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Tales Of A Wayside Inn : Part 3. Interlude II.

Well pleased all listened to the tale,
That drew, the Student said, its pith
And marrow from the ancient myth
Of some one with an iron flail;
Or that portentous Man of Brass
Hephaestus made in days of yore,
Who stalked about the Cretan shore,
And saw the ships appear and pass,
And threw stones at the Argonauts,
Being filled with indiscriminate ire
That tangled and perplexed his thoughts;
But, like a hospitable host,
When strangers landed on the coast,
Heated himself red-hot with fire,
And hugged them in his arms, and pressed
Their bodies to his burning breast.

The Poet answered: 'No, not thus
The legend rose; it sprang at first
Out of the hunger and the thirst
In all men for the marvellous.
And thus it filled and satisfied
The imagination of mankind,
And this ideal to the mind
Was truer than historic fact.
Fancy enlarged and multiplied
The tenors of the awful name
Of Charlemagne, till he became
Armipotent in every act,
And, clothed in mystery, appeared
Not what men saw, but what they feared.

Besides, unless my memory fail,
Your some one with an iron flail
Is not an ancient myth at all,
But comes much later on the scene
As Talus in the Faerie Queene,
The iron groom of Artegall,
Who threshed out falsehood and deceit,
And truth upheld, and righted wrong,
As was, as is the swallow, fleet,
And as the lion is, was strong.'

The Theologian said: 'Perchance
Your chronicler in writing this
Had in his mind the Anabasis,
Where Xenophon describes the advance
Of Artaxerxes to the fight;
At first the low gray cloud of dust,
And then a blackness o'er the fields
As of a passing thunder-gust,
Then flash of brazen armor bright,
And ranks of men, and spears up-thrust,
Bowmen and troops with wicker shields,
And cavalry equipped in white,
And chariots ranged in front of these
With scythes upon their axle-trees.'

To this the Student answered: 'Well,
I also have a tale to tell
Of Charlemagne; a tale that throws
A softer light, more tinged with rose,
Than your grim apparition cast
Upon the darkness of the past.
Listen, and hear in English rhyme
What the good Monk of Lauresheim
Gives as the gossip of his time,
In mediaeval Latin prose.'

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 2. Interlude V.

Well pleased the audience heard the tale.
The Theologian said: 'Indeed,
To praise you there is little need;
One almost hears the farmers flail
Thresh out your wheat, nor does there fail
A certain freshness, as you said,
And sweetness as of home-made bread.
But not less sweet and not less fresh
Are many legends that I know,
Writ by the monks of long-ago,
Who loved to mortify the flesh,
So that the soul might purer grow,
And rise to a diviner state;
And one of these--perhaps of all
Most beautiful--I now recall,
And with permission will narrate;
Hoping thereby to make amends
For that grim tragedy of mine,
As strong and black as Spanish wine,
I told last night, and wish almost
It had remained untold, my friends;
For Torquemada's awful ghost
Came to me in the dreams I dreamed,
And in the darkness glared and gleamed
Like a great lighthouse on the coast.'

The Student laughing said: 'Far more
Like to some dismal fire of bale
Flaring portentous on a hill;
Or torches lighted on a shore
By wreckers in a midnight gale.
No matter; be it as you will,
Only go forward with your tale.'

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 3. The Poet's Tale; Charlemagne

Olger the Dane and Desiderio,
King of the Lombards, on a lofty tower
Stood gazing northward o'er the rolling plains,
League after league of harvests, to the foot
Of the snow-crested Alps, and saw approach
A mighty army, thronging all the roads
That led into the city. And the King
Said unto Olger, who had passed his youth
As hostage at the court of France, and knew
The Emperor's form and face 'Is Charlemagne
Among that host?' And Olger answered: 'No.'

And still the innumerable multitude
Flowed onward and increased, until the King
Cried in amazement: 'Surely Charlemagne
Is coming in the midst of all these knights!'
And Olger answered slowly: 'No; not yet;
He will not come so soon.' Then much disturbed
King Desiderio asked: 'What shall we do,
if he approach with a still greater army!'
And Olger answered: 'When he shall appear,
You will behold what manner of man he is;
But what will then befall us I know not.'

Then came the guard that never knew repose,
The Paladins of France; and at the sight
The Lombard King o'ercome with terror cried:
'This must be Charlemagne!' and as before
Did Olger answer: 'No; not yet, not yet.'

