
Love in the Valley
Under yonder beech-tree single on the green-sward,
Couched with her arms behind her golden head,
Knees and tresses folded to slip and ripple idly,
Lies my young love sleeping in the shade.
Had I the heart to slide an arm beneath her,
Press her parting lips as her waist I gather slow,
Waking in amazement she could not but embrace me:
Then would she hold me and never let me go?
Shy as the squirrel and wayward as the swallow,
Swift as the swallow along the river's light
Circleting the surface to meet his mirrored winglets,
Fleeter she seems in her stay than in her flight.
Shy as the squirrel that leaps among the pine-tops,
Wayward as the swallow overhead at set of sun,
She whom I love is hard to catch and conquer,
Hard, but O the glory of the winning were she won!
When her mother tends her before the laughing mirror,
Tying up her laces, looping up her hair,
Often she thinks, were this wild thing wedded,
More love should I have, and much less care.
When her mother tends her before the lighted mirror,
Loosening her laces, combing down her curls,
Often she thinks, were this wild thing wedded,
I should miss but one for many boys and girls.
Heartless she is as the shadow in the meadows
Flying to the hills on a blue and breezy noon.
No, she is athirst and drinking up her wonder:
Earth to her is young as the slip of the new moon.
Deals she an unkindness, 'tis but her rapid measure,
Even as in a dance; and her smile can heal no less:
Like the swinging May-cloud that pelts the flowers with hailstones
Off a sunny border, she was made to bruise and bless.
Lovely are the curves of the white owl sweeping
Wavy in the dusk lit by one large star.
Lone on the fir-branch, his rattle-note unvaried,
Brooding o'er the gloom, spins the brown eve-jar.
Darker grows the valley, more and more forgetting:
So were it with me if forgetting could be willed.
Tell the grassy hollow that holds the bubbling well-spring,
Tell it to forget the source that keeps it filled.
Stepping down the hill with her fair companions,
Arm in arm, all against the raying West
Boldly she sings, to the merry tune she marches,
Brave in her shape, and sweeter unpossessed.
Sweeter, for she is what my heart first awaking
Whispered the world was; morning light is she.
Love that so desires would fain keep her changeless;
Fain would fling the net, and fain have her free.
Happy happy time, when the white star hovers
Low over dim fields fresh with bloomy dew,
Near the face of dawn, that draws athwart the darkness,
Threading it with colour, as yewberries the yew.
Thicker crowd the shades while the grave East deepens
Glowing, and with crimson a long cloud swells.
Maiden still the morn is; and strange she is, and secret;
Strange her eyes; her cheeks are cold as cold sea-shells.
Sunrays, leaning on our southern hills and lighting
Wild cloud-mountains that drag the hills along,
Oft ends the day of your shifting brilliant laughter
Chill as a dull face frowning on a song.
Ay, but shows the South-West a ripple-feathered bosom
Blown to silver while the clouds are shaken and ascend
Scaling the mid-heavens as they stream, there comes a sunset
Rich, deep like love in beauty without end.
When at dawn she sighs, and like an infant to the window
Turns grave eyes craving light, released from dreams,
Beautiful she looks, like a white water-lily
Bursting out of bud in havens of the streams.
When from bed she rises clothed from neck to ankle
In her long nightgown sweet as boughs of May,
Beautiful she looks, like a tall garden lily
Pure from the night, and splendid for the day.
Mother of the dews, dark eye-lashed twilight,
Low-lidded twilight, o'er the valley's brim,
Rounding on thy breast sings the dew-delighted skylark,
Clear as though the dewdrops had their voice in him.
Hidden where the rose-flush drinks the rayless planet,
Fountain-full he pours the spraying fountain-showers.
Let me hear her laughter, I would have her ever
Cool as dew in twilight, the lark above the flowers.
All the girls are out with their baskets for the primrose;
Up lanes, woods through, they troop in joyful bands.
My sweet leads: she knows not why, but now she totters,
Eyes the bent anemones, and hangs her hands.
Such a look will tell that the violets are peeping,
Coming the rose: and unaware a cry
Springs in her bosom for odours and for colour,
Covert and the nightingale; she knows not why.
Kerchiefed head and chin she darts between her tulips,
Streaming like a willow grey in arrowy rain:
Some bend beaten cheek to gravel, and their angel
She will be; she lifts them, and on she speeds again.
Black the driving raincloud breasts the iron gateway:
She is forth to cheer a neighbour lacking mirth.
So when sky and grass met rolling dumb for thunder
Saw I once a white dove, sole light of earth.
Prim little scholars are the flowers of her garden,
Trained to stand in rows, and asking if they please.
I might love them well but for loving more the wild ones:
O my wild ones! they tell me more than these.
You, my wild one, you tell of honied field-rose,
Violet, blushing eglantine in life; and even as they,
They by the wayside are earnest of your goodness,
You are of life's, on the banks that line the way.
Peering at her chamber the white crowns the red rose,
Jasmine winds the porch with stars two and three.
Parted is the window; she sleeps; the starry jasmine
Breathes a falling breath that carries thoughts of me.
Sweeter unpossessed, have I said of her my sweetest?
Not while she sleeps: while she sleeps the jasmine breathes,
Luring her to love; she sleeps; the starry jasmine
Bears me to her pillow under white rose-wreaths.
Yellow with birdfoot-trefoil are the grass-glades;
Yellow with cinquefoil of the dew-grey leaf;
Yellow with stonecrop; the moss-mounds are yellow;
Blue-necked the wheat sways, yellowing to the sheaf:
Green-yellow bursts from the copse the laughing yaffle;
Sharp as a sickle is the edge of shade and shine:
Earth in her heart laughs looking at the heavens,
Thinking of the harvest: I look and think of mine.
This I may know: her dressing and undressing
Such a change of light shows as when the skies in sport
Shift from cloud to moonlight; or edging over thunder
Slips a ray of sun; or sweeping into port
White sails furl; or on the ocean borders
White sails lean along the waves leaping green.
Visions of her shower before me, but from eyesight
Guarded she would be like the sun were she seen.
Front door and back of the mossed old farmhouse
Open with the morn, and in a breezy link
Freshly sparkles garden to stripe-shadowed orchard,
Green across a rill where on sand the minnows wink.
Busy in the grass the early sun of summer
Swarms, and the blackbird's mellow fluting notes
Call my darling up with round and roguish challenge:
Quaintest, richest carol of all the singing throats!
Cool was the woodside; cool as her white dairy
Keeping sweet the cream-pan; and there the boys from school,
Cricketing below, rushed brown and red with sunshine;
O the dark translucence of the deep-eyed cool!
Spying from the farm, herself she fetched a pitcher
Full of milk, and tilted for each in turn the beak.
Then a little fellow, mouth up and on tiptoe,
Said, "I will kiss you": she laughed and leaned her cheek.
Doves of the fir-wood walling high our red roof
Through the long noon coo, crooning through the coo.
Loose droop the leaves, and down the sleepy roadway
Sometimes pipes a chaffinch; loose droops the blue.
Cows flap a slow tail knee-deep in the river,
Breathless, given up to sun and gnat and fly.
Nowhere is she seen; and if I see her nowhere,
Lightning may come, straight rains and tiger sky.
O the golden sheaf, the rustling treasure-armful!
O the nutbrown tresses nodding interlaced!
O the treasure-tresses one another over
Nodding! O the girdle slack about the waist!
Slain are the poppies that shot their random scarlet
Quick amid the wheatears: wound about the waist,
Gathered, see these brides of Earth one blush of ripeness!
O the nutbrown tresses nodding interlaced!
Large and smoky red the sun's cold disk drops,
Clipped by naked hills, on violet shaded snow:
Eastward large and still lights up a bower of moonrise,
Whence at her leisure steps the moon aglow.
Nightlong on black print-branches our beech-tree
Gazes in this whiteness: nightlong could I.
Here may life on death or death on life be painted.
Let me clasp her soul to know she cannot die!
Gossips count her faults; they scour a narrow chamber
Where there is no window, read not heaven or her.
"When she was a tiny," one aged woman quavers,
Plucks at my heart and leads me by the ear.
Faults she had once as she learnt to run and tumbled:
Faults of feature some see, beauty not complete.
Yet, good gossips, beauty that makes holy
Earth and air, may have faults from head to feet.
Hither she comes; she comes to me; she lingers,
Deepens her brown eyebrows, while in new surprise
High rise the lashes in wonder of a stranger;
Yet am I the light and living of her eyes.
Something friends have told her fills her heart to brimming,
Nets her in her blushes, and wounds her, and tames.--
Sure of her haven, O like a dove alighting,
Arms up, she dropped: our souls were in our names.
Soon will she lie like a white-frost sunrise.
Yellow oats and brown wheat, barley pale as rye,
Long since your sheaves have yielded to the thresher,
Felt the girdle loosened, seen the tresses fly.
Soon will she lie like a blood-red sunset.
Swift with the to-morrow, green-winged Spring!
Sing from the South-West, bring her back the truants,
Nightingale and swallow, song and dipping wing.
Soft new beech-leaves, up to beamy April
Spreading bough on bough a primrose mountain, you,
Lucid in the moon, raise lilies to the skyfields,
Youngest green transfused in silver shining through:
Fairer than the lily, than the wild white cherry:
Fair as in image my seraph love appears
Borne to me by dreams when dawn is at my eyelids:
Fair as in the flesh she swims to me on tears.
Could I find a place to be alone with heaven,
I would speak my heart out: heaven is my need.
Every woodland tree is flushing like the dog-wood,
Flashing like the whitebeam, swaying like the reed.
Flushing like the dog-wood crimson in October;
Streaming like the flag-reed South-West blown;
Flashing as in gusts the sudden-lighted white beam:
All seem to know what is for heaven alone.
poem by George Meredith

