ER CONFESSORE (The Confessor)

Padre... -- Dite il confiteor. -- L'ho detto. --
L'atto di contrizione? -- Già l'ho ffatto. --
Avanti dunque. -- Ho detto cazzo-matto
A mi' marito, e j'ho arzato un grossetto. --

Poi? -- Pe una pila che me róppe er gatto
Je disse for de me: "Si' maledetto";
E è cratura de Dio! -- C'e altro? -- Tratto
Un giuvenotto, e ce sò ita a letto. --

E lì cosa è successo? -- Un po' de tutto.--
Cioè? Sempre, m'immagino, pel dritto. --
Puro a riverzo... -- Oh che peccato brutto!

Dunque, in causa di questo giovanotto,
Tornate, figlia, con cuore trafitto,
Domani, a casa mia, verso le otto.


english

Father... -- Say the Confiteor [1] . -- I did. --
The act of contrition ? [1] -- I have already made it. --
Well then. -- I called my husband an idiot,
And I stole from him a silver piece. --

What else? -- When the cat broke a pot
I shouted to her in rage: "Curse on you";
She is God's creature! [2] -- Anything else? -- I'm having
An affair with a young man, and I have slept with him. --

And what happened there? -- More or less, everything. --
You mean always frontwards [3] , I suppose. --
Also backwards... -- Oh what a terrible sin!

So, by reason of this young man,
Come, my dear, with a grieving heart,
To see me at home, tomorrow at eight o'clock.

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ER LOGOTENENTE (The Lieutenant)

Come intese a ciarlà der cavalletto,
Presto io curze dar zor Logotenente:
"Mi' marito... Eccellenza... è un poveretto
Pe carità... Ché nun ha ffatto gnente".

Dice: "Mettet'a ssede". Io me ce metto.
Lui cor un zenno manna via la gente:
Po' me s'accosta: "Dimme un po' gruggnetto,
Tu' marito lo vòi reo o innocente?"

"Innocente", dich'io; e lui: "Ciò gusto"
E detto-fatto quer faccia d'abbreo
Me schiaffa la man-dritta drent'ar busto.

Io sbarzo in piede, e strillo: "Eh sor cazzeo..."
E lui: "Fijola, quer ch'è giusto è giusto:
Annate via: vostro marito è reo".


English

As soon as I heard about the judicial punishment [1]
I hurried to the Lieutenant:
"Your Excellency, my husband is a poor fellow...
For goodness sake...he didn't do anything wrong".

He says: "Sit down". I sit.
He waves the other people away:
Then he comes close to me: "Now tell me, pretty face,
Do you want your husband guilty or innocent?"

"Innocent" I say; he says: "I'm glad";
And straight away that loathsome fellow [2]
Tucks his right hand inside my corset.

I jump up, and shout: "Hey you fool..."
He says: "My dear, fair's fair:
Go away: your husband's guilty".

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LA PORTERIA DER CONVENTO (The Monastery's Porter)

Dico: "Se pò pparlà cor padr'Ilario?"
Dice: "Per oggi no, perché confessa". --
"E doppo confessato?" -- "Ha da dì messa". --
"E doppo detto messa?" -- "Cià er breviario".

Dico: "Fate er zervizzio, fra Maccario,
D'avvisallo ch'è cosa ch'interessa".
Dice: "Ah, qualunque cosa oggi è l'istessa,
Perché nun pò lassà er confessionario".

"Pacenza", dico: "j'avevo portata,
Pe quell'affare che v'avevo detto,
Ste poche libbre qui de cioccolata...".

Dice: "Aspettate, fijo benedetto,
Pe via che, quanno è ppropio una chiamata
De premura, lui viè: mo ciarifretto".


English

I said [1] : "May I speak to father Hillary?"
He said: "Not today: he administers confession". --
"And after confession?" -- "He must say mass". --
"And after saying mass?" -- "He'll say the breviary".

I said: "Do me a favour, friar Maccario,
Tell him it's something that might interest him".
He said: "Ah, today anything would be just the same,
Because he can't leave the confessional".

"Never mind", I said: "because of that
Business I had mentioned you, I had brought him
These few pounds of chocolate..."

He said: "Wait, my dear,
Because when it's really an urgent matter
He does come, I'll think about it".

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Lewis Carroll

You Are Old Father William

"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?

"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."

"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"

"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"

"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"

"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."

"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"

"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?

Be off, or I'll kick you down stairs.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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LA PENALE (The Fine)

Li preti, già sse sa, fanno la caccia
A 'gni sorte de spece de quadrini.
Mo er mi' curato ha messo du' carlini
De murta a chi vò dì 'na parolaccia.

