Don Juan: Canto The Sixth
'There is a tide in the affairs of men
Which,--taken at the flood,'--you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best-
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.
There is a tide in the affairs of women
Which, taken at the flood, leads- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that-
But women with their hearts on heaven knows what!
And yet a headlong, headstrong, downright she,
Young, beautiful, and daring- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk-
Though such a she 's a devil (if that there be one),
Yet she would make full many a Manichean.
Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.
He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.
'T was the boy's 'mite,' and, like the 'widow's,' may
Perhaps be weigh'd hereafter, if not now;
But whether such things do or do not weigh,
All who have loved, or love, will still allow
Life has nought like it. God is love, they say,
And Love 's a god, or was before the brow
Of earth was wrinkled by the sins and tears
Of- but Chronology best knows the years.
We left our hero and third heroine in
A kind of state more awkward than uncommon,
For gentlemen must sometimes risk their skin
For that sad tempter, a forbidden woman:
Sultans too much abhor this sort of sin,
And don't agree at all with the wise Roman,
Heroic, stoic Cato, the sententious,
Who lent his lady to his friend Hortensius.
I know Gulbeyaz was extremely wrong;
I own it, I deplore it, I condemn it;
But I detest all fiction even in song,
And so must tell the truth, howe'er you blame it.
Her reason being weak, her passions strong,
She thought that her lord's heart (even could she claim it)
Was scarce enough; for he had fifty-nine
Years, and a fifteen-hundredth concubine.
I am not, like Cassio, 'an arithmetician,'
But by 'the bookish theoric' it appears,
If 't is summ'd up with feminine precision,
That, adding to the account his Highness' years,
The fair Sultana err'd from inanition;
For, were the Sultan just to all his dears,
She could but claim the fifteen-hundredth part
Of what should be monopoly- the heart.
It is observed that ladies are litigious
Upon all legal objects of possession,
And not the least so when they are religious,
Which doubles what they think of the transgression:
With suits and prosecutions they besiege us,
As the tribunals show through many a session,
When they suspect that any one goes shares
In that to which the law makes them sole heirs.
Now, if this holds good in a Christian land,
The heathen also, though with lesser latitude,
Are apt to carry things with a high hand,
And take what kings call 'an imposing attitude,'
And for their rights connubial make a stand,
When their liege husbands treat them with ingratitude:
And as four wives must have quadruple claims,
The Tigris hath its jealousies like Thames.
Gulbeyaz was the fourth, and (as I said)
The favourite; but what 's favour amongst four?
Polygamy may well be held in dread,
Not only as a sin, but as a bore:
Most wise men, with one moderate woman wed,
Will scarcely find philosophy for more;
And all (except Mahometans) forbear
To make the nuptial couch a 'Bed of Ware.'
His Highness, the sublimest of mankind,-
So styled according to the usual forms
Of every monarch, till they are consign'd
To those sad hungry jacobins the worms,
Who on the very loftiest kings have dined,-
His Highness gazed upon Gulbeyaz' charms,
Expecting all the welcome of a lover
(A 'Highland welcome' all the wide world over).
Now here we should distinguish; for howe'er
Kisses, sweet words, embraces, and all that,
May look like what is- neither here nor there,
They are put on as easily as a hat,
Or rather bonnet, which the fair sex wear,
Trimm'd either heads or hearts to decorate,
Which form an ornament, but no more part
Of heads, than their caresses of the heart.
A slight blush, a soft tremor, a calm kind
Of gentle feminine delight, and shown
More in the eyelids than the eyes, resign'd
Rather to hide what pleases most unknown,
Are the best tokens (to a modest mind)
Of love, when seated on his loveliest throne,
A sincere woman's breast,- for over-warm
Or over-cold annihilates the charm.
For over-warmth, if false, is worse than truth;
If true, 't is no great lease of its own fire;
For no one, save in very early youth,
Would like (I think) to trust all to desire,
Which is but a precarious bond, in sooth,
And apt to be transferr'd to the first buyer
At a sad discount: while your over chilly
Women, on t' other hand, seem somewhat silly.
That is, we cannot pardon their bad taste,
For so it seems to lovers swift or slow,
Who fain would have a mutual flame confess'd,
And see a sentimental passion glow,
Even were St. Francis' paramour their guest,
In his monastic concubine of snow;-
In short, the maxim for the amorous tribe is
Horatian, 'Medio tu tutissimus ibis.'
The 'tu' 's too much,- but let it stand,- the verse
Requires it, that 's to say, the English rhyme,
And not the pink of old hexameters;
But, after all, there 's neither tune nor time
In the last line, which cannot well be worse,
And was thrust in to close the octave's chime:
I own no prosody can ever rate it
As a rule, but truth may, if you translate it.
If fair Gulbeyaz overdid her part,
I know not- it succeeded, and success
Is much in most things, not less in the heart
Than other articles of female dress.
Self-love in man, too, beats all female art;
They lie, we lie, all lie, but love no less;
And no one virtue yet, except starvation,
Could stop that worst of vices- propagation.
We leave this royal couple to repose:
A bed is not a throne, and they may sleep,
Whate'er their dreams be, if of joys or woes:
Yet disappointed joys are woes as deep
As any man's day mixture undergoes.
Our least of sorrows are such as we weep;
'T is the vile daily drop on drop which wears
The soul out (like the stone) with petty cares.
A scolding wife, a sullen son, a bill
To pay, unpaid, protested, or discounted
At a per-centage; a child cross, dog ill,
A favourite horse fallen lame just as he 's mounted,
A bad old woman making a worse will,
Which leaves you minus of the cash you counted
As certain;- these are paltry things, and yet
I 've rarely seen the man they did not fret.
I 'm a philosopher; confound them all!
Bills, beasts, and men, and- no! not womankind!
With one good hearty curse I vent my gall,
And then my stoicism leaves nought behind
Which it can either pain or evil call,
And I can give my whole soul up to mind;
Though what is soul or mind, their birth or growth,
Is more than I know- the deuce take them both!
As after reading Athanasius' curse,
Which doth your true believer so much please:
I doubt if any now could make it worse
O'er his worst enemy when at his knees,
'T is so sententious, positive, and terse,
And decorates the book of Common Prayer,
As doth a rainbow the just clearing air.
Gulbeyaz and her lord were sleeping, or
At least one of them!- Oh, the heavy night,
When wicked wives, who love some bachelor,
Lie down in dudgeon to sigh for the light
Of the gray morning, and look vainly for
Its twinkle through the lattice dusky quite-
To toss, to tumble, doze, revive, and quake
Lest their too lawful bed-fellow should wake!
These are beneath the canopy of heaven,
Also beneath the canopy of beds
Four-posted and silk curtain'd, which are given
For rich men and their brides to lay their heads
Upon, in sheets white as what bards call 'driven
Snow.' Well! 't is all hap-hazard when one weds.
Gulbeyaz was an empress, but had been
Perhaps as wretched if a peasant's quean.
Don Juan in his feminine disguise,
With all the damsels in their long array,
Had bow'd themselves before th' imperial eyes,
And at the usual signal ta'en their way
Back to their chambers, those long galleries
In the seraglio, where the ladies lay
Their delicate limbs; a thousand bosoms there
Beating for love, as the caged bird's for air.
I love the sex, and sometimes would reverse
The tyrant's wish, 'that mankind only had
One neck, which he with one fell stroke might pierce:'
My wish is quite as wide, but not so bad,
And much more tender on the whole than fierce;
It being (not now, but only while a lad)
That womankind had but one rosy mouth,
To kiss them all at once from North to South.
Oh, enviable Briareus! with thy hands
And heads, if thou hadst all things multiplied
In such proportion!- But my Muse withstands
The giant thought of being a Titan's bride,
Or travelling in Patagonian lands;
So let us back to Lilliput, and guide
Our hero through the labyrinth of love
In which we left him several lines above.
He went forth with the lovely Odalisques,
At the given signal join'd to their array;
And though he certainly ran many risks,
Yet he could not at times keep, by the way
(Although the consequences of such frisks
Are worse than the worst damages men pay
In moral England, where the thing 's a tax),
From ogling all their charms from breasts to backs.
Still he forgot not his disguise:- along
The galleries from room to room they walk'd,
A virgin-like and edifying throng,
By eunuchs flank'd; while at their head there stalk'd
A dame who kept up discipline among
The female ranks, so that none stirr'd or talk'd
Without her sanction on their she-parades:
Her title was 'the Mother of the Maids.'
Whether she was a 'mother,' I know not,
Or whether they were 'maids' who call'd her mother;
But this is her seraglio title, got
I know not how, but good as any other;
So Cantemir can tell you, or De Tott:
Her office was to keep aloof or smother
All bad propensities in fifteen hundred
Young women, and correct them when they blunder'd.
A goodly sinecure, no doubt! but made
More easy by the absence of all men-
Except his majesty, who, with her aid,
And guards, and bolts, and walls, and now and then
A slight example, just to cast a shade
Along the rest, contrived to keep this den
Of beauties cool as an Italian convent,
Where all the passions have, alas! but one vent.
And what is that? Devotion, doubtless- how
Could you ask such a question?- but we will
Continue. As I said, this goodly row
Of ladies of all countries at the will
Of one good man, with stately march and slow,
Like water-lilies floating down a rill-
Or rather lake, for rills do not run slowly-
Paced on most maiden-like and melancholy.
But when they reach'd their own apartments, there,
Like birds, or boys, or bedlamites broke loose,
Waves at spring-tide, or women anywhere
When freed from bonds (which are of no great use
After all), or like Irish at a fair,
Their guards being gone, and as it were a truce
Establish'd between them and bondage, they
Began to sing, dance, chatter, smile, and play.
Their talk, of course, ran most on the new comer;
Her shape, her hair, her air, her everything:
Some thought her dress did not so much become her,
Or wonder'd at her ears without a ring;
Some said her years were getting nigh their summer,
Others contended they were but in spring;
Some thought her rather masculine in height,
While others wish'd that she had been so quite.
But no one doubted on the whole, that she
Was what her dress bespoke, a damsel fair,
And fresh, and 'beautiful exceedingly,'
Who with the brightest Georgians might compare:
They wonder'd how Gulbeyaz, too, could be
So silly as to buy slaves who might share
(If that his Highness wearied of his bride)
Her throne and power, and every thing beside.
But what was strangest in this virgin crew,
Although her beauty was enough to vex,
After the first investigating view,
They all found out as few, or fewer, specks
In the fair form of their companion new,
Than is the custom of the gentle sex,
When they survey, with Christian eyes or Heathen,
In a new face 'the ugliest creature breathing.'
And yet they had their little jealousies,
Like all the rest; but upon this occasion,
Whether there are such things as sympathies
Without our knowledge or our approbation,
Although they could not see through his disguise,
All felt a soft kind of concatenation,
Like magnetism, or devilism, or what
You please- we will not quarrel about that:
But certain 't is they all felt for their new
Companion something newer still, as 't were
A sentimental friendship through and through,
Extremely pure, which made them all concur
In wishing her their sister, save a few
Who wish'd they had a brother just like her,
Whom, if they were at home in sweet Circassia,
They would prefer to Padisha or Pacha.
Of those who had most genius for this sort
Of sentimental friendship, there were three,
Lolah, Katinka, and Dudu; in short
(To save description), fair as fair can be
Were they, according to the best report,
Though differing in stature and degree,
And clime and time, and country and complexion;
They all alike admired their new connection.
Lolah was dusk as India and as warm;
Katinka was a Georgian, white and red,
With great blue eyes, a lovely hand and arm,
And feet so small they scarce seem'd made to tread,
But rather skim the earth; while Dudu's form
Look'd more adapted to be put to bed,
Being somewhat large, and languishing, and lazy,
Yet of a beauty that would drive you crazy.
A kind of sleepy Venus seem'd Dudu,
Yet very fit to 'murder sleep' in those
Who gazed upon her cheek's transcendent hue,
Her Attic forehead, and her Phidian nose:
Few angles were there in her form, 't is true,
Thinner she might have been, and yet scarce lose;
Yet, after all, 't would puzzle to say where
It would not spoil some separate charm to pare.
She was not violently lively, but
Stole on your spirit like a May-day breaking;
Her eyes were not too sparkling, yet, half-shut,
They put beholders in a tender taking;
She look'd (this simile 's quite new) just cut
From marble, like Pygmalion's statue waking,
The mortal and the marble still at strife,
And timidly expanding into life.
Lolah demanded the new damsel's name-
'Juanna.'- Well, a pretty name enough.
Katinka ask'd her also whence she came-
'From Spain.'- 'But where is Spain?'- 'Don't ask such stuff,
Nor show your Georgian ignorance- for shame!'
Said Lolah, with an accent rather rough,
To poor Katinka: 'Spain 's an island near
Morocco, betwixt Egypt and Tangier.'
Dudu said nothing, but sat down beside
Juanna, playing with her veil or hair;
And looking at her steadfastly, she sigh'd,
As if she pitied her for being there,
A pretty stranger without friend or guide,
And all abash'd, too, at the general stare
Which welcomes hapless strangers in all places,
With kind remarks upon their mien and faces.
But here the Mother of the Maids drew near,
With, 'Ladies, it is time to go to rest.
I 'm puzzled what to do with you, my dear,'
She added to Juanna, their new guest:
'Your coming has been unexpected here,
And every couch is occupied; you had best
Partake of mine; but by to-morrow early
We will have all things settled for you fairly.'
Here Lolah interposed- 'Mamma, you know
You don't sleep soundly, and I cannot bear
That anybody should disturb you so;
I 'll take Juanna; we 're a slenderer pair
Than you would make the half of;- don't say no;
And I of your young charge will take due care.'
But here Katinka interfered, and said,
'She also had compassion and a bed.
'Besides, I hate to sleep alone,' quoth she.
The matron frown'd: 'Why so?'- 'For fear of ghosts,'
Replied Katinka; 'I am sure I see
A phantom upon each of the four posts;
And then I have the worst dreams that can be,
Of Guebres, Giaours, and Ginns, and Gouls in hosts.'
The dame replied, 'Between your dreams and you,
I fear Juanna's dreams would be but few.
'You, Lolah, must continue still to lie
Alone, for reasons which don't matter; you
The same, Katinka, until by and by;
And I shall place Juanna with Dudu,
Who 's quiet, inoffensive, silent, shy,
And will not toss and chatter the night through.
What say you, child?'- Dudu said nothing, as
Her talents were of the more silent class;
But she rose up, and kiss'd the matron's brow
Between the eyes, and Lolah on both cheeks,
Katinka, too; and with a gentle bow
(Curt'sies are neither used by Turks nor Greeks)
She took Juanna by the hand to show
Their place of rest, and left to both their piques,
The others pouting at the matron's preference
Of Dudu, though they held their tongues from deference.
It was a spacious chamber (Oda is
The Turkish title), and ranged round the wall
Were couches, toilets- and much more than this
I might describe, as I have seen it all,
But it suffices- little was amiss;
'T was on the whole a nobly furnish'd hall,
With all things ladies want, save one or two,
And even those were nearer than they knew.
Dudu, as has been said, was a sweet creature,
Not very dashing, but extremely winning,
With the most regulated charms of feature,
Which painters cannot catch like faces sinning
Against proportion- the wild strokes of nature
Which they hit off at once in the beginning,
Full of expression, right or wrong, that strike,
And pleasing or unpleasing, still are like.
But she was a soft landscape of mild earth,
Where all was harmony, and calm, and quiet,
Luxuriant, budding; cheerful without mirth,
Which, if not happiness, is much more nigh it
Than are your mighty passions and so forth,
Which some call 'the sublime:' I wish they 'd try it:
I 've seen your stormy seas and stormy women,
And pity lovers rather more than seamen.
But she was pensive more than melancholy,
And serious more than pensive, and serene,
It may be, more than either- not unholy
Her thoughts, at least till now, appear to have been.
The strangest thing was, beauteous, she was wholly
Unconscious, albeit turn'd of quick seventeen,
That she was fair, or dark, or short, or tall;
She never thought about herself at all.
And therefore was she kind and gentle as
The Age of Gold (when gold was yet unknown,
By which its nomenclature came to pass;
Thus most appropriately has been shown
'Lucus a non lucendo,' not what was,
But what was not; a sort of style that 's grown
Extremely common in this age, whose metal
The devil may decompose, but never settle:
I think it may be of 'Corinthian Brass,'
Which was a mixture of all metals, but
The brazen uppermost). Kind reader! pass
This long parenthesis: I could not shut
It sooner for the soul of me, and class
My faults even with your own! which meaneth, Put
A kind construction upon them and me:
But that you won't- then don't- I am not less free.
'T is time we should return to plain narration,
And thus my narrative proceeds:- Dudu,
With every kindness short of ostentation,
Show'd Juan, or Juanna, through and through
This labyrinth of females, and each station
Described- what 's strange- in words extremely few:
I have but one simile, and that 's a blunder,
For wordless woman, which is silent thunder.
