Voyages
I
Above the fresh ruffles of the surf
Bright striped urchins flay each other with sand.
They have contrived a conquest for shell shucks,
And their fingers crumble fragments of baked weed
Gaily digging and scattering.
And in answer to their treble interjections
The sun beats lightning on the waves,
The waves fold thunder on the sand;
And could they hear me I would tell them:
O brilliant kids, frisk with your dog,
Fondle your shells and sticks, bleached
By time and the elements; but there is a line
You must not cross nor ever trust beyond it
Spry cordage of your bodies to caresses
Too lichen-faithful from too wide a breast.
The bottom of the sea is cruel.
II
—And yet this great wink of eternity,
Of rimless floods, unfettered leewardings,
Samite sheeted and processioned where
Her undinal vast belly moonward bends,
Laughing the wrapt inflections of our love;
Take this Sea, whose diapason knells
On scrolls of silver snowy sentences,
The sceptred terror of whose sessions rends
As her demeanors motion well or ill,
All but the pieties of lovers’ hands.
And onward, as bells off San Salvador
Salute the crocus lustres of the stars,
In these poinsettia meadows of her tides,—
Adagios of islands, O my Prodigal,
Complete the dark confessions her veins spell.
Mark how her turning shoulders wind the hours,
And hasten while her penniless rich palms
Pass superscription of bent foam and wave,—
Hasten, while they are true,—sleep, death, desire,
Close round one instant in one floating flower.
Bind us in time, O Seasons clear, and awe.
O minstrel galleons of Carib fire,
Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze toward paradise.
III
Infinite consanguinity it bears—
This tendered theme of you that light
Retrieves from sea plains where the sky
Resigns a breast that every wave enthrones;
While ribboned water lanes I wind
Are laved and scattered with no stroke
Wide from your side, whereto this hour
The sea lifts, also, reliquary hands.
And so, admitted through black swollen gates
That must arrest all distance otherwise,—
Past whirling pillars and lithe pediments,
Light wrestling there incessantly with light,
Star kissing star through wave on wave unto
Your body rocking!
and where death, if shed,
Presumes no carnage, but this single change,—
Upon the steep floor flung from dawn to dawn
The silken skilled transmemberment of song;
Permit me voyage, love, into your hands ...
IV
Whose counted smile of hours and days, suppose
I know as spectrum of the sea and pledge
Vastly now parting gulf on gulf of wings
Whose circles bridge, I know, (from palms to the severe
Chilled albatross’s white immutability)
No stream of greater love advancing now
Than, singing, this mortality alone
Through clay aflow immortally to you.
All fragrance irrefragably, and claim
Madly meeting logically in this hour
And region that is ours to wreathe again,
Portending eyes and lips and making told
The chancel port and portion of our June—
Shall they not stem and close in our own steps
Bright staves of flowers and quills today as I
Must first be lost in fatal tides to tell?
In signature of the incarnate word
The harbor shoulders to resign in mingling
Mutual blood, transpiring as foreknown
And widening noon within your breast for gathering
All bright insinuations that my years have caught
For islands where must lead inviolably
Blue latitudes and levels of your eyes,—
In this expectant, still exclaim receive
The secret oar and petals of all love.
V
Meticulous, past midnight in clear rime,
Infrangible and lonely, smooth as though cast
Together in one merciless white blade—
The bay estuaries fleck the hard sky limits.
—As if too brittle or too clear to touch!
The cables of our sleep so swiftly filed,
Already hang, shred ends from remembered stars.
One frozen trackless smile ... What words
Can strangle this deaf moonlight? For we
Are overtaken. Now no cry, no sword
Can fasten or deflect this tidal wedge,
Slow tyranny of moonlight, moonlight loved
And changed ... “There’s
Nothing like this in the world,” you say,
Knowing I cannot touch your hand and look
Too, into that godless cleft of sky
Where nothing turns but dead sands flashing.
“—And never to quite understand!” No,
In all the argosy of your bright hair I dreamed
Nothing so flagless as this piracy.
But now
Draw in your head, alone and too tall here.
Your eyes already in the slant of drifting foam;
Your breath sealed by the ghosts I do not know:
Draw in your head and sleep the long way home.
VI
Where icy and bright dungeons lift
Of swimmers their lost morning eyes,
And ocean rivers, churning, shift
Green borders under stranger skies,
Steadily as a shell secretes
Its beating leagues of monotone,
Or as many waters trough the sun’s
Red kelson past the cape’s wet stone;
O rivers mingling toward the sky
And harbor of the phoenix’ breast—
My eyes pressed black against the prow,
—Thy derelict and blinded guest
Waiting, afire, what name, unspoke,
I cannot claim: let thy waves rear
More savage than the death of kings,
Some splintered garland for the seer.
Beyond siroccos harvesting
The solstice thunders, crept away,
Like a cliff swinging or a sail
Flung into April’s inmost day—
Creation’s blithe and petalled word
To the lounged goddess when she rose
Conceding dialogue with eyes
That smile unsearchable repose—
Still fervid covenant, Belle Isle,
—Unfolded floating dais before
Which rainbows twine continual hair—
Belle Isle, white echo of the oar!
The imaged Word, it is, that holds
Hushed willows anchored in its glow.
