain Gold Ring
Earl s. burroughs
Plain gold ring on his finger he wore
It was where everyone could see
He belonged to someone, but not me
On his hand was a plain gold band
Plain gold ring has a story to tell
It was one that I knew too well
In my heart it will never be spring
Long as he wears a plain gold ring
Oh, oh
When nighttime comes a callin on me
I know why I will never be free
I cant stop these teardrops of mine
Im gonna love him till the end of time
Plain gold ring has but one thing to say
Ill remember till my dying day
In my heart it will never be spring
Long as he wears a plain gold ring
Plain gold ring on his finger he wore
Plain gold ring on his finger he wore
Plain gold ring on his finger he wore
song performed by by Nina Simone

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The Song Of Gracia
SPRING
Across the street, across the grass,
Across my life I watch her pass.
No pure star on a dusky height
Hath eyes more bright,
No lily on her emerald bed
A statelier head,
No dewdrop on the beaded thorn
More radiantly doth glow apart!
O, she doth shine all these to scorn
Fair are they all—star, flower, and dew;
She is the green bud breaking thro’
The winter of my heart.
Two violets, seeking Paradise,
Have hid themselves within her eyes.
Her lips are roses. She doth wear
A sunbeam woven in her hair.
And of the foam-flake of the sea
Her cheek and neck and bosom be.
And like a reed the low wind sways
Her slender figure glides along,
Serenely tall and fairy sweet
In this, the springtide of her days.
And O, to make my life a song
And lay it at her feet!
SUMMER
And now the world recedes. Time, Space, are fleeting.
All things but thee, O Love, have ceased to be.
Here where thy heart against my heart is beating,
And like a charm thy white arms compass me;
And on thy blue-veined breasts my head is lying,
And all about my face is blown thy hair.
Here let Love speak his full heart in sweet sighing,
For speech were powerless now to voice his prayer.
Softly thy breath, like scent of violets blowing,
Steals o’er my cheek with slow, delicious pain.
Drink whilst thou canst the goblet crowned and flowing,
For hours like these will never come again.
AUTUMN
There is no bud of Spring about this forest,
And in our hearts, too, are the autumn leaves.
Where are the wings, O Love, on which thou soarest?
Meeter art thou to toil and bind the sheaves.
But there is mellower light upon our faces,
Thro’ all our veins the steadier currents flow
The statelier charms remain and friendly graces,
Tho’ dull and fitful wanes love’s lava-glow.
WINTER
The slow bell tolls across the square:
She doth not hear its rise and swell.
The frosts of age have silvered there
The clusters of her sun-gold hair:
She sleepeth well.
Strange city echoes here are sent
Of reckless strife for prize and place,
Of hearts with warring passions rent,
But Death’s ineffable content
Is on her face—
A touch, a joy, a something there
That for my sake hath never shone;
Too well I deem in my despair
Her fairest dream I may not share,
And she is gone
Beyond these days of care and ruth
To those fair stars which poets sing,
Where grows the tree of fadeless Truth
In gardens of Immortal Youth,
Eternal Spring.
poem by George Essex Evans

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Epilogue - To the Tragedy of Cleone
Well, Ladies-so much for the tragic style-
And now the custom is to make you smile.
To make us smile!-methinks I hear you say-
Why, who can help it, at so strange a play?
The captain gone three years!-and then to blame
The faultless conduct of his virtuous dame!
My stars! what gentle belle would think it treason,
When thus provoked, to give the brute some reason?
Out of my house!-this night, forsooth, depart!
A modern wife had said-'With all my heart-
But think not, haughty Sir, I'll go alone;
Order your coach-conduct me safe to Town-
Give me my jewels, wardrobe, and my maid-
And pray take care my pin-money be paid.'
Such is the language of each modish fair;
Yet memoirs, not of modern growth, declare
The time has been, when modesty and truth
Were deem'd additions to the charms of youth;
When women hid their necks, and veil'd their faces,
Nor romp'd, nor raked, nor stared at public places,
Nor took the airs of Amazons for graces:
Then plain domestic virtues were the mode,
And wives ne'er dreamt of happiness abroad;
They loved their children, learnt no flaunting airs,
But with the joys of wedlock mix'd the cares.
Those times are past-yet sure they merit praise,
For marriage triumph'd in those golden days;
By chaste decorum they affection gain'd;
By faith and fondness, what they won, maintain'd.
'Tis yours, Ye Fair! to bring those days again,
And form anew the hearts of thoughtless men;
Make beauty's lustre amiable as bright,
And give the soul, as well as sense, delight;
Reclaim from folly a fantastic age,
That scorns the press, the pulpit, and the stage.
Let truth and tenderness your breasts adorn,
The marriage chain with transport shall be worn;
Each blooming virgin, raised into a bride,
Shall double all their joys, their cares divide;
Alleviate grief, compose the jars of strife,
And pour the balm that sweetens human life.
poem by William Shenstone