And next she gave her (I say her, because
The gender still was epicene, at least
In outward show, which is a saving clause)
An outline of the customs of the East,
With all their chaste integrity of laws,
By which the more a haram is increased,
The stricter doubtless grow the vestal duties
Of any supernumerary beauties.
And then she gave Juanna a chaste kiss:
Dudu was fond of kissing- which I 'm sure
That nobody can ever take amiss,
Because 't is pleasant, so that it be pure,
And between females means no more than this-
That they have nothing better near, or newer.
'Kiss' rhymes to 'bliss' in fact as well as verse-
I wish it never led to something worse.
In perfect innocence she then unmade
Her toilet, which cost little, for she was
A child of Nature, carelessly array'd:
If fond of a chance ogle at her glass,
'T was like the fawn, which, in the lake display'd,
Beholds her own shy, shadowy image pass,
When first she starts, and then returns to peep,
Admiring this new native of the deep.
And one by one her articles of dress
Were laid aside; but not before she offer'd
Her aid to fair Juanna, whose excess
Of modesty declined the assistance proffer'd:
Which pass'd well off- as she could do no less;
Though by this politesse she rather suffer'd,
Pricking her fingers with those cursed pins,
Which surely were invented for our sins,-
Making a woman like a porcupine,
Not to be rashly touch'd. But still more dread,
Oh ye! whose fate it is, as once 't was mine,
In early youth, to turn a lady's maid;-
I did my very boyish best to shine
In tricking her out for a masquerade;
The pins were placed sufficiently, but not
Stuck all exactly in the proper spot.
But these are foolish things to all the wise,
And I love wisdom more than she loves me;
My tendency is to philosophise
On most things, from a tyrant to a tree;
But still the spouseless virgin Knowledge flies.
What are we? and whence came we? what shall be
Our ultimate existence? what 's our present?
Are questions answerless, and yet incessant.
There was deep silence in the chamber: dim
And distant from each other burn'd the lights,
And slumber hover'd o'er each lovely limb
Of the fair occupants: if there be sprites,
They should have walk'd there in their sprightliest trim,
By way of change from their sepulchral sites,
And shown themselves as ghosts of better taste
Than haunting some old ruin or wild waste.
Many and beautiful lay those around,
Like flowers of different hue, and dime, and root,
In some exotic garden sometimes found,
With cost, and care, and warmth induced to shoot.
One with her auburn tresses lightly bound,
And fair brows gently drooping, as the fruit
Nods from the tree, was slumbering with soft breath,
And lips apart, which show'd the pearls beneath.
One with her flush'd cheek laid on her white arm,
And raven ringlets gather'd in dark crowd
Above her brow, lay dreaming soft and warm;
And smiling through her dream, as through a cloud
The moon breaks, half unveil'd each further charm,
As, slightly stirring in her snowy shroud,
Her beauties seized the unconscious hour of night
All bashfully to struggle into light.
This is no bull, although it sounds so; for
'T was night, but there were lamps, as hath been said.
A third's all pallid aspect offer'd more
The traits of sleeping sorrow, and betray'd
Through the heaved breast the dream of some far shore
Beloved and deplored; while slowly stray'd
(As night-dew, on a cypress glittering, tinges
The black bough) tear-drops through her eyes' dark fringes.
A fourth as marble, statue-like and still,
Lay in a breathless, hush'd, and stony sleep;
White, cold, and pure, as looks a frozen rill,
Or the snow minaret on an Alpine steep,
Or Lot's wife done in salt,- or what you will;-
My similes are gather'd in a heap,
So pick and choose- perhaps you 'll be content
With a carved lady on a monument.
And lo! a fifth appears;- and what is she?
A lady of a 'certain age,' which means
Certainly aged- what her years might be
I know not, never counting past their teens;
But there she slept, not quite so fair to see,
As ere that awful period intervenes
Which lays both men and women on the shelf,
To meditate upon their sins and self.
But all this time how slept, or dream'd, Dudu?
With strict inquiry I could ne'er discover,
And scorn to add a syllable untrue;
But ere the middle watch was hardly over,
Just when the fading lamps waned dim and blue,
And phantoms hover'd, or might seem to hover,
To those who like their company, about
The apartment, on a sudden she scream'd out:
And that so loudly, that upstarted all
The Oda, in a general commotion:
Matron and maids, and those whom you may call
Neither, came crowding like the waves of ocean,
One on the other, throughout the whole hall,
All trembling, wondering, without the least notion
More than I have myself of what could make
The calm Dudu so turbulently wake.
But wide awake she was, and round her bed,
With floating draperies and with flying hair,
With eager eyes, and light but hurried tread,
And bosoms, arms, and ankles glancing bare,
And bright as any meteor ever bred
By the North Pole,- they sought her cause of care,
For she seem'd agitated, flush'd, and frighten'd,
Her eye dilated and her colour heighten'd.
But what was strange- and a strong proof how great
A blessing is sound sleep- Juanna lay
As fast as ever husband by his mate
In holy matrimony snores away.
Not all the clamour broke her happy state
Of slumber, ere they shook her,- so they say
At least,- and then she, too, unclosed her eyes,
And yawn'd a good deal with discreet surprise.
And now commenced a strict investigation,
Which, as all spoke at once and more than once,
Conjecturing, wondering, asking a narration,
Alike might puzzle either wit or dunce
To answer in a very clear oration.
Dudu had never pass'd for wanting sense,
But, being 'no orator as Brutus is,'
Could not at first expound what was amiss.
At length she said, that in a slumber sound
She dream'd a dream, of walking in a wood-
A 'wood obscure,' like that where Dante found
Himself in at the age when all grow good;
Life's half-way house, where dames with virtue crown'd
Run much less risk of lovers turning rude;
And that this wood was full of pleasant fruits,
And trees of goodly growth and spreading roots;
And in the midst a golden apple grew,-
A most prodigious pippin,- but it hung
Rather too high and distant; that she threw
Her glances on it, and then, longing, flung
Stones and whatever she could pick up, to
Bring down the fruit, which still perversely clung
To its own bough, and dangled yet in sight,
But always at a most provoking height;-
That on a sudden, when she least had hope,
It fell down of its own accord before
Her feet; that her first movement was to stoop
And pick it up, and bite it to the core;
That just as her young lip began to ope
Upon the golden fruit the vision bore,
A bee flew out and stung her to the heart,
And so- she awoke with a great scream and start.
All this she told with some confusion and
Dismay, the usual consequence of dreams
Of the unpleasant kind, with none at hand
To expound their vain and visionary gleams.
I 've known some odd ones which seem'd really plann'd
Prophetically, or that which one deems
A 'strange coincidence,' to use a phrase
By which such things are settled now-a-days.
The damsels, who had thoughts of some great harm,
Began, as is the consequence of fear,
To scold a little at the false alarm
That broke for nothing on their sleeping car.
The matron, too, was wroth to leave her warm
Bed for the dream she had been obliged to hear,
And chafed at poor Dudu, who only sigh'd,
And said that she was sorry she had cried.
'I 've heard of stories of a cock and bull;
But visions of an apple and a bee,
To take us from our natural rest, and pull
The whole Oda from their beds at half-past three,
Would make us think the moon is at its full.
You surely are unwell, child! we must see,
To-morrow, what his Highness's physician
Will say to this hysteric of a vision.
'And poor Juanna, too- the child's first night
Within these walls to be broke in upon
With such a clamour! I had thought it right
That the young stranger should not lie alone,
And, as the quietest of all, she might
With you, Dudu, a good night's rest have known;
But now I must transfer her to the charge
Of Lolah- though her couch is not so large.'
Lolah's eyes sparkled at the proposition;
But poor Dudu, with large drops in her own,
Resulting from the scolding or the vision,
Implored that present pardon might be shown
For this first fault, and that on no condition
(She added in a soft and piteous tone)
Juanna should be taken from her, and
Her future dreams should all be kept in hand.
She promised never more to have a dream,
At least to dream so loudly as just now;
She wonder'd at herself how she could scream-
'T was foolish, nervous, as she must allow,
A fond hallucination, and a theme
For laughter- but she felt her spirits low,
And begg'd they would excuse her; she 'd get over
This weakness in a few hours, and recover.
And here Juanna kindly interposed,
And said she felt herself extremely well
Where she then was, as her sound sleep disclosed
When all around rang like a tocsin bell:
She did not find herself the least disposed
To quit her gentle partner, and to dwell
Apart from one who had no sin to show,
Save that of dreaming once 'mal-a-propos.'
As thus Juanna spoke, Dudu turn'd round
And hid her face within Juanna's breast:
Her neck alone was seen, but that was found
The colour of a budding rose's crest.
I can't tell why she blush'd, nor can expound
The mystery of this rupture of their rest;
All that I know is, that the facts I state
Are true as truth has ever been of late.
And so good night to them,- or, if you will,
Good morrow- for the cock had crown, and light
Began to clothe each Asiatic hill,
And the mosque crescent struggled into sight
Of the long caravan, which in the chill
Of dewy dawn wound slowly round each height
That stretches to the stony belt, which girds
Asia, where Kaff looks down upon the Kurds.
With the first ray, or rather grey of morn,
Gulbeyaz rose from restlessness; and pale
As passion rises, with its bosom worn,
Array'd herself with mantle, gem, and veil.
The nightingale that sings with the deep thorn,
Which fable places in her breast of wail,
Is lighter far of heart and voice than those
Whose headlong passions form their proper woes.
And that 's the moral of this composition,
If people would but see its real drift;-
But that they will not do without suspicion,
Because all gentle readers have the gift
Of closing 'gainst the light their orbs of vision;
While gentle writers also love to lift
Their voices 'gainst each other, which is natural,
The numbers are too great for them to flatter all.
Rose the sultana from a bed of splendour,
Softer than the soft Sybarite's, who cried
Aloud because his feelings were too tender
To brook a ruffled rose-leaf by his side,-
So beautiful that art could little mend her,
Though pale with conflicts between love and pride;-
So agitated was she with her error,
She did not even look into the mirror.
Also arose about the self-same time,
Perhaps a little later, her great lord,
Master of thirty kingdoms so sublime,
And of a wife by whom he was abhorr'd;
A thing of much less import in that clime-
At least to those of incomes which afford
The filling up their whole connubial cargo-
Than where two wives are under an embargo.
He did not think much on the matter, nor
Indeed on any other: as a man
He liked to have a handsome paramour
At hand, as one may like to have a fan,
And therefore of Circassians had good store,
As an amusement after the Divan;
Though an unusual fit of love, or duty,
Had made him lately bask in his bride's beauty.
And now he rose; and after due ablutions
Exacted by the customs of the East,
And prayers and other pious evolutions,
He drank six cups of coffee at the least,
And then withdrew to hear about the Russians,
Whose victories had recently increased
In Catherine's reign, whom glory still adores,
But oh, thou grand legitimate Alexander!
Her son's son, let not this last phrase offend
Thine ear, if it should reach- and now rhymes wander
Almost as far as Petersburgh and lend
A dreadful impulse to each loud meander
Of murmuring Liberty's wide waves, which blend
Their roar even with the Baltic's- so you be
Your father's son, 't is quite enough for me.
To call men love-begotten or proclaim
Their mothers as the antipodes of Timon,
That hater of mankind, would be a shame,
A libel, or whate'er you please to rhyme on:
But people's ancestors are history's game;
And if one lady's slip could leave a crime on
All generations, I should like to know
What pedigree the best would have to show?
Had Catherine and the sultan understood
Their own true interests, which kings rarely know
Until 't is taught by lessons rather rude,
There was a way to end their strife, although
Perhaps precarious, had they but thought good,
Without the aid of prince or plenipo:
She to dismiss her guards and he his haram,
And for their other matters, meet and share 'em.
But as it was, his Highness had to hold
His daily council upon ways and means
How to encounter with this martial scold,
This modern Amazon and queen of queans;
And the perplexity could not be told
Of all the pillars of the state, which leans
Sometimes a little heavy on the backs
Of those who cannot lay on a new tax.
Meantime Gulbeyaz, when her king was gone,
Retired into her boudoir, a sweet place
For love or breakfast; private, pleasing, lone,
And rich with all contrivances which grace
Those gay recesses:- many a precious stone
Sparkled along its roof, and many a vase
Of porcelain held in the fetter'd flowers,
Those captive soothers of a captive's hours.
Mother of pearl, and porphyry, and marble,
Vied with each other on this costly spot;
And singing birds without were heard to warble;
And the stain'd glass which lighted this fair grot
Varied each ray;- but all descriptions garble
The true effect, and so we had better not
Be too minute; an outline is the best,-
A lively reader's fancy does the rest.
And here she summon'd Baba, and required
Don Juan at his hands, and information
Of what had pass'd since all the slaves retired,
And whether he had occupied their station;
If matters had been managed as desired,
And his disguise with due consideration
Kept up; and above all, the where and how
He had pass'd the night, was what she wish'd to know.
Baba, with some embarrassment, replied
To this long catechism of questions, ask'd
More easily than answer'd,- that he had tried
His best to obey in what he had been task'd;
But there seem'd something that he wish'd to hide,
Which hesitation more betray'd than mask'd;
He scratch'd his ear, the infallible resource
To which embarrass'd people have recourse.
Gulbeyaz was no model of true patience,
Nor much disposed to wait in word or deed;
She liked quick answers in all conversations;
And when she saw him stumbling like a steed
In his replies, she puzzled him for fresh ones;
And as his speech grew still more broken-kneed,
Her cheek began to flush, her eyes to sparkle,
And her proud brow's blue veins to swell and darkle.
When Baba saw these symptoms, which he knew
To bode him no great good, he deprecated
Her anger, and beseech'd she 'd hear him through-
He could not help the thing which he related:
Then out it came at length, that to Dudu
Juan was given in charge, as hath been stated;
But not by Baba's fault, he said, and swore on
The holy camel's hump, besides the Koran.
The chief dame of the Oda, upon whom
The discipline of the whole haram bore,
As soon as they re-enter'd their own room,
For Baba's function stopt short at the door,
Had settled all; nor could he then presume
(The aforesaid Baba) just then to do more,
Without exciting such suspicion as
Might make the matter still worse than it was.
He hoped, indeed he thought, he could be sure
Juan had not betray'd himself; in fact
'T was certain that his conduct had been pure,
Because a foolish or imprudent act
Would not alone have made him insecure,
But ended in his being found out and sack'd,
And thrown into the sea.- Thus Baba spoke
Of all save Dudu's dream, which was no joke.
This he discreetly kept in the background,
And talk'd away- and might have talk'd till now,
For any further answer that he found,
So deep an anguish wrung Gulbeyaz' brow:
Her cheek turn'd ashes, ears rung, brain whirl'd round,
As if she had received a sudden blow,
And the heart's dew of pain sprang fast and chilly
O'er her fair front, like Morning's on a lily.
Although she was not of the fainting sort,
Baba thought she would faint, but there he err'd-
It was but a convulsion, which though short
Can never be described; we all have heard,
And some of us have felt thus 'all amort,'
When things beyond the common have occurr'd;-
Gulbeyaz proved in that brief agony
What she could ne'er express- then how should I?
She stood a moment as a Pythones
Stands on her tripod, agonised, and full
Of inspiration gather'd from distress,
When all the heart-strings like wild horses pull
The heart asunder;- then, as more or lees
Their speed abated or their strength grew dull,
She sunk down on her seat by slow degrees,
And bow'd her throbbing head o'er trembling knees.
Her face declined and was unseen; her hair
Fell in long tresses like the weeping willow,
Sweeping the marble underneath her chair,
Or rather sofa (for it was all pillow,
A low soft ottoman), and black despair
Stirr'd up and down her bosom like a billow,
Which rushes to some shore whose shingles check
Its farther course, but must receive its wreck.
Her head hung down, and her long hair in stooping
Conceal'd her features better than a veil;
And one hand o'er the ottoman lay drooping,
White, waxen, and as alabaster pale:
Would that I were a painter! to be grouping
All that a poet drags into detail
Oh that my words were colours! but their tints
May serve perhaps as outlines or slight hints.
Baba, who knew by experience when to talk
And when to hold his tongue, now held it till
This passion might blow o'er, nor dared to balk
Gulbeyaz' taciturn or speaking will.
At length she rose up, and began to walk
Slowly along the room, but silent still,
And her brow clear'd, but not her troubled eye;
The wind was down, but still the sea ran high.
She stopp'd, and raised her head to speak- but paused,
And then moved on again with rapid pace;
Then slacken'd it, which is the march most caused
By deep emotion:- you may sometimes trace
A feeling in each footstep, as disclosed
By Sallust in his Catiline, who, chased
By all the demons of all passions, show'd
Their work even by the way in which he trode.
Gulbeyaz stopp'd and beckon'd Baba:- 'Slave!
