The Brass Well
'Tis a legend of the bushmen from the days of Cunningham,
When he opened up the country and the early squatters came.
Tis the old tale of a fortune missed by men who did seek,
And, perhaps, you haven’t heard it—The Brass Well on Myall Creek.
They were north of running rivers, they were south of Queensland rains,
And a blazing drought was scorching every grass-blade from the plains;
So the stockmen drove the cattle to the range where there was grass,
And a couple sunk a well and found what they believed was brass.
‘Here’s some bloomin’ brass!’ they muttered when they found it in the clay,
And they thought no more about it and in time they went away;
But they heard of gold, and saw it, somewhere down by Inverell,
And they felt and weighed it, crying: ‘Why! we found it in the well!’
And they worked about the station and at times they took the track,
Always meaning to save money, always meaning to go back—
‘Always meanin’,’ like the bushmen, who go drifting round like wrecks,
And they’d get half way to Myall, strike a pub and blew their cheques.
Then they told two more about it and those other two grew old,
And they never found the brass well and they never found the gold.
For the scrub grows dense and quickly and, though many went to seek,
No one ever struck the lost track to the Well on Myall Creek.
And the story is forgotten and I’m sitting here, alas!
With a woeful load of trouble and a woeful lack of brass;
But I dream at times that I might find what many went to seek,
And my luck might lead my footsteps to the Well at Myall Creek.
poem by Henry Lawson
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Related quotes
Barley Grass
Wavin' corn upon the hillside,
Twinklin' daisies on the rise,
Mystic bushes across the ranges,
Wattle in its spring-time guise,
Stately gums that mark the twinin's
Of the ole creek - let 'em pass.
Leave me here to lie, a-lazin'
In the noddin' barley grass.
Barley grass was noddin', noddin'
'Long the dear ole township track
Where, in school days, we were ploddin':
Four mile there an' four mile back.
Teacher, on the summer mornin's,
Called us, scoldin', from the class,
An' we wasted precious moments
Pickin' out the barley grass.
Barley grass insinuatin',
In a summer long ago,
Gained a girl maternal ratin',
Made a chap a holy show.
'Some one's been to walk with some one
Down the creek-side with a lass.
Fie, it ain't no use denyin'
Tell-tale seeds of barley grass.'
Came a time, when fortune frownin'
Sent a spring in cruel guise:
Wilted corn upon the hillside,
Brown soil barren on the rise,
Droopin' gums along the ole creek
Dry beneath a sky of brass;
An' we longed for just the sight of
One green tuft of barley grass.
But we battle on together,
Her an' me that mockin' spring,
Never losin' faith or doubting'
What the future was to bring.
Watchin', waitin' for the dawnin',
For the time of trial to pass;
An' 'twas her that found one mornin'
That first peep of barley grass.
We don't want no wreath of roses,
We don't want no immortelles,
When the last of us reposes
In the last of earthly spells.
Plant above - we ain't presumin'
To be writ on stone or brass
Just a modest, unassumin',
Simple bit of barley grass.
poem by Clarence Michael James Stanislaus Dennis
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Marshall's Mate
You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.
The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.
`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'
We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.
He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.
The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'
. . . . .
He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.
They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!
And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.
poem by Henry Lawson
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German Joe
SKIRTING the swamp and the tangled scrub,
Tramping and turning amidst the trees,
Carrying nothing but blankets and grub,
Careless of pleasure and health and ease,
Hither and thither with never a goal,
Heavy, and solemn, and stiff, and slow,
Seeking a track and a long-lost line,
‘Blazed avay to dot lead of mine,’—
Restless and rickety German Joe.
Down in the gully and up the range,
Stung by the gale and the hate-hot sun,
Never a greeting to give in change,
Never a tip from the nearest run,—
Seeking a guide to a golden hole,
Lost in the lone land long ago,
Left in the keep of the hills and trees;
Jealous to have and to hold are these,
Hope you may get it, though, German Joe.
‘Likely old yarn for a horse marine!
Struck it, you say, at the river head—
Back where the bellowing bunyip’s seen,
Out beyond everywhere—rich and red;
Left it for tucker, and lost the track,
Blazed till your arm couldn’t strike a blow;
Gravel that gleams with the golden stuff,
Nuggets ‘shust like as der plums in duff,’—
What are you giving us, German Joe?’
‘Blaze? Yes; you strike for the Granite Stair,
Make to the left when you cross the creek,
South till you meet with a monkey bear,
Tramp in his tracks for about a week;
Then you can travel the sky-line back.
