Byron

To Anne

Oh, Anne, your offences to me have been grievous:
I thought from my wrath no atonement could save you:
But woman is made to command and deceive us —
I look 'd in your face, and I almost forgave you.

I vow'd I could ne'er for a moment respect you,
Yet thought that a day's separation was long;
When we met, I determined again to suspect you
Your smile soon convinced me suspicion was wrong.

I swore, in a transport of young indignation,
With fervent contempt evermore to disdain you:
I saw you - my anger became admiration;
And now, all my wish, all my hope's to regain you.

With beauty like yours, oh, how vain the contention!
Thus lowly I sue for forgiveness before you;
At once to conclude such a fruitless dissension,
Be false, my sweet Anne, when I cease to adore you!

January 16, 1807.

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Lady Anne

I

Dear lady Anne
I had you once
and then had you lost
as if you were never meant to be
only mine.

II

Sweet lady Anne
how you could
make your lips glow
and bind your auburn hair
at times in a bow.

III

And, lady Anne
who else could make sparks jump
between the two of us
and knew me better
than I myself.

IV

When, lady Anne
your lips met mine
they were much sweeter than wine
and passion raged for much more
but life swept you away
sweet lady Anne.

V

Ay, lady Anne
how swift has life passed us bye
and years is spent
and time just went on its own way
and you were a fine wife
to someone else,

VI

but lady Anne
the things that lie between
the two of us
remains as long
as our lives last.

VII

Dear lady Anne
my heart still in a way
belongs to you
and at times I dream about
days long gone
and I wonder if you
remember me too?

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Kari-Anne

Heart and soul
You took me in a special way
No time at all
My feelings were just put away
Angel in red
I couldn't take my eyes off you
A golden chance
Into the light, out of the blue
This is the time
The place is a four minute rendezvous
But oh my God
The thought never entered my mind
Before I saw you
(Oh Kari-Anne)
The first time that I ever saw your face
Girl, I knew
(Oh Kari-Anne)
I never should be standing in this place
But I do
(Kari-Anne)
A shameless love
We know what we're gonna do
A hopeless romance
But I love every inch of you
In your arms
Do anything you want me to
No way out
My heart just tells me what to do
Oh Kari-Anne, Kari-Anne ...

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The Morning Walk

When Anne and I go out a walk,
We hold each other's hand and talk
Of all the things we mean to do
When Anne and I are forty-two.

And when we've thought about a thing,
Like bowling hoops or bicycling,
Or falling down on Anne's balloon,
We do it in the afternoon.

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Carrie Ann

The Hollies
Carrie Anne
(Alan Clarke, Tony Hicks & Graham Nash)
Single release 1967
Doo-doo-roo-roo-doot-doot-doo-roo-roo
doo-d-doo-roo-doot-doot-doo-roo-roo
doo-
hey Carrie Anne
hey Carrie Anne
{Allan Clarke vocal:}
When we were at school our games were simple
I played the janitor you played a monitor.
Then you played with older boys and prefects.
What's the attraction in what they're doing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Tony Hicks vocal:}
You're always something special to me.
Quite independent, never caring.
You lost your charm as you were aging
Where is your magic dissappearing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Allan Clarke lead vocal:}
You're so, so like a woman to me
(so like a woman to me)
So (so) so like (so) a woman to me
So like a woman to me.
{interlude}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Graham Nash vocal:}
People live and learn but you're still learning
you use my mind and I'll be your teacher.
When the lesson's over you'll be with me
Then I'll hear the other people saying:
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
Carrie Anne (Carrie Anne, Carrie Anne)

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Byron

To Anne: Oh, Say Not, Sweet Anne

Oh, say not, sweet Anne, that the Fates have decreed
The heart which adores you should wish to dissever;
Such Fates were to me most unkind ones indeed,
To bear me from love and from beauty for ever.

Your frowns, lovely girl, are the Fates which alone
Could bid me from fond admiration refrain;
By these, every hope, every wish were o'erthrown,
Till smiles should restore me to rapture again.

As the ivy and oak, in the forest entwined,
The rage of the tempest united must weather;
My love and my life were by nature design'd
To flourish alike, or to perish together.