Bring the two slaves!' she said in a low tone,
But one which Baba did not like to brave,
And yet he shudder'd, and seem'd rather prone
To prove reluctant, and begg'd leave to crave
(Though he well knew the meaning) to be shown
What slaves her highness wish'd to indicate,
For fear of any error, like the late.
'The Georgian and her paramour,' replied
The imperial bride- and added, 'Let the boat
Be ready by the secret portal's side:
You know the rest.' The words stuck in her throat,
Despite her injured love and fiery pride;
And of this Baba willingly took note,
And begg'd by every hair of Mahomet's beard,
She would revoke the order he had heard.
'To hear is to obey,' he said; 'but still,
Sultana, think upon the consequence:
It is not that I shall not all fulfil
Your orders, even in their severest sense;
But such precipitation may end ill,
Even at your own imperative expense:
I do not mean destruction and exposure,
In case of any premature disclosure;
'But your own feelings. Even should all the rest
Be hidden by the rolling waves, which hide
Already many a once love-beaten breast
Deep in the caverns of the deadly tide-
You love this boyish, new, seraglio guest,
And if this violent remedy be tried-
Excuse my freedom, when I here assure you,
That killing him is not the way to cure you.'
'What dost thou know of love or feeling?- Wretch!
Begone!' she cried, with kindling eyes- 'and do
My bidding!' Baba vanish'd, for to stretch
His own remonstrance further he well knew
Might end in acting as his own 'Jack Ketch;'
And though he wish'd extremely to get through
This awkward business without harm to others,
He still preferr'd his own neck to another's.
Away he went then upon his commission,
Growling and grumbling in good Turkish phrase
Against all women of whate'er condition,
Especially sultanas and their ways;
Their obstinacy, pride, and indecision,
Their never knowing their own mind two days,
The trouble that they gave, their immorality,
Which made him daily bless his own neutrality.
And then he call'd his brethren to his aid,
And sent one on a summons to the pair,
That they must instantly be well array'd,
And above all be comb'd even to a hair,
And brought before the empress, who had made
Inquiries after them with kindest care:
At which Dudu look'd strange, and Juan silly;
But go they must at once, and will I- nill I.
And here I leave them at their preparation
For the imperial presence, wherein whether
Gulbeyaz show'd them both commiseration,
Or got rid of the parties altogether,
Like other angry ladies of her nation,-
Are things the turning of a hair or feather
May settle; but far be 't from me to anticipate
In what way feminine caprice may dissipate.
I leave them for the present with good wishes,
Though doubts of their well doing, to arrange
Another part of history; for the dishes
Of this our banquet we must sometimes change;
And trusting Juan may escape the fishes,
Although his situation now seems strange
And scarce secure, as such digressions are fair,
The Muse will take a little touch at warfare.
Related quotes
Canto the Sixth
I
"There is a tide in the affairs of men
Which, -- taken at the flood," -- you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best --
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.
II
There is a tide in the affairs of women
Which, taken at the flood, leads -- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that --
But women with their hearts on heaven knows what!
III
And yet a headlong, headstrong, downright she,
Young, beautiful, and daring -- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk --
Though such a she's a devil (if that there be one),
Yet she would make full many a Manichean.
IV
Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.
V
He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport -- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had -- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.
VI
'T was the boy's "mite," and, like the "widow's," may
Perhaps be weigh'd hereafter, if not now;
But whether such things do or do not weigh,
All who have loved, or love, will still allow
Life has nought like it. God is love, they say,
And Love's a god, or was before the brow
Of earth was wrinkled by the sins and tears
Of -- but Chronology best knows the years.
VII
We left our hero and third heroine in
A kind of state more awkward than uncommon,
For gentlemen must sometimes risk their skin
For that sad tempter, a forbidden woman:
Sultans too much abhor this sort of sin,
And don't agree at all with the wise Roman,
Heroic, stoic Cato, the sententious,
Who lent his lady to his friend Hortensius.
VIII
I know Gulbeyaz was extremely wrong;
I own it, I deplore it, I condemn it;
But I detest all fiction even in song,
And so must tell the truth, howe'er you blame it.
Her reason being weak, her passions strong,
She thought that her lord's heart (even could she claim it)
Was scarce enough; for he had fifty-nine
Years, and a fifteen-hundredth concubine.
IX
I am not, like Cassio, "an arithmetician,"
But by "the bookish theoric" it appears,
If 't is summ'd up with feminine precision,
That, adding to the account his Highness' years,
The fair Sultana err'd from inanition;
For, were the Sultan just to all his dears,
She could but claim the fifteen-hundredth part
Of what should be monopoly -- the heart.
X
It is observed that ladies are litigious
Upon all legal objects of possession,
And not the least so when they are religious,
Which doubles what they think of the transgression:
With suits and prosecutions they besiege us,
As the tribunals show through many a session,
When they suspect that any one goes shares
In that to which the law makes them sole heirs.
XI
Now, if this holds good in a Christian land,
The heathen also, though with lesser latitude,
Are apt to carry things with a high hand,
And take what kings call "an imposing attitude,"
And for their rights connubial make a stand,
When their liege husbands treat them with ingratitude:
And as four wives must have quadruple claims,
The Tigris hath its jealousies like Thames.
XII
Gulbeyaz was the fourth, and (as I said)
The favourite; but what is favour amongst four?
Polygamy may well be held in dread,
Not only as a sin, but as a bore:
Most wise men, with one moderate woman wed,
Will scarcely find philosophy for more;
And all (except Mahometans) forbear
To make the nuptial couch a "Bed of Ware."
XIII
His Highness, the sublimest of mankind, --
So styled according to the usual forms
Of every monarch, till they are consign'd
To those sad hungry jacobins the worms,
Who on the very loftiest kings have dined, --
His Highness gazed upon Gulbeyaz' charms,
Expecting all the welcome of a lover
(A "Highland welcome" all the wide world over).
XIV
Now here we should distinguish; for howe'er
Kisses, sweet words, embraces, and all that,
May look like what is -- neither here nor there,
They are put on as easily as a hat,
Or rather bonnet, which the fair sex wear,
Trimm'd either heads or hearts to decorate,
Which form an ornament, but no more part
Of heads, than their caresses of the heart.
XV
A slight blush, a soft tremor, a calm kind
Of gentle feminine delight, and shown
More in the eyelids than the eyes, resign'd
Rather to hide what pleases most unknown,
Are the best tokens (to a modest mind)
Of love, when seated on his loveliest throne,
A sincere woman's breast, -- for over-warm
Or over-cold annihilates the charm.
XVI
For over-warmth, if false, is worse than truth;
If true, 't is no great lease of its own fire;
For no one, save in very early youth,
Would like (I think) to trust all to desire,
Which is but a precarious bond, in sooth,
And apt to be transferr'd to the first buyer
At a sad discount: while your over chilly
Women, on t' other hand, seem somewhat silly.
XVII
That is, we cannot pardon their bad taste,
For so it seems to lovers swift or slow,
Who fain would have a mutual flame confess'd,
And see a sentimental passion glow,
Even were St. Francis' paramour their guest,
In his monastic concubine of snow; --
In short, the maxim for the amorous tribe is
Horatian, "Medio tu tutissimus ibis."
XVIII
The "tu"'s too much, -- but let it stand, -- the verse
Requires it, that's to say, the English rhyme,
And not the pink of old hexameters;
But, after all, there's neither tune nor time
In the last line, which cannot well be worse,
And was thrust in to close the octave's chime:
I own no prosody can ever rate it
As a rule, but Truth may, if you translate it.
XIX
If fair Gulbeyaz overdid her part,
I know not -- it succeeded, and success
Is much in most things, not less in the heart
Than other articles of female dress.
Self-love in man, too, beats all female art;
They lie, we lie, all lie, but love no less;
And no one virtue yet, except starvation,
Could stop that worst of vices -- propagation.
XX
We leave this royal couple to repose:
A bed is not a throne, and they may sleep,
Whate'er their dreams be, if of joys or woes:
Yet disappointed joys are woes as deep
As any man's day mixture undergoes.
Our least of sorrows are such as we weep;
'T is the vile daily drop on drop which wears
The soul out (like the stone) with petty cares.
XXI
A scolding wife, a sullen son, a bill
To pay, unpaid, protested, or discounted
At a per-centage; a child cross, dog ill,
A favourite horse fallen lame just as he's mounted,
A bad old woman making a worse will,
Which leaves you minus of the cash you counted
As certain; -- these are paltry things, and yet
I've rarely seen the man they did not fret.
XXII
I'm a philosopher; confound them all!
Bills, beasts, and men, and -- no! not womankind!
With one good hearty curse I vent my gall,
And then my stoicism leaves nought behind
Which it can either pain or evil call,
And I can give my whole soul up to mind;
Though what is soul or mind, their birth or growth,
Is more than I know -- the deuce take them both!
XXIII
So now all things are damned one feels at ease,
As after reading Athanasius' curse,
Which doth your true believer so much please:
I doubt if any now could make it worse
O'er his worst enemy when at his knees,
'T is so sententious, positive, and terse,
And decorates the book of Common Prayer,
As doth a rainbow the just clearing air.
XXIV
Gulbeyaz and her lord were sleeping, or
At least one of them! -- Oh, the heavy night,
When wicked wives, who love some bachelor,
Lie down in dudgeon to sigh for the light
Of the gray morning, and look vainly for
Its twinkle through the lattice dusky quite --
To toss, to tumble, doze, revive, and quake
Lest their too lawful bed-fellow should wake!
XXV
These are beneath the canopy of heaven,
Also beneath the canopy of beds
Four-posted and silk curtain'd, which are given
For rich men and their brides to lay their heads
Upon, in sheets white as what bards call "driven
Snow." Well! 't is all hap-hazard when one weds.
Gulbeyaz was an empress, but had been
Perhaps as wretched if a peasant's quean.
XXVI
Don Juan in his feminine disguise,
With all the damsels in their long array,
Had bow'd themselves before th' imperial eyes,
And at the usual signal ta'en their way
Back to their chambers, those long galleries
In the seraglio, where the ladies lay
Their delicate limbs; a thousand bosoms there
Beating for love, as the caged bird's for air.
XXVII
I love the sex, and sometimes would reverse
The tyrant's wish, "that mankind only had
One neck, which he with one fell stroke might pierce:"
My wish is quite as wide, but not so bad,
And much more tender on the whole than fierce;
It being (not now, but only while a lad)
That womankind had but one rosy mouth,
To kiss them all at once from North to South.
XXVIII
Oh, enviable Briareus! with thy hands
And heads, if thou hadst all things multiplied
In such proportion! -- But my Muse withstands
The giant thought of being a Titan's bride,
Or travelling in Patagonian lands;
So let us back to Lilliput, and guide
Our hero through the labyrinth of love
In which we left him several lines above.
XXIX
He went forth with the lovely Odalisques,
At the given signal join'd to their array;
And though he certainly ran many risks,
Yet he could not at times keep, by the way
(Although the consequences of such frisks
Are worse than the worst damages men pay
In moral England, where the thing's a tax),
From ogling all their charms from breasts to backs.
XXX
Still he forgot not his disguise: -- along
The galleries from room to room they walk'd,
A virgin-like and edifying throng,
By eunuchs flank'd; while at their head there stalk'd
A dame who kept up discipline among
The female ranks, so that none stirr'd or talk'd
Without her sanction on their she-parades:
Her title was "the Mother of the Maids."
XXXI
Whether she was a "mother," I know not,
Or whether they were "maids" who call'd her mother;
But this is her seraglio title, got
I know not how, but good as any other;
So Cantemir can tell you, or De Tott:
Her office was to keep aloof or smother
All bad propensities in fifteen hundred
Young women, and correct them when they blunder'd.
XXXII
A goodly sinecure, no doubt! but made
More easy by the absence of all men --
Except his majesty, who, with her aid,
And guards, and bolts, and walls, and now and then
A slight example, just to cast a shade
Along the rest, contrived to keep this den
Of beauties cool as an Italian convent,
Where all the passions have, alas! but one vent.
XXXIII
And what is that? Devotion, doubtless -- how
Could you ask such a question? -- but we will
Continue. As I said, this goodly row
Of ladies of all countries at the will
Of one good man, with stately march and slow,
Like water-lilies floating down a rill --
Or rather lake, for rills do not run slowly, --
Paced on most maiden-like and melancholy.
XXXIV
But when they reach'd their own apartments, there,
Like birds, or boys, or bedlamites broke loose,
Waves at spring-tide, or women anywhere
When freed from bonds (which are of no great use
After all), or like Irish at a fair,
Their guards being gone, and as it were a truce
Establish'd between them and bondage, they
Began to sing, dance, chatter, smile, and play.
XXXV
Their talk, of course, ran most on the new comer;
Her shape, her hair, her air, her everything:
Some thought her dress did not so much become her,
Or wonder'd at her ears without a ring;
Some said her years were getting nigh their summer,
Others contended they were but in spring;
Some thought her rather masculine in height,
While others wish'd that she had been so quite.
XXXVI
But no one doubted on the whole, that she
Was what her dress bespoke, a damsel fair,
And fresh, and "beautiful exceedingly,"
Who with the brightest Georgians might compare:
They wonder'd how Gulbeyaz, too, could be
So silly as to buy slaves who might share
(If that his Highness wearied of his bride)
Her throne and power, and every thing beside.
XXXVII
But what was strangest in this virgin crew,
Although her beauty was enough to vex,
After the first investigating view,
They all found out as few, or fewer, specks
In the fair form of their companion new,
Than is the custom of the gentle sex,
When they survey, with Christian eyes or Heathen,
In a new face "the ugliest creature breathing."
XXXVIII
And yet they had their little jealousies,
Like all the rest; but upon this occasion,
Whether there are such things as sympathies
Without our knowledge or our approbation,
Although they could not see through his disguise,
All felt a soft kind of concatenation,
Like magnetism, or devilism, or what
You please -- we will not quarrel about that:
XXXIX
But certain 'tis they all felt for their new
Companion something newer still, as 't were
A sentimental friendship through and through,
Extremely pure, which made them all concur
In wishing her their sister, save a few
Who wish'd they had a brother just like her,
Whom, if they were at home in sweet Circassia,
They would prefer to Padisha or Pacha.
XL
Of those who had most genius for this sort
Of sentimental friendship, there were three,
Lolah, Katinka, and Dudù; in short
(To save description), fair as fair can be
Were they, according to the best report,
Though differing in stature and degree,
And clime and time, and country and complexion;
They all alike admired their new connection.
XLI
Lolah was dusk as India and as warm;
Katinka was a Georgian, white and red,
With great blue eyes, a lovely hand and arm,
And feet so small they scarce seem'd made to tread,
But rather skim the earth; while Dudù's form
Look'd more adapted to be put to bed,
Being somewhat large, and languishing, and lazy,
Yet of a beauty that would drive you crazy.
XLII
A kind of sleepy Venus seem'd Dudù,
Yet very fit to "murder sleep" in those
Who gazed upon her cheek's transcendent hue,
Her Attic forehead, and her Phidian nose:
Few angles were there in her form, 't is true,
Thinner she might have been, and yet scarce lose;
Yet, after all, 't would puzzle to say where
It would not spoil some separate charm to pare.
XLIII
She was not violently lively, but
Stole on your spirit like a May-day breaking;
Her eyes were not too sparkling, yet, half-shut,
They put beholders in a tender taking;
She look'd (this simile's quite new) just cut
From marble, like Pygmalion's statue waking,
The mortal and the marble still at strife,
And timidly expanding into life.
XLIV
Lolah demanded the new damsel's name --
"Juanna." -- Well, a pretty name enough.
Katinka ask'd her also whence she came --
"From Spain." -- "But where is Spain?" -- "Don't ask such stuff,
Nor show your Georgian ignorance -- for shame!"
Said Lolah, with an accent rather rough,
To poor Katinka: "Spain's an island near
Morocco, betwixt Egypt and Tangier."
XLV
Dudù said nothing, but sat down beside
Juanna, playing with her veil or hair;
And looking at her steadfastly, she sigh'd,
As if she pitied her for being there,
A pretty stranger without friend or guide,
And all abash'd, too, at the general stare
Which welcomes hapless strangers in all places,
With kind remarks upon their mien and faces.
XLVI
But here the Mother of the Maids drew near,
With, "Ladies, it is time to go to rest.
I'm puzzled what to do with you, my dear,"
She added to Juanna, their new guest:
"Your coming has been unexpected here,
And every couch is occupied; you had best
Partake of mine; but by to-morrow early
We will have all things settled for you fairly."
XLVII
Here Lolah interposed -- "Mamma, you know
You don't sleep soundly, and I cannot bear
That anybody should disturb you so;
I'll take Juanna; we're a slenderer pair
Than you would make the half of; -- don't say no;
And I of your young charge will take due care."
But here Katinka interfered, and said,
"She also had compassion and a bed.