It is the unbetrayable reply
Whose accent no farewell can know.
poem by Harold Hart Crane
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Voyages VI
Where icy and bright dungeons lift
Of swimmers their lost morning eyes,
And ocean rivers, churning, shift
Green borders under stranger skies,
Steadily as a shell secretes
Its beating leagues of monotone,
Or as many waters trough the sun's
Red kelson past the cape's wet stone;
0 rivers mingling toward the sky
And harbor of the phoenix' breast
My eyes pressed black against the prow,
-Thy derelict and blinded guest
Waiting, afire, what name, unspoken
I cannot claim: let thy waves rear
More savage than the death of kings,
Some splintered garland for the seer.
Beyond siroccos harvesting
The solstice thunders, crept away,
Like a cliff swinging or a sail
Flung into April's inmost day-
Creation's blithe and petalled word
To the lounged goddess when she rose
Conceding dialogue with eyes
That smile unsearchable repose-
Still fervid covenant, Belle Isle,
-Unfolded floating dais before
Which rainbows twine continual hair
Belle Isle, white echo of the oar!
The imaged Word, it is, that holds
Hushed willows anchored in its glow.
It is the unbetrayable reply
Whose accent no farewell can know.
poem by Harold Hart Crane
Submitted by Poetry Lover
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Voyages II
--And yet this great wink of eternity,
Of rimless floods, unfettered leewardings,
Samite sheeted and processioned where
Her undinal vast belly moonward bends,
Laughing the wrapt inflections of our love;
Take this Sea, whose diapason knells
On scrolls of silver snowy sentences,
The sceptred terror of whose sessions rends
As her demeanors motion well or ill,
All but the pieties of lovers' hands.
And onward, as bells off San Salvador
Salute the crocus lustres of the stars,
In these poinsettia meadows of her tides,--
Adagios of islands, O my Prodigal,
Complete the dark confessions her veins spell.
Mark how her turning shoulders wind the hours,
And hasten while her penniless rich palms
Pass superscription of bent foam and wave,--
Hasten, while they are true,--sleep, death, desire,
Close round one instant in one floating flower.
Bind us in time, O Seasons clear, and awe.
O minstrel galleons of Carib fire,
Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal's wide spindrift gaze toward paradise.
poem by Harold Hart Crane
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Voyages IV
Whose counted smile of hours and days, suppose
I know as spectrum of the sea and pledge
Vastly now parting gulf on gulf of wings
Whose circles bridge, I know, (from palms to the severe
Chilled albatross's white immutability)
No stream of greater love advancing now
Than, singing, this mortality alone
Through clay aflow immortally to you.
All fragrance irrefragably, and claim
Madly meeting logically in this hour
And region that is ours to wreathe again,
Portending eyes and lips and making told
The chancel port and portion of our June-
Shall they not stem and close in our own steps
Bright staves of flowers and quills today as I
Must first be lost in fatal tides to tell?
In signature of the incarnate word
The harbor shoulders to resign in mingling
.Mutual blood, transpiring as foreknown
And widening noon within your breast for gathering
All bright insinuations that my years have caught
For islands where must lead inviolably
Blue latitudes and levels of your eyes,-
In this expectant, still exclaim receive
The secret oar and petals of all love.
poem by Harold Hart Crane
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Voyages V
Meticulous, past midnight in clear rime,
Infrangible and lonely, smooth as though cast
Together in one merciless white blade-
The bay estuaries fleck the hard sky limits.
-As if too brittle or too clear to touch!
The cables of our sleep so swiftly filed,
Already hang, shred ends from remembered stars.
One frozen trackless smile . . . What words
Can strangle this deaf moonlight? For we
Are overtaken. Now no cry, no sword
Can fasten or deflect this tidal wedge,
Slow tyranny of moonlight, moonlight loved
And changed . 'There's
Nothing like this in the world,' you say,
is Knowing I cannot touch your hand and look
Too, into that godless cleft of sky
Where nothing turns but dead sands flashing.
'-And never to quite understand!' No,
In all the argosy of your bright hair I dreamed
Nothing so flagless as this piracy.
But now
Draw in your head, alone and too tall here.
Your eyes already in the slant of drifting foam;
Your breath sealed by the ghosts I do not know:
Draw in your head and sleep the long way home.
poem by Harold Hart Crane
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Voyages III
Infinite consanguinity it bears
This tendered theme of you that light
Retrieves from sea plains where the sky
Resigns a breast that every wave enthrones;
While ribboned water lanes I wind
Are laved and scattered with no stroke
Wide from your side, whereto this hour
The sea lifts, also, reliquary hands.
And so, admitted through black swollen gates
That must arrest all distance otherwise,
Past whirling pillars and lithe pediments,
Light wrestling there incessantly with light,
Star kissing star through wave on wave unto
Your body rocking!
and where death, if shed,
Presumes no carnage, but this single change,-
Upon the steep floor flung from dawn to dawn
The silken skilled transmemberment of song;
Permit me voyage, love, into your hands . .
poem by Harold Hart Crane
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The Island Hawk
Hushed are the whimpering winds on the hill,
Dumb is the shrinking plain,
And the songs that enchanted the woods are still
As I shoot to the skies again!
Does the blood grow black on my fierce bent beak,
Does the down still cling to my claw?
Who brightened these eyes for the prey they seek?
Life, I follow thy law!
For I am the hawk, the hawk, the hawk!
