Ned the Larrikin
A SONG that is bitter with grief—a ballad as pale as the light
That comes with the fall of the leaf, I sing to the shadows to-night.
The laugh on the lyrical lips is sadder than laughter of ghosts
Chained back in the pits of eclipse by wailing unnameable coasts.
I gathered this wreath at the close of day that was dripping with dew;
The blossom you take for a rose was plucked from the branch of a yew.
The flower you fancy is sweet has black in the place of the red;
For this is a song of the street—the ballad of larrikin Ned.
He stands at the door of the sink that gapes like a fissure of death:
The face of him fiery with drink, the flame of its fume in his breath.
He thrives in the sickening scenes that the devil has under his ban;
A rascal not out of his teens with the voice of a vicious old man.
A blossom of blackness, indeed—of Satan a sinister fruit!
Far better the centipede’s seed—the spawn of the adder or newt.
Than terror of talon or fang this imp of the alleys is worse:
His speech is a poisonous slang—his phrases are coloured with curse.
The prison, the shackles, and chain are nothing to him and his type:
He sings in the shadow of pain, and laughs at the impotent stripe.
There under the walls of the gaols the half of his life has been passed.
He was born in the bosom of bale—he will go to the gallows at last.
No angel in Paradise kneels for him at the feet of the Lord;
A Nemesis follows his heels in the flame of a sinister sword.
The sins of his fathers have brought this bitterness into his days—
His life is accounted as naught; his soul is a brand for the blaze.
Did ever his countenance change? Did ever a moment supreme
Illumine his face with a strange ineffably beautiful dream?
Before he was caught in the breach—in the pits of iniquity grim,
Did ever the Deity reach the hand of a Father to him?
Behold, it is folly to say the evil was born in the blood;
The rose that is cankered to-day was once an immaculate bud!
There might have been blossom and fruit—a harvest exceedingly fair,
Instead of the venomous root, and flowers that startle and scare.
The burden—the burden is their’s who, watching this garden about,
Assisted the thistle and tares, and stamped the divinity out!
A growth like the larrikin Ned—a brutal unqualified clod,
Is what ye are helping who’d tread on the necks of the prophets of God.
No more than a damnable weed ye water and foster, ye fools,
Whose aim is to banish indeed the beautiful Christ from the schools.
The merciful, wonderful light of the seraph Religion behold
These evil ones shut from the sight of the children who weep in the cold!
But verily trouble shall fall on such, and their portion shall be
A harvest of hyssop and gall, and sorrow as wild as the sea.
For the rose of a radiant star is over the hills of the East,
And the fathers are heartened for war—the prophet, the Saint, and the priest.
For a spirit of Deity makes the holy heirophants strong;
And a morning of majesty breaks, and blossoms in colour and song.
Yea, now, by the altars august the elders are shining supreme;
And brittle and barren as dust is the spiritless secular dream.
It’s life as a vapour shall end as a fog in the fall of the year;
For the Lord is a Father and Friend, and the day of His coming is near.
poem by Henry Kendall
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Lilith
Strange is the song, and the soul that is singing
Falters because of the vision it sees;
Voice that is not of the living is ringing
Down in the depths where the darkness is clinging,
Even when Noon is the lord of the leas,
Fast, like a curse, to the ghosts of the trees!
Here in a mist that is parted in sunder,
Half with the darkness and half with the day;
Face of a woman, but face of a wonder,
Vivid and wild as a flame of the thunder,
Flashes and fades, and the wail of the grey
Water is loud on the straits of the bay!
Father, whose years have been many and weary—
Elder, whose life is as lovely as light
Shining in ways that are sterile and dreary—
Tell me the name of this beautiful peri,
Flashing on me like the wonderful white
Star, at the meeting of morning and night.
Look to thy Saviour, and down on thy knee, man,
Lean on the Lord, as the Zebedee leaned;
Daughter of hell is the neighbour of thee, man—
Lilith, of Adam the luminous leman!
Turn to the Christ to be succoured and screened,
Saved from the eyes of a marvellous fiend!
Serpent she is in the shape of a woman,
Brighter than woman, ineffably fair!
Shelter thyself from the splendour, and sue, man;
Light that was never a loveliness human
Lives in the face of this sinister snare,
Longing to strangle thy soul with her hair!
Lilith, who came to the father and bound him
Fast with her eyes in the first of the springs;
Lilith she is, but remember she drowned him,
Shedding her flood of gold tresses around him—
Lulled him to sleep with the lyric she sings:
Melody strange with unspeakable things!
Low is her voice, but beware of it ever,
Swift bitter death is the fruit of delay;
Never was song of its beauty—ah! never—
Heard on the mountain, or meadow, or river,
Not of the night is it, not of the day—
Fly from it, stranger, away and away.
Back on the hills are the blossom and feather,
Glory of noon is on valley and spire;
Here is the grace of magnificent weather,
Where is the woman from gulfs of the nether?
Where is the fiend with the face of desire?
Gone, with a cry, in miraculous fire!
Sound that was not of this world, or the spacious
Splendid blue heaven, has passed from the lea;
Dead is the voice of the devil audacious:
Only a dream is her music fallacious,
Here, in the song and the shadow of tree,
Down by the green and the gold of the sea.
poem by Henry Kendall
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On a Spanish Cathedral
DEEP under the spires of a hill, by the feet of the thunder-cloud trod,
I pause in a luminous, still, magnificent temple of God!
At the steps of the altar august—a vision of angels in stone—
I kneel, with my head to the dust, on the floors by the seraphim known.
No father in Jesus is near, with the high, the compassionate face;
But the glory of Godhead is here—its presence transfigures the place!
Behold in this beautiful fane, with the lights of blue heaven impearled,
I think of the Elders of Spain, in the deserts—the wilds of the world!
I think of the wanderers poor who knelt on the flints and the sands,
When the mighty and merciless Moor was lord of the Lady of Lands.
Where the African scimitar flamed, with a swift, bitter death in its kiss,
The fathers, unknown and unnamed, found God in cathedrals like this!
The glow of His Spirit—the beam of His blessing—made lords of the men
Whose food was the herb of the stream, whose roof was the dome of the den.
And, far in the hills by the sea, these awful hierophants prayed
For Rome and its temples to be—in a temple by Deity made.
Who knows of their faith—of its power? Perhaps, with the light in their eyes,
They saw, in some wonderful hour, the marvel of centuries rise!