XLVIII
"Besides, I hate to sleep alone," quoth she.
The matron frown'd: "Why so?" -- "For fear of ghosts,"
Replied Katinka; "I am sure I see
A phantom upon each of the four posts;
And then I have the worst dreams that can be,
Of Guebres, Giaours, and Ginns, and Gouls in hosts."
The dame replied, "Between your dreams and you,
I fear Juanna's dreams would be but few.
XLIX
"You, Lolah, must continue still to lie
Alone, for reasons which don't matter; you
The same, Katinka, until by and by;
And I shall place Juanna with Dudù,
Who's quiet, inoffensive, silent, shy,
And will not toss and chatter the night through.
What say you, child?" -- Dudù said nothing, as
Her talents were of the more silent class;
L
But she rose up, and kiss'd the matron's brow
Between the eyes, and Lolah on both cheeks,
Katinka, too; and with a gentle bow
(Curt'sies are neither used by Turks nor Greeks)
She took Juanna by the hand to show
Their place of rest, and left to both their piques,
The others pouting at the matron's preference
Of Dudù, though they held their tongues from deference.
LI
It was a spacious chamber (Oda is
The Turkish title), and ranged round the wall
Were couches, toilets -- and much more than this
I might describe, as I have seen it all,
But it suffices -- little was amiss;
'T was on the whole a nobly furnish'd hall,
With all things ladies want, save one or two,
And even those were nearer than they knew.
LII
Dudù, as has been said, was a sweet creature,
Not very dashing, but extremely winning,
With the most regulated charms of feature,
Which painters cannot catch like faces sinning
Against proportion -- the wild strokes of nature
Which they hit off at once in the beginning,
Full of expression, right or wrong, that strike,
And pleasing or unpleasing, still are like.
LIII
But she was a soft landscape of mild earth,
Where all was harmony, and calm, and quiet,
Luxuriant, budding; cheerful without mirth,
Which, if not happiness, is much more nigh it
Than are your mighty passions and so forth,
Which some call "the sublime:" I wish they'd try it:
I've seen your stormy seas and stormy women,
And pity lovers rather more than seamen.
LIV
But she was pensive more than melancholy,
And serious more than pensive, and serene,
It may be, more than either -- not unholy
Her thoughts, at least till now, appear to have been.
The strangest thing was, beauteous, she was wholly
Unconscious, albeit turn'd of quick seventeen,
That she was fair, or dark, or short, or tall;
She never thought about herself at all.
LV
And therefore was she kind and gentle as
The Age of Gold (when gold was yet unknown,
By which its nomenclature came to pass;
Thus most appropriately has been shown
"Lucus à non lucendo," not what was,
But what was not; a sort of style that's grown
Extremely common in this age, whose metal
The devil may decompose, but never settle:
LVI
I think it may be of "Corinthian Brass,"
Which was a mixture of all metals, but
The brazen uppermost). Kind reader! pass
This long parenthesis: I could not shut
It sooner for the soul of me, and class
My faults even with your own! which meaneth, Put
A kind construction upon them and me:
But that you won't -- then don't -- I am not less free.
LVII
'T is time we should return to plain narration,
And thus my narrative proceeds: -- Dudù,
With every kindness short of ostentation,
Show'd Juan, or Juanna, through and through
This labyrinth of females, and each station
Described -- what's strange -- in words extremely few:
I have but one simile, and that's a blunder,
For wordless woman, which is silent thunder.
LVIII
And next she gave her (I say her, because
The gender still was epicene, at least
In outward show, which is a saving clause)
An outline of the customs of the East,
With all their chaste integrity of laws,
By which the more a haram is increased,
The stricter doubtless grow the vestal duties
Of any supernumerary beauties.
LIX
And then she gave Juanna a chaste kiss:
Dudù was fond of kissing -- which I'm sure
That nobody can ever take amiss,
Because 't is pleasant, so that it be pure,
And between females means no more than this --
That they have nothing better near, or newer.
"Kiss" rhymes to "bliss" in fact as well as verse --
I wish it never led to something worse.
LX
In perfect innocence she then unmade
Her toilet, which cost little, for she was
A child of Nature, carelessly array'd:
If fond of a chance ogle at her glass,
'T was like the fawn, which, in the lake display'd,
Beholds her own shy, shadowy image pass,
When first she starts, and then returns to peep,
Admiring this new native of the deep.
LXI
And one by one her articles of dress
Were laid aside; but not before she offer'd
Her aid to fair Juanna, whose excess
Of modesty declined the assistance proffer'd:
Which pass'd well off -- as she could do no less;
Though by this politesse she rather suffer'd,
Pricking her fingers with those cursed pins,
Which surely were invented for our sins, --
LXII
Making a woman like a porcupine,
Not to be rashly touch'd. But still more dread,
Oh ye! whose fate it is, as once 't was mine,
In early youth, to turn a lady's maid; --
I did my very boyish best to shine
In tricking her out for a masquerade;
The pins were placed sufficiently, but not
Stuck all exactly in the proper spot.
LXIII
But these are foolish things to all the wise,
And I love wisdom more than she loves me;
My tendency is to philosophise
On most things, from a tyrant to a tree;
But still the spouseless virgin Knowledge flies.
What are we? and whence came we? what shall be
Our ultimate existence? what's our present?
Are questions answerless, and yet incessant.
LXIV
There was deep silence in the chamber: dim
And distant from each other burn'd the lights,
And slumber hover'd o'er each lovely limb
Of the fair occupants: if there be sprites,
They should have walk'd there in their sprightliest trim,
By way of change from their sepulchral sites,
And shown themselves as ghosts of better taste
Than haunting some old ruin or wild waste.
LXV
Many and beautiful lay those around,
Like flowers of different hue, and dime, and root,
In some exotic garden sometimes found,
With cost, and care, and warmth induced to shoot.
One with her auburn tresses lightly bound,
And fair brows gently drooping, as the fruit
Nods from the tree, was slumbering with soft breath,
And lips apart, which show'd the pearls beneath.
LXVI
One with her flush'd cheek laid on her white arm,
And raven ringlets gather'd in dark crowd
Above her brow, lay dreaming soft and warm;
And smiling through her dream, as through a cloud
The moon breaks, half unveil'd each further charm,
As, slightly stirring in her snowy shroud,
Her beauties seized the unconscious hour of night
All bashfully to struggle into light.
LXVII
This is no bull, although it sounds so; for
'T was night, but there were lamps, as hath been said.
A third's all pallid aspect offer'd more
The traits of sleeping sorrow, and betray'd
Through the heaved breast the dream of some far shore
Belovéd and deplored; while slowly stray'd
(As night-dew, on a cypress glittering, tinges
The black bough) tear-drops through her eyes' dark fringes.
LXVIII
A fourth as marble, statue-like and still,
Lay in a breathless, hush'd, and stony sleep;
White, cold, and pure, as looks a frozen rill,
Or the snow minaret on an Alpine steep,
Or Lot's wife done in salt, -- or what you will; --
My similes are gather'd in a heap,
So pick and choose -- perhaps you'll be content
With a carved lady on a monument.
LXIX
And lo! a fifth appears; -- and what is she?
A lady of a "certain age," which means
Certainly agéd -- what her years might be
I know not, never counting past their teens;
But there she slept, not quite so fair to see,
As ere that awful period intervenes
Which lays both men and women on the shelf,
To meditate upon their sins and self.
LXX
But all this time how slept, or dream'd, Dudù?
With strict inquiry I could ne'er discover,
And scorn to add a syllable untrue;
But ere the middle watch was hardly over,
Just when the fading lamps waned dim and blue,
And phantoms hover'd, or might seem to hover,
To those who like their company, about
The apartment, on a sudden she scream'd out:
LXXI
And that so loudly, that upstarted all
The Oda, in a general commotion:
Matron and maids, and those whom you may call
Neither, came crowding like the waves of ocean,
One on the other, throughout the whole hall,
All trembling, wondering, without the least notion
More than I have myself of what could make
The calm Dudù so turbulently wake.
LXXII
But wide awake she was, and round her bed,
With floating draperies and with flying hair,
With eager eyes, and light but hurried tread,
And bosoms, arms, and ankles glancing bare,
And bright as any meteor ever bred
By the North Pole, -- they sought her cause of care,
For she seem'd agitated, flush'd, and frighten'd,
Her eye dilated and her colour heighten'd.
LXXIII
But what was strange -- and a strong proof how great
A blessing is sound sleep -- Juanna lay
As fast as ever husband by his mate
In holy matrimony snores away.
Not all the clamour broke her happy state
Of slumber, ere they shook her, -- so they say
At least, -- and then she, too, unclosed her eyes,
And yawn'd a good deal with discreet surprise.
LXXIV
And now commenced a strict investigation,
Which, as all spoke at once and more than once,
Conjecturing, wondering, asking a narration,
Alike might puzzle either wit or dunce
To answer in a very clear oration.
Dudù had never pass'd for wanting sense,
But, being "no orator as Brutus is,"
Could not at first expound what was amiss.
LXXV
At length she said, that in a slumber sound
She dream'd a dream, of walking in a wood --
A "wood obscure," like that where Dante found
Himself in at the age when all grow good;
Life's half-way house, where dames with virtue crown'd
Run much less risk of lovers turning rude;
And that this wood was full of pleasant fruits,
And trees of goodly growth and spreading roots;
LXXVI
And in the midst a golden apple grew, --
A most prodigious pippin, -- but it hung
Rather too high and distant; that she threw
Her glances on it, and then, longing, flung
Stones and whatever she could pick up, to
Bring down the fruit, which still perversely clung
To its own bough, and dangled yet in sight,
But always at a most provoking height; --
LXXVII
That on a sudden, when she least had hope,
It fell down of its own accord before
Her feet; that her first movement was to stoop
And pick it up, and bite it to the core;
That just as her young lip began to ope
Upon the golden fruit the vision bore,
A bee flew out and stung her to the heart,
And so -- she awoke with a great scream and start.
LXXVIII
All this she told with some confusion and
Dismay, the usual consequence of dreams
Of the unpleasant kind, with none at hand
To expound their vain and visionary gleams.
I've known some odd ones which seem'd really plann'd
Prophetically, or that which one deems
A "strange coincidence," to use a phrase
By which such things are settled now-a-days.
LXXIX
The damsels, who had thoughts of some great harm,
Began, as is the consequence of fear,
To scold a little at the false alarm
That broke for nothing on their sleeping car.
The matron, too, was wroth to leave her warm
Bed for the dream she had been obliged to hear,
And chafed at poor Dudù, who only sigh'd,
And said that she was sorry she had cried.
LXXX
"I've heard of stories of a cock and bull;
But visions of an apple and a bee,
To take us from our natural rest, and pull
The whole Oda from their beds at half-past three,
Would make us think the moon is at its full.
You surely are unwell, child! we must see,
To-morrow, what his Highness's physician
Will say to this hysteric of a vision.
LXXXI
"And poor Juanna, too -- the child's first night
Within these walls to be broke in upon
With such a clamour! I had thought it right
That the young stranger should not lie alone,
And, as the quietest of all, she might
With you, Dudù, a good night's rest have known;
But now I must transfer her to the charge
Of Lolah -- though her couch is not so large."
LXXXII
Lolah's eyes sparkled at the proposition;
But poor Dudù, with large drops in her own,
Resulting from the scolding or the vision,
Implored that present pardon might be shown
For this first fault, and that on no condition
(She added in a soft and piteous tone)
Juanna should be taken from her, and
Her future dreams should all be kept in hand.
LXXXIII
She promised never more to have a dream,
At least to dream so loudly as just now;
She wonder'd at herself how she could scream --
'T was foolish, nervous, as she must allow,
A fond hallucination, and a theme
For laughter -- but she felt her spirits low,
And begg'd they would excuse her; she'd get over
This weakness in a few hours, and recover.
LXXXIV
And here Juanna kindly interposed,
And said she felt herself extremely well
Where she then was, as her sound sleep disclosed
When all around rang like a tocsin bell:
She did not find herself the least disposed
To quit her gentle partner, and to dwell
Apart from one who had no sin to show,
Save that of dreaming once "mal-à-propos."
LXXXV
As thus Juanna spoke, Dudù turn'd round
And hid her face within Juanna's breast:
Her neck alone was seen, but that was found
The colour of a budding rose's crest.
I can't tell why she blush'd, nor can expound
The mystery of this rupture of their rest;
All that I know is, that the facts I state
Are true as truth has ever been of late.
LXXXVI
And so good night to them, -- or, if you will,
Good morrow -- for the cock had crown, and light
Began to clothe each Asiatic hill,
And the mosque crescent struggled into sight
Of the long caravan, which in the chill
Of dewy dawn wound slowly round each height
That stretches to the stony belt, which girds
Asia, where Kaff looks down upon the Kurds.
LXXXVII
With the first ray, or rather grey of morn,
Gulbeyaz rose from restlessness; and pale
As passion rises, with its bosom worn,
Array'd herself with mantle, gem, and veil.
The nightingale that sings with the deep thorn,
Which fable places in her breast of wail,
Is lighter far of heart and voice than those
Whose headlong passions form their proper woes.
LXXXVIII
And that's the moral of this composition,
If people would but see its real drift; --
But that they will not do without suspicion,
Because all gentle readers have the gift
Of closing 'gainst the light their orbs of vision;
While gentle writers also love to lift
Their voices 'gainst each other, which is natural,
The numbers are too great for them to flatter all.
LXXXIX
Rose the sultana from a bed of splendour,
Softer than the soft Sybarite's, who cried
Aloud because his feelings were too tender
To brook a ruffled rose-leaf by his side, --
So beautiful that art could little mend her,
Though pale with conflicts between love and pride; --
So agitated was she with her error,
She did not even look into the mirror.
XC
Also arose about the self-same time,
Perhaps a little later, her great lord,
Master of thirty kingdoms so sublime,
And of a wife by whom he was abhorr'd;
A thing of much less import in that clime --
At least to those of incomes which afford
The filling up their whole connubial cargo --
Than where two wives are under an embargo.
XCI
He did not think much on the matter, nor
Indeed on any other: as a man
He liked to have a handsome paramour
At hand, as one may like to have a fan,
And therefore of Circassians had good store,
As an amusement after the Divan;
Though an unusual fit of love, or duty,
Had made him lately bask in his bride's beauty.
XCII
And now he rose; and after due ablutions
Exacted by the customs of the East,
And prayers and other pious evolutions,
He drank six cups of coffee at the least,
And then withdrew to hear about the Russians,
Whose victories had recently increased
In Catherine's reign, whom glory still adores,
As greatest of all sovereigns and w--s.
XCIII
But oh, thou grand legitimate Alexander!
Her son's son, let not this last phrase offend
Thine ear, if it should reach -- and now rhymes wander
Almost as far as Petersburgh and lend
A dreadful impulse to each loud meander
Of murmuring Liberty's wide waves, which blend
Their roar even with the Baltic's -- so you be
Your father's son, 't is quite enough for me.
XCIV
To call men love-begotten or proclaim
Their mothers as the antipodes of Timon,
That hater of mankind, would be a shame,
A libel, or whate'er you please to rhyme on:
But people's ancestors are history's game;
And if one lady's slip could leave a crime on
All generations, I should like to know
What pedigree the best would have to show?
XCV
Had Catherine and the sultan understood
Their own true interests, which kings rarely know
Until 't is taught by lessons rather rude,
There was a way to end their strife, although
Perhaps precarious, had they but thought good,
Without the aid of prince or plenipo:
She to dismiss her guards and he his haram,
And for their other matters, meet and share 'em.
XCVI
But as it was, his Highness had to hold
His daily council upon ways and means
How to encounter with this martial scold,
This modern Amazon and queen of queans;
And the perplexity could not be told
Of all the pillars of the state, which leans
Sometimes a little heavy on the backs
Of those who cannot lay on a new tax.
XCVII
Meantime Gulbeyaz, when her king was gone,
Retired into her boudoir, a sweet place
For love or breakfast; private, pleasing, lone,
And rich with all contrivances which grace
Those gay recesses: -- many a precious stone
Sparkled along its roof, and many a vase
Of porcelain held in the fetter'd flowers,
Those captive soothers of a captive's hours.
XCVIII
Mother of pearl, and porphyry, and marble,
Vied with each other on this costly spot;
And singing birds without were heard to warble;
And the stain'd glass which lighted this fair grot
Varied each ray; -- but all descriptions garble
The true effect, and so we had better not
Be too minute; an outline is the best, --
A lively reader's fancy does the rest.
XCIX
And here she summon'd Baba, and required
Don Juan at his hands, and information
Of what had pass'd since all the slaves retired,
And whether he had occupied their station;
If matters had been managed as desired,
And his disguise with due consideration
Kept up; and above all, the where and how
He had pass'd the night, was what she wish'd to know.