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The Call Of April
April calling, April calling,
April calling me!
I hear the voice of April there
In each old apple tree:
Bee-boom and wild perfume,
And wood-brook melody,
O hark, my heart, and hear, my heart,
The April Ecstasy!
Hark to the hills, the oldtime hills,
That talk with sea and sky!
Or speak in murmurs with God's winds
Who on their bosoms lie:
Bird-call and waterfall
And white clouds blowing by,
O hark, my heart, O hear, my heart,
The April's cosmic cry!
There runs a whisper through the woods,
The word of bough to bough,
A sound of dead things donning green,
Of Beauty waking now:
Fern-bower and wilding flower,
Each like a prayer or vow,
O see, my heart, O look, my heart,
Where Earth crowns white her brow!
And far away, and far away,
Yet nearer than she seems,
Look where she takes the oldtime trail
And walks again with dreams:
Bird note and blue remote
And laughter of wild streams,
O hark, my heart, O hear, my heart,
And follow where she gleams!
Earth has put off her winter garb
Of gray and drab and dun,
And robes herself in raiment green
Of love and laughter spun:
Wood-bloom and wood-perfume
And colors of the sun,
O hark, my heart, O hear, my heart,
Where her wild footsteps run!
O April, mother of my soul,
Take to your heart your child:
And let him lie a little while
Upon its rapture wild:
Lean close and near, and let him hear
The words that once beguiled,
And on his eyes the kiss again
Of longing reconciled.
O kiss, that fills the fields with flowers
And thrills with green each grove,
Dream down into this heart again
And grow to songs thereof:
Wild songs in singing throngs,
That swift shall mount above,
And, like to birds, with lyric words,
Take Earth and Heaven with love.
poem by Madison Julius Cawein

