On the Wallaby

Now the tent poles are rotting, the camp fires are dead,
And the possums may gambol in trees overhead;
I am humping my bluey far out on the land,
And the prints of my bluchers sink deep in the sand:
I am out on the wallaby humping my drum,
And I came by the tracks where the sundowners come.

It is nor'-west and west o'er the ranges and far
To the plains where the cattle and sheep stations are,
With the sky for my roof and the grass for my bunk,
And a calico bag for my damper and junk;
And scarcely a comrade my memory reveals,
Save the spiritless dingo in tow of my heels.

But I think of the honest old light of my home
When the stars hang in clusters like lamps from the dome,
And I think of the hearth where the dark shadows fall,
When my camp fire is built on the widest of all;
But I'm following Fate, for I know she knows best,
I follow, she leads, and it's nor'-west by west.

When my tent is all torn and my blankets are damp,
And the rising flood waters flow fast by the camp,
When the cold water rises in jets from the floor,
I lie in my bunk and I list to the roar,
And I think how to-morrow my footsteps will lag
When I tramp 'neath the weight of a rain-sodden swag.

Though the way of the swagman is mostly up-hill,
There are joys to be found on the wallaby still.
When the day has gone by with its tramp or its toil,
And your camp-fire you light, and your billy you boil,
There is comfort and peace in the bowl of your clay
Or the yarn of a mate who is tramping that way.

But beware of the town -- there is poison for years
In the pleasure you find in the depths of long beers;
For the bushman gets bushed in the streets of a town,
Where he loses his friends when his cheque is knocked down;
He is right till his pockets are empty, and then --
He can hump his old bluey up country again.

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Cherry- Tree Inn

The rafters are open to sun, moon, and star,
Thistles and nettles grow high in the bar --
The chimneys are crumbling, the log fires are dead,
And green mosses spring from the hearthstone instead.
The voices are silent, the bustle and din,
For the railroad hath ruined the Cherry-tree Inn.

Save the glimmer of stars, or the moon's pallid streams,
And the sounds of the 'possums that camp on the beams,
The bar-room is dark and the stable is still,
For the coach comes no more over Cherry-tree Hill.
No riders push on through the darkness to win
The rest and the comfort of Cherry-tree Inn.

I drift from my theme, for my memory strays
To the carrying, digging, and bushranging days --
Far back to the seasons that I love the best,
When a stream of wild diggers rushed into the west,
But the `rushes' grew feeble, and sluggish, and thin,
Till scarcely a swagman passed Cherry-tree Inn.

Do you think, my old mate (if it's thinking you be),
Of the days when you tramped to the goldfields with me?
Do you think of the day of our thirty-mile tramp,
When never a fire could we light on the camp,
And, weary and footsore and drenched to the skin,
We tramped through the darkness to Cherry-tree Inn?

Then I had a sweetheart and you had a wife,
And Johnny was more to his mother than life;
But we solemnly swore, ere that evening was done,
That we'd never return till our fortunes were won.
Next morning to harvests of folly and sin
We tramped o'er the ranges from Cherry-tree Inn.

. . . . .

The years have gone over with many a change,
And there comes an old swagman from over the range,
And faint 'neath the weight of his rain-sodden load,
He suddenly thinks of the inn by the road.
He tramps through the darkness the shelter to win,
And reaches the ruins of Cherry-tree Inn.

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The Swagman

Kind friends, pray give attention
To this, my little song.
Some rum things I will mention,
And I'll not detain you long.
Up and down this country
I travel, don't you see,
I'm a swagman on the wallaby,
Oh! don't you pity me.
I'm a swagman on the wallaby,
Oh! don't you pity me.

At first I started shearing,
And I bought a pair of shears.
On my first sheep appearing,
Why, I cut off both its ears.
Then I nearly skinned the brute,
As clean as clean could he.
So I was kicked out of the shed,
Oh! don't you pity me, &c.

I started station loafing,
Short stages and took my ease;
So all day long till sundown
I'd camp beneath the trees.
Then I'd walk up to the station,
The manager to see.
"Boss, I'm hard up and I want a job,
Oh! don't you pity me," &c.

Says the overseer: "Go to the hut.
Says the overseer: "Go to the hut.
In the morning I'll tell you
If I've any work about
I can find for you to do."
But at breakfast I cuts off enough
For dinner, don't you see.
And then my name is Walker.
Oh! don't you pity me.
I'm a swagman, &c.
And now, my friends, I'll say good-bye,
For I must go and camp.
For if the Sergeant sees me
He may take me for a tramp;
But if there's any covey here
What's got a cheque, d'ye see,
I'll stop and help him smash it.
Oh! don't you pity me.
I'm a swagman on the wallaby,
Oh! don't you pity me.

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The Swagman and His Mate

FROM north to south throughout the year
The shearing seasons run,
The Queensland stations start to shear
When Maoriland has done;
But labour’s cheap and runs are wide,
And some the track must tread
From New Year’s Day till Christmastide
And never get a shed!
North, west, and south—south, west and north—
They lead and follow Fate—
The stoutest hearts that venture forth—
The swagman and his mate.

A restless, homeless class they are
Who tramp in Borderland.
They take their rest ’neath moon and star—
Their bed the desert sand,
On sunset tracks they ride and tramp,
Till speech has almost died,
And still they drift from camp to camp
In silence side by side.
They think and dream, as all men do;
Perchance their dreams are great—
Each other’s thoughts are sacred to
The swagman and his mate.