Toccò a me l'antra sera a la Pilaccia:
Ché giucanno co certi vitturini,
Come me vedde vince un lammertini,
Disse pe ffoja: "Eh buggiarà Ssantaccia!"

Er giorn'appresso er prete già informato,
Mannò a ffamme chiamà dar chiricone,
E m'intimò la pena der peccato.

Sur primo io vorze dì le mi' raggione;
Ma ppoi me la sbrigai: "Padre Curato,
Buggiaravve a voi puro: ecco un testone".


English

A well-known fact is that priests go hunting
For money of all sorts and kinds.
Now my vicar has decreed a sixpence fine [1]
For anyone saying a foul word.

It was my turn, the other night at the Pilaccia inn:
As I was gambling with some coach drivers,
When I lost a silver coin
I said in anger: "Damn Santaccia!" [2]

On the following day the priest, already informed,
Sent out the sexton for me,
And inflicted me the penalty for that sin.

At first I tried to put forward my reasons,
But then I cut it short: "Father Vicar,
Damn yourself too, here's a shilling" [3] .

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Young Henry

Air -- "Drummer Boy of Waterloo"


Young Henry was as faithful boy
As ever stood on the American soil,
And he did enlist, without a doubt,
When the rebellion was broke out.

He was his parents' only son,
And only child he was but one,
That was a girl aged seventeen,
Henry called her his May Queen.

Young Henry said, "Dear sister May,
What do you think my friends will say?
For now my name is on the roll,
And I down south will have to go."

"I hear my country's call," said he,
"For all her sons of liberty,
And I, forever, will prove true
To that dear old flag, red, white and blue."

"I love my father and mother dear,
I leave you, May, their hearts to cheer;
When I am gone, pray do not mourn
If I should never return home."

His sister then to him did say,
"My only brother, blithe and gay,
Our country calls, calls from afar;
May God protect you through the war."

Their father hearing all was said,
It made his noble heart grow sad;
"My children, I love both of you,
And yet I love my country, too."

"My son, if I was young again,
I never could at home remain,
And see my native land, now free,
Dissolved and made in slavery."

Young Henry left his father's home,
And left his friends for him to mourn,
A captain of a little band,
He marched away from Michigan.

In the battle of Fredericksburg,
Above the battle roar was heard,
"Fight on! fight on! brave boys," he cried,
"I am shot and wounded, and must die."

They placed his head upon the grass,
So he could see his brave boys pass;
"Go tell my father, Henry's slain
To keep him from the rebel's chain."

They dug his grave beneath that spot,
They wrapped him in his soldier's coat,
And while the battle drums they heard,
They laid him low at Fredericksburg.

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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ER ZAGRIFIZZIO D'ABBRAMO II (Abraham's Sacrifice 2)

Doppo fatta un boccon de colazzione
Partirno tutt'e quattro a giorno chiaro,
E camminorno sempre in orazzione
Pe quarche mijo ppiù der centinaro.

"Semo arrivati: alò", disse er vecchione,
"Incollete er fascetto, fijo caro",
Poi, vortannose in là, fece ar garzone:
"Aspettateme qui voi cor zomaro".

Saliva Isacco, e diceva: "Papà,
Ma diteme, la vittima indov'è"?
E lui j'arisponneva: "Un po' ppiù in là".

Ma quanno finarmente furno sù,
Strillò Abbramo ar fijolo: "Isacco, a tte,
Faccia a tterra: la vittima sei tu".


English

II
After having a little breakfast
All four of them left at dawn,
And walked in prayer
A bit further than one hundred miles.

"Here we are: come on", said the old man,
"Take the bundle, dear son",
Then, turning towards the servant, he told him:
"You wait here with the donkey".

While climbing, Isaac asked: "Daddy,
Tell me, where's the victim?"
And he answered: "A bit further on".

But when they finally reached the top,
Abraham cried to his son: "Isaac, it's up to you,
Lay face down: you are the victim".

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LA DISPENZA DER MADRIMONIO (The marriage Licence)

Quella stradaccia me la sò lograta:
Ma quanti passi me ce fussi fatto
Nun c'era da ottené pe gnisun patto
De potemme sposà co mi' cuggnata.

Io c'ero diventato mezzo matto,
Perché, dico, ch'edè sta baggianata
C'una sorella l'ho d'avé assaggiata
E l'antra no! nun è l'istesso piatto?

Finarmente una sera l'abbataccio
Me disse: "Fijo se ce stata coppola,
Pròvelo, e la licenza te la faccio".

"Benissimo Eccellenza", io jarisposi:
Poi curzi a casa, e, pe nu dì una stroppola,
M'incoppolai Presseda, e ssemo sposi.


English

I've worn out that damned street [1] :
But in spite of all this walking
There was no way to obtain the permission
To marry my sister-in-law.