Perhaps in some moment supreme, when the mountains were holy and still,
They dreamed the magnificent dream that came to the monks of Seville!
Surrounded by pillars and spires whose summits shone out in the glare
Of the high, the omnipotent fires, who knows what was seen by them there?
Be sure, if they saw, in the noon of their faith, some ineffable fane,
They looked on the church like a moon dropped down by the Lord into Spain.
And the Elders who shone in the time when Christ over Christendom beamed
May have dreamed at their altars sublime the dream that their fathers had dreamed,
By the glory of Italy moved—the majesty shining in Rome—
They turned to the land that they loved, and prayed for a church in their home;
And a soul of unspeakable fire descended on them, and they fought
And laboured a life for the spire and tower and dome of their thought!
These grew under blessing and praise, as morning in summertime grows—
As Troy in the dawn of the days to the music of Delphicus rose.
In a land of bewildering light, where the feet of the season are Spring’s,
They worked in the day and the night, surrounded by beautiful things.
The wonderful blossoms in stone—the flower and leaf of the Moor,
On column and cupola shone, and gleamed on the glimmering floor.
In a splendour of colour and form, from the marvellous African’s hands
Yet vivid and shining and warm, they planted the Flower of the Lands.
Inspired by the patience supreme of the mute, the magnificent past,
They toiled till the dome of their dream in the firmament blossomed at last!
Just think of these men—of their time—of the days of their deed, and the scene!
How touching their zeal—how sublime their suppression of self must have been!
In a city yet hacked by the sword and scarred by the flame of the Moor,
They started the work of their Lord, sad, silent, and solemnly poor.
These fathers, how little they thought of themselves, and how much of the days
When the children of men would be brought to pray in their temple, and praise!
Ah! full of the radiant, still, heroic old life that has flown,
The merciful monks of Seville toiled on, and died bare and unknown.
The music, the colour, the gleam of their mighty cathedral will be
Hereafter a luminous dream of the heaven I never may see;
To a spirit that suffers and seeks for the calm of a competent creed,
This temple, whose majesty speaks, becomes a religion indeed;
The passionate lights—the intense, the ineffable beauty of sound—
Go straight to the heart through the sense, as a song would of seraphim crowned.
And lo! by these altars august, the life that is highest we live,
And are filled with the infinite trust and the peace that the world cannot give.
They have passed, have the elders of time—they have gone; but the work of their hands,
Pre-eminent, peerless, sublime, like a type of eternity stands!
They are mute, are the fathers who made this church in the century dim;
But the dome with their beauty arrayed remains, a perpetual hymn.
Their names are unknown; but so long as the humble in spirit and pure
Are worshipped in speech and in song, our love for these monks will endure;
And the lesson by sacrifice taught will live in the light of the years
With a reverence not to be bought, and a tenderness deeper than tears.
poem by Henry Kendall
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Genesis
In the outer world that was before this earth,
That was before all shape or space was born,
Before the blind first hour of time had birth,
Before night knew the moonlight or the morn;
Yea, before any world had any light,
Or anything called God or man drew breath,
Slowly the strong sides of the heaving night
Moved, and brought forth the strength of life and death.
And the sad shapeless horror increate
That was all things and one thing, without fruit,
Limit, or law; where love was none, nor hate,
Where no leaf came to blossom from no root;
The very darkness that time knew not of,
Nor God laid hand on, nor was man found there,
Ceased, and was cloven in several shapes; above
Light, and night under, and fire, earth, water, and air.
Sunbeams and starbeams, and all coloured things,
All forms and all similitudes began;
And death, the shadow cast by life's wide wings,
And God, the shade cast by the soul of man.
Then between shadow and substance, night and light,
Then between birth and death, and deeds and days,
The illimitable embrace and the amorous fight
That of itself begets, bears, rears, and slays,
The immortal war of mortal things that is
Labour and life and growth and good and ill,
The mild antiphonies that melt and kiss,
The violent symphonies that meet and kill,
All nature of all things began to be.
But chiefliest in the spirit (beast or man,
Planet of heaven or blossom of earth or sea)
The divine contraries of life began.
For the great labour of growth, being many, is one;
One thing the white death and the ruddy birth;
The invisible air and the all-beholden sun,
And barren water and many-childed earth.
And these things are made manifest in men
From the beginning forth unto this day:
Time writes and life records them, and again
Death seals them lest the record pass away.
For if death were not, then should growth not be,
Change, nor the life of good nor evil things;
Nor were there night at all nor light to see,
Nor water of sweet nor water of bitter springs.
For in each man and each year that is born
Are sown the twin seeds of the strong twin powers;
The white seed of the fruitful helpful morn,
The black seed of the barren hurtful hours.
And he that of the black seed eateth fruit,
To him the savour as honey shall be sweet;
And he in whom the white seed hath struck root,
He shall have sorrow and trouble and tears for meat.
And him whose lips the sweet fruit hath made red
In the end men loathe and make his name a rod;
And him whose mouth on the unsweet fruit hath fed
In the end men follow and know for very God.
And of these twain, the black seed and the white,
All things come forth, endured of men and done;
And still the day is great with child of night,
And still the black night labours with the sun.
And each man and each year that lives on earth
Turns hither or thither, and hence or thence is fed;
And as a man before was from his birth,
So shall a man be after among the dead.
poem by Algernon Charles Swinburne
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In Memory of Edward Butler
A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.
Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!
Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.
Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?
There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.
For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.
But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.
Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.
The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.
Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.
poem by Henry Kendall
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Persia
I am writing this song at the close
Of a beautiful day of the spring
In a dell where the daffodil grows
By a grove of the glimmering wing;
From glades where a musical word
Comes ever from luminous fall,
I send you the song of a bird
That I wish to be dear to you all.
I have given my darling the name
Of a land at the gates of the day,
Where morning is always the same,
And spring never passes away.
With a prayer for a lifetime of light,
I christened her Persia, you see;
And I hope that some fathers to-night
Will kneel in the spirit with me.
She is only commencing to look
At the beauty in which she is set;
And forest and flower and brook,
To her are all mysteries yet.
I know that to many my words
Will seem insignificant things;
But you who are mothers of birds
Will feel for the father who sings.