So long, old chap, if you’re bound to go.
Don’t you forget when you’re rich and great
Who laid you on to the lost lead, mate—
Mad as a hatter is German Joe.’
Laugh as they may, they will stand his friends.
Right as rain when the old man takes
Down to his bunk in the hut, and spends
Seven weeks fighting the fever and shakes,
Muttering still of his lucky lead:
‘Vhisper—I leds you all in der know,
Den you pe richer nor as der pank.’
Boys, he’s a man if he is a crank—
Whisky and physic for German Joe.
Now he’s abroad in a wild dream-land,
Baring his breast to the river breeze—
Out where the rock-ribbed ridges stand,
Telling his tale to the secret trees,
Swift as the shadows his visions glide
Over the plains where the mad winds blow.
Cover his face now, and carve a stone,
Henceforth his spirit must seek alone—
Dead as a door-nail is German Joe.
Bushmen have yarned of a ghost that went
Blazing a track from the Granite Stair
Down to a shaft and a tattered tent,
Many days’ journey from anywhere.
Others have said that the bushmen lied.
Liars or not, it is true, we know,
Men have discovered a golden mine
Out in the track of an old blazed line,
Led by the spirit of German Joe.
poem by Edward George Dyson
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Lost & Found
I always used to be afraid
That I was going to lose my way
I never used to walk in line but stray
I never thought I'd see it through
That I could deal with losing you
But suddenly I see the light of day
Leading me in
From out of the night
Staying on course - I'm still alive
I had to confess I never thought I would ever survive
I was lost and found
I had run aground
I was lost but now I'm found
Focused on my altered state
I would just disorientate
Suffering alone amongst the crowd
Drifting on a sea of doubt
And no one ever heard me shout
That I was lost and couldn't find my way
No one at hand
Having no plan
Stumbled through a barren land
After so long
Of going wrong
I found the road
I was lost and found
I had run aground
I was lost but now I'm found
I was lost and found
I had hit the ground
I was lost but now I found
That I don't need no one
To survive
You've got to believe alone
You'll rise
Starting to run
Shedding the load
Now I can see I'm close to home
After so long
Of going wrong
I found the road
I was lost and found
I had run aground
I was lost but now I'm found
song performed by by Judas Priest
Submitted by Lucian Velea
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Avenue C
BY B. CLAYTON, J HENDRICKS AND D. LAMBERT
--------------------------------------------------------------------------------
Brass: N. Y. I dig
Reeds: What about it?
Brass: N. Y. is big
Reeds: People tout it
Brass: I flip my wig
Reeds: What about?
Brass: 'Bout a street I dig
Piano (Basie's solo): One day I was walkin' n'
Finally came upon a series of alphabet streets
A-B-C and D, but I went for "C"
The most of the hard-to-forget streets
It's really and truly the dilly of all m'pet streets
Tenor sax: Hey, hey, hey everybody now
Brass: Come go walkin' with me now
Walk up avenue C now
Chicks all lookin' so pretty
They don't give me no pity
Avenue C is the grooviest in the city
Tenor sax: I never dug an avenue so enjoyable to me
"C" Avenue is groovy
Yes it was groovy as it could be
Brass: Walk with me down Avenue C
Tenor sax: Man I really hope to say
Brass: Come on baby, while we ramble
Walk beside me while we ramble
Tenor sax: You dig it too I feel you do
What a scenic hike
It's a walk that you're bound to like
Brass: Y'got "B" on the one side
Reeds: "A"
Brass: "D" on the other
Reeds: "B"
Brass: "C" in the middle
Reeds: "C"
Brass and Reeds: Baby!