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Funmilola
SHE IS SO BEAUTIFUL THAT YOU WILL WANT TO KEEP LOOKING AT HER, HER SMILE BRING SMILE TO EVERY LIPS.HER EYES WONT EVER MAKE HER WANT TO LIE.HER BEAUTY IS LIKE A ROSE IN FULL BLOOM, SHE IS SO BEAUTIFUL THAT WHEN OUR CREATOR THOUGHT OF BEAUTY HE SAW ONLY HER.SHE IS WONDERFULY MADE, GOD MADE HER SMILE OF THE SUNSHINE, AND HE MAOLDED HER HEART OF PURE GOLD, IN HER EYES HE PLACED BRIGHT SHINING STARS, IN HER CHEEKS FAIR ROSE YOU SEE.SHE IS SO BEAUTIFUL THAT IF A THOUSAND PAINTER WORK FOR A MILLION YEARS THEY COULD NOT CREATE A WORK OF ART AS BEAUTIFUL AS HER.SHE IS AS BEAUTIFUL AS VIRGIN SAND, SHE IS AS BEAUTIFUL AS RAINBOW FULL OF COLOURS, SHE IS AS BEAUTIFUL AS STARS FILLED THE SKY, SHE IS AS BEAUTIFUL AS BLOOMING FLOWER.OH BEAUTIFUL HER NAME WAS CALLED, SHE IS SO BEAUTIFUL, SHE SPEAK OF BEAUTY, SHE SLEEP IN BEAUTY, , SHE WALK IN BEAUTY, SHE LIVE IN BEAUTY.SHE IS SO BEAUTIFUL THAT THEIR IS NO FLOWER THAT CAN BE COMPARED TO HER BEAUTY, SHE IS REINCANATION OF AN ANGEL, FAIREST OF ALL, GODESS OF BEAUTIES, EXQUISITE BEAUTY LIKE SUNSHINE.
poem by Tijani Adebowale Destiny

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Lord Thomas and Fair Annet
Lord Thomas and fair Annet
Sat all day on a hill
When night was come and sun was set
They had not talked their fill.
Lord Thomas said a word in haste
And Annet took it ill;
I winna wed a dowerless maid
Against my parents' will
You're come of the rich, Thomas,
And I'm come of the poor
I'm o'er low to be your bride
And I winna be your whore
O fair Annet, O fair Annet
This night you've said me no
But long or ever this day month
I'll make your heart right woe
Come riddle my riddle dear mother, he said
Come riddle it all in one
Whether I will take fair Annet
Or bring the brown girl home
The nut-brown maid has gold and gear
Fair Annet she has none
And the little beauty fair Annet has
O it will soon be gone
Sheep will die in cots, mother
And oxen die in byre
And what's this world's wealth to me
An I get not my heart's desire
Where will I get a pretty little boy
That'll run my errands soon
That will run to fair Annet's bower
And bid her to my wedding
She mauna put on the black, the black
Nor yet the dowie brown
But the scarlet so red, and the kerchief so white
And her bonny locks hanging down
She has called her maries to her bower
To lay gold in her hair
Where'er you put a plait before
See you lay ten times more
When Annet was in her saddle set
She flamed against the fire
The girdle around her middle small
Was worth an earl's hire
The horse fair Annet rode upon
He bounded like the wind
With silver he was shod before
With burning gold behind
And when she came into the kirk
She shimmered like the sun
The belt that was about her waist
Was all with pearls bedone
Is this your bride, Lord Thomas ? she said
I think she's wondrous brown
You might have had as fair a bride
As e'er the sun shined on
Despise her not fair Annet, he said
Despise her not now unto me
For better I love thy little finger
Than all her whole body
Then out and spoke the nut-brown bride
And she spoke out of spite
O where got you that rose-water
That washed your face so white ?
O I did get the rose-water
Where you will ne'er get none
For I did get that rose-water
Into my mother's womb
The bride she drew a long bodkin
From out her gay headgear
And struck fair Annet to the heart
A deep wound and a sair
O art thou blind Lord Thomas, she said
Or do you not well see
O do you not see my own heart's blood
Run trinkling down my knee ?
He drew his dagger that was so sharp
That was so sharp and meet
And drove it into the nut-brown bride
That fell dead at his feet
O dig my grave, Lord Thomas he said
Dig it both wide and deep
And lay fair Annet by my side
And the brown girl at my feet
poem by Anonymous Olde English