C
Baba, with some embarrassment, replied
To this long catechism of questions, ask'd
More easily than answer'd, -- that he had tried
His best to obey in what he had been task'd;
But there seem'd something that he wish'd to hide,
Which hesitation more betray'd than mask'd;
He scratch'd his ear, the infallible resource
To which embarrass'd people have recourse.
CI
Gulbeyaz was no model of true patience,
Nor much disposed to wait in word or deed;
She liked quick answers in all conversations;
And when she saw him stumbling like a steed
In his replies, she puzzled him for fresh ones;
And as his speech grew still more broken-kneed,
Her cheek began to flush, her eyes to sparkle,
And her proud brow's blue veins to swell and darkle.
CII
When Baba saw these symptoms, which he knew
To bode him no great good, he deprecated
Her anger, and beseech'd she'd hear him through --
He could not help the thing which he related:
Then out it came at length, that to Dudù
Juan was given in charge, as hath been stated;
But not by Baba's fault, he said, and swore on
The holy camel's hump, besides the Koran.
CIII
The chief dame of the Oda, upon whom
The discipline of the whole haram bore,
As soon as they re-enter'd their own room,
For Baba's function stopt short at the door,
Had settled all; nor could he then presume
(The aforesaid Baba) just then to do more,
Without exciting such suspicion as
Might make the matter still worse than it was.
CIV
He hoped, indeed he thought, he could be sure
Juan had not betray'd himself; in fact
'T was certain that his conduct had been pure,
Because a foolish or imprudent act
Would not alone have made him insecure,
But ended in his being found out and sacked,
And thrown into the sea. -- Thus Baba spoke
Of all save Dudù's dream, which was no joke.
CV
This he discreetly kept in the background,
And talk'd away -- and might have talk'd till now,
For any further answer that he found,
So deep an anguish wrung Gulbeyaz' brow:
Her cheek turn'd ashes, ears rung, brain whirl'd round,
As if she had received a sudden blow,
And the heart's dew of pain sprang fast and chilly
O'er her fair front, like Morning's on a lily.
CVI
Although she was not of the fainting sort,
Baba thought she would faint, but there he err'd --
It was but a convulsion, which though short
Can never be described; we all have heard,
And some of us have felt thus "all amort,"
When things beyond the common have occurr'd; --
Gulbeyaz proved in that brief agony
What she could ne'er express -- then how should I?
CVII
She stood a moment as a Pythones
Stands on her tripod, agonised, and full
Of inspiration gather'd from distress,
When all the heart-strings like wild horses pull
The heart asunder; -- then, as more or lees
Their speed abated or their strength grew dull,
She sunk down on her seat by slow degrees,
And bow'd her throbbing head o'er trembling knees.
CVIII
Her face declined and was unseen; her hair
Fell in long tresses like the weeping willow,
Sweeping the marble underneath her chair,
Or rather sofa (for it was all pillow,
A low soft ottoman), and black despair
Stirr'd up and down her bosom like a billow,
Which rushes to some shore whose shingles check
Its farther course, but must receive its wreck.
CIX
Her head hung down, and her long hair in stooping
Conceal'd her features better than a veil;
And one hand o'er the ottoman lay drooping,
White, waxen, and as alabaster pale:
Would that I were a painter! to be grouping
All that a poet drags into detail
Oh that my words were colours! but their tints
May serve perhaps as outlines or slight hints.
CX
Baba, who knew by experience when to talk
And when to hold his tongue, now held it till
This passion might blow o'er, nor dared to balk
Gulbeyaz' taciturn or speaking will.
At length she rose up, and began to walk
Slowly along the room, but silent still,
And her brow clear'd, but not her troubled eye;
The wind was down, but still the sea ran high.
CXI
She stopp'd, and raised her head to speak -- but paused,
And then moved on again with rapid pace;
Then slacken'd it, which is the march most caused
By deep emotion: -- you may sometimes trace
A feeling in each footstep, as disclosed
By Sallust in his Catiline, who, chased
By all the demons of all passions, show'd
Their work even by the way in which he trode.
CXII
Gulbeyaz stopp'd and beckon'd Baba: -- "Slave!
Bring the two slaves!" she said in a low tone,
But one which Baba did not like to brave,
And yet he shudder'd, and seem'd rather prone
To prove reluctant, and begg'd leave to crave
(Though he well knew the meaning) to be shown
What slaves her highness wish'd to indicate,
For fear of any error, like the late.
CXIII
"The Georgian and her paramour," replied
The imperial bride -- and added, "Let the boat
Be ready by the secret portal's side:
You know the rest." The words stuck in her throat,
Despite her injured love and fiery pride;
And of this Baba willingly took note,
And begg'd by every hair of Mahomet's beard,
She would revoke the order he had heard.
CXIV
"To hear is to obey," he said; "but still,
Sultana, think upon the consequence:
It is not that I shall not all fulfil
Your orders, even in their severest sense;
But such precipitation may end ill,
Even at your own imperative expense:
I do not mean destruction and exposure,
In case of any premature disclosure;
CXV
"But your own feelings. Even should all the rest
Be hidden by the rolling waves, which hide
Already many a once love-beaten breast
Deep in the caverns of the deadly tide --
You love this boyish, new, seraglio guest,
And if this violent remedy be tried --
Excuse my freedom, when I here assure you,
That killing him is not the way to cure you."
CXVI
"What dost thou know of love or feeling? -- Wretch!
Begone!" she cried, with kindling eyes -- "and do
My bidding!" Baba vanish'd, for to stretch
His own remonstrance further he well knew
Might end in acting as his own "Jack Ketch;"
And though he wish'd extremely to get through
This awkward business without harm to others,
He still preferr'd his own neck to another's.
CXVII
Away he went then upon his commission,
Growling and grumbling in good Turkish phrase
Against all women of whate'er condition,
Especially sultanas and their ways;
Their obstinacy, pride, and indecision,
Their never knowing their own mind two days,
The trouble that they gave, their immorality,
Which made him daily bless his own neutrality.
CXVIII
And then he call'd his brethren to his aid,
And sent one on a summons to the pair,
That they must instantly be well array'd,
And above all be comb'd even to a hair,
And brought before the empress, who had made
Inquiries after them with kindest care:
At which Dudù look'd strange, and Juan silly;
But go they must at once, and will I -- nill I.
CXIX
And here I leave them at their preparation
For the imperial presence, wherein whether
Gulbeyaz show'd them both commiseration,
Or got rid of the parties altogether,
Like other angry ladies of her nation, --
Are things the turning of a hair or feather
May settle; but far be 't from me to anticipate
In what way feminine caprice may dissipate.
CXX
I leave them for the present with good wishes,
Though doubts of their well doing, to arrange
Another part of history; for the dishes
Of this our banquet we must sometimes change;
And trusting Juan may escape the fishes,
Although his situation now seems strange
And scarce secure, as such digressions are fair,
The Muse will take a little touch at warfare.
poem by Byron from Don Juan (1824)
Submitted by Veronica Serbanoiu
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The Lady Of The Castle
Thou see'st her pictured with her shining hair,
(Famed were those tresses in Provencal song,)
Half braided, half o'er cheek and bosom fair
Let loose, and pouring sunny waves along
Her gorgeous vest. A child's light hand is roving
Midst the rich curls; and, oh! how meekly loving
Its earnest looks are lifted to the face,
Which bends to meet its lip in laughing grace!
Yet that bright lady's eye methinks hath less
Of deep, and still, and pensive tenderness,
Than might beseem a mother's; on her brow
Something too much there sits of native scorn,
And her smile kindles with a conscious glow,
As from the thought of sovereign beauty born.
These may be dreams but how shall woman tell
Of woman's shame, and not with tears?–She fell!
That mother left that child! went hurrying by
Its cradle haply, not without a sigh,
Haply one moment o'er its rest serene
She hung but no! it could not thus have been,
For she went on! forsook her home, her hearth,
All pure affection, all sweet household mirth,
To live a gaudy and dishonour'd thing,
Sharing in guilt the splendours of a king.
Her lord, in very weariness of life,
Girt on his sword for scenes of distant strife;
He reck'd no more of glory: grief and shame
Crush'd out his fiery nature, and his name
Died silently. A shadow o'er his halls
Crept year by year; the minstrel pass'd their walls;
The warder's horn hung mute: meantime the child
On whose first flowering thoughts no parent smiled,
A gentle girl, and yet deep-hearted, grew
Into sad youth; for well, too well, she knew
Her mother's tale! Its memory made the sky
Seem all too joyous for her shrinking eye;
Check'd on her lip the flow of song, which fain
Would there have linger'd; flush'd her cheek to pain
If met by sudden glance; and gave a tone
Of sorrow, as for something lovely gone,
Ev'n to the spring's glad voice. Her own was low
And plaintive Oh! there lie such depths of wo
In a young blighted spirit! Manhood rears
A haughty brow, and age has done with tears;
But youth bows down to misery, in amaze
At the dark cloud o'ermantling its fresh days,
And thus it was with her. A mournful sight
In one so fair for she indeed was fair
Not with her mother's dazzling eyes of light,
Hers were more shadowy, full of thought and prayer,
And with long lashes o'er a white-rose cheek,
Drooping in gloom, yet tender still and meek,
Still that fond child's–and oh! the brow above,
So pale and pure! so form'd for holy love
To gaze upon in silence! But she felt
That love was not for her, tho' hearts would melt
Where'er she mov'd, and reverence mutely given
Went with her; and low prayers, that call'd on Heaven
To bless the young Isaure.
One sunny morn
With alms before her castle gate she stood,
Midst peasant-groups; when, breathless and o'erworn,
And shrouded in long weeds of widowhood,
A stranger thro' them broke: the orphan maid
With her sweet voice, and proffer'd hand of aid,
Turn'd to give welcome; but a wild sad look
Met hers; a gaze that all her spirit shook;
And that pale woman, suddenly subdued
By some strong passion in its gushing mood,
Knelt at her feet, and bath'd them with such tears
As rain the hoarded agonies of years
From the heart's urn; and with her white lips press'd
The ground they trod; then, burying in her vest
Her brow's deep flush, sobb'd out 'Oh! undefiled!
I am thy mother spurn me not, my child!'
Isaure had pray'd for that lost mother; wept
O'er her stain'd memory, while the happy slept
In the hush'd midnight: stood with mournful gaze
Before yon picture's smile of other days,
But never breath'd in human ear the name
Which weigh'd her being to the earth with shame.
What marvel if the anguish, the surprise,
The dark remembrances, the alter'd guise,
Awhile o'erpower'd her? from the weeper's touch
She shrank 'twas but a moment yet too much
For that all humbled one; its mortal stroke
Came down like lightning, and her full heart broke
At once in silence. Heavily and prone
She sank, while o'er her castle's threshold-stone,
Those long fair tresses they still brightly wore
Their early pride, though bound with pearls no more
Bursting their fillet, in sad beauty roll'd,
And swept the dust with coils of wavy gold.
Her child bent o'er her call'd her 'twas too late
Dead lay the wanderer at her own proud gate!
The joy of courts, the star of knight and bard,
How didst thou fall, O bright-hair'd Ermengarde!
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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The Kind Word
Speak kindly, wife; the little ones will grow
Fairest and straightest in the warmest sun.
We talk so often of the seed we sow;
But, maybe, when we think our labour done,
And when we look to gather in the grain,
We'll find these stones, we fling about, again
Strewing the fruitless sod,
Having crush'd down and stunted the sweet life
That bore the likeness of the life of God.
All your hard words of bitterness and strife
Will lie upon their love, as stones would lie;
You think to pick them up, but, by-and-by,
You'll find where they have lain
By the poor, meagre, crooked ears of grain.
You will be sorry then.
Speak kindly, wife; you know not half the wealth
Kind words bring in. Ah! I remember when
I was a little lad, all youth and health,
How I went wrong for want of one, and how
One saved my life—ay, keeps it steady now.
* * * * *
My mother died, you know, when I had seen
Only a few days' light; they say her face
Was fair and young—and so it might have been;
I cannot tell. But she, who took her place,
Was coarse and hard, and had a shrewish tongue
That fretted all the household into strife.
Ah, how that sharp voice rung
Through ear and heart—through all the peace of life!
It drove my father from his home at length,
And drove him to the ale-house, where he learn'd
To drink away the good name he had earn'd,
And drink away his precious health and strength.
I can remember well how he would sigh,
Would sigh, and turn from his own chimney nook;
And how, though wintry winds blew fierce and high,
He fumbled at the door with hands that shook,
And pass'd out slowly, as though caring not
Whither he went. And she, who tempted him,
Was first to see the change—to mark the blot
That made his manhood's beauty blurred and dim—
But had no mercy and no help for him.
I think I see her now!
Standing, with that red flush upon her brow,
Hurling her stinging insults thick and fast,
As he was sadly creeping through the door;
Until he raised his grizzled head, and swore,
And suddenly struck her, growing mad at last.
Was that the way to better him? Ah, no;
She taunted him, and stung his spirit so,
That what was weakness became sin and crime.
Wife, did you ever hear
What happen'd in that dark and dreadful time?
One night, when I was wide awake for fear,
Straining my baby ears to catch the sound
Of the fierce voices that were storming near—
One night, I heard a cry—
So sharp! so shrill! a strange and fearful cry—
And then a heavy fall upon the ground;
And then—and then—in the grey morning light
I saw her lie,
With her hard face so strangely still and white,
With a broad purple stain upon her brow,
And dusky shadows on her lips and eyes.
Ah me! ah me! I think I see her now,
Wrapped in that awful death-sleep, as she lies!
I well remember how I cried and shook
In childish terror, and with what a look
I turn'd to all the living faces there,
Seeking in vain,
With the first dreary thrill of my despair,
The one face that I never saw again!
* * * * *
I was so young—a little lad, a child—
And it was hard, ay, very hard, to be
So helpless and so ignorant and wild,
With not a soul to love and care for me.
She, when she storm'd about,
Had roughly used me, and had turn'd me out
Into the streets, to gather what I could
And what I liked of all the evil there;
But he, my father, at odd times he would
Sit, with his arms flung round me, in his chair,
And tell me, as he stroked my curly head,
How he could see the mother that was dead
In my blue eyes and in my golden hair.
And now I was alone—quite, quite alone.
Ah, you can never know how I was toss'd
From place to place; how like a thing of stone,
Frozen for want of just a kindly tone,
My heart became—all its good instincts cross'd!
And how like some distorted tree I grew,
Barren of all things beautiful and true.
Sullen, and hard, and reckless, I was fit
And ready, when the devil laid his snare—
Quite ready—to rush headlong into it.
And who was there to care?
In a wild night—a well-remember'd night,
When I was prowling in a darken'd street,
Trying to hush the echo of my feet,
Trying to hide me out of sound and sight—
Just as I heard the bells begin to call
From a church-tower—as I caught a gleam
Of marble pillars, standing white and tall,
And saw the stream
Of tender, mellow light make, as it were,
A shining pathway in the misty air,
Whither soft footsteps trod
Out of the world into the courts of God—
Just then they found me out—
They who had watch'd and follow'd me so long—
They found me as I idly hung about
That stately doorway; and I felt the strong
Relentless grip upon my arm—I saw
The quiet, cruel, smiling eyes, and saw
That I was bound.
That night I lay awake upon the ground
Of a dark cell. The moonlight quiver'd in,
Tender, and pure, and sweet, and hover'd round—
Trying to cool the raging fire within
My eyes and heart; like tender mother's touch,
It wander'd over lips, and hands, and hair.
I think I feel it now—it came with such
An unexpected pity to me there!
It was so dark—and I was all alone.
No gentle tone
To comfort and to keep me from despair!
A blessing had been sent—ah, now I know,
Just by that little moonbeam; its white glow
Lay on my heart, till the tears fell like rain.
The long-endured, sullen sense of pain,
So dark and deep,
Was stirred and touch'd, and almost lighten'd, when
I plunged my face into my hands to weep.
Somehow the boyish spirit came again,
With just a little of its softness, then;
The burning fever cool'd, and I could sleep.
Ah, I remember, as I lay there, she
I never knew came gliding through my dream,
As through the shadows that encompass'd me
Glided the tender moonshine; I could see,
Dim and yet purely bright—just in the gleam
That cross'd the prison-floor—a girlish face,
Divinely beautiful—an angel's face;
And long robes, fair and white,
Shadow'd with wings that shone like living light.
I seem'd to feel, e'en in that gloomy place,
The soft, sweet kisses stray
Over my feverish forehead as I lay;
But when I woke, and look'd with glistening eyes
Up through the grating, I could only see
The pale rose-colour dawning in the skies
From whence that message had come down to me.
I was so lonely! Yet more lonely far
In the bright day-time, when my sight was bound
By cold, hard, scornful faces all around,
Instead of prison-wall and iron bar.
More lonely—ay, so much more lonely! They,
My judges and accusers, and the crowd
That witness'd all my misery that day,
They knew not that my spirit was as proud,
As sensitive to suffering, as theirs.