For all of you doubtless have been
Where sorrows are many and wild;
And you know what a beautiful scene
Of this world can be made by a child:
I am sure, if they listen to this,
Sweet women will quiver, and long
To tenderly stoop to and kiss
The Persia I’ve put in a song.
And I’m certain the critic will pause,
And excuse, for the sake of my bird,
My sins against critical laws—
The slips in the thought and the word.
And haply some dear little face
Of his own to his mind will occur—
Some Persia who brightens his place—
And I’ll be forgiven for her.
A life that is turning to grey
Has hardly been happy, you see;
But the rose that has dropped on my way
Is morning and music to me.
Yea, she that I hold by the hand
Is changing white winter to green,
And making a light of the land—
All fathers will know what I mean:
All women and men who have known
The sickness of sorrow and sin,
Will feel—having babes of their own—
My verse and the pathos therein.
For that must be touching which shows
How a life has been led from the wild
To a garden of glitter and rose,
By the flower-like hand of a child.
She is strange to this wonderful sphere;
One summer and winter have set
Since God left her radiance here—
Her sweet second year is not yet.
The world is so lovely and new
To eyes full of eloquent light,
And, sisters, I’m hoping that you
Will pray for my Persia to-night.
For I, who have suffered so much,
And know what the bitterness is,
Am sad to think sorrow must touch
Some day even darlings like this!
But sorrow is part of this life,
And, therefore, a father doth long
For the blessing of mother and wife
On the bird he has put in a song.
poem by Henry Kendall
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Beyond Kerguelen
DOWN in the South, by the waste without sail on it—
Far from the zone of the blossom and tree—
Lieth, with winter and whirlwind and wail on it,
Ghost of a land by the ghost of a sea.
Weird is the mist from the summit to base of it;
Sun of its heaven is wizened and grey;
Phantom of light is the light on the face of it—
Never is night on it, never is day!
Here is the shore without flower or bird on it;
Here is no litany sweet of the springs—
Only the haughty, harsh thunder is heard on it,
Only the storm, with a roar in its wings!
Shadow of moon is the moon in the sky of it—
Wan as the face of a wizard, and far!
Never there shines from the firmament high of it
Grace of the planet or glory of star.
All the year round, in the place of white days on it—
All the year round where there never is night—
Lies a great sinister, bitter, blind haze on it:
Growth that is neither of darkness nor light!
Wild is the cry of the sea in the caves by it—
Sea that is smitten by spears of the snow;
Desolate songs are the songs of the waves by it—
Down in the South, where the ships never go.
Storm from the Pole is the singer that sings to it
Hymns of the land at the planet’s grey verge.
Thunder discloses dark, wonderful things to it—
Thunder, and rain, and the dolorous surge.
Hills with no hope of a wing or a leaf on them,
Scarred with the chronicles written by flame,
Stare through the gloom of inscrutable grief on them,
Down on the horns of the gulfs without name.
Cliffs with the records of fierce flying fires on them—
Loom over perilous pits of eclipse;
Alps, with anathema stamped in the spires on them—
Out by the wave with a curse on its lips.
Never is sign of soft, beautiful green on it—
Never the colour, the glory of rose!
Neither the fountain nor river is seen on it,
Naked its crags are, and barren its snows!
Blue as the face of the drowned is the shore of it—
Shore, with the capes of indefinite cave.
Strange is the voice of its wind, and the roar of it
Startles the mountain and hushes the wave.
Out to the South and away to the north of it,
Spectral and sad are the spaces untold!
All the year round a great cry goeth forth of it—
Sob of this leper of lands in the cold.
No man hath stood, all its bleak, bitter years on it—
Fall of a foot on its wastes is unknown:
Only the sound of the hurricane’s spears on it
Breaks with the shout from the uttermost zone.
Blind are its bays with the shadow of bale on them;
Storms of the nadir their rocks have uphurled;
Earthquake hath registered deeply its tale on them—
Tale of distress from the dawn of the world!
There are the gaps, with the surges that seethe in them—
Gaps in whose jaws is a menace that glares!
There the wan reefs, with the merciless teeth in them,
Gleam on a chaos that startles and scares!
Back in the dawn of this beautiful sphere, on it—
Land of the dolorous, desolate face—
Beamed the blue day; and the bountiful year on it
Fostered the leaf and the blossom of grace.
Grand were the lights of its midsummer noon on it—
Mornings of majesty shone on its seas:
Glitter of star and the glory of moon on it
Fell, in the march of the musical breeze.
Valleys and hills, with the whisper of wing in them,
Dells of the daffodil—spaces impearled,
Flowered and flashed with the splendour of Spring in them—
Back in the morn of this wonderful world.
Soft were the words that the thunder then said to it—
Said to this lustre of emerald plain;
Sun brought the yellow, the green, and the red to it—
Sweet were the songs of its silvery rain.
Voices of water and wind in the bays of it
Lingered, and lulled like the psalm of a dream.
Fair were the nights and effulgent the days of it—
Moon was in shadow and shade in the beam.
Summer’s chief throne was the marvellous coast of it,
Home of the Spring was its luminous lea:
Garden of glitter! but only the ghost of it
Moans in the South by the ghost of a sea.
poem by Henry Kendall
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The Curse of Mother Flood
Wizened the wood is, and wan is the way through it;
White as a corpse is the face of the fen;
Only blue adders abide in and stray through it—
Adders and venom and horrors to men.
Here is the “ghost of a garden” whose minister
Fosters strange blossoms that startle and scare.
Red as man’s blood is the sun that, with sinister
Flame, is a menace of hell in the air.
Wrinkled and haggard the hills are—the jags of them
Gape like to living and ominous things:
Storm and dry thunder cry out in the crags of them—
Fire, and the wind with a woe in its wings.
Never a moon without clammy-cold shroud on it
Hitherward comes, or a flower-like star!
Only the hiss of the tempest is loud on it—
Hiss, and the moan of a bitter sea bar.
Here on this waste, and to left and to right of it,
Never is lisp or the ripple of rain:
Fierce is the daytime and wild is the night of it,
Flame without limit and frost without wane!
Trees half alive, with the sense of a curse on them,
Shudder and shrink from the black heavy gale;
Ghastly, with boughs like the plumes of a hearse on them:
Barren of blossom and blasted with bale.
Under the cliff that stares down to the south of it—
Back by the horns of a hazardous hill,
Dumb is the gorge with a grave in the mouth of it
Still, as a corpse in a coffin is still.