And then appeared in panoply complete
The Bishops and the Abbots and the Priests
Of the imperial chapel, and the Counts
And Desiderio could no more endure
The light of day, nor yet encounter death,
But sobbed aloud and said: 'Let us go down
And hide us in the bosom of the earth,
Far from the sight and anger of a foe
So terrible as this!' And Olger said:
'When you behold the harvests in the fields
Shaking with fear, the Po and the Ticino
Lashing the city walls with iron waves,
Then may you know that Charlemagne is come.
And even as he spake, in the northwest,
Lo! there uprose a black and threatening cloud,
Out of whose bosom flashed the light of arms
Upon the people pent up in the city;
A light more terrible than any darkness;
And Charlemagne appeared;--a Man of Iron!

His helmet was of iron, and his gloves
Of iron, and his breastplate and his greaves
And tassets were of iron, and his shield.
In his left hand he held an iron spear,
In his right hand his sword invincible.
The horse he rode on had the strength of iron,
And color of iron. All who went before him
Beside him and behind him, his whole host,
Were armed with iron, and their hearts within them
Were stronger than the armor that they wore.
The fields and all the roads were filled with iron,
And points of iron glistened in the sun
And shed a terror through the city streets.

This at a single glance Olger the Dane
Saw from the tower, and turning to the King
Exclaimed in haste: 'Behold! this is the man
You looked for with such eagerness!' and then
Fell as one dead at Desiderio's feet.

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 3. Interlude I.

'O Edrehi, forbear to-night
Your ghostly legends of affright,
And let the Talmud rest in peace;
Spare us your dismal tales of death
That almost take away one's breath;
So doing, may your tribe increase.'

Thus the Sicilian said; then went
And on the spinet's rattling keys
Played Marianina, like a breeze
From Naples and the Southern seas,
That brings us the delicious scent
Of citron and of orange trees,
And memories of soft days of ease
At Capri and Amalfi spent.

'Not so,' the eager Poet said;
'At least, not so before I tell
The story of my Azrael,
An angel mortal as ourselves,
Which in an ancient tome I found
Upon a convent's dusty shelves,
Chained with an iron chain, and bound
In parchment, and with clasps of brass,
Lest from its prison, some dark day,
It might be stolen or steal away,
While the good friars were singing mass.

'It is a tale of Charlemagne,
When like a thunder-cloud, that lowers
And sweeps from mountain-crest to coast,
With lightning flaming through its showers,
He swept across the Lombard plain,
Beleaguering with his warlike train
Pavia, the country's pride and boast,
The City of the Hundred Towers.'

Thus heralded the tale began,
And thus in sober measure ran.

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 3. Interlude III.

Thus ran the Student's pleasant rhyme
Of Eginhard and love and youth;
Some doubted its historic truth,
But while they doubted, ne'ertheless
Saw in it gleams of truthfulness,
And thanked the Monk of Lauresheim.
This they discussed in various mood;
Then in the silence that ensued
Was heard a sharp and sudden sound
As of a bowstring snapped in air;
And the Musician with a bound
Sprang up in terror from his chair,
And for a moment listening stood,
Then strode across the room, and found
His dear, his darling violin
Still lying safe asleep within
Its little cradle, like a child
That gives a sudden cry of pain,
And wakes to fall asleep again;
And as he looked at it and smiled,
By the uncertain light beguiled,
Despair! two strings were broken in twain.
While all lamented and made moan,
With many a sympathetic word
As if the loss had been their own,
Deeming the tones they might have heard
Sweeter than they had heard before,
They saw the Landlord at the door,
The missing man, the portly Squire!
He had not entered, but he stood
With both arms full of seasoned wood,
To feed the much-devouring fire,
That like a lion in a cage
Lashed its long tail and roared with rage.
The missing man! Ah, yes, they said,
Missing, but whither had he fled?
Where had he hidden himself away?
No farther than the barn or shed;
He had not hidden himself, nor fled;
How should he pass the rainy day
But in his barn with hens and hay,
Or mending harness, cart, or sled?
Now, having come, he needs must stay
And tell his tale as well as they.
The Landlord answered only: 'These
Are logs from the dead apple-trees
Of the old orchard planted here
By the first Howe of Sudbury.
Nor oak nor maple has so clear
A flame, or burns so quietly,
Or leaves an ash so clean and white;'
Thinking by this to put aside
The impending tale that terrified;
When suddenly, to his delight,
The Theologian interposed,
Saying that when the door was closed,
And they had stopped that draft of cold,
Unpleasant night air, he proposed
To tell a tale world-wide apart
From that the Student had just told;
World-wide apart, and yet akin,
As showing that the human heart
Beats on forever as of old,
As well beneath the snow-white fold
Of Quaker kerchief, as within
Sendal or silk or cloth of gold,
And without preface would begin.
And then the clamorous clock struck eight,
Deliberate, with sonorous chime
Slow measuring out the march of time,
Like some grave Consul of old Rome
In Jupiter's temple driving home
The nails that marked the year and date.
Thus interrupted in his rhyme,
The Theologian needs must wait;
But quoted Horace, where he sings
The dire Necessity of things,
That drives into the roofs sublime
Of new-built houses of the great
The adamantine nails of Fate.
When ceased the little carillon
To herald from its wooden tower
The important transit of the hour,
The Theologian hastened on,
Content to be allowed at last
To sing his Idyl of the Past.