Trumpet: The reason that you're feelin' so down, babe
Is 'cause you live in Stuyvesant Town, babe
I dug you down in Hamilton Fish, babe
And realized that you were my dish, babe
Walkin' home and you can walk with me
Walkin' hand in hand up Avenue C, Oh babe
And while we're walkin' we can do some talkin'
While the people dig us wonderin' what we're puttin' down
While we, happy as we can be, glide on
Takin' life in stride up to Murphy Park there beside the river
Brass: Well our feet got rhythm
Reeds: Pure pedal syncopation
Brass: 'N when we walk with 'em
Reeds: Demandin' admiration
Brass: Well our step is snappy
Reeds: Dig people step aside now
Brass: Because we're so happy
Reeds: We're takin' life in stride now
Brass: Avenue C your vibrations are followin' me. Oh yes
Reeds: Everybody busily lookin'
Brass: Yes yes
Reeds: Me and baby steadily cookin'
Brass: Yes yes
Reeds: Start at one end talkin' and movin'
Brass: Yes yes
Reeds: To the other wiggin' and groovin'
Brass: So come
Reeds: You should
Brass: And view
Reeds: I would
Brass: This Ave-
Reeds: You could
Brass: Venue
Reeds: It's good
Brass: Walk on
Reeds: "C" Avenue, see it my way
Brass: Talk on
Reeds: No better view on a highway
Ensemble: Big town you don't know 'till you see it
Brass: Walk on
Reeds: I never saw such a wonderful sight
Drum break
Ensemble: You're gonna love it
Break
Brass: I'm hip, you'll flip
Reeds: When you dig it you'll stop and linger
Brass: You'll pop your top
Reeds: What a pleasure and what a swinger
Ensemble: Go dig it cop that view it's bound to thrill you
(Come on, come on, go)
Go dig it cop that view it's bound to thrill you
(Come on, come on, now, go)
Go dig it cop that view it's bound to thrill you
Go dig it cop that view it's bound to thrill you
song performed by by Barry Manilow
Submitted by Lucian Velea
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Country Roads ~ The New Chum Road
A new chum went, to ease his care,
A-many years ago,
To loiter round Toolangi where
The stately blue gums grow.
No bushcraft had he for his quest,
No friend to be his guide,
But sought the grade that served him best,
From Yarra's plain to mountain crest,
And crossed the Great Divide.
And round and round the hills he wound
No lilting tramp song sang he
First East, then North, then West-ward bound.
An easy grade at last he found
That led him to Toolangi.
And tho' they vowed his trail a freak,
The men that followed after
No straighter, easier path might seek,
Yet named the brook the New Chum Creek,
With rough, good-humored laughter.
They followed on his trail for years
With many a stout bush load:
Till came at last wise engineers
To build a goodly road.
With plan and scale and instrument
They sought the mountain side
To find the way the new chum went,
The best, as clearly evident,
To cross the Great Divide,
So round and round that hilly around
The pleasant track goes weaving.
Who seek its hillsides, blossom bound,
By many a gum and fern-tree crowned
Will find small cause for grieving.
The New Chum Road 'tis called today;
And they who travel round it,
And drive along that verdant way,
Will find it in their hearts to say:
'Good luck to him that found it.'
poem by Clarence Michael James Stanislaus Dennis
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Shining Like Brilliantine
Along the track a horse and caravan trundled,
Brushing the green and verdant grass between,
Inhaling the cool fresh air, she walked beside it,
With the bridle’s brass shining like brilliantine.
Inside were all the items that she treasured,
Gaily painted articles of her youth.
A crystal ball, her means to make a living,
Within a lonely Fortune Teller’s booth.
Her Mother, and Grandmother had before her,
Told the fortunes of a thousand curious minds,
This tradition in her blood’s forever present,
A Romany woman takes on what she finds.
Climbing swiftly up onto the wagon,
With melodious words, she flicked the fraying reins.
Coaxing the piebald on to their next location,
Sauntering off down new found country lanes.
poem by Ernestine Northover
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Bourke
I’ve followed all my tracks and ways,from old bark school to Leicester Square,
I’ve been right back to boyhood’s days, and found no light or pleasure there.
But every dream and every track—and there were many that I knew—
They all lead on, or they lead back, to Bourke in Ninety-one, and two.
No sign that green grass ever grew in scrubs that blazed beneath the sun;
The plains were dust in Ninety-two, that baked to bricks in Ninety-one.
On glaring iron-roofs of Bourke, the scorching, blinding sandstorms blew,
And there was nothing beautiful in Ninety-one and Ninety-two.
Save grit and generosity of hearts that broke and healed again—
The hottest drought that ever blazed could never parch the hearts of men;
And they were men in spite of all, and they were straight, and they were true,
The hat went round at trouble’s call, in Ninety-one and Ninety-two.
They drank, when all is said and done, they gambled, and their speech was rough—
You’d only need to say of one—‘He was my mate!’ that was enough.
To hint a bushman was not white, nor to his Union straight and true,
Would mean a long and bloody fight in Ninety-one and Ninety-two.
The yard behind the Shearers’ Arms was reckoned best of battle grounds,
And there in peace and quietness they fought their ten or fifteen rounds;
And then they washed the blood away, and then shook hands, as strong men do—
And washed away the bitterness—in Ninety-one and Ninety-two.