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Blue, Brown and Gold
Blue, brown and gold, bold, I'll unfold
a portrait drawn upon a train
one summer morn which shall remain
for heart to hold if truth be told.
Brown, gold and blue she sat, smiled too,
to me it seemed true beauty gleamed, -
my spirit teemed with hopes that, teamed,
we'd share love through fair seasons new.
Blue, gold and brown without a frown
she journeyed on, too soon was gone, -
yet still upon my soul she shone.
Brown bag, blue gown, - Life's golden crown!
Blue, brown and gold, cannot grow [c]old
Year in year out their tale is told...
poem by Jonathan Robin

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An Ode To Mr. Howard
Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?
To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:
The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.
While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.
The prince, renown'd in bounty as in arms,
With pity saw the ill-conceal'd distress;
Quitted his title to Campaspe's charms,
And gave the fair one to the friend's embrace.
Thus the more beauteous Cloe sat to thee,
Good Howard, emulous of the Grecian art:
But happy thou, from Cupid's arrow free,
And flames that pierced thy predecessor's heart!
Had thy poor breast received an equal pain;
Had I been vested with the monarch's power;
Thou must have sigh'd, unlucky youth, in vain;
Nor from my bounty hadst thou found a cure.
Though, to convince thee that the friend did feel
A kind concern for thy ill-fated care,
I would have sooth'd thy flame I could not heal;
Given thee the world; though I withheld the fair.
poem by Matthew Prior

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Thrill Has Gone
Listening I hear your voice
Together you and I have nothing left to carry on
And Im seeing you slip away
Cause you never cared
You never even realised
Now the thrill has gone
Cause I can see it in your eyes
Now the thrill has gone
And it was you who threw it all away
Now the thrill has gone
Wondering as I look outside
Changes all around
Theres nothing left here to hide
And Im asking you have you lost your soul
Cause you never cared
You never even realised that I wasnt there
Now the thrill has gone
Cause I can see it in your eyes
Now the thrill has gone
And it was you who threw it all away
Now the thrill has gone
Say to me what I want to hear
Say to me what I want to hear
Cause you never cared
You never even realised that I wasnt there
Now the thrill has gone
Cause I can see it in your eyes
Now the thrill has gone
And it was you who threw it all away
Now the thrill has gone
Now the thrill has gone
Cause I can see it in your eyes
Now the thrill has gone
And it was you who threw it all away
Now the thrill has gone
song performed by by Texas