They knew the sweet hearth-love, that makes the cares
And storms of life so light!
And the great safeguard against sin and crime
Stood round about their homes by day and night.
But I had no one in that bitter time,
No one, I thought—no one to stand by me,
No one to teach me or to care for me!
I pass'd through fire as I stood waiting—stood
In that great, dreary, dreadful, crowded place;
A fire that scorch'd out even the faintest trace
My tearful dream had left, of good and true.
* * * * *
Wearily, wearily, I laid me down
Within my little prison-cell that night;
And then I long'd for death to come, and drown
The sinful, lonely, sorrowful earthly life
That always seem'd at strife
With God and man. I know it was not right—
I know it, dear; but it is hard to be
Shut out from all the pleasant, genial life
That makes life worth!—and it was hard for me.
And so I lay, and fix'd a vacant stare
Upon my grated bars, now dimly drawn
Across a grey-blue thunder-cloud; for there
The moonlight came, and there the rosy dawn
Peep'd in—a kind and friendly face to see;
One thing, at least, of peace and purity.
And dark thoughts brooded in my heart and brain,
Such wicked, reckless thoughts! I wonder'd why
I had been born to so much misery,
Born to so large a heritage of pain!
Sure it was wrong, I murmur'd bitterly,
Setting my teeth again.
And then there slowly drifted through my mind—
Vaguely and darkly, gaining shape at length—
A thought whose likeness it were hard to find
In any common words. I felt the strength
Of stern endurance and resolve die out,
And felt a fierce new strength creep round about
My smouldering heart. Eager I turn'd to gaze
At my new vision—and the warning doubt
Died in the passion that was set ablaze.
What was the vision? Wife, I scarcely dare
Paint it again.
It's very memory enfolds such pain!
A river, dark, and deep, and dreadful, where
The moaning eddies swirl'd about the piers
Of a high bridge; lights twinkling in the air;
Unnumber'd voices thrilling in my ears;
And one—one only—speaking to me there—
Calling from out the deep,
Dark water, in its slow, reluctant sweep . . . . .
An awful space of shadows; then the gleam
Of steely ripples, lying far below,
Like bright snakes coil'd together on the stream;—
Ah, wife, you know! you know!
I saw—but did not see—the grey-blue cloud
Change into black; the thunder roar'd aloud;
And shining arrows glanced across the floor,
Striking a blaze upon my staring eyes;—
Darling, these are such painful memories,
I cannot tell you more.
* * * * *
But in the day that follow'd—when the sun
Was high in heaven, and the crimson flame
Danced on the bleak white wall above me—one
Bearing a sweet and holy message, came.
He found me lying motionless, alone,
Passionately quiet, and as hard as stone;
And he stepped softly, and bent over me
Until I saw his face—
Fair as an angel's, with a shining crown
Of wavy golden hair—a boyish face,
But shadow'd with a wondrous dignity.
As he bent down,
His grave eyes looking deeply into mine,
The dignity seem'd born of the divine.
Ah me, he was so good! so true! so kind!
He melted that black shadow on my mind
With his sweet, earnest tones; I sat and wept
Just like a child; and a new life and light
Once more, as he sat by me, gently crept
Into my spirit, that was dark as night.
He did not talk as if he were above
The sins and follies of his fellow-men;
But all his words were sympathy and love—
Or I had never listen'd to them then.
He did not once reproach me, though he heard—
Because he would not ask it—every word
I had to tell him; but he counselled me,
Framing his lips in that humility
Which seems the stamp of a good man and true.
Saying not, “I know this,” but “God has said;”
Saying not, with the solemn warning, “you,”
But mostly “we;” yet over all he shed
The high and special dignity he bore.
One felt he was a priest, as if he wore
His surplice—standing in the church, instead
Of on a prison-floor.
* * * * *
And those kind words—they brought a blessed morn
Unto my soul; I never wish'd again
That I might die; I never felt forlorn,
As if my life were given me in vain.
But I went out into the world, and fought
Against its legions, with an arm of strength!
Wife, though I often falter'd, what he taught
Nerved me to courage, and I won at length.
poem by Ada Cambridge
Submitted by Poetry Lover
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Magdalen
All things I can endure, save one.
The bare, blank room where is no sun;
The parcelled hours; the pallet hard;
The dreary faces here within;
The outer women's cold regard;
The Pastor's iterated "sin";--
These things could I endure, and count
No overstrain'd, unjust amount;
No undue payment for such bliss--
Yea, all things bear, save only this:
That you, who knew what thing would be,
Have wrought this evil unto me.
It is so strange to think on still--
That you, that you should do me ill!
Not as one ignorant or blind,
But seeing clearly in your mind
How this must be which now has been,
Nothing aghast at what was seen.
Now that the tale is told and done,
It is so strange to think upon.
You were so tender with me, too!
One summer's night a cold blast blew,
Closer about my throat you drew
That half-slipt shawl of dusky blue.
And once my hand, on summer's morn,
I stretched to pluck a rose; a thorn
Struck through the flesh and made it bleed
(A little drop of blood indeed!)
Pale grew your cheek you stoopt and bound
Your handkerchief about the wound;
Your voice came with a broken sound;
With the deep breath your breast was riven;
I wonder, did God laugh in Heaven?
How strange, that you should work my woe!
How strange! I wonder, do you know
How gladly, gladly I had died
(And life was very sweet that tide)
To save you from the least, light ill?
How gladly I had borne your pain.
With one great pulse we seem'd to thrill,--
Nay, but we thrill'd with pulses twain.
Even if one had told me this,
"A poison lurks within your kiss,
Gall that shall turn to night his day:"
Thereon I straight had turned away--
Ay, tho' my heart had crack'd with pain--
And never kiss'd your lips again.
At night, or when the daylight nears,
I hear the other women weep;
My own heart's anguish lies too deep
For the soft rain and pain of tears.
I think my heart has turn'd to stone,
A dull, dead weight that hurts my breast;
Here, on my pallet-bed alone,
I keep apart from all the rest.
Wide-eyed I lie upon my bed,
I often cannot sleep all night;
The future and the past are dead,
There is no thought can bring delight.
All night I lie and think and think;
If my heart were not made of stone,
But flesh and blood, it needs must shrink
Before such thoughts. Was ever known
A woman with a heart of stone?
The doctor says that I shall die.
It may be so, yet what care I?
Endless reposing from the strife?
Death do I trust no more than life.
For one thing is like one arrayed,
And there is neither false nor true;
But in a hideous masquerade
All things dance on, the ages through.
And good is evil, evil good;
Nothing is known or understood
Save only Pain. I have no faith
In God, or Devil, Life or Death.
The doctor says that I shall die.
You, that I knew in days gone by,
I fain would see your face once more,
Con well its features o'er and o'er;
And touch your hand and feel your kiss,
Look in your eyes and tell you this:
That all is done, that I am free;
That you, through all eternity,
Have neither part nor lot in me.
The Pilgrims
Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live
Except he serve her sorrowing, with strange pain,
Travail and bloodshedding and bitterer tears;
And when she bids die he shall surely die.
And he shall leave all things under the sky
And go forth naked under sun and rain
And work and wait and watch out all his years.
--Hath she on earth no place of habitation?
--Age to age calling, nation answering nation,
Cries out, Where is she? and there is none to say;
For if she be not in the spirit of men,
For if in the inward soul she hath no place,
In vain they cry unto her, seeking her face,
In vain their mouths make much of her; for they
Cry with vain tongues, till the heart lives again.
--O ye that follow, and have ye no repentance?
For on your brows is written a mortal sentence,
An hieroglyph of sorrow, a fiery sign,
That in your lives ye shall not pause or rest,
Nor have the sure sweet common love, nor keep
Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine
Face and clear eyes of faith and fruitful breast.
--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun
Shall move and shine without us, and we lie
Dead; but if she too move on earth and live,
But if the old world with all the old irons rent
Laugh and give thanks, shall we be not content?
Nay, we shall rather live, we shall not die,
Life being so little and death so good to give.
--And these men shall forget you.--Yea, but we
Shall be a part of the earth and the ancient sea,
And heaven-high air august, and awful fire,
And all things good; and no man's heart shall beat
But somewhat in it of our blood once shed
Shall quiver and quicken, as now in us the dead
Blood of men slain and the old same life's desire
Plants in their fiery footprints our fresh feet.
--But ye that might be clothed with all things pleasant,
Ye are foolish that put off the fair soft present,
That clothe yourselves with the cold future air;
When mother and father and tender sister and brother
And the old live love that was shall be as ye,
Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were,
Than sister or wife or father unto us or mother.
--Is this worth life, is this, to win for wages?
Lo, the dead mouths of the awful grey-grown ages,
The venerable, in the past that is their prison,
In the outer darkness, in the unopening grave,
Laugh, knowing how many as ye now say have said,
How many, and all are fallen, are fallen and dead:
Shall ye dead rise, and these dead have not risen?
--Not we but she, who is tender and swift to save.
--Are ye not weary and faint not by the way,
Seeing night by night devoured of day by day,
Seeing hour by hour consumed in sleepless fire?
Sleepless: and ye too, when shall ye too sleep?
--We are weary in heart and head, in hands and feet,
And surely more than all things sleep were sweet,
Than all things save the inexorable desire
Which whoso knoweth shall neither faint nor weep.
--Is this so sweet that one were fain to follow?
Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation
Ye shall make whole flawed hearts, and bowed necks straight?
--Nay, though our life were blind, our death were fruitless,
Not therefore were the whole world's high hope rootless;
But man to man, nation would turn to nation,
And the old life live, and the old great world be great.
--Pass on then and pass by us and let us be,
For what light think ye after life to see?
And if the world fare better will ye know?
And if man triumph who shall seek you and say?
--Enough of light is this for one life's span,
That all men born are mortal, but not man:
And we men bring death lives by night to sow,
That man may reap and eat and live by day.
poem by Algernon Charles Swinburne
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Saint Maura: A.D. 304
Thank God! Those gazers' eyes are gone at last!
The guards are crouching underneath the rock;
The lights are fading in the town below,
Around the cottage which this morn was ours.
Kind sun, to set, and leave us here alone;
Alone upon our crosses with our God;
While all the angels watch us from the stars.
Kind moon, to shine so clear and full on him,
And bathe his limbs in glory, for a sign
Of what awaits him! Oh look on him, Lord!
Look, and remember how he saved thy lamb!
Oh listen to me, teacher, husband, love,
Never till now loved utterly! Oh say,
Say you forgive me! No-you must not speak:
You said it to me hours ago-long hours!
Now you must rest, and when to-morrow comes
Speak to the people, call them home to God,
A deacon on the Cross, as in the Church;
And plead from off the tree with outspread arms,
To show them that the Son of God endured
For them-and me. Hush! I alone will speak,
And while away the hours till dawn for you.
I know you have forgiven me; as I lay
Beneath your feet, while they were binding me,
I knew I was forgiven then! When I cried
'Here am I, husband! The lost lamb returned,
All re-baptized in blood!' and you said, 'Come!
Come to thy bride-bed, martyr, wife once more!'
From that same moment all my pain was gone;
And ever since those sightless eyes have smiled
Love-love! Alas, those eyes! They made me fall.
I could not bear to see them, bleeding, dark,
Never, no never to look into mine;
Never to watch me round the little room
Singing about my work, or flash on me
Looks bright with counsel.-Then they drove me mad
With talk of nameless tortures waiting you-
And I could save you! You would hear your love-
They knew you loved me, cruel men! And then-
Then came a dream; to say one little word,
One easy wicked word, we both might say,
And no one hear us, but the lictors round;
One tiny sprinkle of the incense grains,
And both, both free! And life had just begun-
Only three months-short months-your wedded wife
Only three months within the cottage there-
Hoping I bore your child. . . .
Ah! husband! Saviour! God! think gently of me!
I am forgiven! . . .
And then another dream;
A flash-so quick, I could not bear the blaze;
I could not see the smoke among the light-
To wander out through unknown lands, and lead
You by the hand through hamlet, port, and town,
On, on, until we died; and stand each day
To glory in you, as you preached and prayed
From rock and bourne-stone, with that voice, those words,
Mingled with fire and honey-you would wake,
Bend, save whole nations! would not that atone
For one short word?-ay, make it right, to save
You, you, to fight the battles of the Lord?
And so-and so-alas! you knew the rest!
You answered me. . . .
Ah cruel words! No! Blessed, godlike words.
You had done nobly had you struck me dead,
Instead of striking me to life!-the temptress! . . .
'Traitress! apostate! dead to God and me!'-
'The smell of death upon me?'-so it was!
True! true! well spoken, hero! Oh they snapped,
Those words, my madness, like the angel's voice
Thrilling the graves to birth-pangs. All was clear.
There was but one right thing in the world to do;
And I must do it. . . . Lord, have mercy! Christ!
Help through my womanhood: or I shall fail
Yet, as I failed before! . . . I could not speak-
I could not speak for shame and misery,
And terror of my sin, and of the things
I knew were coming: but in heaven, in heaven!
There we should meet, perhaps-and by that time
I might be worthy of you once again-
Of you, and of my God. . . . So I went out.
. . . . . .
Will you hear more, and so forget the pain?
And yet I dread to tell you what comes next;
Your love will feel it all again for me.
No! it is over; and the woe that's dead
Rises next hour a glorious angel. Love!
Say, shall I tell you? Ah! your lips are dry!
To-morrow, when they come, we must entreat,
And they will give you water. One to-day,
A soldier, gave me water in a sponge
Upon a reed, and said, 'Too fair! too young!
She might have been a gallant soldier's wife!'
And then I cried, 'I am a soldier's wife!
A hero's!' And he smiled, but let me drink.
God bless him for it!
So they led me back:
And as I went, a voice was in my ears
Which rang through all the sunlight, and the breath
And blaze of all the garden slopes below,
And through the harvest-voices, and the moan
Of cedar-forests on the cliffs above,
And round the shining rivers, and the peaks
Which hung beyond the cloud-bed of the west,
And round the ancient stones about my feet.
Out of all heaven and earth it rang, and cried,
'My hand hath made all these. Am I too weak
To give thee strength to say so?' Then my soul
Spread like a clear blue sky within my breast,
While all the people made a ring around,
And in the midst the judge spoke smilingly-
'Well! hast thou brought him to a better mind?'
'No! He has brought me to a better mind!'-
I cried, and said beside-I know not what-
Words which I learnt from thee-I trust in God
Nought fierce or rude-for was I not a girl
Three months ago beneath my mother's roof?
I thought of that. She might be there! I looked-
She was not there! I hid my face and wept.
And when I looked again, the judge's eye
Was on me, cold and steady, deep in thought-
'She knows what shame is still; so strip her.' 'Ah!'
I shrieked, 'Not that, Sir! Any pain! So young
I am-a wife too-I am not my own,
But his-my husband's!' But they took my shawl,
And tore my tunic off, and there I stood
Before them all. . . . Husband! you love me still?
Indeed I pleaded! Oh, shine out, kind moon,
And let me see him smile! Oh! how I prayed,
While some cried 'Shame!' and some, 'She is too young!'
And some mocked-ugly words: God shut my ears.
And yet no earthquake came to swallow me.
While all the court around, and walls, and roofs,
And all the earth and air were full of eyes,
Eyes, eyes, which scorched my limbs like burning flame,
Until my brain seemed bursting from my brow:
And yet no earthquake came! And then I knew
This body was not yours alone, but God's-
His loan-He needed it: and after that
The worst was come, and any torture more
A change-a lightening; and I did not shriek-
Once only-once, when first I felt the whip-
It coiled so keen around my side, and sent
A fire-flash through my heart which choked me-then
I shrieked-that once. The foolish echo rang
So far and long-I prayed you might not hear.
And then a mist, which hid the ring of eyes,
Swam by me, and a murmur in my ears
Of humming bees around the limes at home;
And I was all alone with you and God.
And what they did to me I hardly know;
I felt, and did not feel. Now I look back,
It was not after all so very sharp:
So do not pity me. It made me pray;
Forget my shame in pain, and pain in you,
And you in God: and once, when I looked down,
And saw an ugly sight-so many wounds!
'What matter?' thought I. 'His dear eyes are dark;
For them alone I kept these limbs so white-
A foolish pride! As God wills now. 'Tis just.'
But then the judge spoke out in haste: 'She is mad,
Or fenced by magic arts! She feels no pain!'
He did not know I was on fire within:
Better he should not; so his sin was less.
Then he cried fiercely, 'Take the slave away,
And crucify her by her husband's side!'
And at those words a film came on my face-
A sickening rush of joy-was that the end?
That my reward? I rose, and tried to go-
But all the eyes had vanished, and the judge;
And all the buildings melted into mist:
So how they brought me here I cannot tell-
Here, here, by you, until the judgment-day,
And after that for ever and for ever!