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Earlier Poems : The Spirit Of Poetry
There is a quiet spirit in these woods,
That dwells where'er the gentle south-wind blows;
Where, underneath the white-thorn, in the glade,
The wild flowers bloom, or, kissing the soft air,
The leaves above their sunny palms outspread.
With what a tender and impassioned voice
It fills the nice and delicate ear of thought,
When the fast ushering star of morning comes
O'er-riding the gray hills with golden scarf;
Or when the cowled and dusky-sandalled Eve,
In mourning weeds, from out the western gate,
Departs with silent pace! That spirit moves
In the green valley, where the silver brook,
From its full laver, pours the white cascade;
And, babbling low amid the tangled woods,
Slips down through moss-grown stones with endless laughter.
And frequent, on the everlasting hills,
Its feet go forth, when it doth wrap itself
In all the dark embroidery of the storm,
And shouts the stern, strong wind. And here, amid
The silent majesty of these deep woods,
lts presence shall uplift thy thoughts from earth,
As to the sunshine and the pure, bright air
Their tops the green trees lift. Hence gifted bards
Have ever loved the calm and quiet shades.
For them there was an eloquent voice in all
The sylvan pomp of woods, the golden sun,
The flowers, the leaves, the river on its way,
Blue skies, and silver clouds, and gentle winds,
The swelling upland, where the sidelong sun
Aslant the wooded slope, at evening, goes,
Groves, through whose broken roof the sky looks in,
Mountain, and shattered cliff, and sunny vale,
The distant lake, fountains, and mighty trees,
In many a lazy syllable, repeating
Their old poetic legends to the wind.
And this is the sweet spirit, that doth fill
The world; and, in these wayward days of youth,
My busy fancy oft embodies it,
As a bright image of the light and beauty
That dwell in nature; of the heavenly forms
We worship in our dreams, and the soft hues
That stain the wild bird's wing, and flush the clouds
When the sun sets. Within her tender eye
The heaven of April, with its changing light,
And when it wears the blue of May, is hung,
And on her lip the rich, red rose. Her hair
Is like the summer tresses of the trees,
When twilight makes them brown, and on her cheek
Blushes the richness of an autumn sky,
With ever-shifting beauty. Then her breath,
It is so like the gentle air of Spring,
As, front the morning's dewy flowers, it comes
Full of their fragrance, that it is a joy
To have it round us, and her silver voice
Is the rich music of a summer bird,
Heard in the still night, with its passionate cadence.
poem by Henry Wadsworth Longfellow

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Spirit of Poetry, The
There is a quiet spirit in these woods,
That dwells where'er the gentle south-wind blows;
Where, underneath the white-thorn, in the glade,
The wild flowers bloom, or, kissing the soft air,
The leaves above their sunny palms outspread.
With what a tender and impassioned voice
It fills the nice and delicate ear of thought,
When the fast ushering star of morning comes
O'er-riding the gray hills with golden scarf;
Or when the cowled and dusky-sandaled Eve,
In mourning weeds, from out the western gate,
Departs with silent pace! That spirit moves
In the green valley, where the silver brook,
From its full laver, pours the white cascade;
And, babbling low amid the tangled woods,
Slips down through moss-grown stones with endless laughter.
And frequent, on the everlasting hills,
Its feet go forth, when it doth wrap itself
In all the dark embroidery of the storm,
And shouts the stern, strong wind. And here, amid
The silent majesty of these deep woods,
lts presence shall uplift thy thoughts from earth,
As to the sunshine and the pure, bright air
Their tops the green trees lift. Hence gifted bards
Have ever loved the calm and quiet shades.
For them there was an eloquent voice in all
The sylvan pomp of woods, the golden sun,
The flowers, the leaves, the river on its way,
Blue skies, and silver clouds, and gentle winds,
The swelling upland, where the sidelong sun
Aslant the wooded slope, at evening, goes,
Groves, through whose broken roof the sky looks in,
Mountain, and shattered cliff, and sunny vale,
The distant lake, fountains, and mighty trees,
In many a lazy syllable, repeating
Their old poetic legends to the wind.
And this is the sweet spirit, that doth fill
The world; and, in these wayward days of youth,
My busy fancy oft embodies it,
As a bright image of the light and beauty
That dwell in nature; of the heavenly forms
We worship in our dreams, and the soft hues
That stain the wild bird's wing, and flush the clouds
When the sun sets. Within her tender eye
The heaven of April, with its changing light,
And when it wears the blue of May, is hung,
And on her lip the rich, red rose. Her hair
Is like the summer tresses of the trees,
When twilight makes them brown, and on her cheek
Blushes the richness of an autumn sky,
With ever-shifting beauty. Then her breath,
It is so like the gentle air of Spring,
As, front the morning's dewy flowers, it comes
Full of their fragrance, that it is a joy
To have it round us, and her silver voice
Is the rich music of a summer bird,
Heard in the still night, with its passionate cadence.
poem by Henry Wadsworth Longfellow