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 1. Interlude I.

The Landlord ended thus his tale,
Then rising took down from its nail
The sword that hung there, dim with dust
And cleaving to its sheath with rust,
And said, 'This sword was in the fight.'
The Poet seized it, and exclaimed,
'It is the sword of a good knight,
Though homespun was his coat-of-mail;
What matter if it be not named
Joyeuse, Colada, Durindale,
Excalibar, or Aroundight,
Or other name the books record?
Your ancestor, who bore this sword
As Colonel of the Volunteers,
Mounted upon his old gray mare,
Seen here and there and everywhere,
To me a grander shape appears
Than old Sir William, or what not,
Clinking about in foreign lands
With iron gauntlets on his hands,
And on his head an iron pot!'

All laughed; the Landlord's face grew red
As his escutcheon on the wall;
He could not comprehend at all
The drift of what the Poet said;
For those who had been longest dead
Were always greatest in his eyes;
And be was speechless with surprise
To see Sir William's pluméd head
Brought to a level with the rest,
And made the subject of a jest.
And this perceiving, to appease
The Landlord's wrath, the others' fears,
The Student said, with careless ease,
'The ladies and the cavaliers,
The arms, the loves, the courtesies,
The deeds of high emprise, I sing!
Thus Ariosto says, in words
That have the stately stride and ring
Of arméd knights and clashing swords.
Now listen to the tale I bring;
Listen! though not to me belong
The flowing draperies of his song,
The words that rouse, the voice that charms.
The Landlord's tale was one of arms,
Only a tale of love is mine,
Blending the human and divine,
A tale of the Decameron, told
In Palmieri's garden old,
By Fiametta, laurel-crowned,
While her companions lay around,
And heard the intermingled sound
Of airs that on their errands sped,
And wild birds gossiping overhead,
And lisp of leaves, and fountain's fall,
And her own voice more sweet than all,
Telling the tale, which, wanting these,
Perchance may lose its power to please.'

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 2. Interlude IV.

When the long murmur of applause
That greeted the Musician's lay
Had slowly buzzed itself away,
And the long talk of Spectre Ships
That followed died upon their lips
And came unto a natural pause,
'These tales you tell are one and all
Of the Old World,' the Poet said,
'Flowers gathered from a crumbling wall,
Dead leaves that rustle as they fall;
Let me present you in their stead
Something of our New England earth,
A tale which, though of no great worth,
Has still this merit, that it yields
A certain freshness of the fields,
A sweetness as of home-made bread.'

The Student answered: 'Be discreet;
For if the flour be fresh and sound,
And if the bread be light and sweet,
Who careth in what mill 't was ground,
Or of what oven felt the heat,
Unless, as old Cervantes said,
You are looking after better bread
Than any that is made of wheat?
You know that people nowadays
To what is old give little praise;
All must be new in prose and verse:
They want hot bread, or something worse,
Fresh every morning, and half baked;
The wholesome bread of yesterday,
Too stale for them, is thrown away,
Nor is their thirst with water slaked.