Who knoweth my pitiless breast?
Who watcheth me sway in the wild wind's way?
Flee – flee – for I quest, I quest.
As I glide and glide with my peering head,
Or swerve at a puff of smoke,
Who watcheth my wings on the wind outspread,
Here – gone – with an instant stroke?
Who toucheth the glory of life I feel
As I buffet this great glad gale,
Spire and spire to the cloud-world, wheel,
Loosen my wings and sail?
For I am the hawk, the island hawk,
Who knoweth my pitiless breast?
Who watcheth me sway in the sun's bright way?
Flee – flee – for I quest, I quest.
My mate in the nest on the high bright tree
Blazing with dawn and dew,
She knoweth the gleam of the world and the glee
As I drop like a bolt from the blue.
She knoweth the fire of the level flight
As I skim, close, close to the ground,
With the long grass lashing my breast and the bright
Dew-drops flashing around.
She watcheth the hawk, the hawk, the hawk
(Oh, the red-blotched eggs in the nest!)
Watcheth him sway in the sun's bright way.
Flee – flee – for I quest, I quest.
She builded her nest on the high bright wold,
She was taught in a world afar
The lore that is only an April old
Yet old as the evening star.
Life of a far off ancient day
In an hour unhooded her eyes.
In the time of the budding of one green spray
She was wise as the stars are wise.
An eyas in eyry, a yellow-eyed hawk,
On the old elm's burgeoning breast,
She watcheth me sway in the wild wind's way.
Flee – flee – for I quest, I quest.
She hath ridden on white Arabian steeds
Thro' the ringing English dells,
For the joy of a great queen, hunting in state,
To the music of golden bells.
A queen's fair fingers have drawn the hood
And tossed her aloft in the blue,
A white hand eager for needless blood.
I hunt for the needs of two.
A haggard in yarak, a hawk, a hawk!
Who knoweth my pitiless breast?
Who watcheth me sway in the sun's bright way?
Flee – flee – for I quest, I quest.
Who fashioned her wide and splendid eyes
That have stared in the eyes of kings?
With a silken twist she was looped to their wrist:
She has clawed at their jewelled rings!
Who flung her first thro' the crimson dawn
To pluck him a prey from the skies,
When the love-light shone upon lake and lawn
In the valleys of Paradise?
Who fashioned the hawk, the hawk, the hawk,
Bent beak and pitiless breast?
Who watcheth him sway in the wild wind's way?
Flee – flee – for I quest, I quest.
Is there ever a song in all the world
Shall say how the quest began
With the beak and the wings that have made us kings
And cruel – almost – as man?
The wild wind whimpers across the heath
Where the sad little tufts of blue
And the red-stained grey little feathers of death
Flutter! Who fashioned us? Who?
Who fashioned the scimitar wings of the hawk,
Bent beak and arrowy breast?
Who watcheth him sway in the sun's bright way?
Flee – flee – for I quest, I quest.
poem by Alfred Noyes
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On The Sea
No fog clear in the moonlight
The stars shine so bright nows the time
I close my eyes - soft wind touch my face
Cool sand upon the place where I once kissed you
And held you close
Now I will reach for the stars
Because oh my love, thats where you are
Chorus:
Though the storms of black night rage on
I still see your face
I still feel your lips on mine
And though my heart feels all alone without you
I still hear you sing to me
I still hear your voice on the sea
Waves crash break the silence
Gulls cry a song of lament
I walk on through the stormy night
The air cries flash of anger
Dark night enshrouds the stranger all alone without you
Now I will reach for the stars
Because oh my love, thats where you are
Chorus
No fog clear in the moonlight
The stars shine so bright nows the time
I close my eyes - soft wind touching my face
Cool sand upon the place where I once kissed you
And held you close
Now I will reach for the stars
Because oh my love, thats where you are
Chorus
song performed by by Vertical Horizon
Submitted by Lucian Velea
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Late Loved--Well Loved
He stood beside her in the dawn
(And she his Dawn and she his Spring),
From her bright palm she fed her fawn,
Her swift eyes chased the swallow's wing:
Her restless lips, smile-haunted, cast
Shrill silver calls to hound and dove:
Her young locks wove them with the blast.
To the flush'd, azure shrine above,
The light boughs o'er her golden head
Toss'd em'rald arm and blossom palm.
The perfume of their prayer was spread
On the sweet wind in breath of balm.
'Dawn of my heart,' he said, 'O child,
Knit thy pure eyes a space with mine:
O chrystal, child eyes, undefiled,
Let fair love leap from mine to thine!'
'The Dawn is young,' she smiled and said,
'Too young for Love's dear joy and woe;
Too young to crown her careless head
With his ripe roses. Let me go--
Unquestion'd for a longer space,
Perchance, when day is at the flood,
In thy true palm I'll gladly place
Love's flower in its rounding bud.
But now the day is all too young,
The Dawn and I are playmates still.'
She slipped the blossomed boughs among,
He strode beyond the violet hill.
Again they stand (Imperial noon
Lays her red sceptre on the earth),
Where golden hangings make a gloom,
And far off lutes sing dreamy mirth.
The peacocks cry to lily cloud,
From the white gloss of balustrade:
Tall urns of gold the gloom make proud,
Tall statues whitely strike the shade,
And pulse in the dim quivering light
Until, most Galatea-wise--
Each looks from base of malachite
With mystic life in limbs and eyes.