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The Camp of Souls
1 My white canoe, like the silvery air
2 O'er the River of Death that darkly rolls
3 When the moons of the world are round and fair,
4 I paddle back from the 'Camp of Souls.'
5 When the wishton-wish in the low swamp grieves
6 Come the dark plumes of red 'Singing Leaves.'
7 Two hundred times have the moons of spring
8 Rolled over the bright bay's azure breath
9 Since they decked me with plumes of an eagle's wing,
10 And painted my face with the 'paint of death,'
11 And from their pipes o'er my corpse there broke
12 The solemn rings of the blue 'last smoke.'
13 Two hundred times have the wintry moons
14 Wrapped the dead earth in a blanket white;
15 Two hundred times have the wild sky loons
16 Shrieked in the flush of the golden light
17 Of the first sweet dawn, when the summer weaves
18 Her dusky wigwam of perfect leaves.
19 Two hundred moons of the falling leaf
20 Since they laid my bow in my dead right hand
21 And chanted above me the 'song of grief'
22 As I took my way to the spirit land;
23 Yet when the swallow the blue air cleaves
24 Come the dark plumes of red 'Singing Leaves.'
25 White are the wigwams in that far camp,
26 And the star-eyed deer on the plains are found;
27 No bitter marshes or tangled swamp
28 In the Manitou's happy hunting-ground!
29 And the moon of summer forever rolls
30 Above the red men in their 'Camp of Souls.'
31 Blue are its lakes as the wild dove's breast,
32 And their murmurs soft as her gentle note;
33 As the calm, large stars in the deep sky rest,
34 The yellow lilies upon them float;
35 And canoes, like flakes of the silvery snow,
36 Thro' the tall, rustling rice-beds come and go.
37 Green are its forests; no warrior wind
38 Rushes on war trail the dusk grove through,
39 With leaf-scalps of tall trees mourning behind;
40 But South Wind, heart friend of Great Manitou,
41 When ferns and leaves with cool dews are wet,
42 Bows flowery breaths from his red calumet.
43 Never upon them the white frosts lie,
44 Nor glow their green boughs with the 'paint of death';
45 Manitou smiles in the crystal sky,
46 Close breathing above them His life-strong breath;
47 And He speaks no more in fierce thunder sound,
48 So near is His happy hunting-ground.
49 Yet often I love, in my white canoe,
50 To come to the forests and camps of earth:
51 'Twas there death's black arrow pierced me through;
52 'Twas there my red-browed mother gave me birth;
53 There I, in the light of a young man's dawn,
54 Won the lily heart of dusk 'Springing Fawn.'
55 And love is a cord woven out of life,
56 And dyed in the red of the living heart;
57 And time is the hunter's rusty knife,
58 That cannot cut the red strands apart:
59 And I sail from the spirit shore to scan
60 Where the weaving of that strong cord began.
61 But I may not come with a giftless hand,
62 So richly I pile, in my white canoe,
63 Flowers that bloom in the spirit land,
64 Immortal smiles of Great Manitou.
65 When I paddle back to the shores of earth
66 I scatter them over the white man's hearth.
67 For love is the breath of the soul set free;
68 So I cross the river that darkly rolls,
69 That my spirit may whisper soft to thee
70 Of thine who wait in the 'Camp of Souls.'
71 When the bright day laughs, or the wan night grieves,
72 Come the dusky plumes of red 'Singing Leaves.'
poem by Isabella Valancy Crawford

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Late Loved--Well Loved
He stood beside her in the dawn
(And she his Dawn and she his Spring),
From her bright palm she fed her fawn,
Her swift eyes chased the swallow's wing:
Her restless lips, smile-haunted, cast
Shrill silver calls to hound and dove:
Her young locks wove them with the blast.
To the flush'd, azure shrine above,
The light boughs o'er her golden head
Toss'd em'rald arm and blossom palm.
The perfume of their prayer was spread
On the sweet wind in breath of balm.
'Dawn of my heart,' he said, 'O child,
Knit thy pure eyes a space with mine:
O chrystal, child eyes, undefiled,
Let fair love leap from mine to thine!'
'The Dawn is young,' she smiled and said,
'Too young for Love's dear joy and woe;
Too young to crown her careless head
With his ripe roses. Let me go--
Unquestion'd for a longer space,
Perchance, when day is at the flood,
In thy true palm I'll gladly place
Love's flower in its rounding bud.
But now the day is all too young,
The Dawn and I are playmates still.'
She slipped the blossomed boughs among,
He strode beyond the violet hill.
Again they stand (Imperial noon
Lays her red sceptre on the earth),
Where golden hangings make a gloom,
And far off lutes sing dreamy mirth.
The peacocks cry to lily cloud,
From the white gloss of balustrade:
Tall urns of gold the gloom make proud,
Tall statues whitely strike the shade,
And pulse in the dim quivering light
Until, most Galatea-wise--
Each looks from base of malachite
With mystic life in limbs and eyes.
Her robe, (a golden wave that rose,
And burst, and clung as water clings
To her long curves) about her flows.
Each jewel on her white breast sings
Its silent song of sun and fire.
No wheeling swallows smite the skies
And upward draw the faint desire,
Weaving its myst'ry in her eyes.
In the white kisses of the tips
Of her long fingers lies a rose,
Snow-pale beside her curving lips,
Red by her snowy breast it glows.
'Noon of my soul,' he says, 'behold!
The day is ripe, the rose full blown,
Love stands in panoply of gold,
To Jovian height and strength now grown,
No infant he, a king he stands,
And pleads with thee for love again.'
'Ah, yes!' she says, 'in known lands,
He kings it--lord of subtlest pain;
The moon is full, the rose is fair--
Too fair! 'tis neither white nor red:
'I know the rose that love should wear,
Must redden as the heart had bled!
The moon is mellow bright, and I
Am happy in its perfect glow.
The slanting sun the rose may dye--
But for the sweet noon--let me go.'
She parted--shimm'ring thro' the shade,
Bent the fair splendour of her head:
'Would the rich noon were past,' he said,
Would the pale rose were flush'd to red!'
Again. The noon is past and night
Binds on his brow the blood red Mars--
Down dusky vineyards dies the fight,
And blazing hamlets slay the stars.
Shriek the shrill shells: the heated throats
Of thunderous cannon burst--and high
Scales the fierce joy of bugle notes:
The flame-dimm'd splendours of the sky.
He, dying, lies beside his blade:
Clear smiling as a warrior blest
With victory smiles, thro' sinister shade
Gleams the White Cross upon her breast.
'Soul of my soul, or is it night
Or is it dawn or is it day?
I see no more nor dark nor light,
I hear no more the distant fray.'
''Tis Dawn,' she whispers: 'Dawn at last!
Bright flush'd with love's immortal glow
For me as thee, all earth is past!
Late loved--well loved, now let us go!'
poem by Isabella Valancy Crawford