As oft we see the sky in May
Threaten to rain, and yet not rain,
The Poet's face, before so gay,
Was clouded with a look of pain,
But suddenly brightened up again;
And without further let or stay
He told his tale of yesterday.

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 1. Interlude VI.

Thus closed the tale of guilt and gloom,
That cast upon each listener's face
Its shadow, and for some brief space
Unbroken silence filled the room.
The Jew was thoughtful and distressed;
Upon his memory thronged and pressed
The persecution of his race,
Their wrongs and sufferings and disgrace;
His head was sunk upon his breast,
And from his eyes alternate came
Flashes of wrath and tears of shame.

The Student first the silence broke,
As one who long has lain in wait,
With purpose to retaliate,
And thus he dealt the avenging stroke.
'In such a company as this,
A tale so tragic seems amiss,
That by its terrible control
O'ermasters and drags down the soul
Into a fathomless abyss.
The Italian Tales that you disdain,
Some merry Night of Straparole,
Or Machiavelli's Belphagor,
Would cheer us and delight us more,
Give greater pleasure and less pain
Than your grim tragedies of Spain!'

And here the Poet raised his hand,
With such entreaty and command,
It stopped discussion at its birth,
And said: 'The story I shall tell
Has meaning in it, if not mirth;
Listen, and hear what once befell
The merry birds of Killingworth!'

poem by Henry Wadsworth Longfellow
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Tales Of A Wayside Inn : Part 3. Interlude IV.

'A pleasant and a winsome tale,'
The Student said, 'though somewhat pale
And quiet in its coloring,
As if it caught its tone and air
From the gray suits that Quakers wear;
Yet worthy of some German bard,
Hebel, or Voss, or Eberhard,
Who love of humble themes to sing,
In humble verse; but no more true
Than was the tale I told to you.'
The Theologian made reply,
And with some warmth, 'That I deny;
'T is no invention of my own,
But something well and widely known
To readers of a riper age,
Writ by the skilful hand that wrote
The Indian tale of Hobomok,
And Philothea's classic page.
I found it like a waif afloat
Or dulse uprooted from its rock,
On the swift tides that ebb and flow
In daily papers, and at flood
Bear freighted vessels to and fro,
But later, when the ebb is low,
Leave a long waste of sand and mud.'
'It matters little,' quoth the Jew;
'The cloak of truth is lined with lies,
Sayeth some proverb old and wise;
And Love is master of all arts,
And puts it into human hearts
The strangest things to say and do.'
And here the controversy closed
Abruptly, ere 't was well begun;
For the Sicilian interposed
With, 'Lordlings, listen, every one
That listen may, unto a tale
That 's merrier than the nightingale;
A tale that cannot boast, forsooth,
A single rag or shred of truth;
That does not leave the mind in doubt
As to the with it or without;
A naked falsehood and absurd
As mortal ever told or heard.
Therefore I tell it; or, maybe,
Simply because it pleases me.'

poem by Henry Wadsworth Longfellow
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Spin Doctors for friend alex

In days of yore long, long before
the spoken word took written form.
The Bards, the guardians of the lore.
In Great Men’s halls they would perform.

Their epic tales from history
to entertain the listening host.
With tales of war and mystery
and heroes which their race could boast.

Each teller added something to,
adjusted what they had been told.
By teachers who had altered too
the ancient tales they had retold.

Each myth and legend seems to be
a twisted version of some tale.
Which was quite true originally
Our search for truth is doomed to fail.

There’s little evidence to find.
Although we can extrapolate
from different versions left behind.
These fragments we appreciate.

Contain some truth enwrapt in lies,
Driven by curiosity
embark upon an enterprise,
The ultimate futility.

Though we can guess, we cannot know.
Our theories could be correct
Events which happened long ago
change with each telling I suspect.

03/06/2009
http: // blog.myspace.com/poeticpiers

poem by Ivor Or Ivor.e Hogg
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Iron Hand

With all the clarity of dream
The sky so blue, the grass so green
The rank and file and the navy blue
The deep and strong, the straight and true
The blue line they got the given sign
The belts and boots march forward in time
The wood and leather the club and shield
Swept like a wave across the battlefield
Now with all the clarity of dream
The blood so red, the grass so green
The gleam of spur on chestnut flank
The cavalry did burst upon the ranks
Oh the iron will and iron hand
In englands green and pleasant land
No music for the shameful scene
That night they said it had even shocked the queen
Well alas weve seen it all before
Knights in armour, days of yore
The same old fears and the same old crimes
We havent changed since ancient times

song performed by by Dire Straits
Submitted by Lucian Velea
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Tales Of A Wayside Inn : Part 3. Interlude VI.