Never there hovers a hope of the Spring by it—
Never a glimmer of yellow and green:
Only the bat with a whisper of wing by it
Flits like a life out of flesh and unseen.
Here are the growths that are livid and glutinous,
Speckled, and bloated with poisonous blood:
This is the haunt of the viper-breed mutinous:
Cursed with the curse of weird Catherine Flood.
He that hath looked on it—hurried aghast from it,
Hair of him frozen with horror straightway,
Chased by a sudden strange pestilent blast from it—
Where is the speech of him—what can he say?
Hath he not seen the fierce ghost of a hag in it?
Heard maledictions that startle the stars?
Dumb is his mouth as a mouth with a gag in it—
Mute is his life as a life within bars.
Just the one glimpse of that grey, shrieking woman there
Ringed by a circle of furnace and fiend!
He that went happy and healthy and human there—
Where shall the white leper fly to be cleaned?
Here, in a pit with indefinite doom on it,
Here, in the fumes of a feculent moat,
Under an alp with inscrutable gloom on it,
Squats the wild witch with a ghoul at her throat!
Black execration that cannot be spoken of—
Speech of red hell that would suffocate Song,
Starts from this terror with never a token of
Day and its loveliness all the year long.
Sin without name to it—man never heard of it—
Crime that would startle a fiend from his lair,
Blasted this Glen, and the leaf and the bird of it—
Where is there hope for it, Father, O where?
Far in the days of our fathers, the life in it
Blossomed and beamed in the sight of the sun:
Yellow and green and the purple were rife in it,
Singers of morning and waters that run.
Storm of the equinox shed no distress on it,
Thunder spoke softly, and summer-time left
Sunset’s forsaken bright beautiful dress on it—
Blessing that shone half the night in the cleft.
Hymns of the highlands—hosannas from hills by it,
Psalms of great forests made holy the spot:
Cool were the mosses and clear were the rills by it—
Far in the days when the Horror was not.
Twenty miles south is the strong, shining Hawkesbury—
Spacious and splendid, and lordly with blooms.
There, between mountains magnificent, walks bury
Miles of their beauty in green myrtle glooms.
There, in the dell, is the fountain with falls by it—
Falls, and a torrent of summering stream:
There is the cave with the hyaline halls by it—
Haunt of the echo and home of the dream.
Over the hill, by the marvellous base of it,
Wanders the wind with a song in its breath
Out to the sea with the gold on the face of it—
Twenty miles south of the Valley of Death.
poem by Henry Kendall
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Cooranbean
Years fifty, and seven to boot, have smitten the children of men
Since sound of a voice or a foot came out of the head of that glen.
The brand of black devil is there—an evil wind moaneth around—
There is doom, there is death in the air: a curse groweth up from the ground!
No noise of the axe or the saw in that hollow unholy is heard,
No fall of the hoof or the paw, no whirr of the wing of the bird;
But a grey mother down by the sea, as wan as the foam on the strait,
Has counted the beads on her knee these forty-nine winters and eight.
Whenever an elder is asked—a white-headed man of the woods—
Of the terrible mystery masked where the dark everlastingly broods,
Be sure he will turn to the bay, with his back to the glen in the range,
And glide like a phantom away, with a countenance pallid with change.
From the line of dead timber that lies supine at the foot of the glade,
The fierce-featured eaglehawk flies—afraid as a dove is afraid;
But back in that wilderness dread are a fall and the forks of a ford—
Ah! pray and uncover your head, and lean like a child on the Lord.
A sinister fog at the wane—at the change of the moon cometh forth
Like an ominous ghost in the train of a bitter, black storm of the north!
At the head of the gully unknown it hangs like a spirit of bale.
And the noise of a shriek and a groan strikes up in the gusts of the gale.
In the throat of a feculent pit is the beard of a bloody-red sedge;
And a foam like the foam of a fit sweats out of the lips of the ledge.
But down in the water of death, in the livid, dead pool at the base—
Bow low, with inaudible breath, beseech with the hands to the face!
A furlong of fetid, black fen, with gelid, green patches of pond,
Lies dumb by the horns of the glen—at the gates of the horror beyond;
And those who have looked on it tell of the terrible growths that are there—
The flowerage fostered by hell, the blossoms that startle and scare.
If ever a wandering bird should light on Gehennas like this
Be sure that a cry will be heard, and the sound of the flat adder’s hiss.
But hard by the jaws of the bend is a ghastly Thing matted with moss—
Ah, Lord! be a father, a friend, for the sake of the Christ of the Cross.
Black Tom, with the sinews of five—that never a hangman could hang—
In the days of the shackle and gyve, broke loose from the guards of the gang.
Thereafter, for seasons a score, this devil prowled under the ban;
A mate of red talon and paw, a wolf in the shape of a man.
But, ringed by ineffable fire, in a thunder and wind of the north,
The sword of Omnipotent ire—the bolt of high Heaven went forth!
But, wan as the sorrowful foam, a grey mother waits by the sea
For the boys that have never come home these fifty-four winters and three.
From the folds of the forested hills there are ravelled and roundabout tracks,
Because of the terror that fills the strong-handed men of the axe!
Of the workers away in the range there is none that will wait for the night,
When the storm-stricken moon is in change and the sinister fog is in sight.
And later and deep in the dark, when the bitter wind whistles about,
There is never a howl or a bark from the dog in the kennel without,
But the white fathers fasten the door, and often and often they start,
At a sound like a foot on the floor and a touch like a hand on the heart.
poem by Henry Kendall
Submitted by Poetry Lover
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Blossom
A LONE rose in a garden burned—a quivering flame,
But yesterday blindly from out the bud it came;
And now an envious wind with itching fingers leant
And touched its lingering beauty, and the petals went
Upon the twilight tossing swift,
Like little dusky boats adrift.
Then in the birth and doom of that brief rose I saw
The long unrolling of creation's one vast law.
All things were blossom, and God thrilled at that flower's birth
As when from night-sheathed chaos broke this blossom-earth.
For God no large or little knows—
A universe slept in the rose.
The scattered star-mist, that dishevelled trails through Space,
Hears the low whisper of the Spring, and to its place
Whirls vastly, and its bulk with aching life is torn,
And with a pang that shakes all Space a sun is born
But God on it bestows the heed
He gives to any wayside weed.
About it bloom the planets, like a pageantry
Of rival blossoms in a garden-galaxy.