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The Mirror Of Diana
Popular Name for Lake Nemi.
SHE floats into the quiet skies,
Where, in the circle of hills,
Her immemorial mirror fills
With light, as of a Virgin's eyes
When, love a-tremble in their blue,
They glow twin violets dipped in dew.
Mild as a metaphor of Sleep,
Immaculately maiden-white,
The Queen Moon of ancestral night
Beholds her image in the deep:
As if a-gaze she beams above
Lake Nemi's magic glass of love.
White rose, white lily of the vale,
Perfume the even breath of night;
In many a burst of sweet delight
The love throb of the nightingale
Swells through lush flowering woods and fills
The circle of the listening hills.
White rose, white lily of the skies,
The Moon-flower blossoms in the lake;
The nightingale for her fair sake
With hopeless love's impassioned cries
Seems fain to sing till song must kill
Himself with one tumultuous trill.
And all the songs and all the scents,
The light of glowworms and the fires
Of fire-flies in the cypress spires;
And all the wild wind instruments
Of pine and ilex as the breeze
Sweeps out their mystic harmonies;--
All are but Messengers of May
To that white orb of maiden fire
Who fills the moth with mad desire
To die enamoured in her ray,
And turns each dewdrop in the grass
Into a fairy looking-glass.
O Beauty, far and far above
The night moth and the nightingale!
Far, far above life's narrow pale,
O Unattainable! O Love!
Even as the nightingale we cry
For some Ideal set on high.
Haunting the deep reflective mind,
You may surprise its perfect Sphere
Glassed like the Moon within her mere,
Who at a puff of alien wind
Melts in innumerable rings,
Elusive in the flux of things.
poem by Mathilde Blind

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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit

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The Year of the Rose
From the depths of the green garden-closes
Where the summer in darkness dozes
Till autumn pluck from his hand
An hour-glass that holds not a sand;
From the maze that a flower-belt encloses
To the stones and sea-grass on the strand
How red was the reign of the roses
Over the rose-crowned land!
The year of the rose is brief;
From the first blade blown to the sheaf,
From the thin green leaf to the gold,
It has time to be sweet and grow old,
To triumph and leave not a leaf
For witness in winter's sight
How lovers once in the light
Would mix their breath with its breath,
And its spirit was quenched not of night,
As love is subdued not of death.
In the red-rose land not a mile
Of the meadows from stile to stile,
Of the valleys from stream to stream,
But the air was a long sweet dream
And the earth was a sweet wide smile
Red-mouthed of a goddess, returned
From the sea which had borne her and burned,
That with one swift smile of her mouth
Looked full on the north as it yearned,
And the north was more than the south.
For the north, when winter was long,
In his heart had made him a song,
And clothed it with wings of desire,
And shod it with shoon as of fire,
To carry the tale of his wrong
To the south-west wind by the sea,
That none might bear it but he
To the ear of the goddess unknown
Who waits till her time shall be
To take the world for a throne.
In the earth beneath, and above
In the heaven where her name is love,
She warms with light from her eyes
The seasons of life as they rise,
And her eyes are as eyes of a dove,
But the wings that lift her and bear
As an eagle's, and all her hair
As fire by the wind's breath curled,
And her passage is song through the air,
And her presence is spring through the world.
So turned she northward and came,
And the white-thorn land was aflame
With the fires that were shed from her feet,
That the north, by her love made sweet,
Should be called by a rose-red name;
And a murmur was heard as of doves,
And a music beginning of loves
In the light that the roses made,
Such light as the music loves,
The music of man with maid.
But the days drop one upon one,
And a chill soft wind is begun
In the heart of the rose-red maze
That weeps for the roseleaf days
And the reign of the rose undone
That ruled so long in the light,
And by spirit, and not by sight,
Through the darkness thrilled with its breath,
Still ruled in the viewless night,
As love might rule over death.
The time of lovers is brief;
From the fair first joy to the grief
That tells when love is grown old,
From the warm wild kiss to the cold,
From the red to the white-rose leaf,
They have but a season to seem
As rose-leaves lost on a stream
That part not and pass not apart
As a spirit from dream to dream,
As a sorrow from heart to heart.
From the bloom and the gloom that encloses
The death-bed of Love where he dozes
Till a relic be left not of sand
To the hour-glass that breaks in his hand;
From the change in the grey garden-closes
To the last stray grass of the strand,
A rain and ruin of roses
Over the red-rose land.
poem by Algernon Charles Swinburne

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A Kentish Garden
THERE is a grey-walled garden, far away
From noise and smoke of cities, where the hours
Pass with soft wings among the happy flowers,
And lovely leisure blossoms every day.
There, tall and white, the sceptral lily blows;
There grow the pansy, pink, and columbine,
Brave hollyhocks, and star-white jessamine,
And the red glory of the royal rose.
There greeny glow-worms gem the dusky lawn,
The lime-trees breathe their fragrance to the night,
Pink roses sleep, and dream that they are white,
Until they wake to colour with the dawn.
There, in the splendour of the sultry noon,
The sunshine sleeps upon the garden bed
Where the white poppy droops a drowsy head
And dreams of kisses from the white full moon.
And there, some days, all wild with wind and rain,
The tossed trees show the white side of their leaves,
While the great drops drip from the ivied eaves,
And birds are still--till the sun shines again.
And there, all days, my heart goes wandering,
Because there, first, my heart began to know
The glories of the summer and the snow,
The loveliness of harvest and of spring.
There may be fairer gardens; but I know
There is no other garden half so dear;
Because 'tis there, this many, many a year,
The sacred, sweet, white flowers of memory grow!
poem by Edith Nesbit