'Now that is after my own heart,'
The Poet cried; 'one understands
Your swarthy hero Scanderbeg,
Gauntlet on hand and boot on leg,
And skilled in every warlike art,
Riding through his Albanian lands,
And following the auspicious star
That shone for him o'er Ak-Hissar.'

The Theologian added here
His word of praise not less sincere,
Although he ended with a jibe;
'The hero of romance and song
Was born,' he said, 'to right the wrong;
And I approve; but all the same
That bit of treason with the Scribe
Adds nothing to your hero's fame.'

The Student praised the good old times,
And liked the canter of the rhymes,
That had a hoofbeat in their sound;
But longed some further word to hear
Of the old chronicler Ben Meir,
And where his volume might he found.

The tall Musician walked the room
With folded arms and gleaming eyes,
As if he saw the Vikings rise,
Gigantic shadows in the gloom;
And much he talked of their emprise
And meteors seen in Northern skies,
And Heimdal's horn, and day of doom.
But the Sicilian laughed again;
'This is the time to laugh,' he said,
For the whole story he well knew
Was an invention of the Jew,
Spun from the cobwebs in his brain,
And of the same bright scarlet thread
As was the Tale of Kambalu.

Only the Landlord spake no word;
'T was doubtful whether he had heard
The tale at all, so full of care
Was he of his impending fate,
That, like the sword of Damocles,
Above his head hung blank and bare,
Suspended by a single hair,
So that he could not sit at ease,
But sighed and looked disconsolate,
And shifted restless in his chair,
Revolving how he might evade
The blow of the descending blade.

The Student came to his relief
By saying in his easy way
To the Musician: 'Calm your grief,
My fair Apollo of the North,
Balder the Beautiful and so forth;
Although your magic lyre or lute
With broken strings is lying mute,
Still you can tell some doleful tale
Of shipwreck in a midnight gale,
Or something of the kind to suit
The mood that we are in to-night
For what is marvellous and strange;
So give your nimble fancy range,
And we will follow in its flight.'

But the Musician shook his head;
'No tale I tell to-night,' he said,
'While my poor instrument lies there,
Even as a child with vacant stare
Lies in its little coffin dead.'

Yet, being urged, he said at last:
'There comes to me out of the Past
A voice, whose tones are sweet and wild,
Singing a song almost divine,
And with a tear in every line;
An ancient ballad, that my nurse
Sang to me when I was a child,
In accents tender as the verse;
And sometimes wept, and sometimes smiled
While singing it, to see arise
The look of wonder in my eyes,
And feel my heart with terror beat.
This simple ballad I retain
Clearly imprinted on my brain,
And as a tale will now repeat.'

poem by Henry Wadsworth Longfellow
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Burning Embers

Fly through the glass of a window pane
fall through the sky feeling the rain
Walk on broken glass your tell-tale heart
Look through the bars of a dirty jail cell
soar to heaven dive to hell
Listen to your tell-tale heart
Setting fires in the ghost twilight
we see you dress we bolt with fright
You see an apparition disappear
Jump to the table, jump up the stairs
stand on the rooftop, looking out through the air
Walk on broken glass your tell-tale heart
Lenore, am I dreaming
How can death keep us apart, mmmm..
Lenore, I see you burning
And I'd walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart
Walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart
Walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart
Heart
heart
Heart
heart
Walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart
your tell-tale heart
Walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart
Walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart
Walk on burning embers
walk on burning embers
Walk on burning embers your tell-tale heart

song performed by by Lou Reed
Submitted by Lucian Velea
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When The Millennium Comes