They break and wane and wither, till upon some earth,
Faded and chill and shrunken, a pallid thing has birth;
And on a world weary with strife
Creeps forth the efflorescence Life.
Strange vegetations fiercely bloom and fall from sight;
Monsters uncouth are spawned, and sink into the night;
Huge mountains blossom white beneath the ocean spray;
Vast tropics glow where once the glacier-ice held sway—
Till, like a lichen on the stone,
Comes Man, bearing a soul unknown.
The lichen spreads, and civilisations grow forlorn,
Bloom once, and, dying, blight the place where they were born.
Incomparable, unique, each in lone splendour burns;
Each bears one perfect grace that nevermore returns.
Ah! gone is sculptured Egypt—gone
The blossom that was Babylon!
The lotus of the East, the Grecian lily cold—
Each blossoms only one new beauty to unfold.
And this rich rose, the West, that opens now so vast,
Shall tell its message, then upon the night be cast.
But still God scatters through the gloom
New seeds whence nobler flowers shall bloom.
And æons rise and fade, and still the petal-years
Fall from the trembling stem of Time, that proudly rears
Space, like the last huge blossom of the far-thrown seed;
And Space itself shall wither like a trampled weed.
But in the void the Sower still
Scatters new seed, until—until…
poem by Arthur Henry Adams
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Blossom
Without anyone to love you
What will you blossom into?
Without anyone to hold you
How will you grow?
And in the Wildwood trees
The wild wind blows
And the nighttime crushes the hurricane rose
And with no one to care for you
Who knows
Blossom for me rose
You're the picture of my love
Blossom for me rose
Stretch out underneath the stars
And when tomorrow comes
I will hold you up
Little blossom, shining in the sun
Without any place to go to
How will your soul return to
Without anyone to keep you
Where will you go
And in the shadows of the past
Where you're spinning so fast
It's hard to see it coming
And it never lasts
And with nothing to judge your life by
How will you know
Blossom for me rose
You're the picture of my life
Blossom for me rose
Stretch out underneath the stars
And when tomorrow comes
I will hold you up
Little blossom, shining in the sun
Without anyone to love you
What will you blossom into
Without anyone to hold you
How will you grow
song performed by by Ryan Adams
Submitted by Lucian Velea
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At Parting II
AND you could leave me now--
After the first remembered whispered vow
Which sings for ever and ever in my ears--
The vow which God among His Angels hears--
After the long-drawn years,
The slow hard tears,
Could break new ground, and wake
A new strange garden to blossom for your sake,
And leave me here alone,
In the old garden that was once our own?
How should I learn to bear
Our garden's pleasant ways and pleasant air,
Her flowers, her fruits, her lily, her rose and thorn,
When only in a picture these appear--
These, once alive, and always over-dear?
Ah--think again: the rose you used to wear
Must still be more than other roses be
The flower of flowers. Ah, pity, pity me!
For in my acres is no plot of ground
Whereon could any garden site be found,
I have but little skill
To water weed and till
And make the desert blossom like the rose;
Yet our old garden knows
If I have loved its ways and walks and kept
The garden watered, and the pleasance swept.
Yet--if you must--go now:
Go, with my blessing filling both your hands,
And, mid the desert sands
Which life drifts deep round every garden wall,
Make your new festival
Of bud and blossom--red rose and green leaf.
No blight born of my grief
Shall touch your garden, love; but my heart's prayer
Shall draw down blessings on you from the air,
And all we learned of leaf and plant and tree
Shall serve you when you walk no more with me
In garden ways; and when with her you tread
The pleasant ways with blossoms overhead
And when she asks, 'How did you come to know
The secrets of the ways these green things grow?'
Then you will answer--and I, please God, hear,
'I had another garden once, my dear'.
poem by Edith Nesbit
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Ave atque Vale (In memory of Charles Baudelaire)
SHALL I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,
Or simplest growth of meadow-sweet or sorrel,
Such as the summer-sleepy Dryads weave,
Waked up by snow-soft sudden rains at eve?
Or wilt thou rather, as on earth before,
Half-faded fiery blossoms, pale with heat
And full of bitter summer, but more sweet
To thee than gleanings of a northern shore
Trod by no tropic feet?
For always thee the fervid languid glories
Allured of heavier suns in mightier skies;
Thine ears knew all the wandering watery sighs
Where the sea sobs round Lesbian promontories,
The barren kiss of piteous wave to wave
That knows not where is that Leucadian grave
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were,
The wild sea winds her and the green gulfs bear
Hither and thither, and vex and work her wrong,
Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother,
Secrets and sorrows unbeheld of us:
Fierce loves, and lovely leaf-buds poisonous,
Bare to thy subtler eye, but for none other
Blowing by night in some unbreathed-in clime;
The hidden harvest of luxurious time,
Sin without shape, and pleasure without speech;
And where strange dreams in a tumultuous sleep
Make the shut eyes of stricken spirits weep;
And with each face thou sawest the shadow on each,
Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping,
That were athirst for sleep and no more life
And no more love, for peace and no more strife!
Now the dim gods of death have in their keeping
Spirit and body and all the springs of song,
Is it well now where love can do no wrong,
Where stingless pleasure has no foam or fang
Behind the unopening closure of her lips?
Is it not well where soul from body slips
And flesh from bone divides without a pang
As dew from flower-bell drips?
It is enough; the end and the beginning
Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend,
For thee no fruits to pluck, no palms for winning,
No triumph and no labour and no lust,
Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught,
Whereto the day is dumb, nor any night
With obscure finger silences your sight,
Nor in your speech the sudden soul speaks thought,
Sleep, and have sleep for light.
Now all strange hours and all strange loves are over,
Dreams and desires and sombre songs and sweet,
Hast thou found place at the great knees and feet
Of some pale Titan-woman like a lover,
Such as thy vision here solicited,
Under the shadow of her fair vast head,
The deep division of prodigious breasts,
The solemn slope of mighty limbs asleep,
The weight of awful tresses that still keep
The savour and shade of old-world pine-forests
Where the wet hill-winds weep?
Hast thou found any likeness for thy vision?
O gardener of strange flowers, what bud, what bloom,
Hast thou found sown, what gather'd in the gloom?
What of despair, of rapture, of derision,
What of life is there, what of ill or good?
Are the fruits gray like dust or bright like blood?
