Arsenal at Springfield, The
This is the Arsenal. From floor to ceiling,
Like a huge organ, rise the burnished arms;
But front their silent pipes no anthem pealing
Startles the villages with strange alarms.
Ah! what a sound will rise, how wild and dreary,
When the death-angel touches those swift keys
What loud lament and dismal Miserere
Will mingle with their awful symphonies
I hear even now the infinite fierce chorus,
The cries of agony, the endless groan,
Which, through the ages that have gone before us,
In long reverberations reach our own.
On helm and harness rings the Saxon hammer,
Through Cimbric forest roars the Norseman's song,
And loud, amid the universal clamor,
O'er distant deserts sounds the Tartar gong.
I hear the Florentine, who from his palace
Wheels out his battle-bell with dreadful din,
And Aztec priests upon their teocallis
Beat the wild war-drums made of serpent's skin;
The tumult of each sacked and burning village;
The shout that every prayer for mercy drowns;
The soldiers' revels in the midst of pillage;
The wail of famine in beleaguered towns;
The bursting shell, the gateway wrenched asunder,
The rattling musketry, the clashing blade;
And ever and anon, in tones of thunder,
The diapason of the cannonade.
Is it, O man, with such discordant noises,
With such accursed instruments as these,
Thou drownest Nature's sweet and kindly voices,
And jarrest the celestial harmonies?
Were half the power, that fills the world with terror,
Were half the wealth, bestowed on camps and courts,
Given to redeem the human mind from error,
There were no need of arsenals or forts:
The warrior's name would be a name abhorred!
And every nation, that should lift again
Its hand against a brother, on its forehead
Would wear forevermore the curse of Cain!
Down the dark future, through long generations,
The echoing sounds grow fainter and then cease;
And like a bell, with solemn, sweet vibrations,
I hear once more the voice of Christ say, "Peace!"
Peace! and no longer from its brazen portals
The blast of War's great organ shakes the skies!
But beautiful as songs of the immortals,
The holy melodies of love arise.
poem by Henry Wadsworth Longfellow
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The Arsenal at Springfield
This is the Arsenal. From floor to ceiling,
Like a huge organ, rise the burnished arms;
But front their silent pipes no anthem pealing
Startles the villages with strange alarms.
Ah! what a sound will rise, how wild and dreary,
When the death-angel touches those swift keys
What loud lament and dismal Miserere
Will mingle with their awful symphonies
I hear even now the infinite fierce chorus,
The cries of agony, the endless groan,
Which, through the ages that have gone before us,
In long reverberations reach our own.
On helm and harness rings the Saxon hammer,
Through Cimbric forest roars the Norseman's song,
And loud, amid the universal clamor,
O'er distant deserts sounds the Tartar gong.
I hear the Florentine, who from his palace
Wheels out his battle-bell with dreadful din,
And Aztec priests upon their teocallis
Beat the wild war-drums made of serpent's skin;
The tumult of each sacked and burning village;
The shout that every prayer for mercy drowns;
The soldiers' revels in the midst of pillage;
The wail of famine in beleaguered towns;
The bursting shell, the gateway wrenched asunder,
The rattling musketry, the clashing blade;
And ever and anon, in tones of thunder,
The diapason of the cannonade.
Is it, O man, with such discordant noises,
With such accursed instruments as these,
Thou drownest Nature's sweet and kindly voices,
And jarrest the celestial harmonies?
Were half the power, that fills the world with terror,
Were half the wealth, bestowed on camps and courts,
Given to redeem the human mind from error,
There were no need of arsenals or forts:
The warrior's name would be a name abhorred!
And every nation, that should lift again
Its hand against a brother, on its forehead
Would wear forevermore the curse of Cain!
Down the dark future, through long generations,
The echoing sounds grow fainter and then cease;
And like a bell, with solemn, sweet vibrations,
I hear once more the voice of Christ say, "Peace!"
Peace! and no longer from its brazen portals
The blast of War's great organ shakes the skies!