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Said The Skylark
'O soft, small cloud, the dim, sweet dawn adorning,
Swan-like a-sailing on its tender grey;
Why dost thou, dost thou float,
So high, the wing'd, wild note
Of silver lamentation from my dark and pulsing throat
May never reach thee,
Tho' every note beseech thee
To bend thy white wings downward thro' the smiling of the morning,
And by the black wires of my prison lightly stray?
'O dear, small cloud, when all blue morn is ringing
With sweet notes piped from other throats than mine;
If those glad singers please
The tall and nodding trees--
If to them dance the pennants of the swaying columbine,
If to their songs are set
The dance of daffodil and trembling violet--
Will they pursue thee
With tireless wings as free and bold as thine?
Will they woo thee
With love throbs in the music of their singing?
Ah, nay! fair Cloud, ah, nay!
Their hearts and wings will stay
With yellow bud of primrose and soft blush of the May;
Their songs will thrill and die,
Tranc'd in the perfume of the rose's breast.
While I must see thee fly
With white, broad, lonely pinions down the sky.
'O fair, small cloud, unheeding o'er me straying,
Jewell'd with topaz light of fading stars;
Thy downy edges red
As the great eagle of the Dawn sails high
And sets his fire-bright head
And wind-blown pinions towards thy snowy breast;
And thou canst blush while I
Must pierce myself with song and die
On the bald sod behind my prison bars;
Nor feel upon my crest
Thy soft, sunn'd touches delicately playing!
'O fair, small cloud, grown small as lily flow'r!
Even while I smite the bars to see thee fade;
The wind shall bring thee
The strain I sing thee--
I, in wired prison stay'd,
Worse than the breathless primrose glade.
That in my morn,
I shrilly sang to scorn;
I'll burst my heart up to thee in this hour!
'O fair, small cloud, float nearer yet and hear me!
A prison'd lark once lov'd a snowy cloud,
Nor did the Day
With sapphire lips, and kiss
Of summery bliss,
Draw all her soul away;
Vainly the fervent East
Deck'd her with roses for their bridal feast;
She would not rest
In his red arms, but slipp'd adown the air
And wan and fair,
Her light foot touch'd a purple mountain crest,
And touching, turn'd
Into swift rain, that like to jewels burn'd;
In the great, wondering azure of the sky;
And while a rainbow spread
Its mighty arms above, she, singing, fled
To the lone-feather'd slave,
In his sad weird grave,
Whose heart upon his silver song had sped
To her in days of old,
In dawns of gold,
And murmuring to him, said:
'O love, I come! O love, I come to cheer thee--
Love, to be near thee!''
poem by Isabella Valancy Crawford

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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit

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La Bella Donna Della Mia Mente
MY limbs are wasted with a flame,
My feet are sore with travelling,
For calling on my Lady's name
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love's sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart's delight,
Fairer than Queen or courtezan
Or moon-lit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet's throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
poem by Oscar Wilde

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Margaret's Bridal Eve
I
The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.
My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.
O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.
Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.
Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.
O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.
II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when I awake in the morn!
There is a rose in the garden;
My child, you are his, and the ring is worn:
And the bird sings over the roses.
Tall Margaret sighed and loosened a tress:
There is a rose in the garden;
Poor comfort she had of her comeliness
And the bird sings over the roses.
My mother will sink if this thing be said:
There is a rose in the garden;
That my first betrothed came thrice to my bed;
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
But when I came by my father's door:
There is a rose in the garden;
I fell in a lump on the stiff dead floor:
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so well!
And the bird sings over the roses.
III
The bridesmaids slept in their chambers apart:
There is a rose that's ready;
Tall Margaret walked with her thumping heart:
There's a rose that's ready for clipping.
The frill of her nightgown below the left breast:
There is a rose that's ready;
Had fall'n like a cloud of the moonlighted West:
There's a rose that's ready for clipping.
But where the West-cloud breaks to a star:
There is a rose that's ready;
Pale Margaret's breast showed a winding scar:
There's a rose that's ready for clipping.
O few are the brides with such a sign!
There is a rose that's ready;
Though I went mad the fault was mine:
There's a rose that's ready for clipping.
I must speak to him under this roof to-night:
There is a rose that's ready;
I shall burn to death if I speak in the light:
There's a rose that's ready for clipping.
O my breast! I must strike you a bloodier wound:
There is a rose that's ready;
Than when I scored you red and swooned:
There's a rose that's ready for clipping.
I will stab my honour under his eye:
There is a rose that's ready;
Though I bleed to the death, I shall let out the lie:
There's a rose that's ready for clipping.
O happy my bridesmaids! white sleep is with you!
There is a rose that's ready;
Had he chosen among you he might sleep too!
There's a rose that's ready for clipping.
O happy my bridesmaids! your breasts are clean:
There is a rose that's ready;
You carry no mark of what has been!
There's a rose that's ready for clipping.
IV
An hour before the chilly beam:
Red rose and white in the garden;
The bridegroom started out of a dream:
And the bird sings over the roses.
He went to the door, and there espied:
Red rose and white in the garden;
The figure of his silent bride:
And the bird sings over the roses.
He went to the door, and let her in:
Red rose and white in the garden;
Whiter looked she than a child of sin:
And the bird sings over the roses.
She looked so white, she looked so sweet:
Red rose and white in the garden;
She looked so pure he fell at her feet:
And the bird sings over the roses.
He fell at her feet with love and awe:
Red rose and white in the garden;
A stainless body of light he saw:
And the bird sings over the roses.
O Margaret, say you are not of the dead!
Red rose and white in the garden;
My bride! by the angels at night are you led?
And the bird sings over the roses.
I am not led by the angels about:
Red rose and white in the garden;
But I have a devil within to let out:
And the bird sings over the roses.
O Margaret! my bride and saint!
Red rose and white in the garden;
There is on you no earthly taint:
And the bird sings over the roses.
I am no saint, and no bride can I be:
Red rose and while in the garden;
Until I have opened my bosom to thee:
And the bird sings over the roses.
To catch at her heart she laid one hand:
Red rose and white in the garden;
She told the tale where she did stand:
And the bird sings over the roses.
She stood before him pale and tall:
Red rose and white in the garden;
Her eyes between his, she told him all:
And the bird sings over the roses.
She saw how her body grow freckled and foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
With never a quiver her mouth did speak:
Red rose and white in the garden;
O when she had done she stood so meek!
And the bird sings over the roses.
The bridegroom stamped and called her vile:
Red rose and white in the garden;
He did but waken a little smile:
And the bird sings over the roses.
The bridegroom raged and called her foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
He muttered a name full bitter and sore:
Red rose and white in the garden;
She fell in a lump on the still dead floor:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household flew the tale:
And the bird sings over the roses.
The old grey mother she dressed the bier:
Red rose and white in the garden;
With a shivering chin and never a tear:
And the bird sings over the roses.
O had you but done as I bade you, my child!
Red rose and white in the garden;
You would not have died and been reviled:
And the bird sings over the roses.
The bridegroom he hung at midnight by the bier:
Red rose and white in the garden;
He eyed the white girl thro' a dazzling tear:
And the bird sings over the roses.
O had you been false as the women who stray:
Red rose and white in the garden;
You would not be now with the Angels of Day!
And the bird sings over the roses.
poem by George Meredith