Then say not, sweet Anne, that the Fates have decreed
Your lover should bid you a lasting adieu;
Till Fate can ordain that his bosom shall bleed,
His soul, his existence, are centred in you.

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On receiving a picture of an Italian Countess

Oh lovely semblance of a lovelier face!
Upon thy classic contour as I gaze,
My eager thought flies through dividing space;
And to the living picture tribute pays.

I see that brow with thought and goodness crowned,
I see those eyes with deep affection shine;
I hear the language from those sweet lips sound,
By poets made immortal and divine.

I would that I might follow my free thought,
And see this gentle stranger face to face;
For such fair spirits I have ever sought,
And such would ever hold in my embrace.

poem by Anne Lynch Botta from Poems (1848)Report problemRelated quotes
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Annes Song

hey! what? ? oh nothing, just wondering why it is youre doing
That whatever it is youre doing. oh yeah, why? I dunno it just
Doesnt seem like something ]youd[ be doing thats all ]you[ of all
People, know what I mean? yeah I know its been bugging you since the
Day I was born, huh? I asked my friend anne about it. I said, anne,
Anne, anne, what am I supposed to do, its been bugging them since the
Day that I was born. she said do whatever the hell you want to do!
Now is the time to do whatever you want, and it will still turn out
Great. youve got the world at your feet.
I never claimed to be different, I only said I was bored and shes
Tired of your uniqueness, it sends her over head first then the rest
Of her follows, the breath of life, it never left her hollow...
I can do everything, she said, she said with a smile.
And I can go anywhere tonight, cause Im with anne.
Anne, anne, who? anne dagnabit island princess queen with the juice
Whats this? I see she brought her whole uplown contingent. first theres
Jon e., he always loves a party, hes followed by vinnie, whos feelin
Kinda skinny, he says hey anne Im starved what you got to eat, she
Says vinnie youre always starving man get away from that fridge!
Here comes lucy, shes feelin really sexy, shes followed by her
Boyfriend, whod better not turn around, this time, or hes bound to lose
Her, and here comes jamilla, whos got the cream soda...
I can do everything, she said, she said with a smile
And I can go anywhere tonight, cause Im with anne

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Slender's Ghost

Vide Shakspeare.

Beneath a churchyard yew,
Decay'd and worn with age,
At dusk of eve methought I spied
Poor Slender's Ghost, that whimpering cried,
'O sweet! O sweet Anne Page!'

Ye gentle Bards! give ear,
Who talk of amorous rage,
Who spoil the lily, rob the rose,
Come learn of me to weep your woes:
'O sweet! O sweet Anne Page!'

Why should such labour'd strains
Your formal Muse engage?
I never dreamt of flame or dart,
That fired my breast or pierced my heart,
But sigh'd, 'O sweet Anne Page!'

And you! whose lovesick minds
No med'cine can assuage,
Accuse the leech's art no more,
But learn of Slender to deplore;
'O sweet! O sweet Anne Page!'

And ye! whose souls are held,
Like linnets in a cage;
Who talk of fetters, links, and chains,
Attend and imitate my strains;
'O sweet! O sweet Anne Page!'

And you! who boast or grieve,
What horrid wars ye wage,
Of wounds received from many an eye,
Yet mean as I do, when I sigh,
'O sweet! O sweet Anne Page!'

Hence every fond conceit
Of shepherd or of sage;
'Tis Slender's voice, 'tis Slender's way,
Expresses all you have to say,
'O sweet! O sweet Anne Page!'

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You Were Dead

It was a thought in my head
That I thought that you were dead
It was a feeling also in my heart
That from this life you had part,
It gave myself such a happy feeling
And my soul and mind went into healing
When I had thought that you had died
Not one tear for you had I cried,
I forgave you then of all your sins
As my losses were sadly your wins
I forgave you also of your cheating and lies
And all your hate and all your sighs,
But then I saw you standing there
I was in shock and anger at you I did stare
My temper was hot and my face was red
How I truly wish; that you were dead.