But beautiful as songs of the immortals,
The holy melodies of love arise.
poem by Henry Wadsworth Longfellow
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Storm-Music
O Music hast thou only heard
The laughing river, the singing bird,
The murmuring wind in the poplar-trees,--
Nothing but Nature's melodies?
Nay, thou hearest all her tones,
As a Queen must hear!
Sounds of wrath and fear,
Mutterings, shouts, and moans,
Madness, tumult, and despair,
All she has that shakes the air
With voices fierce and wild!
Thou art a Queen and not a dreaming child,--
Put on thy crown and let us hear thee reign
Triumphant in a world of storm and strain!
Echo the long-drawn sighs
Of the mounting wind in the pines;
And the sobs of the mounting waves that rise
In the dark of the troubled deep
To break on the beach in fiery lines.
Echo the far-off roll of thunder,
Rumbling loud
And ever louder, under
The blue-black curtain of cloud,
Where the lightning serpents gleam.
Echo the moaning
Of the forest in its sleep
Like a giant groaning
In the torment of a dream.
Now an interval of quiet
For a moment holds the air
In the breathless hush
Of a silent prayer.
Then the sudden rush
Of the rain, and the riot
Of the shrieking, tearing gale
Breaks loose in the night,
With a fusillade of hail!
Hear the forest fight,
With its tossing arms that crack and clash
In the thunder's cannonade,
While the lightning's forked flash
Brings the old hero-trees to the ground with a crash!
Hear the breakers' deepening roar,
Driven like a herd of cattle
In the wild stampede of battle,
Trampling, trampling, trampling, to overwhelm the shore!
Is it the end of all?
Will the land crumble and fall?
Nay, for a voice replies
Out of the hidden skies,
"Thus far, O sea, shalt thou go,
So long, O wind, shalt thou blow:
Return to your bounds and cease,
And let the earth have peace!"
O Music, lead the way--
The stormy night is past,
Lift up our hearts to greet the day,
And the joy of things that last.
The dissonance and pain
That mortals must endure,
Are changed in thine immortal strain
To something great and pure.
True love will conquer strife,
And strength from conflict flows,
For discord is the thorn of life
And harmony the rose.
poem by Henry Van Dyke
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The Church-Bell
As I was lying in my bed
I heard the church-bell ring;
Before one solemn word was said
A bird began to sing.
I heard a dog begin to bark
And a bold crowing cock;
The bell, between the cold and dark,
Tolled. It was five o'clock.
The church-bell tolled, and the bird sang,
A clear true voice he had;
The cock crew, and the church-bell rang,
I knew it had gone mad.
A hand reached down from the dark skies,
It took the bell-rope thong,
The bell cried "Look! Lift up your eyes!"
The clapper shook to song.
The iron clapper laughed aloud,
Like clashing wind and wave;
The bell cried out "Be strong and proud!"
Then, with a shout, "Be brave!"
The rumbling of the market-carts,
The pounding of men's feet
Were drowned in song; "Lift up your hearts!"
The song was loud and sweet.
Slow and slow the great bell swung,
It hung in the steeple mute;
And people tore its living tongue
Out by the very root.