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The Life of a Flower
As the snow melts with upmost intensity
Out of the white field under the blues sky a green spot rises
The rise of a legacy of a summer, a legacy of blooms
The sun rises and white is no more
White once now is green, green signs of life
Life that will live for a summer time, summer that never ends
From green to yellow, yellow that perfects the view
View out of sight, so far away you can see the Earth curves
From yellow that blinds the eyes to cloudy skies
Now is time again, say good bye till summer comes back
From brown, the name of a legacy that lasted a life time
Brown surrenders to white, so smooth takes it by force
And Earth sleeps again under the white blanket
Forever and ever life lives and dies
Perfection is all.
Said the West Wind
1 I love old earth! Why should I lift my wings,
2 My misty wings, so high above her breast
3 That flowers would shake no perfumes from their hearts,
4 And waters breathe no whispers to the shores?
5 I love deep places builded high with woods,
6 Deep, dusk, fern-closed, and starred with nodding blooms,
7 Close watched by hills, green, garlanded and tall.
8 On hazy wings, all shot with mellow gold,
9 I float, I float thro' shadows clear as glass;
10 With perfumed feet I wander o'er the seas,
11 And touch white sails with gentle finger-tips;
12 I blow the faithless butterfly against
13 The rose-red thorn, and thus avenge the rose;
14 I whisper low amid the solemn boughs,
15 And stir a leaf where not my loudest sigh
16 Could move the emerald branches from their calm,--
17 Leaves, leaves, I love ye much, for ye and I
18 Do make sweet music over all the earth!
19 I dream by glassy ponds, and, lingering, kiss
20 The gold crowns of their lilies one by one,
21 As mothers kiss their babes who be asleep
22 On the clear gilding of their infant heads,
23 Lest if they kissed the dimple on the chin,
24 The rose flecks on the cheek or dewy lips,
25 The calm of sleep might feel the touch of love,
26 And so be lost. I steal before the rain,
27 The longed-for guest of summer; as his fringe
28 Of mist drifts slowly from the mountain peaks,
29 The flowers dance to my fairy pipe and fling
30 Rich odours on my wings, and voices cry,
31 'The dear West Wind is damp, and rich with scent;
32 We shall have fruits and yellow sheaves for this.'
33 At night I play amidst the silver mists,
34 And chase them on soft feet until they climb
35 And dance their gilded plumes against the stars;
36 At dawn the last round primrose star I hide
37 By wafting o'er her some small fleck of cloud,
38 And ere it passes comes the broad, bold Sun
39 And blots her from the azure of the sky,
40 As later, toward his noon, he blots a drop
41 Of pollen-gilded dew from violet cup
42 Set bluely in the mosses of the wood.
poem by Isabella Valancy Crawford

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The Window
All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading, -- who could tell? --
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.
Oh, what do you see in the dark, little window, and why do you fear?
"I see that the garden is crowded with creeping forms of fear:
Little white ghosts in the locust-tree, that wave in the night-wind's breath,
And low in the leafy laurels the larking shadow of death."
Sweet, clear notes of a waking bird
Told of the passing away
Of the dark, -- and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.
Oh, what do you see in the room, little window, that makes you so bright?
"I see that a child is asleep on her pillow, soft and white,
With the rose of life on her tips, and the breath of life in her breast,
And the arms of God around her as she quietly takes her rest."
poem by Henry Van Dyke

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Shamrock Song
O, the red rose may be fair,
And the lily statelier;
But my shamrock, one in three,
Takes the very heart of me!
Many a lover hath the rose
When june's musk-wind breathes and blows:
And in many a bower is heard
Her sweet praise from bee and bird.
Through the gold hours dreameth she,
In her warm heart passionately,
Her fair face hung languid-wise:
O, her breath of honey and spice!
Like a fair saint virginal
Stands your lily, silver and tall;
Over all the flowers that be
Is my shamrock dear to me.
Shines the lily like the sun,
Crystal-pure, a cold, sweet nun;
With her austere lip she sings
To her heart of heavenly things.
Gazeth through a night of June
To her sister-saint, the moon;
With the stars communeth long
Of the angels and their song.
But when summer died last year
Rose and lily died with her;
Shamrock stayeth every day,
Be the winds or gold or grey.
Irish hills, as grey as the dove,
Know the little plant I love;
Warm and fair it mantles them
Stretching down from throat to hem.
And it laughs o'er many a vale,
Sheltered safe from storm and gale;
Sky and sun and stars thereof
Love the gentle plant I love.
Soft it clothes the ruined floor
Of many an abbey, grey and hoar,
And the still home of the dead
With its green is carpeted.
Roses for an hour of love,
With the joy and pain thereof:
Stand my lilies white to see
All for prayer and purity.
These are white as the harvest moon,
Roses flush like the heart of June;
But my shamrock, brave and gay,
Glads the tired eyes every day.
O, the red rose shineth rare,
And the lily saintly fair;
But my shamrock, one in three,
Takes the inmost heart of me!
poem by Katharine Tynan