WHEN the Millennium comes
Only the kings will fight,
While the princes beat the drums,
And the queens in aprons white,
Arnica bottle in hand,
Watch their Majesties throw,
With a gesture vague and grand,
Their crowns at the dodging foe,
Poor old obsolete crowns
That Time hangs up in a row.
When the Millennium comes
And the proud steel navies meet,
While the furious boiler hums,
And the vengeful pistons beat,
The sailors will stay on shore
And cheer with a polyglot shout
The self-fed cannon that roar
Till metal has fought it out,
But the warm, glad bodies of boys
Are not for the waves to flout.
When the Millennium comes,
Love, the mother of life,
Will have worked out all the sums
Of our dim industrial strife,
And every man shall be lord
Of his deed and his dream, and the lore
Of war shall be abhorred
As a dragon-tale of yore,
Myth of the Iron Age,
A monster earth breeds no more.

poem by Katharine Lee Bates
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Cabinessence

Light the lamp and fire mellow,
Cabin essence timely hello,
Welcomes the time for a change.
Lost and found, you still remain there.
Youll find a meadow filled with grain there.
Ill give you a home on the range.
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
I want to watch you windblown facing
Waves of wheat for your embracing.
Folks sing a song of the grange.
Nestle in a kiss below there.
The constellations ebb and flow there.
And witness our home on the range.
Who ran the iron horse?
(truck driving man do what you can)
Who ran the iron horse?
(high-tail your load off the road)
Who ran the iron horse?
(out of night-life-its a gas man)
Who ran the iron horse?
(I dont believe I gotta grieve)
Who ran the iron horse?
(in and out of luck)
Who ran the iron horse?
(with a buck and a booth)
Who ran the iron horse?
(catchin on to the truth)
Who ran the iron horse?
(in the vast past, the last gasp)
Who ran the iron horse?
(in the land, in the dust, trust that you must)
Who ran the iron horse?
(catch as catch can)
Have you seen the grand coolie workin on the railroad?
Have you seen the grand coolie workin on the railroad?
Have you seen the grand coolie workin on the railroad?
Over and over,
The crow cries uncover the cornfield.
Over and over,
The thresher and hover the wheat field.
Over and over,
The crow cries uncover the cornfield.
Over and over,
The thresher and hover the wheat field.
Over and over,
The crow cries uncover the cornfield.
Over and over,
The thresher and hover the wheat field.

song performed by by Beach Boys
Submitted by Lucian Velea
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A Garden In Chicago

In the mid-city, under an oiled sky,
I lay in a garden of such dusky green
It seemed the dregs of the imagination.
Hedged round by elegant spears of iron fence
My face became a moon to absent suns.
A low heat beat upon my reading face;
There rose no roses in that gritty place
But blue-gray lilacs hung their tassels out.
Hard zinnias and ugly marigolds
And one sweet statue of a child stood by.

A gutter of poetry flowed outside the yard,
Making me think I was a bird of prose;
For overhead, bagged in a golden cloud,
There hung the fatted souls of animals,
Wile at my eyes bright dots of butterflies
Turned off and on like distant neon signs.

Assuming that this garden still exists,
One ancient lady patrols the zinnias
(She looks like George Washington crossing the Delaware),
The janitor wanders to the iron rail,
The traffic mounts bombastically out there,
And across the street in a pitch-black bar
With midnight mirrors, the professional
Takes her first whiskey of the afternoon--

Ah! It is like a breath of country air.

poem by Karl Shapiro
Submitted by Poetry Lover
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Living A Boys Adventure Tale

(pal waaktaar/morten harket)
Ive fixed my dwelling for the night
Lights in pairs come passing by
Where I hide
I need some time now on my own
Leave my loneliness alone
To lick my wounds
Night has found me just in time
To help me close my eyes
One more time
Living a boys adventure tale
In so many ways
Living a boys adventure tale
For so many days
Im living a boys adventure tale
Cant escape, if I wanted to
Living a boys adventure tale
I may be dreaming but I feel awake
Ive been lost in so many places
Seeked love in so many faces
A change of weather,
The rain pours down
My head in hands,
Pressed to the ground
And where am I supposed to go now
Living a boys adventure tale
In so many ways
Living a boys adventure tale (aah)
Living a boys adventure tale
A voice I hear
Living a boys adventure tale
Singing a lullaby for me
Living a boys adventure tale
Because of you
Living a boys adventure
Oh you know its true
Living a boys adventure tale
In so many ways (aah)
For so many days
I love you. I love you
So many ways

song performed by by A-Ha
Submitted by Lucian Velea
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A Voice From The West

What is the voice I hear
On the wind of the Western Sea?
Sentinel, listen from out Cape Clear
And say what the voice may be.
``'Tis a proud, free people calling loud to a people proud and free.