Submitted by Lucian Velea
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Angel
the halo that appears above your head
just that i wished once before
now to actually appear before me
cuz you're the salt of the earth
a saint
a symbol
one to never let go
from which that i wish to hold you and kiss your lips so
the angel of mine
those wings of yours seem so tired
so small for you to fly
so come here
let me comfort your heart and lighten the load
so...
let me, my baby, my angel, smile once again for me
cuz don't let me see that broken smile once more
cuz you lie to my very face with this negativity
but I can see the pain in your cute eyes
you appear like a mortal
but you truly an angel to my eyes
I know when I see one cuz you give off the very light of this very angel
your steps have no sound
from my side, it looks like you fly instead
those feathers in your wings looked rumpled as if someone were harsh to my angel
so come here...
you are in the care of my arms
though i'm a mere little mortal to you
I still think to want to hold and kiss there on your lips
so if I can't trust you, I can trust no one
I can only give you so much
but I can do is give you protection and my heart
my angel, my angel
*sigh*
what a beautiful sight you are
greater, grander than any 7 wonders of Earth
greater than riches, gold, and any sweet car any boy would want
not that I love cars but very distant from it
like I am to you
so I hope to pull this rope between us
to hold you tight
but an angel, an angel
that halo above you head
the beauty greater than pure silver
those eyes greater than any other brown
you say you're no greater than I
I say yes
but I say to myself
you are forever an angel to me ^-^
poem by Kevin Wang

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To Vienna
Grand beautiful city
Of the blue Danube,
Beauty of yours
Is still the same,
Your blue river,
Your Balconies
With their Roman
Engraved Paintings
Are still stretching
Their necks
To view
Those who pass
By your vivid cafes,
Life with all
Of its gleaming gestures
Neither recall
Nor awake hope,
Inside my soul,
I'm not the same,
Whom should I blame? !
Where did that
Beautiful joyful young
Woman disappear?
Why can't the active
Human being inside me
Feel
Taste
Grasp
Anything
Anymore,
Except poetry?
Here I am again
In the land of glamour
And grace,
After fifteen years
Of separation,
The glory of the mountains
Is still the same,
Yet nothing
Can reach
Me anymore.
And I began
To contemplate;
I still remember
Those days;
I had everything then;
Youth,
Beauty,
Money,
A child
And a funny mate;
Who used to ridicule
My romanticism,
The fact that
Food and sex
Were not the target;
The aim of my living,
Made him furious,
Hence, something great
Was lacking,
I still recall all
The big and small
Incidents;
He was
An excellent male;
A kind of stud,
But I rarely enjoyed
Being with him,
For the spirit
Of true LOVE was
Not there,
The meeting of minds
Could not take place
How could a soul
With a cute brain
Live in such a state.
How true is
The beautiful saying:
'Not all that glitters
Is Gold.'
I'll not argue any more
I will not ask: 'Why that
Kind of fate
Was designed
FOR ME'!
Bad and good destiny
Are to purify
The believer
For the true
Reward is up
There.
Vienna,
25, April,2006
poem by Nadia Abduljabbar

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Introit : V. Litany Of Beauty
Joy, if the Soul or aught immortal be,
How may this Beauty know mortality?
O Beauty, perfect child of Light,
Sempiternal spirit of delight!
White and set with gold like the gold of the night,
The gold of the stars in quiet weather,--
White and shapely and pure!--
O lily-flower from stain secure,
With life and virginity dying together!
One lily liveth so,
Liveth for ever unstained, immortal, a mystic flower:
Perfectly wrought its frame,
Gold inwrought and eternal white,
White more white than cold of the snow,
For never, never, near it came,
Never shall come till the end of all,
Hurtful thing in wind or shower,
Worm or stain or blight;
But ever, ever, gently fall
The dews elysian of years that flow
Where it doth live secure
In flawless comeliness mature,
Golden and white and pure.
In the fair far-shining glow
Of eternal and holy Light.
Beauty of earthly things
Wrought by God and with hands of men!
Beauty of Nature and Art,
Fashioned anew for each Time brings,
For each new soul and living heart!
Beauty of Beauty that fills the ken
Till the soul is swooning, faint with delight!
Beauty of human form and voice,
Of eyes and ears and lips!--
O golden hair and brow of white!--
Wine of Beauty that whoso sips
Doth die to a spirit free, and rejoice,
Living with God and living with men,
Rapt rejoice in eternal bliss,
Raising his face to meet the kiss
Of the Beauty seraphic he sees above
In figure of his love.
O Beauty of Wisdom unsought
That in trance to poet is taught,
Uttered in secret lay,
Singing the heart from earth away,
Cunning the soul from care to lure,--
O mystic lily, from stain and death secure,
Till the end of all to stay!
O shapely flower that must for ever endure!
O voice of God that every heart must hear!
O hymn of purest souls that dost unsphere
The ravished soul that hears! O white, white gem!
O rose that dost the senses drown in bliss!
No thought shall stay the wing, or stem
The song or win the heart to miss
Thy love, thy joy, thy rapture divine!
O Beauty, Beauty, ever thine
The soul, the heart, the brain,
To own three in a loud perpetual strain,
Shriller and sweeter than song of wine,
Than song of sorrow or love or war!
Beauty of heaven and sun and day,
Beauty of water and frost and star,
Beauty of dusk-tide, narrowing, grey!
Beauty of silver light,
Beauty of purple night,
Beauty of solemn breath,
Beauty of closèd eye, and sleep, and death!
Beauty of dawn and dew,
Beauty of morning peace,
Ever ancient and ever new,
Ever renewed till waking cease
Or sleep for ever, when loud the angel's word
Through all the world is heard!
Beauty of brute and bird,
Beauty of earthly creatures
Whose hearts by the hand of God are stirred!
Beauty of the soul,
Beauty informing forms and features,
Fairest to God's eye,--
Beauty that cannot fade or die
Though atoms to ruin roll!
Beauty of blinded Trust,
Led by the hand of God
To a heaven where Cherub hath never trod!
Austere Beauty of Truth
Lighting the way of the just!
Splendid Beauty of Youth
Staying when Youth is sped,
Living when Life is dead,
Burning in funeral dust!
The glory of form doth pale and pall,
Beauty endures to the end of all.
poem by Thomas MacDonagh