The Army on the grand old creek was mighty in those days gone by,
For they had sisters who could shriek, and brothers who could testify;
And by the muddy waterholes, they tackled sin till all was blue—
They took our bobs and damned our souls in Ninety-one and Ninety-two.
By shanty bars and shearing sheds, they took their toll and did their work—
But now and then they lost their heads, and raved of hotter hells than Bourke:
The only message from the dead that ever came distinctly through—
Was—‘Send my overcoat to hell’—it came to Bourke in Ninety-two.
I know they drank, and fought, and died—some fighting fiends on blazing tracks—
I don’t remember that they lied, or crawled behind each others’ backs;
I don’t remember that they loafed, or left a mate to battle through—
Ah! men knew how to stick to men in Ninety-one and Ninety-two.
They’re scattered wide and scattered far—by fan-like tracks, north, east, and west—
The cruel New Australian star drew off the bravest and the best.
The Cape and Klondyke claim their bones, the streets of London damned a few,
And jingo-cursed Australia mourns for Ninety-one and Ninety-two.
For ever westward in the land, Australians hear—and will not heed—
The murmur of the board-room, and the sure and stealthy steps of greed—
Bourke was a fortress on the track! and garrisons were grim and true
To hold the spoilers from Out Back, in Ninety-one and Ninety-two.
I hear it in the ridges lone, and in the dread drought-stricken wild—
I hear at times a woman’s moan—the whimper of a hungry child:
And—let the cynics say the word: ‘a godless gang, a drunken crew’—
But these were things I never heard in Ninety-one and Ninety-two.
They say that things have changed out there, and western towns have altered quite:
They don’t know how to drink and swear, they’ve half forgotten how to fight;
They’ve almost lost the strength to trust, the faith in mateship to be true—
The heart that grew in drought and dust in Ninety-one and Ninety-two.
We’ve learned to laugh the bitter laugh since then—we’ve travelled, you and I;
The sneaking little paragraph, the dirty trick, the whispered lie
Are known to us—the little men—whose souls are rotten through and through—
We called them scabs and crawlers then, in Ninety-one and Ninety-two.
And could I roll the summers back, or bring the dead time on again;
Or from the grave or world-wide track, call back to Bourke the vanished men,
With mind content I’d go to sleep, and leave those mates to judge me true,
And leave my name to Bourke to keep—the Bourke of Ninety-one and two.
poem by Henry Lawson
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Seek No More
Seek No More
Written by: Wilfred Mellers Saturday, July 28,2012
Track seen over to the west
Trying to find a little happiness
I searched the world wide over
Couldn't find my four-leaf clover
Looked to the north and the south
Couldn't find sane way out
Nights pondering countless
Eluded me my true success
Track seen into the east
Found nectar's tasting so sweet
You don't need to ask me why
I just love my little Pad Thai
My soul resides in a new place
No more of the western rat race
I have found what I've been looking for
I need to search no more
poem by Wilfred Mellers
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I Still Haven't Found What I'm Looking For
I have climbed the highest mountains
I have run through the fields
Only to be with you
Only to be with you
I have run I have crawled
I have scaled these city walls
Only to be with you
But I still haven't found
What I'm looking for
But I still haven't found
What I'm looking for
I have kissed honey lips
Felt the healing in her fingertips
It burned like fire
This burning desire
I have spoke with the tongue of angels
I have held the hand of a devil
It was warm in the night
I was cold as a stone
But I still haven't found
What I'm looking for
But I still haven't found
What I'm looking for
I believe in the Kingdom Come
Then all the colors will bleed into one
But yes I'm still running
You broke the bonds
You loosened the chains
You carried the cross
And my shame
And my shame
You know I believed it
But I still haven't found
What I'm looking for
But I still haven't found
What I'm looking for
song performed by by Cher
Submitted by Lucian Velea
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Lay Lady Lay
Lay lady lay, lay across my big brass bed,
Lay lady lay, lay across my big brass bed..
Whatever colours you have in your mind
I show them to you and you see them shine
Lay lady lay, lay across my big brass bed,
Stay lady stay, stay with your man a while..
Until the break of day, let me see you make him smile
His clothes are dirty but his, his hands are clean
And you are the best thing that hes ever seen
Stay lady stay, stay with your man a while..