poem by Elinor Morton Wylie
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Love You Out Loud
I sit in my living room thinking of you
And the feelings I fear are coming true
And everything about you is wrong I know it
But I still taste you on my tongue
And I still breathe you in my lungs
And I wish I could stop breaking down
Wish I could love you out loud
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else
Don't make a sound
Don't tell a soul
It's 7:00am and I just want to call you
And tell you I'm falling in love
But, there's someone else inside these four walls
If she smells you on my skin
I can't let her know where I've been
I wish I could be with you now
Wish I could love you out loud
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else
Wish I could love you out loud
Because I'm under your spell
Wish I could tell the whole world
But I'll just keep it to myself
Don't make a sound
Don't tell a soul
Don't tell them anything
And I won't let you go
Don't say a word
Don't tell a soul
And I shiver at the thought of you
I can't believe that you love me too
And we quiver when we touch
I can't believe I love you so much
And I hate it when you walk away
I know we can't go on this way
But there's magic when we touch
I can't believe I love you so much
Wish I could love you out loud
Wish I could hear how it sounds
Wish I could love you out loud
Wish I could hear how it sounds
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else
Wish I could love you out loud
Because I'm under your spell
Wish I could tell the whole world
But I'll just keep it to myself
Don't make a sound
Don't tell a soul
Don't tell them anything
And I won't let you go
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else
Wish I could love you out loud
Because I'm under your spell
Wish I could tell the whole world
But I'll just keep it to myself
Wish I could love you out loud
Wish I could hear how it sounds
Wish I could love you out loud
Wish I could hear how it sounds
Wish I could love you out loud
song performed by by Meat Loaf
Submitted by Lucian Velea
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Deaf House Agent
That deaf old man
With his hand to his ear--
His hand to hi head stood out like a shell,
Horny and hollow. He said, "I can't hear,"
He muttered, "Don't shout,
I can hear very well!"
He mumbled, "I can't catch a word;
I can't follow."
Then Jack with a voice like a Protestant bell
Roared--"Particulars! Farmhouse! At 10 quid a year!"
"I dunno wot place you are talking about."
Said the deaf old man.
Said Jack, "What the Hell!"
But the deaf old man took a pin from his desk, picked
a piece of wool the size of a hen's egg from his ear,
had a good look at it, decided in its favour and re-
placed it in the aforementioned organ.
poem by Katherine Mansfield
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Ring the Bell, Watchman!
High is the belfry the old sexton stands,
Grasping the rope with his thin bony hands;
Fix'd is his gaze, as by some magic spell,
Till he hears the distant murmmer,
Ring, ring the bell.
"Ring the bell, watchman! ring! ring! ring!
Yes, yes! the good news is now on the wing;
Yes, yes! they come, and with tidings to tell --
Glorious and blessed tidings --
Ring, ring the bell!"
Baring his long silver locks to the breeze,
First for a moment he drops on his knees;
Then with a rigor that few could excel,
Answers the welcome bidding,
Ring, ring the bell.
Hear! from the hilltop, the first signal gun
Thunders the word that some great deed is done;
Hear! thru' the valley the long echoes swell,
Ever and anon repeating,
Ring, ring the bell.
Bonfires are blazing and rockets ascend --
No meager triumphs such tokens portend;
Shout, shout! my brothers, for "all, all is well!"
'Tis the universal chorus,
Ring, ring the bell.
poem by Henry Clay Work
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Disarmament
"Put up the sword!" The voice of Christ once more
Speaks, in the pauses of the cannon's roar,
O'er fields of corn by fiery sickles reaped
And left dry ashes; over trenches heaped
With nameless dead; o'er cities starving slow
Under a rain of fire; through wards of woe
Down which a groaning diapason runs
From tortured brothers, husbands, lovers, sons
Of desolate women in their far-off homes
Waiting to hear the step that never comes!
O men and brothers! let that voice be heard.
War fails, try peace; put up the useless sword!
Fear not the end. There is a story told
In Eastern tents, when autumn nights grow cold,
And round the fire the Mongol shepherds sit
With grave responses listening unto it:
Once, on the errands of his mercy bent,
Buddha, the holy and benevolent,
Met a fell monster, huge and fierce of look,
Whose awful voice the hills and forests shook,
"O son of peace!" the giant cried, "thy fate
Is sealed at last, and love shall yield to hate."
The unarmed Buddha looking, with no trace
Of fear and anger, in the monster's face,
In pity said, "Poor fiend, even thee I love."
Lo! as he spake the sky-tall terror sank
To hand-breadth size; the huge abhorrence shrank
Into the form and fashion of a dove
And where the thunder of its rage was heard,
Circling above him sweetly sang the bird:
"Hate hath no harm for love," so ran the song,
"And peace unweaponed conquers every wrong!"
poem by John Greenleaf Whittier
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A Christmas Carmen
I.