It was driving me crazy
Because, I say, what a nonsense
That I already had a taste of one sister [2] ,
But not the other! Isn't it just the same?

Finally one evening the damned abbot
Told me: "My dear, if there has been copulation,
Prove it, and I'll give you the licence".

"Very well, Excellency", I answered:
Then I rushed home and, not to tell a lie,
I had sex with Praxedes [3] , and we got married.

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My Friend, The Parking Lot Attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"

"I left her at home...."

"Bullshit! I'll bet she dumped
you!"

and the next time
he really leaned into the car:

"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"

"how'd you guess?" I
answered.

that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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LOTTE A CASA (Lot At Home)

Cor zu' bravo sbordone a manimanca,
Du' pellegrini a or de vemmaria
Cercaveno indov'era l'osteria,
Perc'uno aveva male in d'una cianca.

Ce s'incontra er zor Lotte, e je spalanca
Er portone dicenno: "A casa mia"
E loro je risposeno: "Per dia
Dimani sarai fio de l'oca bianca".

Quelli ereno du' angeli, fratello,
Che ar vedelli passà li Ghimorrini
Se sentinno addrizzà tutti l'ucello.

E arrivonno a strillà, fiji de mulo:
"Lotte, mannece giù li pellegrini,
Che ce serveno a noi pe daje in culo".


English

With a staff in their left hand,
Two pilgrims at midnight
Were looking for the tavern
Because one of them had an aching leg.

They met Lot, who opened for them
His door, saying: "Come to my home".
They replied: "By God,
Tomorrow you will be a privileged man".

Those were two angels, brother,
Who, passing by, made the people of Gomorrah [2]
Grow sexually excited [3] .

And those bastards even shouted:
"Lot, send us the pilgrims,
We need them for having sex" [4] .

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Young Fellow My Lad

"Where are you going, Young Fellow My Lad,
On this glittering morn of May?"
"I'm going to join the Colours, Dad;
They're looking for men, they say."
"But you're only a boy, Young Fellow My Lad;
You aren't obliged to go."
"I'm seventeen and a quarter, Dad,
And ever so strong, you know."

* * * *

"So you're off to France, Young Fellow My Lad,
And you're looking so fit and bright."
"I'm terribly sorry to leave you, Dad,
But I feel that I'm doing right."
"God bless you and keep you, Young Fellow My Lad,
You're all of my life, you know."
"Don't worry. I'll soon be back, dear Dad,
And I'm awfully proud to go."

* * * *

"Why don't you write, Young Fellow My Lad?
I watch for the post each day;
And I miss you so, and I'm awfully sad,
And it's months since you went away.
And I've had the fire in the parlour lit,
And I'm keeping it burning bright
Till my boy comes home; and here I sit
Into the quiet night.

* * * *

"What is the matter, Young Fellow My Lad?
No letter again to-day.
Why did the postman look so sad,
And sigh as he turned away?
I hear them tell that we've gained new ground,
But a terrible price we've paid:
God grant, my boy, that you're safe and sound;
But oh I'm afraid, afraid."

* * * *

"They've told me the truth, Young Fellow My Lad:
You'll never come back again:
(Oh God! the dreams and the dreams I've had,
and the hopes I've nursed in vain!)
For you passed in the night, Young Fellow My Lad,
And you proved in the cruel test
Of the screaming shell and the battle hell
That my boy was one of the best.
"So you'll live, you'll live, Young Fellow My Lad,
In the gleam of the evening star,
In the wood-note wild and the laugh of the child,
In all sweet things that are.
And you'll never die, my wonderful boy,
While life is noble and true;
For all our beauty and hope and joy
We will owe to our lads like you."

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Emily Dickinson

He forgot—and I—remembered

203

He forgot—and I—remembered—
'Twas an everyday affair—
Long ago as Christ and Peter—
"Warmed them" at the "Temple fire."

"Thou wert with him"—quoth "the Damsel"?
"No"—said Peter, 'twasn't me—
Jesus merely "looked" at Peter—
Could I do aught else—to Thee?

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Bjørnstjerne Bjørnson

Marit's Song

"Dance!" called the fiddle,
Its strings loudly giggled,
The bailiff's man wriggled
Ahead for a spree.
"Hold!" shouted Ola
And tripped him to tumbling,
The bailiff's man humbling,
To maidens' great glee.

"Hop!" said then Erik,
His foot struck the ceiling,
The beams rang their pealing,
The walls gave a shriek.
"Stop!" said now Elling,
And seizing him collared,
He held him and hollered:
"You still are too weak!"

"Hei!" said then Rasmus,
Fair Randi embracing:
"Be quick now in placing
The kiss that you know!"

"Nay!" answered Randi.
A slapping she gave him,
And from her she drave him:
"Here take what I owe!"

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