Her robe, (a golden wave that rose,
And burst, and clung as water clings
To her long curves) about her flows.
Each jewel on her white breast sings
Its silent song of sun and fire.
No wheeling swallows smite the skies
And upward draw the faint desire,
Weaving its myst'ry in her eyes.
In the white kisses of the tips
Of her long fingers lies a rose,
Snow-pale beside her curving lips,
Red by her snowy breast it glows.
'Noon of my soul,' he says, 'behold!
The day is ripe, the rose full blown,
Love stands in panoply of gold,
To Jovian height and strength now grown,
No infant he, a king he stands,
And pleads with thee for love again.'
'Ah, yes!' she says, 'in known lands,
He kings it--lord of subtlest pain;
The moon is full, the rose is fair--
Too fair! 'tis neither white nor red:
'I know the rose that love should wear,
Must redden as the heart had bled!
The moon is mellow bright, and I
Am happy in its perfect glow.
The slanting sun the rose may dye--
But for the sweet noon--let me go.'
She parted--shimm'ring thro' the shade,
Bent the fair splendour of her head:
'Would the rich noon were past,' he said,
Would the pale rose were flush'd to red!'
Again. The noon is past and night
Binds on his brow the blood red Mars--
Down dusky vineyards dies the fight,
And blazing hamlets slay the stars.
Shriek the shrill shells: the heated throats
Of thunderous cannon burst--and high
Scales the fierce joy of bugle notes:
The flame-dimm'd splendours of the sky.
He, dying, lies beside his blade:
Clear smiling as a warrior blest
With victory smiles, thro' sinister shade
Gleams the White Cross upon her breast.
'Soul of my soul, or is it night
Or is it dawn or is it day?
I see no more nor dark nor light,
I hear no more the distant fray.'
''Tis Dawn,' she whispers: 'Dawn at last!
Bright flush'd with love's immortal glow
For me as thee, all earth is past!
Late loved--well loved, now let us go!'
poem by Isabella Valancy Crawford
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When I Close my Eyes
When I close my eyes,
I can see my country,
Shining in the light, bright.
When I close my eyes.
When I close my eyes,
I see the trees,
Green against the skyline.
When I close my eyes.
When I close my eyes,
I see stars shining cross,
The wide beyond.
When I close my eyes.
When I close my eyes,
I see the sunset behind your hair,
Halo shining in the air.
When I close my eyes.
When I close my eyes,
I hear the ocean waves,
Crashing on the shore.
When I close my eyes.
When I close my eyes,
I see the moon glistening,
Through your eyes.
When I close my eyes.
© 2012
poem by Nick Strong
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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The Fisher's Wife
A long, low waste of yellow sand
Lay shining northward far as eye could reach,
Southward a rocky bluff rose high
Broken in wild, fantastic shapes.
Near by, one jagged rock towered high,
And o'er the waters leaned, like giant grim,
Striving to peer into the mysteries
The ocean whispers of continually,
And covers with her soft, treacherous face.
For the rest, the sun was sinking low
Like a great golden globe, into the sea;
Above the rock a bird was flying
In dizzy circles, with shrill cries,
And on a plank floated from some wreck,
With shreds of musty seaweed
Clinging to it yet, a woman sat
Holding a child within her arms;
A sweet-faced woman--looking out to sea
With dark, patient eyes, and singing to the child,
And this the song she in the sunset sang:
Thine eyes are brown, my beauty, brown and bright,
Drowned deep in languor now, the angel Sleep
Is clasping thee within her arms so white,
Bearing thee up the dreamland's sunny steep.
Oh, baby, sleep, my baby, sleep.
Thy father's boat, I see its swaying shroud
Like a white sea-gull, swinging to and fro
Against the ledges of a crimson cloud,
A tiny bird with flutt'ring wing of snow.
Oh, baby, sleep, my baby, sleep.
Thy father toils beyond the harbor bar,
And, singing at his toil, he thinks of thee;
Lit by the red lamp of the evening star
Home will he come, will come to thee and me,
Oh, baby, sleep, my baby, sleep.
His cabin shall be bright with flowers sweet,
The table shall be set, the fire shall glow,
We'll wait within the door, his coming steps to greet,
And if my eye be sad, he will not know--
Oh, baby, sleep, my baby, sleep.
He will not pause to ponder things so slight,
He is not one a smile to prize or miss;
Yet he would shield us with a strong arm's might,
And he will meet us with a loving kiss--
Oh, baby, sleep, my baby, sleep.
But would I could forget those other days
When if with gayer gleam mine eyes had shone,
Or shade of sorrow, gentlest eyes would gaze
With tender questioning into my own.
Oh, baby, sleep, my baby, sleep.
Thine eyes are brown--thou hast thy father's eyes,
But those, my darling, those were clear and blue,
Ah, me! how sorrowfully that sea-bird cries,
Cries for its mate, oh, tender bird and true;
My, baby, sleep, my baby, sleep.
Oh, of my truest love well worthy he,
And near was I, ah, nearest to his heart;
But ships are parted on the dreary sea
Swept by the waves, forever swept apart--
Oh, baby, sleep, my baby, sleep.
And sometimes sad-eyed women sighing say,
Sweet love is lost, all that remains is rest,
So in their weakness they are lured to lay
Their head upon some strong and loving breast.