With scrubs beneath the stifling skies
Unstirred by heaven’s breath;
Beyond the Darling Timber lies
The land of living death!
A land that wrong-born poets brave
Till dulled minds cease to grope——
A land where all things perish, save
The memories of Hope.
When daylight’s fingers point out back
(And seem to hesitate)
The far faint dust cloud marks their track—
The swagman and his mate.

And one who followed through the scrub
And out across the plain,
And only in a bitter mood
Would seek those tracks again,
Can only write what he has seen—
Can only give his hand—
And greet those mates in words that mean
“I know”, “I understand.”

I hope they’ll find the squatter “white”,
The cook and shearers “straight”,
When they have reached the shed to-night—
The swagman and his mate.

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Corny Bill

His old clay pipe stuck in his mouth,
His hat pushed from his brow,
His dress best fitted for the South --
I think I see him now;
And when the city streets are still,
And sleep upon me comes,
I often dream that me an' Bill
Are humpin' of our drums.

I mind the time when first I came
A stranger to the land;
And I was stumped, an' sick, an' lame
When Bill took me in hand.
Old Bill was what a chap would call
A friend in poverty,
And he was very kind to all,
And very good to me.

We'd camp beneath the lonely trees
And sit beside the blaze,
A-nursin' of our wearied knees,
A-smokin' of our clays.
Or when we'd journeyed damp an' far,
An' clouds were in the skies,
We'd camp in some old shanty bar,
And sit a-tellin' lies.

Though time had writ upon his brow
And rubbed away his curls,
He always was -- an' may be now --
A favourite with the girls;
I've heard bush-wimmin scream an' squall --
I've see'd 'em laugh until
They could not do their work at all,
Because of Corny Bill.

He was the jolliest old pup
As ever you did see,
And often at some bush kick-up
They'd make old Bill M.C.
He'd make them dance and sing all night,
He'd make the music hum,
But he'd be gone at mornin' light
A-humpin' of his drum.

Though joys of which the poet rhymes
Was not for Bill an' me,
I think we had some good old times
Out on the wallaby.
I took a wife and left off rum,
An' camped beneath a roof;
But Bill preferred to hump his drum
A-paddin' of the hoof.

The lazy, idle loafers what
In toney houses camp
Would call old Bill a drunken sot,
A loafer, or a tramp;
But if the dead should ever dance --
As poets say they will --
I think I'd rather take my chance
Along of Corny Bill.

His long life's-day is nearly o'er,
Its shades begin to fall;
He soon must mount his bluey for
The last long tramp of all;
I trust that when, in bush an' town,
He's lived and learnt his fill,
They'll let the golden slip-rails down
For poor old Corny Bill.

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The Wallaby Brigade

You often have been told of regiments brave and bold,
But we are the bravest in the land;
We're called the Tag-rag Band, and we rally in Queensland,
We are members of the Wallaby Brigade.

Tramp, tramp, tramp across the borders,
The swagmen are rolling up, I see.
When the shearing's at an end we'll go fishing in a bend.
Then hurrah! for the Wallaby Brigade.

When you are leaving camp, you must ask some brother tramp
If there are any jobs to be had,
Or what sort of a shop that station is to stop
For a member of the Wallaby Brigade.

You ask me if they want men, you ask for rations then,
If they don't stump up a warning should be made;
To teach them better sense—why, "Set fire to their fence"
Is the war cry of the Wallaby Brigade.

The squatters thought us done when they fenced in all their run,
But a prettier mistake they never made;
You've only to sport your dover and knock a monkey over
There's cheap mutton for the Wallaby Brigade.

Now when the shearing's in our harvest will begin,
Our swags for a spell down will be laid;
But when our cheques are drank we will join the Tag-rag rank,
Limeburners in the Wallaby Brigade.

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West End Girls

(....forever)
Sometimes youre better off dead
Theres gun in your hand and its pointing at your head
You think youre mad, too unstable
Kicking in chairs and knocking down tables
In a restaurant in a west end town
Call the police, theres a madman around
Running down underground to a dive bar
In a west end town
In a west end town, a dead end world
The east end boys and west end girls
In a west end town, a dead end world
The east end boys and west end girls
West end girls
Too many shadows, whispering voices
Faces on posters, too many choices
If, when, why, what?
How much have you got?
Have you got it, do you get it, if so, how often?
And which do you choose, a hard or soft option?
(how much do you need? )
In a west end town, a dead end world
The east end boys and west end girls
In a west end town, a dead end world
The east end boys and west end girls
West end girls
West end girls
(how much do you need? )
In a west end town, a dead end world
The east end boys and west end girls
Oooh west end town, a dead end world
East end boys, west end girls
West end girls
Youve got a heart of glass or a heart of stone
Just you wait till I get you home
Weve got no future, weve got no past
Here today, built to last
In every city, in every nation
From lake geneva to the finland station
(how far have you been? )
In a west end town, a dead end world
The east end boys and west end girls
A west end town, a dead end world
East end boys, west end girls
West end girls
West end girls
West end girls
(how far have you been? )
Girls
East end boys
And west end girls
And west end girls
And west end girls
East end boys
The west end girls
The west end boys
And west end girls
The west end girls
The west end boys
The west end girls

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As Good as New

OH, this is a song of the old lights, that came to my heart like a hymn;
And this is a song for the old lights—the lights that we thought grew dim,
That came to my heart to comfort me, and I pass it along to you;
And here is a hand to the good old friend who turns up as good as new.
And this is a song for the camp-fire out west where the stars shine bright—
Oh, this is a song for the camp-fire where the old mates yarn to-night;
Where the old mates yarn of the old days, and their numbers are all too few,
And this is a song for the good old times that will turn up as good as new.