Randy L. McClave

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Bjørnstjerne Bjørnson

Taylor's song

For joys the hours of earth bestow
With sorrow thou must pay.
Though many follow close, yet know,
They're loaned but for a day.
With sighing in thy laughter's stead
Shall come a time of grief,
The load of usury bow thy head,
With loss of thy belief.
Mary Anne, Mary Anne,
Mary Anne, Mary Anne,
Hadst thou not smiled upon me, thou,
I were not weeping now.

May God help him who never can
Give only half his soul;
The time comes surely for that man
To take the sorrow whole.
May God help him who was so glad,
That he cannot forget,
Help him who lost the all he had,
But not his reason yet.
Mary Anne, Mary Anne,
Mary Anne, Mary Anne,
The flowers that my life had grown,
Died out when thou went gone.

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Nobody Like Her I Have Met Before (Stave Stanza Sestets)

Her smile was quick, her anger very slow
and lovely innocent did her bright face glow,
she was a shelter against the first rain,
a sweet girl who seemed to know no pain;
nobody like her I have met before,
she was so very easy to adore

as we met she smiled sweet, caught my glance,
seemed happy in any circumstance
but had a kind of unreal tenderness
and it was not only loneliness
that brought me to her, that made me feel more,
she was so very easy to adore.

So very strange was our first togetherness,
every look being a kind of caress
as if we had known each other quite long,
as if our lives did together belong
her sheer radiance I could not ignore,
she was so very easy to adore.

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To the girl in the red overcoat

Quietly I have sat here across the room
Nursing my drink and admiring your beauty
Yours is a smile of a thousand suns
Or any such other poetic simile
I am not as strong of character I admit
So introducing myself is beyond question
Steadfast I shall sit here alone and in thought
Perhaps I may catch your eyes a glance
Across this crowded room we both sit in
More likely we shall both depart alone
As much as we did enter this room
The noise of chatter and laughter is filling
But does not drown out my thought
Could I pen you a letter in the hope its read
Or let this thought this notion be forgotten
You are as many others I have seen
A beautiful woman in all you own right
And across the room I look but do not stare
In silent admiration of one I shall know
As the girl in the red overcoat

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Solvitur acris Hiems

Youth, that went, is come again,
Youth, for which we all were fain;
With soft pleasure and sweet pain
In each nerve and every vein,
Circling through the heart and brain,
Whence and wherefore come again?
Eva, tell me!

Dead and buried when we thought him,
Who the magic spell hath taught him?
Who the strong elixir brought him?
Dead and buried as we thought,
Lo! unasked for and unsought
Comes he, shall it be for nought?
Eva, tell me!

Youth that lifeless long had lain,
Youth that long we longed in vain for,
Used to grumble and complain for,
Thought at last to entertain
A decorous cool disdain for,
On a sudden see again
Comes, but will not long remain,
Comes, with whom too in his train,
Comes, and shall it be in vain?
Eva, tell me!

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New

We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.
Who has seen shown
You do.
Hoodoo.
If can in countenance to countenance a countenance as in as
seen.
Change it.
Not nearly so much.
He had.
She had.
Had she.
He had nearly very nearly as much.
She had very nearly as much as had had.
Had she.
She had.
Loose loosen, Loose losten to losten, to lose.
Many.
If a little if as little if as little as that.
If as little as that, if it is as little as that that is if it is very nearly all of it, her dear her dear does not mention a ball at all.
Actually.
As to this.
Actually as to this.
High or do you do it.
Actually as to this high or do you do it.
Not how do you do it.
Actually as to this.
Not having been or not having been nor having been or not
having been.
Interrupted.
All of this makes it unanxiously.
Feel so.
Add to it.
As add to it.
He.
He.
As add to it.
As add to it.
As he
As he as add to it.
He.
As he
Add to it.
Not so far.
Constantly as seen.
Not as far as to mean.
I mean I mean.
Constantly.
As far.
So far.
Forbore.
He forbore.
To forbear.
Their forbears.
Plainly.
In so far.
Instance.
For instance.
In so far.

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John Dryden

A Song. Fair, Sweet And Young, Receive A Prize

1.
Fair, sweet, and young, receive a prize
Reserved for your victorious eyes:
From crowds, whom at your feet you see,
O pity, and distinguish me!
As I from thousand beauties more
Distinguish you, and only you adore.