Oh, baby, sleep, my baby, sleep.
Our cabin stands upon the dreary sands,
And it is sad to be alone, alone.
But on my bosom thou hast lain thy hands,
Near to me art thou, near, my precious one--
My, baby, sleep, my baby, sleep.
The red light faded as she sung,
A chill breeze rose and swept across the sea,
She drew her cloak still closer round the child,
And turned toward the cabin;
As she went a faint glow glimmered
In the east, and slowly rose--
The silver crescent of the moon.
Another, paler light, than the warm sunset glow,
But clear enough to guide her home.
poem by Marietta Holley
Submitted by Poetry Lover
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Incantation
A white well
In a black cave;
A bright shell
In a dark wave.
A white rose
Black brambles hood;
Smooth bright snows
In a dark wood.
A flung white glove
In a dark fight;
A white dove
On a wild black night.
A white door
In a dark lane;
A bright core
To bitter black pain.
A white hand
Waved from dark walls;
In a burnt black land
Bright waterfalls.
A bright spark
Where black ashes are;
In the smothering dark
One white star.
poem by Elinor Morton Wylie
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Senlin: His Cloudy Destiny
1
Senlin sat before us and we heard him.
He smoked his pipe before us and we saw him.
Was he small, with reddish hair,
Did he light his pipe with a meditative stare
And a twinkling flame reflected in blue eyes?
'I am alone': said Senlin; 'in a forest of leaves
The single leaf that creeps and falls.
The single blade of grass in a desert of grass
That none foresaw and none recalls.
The single shell that a green wave shatters
In tiny specks of whiteness on brown sands . . .
How shall you understand me with your hearts,
Who cannot reach me with your hands? . . .'
The city dissolves about us, and its walls
Are the sands beside a sea.
We plunge in a chaos of dunes, white waves before us
Crash on kelp tumultuously,
Gulls wheel over foam, the clouds blow tattered,
The sun is swallowed . . . Has Senlin become a shore?
Is Senlin a grain of sand beneath our footsteps,
A speck of shell upon which waves will roar? . . .
Senlin! we cry . . . Senlin! again . . . no answer,
Only the crash of sea on a shell-white shore.
Yet, we would say, this is no shore at all,
But a small bright room with lamplight on the wall;
And the familiar chair
Where Senlin sat, with lamplight on his hair.
2
Senlin, alone before us, played a music.
Was it himself he played? . . . We sat and listened,
Perplexed and pleased and tired.
'Listen!' he said, 'and you will learn a secret--
Though it is not the secret you desired.
I have not found a meaning that will praise you!
Out of the heart of silence comes this music,
Quietly speaks and dies.
Look! there is one white star above black houses!
And a tiny man who climbs toward the skies!
Where does he walk to? What does he leave behind him?
What was his foolish name?
What did he stop to say, before he left you
As simply as he came?
"Death?" did it sound like, "love and god, and laughter,
Sunlight, and work, and pain . . .?"
No--it appears to me that these were symbols
Of simple truths he found no way to explain.
He spoke, but found you could not understand him--
You were alone, and he was alone.
"He sought to touch you, and found he could not reach you,--
He sought to understand you, and could not hear you.
And so this music, which I play before you,--
Does it mean only what it seems to mean?
Or is it a dance of foolish waves in sunlight
Above a desperate depth of things unseen?
Listen! Do you not hear the singing voices
Out of the darkness of this sea?
But no: you cannot hear them; for if you heard them
You would have heard and captured me.
Yet I am here, talking of laughter.
Laughter and love and work and god;
As I shall talk of these same things hereafter
In wave and sod.
Walk on a hill and call me: "Senlin! . . . Senlin! . . ."
Will I not answer you as clearly as now?
Listen to rain, and you will hear me speaking.
Look for my heart in the breaking of a bough . . .'
3
Senlin stood before us in the sunlight,
And laughed, and walked away.
Did no one see him leaving the doors of the city,
Looking behind him, as if he wished to stay?
Has no one, in the forests of the evening,
Heard the sad horn of Senlin slowly blown?
For somewhere, in the worlds-in-worlds about us,
He changes still, unfriended and alone.
Is he the star on which we walk at daybreak,
The light that blinds our eyes?
'Senlin!' we cry. 'Senlin!' again . . . no answer:
Only the soulless brilliance of blue skies.
Yet we would say, this was no man at all,
But a dream we dreamed, and vividly recall;
And we are mad to walk in wind and rain
Hoping to find, somewhere, that dream again.
poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 06: Cinema
As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .
Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organist's head, in silhouette,
Leans to the lamplit music's orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next to the skies. . . .
The music comes upon us. . . .it shakes the darkness,
It shakes the darkness in our minds. . . .
And brilliant figures suddenly fill the darkness,
Down the white shaft of light they run through darkness,
And in our hearts a dazzling dream unwinds . . .
Take my hand, then, walk with me
By the slow soundless crashings of a sea
Down miles on miles of glistening mirrorlike sand,—
Take my hand
And walk with me once more by crumbling walls;
Up mouldering stairs where grey-stemmed ivy clings,
To hear forgotten bells, as evening falls,
Rippling above us invisibly their slowly widening rings. . . .
Did you once love me? Did you bear a name?
Did you once stand before me without shame? . . .