Oh, this is a song for the old foe—we have both grown wiser now,
And this is a song for the old foe, and we’re sorry we had that row;
And this is a song for the old love—the love that we thought untrue—
Oh, this is a song of the dear old love that comes back as good as new.

Oh, this is a song for the black sheep, for the black sheep that fled from town,
And this is a song for the brave heart, for the brave heart that lived it down;
And this is a song for the battler, for the battler who sees it through—
And this is a song for the broken heart that turns up as good as new.

Ah, this is a song for the brave mate, be he Bushman, Scot, or Russ,
A song for the mates we will stick to—for the mates who have stuck to us;
And this is a song for the old creed, to do as a man should do,
Till the Lord takes us all to a wider world—where we’ll turn up as good as new.

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The Bard of Furthest Out

He longed to be a Back-Blocks Bard,
And fame he wished to win—
He wrote at night and studied hard
(He read The Bulletin);
He sent in “stuff” unceasingly,
But couldn’t get it through;
And so, at last, he came to me
To see what I could do.

The poet’s light was in his eye,
He aimed to be a man;
He bought a bluey and a fly,
A brand new billy-can.
I showed him how to roll his swag
And “sling it” with the best;
I gave him my old water-bag,
And pointed to the west.

“Now you can take the train as far
As Blazes if you like—
The wealthy go by motor-car
(Some travellers go by bike);
They race it through without a rest,
And find it very tame—
But if you tramp it to the west
You’ll get there just the same.

“(No matter if the hour is late,
The morning goes Out-Back),
You do not need a dog nor mate,
You’ll find them on the track.
You must avoid such deadly rhymes
As ‘self’ and ‘elf’ and ‘shelf’.
But were it as in other times,
I’d go with you myself.

“Those days are done for me, but ah!
On hills where you shall be,
The wattle and the waratah
Are good to smell and see.
But there’s a scent, my heart believes,
That ‘travellers’ set higher
Than wattle—’tis the dried gum leaves
That light the evening fire.

“The evening fire and morning fire
Are one fire in the Bush.
(You’ll find the points that you require
As towards the west you push.)
And as you pass by ancient ways,
Old camps, and mountain springs,
The spirits of the Roaring Days
Will whisper many things.

“The lonely ridge-and-gully belt—
The spirit of the whole
It must be seen; it must be felt—
Must sink into your soul!
The summer silence-creek-oaks’ sigh—
The windy, rainy “woosh”—
’Tis known to other men, and I—
The Spirit of the Bush!

“So on, and on, through dust and heat,
When past the spurs you be—
And you shall meet whom you shall meet,
And see what you shall see,
You need not claim the stranger’s due,
They yield it everywhere,
And mateship is a thing that you
Must take for granted there.

“And in the land of Lord-knows-where—
Right up and furthest out—
You find a new Australia there
That we know nought about.
Live as they live, fight as they fight,
Succeed as they succeed,
And then come back again and write
For all the world to read.”

I’ve got a note from Hungerford,
’Tis written frank and fair;
The bushman’s grim philosophy—
The bushman’s grin are there.
And tramping on through rain and drought—
Unlooked for and unmissed—
I may have sent to furthest out
The Great Bush Novelist.

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Over the Ranges and Into the West

Let others sing praise of their sea-girted isles,
But give me the bush with its limitless miles;
Then it’s over the ranges and into the West,
To the scenes of wild boyhood; we love them the best.

We’ll ride and we’ll ride from the city afar,
To the plains where the cattle and sheep stations are;
Where stockmen ride hard, and the drover starts forth
On his long, lonely journey ’way up in the North.

When your money is low, and your luck has gone down,
There’s no place so lone as the streets of a town;
There’s nothing but worry, and dread and unrest,
So we’ll over the ranges and into the West.

The drought in the West may spread ruin around,
But the dread drought of life in the city is found;
And I’d far sooner tread on the long dusty way,
Where each one you meet says, “Good day, mate, good day.”

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The Drover Of The Stars

IT is little I care for earth's kings,
Its emperors, sultans and czars,
As I lie in the darkness and dream
All alone with my sheep and the stars.
For as dust of the moment are they,
Now agleam and now still on earth's breast;
But the stars, spreading wide in the night,
Travel on, ever on to the west.
My sheep, snugly camped in the dark,
Misty-white with the pale grasses blend;
But where is the camp of the stars?
And whither, O Night, do they wend?
Through leagues of dry distance we came,
Where dust-wreaths, wind-woven, upcurled,
Since Dawn dropped the rails of the east
And let the Day into our world.
Slow-moving we travelled the plains,
Trudging on through the sun and the wind,
Till Day galloped out of the west,
And Night set the sliprails behind.
And now, by my camp-fire alone,
A tryst with pale Wonder I keep —
That mystical Lady of Dreams,
Whose hour is the sleep-of-the-sheep.
Foot-tired in the grasses they lie,
Mist-pale in the darkness, and dumb;
Yet who was it mustered the stars,
And whence and what leagues have they come?
Who keeps them from straying apart?
Who urges them straight on their route?
No answer — none tell me; and lo!
The Night, though it listen, is mute!
Watch 'neath the stars of the Cross,
Orion, and Venus and Mars;
I am but a drover of sheep —
But who is the Drover of Stars?