Why wait any longer for the world to begin
You can have your cake and eat it, too
Why wait any longer for the one you love
When hes standing in front of you, ooh ooh
Lay across my big brass bed.....
Stay lady stay
I long to see you in the, morning light
I long to reach for you in the night
Stay lady stay, stay while the night is still ahead
Lay lady lay...
Stay... stay!...
Ahhh ahhhhhhh
Ohhhh
song performed by by Duran Duran
Submitted by Lucian Velea
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Lost And Found
I always used to be afraid
That I was going to lose my way
I never used to walk in line but stray
I never thought I'd see it through
That I could deal with losing you
But suddenly I see the light of day
Leading me in
From out of the night
Staying on course - I'm still alive
I had to confess I never thought I would ever survive
chorus
I was lost and found
I had run aground
I was lost but now I'm found
Focused on my altered state
I would just disorientate
Suffering alone amongst the crowd
Drifting on a sea of doubt
And no-one ever heard me shout
That I was lost and couldn't find my way
No-one at hand
Having no plan
I stumbled through a barren land
After so long
Of going wrong
I found the road
chorus
I was lost and found
I had hit the ground
I was lost but now I found
That I don't need no-one
To survive
You've got to believe alone
You'll rise
Starting to run
Shedding the load
Now I can see I'm close to home
After so long
Of going wrong
I found the road
chorus
song performed by by Judas Priest
Submitted by Lucian Velea
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Above Eurunderee
There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.
Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.
On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.
I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.
And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.
poem by Henry Lawson
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Eurunderee
There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.
Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.
On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.
I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.
And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.
poem by Henry Lawson
Submitted by Poetry Lover
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Lay, Lady, Lay
Lay, lady, lay, lay across my big brass bed
Lay, lady, lay, lay across my big brass bed
Whatever colors you have in your mind
Ill show them to you and youll see them shine
Lay, lady, lay, lay across my big brass bed
Stay, lady, stay, stay with your man awhile
Until the break of day, let me see you make him smile
His clothes are dirty but his hands are clean
And youre the best thing that hes ever seen
Stay, lady, stay, stay with your man awhile
Why wait any longer for the world to begin
You can have your cake and eat it too
Why wait any longer for the one you love
When hes standing in front of you
Lay, lady, lay, lay across my big brass bed
Stay, lady, stay, stay while the night is still ahead
I long to see you in the morning light
I long to reach for you in the night
Stay, lady, stay, stay while the night is still ahead
song performed by by Bob Dylan
Submitted by Lucian Velea
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Little Bit Of Soul
You been robbed
You been used
You been crucified and
You been abused
You been sacrificed and
Now you're confused
Ain't it the truth
You got a hole in your head
And a cold empty spot
In your big brass bed
When you're mad at the world and
You feel like you're losing control
All you need to get by is
A little bit of soul
When you've lost in the flood
And you feel like you been
Kicked through the mud
You know they still
Haven't found the drug
To pick us up
Feeling down
song performed by by Bon Jovi from Keep The Faith
Submitted by Lucian Velea
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Cripple Creek
1: well I married a wife in the month of june,
Married her up by the light of the moon.
We live down on cripple creek.
Weve been there about a week.
Chorus: Im a-goin down to cripple creek, Im goin on a run.
Goin down to cripple creek to have some fun.
Goin down to cripple creek, Im goin on a run.
Goin down to cripple creek to have some fun.
2: now cripple creek girls about half-grown,
Jump on a man like a dog on a bone.
Roll my pants up to my knees,
Cross on cripple creek a-when I please.
Chorus: Im a-goin down to cripple creek, Im goin on a run,
Goin down to cripple creek to have some fun.
Goin down to cripple creek, Im goin on a run.
Goin down to cripple creek to have some fun.
3: well Im goin to cripple creek, Im goin on a run.
Im a-goin to cripple creek to have some fun.
Chorus: Im a-goin to cripple creek, Im goin on a run,
Goin to cripple creek to have some fun.
song performed by by Monkees
Submitted by Lucian Velea
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The Return
Peace is declared, and I return
To 'Ackneystadt, but not the same;
Things 'ave transpired which made me learn
The size and meanin' of the game.
I did no more than others did,
I don't know where the change began;
I started as a average kid,
I finished as a thinkin' man.
If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd drop 'er! But she ain't!
Before my gappin' mouth could speak
I 'eard it in my comrade's tone;
I saw it on my neighbour's cheek
Before I felt it flush my own.