Take my hand: your face is one I know,
I loved you, long ago:
You are like music, long forgotten, suddenly come to mind;
You are like spring returned through snow.
Once, I know, I walked with you in starlight,
And many nights I slept and dreamed of you;
Come, let us climb once more these stairs of starlight,
This midnight stream of cloud-flung blue! . . .
Music murmurs beneath us like a sea,
And faints to a ghostly whisper . . . Come with me.
Are you still doubtful of me—hesitant still,
Fearful, perhaps, that I may yet remember
What you would gladly, if you could, forget?
You were unfaithful once, you met your lover;
Still in your heart you bear that red-eyed ember;
And I was silent,—you remember my silence yet . . .
You knew, as well as I, I could not kill him,
Nor touch him with hot hands, nor yet with hate.
No, and it was not you I saw with anger.
Instead, I rose and beat at steel-walled fate,
Cried till I lay exhausted, sick, unfriended,
That life, so seeming sure, and love, so certain,
Should loose such tricks, be so abruptly ended,
Ring down so suddenly an unlooked-for curtain.
How could I find it in my heart to hurt you,
You, whom this love could hurt much more than I?
No, you were pitiful, and I gave you pity;
And only hated you when I saw you cry.
We were two dupes; if I could give forgiveness,—
Had I the right,—I should forgive you now . . .
We were two dupes . . . Come, let us walk in starlight,
And feed our griefs: we do not break, but bow.
Take my hand, then, come with me
By the white shadowy crashings of a sea . . .
Look how the long volutes of foam unfold
To spread their mottled shimmer along the sand! . . .
Take my hand,
Do not remember how these depths are cold,
Nor how, when you are dead,
Green leagues of sea will glimmer above your head.
You lean your face upon your hands and cry,
The blown sand whispers about your feet,
Terrible seems it now to die,—
Terrible now, with life so incomplete,
To turn away from the balconies and the music,
The sunlit afternoons,
To hear behind you there a far-off laughter
Lost in a stirring of sand among dry dunes . . .
Die not sadly, you whom life has beaten!
Lift your face up, laughing, die like a queen!
Take cold flowers of foam in your warm white fingers!
Death's but a change of sky from blue to green . . .
As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow . . . the music breathes upon us,
The rayed white shaft plays over our heads like magic,
And to and fro we move and lean and change . . .
You, in a world grown strange,
Laugh at a darkness, clench your hands despairing,
Smash your glass on a floor, no longer caring,
Sink suddenly down and cry . . .
You hear the applause that greets your latest rival,
You are forgotten: your rival—who knows?—is I . . .
I laugh in the warm bright light of answering laughter,
I am inspired and young . . . and though I see
You sitting alone there, dark, with shut eyes crying,
I bask in the light, and in your hate of me . . .
Failure . . . well, the time comes soon or later . . .
The night must come . . . and I'll be one who clings,
Desperately, to hold the applause, one instant,—
To keep some youngster waiting in the wings.
The music changes tone . . . a room is darkened,
Someone is moving . . . the crack of white light widens,
And all is dark again; till suddenly falls
A wandering disk of light on floor and walls,
Winks out, returns again, climbs and descends,
Gleams on a clock, a glass, shrinks back to darkness;
And then at last, in the chaos of that place,
Dazzles like frozen fire on your clear face.
Well, I have found you. We have met at last.
Now you shall not escape me: in your eyes
I see the horrible huddlings of your past,—
All you remember blackens, utters cries,
Reaches far hands and faint. I hold the light
Close to your cheek, watch the pained pupils shrink,—
Watch the vile ghosts of all you vilely think . . .
Now all the hatreds of my life have met
To hold high carnival . . . we do not speak,
My fingers find the well-loved throat they seek,
And press, and fling you down . . . and then forget.
Who plays for me? What sudden drums keep time
To the ecstatic rhythm of my crime?
What flute shrills out as moonlight strikes the floor? . .
What violin so faintly cries
Seeing how strangely in the moon he lies? . . .
The room grows dark once more,
The crack of white light narrows around the door,
And all is silent, except a slow complaining
Of flutes and violins, like music waning.
Take my hand, then, walk with me
By the slow soundless crashings of a sea . . .
Look, how white these shells are, on this sand!
Take my hand,
And watch the waves run inward from the sky
Line upon foaming line to plunge and die.
The music that bound our lives is lost behind us,
Paltry it seems . . . here in this wind-swung place
Motionless under the sky's vast vault of azure
We stand in a terror of beauty, face to face.
The dry grass creaks in the wind, the blown sand whispers,
The soft sand seethes on the dunes, the clear grains glisten,
Once they were rock . . . a chaos of golden boulders . . .
Now they are blown by the wind . . . we stand and listen
To the sliding of grain upon timeless grain
And feel our lives go past like a whisper of pain.
Have I not seen you, have we not met before
Here on this sun-and-sea-wrecked shore?
You shade your sea-gray eyes with a sunlit hand
And peer at me . . . far sea-gulls, in your eyes,
Flash in the sun, go down . . . I hear slow sand,
And shrink to nothing beneath blue brilliant skies . . .
* * * * *
The music ends. The screen grows dark. We hurry
To go our devious secret ways, forgetting
Those many lives . . . We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.
Whose body have I found beside dark waters,
The cold white body, garlanded with sea-weed?