Sound over all waters, reach out from all lands,
The chorus of voices, the clasping of hands;
Sing hymns that were sung by the stars of the morn,
Sing songs of the angels when Jesus was born!
With glad jubilations
Bring hope to the nations!
The dark night is ending and dawn has begun:
Rise, hope of the ages, arise like the sun,
All speech flow to music, all hearts beat as one!
II.
Sing the bridal of nations! with chorals of love
Sing out the war-vulture and sing in the dove,
Till the hearts of the peoples keep time in accord,
And the voice of the world is the voice of the Lord!
Clasp hands of the nations
In strong gratulations:
The dark night is ending and dawn has begun;
Rise, hope of the ages, arise like the sun,
All speech flow to music, all hearts beat as one!
III.
Blow, bugles of battle, the marches of peace;
East, west, north, and south let the long quarrel cease
Sing the song of great joy that the angels began,
Sing of glory to God and of good-will to man!
Hark! joining in chorus
The heavens bend o’er us!
The dark night is ending and dawn has begun;
Rise, hope of the ages, arise like the sun,
All speech flow to music, all hearts beat as one!
poem by John Greenleaf Whittier
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The Silver Horn
"Come, rest with me now, my silver horn!
My melodious joy, my silver horn!
These many long years my constant friend,
Together let our toiling end.
Yet fain would I ask (were mine the choice)
For a moment of strength to give thee voice--
One silvery peal ere life shall cease;
But not for war--for blessed peace."
Yes! once again ring, sweet silver horn
That long ago rang on battle morn--
From vale and glen that summon'd then
To arms! to arms! a thousand men.
For peace ring now! for peace ring high!
Ring a welcoming peal that shall not die
Till mountain and mound, the earth around,
Responsive songs in echo sound.
"Thy whispers I hear, my silver horn!
My melodious joy, my silver horn!
They comfort me oft with such control,
Methinks thou hast a living soul.
Then cherish we both one calm content;
For the land that we love our powers were spent;
And o're the turf that greens our grave,
For ages may her banner wave."
"I kiss thee adieu, my silver horn!
My melodious joy, my silver horn!"
Then suddenly loos'd the bugler's clasp;
His kiss was but a dying gasp.
Yet marvels of power can love evoke:
At the touch of his lips the bugle spoke!
And wondrously sweet, and clear, and strong,
From thence outrang a silver song.
poem by Henry Clay Work
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Christmas Bells
"I heard the bells on Christmas Day
Their old familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till, ringing, singing on its way,
The world revolved from night to day,
A voice, a chime
A chant sublime
Of peace on earth, good-will to men!
Then from each black accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
"There is no peace on earth," I said;
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"
Then pealed the bells more loud and deep:
"God is not dead; nor doth he sleep!
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men!"
poem by Henry Wadsworth Longfellow
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The Night of Death
Twas a night of dreadful horror, --
Death was sweeping through the land;
And the wings of dark destruction
Were outstretched from strand to strand
Strong men's hearts grew faint with terror,
As the tempest and the waves
Wrecked their homes and swept them downward,
Suddenly to yawning graves.
'Mid the wastes of ruined households,
And the tempest's wild alarms,
Stood a terror-stricken mother
With a child within her arms.
Other children huddled 'round her,
Each one nestling in her heart;
Swift in thought and swift in action,
She at least from one must part.
Then she said unto her daughter,
"Strive to save one child from death."
"Which one?" said the anxious daughter,
As she stood with bated breath.
Oh! the anguish of that mother;
What despair was in her eye!
All her little ones were precious;
Which one should she leave to die?
Then outspake the brother Bennie:
"I will take the little one."
"No," exclaimed the anxious mother;
"No, my child, it can't be done."
"See! my boy, the waves are rising,
Save yourself and leave the child!"