An' last it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
Rivers at night that cluck an' jeer,
Plains which the moonshine turns to sea,
Mountains that never let you near,
An' stars to all eternity;
An' the quick-breathin' dark that fills
The 'ollows of the wilderness,
When the wind worries through the 'ills--
These may 'ave taught me more or less.
Towns without people, ten times took,
An' ten times left an' burned at last;
An' starvin' dogs that come to look
For owners when a column passed;
An' quiet, 'omesick talks between
Men, met by night, you never knew
Until--'is face--by shellfire seen--
Once--an' struck off. They taught me, too.
The day's lay-out--the mornin' sun
Beneath your 'at-brim as you sight;
The dinner-'ush from noon till one,
An' the full roar that lasts till night;
An' the pore dead that look so old
An' was so young an hour ago,
An' legs tied down before they're cold--
These are the things which make you know.
Also Time runnin' into years--
A thousand Places left be'ind--
An' Men from both two 'emispheres
Discussin' things of every kind;
So much more near than I 'ad known,
So much more great than I 'ad guessed--
An' me, like all the rest, alone--
But reachin' out to all the rest!
So 'ath it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
But now, discharged, I fall away
To do with little things again....
Gawd, 'oo knows all I cannot say,
Look after me in Thamesfontein!
If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd chuck 'er! But she ain't!
poem by Rudyard Kipling
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Knights Of The Never Never
When I rode with young Sid Kidman out across the Yarrowie Plain
In that year the Long Drought ended, and the northlands smiled again
As we took the old Tarcowie track and on to Booleroo,
His keen eye scanned the country, and we yarned of men we knew:
Mal Murray and Jim Spicer, of Jasser and Judell,
Bill Mitchell and old stagers whom I still remember well;
And he told of chance-missed fortunes when the game was in his grasp,
Of life along The Barrier with German Charlie Rasp.
Now, back in Kidman country where the grizzled bushmen are,
In many a stark out-station, o'er many a shanty bar,
The drovers' drawling voices talk about 'Old Sid' today:
'Bushmen like him ain't raised no more,' the grizzled veterans say,
For o'er the furthest saltbush lands his questing mind went out
To glimpse high opportunity where others saw black drought.
Shrewd-eyed, yet greatly daring, laughing he ventured forth
To stake his luck, his judgment 'gainst swift treacheries 'up north.'
'I mind the time I rode with him,' a wizened stockman says.
'He knowed that country like a map, an' all the tricks an' ways.
'Aye, and he knowed the cattle game.' The voices drone and drawl,
Till, 'The time I rode for Kidman,' is the burden of them all.
'Deserved his luck? Too right he did, seein' how he began;
But times like them don't come again for us or any man.
Them meddlin' airyplans an' sich brings old days to an end.'
And so they mourn, no magnate, but a bushman and a friend.
So the best-known bushman passes in the fullness of his years;
And, with his passing, so an olden order disappears
Sid Kidman, Jimmy Tyson - rugged princes of Outback,
Who sought their fortunes far afield along the arid track;
Strong men who, taking heart of grace, unflinchingly rode forth
To play a rough, grim game, and win, against the stubborn North;
To become a land's tradition, future figures of romance,
Busmen who fought and loved their bush; the men who took a chance.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Words
To speak, is to think - Exist.
We presume.
Throw around.
These exquisite realizations - Sounds.
Sounds, zounds! !
Composed all around.
To secure our thought.
A world made of noise.
Meaningless afterthought.
Justification of self.
To drown the other.
I wonder...
What other?
What self?
What cost?
Price, is it to be purchased?
Can one truly exist, if left alone?
Our meaning thus.
To build-up proof.
Memory - of us.
Present the evidence, on worth.
Where none otherwise.
Might be found.
Searching for Me.
Meaning and life.
Within the Valley.
Of the Shadow of Death.
Hoping to find.
Capture it.
Before It reaches out.
Buries me.
Into darkness.
Velvet mist.
So I wonder, my purpose.
Seek, if a soul could be found.
Its value discovered.
Bit-by-bit.
A letter, at a time - I plead.
Seek, for existence meek.
Some discovered, some lost.
Was to all, mischievously bound.
Thought to myself...
A purgatory, to endure.
Justify that heavenly joy.
Has it been earned or lost?
Without knowing - Without care.
Was my preaching.
Pathos, for naught?
Alas! ! !
What is life?
But bandying empty words.
In an hourglass...
poem by Ilari Rahja
Submitted by Poetry Lover
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