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Henry Wadsworth Longfellow

The Emperor's Bird's-Nest. (Birds Of Passage. Flight The First)

Once the Emperor Charles of Spain,
With his swarthy, grave commanders,
I forget in what campaign,
Long besieged, in mud and rain,
Some old frontier town of Flanders.

Up and down the dreary camp,
In great boots of Spanish leather,
Striding with a measured tramp,
These Hidalgos, dull and damp,
Cursed the Frenchmen, cursed the weather.

Thus as to and fro they went,
Over upland and through hollow,
Giving their impatience vent,
Perched upon the Emperor's tent,
In her nest, they spied a swallow.

Yes, it was a swallow's nest,
Built of clay and hair of horses,
Mane, or tail, or dragoon's crest,
Found on hedge-rows east and west,
After skirmish of the forces.

Then an old Hidalgo said,
As he twirled his gray mustachio,
'Sure this swallow overhead
Thinks the Emperor's tent a shed,
And the Emperor but a Macho!'

Hearing his imperial name
Coupled with those words of malice,
Half in anger, half in shame,
Forth the great campaigner came
Slowly from his canvas palace.

'Let no hand the bird molest,'
Said he solemnly, 'nor hurt her!'
Adding then, by way of jest,
'Golondrina is my guest,
'T is the wife of some deserter!'

Swift as bowstring speeds a shaft,
Through the camp was spread the rumor,
And the soldiers, as they quaffed
Flemish beer at dinner, laughed
At the Emperor's pleasant humor.

So unharmed and unafraid
Sat the swallow still and brooded,
Till the constant cannonade
Through the walls a breach had made,
And the siege was thus concluded.

Then the army, elsewhere bent,
Struck its tents as if disbanding,
Only not the Emperor's tent,
For he ordered, ere he went,
Very curtly, 'Leave it standing!'

So it stood there all alone,
Loosely flapping, torn and tattered,
Till the brood was fledged and flown,
Singing o'er those walls of stone
Which the cannon-shot had shattered.

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In The Benevolent

‘I’M OFF on the wallaby!’ cries Old Ben,
And his pipe is lit, and his swag is rolled;
‘There is nothing here for us old-time men,
But up north, I hear, they are on the gold.’
And he shuffles off with a feeble stride,
With his ragged swag and his billy black.
He is making tracks for the other side,
O’er the river deep, or the Great Divide;
But at night, dead beat, he travels back.

Then at morn next day he is off again,
With an eager light in his aged eyes,
Tramping away on his journey vain
For the land of promise beyond the rise.
Over the range there is work to do,
There is roaring life at the shanty bars.
He will tramp the plains whilst the skies are blue,
And will wander the great wide bushland through,
And be soothed to sleep by the blinking stars.

In the garden gay where the old man roams
Pied poppies sway on their supple stalks,
And the fair white rose on the soft breeze foams,
And the pansies peep by the gravelled walks;
But his brow by the breeze of the hills is fanned,
And the clink of bells to his quick ear comes.
When he shades his eyes with a withered hand,
He sees silent rivers and ranges grand,
Or a still lagoon under silver gums.

‘Are you bound out back, Dan?’ the children cry,
And they peer at him through the fence, and shout
‘Well, it’s so long, Dan,’ as he hobbles by,
With his ‘Ay, ay, sonny lad—tramping out!’
On his back he’s bearing his house and bed,
As he bore them both in his manhood’s pride,
Pressing on each day till his strength has fled
By the force of a dauntless spirit led—
There’s a rush somewhere on the Sydney side.

Though his sight may fail and his limbs give way,
Yet no weakness touches his brave old heart,
And he cries each night: ‘At the break of day
I must strap up bluey and make a start!’
And they humour him; for the time is near
When he’ll tramp no more under changeful skies,
But will leave his travels and troubles here,
Take the track God blazed with His stars, and steer
To the Never Land just across the rise.

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The Men Who Made Australia

There'll be royal times in Sydney for the Cuff and Collar Push,
There’ll be lots of dreary drivel and clap-trap
From the men who own Australia, but who never knew the Bush,
And who could not point their runs out on the map.
Oh, the daily Press will grovel as it never did before,
There’ll be many flags of welcome in the air,
And the Civil Service poet, he shall write odes by the score—
But the men who made the land will not be there.
You shall meet the awful Lady of the latest Birthday Knight—
(She is trying to be English, don’t-cher-know?)
You shall hear the empty mouthing of the champion blatherskite,
You shall hear the boss of local drapers blow.
There’ll be ‘majahs’ from the counter, tailors’ dummies from the fleet,
And to represent Australia here to-day,
There’s the today with his card-case and his cab in Downing-street;
But the men who made Australia—where are they?

Call across the blazing sand wastes of the Never-Never Land!
There are some who will not answer yet awhile,
Some whose bones rot in the mulga or lie bleaching on the sand,
Died of thirst to win the land another mile.
Thrown from horses, ripped by cattle, lost on deserts; and the weak,
Mad through loneliness or drink (no matter which),
Drowned in floods or dead of fever by the sluggish slimy creek—
These are men who died to make the Wool-Kings rich.