"I will trust in Christ," he answered;
Grasped the little one and smiled.
Through the roar of wind and waters
Ever and anon she cried;
But throughout the night of terror
Never Bennie's voice replied.
But above the waves' wild surging
He had found a safe retreat,
As if God had sent an angel,
Just to guide his wandering feet.
When the storm had spent its fury,
And the sea gave up its dead
She was mourning for her loved ones,
Lost amid that night of dread.
While her head was bowed in anguish,
On her ear there fell a voice,
Bringing surcease to her sorrow,
Bidding all her heart rejoice.
"Didn't I tell you true?" said Bennie,
And his eyes were full of light,
"When I told you God would help me
Through the dark and dreadful night?"
And he placed the little darling
Safe within his mother's arms,
Feeling Christ had been his guardian,
'Mid the dangers and alarms.
Oh! for faith so firm and precious,
In the darkest, saddest night,
Till life's gloom-encircled shadows
Fade in everlasting light.
And upon the mount of vision
We our loved and lost shall greet,
With earth's wildest storms behind us,
And its cares beneath our feet.
poem by Frances Ellen Watkins Harper
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Hymn Sung At A Sacred Concert At Columbia, S.C.
I
Faint falls the gentle voice of prayer
In the wild sounds that fill the air,
Yet, Lord, we know that voice is heard,
Not less than if Thy throne it stirred.
II
Thine ear, thou tender One, is caught,
If we but bend the knee in thought;
No choral song that shakes the sky
Floats farther than the Christian's sigh.
III
Not all the darkness of the land
Can hide the lifted eye and hand;
Nor need the clanging conflict cease,
To make Thee hear our cries for peace.
poem by Henry Timrod
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Hymn - A Sacred Concert
I
Faint falls the gentle voice of prayer
In the wild sounds that fill the air,
Yet, Lord, we know that voice is heard,
Not less than if Thy throne it stirred.
II
Thine ear, thou tender One, is caught,
If we but bend the knee in thought;
No choral song that shakes the sky
Floats farther than the Christian's sigh.
III
Not all the darkness of the land
Can hide the lifted eye and hand;
Nor need the clanging conflict cease,
To make Thee hear our cries for peace.
poem by Henry Timrod
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Tales Of A Wayside Inn : Part 1. Interlude V.
A strain of music closed the tale,
A low, monotonous, funeral wail,
That with its cadence, wild and sweet,
Made the long Saga more complete.
'Thank God,' the Theologian said,
'The reign of violence is dead,
Or dying surely from the world;
While Love triumphant reigns instead,
And in a brighter sky o'erhead
His blessed banners are unfurled.
And most of all thank God for this:
The war and waste of clashing creeds
Now end in words, and not in deeds,
And no one suffers loss, or bleeds,
For thoughts that men call heresies.
'I stand without here in the porch,
I hear the bell's melodious din,
I hear the organ peal within,
I hear the prayer, with words that scorch
Like sparks from an inverted torch,
I hear the sermon upon sin,
With threatenings of the last account.
And all, translated in the air,
Reach me but as our dear Lord's Prayer,
And as the Sermon on the Mount.
'Must it be Calvin, and not Christ?
Must it be Athanasian creeds,
Or holy water, books, and beads?
Must struggling souls remain content
With councils and decrees of Trent?
And can it be enough for these
The Christian Church the year embalms
With evergreens and boughs of palms,
And fills the air with litanies?
'I know that yonder Pharisee
Thanks God that he is not like me;
In my humiliation dressed,
I only stand and beat my breast,
And pray for human charity.
'Not to one church alone, but seven,
The voice prophetic spake from heaven;
And unto each the promise came,
Diversified, but still the same;
For him that overcometh are
The new name written on the stone,
The raiment white, the crown, the throne,
And I will give him the Morning Star!