Staring with wide eyes at the sky?
I bent my head above it, and cried in silence.
Only the things I dreamed of heard my cry.
Once I loved, and she I loved was darkened.
Again I loved, and love itself was darkened.
Vainly we follow the circle of shadowy days.
The screen at last grows dark, the flutes are silent.
The doors of night are closed. We go our ways.
poem by Conrad Potter Aiken
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Hampton Beach
THE SUNLIGHT glitters keen and bright,
Where, miles away,
Lies stretching to my dazzled sight
A luminous belt, a misty light,
Beyond the dark pine bluffs and wastes of sandy gray.
The tremulous shadow of the Sea!
Against its ground
Of silvery light, rock, hill, and tree,
Still as a picture, clear and free,
With varying outline mark the coast for miles around.
On—on—we tread with loose-flung rein
Our seaward way,
Through dark-green fields and blossoming grain,
Where the wild brier-rose skirts the lane,
And bends above our heads the flowering locust spray.
Ha! like a kind hand on my brow
Comes this fresh breeze,
Cooling its dull and feverish glow,
While through my being seems to flow
The breath of a new life, the healing of the seas!
Now rest we, where this grassy mound
His feet hath set
In the great waters, which have bound
His granite ankles greenly round
With long and tangled moss, and weeds with cool spray wet.
Good-by to Pain and Care! I take
Mine ease to-day
Here where these sunny waters break,
And ripples this keen breeze, I shake
All burdens from the heart, all weary thoughts away.
I draw a freer breath, I seem
Like all I see—
Waves in the sun—the white-winged gleam—
Of sea-birds in the slanting beam—
And far-off sails which flit before the south-wind free.
So when Time’s veil shall fall asunder,
The soul may know
No fearful change, nor sudden wonder,
Nor sink the weight of mystery under,
But with the upward rise, and with the vastness grow.
And all we shrink from now may seem
No new revealing;
Familiar as our childhood’s stream,
Or pleasant memory of a dream
The loved and cherished Past upon the new life stealing.
Serene and mild the untried light
May have its dawning;
And, as in summer’s northern night
The evening and the dawn unite,
The sunset hues of Time blend with the soul’s new morning.
I sit alone; in foam and spray
Wave after wave
Breaks on the rocks which, stern and gray,
Shoulder the broken tide away,
Or murmurs hoarse and strong through mossy cleft and cave.
What heed I of the dusty land
And noisy town?
I see the mighty deep expand
From its white line of glimmering sand
To where the blue of heaven on bluer waves shuts down!
In listless quietude of mind,
I yield to all
The change of cloud and wave and wind
And passive on the flood reclined,
I wander with the waves, and with them rise and fall.
But look, thou dreamer!—wave and shore
In shadow lie;
The night-wind warns me back once more
To where, my native hill-tops o’er,
Bends like an arch of fire the glowing sunset sky.
So then, beach, bluff, and wave, farewell!
I bear with me
No token stone nor glittering shell,
But long and oft shall Memory tell
Of this brief thoughtful hour of musing by the Sea.
poem by John Greenleaf Whittier
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Elegy For My Father
HLF, August 8,1918—August 22,1997
“Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze towards paradise.”
—Hart Crane, “Voyages”
“If a lion could talk, we couldn’t understand it”
—Ludwig Wittgenstein
Under the ocean that stretches out wordlessly
past the long edge of the last human shore,
there are deep windows the waves haven't opened,
where night is reflected through decades of glass.
There is the nursery, there is the nanny,
there are my father’s unreachable eyes
turned towards the window. Is the child uneasy?
His is the death that is circling the stars.
In the deep room where candles burn soundlessly
and peace pours at last through the cells of our bodies,
three of us are watching, one of us is staring
with the wide gaze of a wild, wave-fed seal.
Incense and sage speak in smoke loud as waves,
and crickets sing sand towards the edge of the hourglass.
We wait outside time, while night collects courage
around us. The vigil is wordless. And you
watch the longest, move the farthest, besieged by your breath,
pulling into your body. You stare towards your death,
head arched on the pillow, your left fingers curled.
Your mouth sucking gently, unmoved by these hours
and their vigil of salt spray, you show us how far
you are going, and how long the long minutes are,
while spiralling night watches over the room
and takes you, until you watch us in turn.
Lions speak their own language. You are still breathing.
Here is release. Here is your pillow,
cool like a handkerchief pressed in a pocket.
Here is your white tousled long growing hair.
Here is a kiss on your temple to hold you
safe through your solitude’s long steady war;
here, you can go. We will stay with you,
keeping the silence we all came here for.
Night, take his left hand, turning the pages.
Spin with the windows and doors that he mended.
Spin with his answers, patient, impatient.
Spin with his dry independence, his arms
warmed by the needs of his family, his hands
flying under the wide, carved gold ring, and the pages
flying so his thought could fly. His breath slows,
lending its edges out to the night.
Here is his open mouth. Silence is here
like one more new question that he will not answer.
A leaf is his temple. The dark is the prayer.
He has given his body; his hand lies above
the sheets in a symbol of wholeness, a curve
of thumb and forefinger, ringed with wide gold,
and the instant that empties his breath is a flame
faced with a sudden cathedral's new stone.
poem by Annie Finch
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Choriambics
Love, what ailed thee to leave life that was made lovely, we thought, with love?