Does the dim ground grow any seed of ours,
The faint fields quicken any terrene root,
In low lands where the sun and moon are mute
And all the stars keep silence? Are there flowers
At all, or any fruit?
Alas, but though my flying song flies after,
O sweet strange elder singer, thy more fleet
Singing, and footprints of thy fleeter feet,
Some dim derision of mysterious laughter
From the blind tongueless warders of the dead,
Some gainless glimpse of Proserpine's veil'd head,
Some little sound of unregarded tears
Wept by effaced unprofitable eyes,
And from pale mouths some cadence of dead sighs--
These only, these the hearkening spirit hears,
Sees only such things rise.
Thou art far too far for wings of words to follow,
Far too far off for thought or any prayer.
What ails us with thee, who art wind and air?
What ails us gazing where all seen is hollow?
Yet with some fancy, yet with some desire,
Dreams pursue death as winds a flying fire,
Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies,
The low light fails us in elusive skies,
Still the foil'd earnest ear is deaf, and blind
Are still the eluded eyes.
Not thee, O never thee, in all time's changes,
Not thee, but this the sound of thy sad soul,
The shadow of thy swift spirit, this shut scroll
I lay my hand on, and not death estranges
My spirit from communion of thy song--
These memories and these melodies that throng
Veil'd porches of a Muse funereal--
These I salute, these touch, these clasp and fold
As though a hand were in my hand to hold,
Or through mine ears a mourning musical
Of many mourners roll'd.
I among these, I also, in such station
As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods,
The old mourners had, standing to make libation,
I stand, and to the Gods and to the dead
Do reverence without prayer or praise, and shed
Offering to these unknown, the gods of gloom,
And what of honey and spice my seed-lands bear,
And what I may of fruits in this chill'd air,
And lay, Orestes-like, across the tomb
A curl of sever'd hair.
But by no hand nor any treason stricken,
Not like the low-lying head of Him, the King,
The flame that made of Troy a ruinous thing,
Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear
Fall tear by sweet imperishable tear
Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns;
But bending us-ward with memorial urns
The most high Muses that fulfil all ages
Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often
Among us darkling here the lord of light
Makes manifest his music and his might
In hearts that open and in lips that soften
With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine,
And nourish'd them indeed with bitter bread;
Yet surely from his hand thy soul's food came,
The fire that scarr'd thy spirit at his flame
Was lighted, and thine hungering heart he fed
Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting,
God of all suns and songs, he too bends down
To mix his laurel with thy cypress crown,
And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art,
Compassionate, with sad and sacred heart,
Mourns thee of many his children the last dead,
And hollows with strange tears and alien sighs
Thine unmelodious mouth and sunless eyes,
And over thine irrevocable head
Sheds light from the under skies.
And one weeps with him in the ways Lethean,
And stains with tears her changing bosom chill;
That obscure Venus of the hollow hill,
That thing transform'd which was the Cytherean,
With lips that lost their Grecian laugh divine
Long since, and face no more call'd Erycine--
A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell
Did she, a sad and second prey, compel
Into the footless places once more trod,
And shadows hot from hell.
And now no sacred staff shall break in blossom,
No choral salutation lure to light
A spirit sick with perfume and sweet night
And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend,
And none to mar; not all our songs, O friend,
Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine
And with wild notes about this dust of thine
At least I fill the place where white dreams dwell
And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon,
If sweet, give thanks; thou hast no more to live;
And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden
Where all day through thine hands in barren braid
Wove the sick flowers of secrecy and shade,
Green buds of sorrow and sin, and remnants gray,
Sweet-smelling, pale with poison, sanguine-hearted,
Passions that sprang from sleep and thoughts that started,
Shall death not bring us all as thee one day
Among the days departed?
For thee, O now a silent soul, my brother,
Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell,
And chill the solemn earth, a fatal mother,
With sadder than the Niobean womb,
And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done;
There lies not any troublous thing before,
Nor sight nor sound to war against thee more,
For whom all winds are quiet as the sun,
All waters as the shore.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Mentana : First Anniversary
At the time when the stars are grey,
And the gold of the molten moon
Fades, and the twilight is thinned,
And the sun leaps up, and the wind,
A light rose, not of the day,
A stronger light than of noon.
As the light of a face much loved
Was the face of the light that clomb;
As a mother's whitened with woes
Her adorable head that arose;
As the sound of a God that is moved,
Her voice went forth upon Rome.
At her lips it fluttered and failed
Twice, and sobbed into song,
And sank as a flame sinks under;
Then spake, and the speech was thunder,
And the cheek as he heard it paled
Of the wrongdoer grown grey with the wrong.
"Is it time, is it time appointed,
Angel of time, is it near?
For the spent night aches into day
When the kings shall slay not or pray,
And the high-priest, accursed and anointed,
Sickens to deathward with fear.
"For the bones of my slain are stirred,
And the seed of my earth in her womb
Moves as the heart of a bud
Beating with odorous blood
To the tune of the loud first bird
Burns and yearns into bloom.
"I lay my hand on her bosom,
My hand on the heart of my earth,
And I feel as with shiver and sob
The triumphant heart in her throb,
The dead petals dilate into blossom,
The divine blood beat into birth.
"O my earth, are the springs in thee dry?
O sweet, is thy body a tomb?
Nay, springs out of springs derive,
And summers from summers alive,
And the living from them that die;
No tomb is here, but a womb.
"O manifold womb and divine,
Give me fruit of my children, give!
I have given thee my dew for thy root,
Give thou me for my mouth of thy fruit;
Thine are the dead that are mine,
And mine are thy sons that live.
"O goodly children, O strong
Italian spirits, that wear
My glories as garments about you,
Could time or the world misdoubt you,
Behold, in disproof of the wrong,
The field of the grave-pits there.
"And ye that fell upon sleep,
We have you too with us yet.
Fairer than life or than youth
Is this, to die for the truth:
No death can sink you so deep
As their graves whom their brethren forget.
"Were not your pains as my pains?
As my name are your names not divine?
Was not the light in your eyes
Mine, the light of my skies,
And the sweet shed blood of your veins,
O my beautiful martyrs, mine?
"Of mine earth were your dear limbs made,
Of mine air was your sweet life's breath;
At the breasts of my love ye were fed,
O my children, my chosen, my dead,
At my breasts where again ye are laid,
At the old mother's bosom, in death.