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Come Into the Garde, Maud
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, "The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
poem by Alfred Lord Tennyson

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Renunciation
When ich Dich liebe was geht es Dich an?
I.
THE air is full of the peal of bells,
The rhythmical pealing of marriage bells;
But athwart and above their ringing--
Throbbing clear like the light of a star
Lost in the sunrise--I hear afar
The skylark's jubilant singing.
II.
The clouds all woollen and white on high,
Like flocks of heavenly sheep go by,
Go through heaven's sapphire meadows;
While here on the earth's green meadows, deep
In sapphire flowers, our earthly sheep
Loll in their loitering shadows.
III.
Come, we will sit by the wayside here,
They must cross this field to the chapel, dear,
The loved by the side for her lover.
Grey, through the glimmer of vernal green,
Its time-worn tower may just be seen
Through the yews which curtain it over.
IV.
Nay, little brother, why should I pine?
Dare a violet ask that the sun should shine,
The shining sun shine for it solely?
Lowly it lifteth its meek blue eye,
And yields up its soul to the sun on high,
Nor asks for love, loving so wholly.
V.
He passed by the garden where, snow-white and red,
I tended the flowers which give us our bread,
And watered my lilies and roses;
He passed and repassed both early and late,
And lingering, often would lean on the gate
While I tied for him one of my posies.
VI.
Day after day would he pass this way,
And his smiling was sweet as the flowers of May,
Or the scent of the bee-haunted clover;
And a softer flame seemed to light up his eye
Than the lily-white moon's in the rose-hued sky,
Ere the blush of the May-day is over.
VII.
Aye, day after day he would stop on his way,
While the trees were in leaf and the meadows were gay,
And the curled little lambs were grazing;
As he went, or returned in the waning light
From the smoke-capped city whose lamps by night
Turn the black clouds red with their blazing.
VIII.
It's a year to-day when the young sun sets
Since I gave him that first bunch of violets
From the root on the grave of our mother.
Though thou seest them not with the bodily eye,
The language of flowers much better than I
I know that thou knowest, my brother.
IX.
Violets--then golden daffodils
Which the light of the sun like a wine-cup fills--
Tall tulips like flames upspringing--
Golden-brown wallflowers bright as his locks--
Marigolds--balsams--and perfumed stocks
Whose scent's like a blackbird's singing.
X.
You see, my darling, I never forget!
Aye, those were your own very words--ere yet
Our father lost his all in yon city,
Where the people, they say, in their struggle for gold,
Become like wild beasts, and the feeble and old
Are trampled upon without pity.
XI.
Poor father was better to-day: for the smile
Of the sun seemed to gladden him too for awhile
As he sat by the bright little casement,
With buttercups heaped on his knees without stint,
Which, deeming them childishly fresh from the mint,
He counted in chuckling amazement.
XII.
The air is full of the peal of bells--
The rhythmical pealing of marriage bells!
And there floats o'er the fields, o'er the fallows,
Borne on the wind with the wind-blown chimes,
From the old house hidden in older limes,
A chatter of maidens and swallows.
XIII.
Ah, give me the flowers!--the last year was all
In tune with the flowers from the spring to the fall,
And with singing of birds in the bowers;
And once--ah, look not so angry, dear!--
He whispered so softly I scarce could hear,
'You yourself are the flower of all flowers!'
XIV.
But oh, when the wind was loud in the trees,
When the fluttering petals snowed down on the leas,
And the dim sun went out like an ember,
He stood by the gate all drenched with the mist,
And I gave him my last Christmas rose, which he kissed
For the last time that last of November.
XV.
Say, could he help if a hope as sweet
As the wild thyme had sprouted under his feet?
If his face in my heart is enfolden,
As the sun-smit globes of the summer rain
Reflect and hold and refract again
The sun, the eternally golden.
XVI.
He cometh, he cometh, oh brother, there!
Ah would that you saw the glint of his hair,
For he looks like that saint in the story
Whom you loved so to hear of in days of old,
Till he lit up your dreams with his curls of gold,
Exhaling a mystical glory.
XVII.
The unseen wings of the morning air
Fan his brow and ruffle his hair
As he steps with a stately measure;
White daisies under his feet are spread,
White butterflies hover above his head,
White clouds high up in the azure:
XVIII.
Pelt him with sunlit April rain,
Rain which ripens the earth-hid grain,
Which brings up the grass and the heather!
Hark at the peal of the bridal bells,
How their musical chiming swells and swells
As they enter the church door together.
XIX.
Let us go hence now--'tis over--the twain
One will they be when they pass here again:
All my flowers in their pathway I scatter;
Though he forget me as yesterday's rose,
My heart with a sweet tender feeling o'erflows:
If I love him, to whom can it matter?
XX.
Yea, let us go now; the stile, love, is here:
Henceforth I live but for thee. What! a tear
Splashed on thy hand? Nay, a drop from the shower
That has passed over, for yon, on that dark
Ominous cloud, dearest brother, the arc
Of the Lord's bow now breaks into flower.
poem by Mathilde Blind

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What Is Pink?
What is pink? a rose is pink
By the fountain's brink.
What is red? a poppy's red
In its barley bed.
What is blue? the sky is blue
Where the clouds float through.
What is white? a swan is white
Sailing in the light.
What is yellow? pears are yellow,
Rich and ripe and mellow.
What is green? the grass is green,
With small flowers between.
What is violet? clouds are violet
In the summer twilight.
What is orange? why, an orange,
Just an orange!
poem by Christina Georgina Rossetti

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