What sweet visions of sleep lured thee away, down from the light above?
What strange faces of dreams, voices that called, hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the sunless grave?
Ah, thy luminous eyes! once was their light fed with the fire of day;
Now their shadowy lids cover them close, hush them and hide away.
Ah, thy snow-coloured hands! once were they chains, mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless of passion past.
Ah, thy beautiful hair! so was it once braided for me, for me;
Now for death is it crowned, only for death, lover and lord of thee.
Sweet, the kisses of death set on thy lips, colder are they than mine;
Colder surely than past kisses that love poured for thy lips as wine.
Lov'st thou death? is his face fairer than love's, brighter to look upon?
Seest thou light in his eyes, light by which love's pales and is overshone?
Lo the roses of death, grey as the dust, chiller of leaf than snow!
Why let fall from thy hand love's that were thine, roses that loved thee so?
Large red lilies of love, sceptral and tall, lovely for eyes to see;
Thornless blossom of love, full of the sun, fruits that were reared for thee.
Now death's poppies alone circle thy hair, girdle thy breasts as white;
Bloodless blossoms of death, leaves that have sprung never against the light.
Nay then, sleep if thou wilt; love is content; what should he do to weep?
Sweet was love to thee once; now in thine eyes sweeter than love is sleep.
poem by Algernon Charles Swinburne
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Beach At Sri Lanka
Once upon day with sun dawn foot step along on the white sand wave is come and tough foot
The shipping boat teaming one row till calm dawn sea wave s noon or at the night
Children playing more and more games with noise smile make themselves court
Dew mix wind blowing every time feels so much taste of lips like salt
Early with waking sea hawk flew far away across sun chariot and defeating blowing wind
Rough wave came and knocked against black stone spreading white foam it's never end
The train express going upon rail near of sea coast with emission black smoked
Enchant passenger looked outside about large sea and blowing wind
Coconut with trees moving by wind right to left the shadow had creative beautiful decoration
Aliens lay dawn the sea coast wearing sun glass smile with sun rays and apply with crème of sun
Pleasure and so close people enjoy themselves life the large sea wave smile with people soon
Beach hotels par lour decorated for enjoying people all though church spreading sweet hymn
One see weed trample by foot its move with sea waves and floating every where
Ornamental fish came to out side from water and take them food by floating weed some time
The booze people dance with club music the ladies clapping and gathering together all time
Although the god phrases the man who will build one house upon the rock called him man of the wise
poem by Inguruwatta Pushpadewa
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The Quest
I am looking for Love. Has he passed this way,
With eyes as blue as the skies of May,
And a face as fair as the summer dawn?--
You answer back, but I wander on,--
For you say: 'Oh, yes; but his eyes were gray,
And his face as dim as a rainy day.'
Good friends, I query, I search for Love;
His eyes are as blue as the skies above,
And his smile as bright as the midst of May
When the truce-bird pipes: Has he passed this way?
And one says: 'Ay; but his face, alack!
Frowned as he passed, and his eyes were black.'
O who will tell me of Love? I cry!
His eyes are as blue as the mid-May sky,
And his face as bright as the morning sun;
And you answer and mock me, every one,
That his eyes were dark, and his face was wan,
And he passed you frowning and wandered on.
But stout of heart will I onward fare,
Knowing _my_ Love is beyond--somewhere,--
The Love I seek, with the eyes of blue,
And the bright, sweet smile unknown of you;
And on from the hour his trail is found
I shall sing sonnets the whole year round.
poem by James Whitcomb Riley
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On A Tuft Of Grass
WEAK, slender blades of tender green,
With little fragrance, little sheen,
What maketh ye so dear to all?
Nor bud, nor flower, nor fruit have ye,
So tiny, it can only be
'Mongst fairies ye are counted tall.
No beauty is in this,— ah, yea,
E'en as I gaze on you to-day,
Your hue and fragrance bear me back
Into the green, wide fields of old,
With clear, blue air, and manifold
Bright buds and flowers in blossoming track.
All bent one way like flickering flame,
Each blade caught sunlight as it came,
Then rising, saddened into shade;
A changeful, wavy, harmless sea,
Whose billows none could bitterly
Reproach with wrecks that they had made.
No gold ever was buried there
More rich, more precious, or more fair
Than buttercups with yellow gloss.
No ships of mighty forest trees
E'er foundered in these guiltless seas
Of grassy waves and tender moss.
Ah, no! ah, no! not guiltless still,
Green waves on meadow and on hill,
Not wholly innocent are ye;
For what dead hopes and loves, what graves,
Lie underneath your placid waves,
While breezes kiss them lovingly!
Calm sleepers with sealed eyes lie there;
They see not, neither feel nor care
If over them the grass be green.
And some sleep here who ne'er knew rest,
Until the grass grew o'er their breast,
And stilled the aching pain within.
Not all the sorrow man hath known,
Not all the evil he hath done,
Have ever cast thereon a stain.
It groweth green and fresh and light,
As in the olden garden bright,
Beneath the feet of Eve and Cain.
It flutters, bows, and bends, and quivers,
And creeps through forests and by rivers,
Each blade with dewy brightness wet,
So soft, so quiet, and so fair,
We almost dream of sleeping there,
Without or sorrow or regret.
poem by Emma Lazarus
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