"But ye that live, O their brothers,
Be ye to me as they were;
Give me, my children that live,
What these dead grudged not to give,
Who alive were sons of your mother's,
Whose lips drew breath of your air.
"Till darkness by dawn be cloven,
Let youth's self mourn and abstain;
And love's self find not an hour,
And spring's self wear not a flower,
And Lycoris, with hair unenwoven,
Hail back to the banquet in vain.
"So sooner and surer the glory
That is not with us shall be,
And stronger the hands that smite
The heads of the sons of night,
And the sound throughout earth of our story
Give all men heart to be free."
poem by Algernon Charles Swinburne
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On a Street
I dread that street - its haggard face
I have not seen for eight long years;
A mother's curse is on the place,
(There's blood, my reader, in her tears).
No child of man shall ever track,
Through filthy dust, the singer's feet -
A fierce old memory drags me back;
I hate its name - I dread that street.
Upon the lap of green, sweet lands,
Whose months are like your English Mays,
I try to hide in Lethe's sands
The bitter, old Bohemian days.
But sorrow speaks in singing leaf,
And trouble talketh in the tide;
The skirts of a stupendous grief
Are trailing ever at my side.
I will not say who suffered there,
'Tis best the name aloof to keep,
Because the world is very fair -
Its light should sing the dark to sleep.
But, let me whisper, in that street
A woman, faint through want of bread,
Has often pawned the quilt and sheet
And wept upon a barren bed.
How gladly would I change my theme,
Or cease the song and steal away,
But on the hill and by the stream
A ghost is with me night and day!
A dreadful darkness, full of wild,
Chaotic visions, comes to me:
I seem to hear a dying child,
Its mother's face I seem to see.
Here, surely, on this bank of bloom,
My verse with shine would ever flow;
But ah! it comes - the rented room,
With man and wife who suffered so!
From flower and leaf there is no hint -
I only see a sharp distress -
A lady in a faded print,
A careworn writer for the press.
I only hear the brutal curse
Of landlord clamouring for his pay;
And yonder is the pauper's hearse
That comes to take a child away.
Apart, and with the half-grey head
Of sudden age, again I see
The father writing by the dead
To earn the undertaker's fee.
No tear at all is asked for him -
A drunkard well deserves his life;
But voice will quiver, eyes grow dim,
For her, the patient, pure young wife,
The gentle girl of better days,
As timid as a mountain fawn,
Who used to choose untrodden ways,
And place at night her rags in pawn.
She could not face the lighted square,
Or show the street her poor, thin dress;
In one close chamber, bleak and bare,
She hid her burden of distress.
Her happy schoolmates used to drive,
On gaudy wheels, the town about;
The meat that keeps a dog alive
She often had to go without.
I tell you, this is not a tale
Conceived by me, but bitter truth;
Bohemia knows it, pinched and pale,
Beside the pyre of burnt-out youth:
These eyes of mine have often seen
The sweet girl-wife, in winters rude,
Steal out at night, through courts unclean,
To hunt about for chips of wood.
Have I no word at all for him
Who used down fetid lanes to slink,
And squat in tap-room corners grim,
And drown his thoughts in dregs of drink?
This much I'll say, that when the flame
Of reason reassumed its force,
The hell the Christian fears to name,
Was heaven to his fierce remorse.
Just think of him - beneath the ban,
And steeped in sorrow to the neck,
Without a friend - a feeble man,
In failing health - a human wreck.
With all his sense and scholarship,
How could he face his fading wife?
The devil never lifted whip
With thongs like those that scourged his life.
But He in whom the dying thief
Upon the Cross did place his trust,
Forgets the sin and feels the grief,
And lifts the sufferer from the dust.
And now, because I have a dream,
The man and woman found the light;
A glory burns upon the stream,
With gold and green the woods are bright.
But still I hate that haggard street,
Its filthy courts, its alleys wild;
In dreams of it I always meet
The phantom of a wailing child.
The name of it begets distress -
Ah, song, be silent! show no more
The lady in the perished dress,
The scholar on the tap-room floor.
poem by Henry Kendall
Submitted by Poetry Lover
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Ode in May
LET me go forth, and share
The overflowing Sun
With one wise friend, or one
Better than wise, being fair,
Where the pewit wheels and dips
On heights of bracken and ling,
And Earth, unto her leaflet tips,
Tingles with the Spring.
What is so sweet and dear
As a prosperous morn in May,
The confident prime of the day,
And the dauntless youth of the year,
When nothing that asks for bliss,
Asking aright, is denied,
And half of the world a bridegroom is,
And half of the world a bride?
The Song of Mingling flows,
Grave, ceremonial, pure,
As once, from lips that endure,
The cosmic descant rose,
When the temporal lord of life,
Going his golden way,
Had taken a wondrous maid to wife
That long had said him nay.
For of old the Sun, our sire,
Came wooing the mother of men,
Earth, that was virginal then,
Vestal fire to his fire.
Silent her bosom and coy,
But the strong god sued and press'd;
And born of their starry nuptial joy
Are all that drink of her breast.
And the triumph of him that begot,
And the travail of her that bore,
Behold they are evermore
As warp and weft in our lot.
We are children of splendour and flame,
Of shuddering, also, and tears.
Magnificent out of the dust we came,
And abject from the Spheres.
O bright irresistible lord!
We are fruit of Earth's womb, each one,
And fruit of thy loins, O Sun,
Whence first was the seed outpour'd.
To thee as our Father we bow,
Forbidden thy Father to see,
Who is older and greater than thou, as thou
Art greater and older than we.
Thou art but as a word of his speech;
Thou art but as a wave of his hand;
Thou art brief as a glitter of sand
'Twixt tide and tide on his beach;
Thou art less than a spark of his fire,
Or a moment's mood of his soul:
Thou art lost in the notes on the lips of his choir
That chant the chant of the Whole.
poem by William Watson
Submitted by Poetry Lover
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By the Cliffs of the Sea
In a far-away glen of the hills,
Where the bird of the night is at rest,
Shut in from the thunder that fills
The fog-hidden caves of the west—
In a sound of the leaf, and the lute
Of the wind on the quiet lagoon,
I stand, like a worshipper, mute
In the flow of a marvellous tune!
And the song that is sweet to my sense
Is, “Nearer, my God, unto Thee”;
But it carries me sorrowing hence,
To a grave by the cliffs of the sea.