Call across the scrubby ridges where they clear the barren soil,
And the gaunt Bush-women share the work of men—
Toil and loneliness for ever—hardship, loneliness and toil—
Where the brave drought-ruined farmer starts again!
Call across the boundless sheep-runs of a country cursed for sheep—
Call across the awful scrublands west of Bourke!
But they have no time to listen—they have scarcely time to sleep—
For the men who conquer deserts have to work.

Dragged behind the crawling sheep-flock on the hot and dusty plain,
They must make a cheque to feed the wife and kids—
Riding night-watch round the cattle in the pelting, freezing rain,
While world-weariness is pressing down the lids.
And away on far out-stations, seldom touched by Heaven’s breath,
In a loneliness that smothers love and hate—
Where they never take white women—there they live the living death
With a half-caste or a black-gin for a mate.

They must toil to save the gaunt stock in the blazing months of drought,
When the stinging, blinding blight is in men’s eyes—
On the wretched, burnt selections, on the big runs further out
Where the sand-storm rises lurid to the skies.
Not to profit when the grass is waving waist-high after rain,
And the mighty clip of wool comes rolling in—
For the Wool-King goes to Paris with his family again
And the gold that souls are sacrificed to win.

There are carriages in waiting for the swells from over-sea,
There are banquets in the latest London style,
While the men who made Australia live on damper, junk and tea—
But the quiet voices whisper, ‘Wait a while!’
For the sons of all Australia, they were born to conquer fate—
And, where charity and friendship are sincere,
Where a sinner is a brother and a stranger is a mate,
There the future of a nation’s written clear.

Aye, the cities claim the triumphs of a land they do not know,
But all empty is the day they celebrate!
For the men who made Australia federated long ago,
And the men to rule Australia—they can wait.
Though the bed may be the rough bunk or the gum leaves or the sand,
And the roof for half the year may be the sky—
There are men amongst the Bushmen who were born to save the land!
And they’ll take their places sternly by-and-by.

There’s a whisper on the desert though the sunset breeze hath died
In the scrubs, though not a breath to stir a bough,
There’s a murmur, not of waters, down the Lachlan River side,
’Tis the spirit of Australia waking now!
There’s the weird hymn of the drought-night on the western water-shed,
Where the beds of unlocked rivers crack and parch;
’Tis the dead that we have buried, and our great unburied dead,
Who are calling now on living men to march!

Round the camp fire of the fencers by the furthest panel west,
In the men’s hut by the muddy billabong,
On the Great North-Western Stock-routes where the drovers never rest,
They are sorting out the right things from the wrong.
In the shearers’ hut the slush lamp shows a haggard, stern-faced man
Preaching war against the Wool-King to his mates;
And wherever go the billy, water-bag and frying-pan,
They are drafting future histories of states!

poem by Henry LawsonReport problemRelated quotes
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How the Land was Won

The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.

The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!

With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!

It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!

Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!

They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,
The miseries suffered, unvoiced, unknown –
And that's how the land was won.

No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!

And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.

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The Swamp

FOR one whole day and a long night through
We made our camp
In a she-oak grove by a coastal swamp.
Our tent gleamed white in the she-oak trees,
Whose falling hair
Made a soft, brown mist in the sweet blue air.
A sound subdued from their tresses rose —
A moan, a sigh
As of unseen seas, when the breeze went by.
'Twas wattle-time, and the scented bloom,
New lit and young,
In a mass of gold from the still trees hung.
There music dwelt, and a splendour moved
Through all the day
From the green of dawn to the twilight gray.
For careless ever, like one who goes
Where Joyance leads,
Sang the little reed-bird in the tall, green reeds.
Blue, swift and slender the dragonflies
A-hawking flew,
And a hawk hung poised in the burning blue.
A crane, slow-flapping its great wings, passed
Across the scene,
And a parrot jewelled the leafy screen.
In twos and threes from the hills around
The peewits came,
And the brush-flower burnt like a crimson flame.
On ti-tree trunk and on frond and log
The lizards slept,
While the sun moved west, and the shadows crept.
The sun moved west, and the tall hills sent
Broad shadows east,
And the reed-bird's song in the reed-beds ceased.
Then fell a hush, and within that hush
Rose, clear and shrill,
A cicada note on a distant hill.
A note of farewell, it seemed to us,
Its singing bore;
And the night came down, and it sang no more.
Night came with shadows and fitful gleams
And mist and damp,
And our fire burned red by the coastal swamp.
Then life not known of the daytime woke —
That life that preys
On the feathered things of the leafy ways.
We heard feet moving, and velvet wings
On swamp and height,
And a dingo howling across the night.
As, faces lit by the red camp-fire,
We mused enthralled.
Like a lone, lost spirit a curlew called;
Brown crickets sang in the moisty mould,
And every breeze
Drew a moaning note from the she-oak trees.
And all night long, as they swayed and moaned,
Strange fancies woke,
And we could not rest for the things they spoke.
Thus much and more through the hours we saw;
Thus much we heard
In that place of blossom and tree and bird.
Since then gold wattles have bloomed and bloomed,
And moons aloft
In the sky have wizened and waned full oft.
And yet, at times, when the night is still,
In dreams I tramp
Through the white sand-dunes to that coastal camp.

poem by Roderic QuinnReport problemRelated quotes
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Possum A Lay of New Chumland

SO YER trav’lin’ for yer pleasure while yer writin’ for the press?
An’ yer huntin’ arter “copy”?—well, I’ve heer’d o’ that. I guess
You are gorn ter write a story that is gorn ter be yer best,
’Bout the “blunders an’ advenchers ov a new chum in the west?”
An’ you would be very thankful an’ acknowledge any hint?
Well, I karn’t say as I hankers fur ter see my name in print;
But I know a little story an’ I’ll tell it out ov hand
If yer’ll put it down in writin’ that the swells kin understand—
(It’s a story ov a new chum, and—a story ov the land.)