2.
Your face for conquest was design'd,
Your every motion charms my mind;
Angels, when you your silence break,
Forget their hymns, to hear you speak;
But when at once they hear and view,
Are loth to mount, and long to stay with you.

3.
No graces can your form improve,
But all are lost, unless you love;
While that sweet passion you disdain,
Your veil and beauty are in vain:
In pity then prevent my fate,
For after dying all reprieve's too late.

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Byron

To A Vain Lady

Ah! heedless girl! why thus disclose
What ne'er was meant for other ears:
Why thus destroy thine own repose
And dig the source of future tears?

Oh, thou wilt weep, imprudent maid,
While lurking envious foes will smile,
For all the follies thou hast said
Of those who spoke but to beguile.

Vain girl! thy ling'ring woes are nigh,
If thou believ'st what striplings say:
Oh, from the deep temptation fly,
Nor fall the specious spoiler's prey.

Dost thou repeat, in childish boast,
The words man utters to deceive?
Thy peace, thy hope, thy all is lost,
If thou canst venture to believe.

While now amongst thy female peers
Thou tell'st again the soothing tale,
Canst thou not mark the rising sneers
Duplicity in vain would veil?

These tales in secret silence hush,
Nor make thyself the public gaze:
What modest maid without a blush
Recounts a flattering coxcomb's praise?

Will not the laughing boy despise
Her who relates each fond conceit -
Who, thinking Heaven is in her eyes,
Yet cannot see the slight deceit?

For she who takes a soft delight
These amorous nothings in revealing,
Must credit all we say or write,
While vanity prevents concealing.

Cease, if you prize your beauty's reign!
No jealousy bids me reprove:
One, who is thus from nature vain,
I pity, but I cannot love.

January 15,1807.

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Hans Christian Andersen

Stakkels Mary Anne

Under Gravens Græstørv sover
Stakkels Mary Anne!
Piger, kom kun! græder over
Stakkels Mary Anne!
Falsk var han, som tro hun troede,
Slangen sig om Hjertet snoede,
Fred ei meer paa Jorden boede, -
Stakkels Mary Anne!

Bleg blev Kinden, Smilet døde,
Stakkels Mary Anne!
Hele Verden syntes øde,
Stakkels Mary Anne!
Nær ved Kilden under Borgen,
Hvor han ikke kom hiin Morgen,
Stod hun, Billedet paa Sorgen,
Stakkels Mary Anne!

Haabet holdt hun til det sidste,
Stakkels Mary Anne!
Men saa maatte Hjertet briste,
Stakkels Mary Anne!
Over Ungdom, Skjønhed, Glæde
Breder Gravens Græs sit Klæde,
Egnens Piger Dig begræde,
Stakkels Mary Anne!

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Although Salinger had long since cut me out of his life completely and made it plain that he had nothing but contempt for me, the thought of becoming the object of his wrath was more than I felt ready to take on.

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A woman whose smile is open and whose expression is glad has a kind of beauty no matter what she wears.

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Moment Of Forgiveness

Well i guess that i was lonely
That's why i called you on the phone
Cause in a moment of forgiveness
I didn't want to be alone
And i guess that i was willin
More than i ever was before
Cause in a moment of forgiveness
I come a knockin at your door
Baby i woke up crying last night
Just to realize that you were gone
Has it been two long years without you
Tell me now
When are you gonna come home
Guess that i was hoping
That you'd finally understand
And in a moment of forgiveness
You'd reach out and take my hand
Now baby i know
Your not one for bearing witness
(baby i know)
And you told me that
One wrong move is gonna sell you out
(one wrong move)
And i see that you kept your word
(see that you kept your word)
And made it harder than it had to be
Wish i could save you the trouble baby
(oh oh oh)
Give you a little piece of mind
Baby i woke up crying last night
Just to realize that you were gone
It's been two long years without you
When are you gonna come home
Guess that i was hoping
That you'd finally understand
And in a moment of forgiveness
You'd reach out and take my hand
And in a moment of forgiveness
You'd reach out and take my hand

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