So many have gone that I loved—
So few of the fathers remain,
That where in old seasons I moved
I could never be happy again.
In the breaks of this beautiful psalm,
With its deep, its devotional tone,
And hints of ineffable calm,
I feel like a stranger, alone.
No wonder my eyes are so dim—
Your trouble is heavy on me,
O widow and daughter of him
Who sleeps in the grave by the sea!
The years have been hard that have pressed
On a head full of premature grey,
Since Stenhouse went down to his rest,
And Harpur was taken away.
In the soft yellow evening-ends,
The wind of the water is faint
By the home of the last of my friends—
The shrine of the father and saint.
The tenderness touching—the grace
Of Ridley no more is for me;
And flowers have hidden the face
Of the brother who sleeps by the sea.
The vehement voice of the South
Is loud where the journalist lies;
But calm hath encompassed his mouth,
And sweet is the peace in his eyes.
Called hence by the Power who knows
When the work of a hero is done,
He turned at the message, and rose
With the harness of diligence on.
In the midst of magnificent toil,
He bowed at the holy decree;
And green is the grass on the soil
Of the grave by the cliffs of the sea.
I knew him, indeed; and I knew,
Having suffered so much in his day,
What a beautiful nature and true
In Bennett was hidden away.
In the folds of a shame without end,
When the lips of the scorner were curled,
I found in this brother a friend—
The last that was left in the world.
Ah! under the surface austere
Compassion was native to thee;
I send from my solitude here
This rose for the grave by the sea.
To the high, the heroic intent
Of a life that was never at rest,
He held, with a courage unspent,
Through the worst of his days and the best.
Far back in the years that are dead
He knew of the bitterness cold
That saddens with silver the head
And makes a man suddenly old.
The dignity gracing his grief
Was ever a lesson to me;
He lies under blossom and leaf
In a grave by the cliffs of the sea.
Above him the wandering face
Of the moon is a loveliness now,
And anthems encompass the place
From lutes of the luminous bough.
The forelands are fiery with foam
Where often and often he roved;
He sleeps in the sight of the home
That he built by the waters he loved.
The wave is his fellow at night,
And the sun, shining over the lea,
Sheds out an unspeakable light
On this grave by the cliffs of the sea.
poem by Henry Kendall
Submitted by Poetry Lover
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New Under The Son
Things move from hot to cold, just as they go from new to old,
Nothing’s new under the sun, especially salvation in God’s Son,
Nothing from Him changed at all, since that time of Adam’s fall,
God’s salvation stays the same, under Heaven in but one name.
At that time when all seemed lost, the Lord pointed to the cross,
A time when man would be restored, by the actions of our Lord,
Bruised would be the heel of Him, when He’d die, for all our sin,
Christ would rise from the dead; crushed would be Satan’s head.
New beliefs are born of men, who themselves stand condemned,
In need of the one salvation, offered by our Lord to every nation,
At man’s fall back in Paradise, God pointed to just one sacrifice,
That sacrifice was Christ His Son, to pay sin’s price for everyone.
Since the fall sin has reigned, as on earth the devil has remained,
But soon the sin besetting man, will be destroyed by God’s plan,
When Christ who reigns over all, shall free men from Adam’s fall,
As He returns in pure majesty, to redeem us from Satin’s iniquity.
And His plan, not new my friend, from its beginning, had no end,
With Satan destroyed, by Christ, we’ll enter into Eternal Paradise,
And His Majesty, we’ll behold; a sight for us that won’t grow old,
As all shall be new for everyone, reigning forever under The Son.
(Copyright ©06/2008)
From “Torrismond” - In A Garden By Moonlight
Veronica. COME then, a song; a winding gentle song,
To lead me into sleep. Let it be low
As zephyr, telling secrets to his rose,
For I would hear the murmuring of my thoughts;
And more of voice than of that other music
That grows around the strings of quivering lutes;
But most of thought; for with my mind I listen,
And when the leaves of sound are shed upon it,
If there ’s no seed remembrance grows not there.
So life, so death; a song, and then a dream!
Begin before another dewdrop fall
From the soft hold of these disturbed flowers,
For sleep is filling up my senses fast,
And from these words I sink.
SONG
How many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall’n year,
Whose white and sable hours appear
The latest flake of Eternity:
So many times do I love thee, dear.
How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravell’d from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.
Elvira. She sees no longer: leave her then alone,
Encompass’d by this round and moony night.
A rose-leaf for thy lips, and then goodnight:
So life, so death; a song, and then a dream!
poem by Thomas Lovell Beddoes
Submitted by Poetry Lover
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The Austral Months
January
The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.
February
The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.
March
Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.
April
The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.
May
Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.
June
Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.
July
High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.
August
Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.
September
*
October
Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.
November
Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.
December
The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!
poem by Henry Kendall
Submitted by Poetry Lover
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Spring Dirge
A child came singing through the dusty town
A song so sweet that all men stayed to hear,
Forgetting for a space their ancient fear
Of evil days and death and fortune’s frown.
She sang of Winter dead and Spring new-born
In the green fields beyond the far hills’ bound;
And how this fair Spring, coming blossom-crowned,
Would cross the city’s threshold on the morn.
And each caged bird in every house anigh,
Even as she sang, caught up the glad refrain
Of Love and Hope and fair days come again,
Till all who heard forgot they had to die.
And all the ghosts of buried woes were laid
That heard the song of this sweet sorceress;
The Past grew to a dream of old distress,
And merry were the hearts of man and maid.
So, at the first faint blush of tender dawn,
Spring stole with noiseless steps through the gray gloom,
And men knew only by a strange perfume
That she had softly entered and withdrawn.
But ah! the lustre of her violet eyes
Was dimmed with tears for her sweet singing maid,
Whose voice would sound no more in shine or shade
To charm men’s souls at set of sun or rise.
For there, with dews of dawn upon her hair,
Like a fair flower plucked and flung away,
Dead in the street the little maiden lay
Who gave new life to hearts nigh dead of care.
Alas! must this be still the bitter doom
Awaiting those, the finer-souled of earth,
Who make for men a morning song of mirth
While yet the birds are dumb amid the gloom?
They walk on thorny ways with feet unshod,
Sing one last song, and die as that song dies.
There is no human hand to close their eyes,
And very heavy is the hand of God.
poem by Victor James Daley
Submitted by Poetry Lover
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