He had lately kum from Ingland—you cud tell it by ’s cap—
Fur “kerlonial exper’ence” (an’ he got it, too, poor chap).
’Twas in town he met the squatter, an’ he asked, as if in fun,
“If the boss ’ud want a flunkey or a coachy on the run?”
Well, it riz the boss’s dander, an’ he jumps clean orf ’is ’oss—
“Now, me fresh, sweet-scented beauty, watyer giv’nus?” sez the boss;
“I hev met yer kidney often, an’ yer mighty fresh an’ free,
But yer needn’t think yer gorn ter come a-lardin’ over me!”


But the new chum sed that ’onest he was lookin’ for a job,
An’ in spite of his appearance he had blued ’is bottom bob.
An’ as beggars karn’t be choosers same as people wot are rich,
Said he’d go as stoo’rd or gard’ner, but he warn’t partickler which.
Well, the joker seemed in earnest, so the boss began ter cool,
An’ he only blanked the new chum for a thund’rin’ jumpt-up fool.
Then he sed, “Well, there’s the fencin’, if yer’ll tramp it up from Perth,
The boys ’ll find yer su’thin p’r’aps, an’ giv’ yer wat yer worth.”


Ov course the squatter never thort ter see ’im any more,
But he wa’n’t the kind ov new chum that the squatter tuk ’im for;
No, he wa’n’t the kind er cockeroach that on’y kums ter shirk,
That wants ter git the sugar, but is fri’tened ov the work;
For he sold ’is watch ’n’ jool’ry, ’n’ lardi-dardy suits,
Stuck a swag upon his shoulder, ’n’ ’is feet in blucher boots;
An’ I dunno how he did it, he was anythin’ but strong,
But he ’umped his bluey ninety mile an’ kum to Bunglelong.

He earnt ’is pound and tucker borin’ holes an’ runnin’ wire,
An’ he’d work from dawn to sunset, an’ he never seemed to tire;
But he must have suffered orful from the tucker an’ the heat,
An’ the everlastin’ trampin’ made ’im tender in the feet,
An’ he must hev thort ov England w’en the everlastin’ flies
Ware a-worrit, worrit, worrit, an’ a-knawin’ at ’is eyes;
An’ he used to swear like thunder w’en the yaller sergeant ants
Took a mornin’ stroll, promiscus, on the inside ov ’is pants.

He uster make ’is damper six or seven inches thick—
It was doughey on the inside an’ the shell was like a brick,
An’ while the damper made ’im dream ov days ov long ago,
The little boodie rats ’ud kum an’ nibble out the dough.
He biled ’is taters soggy, an’ ’is junk was biled to rags
(The little boodie rats ’ud kum an’ chew ’s tucker bags),
But he took ’is troubles cheerful, an’ he fixed ’em like a pome,
An’ writ ’em in his darey to amuse the folks at home.

At first he flashed a coller an’ was keerful with ’is hat,
An’ he’d black ’is boots ov Sundays, but he soon grew out of that;
An’ he lernt ter bake ’is damper, an’ he leant to bile ’is junk
An’ sleep without a-getting up all night ter shake ’is bunk.
He soon got out ov takin’ “shorter cuts” across the flats,
An’ he learnt to fling ole bottles to the sorror of the rats,
An’ learnt to sling kerlonial and like the bushman’s way,
An’ it did us good to see ’im smoke ’is “nigger” in a clay.

He would sing an’ play ’is fiddle when we gathered round the blaze,
Till ole Frenchy got excited while he’d play the Mascylays;
An’ Bill ’ud take ’is hat off while he’d spout the Light Brigade,
An’ Scotchy got oneasy when the “Bony ’Ills” was played.
So we got ter like the new chum for we’d met with many wuss,
An’ we made it easy for ’im an’ he seemed to take to us:
The toilin’ an’ the trampin’ was a-cookin’ ’im we found,
So we made ’im cook an’ stoo’rd just ter keep the chap around.

Well, the months went bakin’ broilin’ on until Christmas nex’,
When we tramped it down to Perth to spend our ’ollyday (and cheques);
But Possum sed he’d save ’is tin an’ stay and mind the camp,
So we left ’im in possession an’ we started on our tramp;
(We useter call ’im Possum, but for short we called ’im Poss,
For ’is eyes was black an’ twinklin’ and a little chap he was),
We never would have left ’im if we’d know’d (but that’s the ru,
Comin’ back we found ’im dyin’ in ’is gunyah in the scrub.