``And it says to them, `Kinsmen, hail!
We severed have been too long.
Now let us have done with a worn-out tale-
The tale of an ancient Wrong;
And our friendship last long as Love doth last,
and be stronger than Death is strong!'''

Answer them, ``Sons of the self-same race,
And blood of the self-same clan,
Let us speak with each other face to face,
And answer man to man;
And loyally love and trust each other as none but free men can.

``So fling them out to the breeze,
Shamrock, Thistle, and Rose!
And the Star-Spangled Banner unfurl with these,
A message to friends and foes,
Wherever the sails of peace are seen and wherever the war-wind blows.

``A message to bond and thrall to wake:
For wherever we come, we twain,
The throne of the tyrant shall rock and quake,
And his menace be void and vain;
For you are lords of a strong, young land, and we are lords of the main.''

Yes, this is the voice on the bluff March gale:
``We severed have been too long.
But now we have done with a worn-out tale,
The tale of an ancient Wrong;
And our friendship shall last long as Love doth last, and be stronger than Death is strong!''

poem by Alfred Austin
Submitted by Poetry Lover
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Tales Of A Wayside Inn : Part 2. Interlude II.

'I thought before your tale began,'
The Student murmured, 'we should have
Some legend written by Judah Rav
In his Gemara of Babylon;
Or something from the Gulistan,--
The tale of the Cazy of Hamadan,
Or of that King of Khorasan
Who saw in dreams the eyes of one
That had a hundred years been dead
Still moving restless in his head,
Undimmed, and gleaming with the lust
Of power, though all the rest was dust.

'But lo! your glittering caravan
On the road that leadeth to Ispahan
Hath led us farther to the East
Into the regions of Cathay.
Spite of your Kalif and his gold,
Pleasant has been the tale you told,
And full of color; that at least
No one will question or gainsay.
And yet on such a dismal day
We need a merrier tale to clear
The dark and heavy atmosphere.
So listen, Lordlings, while I tell,
Without a preface, what befell
A simple cobbler, in the year ?
No matter; it was long ago;
And that is all we need to know.'

poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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If You Could Read My Mind

If you could read my mind
If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie
bout a ghost from a wishin well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as Im a ghost that you cant see
If I could read your mind love
What a tale your thoughts could tell
Just like a paperback novel
The kind that drugstores sell
When you reach the part where the heartaches come
The hero would be me
But heroes often fail
And you wont read that book again
Because the endings just too hard to take
Id walk away like a movie star
Who gets burned in a three way script
Enter number two
A movie queen to play the scene
Of bringing all the good things out in me
But for now love, lets be real
* I never thought I could act this way *
And Ive got to say that I just dont get it
I dont know where we went wrong
But the feelins gone
And I just cant get it back
If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie
bout a ghost from a wishin well
In a castle dark or a fortress strong
With chains upon my feet
But stories always end
And if you read between the lines
Youll know that Im just tryin to understand
The feelins that you lack
I never thought I could feel this way
And Ive got to say that I just to get it
I dont know where we went wrong
But the feelins gone
And I just cant get it back

song performed by by Gordon Lightfoot
Submitted by Lucian Velea
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If You Could Read My Mind

If you could read my mind
If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie
bout a ghost from a wishin well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as Im a ghost that you cant see
If I could read your mind love
What a tale your thoughts could tell
Just like a paperback novel
The kind that drugstores sell
When you reach the part where the heartaches come
The hero would be me
But heroes often fail
And you wont read that book again
Because the endings just too hard to take
Id walk away like a movie star
Who gets burned in a three way script
Enter number two
A movie queen to play the scene
Of bringing all the good things out in me
But for now love, lets be real
* I never thought I could act this way *
And Ive got to say that I just dont get it
I dont know where we went wrong
But the feelins gone
And I just cant get it back
If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie
bout a ghost from a wishin well
In a castle dark or a fortress strong
With chains upon my feet
But stories always end
And if you read between the lines
Youll know that Im just tryin to understand
The feelins that you lack
I never thought I could feel this way
And Ive got to say that I just to get it
I dont know where we went wrong
But the feelins gone
And I just cant get it back

song performed by by Gordon Lightfoot
Submitted by Lucian Velea
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