Ah! If I could but reach that hand! One touch!
One finger tip, to send the thrill through me
I felt but yesterday!-No! I can wait:-
Another body!-Oh, new limbs are ready,
Free, pure, instinct with soul through every nerve,
Kept for us in the treasuries of God.
They will not mar the love they try to speak,
They will not fail my soul, as these have done!
. . . . .
Will you hear more? Nay-you know all the rest:
Yet those poor eyes-alas! they could not see
My waking, when you hung above me there
With hands outstretched to bless the penitent-
Your penitent-even like The Lord Himself-
I gloried in you!-like The Lord Himself!
Sharing His very sufferings, to the crown
Of thorns which they had put on that dear brow
To make you like Him-show you as you were!
I told them so! I bid them look on you,
And see there what was the highest throne on earth-
The throne of suffering, where the Son of God
Endured and triumphed for them. But they laughed;
All but one soldier, gray, with many scars;
And he stood silent. Then I crawled to you,
And kissed your bleeding feet, and called aloud-
You heard me! You know all! I am at peace.
Peace, peace, as still and bright as is the moon
Upon your limbs, came on me at your smile,
And kept me happy, when they dragged me back
From that last kiss, and spread me on the cross,
And bound my wrists and ankles-Do not sigh:
I prayed, and bore it: and since they raised me up
My eyes have never left your face, my own, my own,
Nor will, till death comes! . . .
Do I feel much pain?
Not much. Not maddening. None I cannot bear.
It has become like part of my own life,
Or part of God's life in me-honour-bliss!
I dreaded madness, and instead comes rest;
Rest deep and smiling, like a summer's night.
I should be easy, now, if I could move . . .
I cannot stir. Ah God! these shoots of fire
Through all my limbs! Hush, selfish girl! He hears you!
Who ever found the cross a pleasant bed?
Yes; I can bear it, love. Pain is no evil
Unless it conquers us. These little wrists, now-
You said, one blessed night, they were too slender,
Too soft and slender for a deacon's wife-
Perhaps a martyr's:-You forgot the strength
Which God can give. The cord has cut them through;
And yet my voice has never faltered yet.
Oh! do not groan, or I shall long and pray
That you may die: and you must not die yet.
Not yet-they told us we might live three days . . .
Two days for you to preach! Two days to speak
Words which may wake the dead!
. . . . .
Hush! is he sleeping?
They say that men have slept upon the cross;
So why not he? . . . Thanks, Lord! I hear him breathe:
And he will preach Thy word to-morrow!-save
Souls, crowds, for Thee! And they will know his worth
Years hence-poor things, they know not what they do!-
And crown him martyr; and his name will ring
Through all the shores of earth, and all the stars
Whose eyes are sparkling through their tears to see
His triumph-Preacher! Martyr!-Ah-and me?-
If they must couple my poor name with his,
Let them tell all the truth-say how I loved him,
And tried to damn him by that love! O Lord!
Returning good for evil! and was this
The payment I deserved for such a sin?
To hang here on my cross, and look at him
Until we kneel before Thy throne in heaven!
Eversley, 1852.
poem by Charles Kingsley
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The Blind Man’s Bride
I.
WHEN first, beloved, in vanish'd hours
The blind man sought thy love to gain,
They said thy cheek was bright as flowers
New freshen'd by the summer rain:
They said thy movements, swift yet soft,
Were such as make the wingéd dove
Seem, as it gently soars aloft,
The image of repose and love.
II.
They told me, too, an eager crowd
Of wooers praised thy beauty rare,
But that thy heart was all too proud
A common love to meet or share.
Ah! thine was neither pride nor scorn,
But in thy coy and virgin breast
Dwelt preference, not of PASSION born,
The love that hath a holier rest!
III.
Days came and went;--thy step I heard
Pause frequent, as it pass'd me by:--
Days came and went;--thy heart was stirr'd,
And answer'd to my stifled sigh!
And thou didst make a humble choice,
Content to be the blind man's bride,
Who loved thee for thy gentle voice,
And own'd no joy on earth beside.
IV.
And well by that sweet voice I knew
(Without the happiness of sight)
Thy years, as yet, were glad and few,--
Thy smile, most innocently bright:
I knew how full of love's own grace
The beauty of thy form must be;
And fancy idolized the face
Whose loveliness I might not see!
V.
Oh! happy were those days, beloved!
I almost ceased for light to pine
When thro' the summer vales we roved,
Thy fond hand gently link'd in mine.
Thy soft, 'Good night' still sweetly cheer'd
The unbroken darkness of my doom;
And thy 'Good morrow, love,' endear'd
Each sunrise that return'd in gloom!
VI.
At length, as years roll'd swiftly on,
They spoke to me of Time's decay--
Of roses from thy smooth cheek gone,
And ebon ringlets turn'd to grey.
Ah! then I bless'd the sightless eyes
Which could not feel the deepening shade,
Nor watch beneath succeeding skies
Thy withering beauty faintly fade.
VII.
I saw no paleness on thy cheek,
No lines upon thy forehead smooth,--
But still the BLIND MAN heard thee speak
In accents made to bless and soothe:
Still he could feel thy guiding hand
As thro' the woodlands wild we ranged,--
Still in the summer light could stand,
And know thy HEART and VOICE unchanged.
VIII.
And still, beloved, till life grows cold,
We'll wander 'neath a genial sky,
And only know that we are old
By counting happy years gone by:
For thou to me art still as fair
As when those happy years began,--
When first thou cam'st to soothe and share
The sorrows of a sightless man!
IX.
Old Time, who changes all below,
To wean men gently for the grave,
Hath brought us no increase of woe,
And leaves us all he ever gave:
For I am still a helpless thing,
Whose darken'd world is cheer'd by thee--
And thou art she whose beauty's spring
The blind man vainly yearn'd to see!
poem by Caroline Elizabeth Sarah Norton
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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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Madeline. A Domestic Tale
My child, my child, thou leav'st me!–I shall hear
The gentle voice no more that blest mine ear
With its first utterance; I shall miss the sound
Of thy light step amidst the flowers around,
And thy soft-breathing hymn at twilight's close,
And thy 'Good-night' at parting for repose.
Under the vine-leaves I shall sit alone,
And the low breeze will have a mournful tone
Amidst their tendrils, while I think of thee,
My child! and thou, along the moonlight sea,
With a soft sadness haply in thy glance,
Shalt watch thine own, thy pleasant land of France,
Fading to air.–Yet blessings with thee go!
Love guard thee, gentlest! and the exile's wo
From thy young heart be far! And sorrow not
For me, sweet daughter! in my lonely lot,
God shall be with me.–Now, farewell! farewell!
Thou that hast been what words may never tell
Unto thy mother's bosom, since the days
When thou wert pillow'd there, and wont to raise
In sudden laughter thence thy loving eye
That still sought mine:–these moments are gone by,
Thou too must go, my flower!–Yet with thee dwell
The peace of God!–One, one more gaze–farewell!'
This was a mother's parting with her child,
A young meek bride, on whom fair fortune smil'd,
And wooed her with a voice of love away
From childhood's home; yet there, with fond delay,
She linger'd on the threshold, heard the note
Of her cag'd bird thro' trellis'd rose-leaves float,
And fell upon her mother's neck, and wept,
Whilst old remembrances, that long had slept,
Gush'd o'er her soul, and many a vanish'd day,
As in one picture traced, before her lay.
But the farewell was said; and on the deep,
When its breast heav'd in sunset's golden sleep,
With a calm'd heart, young Madeline ere long,
Pour'd forth her own sweet solemn vesper-song,
Breathing of home: thro' stillness heard afar,
And duly rising with the first pale star,
That voice was on the waters; till at last
The sounding ocean-solitudes were pass'd,
And the bright land was reach'd, the youthful world
That glows along the West: the sails were furl'd
In its clear sunshine, and the gentle bride
Look'd on the home that promis'd hearts untried
A bower of bliss to come.–Alas! we trace
The map of our own paths, and long ere years
With their dull steps the brilliant lines efface,
On sweeps the storm, and blots them out with tears.
That home was darken'd soon: the summer breeze
Welcom'd with death the wanderers from the seas,
Death unto one, and anguish–how forlorn!
To her, that widow'd in her marriage-morn,
Sat in her voiceless dwelling, whence with him
Her bosom's first belov'd, her friend and guide,
Joy had gone forth, and left the green earth dim,
As from the sun shut out on every side,
By the close veil of misery!–Oh! but ill,
When with rich hopes o'erfraught, the young high heart
Bears its first blow!–it knows not yet the part
Which life will teach–to suffer and be still,
And with submissive love to count the flowers
Which yet are spared, and thro' the future hour;
To send no busy dream!–She had not learn'd
Of sorrow till that hour, and therefore turn'd
In weariness from life: then came th' unrest,
The heart-sick yearning of the exile's breast,
The haunting sounds of voices far away,
And household steps: until at last she lay
On her lone couch of sickness, lost in dreams
Of the gay vineyards and blue-rushing streams
In her own sunny land, and murmuring oft
Familiar names, in accents wild, yet soft,
To strangers round that bed, who knew not aught
Of the deep spells wherewith each word was fraught.
To strangers?–Oh! could strangers raise the head
Gently as hers was raised?–did strangers shed
The kindly tears which bath'd that feverish brow
And wasted cheek with half-unconscious flow?
Something was there, that thro' the lingering night
Outwatches patiently the taper's light,
Something that faints not thro' the day's distress,
That fears not toil, that knows not weariness;
Love, true, and perfect love!–Whence came that power,
Uprearing thro' the storm the drooping flower?
Whence?–who can ask?–the wild delirium pass'd,
And from her eyes the spirit look'd at last
Into her mother's face, and wakening knew
The brow's calm grace, the hair's dear silvery hue,
The kind sweet smile of old!–and had she come,
Thus in life's evening, from her distant home,
To save her child?–Ev'n so–nor yet in vain:
In that young heart a light sprung up again,
And lovely still, with so much love to give,
Seem'd this fair world, tho' faded; still to live
Was not to pine forsaken. On the breast
That rock'd her childhood, sinking in soft rest,
'Sweet mother! gentlest mother! can it be?'
The lorn one cried, 'and do I look on thee?
Take back thy wanderer from this fatal shore,
Peace shall be ours beneath our vines once more.'
poem by Felicia Dorothea Hemans
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To Ferdinand Seymour
ROSY child, with forehead fair,
Coral lip, and shining hair,
In whose mirthful, clever eyes
Such a world of gladness lies;
As thy loose curls idly straying
O'er thy mother's cheek, while playing,
Blend her soft lock's shadowy twine
With the glittering light of thine,--
Who shall say, who gazes now,
Which is fairest, she or thou?
In sweet contrast are ye met,
Such as heart could ne'er forget:
Thou art brilliant as a flower,
Crimsoning in the sunny hour;
Merry as a singing-bird,
In the green wood sweetly heard;
Restless as if fluttering wings
Bore thee on thy wanderings;
Ignorant of all distress,
Full of childhood's carelessness.
She is gentle; she hath known
Something of the echoed tone
Sorrow leaves, where'er it goes,
In this world of many woes.
On her brow such shadows are
As the faint cloud gives the star,
Veiling its most holy light,
Tho' it still be pure and bright;
And the colour in her cheek
To the hue on thine is weak,
Save when flush'd with sweet surprise,
Sudden welcomes light her eyes;
And her softly chisel'd face
(But for living, moving grace)
Looks like one of those which beam
In th' Italian painter's dream,--
Some beloved Madonna, bending
O'er the infant she is tending;
Holy, bright, and undefiled
Mother of the Heaven-born child;
Who, tho' painted strangely fair,
Seems but made for holy prayer,
Pity, tears, and sweet appeal,
And fondness such as angels feel;
Baffling earthly passion's sigh
With serenest majesty!
Oh! may those enshrouded years
Whose fair dawn alone appears,--
May that brightly budding life,
Knowing yet not sin nor strife,--
Bring its store of hoped-for joy,
Mother, to thy laughing boy!
And the good thou dost impart
Lies deep-treasured in his heart,
That, when he at length shall strive
In the bad world where we live,
THY sweet name may still be blest
As one who taught his soul true rest!
poem by Caroline Elizabeth Sarah Norton
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A Destiny
I.
THERE was a lady, who had early wed
One whom she saw and lov'd in her bright youth,
When life was yet untried--and when he said
He, too, lov'd her, he spoke no more than truth;
He lov'd as well as baser natures can,--
But a mean heart and soul were in that man.
II.
And they dwelt happily, if happy be
Not with harsh words to breed unnatural strife:
The cold world's Argus-watching failed to see
The flaw that dimm'd the lustre of their life;
Save that he seem'd tyrannical, tho' gay,
Restless and selfish in his love of sway.
III.
The calm of conscious power was not in him;
But rather, struggling into broader light,
The secret sense, they feel, however dim,
Whose chance position gives a sort of right
(As from the height of a prescriptive throne,)
To govern natures nobler than their own.
IV.
And as her youth waned slowly on, there fell
A nameless shadow on that lady's heart;
And those she lov'd the best (and she lov'd well),
Had of her confidence nor share, nor part;
Her thoughts lay folded from Life's lessening light,
Like the sweet flowers which close themselves at night.
V.
And men began to whisper evil things
Against the honour of her wedded mate;
That which had pass'd for youth's wild wanderings,
Showed more suspicious in his settled state;
Until at length,--he stood, at some chance game,
Discover'd,--branded with a Cheater's name.
VI.
Out, and away he slunk, with felon air;
Then, calling to him one who was his friend,
Bid him to that unblemish'd wife repair
And tell her what had chanced, and what the end;
How they must leave the country of their birth,
And hide,--in some more distant spot of earth.
VII.
It was a coward's thought: he could not bear
Himself to be narrator of his shame;
He that had trampled oft, now felt in fear
Of her who still must keep his blighted name,--
And shrank in fancy from that steadfast eye,
The window to a soul so pure and high.
VIII.
She heard it. O'er her brow there pass'd a flush
Of sunset red; and then so white a hue,
So deadly pale, it seem'd as if no blush
Through that transparent cheek should shine anew;
As if the blood had frozen in that hour,
And her check'd pulse for ever lost its power.
IX.
And twice and once did she essay to speak;
And with a gesture almost of command,
(Though in its motion it was deadly weak)
She faintly lifted up her graceful hand:--
But then her soul came back to her, strength woke,
And with a low but even voice, she spoke:
X.
'Go! say to him who dream'd of other chance,
That HERE none sit in judgment on his sin;
That to his door the world's scorn may advance,
And cloud his path, but doth not enter in.
Here dwell his Own: to share, to soothe disgrace;'--
Which having said, she cover'd up her face,
XI.
And, as he left her, sank in bitter prayer,--
If prayer that may be term'd which comes to all,
That sudden gushing of our vain despair,
When none but God can hear or heed our call;
And the wreck'd soul feels, in its helpless hour,
Where only dwells full mercy with full power.
XII.
And he came home, a crush'd and humbled wretch;
Whom when she saw, she but this comfort found,
In her kind arms that shrinking form to catch,
Which tenderly about his neck she wound,
As in the first proud days of love and trust,
E'er yet his reckless head was bow'd in dust!
XIII.
And they departed to a distant shore;
But wheresoe'er they dwelt, however lone,
Shame, like a marble statue at his door,
Flung her 'thwart shadow o'er his threshold stone;
Still darken'd all their daylight hours, and kept
Cold watch above them even while they slept.
XIV.
And there was no more love between those two!
It died not in the shock of that dark hour--
Such shocks destroy not love, whose purple hue
Fades rather, like some autumn-wither'd flower,
Which day by day along the ruin'd walk
We see--then miss it from the sapless stalk;
XV.
And, while it fadeth, oft with gentle hand
Doth memory turn to life's dark journal-book;
And, passing foul misdeeds, intently stand
On its first page of glorious hope to look;
Weeping she reads,--and, seeing all so fair,
Pleads hard for what we are, by what we were!
XVI.
So through that hour love lived; and, though in part
'Twas one of most unutterable pain,
It had its sweetness too, and told her heart
All she could do, and all she could sustain;
The holy love of woman buoy'd her up,
And God gave strength to drink the bitter cup.
XVII.
But when, as days crept on, she saw him still
Less grateful than abash'd beneath her eye,
And studying not how best to banish ill,
But what he might conceal and what deny,
Her soul revolted, and conceived a scorn,
Sinful and harsh, although of virtue born.
XVIII.
And oft she pray'd, with earnestness and pain,
That heaven would bid that proud contempt depart,
And wept to find the prayer and effort vain,
Though it was breathed in agony of heart--
Vain as the murmur of 'Thy will be done,'
Breathed by the death-bed of an only son!
XIX.
For when her children err'd (as children will)
A sickening terror smote her heart with fears,
And scarce she measured the degree of ill,
Or made indulgence for their tender years;
They were HIS children; and the chance of shame
Kept watch for those who bore that father's name.