We fixed ’im up an’ nursed ’im; but we seen without a doubt
That consumption was the matter, an’ the chap was peggin’ out;
But the lion heart inside ’im was as strong an’ stout as six,
An’ while he’d smile an’ thank us he would joke about ’is fix;
An’ he said ’twas very jolly to be dry-nursed in a tent,
An’ he reckoned that the Christmas was the best he’d ever spent;
He would talk of ’ome and Inglan’ when ’is head began ter swim,
But he never blamed the country that had been so ’ard on him.

He would say, “I like the country; if a feller’s blind er halt,
Or if he’s got konsumption, why it ain’t the country’s fault.
The tea that’s boil’d in billies is far sweeter stuff, I know,
Than the cursed drink w’at blasted all my chances long ago.
I would hev cum out sooner if it was my destiny,
An’ I daresay that the country would have made a man ov me.
But w’at’s the good ov energy, an’ wat’s the good er ‘push’
W’en a feller’s sick an’ dyin’ in a gunyah in the bush.”

But he tole me all about it as I sat beside ’is bunk—
How he’d spent ’is tin in Melbourne an’ was allers gettin’ drunk;
How he thort he’d take it easy while he had a little gold,
And, before he turned the new leaf, how he scribbled on the old;
An’ among a lot ov nonsense w’en ’is mind began to drift,
He told me that the new leaf was a heavy leaf to lift.
But w’ats the good er writin’ this, it’s nothin’ very new,
The land will see enough ov it an’ suffer for it, too.
An’ he said w’en he was dying, (when his lung was spit away)
An’ we all was standin’ round ’im in the gunyah where he lay,
An’ he said, “I’ve watched the sunset—when the wind began to ‘woosh’,
Like a layer ov coals a-glowin’—on the dark bed ov the bush;
An’ I felt my fingers slippin’—slippin’—slowly—from the ropes,
Wen the West was cold—like ashes—like the ashes of my hopes;
An’—I—— Sit beside me—Peter—let me ’old—a—bushman’s hand,
For I’m—gorn to—’ump—my bluey—through the gates ov—Newchumland.”

poem by Henry LawsonReport problemRelated quotes
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The Passing of Scotty

WE THROW us down on the dusty plain
When the gold has gone from the west,
But we rise and tramp on the track again,
For we’re tired—too tired to rest.
Darker and denser the shadows fall
That are cramping each aching brow—
Scotty the Wrinkler! you’ve solved it all,
Give us a wrinkle now.

But no one lieth so still in death
As the rover who never could rest;
And he’s free of thought as he’s free of breath—
And his hands are crossed on his breast.
You have earned your rest—you brave old tramp—
As I hope in the end we will.
Ah me! ’Twas a long, long way to camp
Since the days when they called you “Phil’.

What have they done with your quaint old soul
Now they have passed you through?
But we can’t but think, as our swags we roll,
That it’s right, old man, with you;
You learned some truth in the storm and strife
Of the outcast battler’s ways;
And you left some light in the vagabond’s life
Ere you vanished beyond the haze.

One by one in the far ahead,
In the smothering haze of drought—
Where hearts are loyal and hopes are dead—
The forms of our mates fade out.
’Tis a distant goal and a weary load,
But we follow the Wrinkler home,
As, staggering into the short, straight road,
From the blind branch tracks we come.

We leave our mark and we play our part
In the nation’s pregnant days,
And we find a place in the Bushman’s heart
Ere we vanish beyond the haze.

poem by Henry LawsonReport problemRelated quotes
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Saltbush Bill, J.P.

Beyond the land where Leichhardt went,
Beyond Sturt's Western track,
The rolling tide of change has sent
Some strange J.P.'s out back.

And Saltbush Bill, grown old and grey,
And worn for want of sleep,
Received the news in camp one day
Behind the travelling sheep

That Edward Rex, confiding in
His known integrity,
By hand and seal on parchment skin
Had made hiim a J.P.

He read the news with eager face
But found no word of pay.
'I'd like to see my sister's place
And kids on Christmas Day.

'I'd like to see green grass again,
And watch clear water run,
Away from this unholy plain,
And flies, and dust, and sun.'

At last one little clause he found
That might some hope inspire,
'A magistrate may charge a pound
For inquest on a fire.'

A big blacks' camp was built close by,
And Saltbush Bill, says he,
'I think that camp might well supply
A job for a J.P.'

That night, by strange coincidence,
A most disastrous fire
Destroyed the country residence
Of Jacky Jack, Esquire.

'Twas mostly leaves, and bark, and dirt;
The party most concerned
Appeared to think it wouldn't hurt
If forty such were burned.

Quite otherwise thought Saltbush Bill,
Who watched the leaping flame.
'The home is small,' said he, 'but still
The principle's the same.

'Midst palaces though you should roam,
Or follow pleasure's tracks,
You'll find,' he said, 'no place like home,
At least like Jacky Jack's.

'Tell every man in camp, 'Come quick,'
Tell every black Maria
I give tobacco, half a stick,
Hold inquest long-a fire.'

Each juryman received a name
Well suited to a Court.
'Long Jack' and 'Stumpy Bill' became
'John Long' and 'William Short'.

While such as 'Tarpot', 'Bullock Dray',
And 'Tommy Wait-a-While',
Became, for ever and a day,
'Scot', 'Dickens', and 'Carlyle'.

And twelve good sable men and true
Were soon engaged upon
The conflagration that o'erthrew
The home of John A. John.

Their verdict, 'Burnt by act of Fate',
They scarcely had returned
When, just behind the magistrate,
Another humpy burned!