'Ah! to how many Faith has been
No evidence of things unseen,
But a dim shadow, that recasts
The creed of the Phantasiasts,
For whom no Man of Sorrows died,
For whom the Tragedy Divine
Was but a symbol and a sign,
And Christ a phantom crucified!
'For others a diviner creed
Is living in the life they lead.
The passing of their beautiful feet
Blesses the pavement of the street
And all their looks and words repeat
Old Fuller's saying, wise and sweet,
Not as a vulture, but a dove,
The Holy Ghost came from above.
'And this brings back to me a tale
So sad the hearer well may quail,
And question if such things can be;
Yet in the chronicles of Spain
Down the dark pages runs this stain,
And naught can wash them white again,
So fearful is the tragedy.'
poem by Henry Wadsworth Longfellow
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A Song for St. Cecilia's Day
FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?
The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!
The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.
Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.
But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.
GRAND CHORUS.
As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!
poem by John Dryden
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Sister Rosa: A Ballad
I.
The death-bell beats!--
The mountain repeats
The echoing sound of the knell;
And the dark Monk now
Wraps the cowl round his brow,
As he sits in his lonely cell.
II.
And the cold hand of death
Chills his shuddering breath,
As he lists to the fearful lay
Which the ghosts of the sky,
As they sweep wildly by,
Sing to departed day.
And they sing of the hour
When the stern fates had power
To resolve Rosa’s form to its clay.
III.
But that hour is past;
And that hour was the last
Of peace to the dark Monk’s brain.
Bitter tears, from his eyes, gushed silent and fast;
And he strove to suppress them in vain.
IV.
Then his fair cross of gold he dashed on the floor,
When the death-knell struck on his ear.--
'Delight is in store
For her evermore;
But for me is fate, horror, and fear.'
V.
Then his eyes wildly rolled,
When the death-bell tolled,
And he raged in terrific woe.
And he stamped on the ground,--
But when ceased the sound,
Tears again began to flow.
VI.
And the ice of despair
Chilled the wild throb of care,
And he sate in mute agony still;
Till the night-stars shone through the cloudless air,
And the pale moonbeam slept on the hill.
VII.
Then he knelt in his cell:--
And the horrors of hell
Were delights to his agonized pain,
And he prayed to God to dissolve the spell,
Which else must for ever remain.
VIII.
And in fervent pray'r he knelt on the ground,
Till the abbey bell struck One:
His feverish blood ran chill at the sound:
A voice hollow and horrible murmured around--
'The term of thy penance is done!'
IX.
Grew dark the night;
The moonbeam bright
Waxed faint on the mountain high;
And, from the black hill,
Went a voice cold and still,--
'Monk! thou art free to die.'
X.
Then he rose on his feet,
And his heart loud did beat,
And his limbs they were palsied with dread;
Whilst the grave's clammy dew
O'er his pale forehead grew;
And he shuddered to sleep with the dead.
XI.
And the wild midnight storm
Raved around his tall form,
As he sought the chapel's gloom:
And the sunk grass did sigh
To the wind, bleak and high,
As he searched for the new-made tomb.
XII.
And forms, dark and high,
Seemed around him to fly,
And mingle their yells with the blast:
And on the dark wall
Half-seen shadows did fall,
As enhorrored he onward passed.
XIII.
And the storm-fiends wild rave
O’er the new-made grave,
And dread shadows linger around.
The Monk called on God his soul to save,
And, in horror, sank on the ground.
XIV.
Then despair nerved his arm
To dispel the charm,
And he burst Rosa's coffin asunder.
And the fierce storm did swell
More terrific and fell,
And louder pealed the thunder.
XV.
And laughed, in joy, the fiendish throng,
Mixed with ghosts of the mouldering dead:
And their grisly wings, as they floated along,
Whistled in murmurs dread.
XVI.
And her skeleton form the dead Nun reared
Which dripped with the chill dew of hell.
In her half-eaten eyeballs two pale flames appeared,
And triumphant their gleam on the dark Monk glared,
As he stood within the cell.
XVII.