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Seeking
Bright eyes, sweet lips, with sudden fevers fill
My strong blood, running wildly, as it must;
But lips and eyes too soon beget distrust.
A soft touch sends a momentary thrill
Through sense unsubservient to the will;
But warm caresses leave a dim disgust;
Like Dead- Sea apples, kisses turn to dust.
I kiss; I feast; but I am hungry still.
O, where is She — that straight and upright soul —
True friend, true mate, true woman — where is She?
True heart — as true as needle to the pole —
True to the truth, not only true to me —
Worth all I have to give — the best — the whole.
When shall these eyes Her unknown beauty see?
poem by Ada Cambridge

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The Last Blossom
THOUGH young no more, we still would dream
Of beauty's dear deluding wiles;
The leagues of life to graybeards seem
Shorter than boyhood's lingering miles.
Who knows a woman's wild caprice?
'It played with Goethe's silvered hair,
And many a Holy Father's 'niece'
Has softly smoothed the papal chair.
When sixty bids us sigh in vain
To melt the heart of sweet sixteen,
We think upon those ladies twain
Who loved so well the tough old Dean.
We see the Patriarch's wintry face,
The maid of Egypt's dusky glow,
And dream that Youth and Age embrace,
As April violets fill with snow.
Tranced in her lord's Olympian smile
His lotus-loving Memphian lies,--
The musky daughter of the Nile,
With plaited hair and almond eyes.
Might we but share one wild caress
Ere life's autumnal blossoms fall,
And Earth's brown, clinging lips impress
The long cold kiss that waits us all!
My bosom heaves, remembering yet
The morning of that blissful day,
When Rose, the flower of spring, I met,
And gave my raptured soul away.
Flung from her eyes of purest blue,
A lasso, with its leaping chain,
Light as a loop of larkspurs, flew
O'er sense and spirit, heart and brain.
Thou com'st to cheer my waning age,
Sweet vision, waited for so long!
Dove that would seek the poet's cage
Lured by the magic breath of song!
She blushes! Ah, reluctant maid,
Love's drapeau rouge the truth has told!
O' er girlhood's yielding barricade
Floats the great Leveller's crimson fold!
Come to my arms!--love heeds not years;
No frost the bud of passion knows.
Ha! what is this my frenzy hears?
A voice behind me uttered,--Rose!
Sweet was her smile,--but not for me;
Alas! when woman looks too kind,
Just turn your foolish head and see,--
Some youth is walking close behind!
poem by Oliver Wendell Holmes

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