The jury sat again and drew
Another stick of plug.
Said Saltbush Bill, 'It's up to you
Put some one long-a Jug.'

'I'll camp the sheep,' he said, 'and sift
The evidence about.'
For quite a week he couldn't shift,
The way the fires broke out.

The jury thought the whole concern
As good as any play.
They used to 'take him oath' and earn
Three sticks of plug a day.

At last the tribe lay down to sleep
Homeless, beneath a tree;
And onward with his travelling sheep
Went Saltbush bill, J.P.

His sheep delivered, safe and sound,
His horse to town he turned,
And drew some five-and-twenty pound
For fees that he had earned.

And where Monaro's ranges hide
Their little farms away,
His sister's children by his side,
He spent his Christmas Day.

The next J.P. that went out back
Was shocked, or pained, or both,
At hearing every pagan black
Repeat the juror's oath.

No matter how he turned and fled
They followed faster still;
'You make it inkwich, boss,' they said,
'All same like Saltbush Bill.'

They even said they'd let him see
The fires originate.
When he refused they said that he
Was 'No good magistrate'.

And out beyond Sturt's western track,
And Leichhardt's farthest tree,
They wait till fate shall send them back
Their Saltbush Bill, J.P.

poem by Andrew Barton PatersonReport problemRelated quotes
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The Great Grey Plain

Out West, where the stars are brightest,
Where the scorching north wind blows,
And the bones of the dead gleam whitest,
And the sun on a desert glows --
Yet within the selfish kingdom
Where man starves man for gain,
Where white men tramp for existence --
Wide lies the Great Grey Plain.

No break in its awful horizon,
No blur in the dazzling haze,
Save where by the bordering timber
The fierce, white heat-waves blaze,
And out where the tank-heap rises
Or looms when the sunlights wane,
Till it seems like a distant mountain
Low down on the Great Grey Plain.

No sign of a stream or fountain,
No spring on its dry, hot breast,
No shade from the blazing noontide
Where a weary man might rest.
Whole years go by when the glowing
Sky never clouds for rain --
Only the shrubs of the desert
Grow on the Great Grey Plain.

From the camp, while the rich man's dreaming,
Come the `traveller' and his mate,
In the ghastly dawnlight seeming
Like a swagman's ghost out late;
And the horseman blurs in the distance,
While still the stars remain,
A low, faint dust-cloud haunting
His track on the Great Grey Plain.

And all day long from before them
The mirage smokes away --
That daylight ghost of an ocean
Creeps close behind all day
With an evil, snake-like motion,
As the waves of a madman's brain:
'Tis a phantom NOT like water
Out there on the Great Grey Plain.

There's a run on the Western limit
Where a man lives like a beast,
And a shanty in the mulga
That stretches to the East;
And the hopeless men who carry
Their swags and tramp in pain --
The footmen must not tarry
Out there on the Great Grey Plain.

Out West, where the stars are brightest,
Where the scorching north wind blows,
And the bones of the dead seem whitest,
And the sun on a desert glows --
Out back in the hungry distance
That brave hearts dare in vain --
Where beggars tramp for existence --
There lies the Great Grey Plain.

'Tis a desert not more barren
Than the Great Grey Plain of years,
Where a fierce fire burns the hearts of men --
Dries up the fount of tears:
Where the victims of a greed insane
Are crushed in a hell-born strife --
Where the souls of a race are murdered
On the Great Grey Plain of Life!

poem by Henry LawsonReport problemRelated quotes
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West by North Again

We've drunk our wine, we've kissed our girls, and funds are sinking low,
The horses must be thinking it's a fair thing now to go;
Sling the swags on Condamine and strap the billies fast,
And stuff a bottle in the bags and let's be off at last.
What matter if the creeks are up - the cash, alas, runs down!
A very sure and certain sign we're long enough in town.
The black fella rides the boko, and you'd better take the bay,
Quart Pot will do to carry me the stage we go today.

No grass this side the Border fence! and all the mulga's dead!
The horses for a day or two will have to spiel ahead;
Man never yet from Queensland brought a bullock or a back
But lost condition on that God-abandoned Border track.

When once we're through the rabbit-proof - it's certain since the rain -
There's whips o' grass and water, so, it's West by North again!
There's feed on Tyson's country - we can "spell" the mokes a week
Where Billy Stevens last year trapped his brumbies on Bough Creek.

The Paroo may be quickly crossed - the Eulo Common's bare;
And, anyhow, it isn't wise, old man! to dally there.
Alack-a-day! far wiser men than you and I succumb
To woman's wiles, and potency of Queensland wayside rum.

Then over sand and spinifex and on, o'er ridge and plain!
The nags are fresh - besides, they know they're westward-bound again.
The brand upon old Darkie's thigh is that upon the hide
Of bullocks we must muster on the Diamantina side.

We'll light our camp-fires where we may, and yarn beside their blaze;
The jingling hobble-chains shall make a music through the days.
And while the tucker-bags are right, and we've a stick of weed,
A swagman shall be welcome to a pipe-full and a feed.

So, fill your pipe! and, ere we mount, we'll drink another nip -
Here's how that West by North again may prove a lucky trip;
Then back again - I trust you'll find your best girl's merry face,
Or, if she jilts you, may you get a better in her place.

poem by Harry 'Breaker' Harbord MorantReport problemRelated quotes
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