And her lank hand lay on his shuddering brain;
But each power was nerved by fear.--
'I never, henceforth, may breathe again;
Death now ends mine anguished pain.--
The grave yawns,--we meet there.'
XVIII.
And her skeleton lungs did utter the sound,
So deadly, so lone, and so fell,
That in long vibrations shuddered the ground;
And as the stern notes floated around,
A deep groan was answered from hell.
poem by Percy Bysshe Shelley
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The Patriot
The patriot from his walls of brass
Is singing loudly as I pass;
With fearless heart and open eyes,
He shouts the ancient battle cries;
And, where I pause to hear him sing,
A silent crowd is listening.
My country, God bestows by thee
The glory of the world to be
The glory thou alone canst give
To last amid things fugitive.
My country, an ideal form
I see thee splendid in the storm,
Directress of the power divine
That makes the expectant future thine.
My country, all the world shall bow
Before thy peace-conceiving brow,
And all the peoples humbly stand
Submissive to thy blessing hand.
My country, yea, the foes who raise
A tyrant flag shall learn to praise
Thy steadfast love that dares to fight
The horde of Satan for the right.
My country, loveliest, strongest, best,
Thou hast a mission to the rest,
And greater wealth and love shall be
The guerdon of thy ministry.
In every land I hear him sing;
In every land I see him fling
His country’s flag against the skies
And gaze aloft with dazzled eyes;
And then his loud applause rings round
His walls of brass with brazen sound;
And deep below his cheering loud
I mark the murmur of the crowd.
poem by John Le Gay Brereton
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Divina Commedia
I.Written March 29, 1864.1.
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.
And leave my burden at this minster gate,
.
Kneeling in prayer, and not ashamed to pray,
.
The tumult of the time disconsolate
.
To inarticulate murmurs dies away,
.
While the eternal ages watch and wait.II.2.
How strange the sculptures that adorn these towers!
.
This crowd of statues, in whose folded sleeves
.
Birds build their nests; while canopied with leaves
.
Parvis and portal bloom like trellised bowers,
.
And the vast minster seems a cross of flowers!
.
But fiends and dragons on the gargoyled eaves
.
Watch the dead Christ between the living thieves,
.
And, underneath, the traitor Judas lowers!
.
Ah! from what agonies of heart and brain,
.
What exultations trampling on despair,
.
What tenderness, what tears, what hate of wrong,
.
What passionate outcry of a soul in pain,
.
Uprose this poem of the earth and air,
.
This mediæval miracle of song!
III.Written December 22, 1865.3.
I enter, and I see thee in the gloom
.
Of the long aisles, O poet saturnine!
.
And strive to make my steps keep pace with thine.
.
The air is filled with some unknown perfume;
.
The congregation of the dead make room
.
For thee to pass; the votive tapers shine;
.
Like rooks that haunt Ravenna's groves of pine
.
The hovering echoes fly from tomb to tomb.
.
From the confessionals I hear arise
.
Rehearsals of forgotten tragedies,
.
And lamentations from the crypts below;
.
And then a voice celestial that begins
.
With the pathetic words, "Although your sins
.
As scarlet be," and ends with "as the snow."
IV.Written May 5, 1867.4.
With snow-white veil and garments as of flame,
.
She stands before thee, who so long ago
.
Filled thy young heart with passion and the woe
.
From which thy song and all its splendors came;
.
And while with stern rebuke she speaks thy name,
.
The ice about thy heart melts as the snow
.
On mountain heights, and in swift overflow
.
Comes gushing from thy lips in sobs of shame.
.
Thou makest full confession; and a gleam,
.
As of the dawn on some dark forest cast,
.
Seems on thy lifted forehead to increase;
.
Lethe and Eunoë -- the remembered dream
.
And the forgotten sorrow -- bring at last
.
That perfect pardon which is perfect peace.
V.Written January 16, 1866.5.
I lift mine eyes, and all the windows blaze
.
With forms of Saints and holy men who died,
.
Here martyred and hereafter glorified;
.
And the great Rose upon its leaves displays
.
Christ's Triumph, and the angelic roundelays,
.
With splendor upon splendor multiplied;
.
And Beatrice again at Dante's side
.
No more rebukes, but smiles her words of praise.
.
And then the organ sounds, and unseen choirs
.
Sing the old Latin hymns of peace and love
.
And benedictions of the Holy Ghost;
.
And the melodious bells among the spires
.
O'er all the house-tops and through heaven above
.
Proclaim the elevation of the Host!
VI.Written March 7, 1866.6.
O star of morning and of liberty!
.
O bringer of the light, whose splendor shines
.
Above the darkness of the Apennines,
.
Forerunner of the day that is to be!
.
The voices of the city and the sea,
.
The voices of the mountains and the pines,
.
Repeat thy song, till the familiar lines
.
Are footpaths for the thought of Italy!
.
Thy fame is blown abroad from all the heights,
.
Through all the nations, and a sound is heard,
.
As of a mighty wind, and men devout,
.
Strangers of Rome, and the new proselytes,
.
In their own language hear thy wondrous word,
.
And many are amazed and many doubt.
poem by Henry Wadsworth Longfellow
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Psalm 148 Paraphrased
Universal praise to God.
Loud hallelujahs to the Lord,
From distant worlds where creatures dwell;
Let heav'n begin the solemn word,
And sound it dreadful down to hell.
The Lord, how absolute he reigns!
Let every angel bend the knee;
Sing of his love in heav'nly strains,
And speak how fierce his terrors be.
High on a throne his glories dwell,
An awful throne of shining bliss;
Fly through the world, O sun! and tell
How dark thy beams compared to his.
Awake, ye tempests, and his fame
In sounds of dreadful praise declare;
And the sweet whisper of his name
Fill every gentler breeze of air.
Let clouds, and winds, and waves agree
To join their praise with blazing fire;
Let the firm earth and rolling sea
In this eternal song conspire.
Ye flowery plains, proclaim his skill;
Valleys, lie low before his eye;
And let his praise from every hill
Rise tuneful to the neighb'ring sky.
Ye stubborn oaks, and stately pines,
Bend your high branches and adore:
Praise him, ye beasts, in diff'rent strains;
The lamb must bleat, the lion roar.
Birds, ye must make his praise your theme;
Nature demands a song from you;
While the dumb fish that cut the stream
Leap up, and mean his praises too.
Mortals, can you refrain your tongue,
When nature all around you sings?
O for a shout from old and young,
From humble swains and lofty kings!
Wide as his vast dominion lies
Make the Creator's name be known;
Loud as his thunder shout his praise,
And sound it lofty as his throne.
Jehovah! 'tis a glorious word:
O may it dwell on every tongue!
But saints, who best have known the Lord,
Are bound to raise the noblest song.
Speak of the wonders of that love
Which Gabriel plays on every chord:
From all below, and all above,
Loud hallelujahs to the Lord!
poem by Isaac Watts
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A Lost Chord
SEATED one day at the Organ,
I was weary and ill at ease,
And my fingers wandered idly
Over the noisy keys.
I do not know what I was playing,
Or what I was dreaming then ;
But I struck one chord of music,
Like the sound of a great Amen.
It flooded the crimson twilight,
Like the close of an Angel's Psalm,
And it lay on my fevered spirit
With a touch of infinite calm.
It quieted pain and sorrow,
Like love overcoming strife ;
It seemed the harmonious echo
From our discordant life.
It linked all perplexéd meanings
Into one perfect peace,
And trembled away into silence
As if it were loth to cease.
I have sought, but I seek it vainly,
That one lost chord divine,
Which came from the soul of the Organ,
And entered into mine.
It may be that Death's bright angel
Will speak in that chord again,
It may be that only in Heaven
I shall hear that grand Amen.
poem by Adelaide Anne Procter
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