XX.
And, thinking thus, reproof would take a tone
So strangely passionate, severe, and wild--
So deeply alter'd,--so unlike her own,--
It stung and terrified her startled child,
Whose innate sense of justice seem'd to show
Him over-chidden, being chidden so.
XXI.
And then a gush of mother's love would swell
Her grieving heart,--and she would fondly press
The young offending head she loved so well
Close to her own, with many a soft caress,
Whose reconciling sweetness all in vain
Stopp'd her boy's tears, while her's ran down like rain.
XXII.
The world (which still pronounces from the show
Of outward things) whisper'd and talk'd of this;
Erring and obstinate, its crowds ne'er know
How much in judging they may judge amiss,
Or how much agony and broken peace
May lie beneath the seeming of caprice!
XXIII.
But he, her husband (for he was not dull),
Saw through these workings of a troubled mind,
And, that her cup of sorrow might be full,
He taunted her with words and looks unkind,
Which with a patient bowing of the heart
She took--like one resolved to do her part.
XXIV.
And years stole on (for years go by like days,
Leaving but scatter'd hours to mark their course),
And brightness faded from that lady's gaze,
And her cheek hollow'd, and her step lost force,
Till it was plain to even a careless eye
That she was doom'd, before her time, to die.
XXV.
She died, as she had lived, her secret soul
Shut from the sweet communion of true friends;
Her words, though not her thoughts, she could control,
And still with calm respect his name she blends:
They all stood round her whom she call'd her Own,
And saw her die--yet was that death-bed lone!
XXVI.
But in its darkest hour her thoughts were stirr'd,
And something falter'd from her dying tongue,
Mournful and tender--half pronounced, half heard--
For which he was too base--his boys too young;
So whatso'er the warning faintly given,
It lay between her parting soul and Heaven.
XXVII.
He wept for her--ah! who would not have wept
To see that worn face in its pallid shroud,
Proving how much she suffer'd ere she slept
At peace for ever! Violent and loud
Was the outbreaking of his sudden grief,
And, like all feelings in that heart, 'twas brief.
XXVIII.
And something strange pass'd o'er his soul instead,
When thinking upon her whom he had lost,
Almost like a relief that she was dead:--
She, whose high nature scorn'd his fault the most,
And show'd it least,--had vanish'd from the earth,
And none could check his sin, or shame his mirth.
XXIX.
So he return'd to many an evil way,
Like one who strays when guiding light is gone;
And mid the profligate, miscall'd 'the gay,'
Crept to a slippery place--his tale half known--
Ill look'd on, yet endured--the useful tool
Of every bolder knave, or richer fool.
XXX.
And his two sons in careless beauty grew,
Like wild-flowers in his path: he mark'd them not,
Nor reck'd he what they needed, learnt, or knew,
Or what might be on earth their future lot;
But they died young--which is a thought of rest!
Unscorn'd, untempted, undefiled--so best.
poem by Caroline Elizabeth Sarah Norton
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Sir Galahad, a Christmas Mystery
It is the longest night in all the year,
Near on the day when the Lord Christ was born;
Six hours ago I came and sat down here,
And ponder'd sadly, wearied and forlorn.
The winter wind that pass'd the chapel door,
Sang out a moody tune, that went right well
With mine own thoughts: I look'd down on the floor,
Between my feet, until I heard a bell
Sound a long way off through the forest deep,
And toll on steadily; a drowsiness
Came on me, so that I fell half asleep,
As I sat there not moving: less and less
I saw the melted snow that hung in beads
Upon my steel-shoes; less and less I saw
Between the tiles the bunches of small weeds:
Heartless and stupid, with no touch of awe
Upon me, half-shut eyes upon the ground,
I thought: O Galahad! the days go by,
Stop and cast up now that which you have found,
So sorely you have wrought and painfully.
Night after night your horse treads down alone
The sere damp fern, night after night you sit
Holding the bridle like a man of stone,
Dismal, unfriended: what thing comes of it?
And what if Palomydes also ride,
And over many a mountain and bare heath
Follow the questing beast with none beside?
Is he not able still to hold his breath
With thoughts of Iseult? doth he not grow pale
With weary striving, to seem best of all
To her, "as she is best," he saith? to fail
Is nothing to him, he can never fall.
For unto such a man love-sorrow is
So dear a thing unto his constant heart,
That even if he never win one kiss,
Or touch from Iseult, it will never part.
And he will never know her to be worse
Than in his happiest dreams he thinks she is:
Good knight, and faithful, you have 'scaped the curse
In wonderful-wise; you have great store of bliss.
Yea, what if Father Launcelot ride out,
Can he not think of Guenevere's arms, round
Warm and lithe, about his neck, and shout
Till all the place grows joyful with the sound?
And when he lists can often see her face,
And think, "Next month I kiss you, or next week,
And still you think of me": therefore the place
Grows very pleasant, whatsoever he seek.
But me, who ride alone, some carle shall find
Dead in my arms in the half-melted snow,
When all unkindly with the shifting wind,
The thaw comes on at Candlemas: I know
Indeed that they will say: "This Galahad
If he had lived had been a right good knight;
Ah! poor chaste body!" but they will be glad,
Not most alone, but all, when in their sight
That very evening in their scarlet sleeves
The gay-dress'd minstrels sing; no maid will talk
Of sitting on my tomb, until the leaves,
Grown big upon the bushes of the walk,
East of the Palace-pleasaunce, make it hard
To see the minster therefrom: well-a-day!
Before the trees by autumn were well bared,
I saw a damozel with gentle play,
Within that very walk say last farewell
To her dear knight, just riding out to find
(Why should I choke to say it?) the Sangreal,
And their last kisses sunk into my mind,
Yea, for she stood lean'd forward on his breast,
Rather, scarce stood; the back of one dear hand,
That it might well be kiss'd, she held and press'd
Against his lips; long time they stood there, fann'd
By gentle gusts of quiet frosty wind,
Till Mador de la porte a-going by,
And my own horsehoofs roused them; they untwined,
And parted like a dream. In this way I,
With sleepy face bent to the chapel floor,
Kept musing half asleep, till suddenly
A sharp bell rang from close beside the door,
And I leapt up when something pass'd me by,
Shrill ringing going with it, still half blind
I stagger'd after, a great sense of awe
At every step kept gathering on my mind,
Thereat I have no marvel, for I saw
One sitting on the altar as a throne,
Whose face no man could say he did not know,
And though the bell still rang, he sat alone,
With raiment half blood-red, half white as snow.
Right so I fell upon the floor and knelt,
Not as one kneels in church when mass is said,
But in a heap, quite nerveless, for I felt
The first time what a thing was perfect dread.
But mightily the gentle voice came down:
"Rise up, and look and listen, Galahad,
Good knight of God, for you will see no frown
Upon my face; I come to make you glad.
"For that you say that you are all alone,
I will be with you always, and fear not
You are uncared for, though no maiden moan
Above your empty tomb; for Launcelot,
"He in good time shall be my servant too,
Meantime, take note whose sword first made him knight,
And who has loved him alway, yea, and who
Still trusts him alway, though in all men's sight,
"He is just what you know, O Galahad,
This love is happy even as you say,
But would you for a little time be glad,
To make ME sorry long, day after day?
"Her warm arms round his neck half throttle ME,
The hot love-tears burn deep like spots of lead,
Yea, and the years pass quick: right dismally
Will Launcelot at one time hang his head;
"Yea, old and shrivell'd he shall win my love.
Poor Palomydes fretting out his soul!
Not always is he able, son, to move
His love, and do it honour: needs must roll
"The proudest destrier sometimes in the dust,
And then 'tis weary work; he strives beside
Seem better than he is, so that his trust
Is always on what chances may betide;
"And so he wears away, my servant, too,
When all these things are gone, and wretchedly
He sits and longs to moan for Iseult, who
Is no care now to Palomydes: see,
"O good son, Galahad, upon this day,
Now even, all these things are on your side,
But these you fight not for; look up, I say,
And see how I can love you, for no pride
"Closes your eyes, no vain lust keeps them down.
See now you have ME always; following
That holy vision, Galahad, go on,
Until at last you come to ME to sing
"In Heaven always, and to walk around
The garden where I am." He ceased, my face
And wretched body fell upon the ground;
And when I look'd again, the holy place
Was empty; but right so the bell again
Came to the chapel-door, there entered
Two angels first, in white, without a stain,
And scarlet wings, then, after them, a bed
Four ladies bore, and set it down beneath
The very altar-step, and while for fear
I scarcely dared to move or draw my breath,
Those holy ladies gently came a-near,
And quite unarm'd me, saying: "Galahad,
Rest here awhile and sleep, and take no thought
Of any other thing than being glad;
Hither the Sangreal will be shortly brought,
"Yet must you sleep the while it stayeth here."
Right so they went away, and I, being weary,
Slept long and dream'd of Heaven: the bell comes near,
I doubt it grows to morning. Miserere!
[Enter Two Angels in white, with scarlet wings; also, Four Ladies in gowns of red and green; also an Angel, bearing in his hands a surcoat of white, with a red cross.]
AN ANGEL
O servant of the high God, Galahad!
Rise and be arm'd: the Sangreal is gone forth
Through the great forest, and you must be had
Unto the sea that lieth on the north:
There shall you find the wondrous ship wherein
The spindles of King Solomon are laid,
And the sword that no man draweth without sin,
But if he be most pure: and there is stay'd,
Hard by, Sir Launcelot, whom you will meet
In some short space upon that ship: first, though,
Will come here presently that lady sweet,
Sister of Percival, whom you well know,
And with her Bors and Percival: stand now,
These ladies will to arm you.
[FIRST LADY, putting on the hauberk]
Galahad,
That I may stand so close beneath your brow,
Margaret of Antioch, am glad.
[SECOND LADY, girding him with the sword.]
That I may stand and touch you with my hand,
O Galahad, I, Cecily, am glad.
[THIRD LADY, buckling on the spurs.]
That I may kneel while up above you stand,
And gaze at me, O holy Galahad,
I, Lucy, am most glad.
[FOURTH LADY, putting on the basnet.]
O gentle knight,
That you bow down to us in reverence,
We are most glad, I, Katherine, with delight
Must needs fall trembling.
[ANGEL, putting on the crossed surcoat.]
Galahad, we go hence,
For here, amid the straying of the snow,
Come Percival's sister, Bors, and Percival.
[The Four Ladies carry out the bed, and all go but Galahad.]
GALAHAD.
How still and quiet everything seems now:
They come, too, for I hear the horsehoofs fall.
[Enter Sir Bors, Sir Percival and his Sister.]
Fair friends and gentle lady, God you save!
A many marvels have been here to-night;
Tell me what news of Launcelot you have,
And has God's body ever been in sight?
SIR BORS.
Why, as for seeing that same holy thing,
As we were riding slowly side by side,
An hour ago, we heard a sweet voice sing,
And through the bare twigs saw a great light glide,
With many-colour'd raiment, but far off;
And so pass'd quickly: from the court nought good;
Poor merry Dinadan, that with jape and scoff
Kept us all merry, in a little wood
Was found all hack'd and dead: Sir Lionel
And Gauwaine have come back from the great quest,
Just merely shamed; and Lauvaine, who loved well
Your father Launcelot, at the king's behest
Went out to seek him, but was almost slain,
Perhaps is dead now; everywhere
The knights come foil'd from the great quest, in vain;
In vain they struggle for the vision fair.
poem by William Morris
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The Future.
I WAS a laughing child, and gaily dwelt
Where murmuring brooks, and dark blue rivers roll'd,
And shadowy trees outspread their silent arms,
To welcome all the weary to their rest.
And there an antique castle rais'd its head,
Where dwelt a fair and fairy girl: perchance
Two summers she had seen beyond my years;
And all she said or did, was said and done
With such a light and airy sportiveness,
That oft I envied her, for I was poor,
And lowly, and to me her fate did seem
Fraught with a certainty of happiness.
Years past; and she was wed against her will,
To one who sought her for the gold she brought,
And they did vex and wound her gentle spirit,
Till madness took the place of misery.
And oft I heard her low, soft, gentle song,
Breathing of early times with mournful sound,
Till I could weep to hear, and thought how sad.
The envied future of her life had prov'd.
And then I grew a fond and thoughtful girl,
Loving, and deeming I was lov'd again:
But he that won my easy heart, full soon
Turn'd to another:-she might be more fair,
But could not love him better. And I wept,
Day after day, till weary grew my spirit,
With fancying how happy she must be
Whom he had chosen-yet she was not so;
For he she wedded, loved her for a time,
And then he changed, even as he did to me,
Though something later; and he sought another
To please his fancy, far away from home.
And he was kind: oh, yes! he still was kind.
It vex'd her more; for though she knew his love
Had faded like the primrose after spring,
Yet there was nothing which she might complain,
Had cause to grieve her; he was gentle still.
She would have given all the store she had,
That he would but be angry for an hour,
That she might come and soothe his wounded spirit,
And lay her weeping head upon his bosom,
And say, how freely she forgave her wrongs:
But still, with calm, cold kindness he pursued
(Kindness, the mockery of departed love!)
His way-and then she died, the broken-hearted;
And I thanked heaven, who gave me not her lot,
Though I had wish'd it.
Again, I was a wife, a happy wife;
And he I loved was still unchangeable,
And kind, and true, and loved me from his soul;
But I was childless, and my lonely heart
Yearned for an image of my heart's beloved,
A something which should be my 'future' now
That I had so much of my life gone by;
Something to look to after I should go,
And all except my memory be past.
There was a child, a little rosy thing,
With sunny eyes, and curled and shining hair,
That used to play among the daisy flowers,
Looking as innocent and fair as they;
And sail its little boat upon the stream,
Gazing with dark blue eyes in the blue waters,
And singing in its merriment of heart
All the bright day: and when the sun was setting,
It came unbid to its glad mother's side,
To lisp with holy look its evening prayer:
And, kneeling on the green and flowery ground,
At the sweet cottage door-he fixed his eyes
For some short moments on her tranquil face,
As if she was his guiding star to God;
And then with young, meek, innocent brow upraised,
Spoke the slow words with lips that longed to smile,
But dared not. Oh! I loved that child with all
A mother's fondest love; and, as he grew
More and more beautiful from day to day,
The half-involuntary sigh I gave
Spoke but too plain the wish that he were mine-
My child-my own. And in my solitude,
Often I clasped my hands and thought of him,
And looked with mournful and reproachful gaze
To heaven, which had denied me such a one.
Years past: the child became a rebel boy;
The boy a wild, untamed, and passionate youth;
The youth a man-but such a man! so fierce,
So wild, so headlong, and so haughty too,
So cruel in avenging any wrongs,
So merciless when he had half avenged them!
At length his hour had come-a deed of blood,
Of murder, was upon his guilty soul.
He stood in that same spot, by his sweet home,
The same blue river flowing by his feet,
(Whose stream might never wash his guilt away
The same green hills, and mossy sloping banks,
Where the bright sun was smiling as of yore:
With pallid cheek and dark and sullen brow,
The beautiful and lost; you might have deemed
That Satan, newly banished, stood and gazed
On the bright scenery of an infant world.
For, fallen as he was, his Maker's hand
Had stamped him beauteous, and he was so still.
And his eyes turned from off his early home
With something like a shudder; and they lighted
On his poor broken-hearted mother's grave.
And there was something in them of old times,
Ere sin had darkened o'er their tranquil blue,
In that most mournful look-that made me weep;
'For I had gazed on him with fear and anguish
Till now. And, 'weep for her,' my favourite said,
For she was good-I murdered her-I killed
Many that harmed me not.' And still he spoke
In a low, listless voice; and forms came round
Who dragged him from us. I remember not
What followed then. But on another day,
There was a crowd collected, and a cart
Slowly approached to give to shameful death
Its burden; and there was a prayer, and silence,
Silence like that of death. And then a murmur!
And all was over. And I groaned, and turned
To where his poor old father had been sitting;
And there he sate, still with his feeble limbs
And palsied head, and dim and watery eyes,
Gazing up at the place where was his son;
And with a shuddering touch I sought to rouse him,
But could not, for the poor old man was dead.
And then I flung myself upon the ground,
And mingled salt tears with the evening dew;
And thanked my God that he was not my son;
And that I was a childless, lonely wife.
To-morrow I will tell thee all that now
Remains to tell-but I am old and feeble.
And cannot speak for tears.
She rose and went,
But she returned no more. The morrow came,
But not to her;-the tale of life was finished,
Not by her lips, for she had ceased to breath.
But, by this silent warning joined to hers,
How little we may count upon the future,
Or reckon what that future may bring forth!
poem by Caroline Elizabeth Sarah Norton
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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans
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The Defence of Guenevere
But, learning now that they would have her speak,
She threw her wet hair backward from her brow,
Her hand close to her mouth touching her cheek,
As though she had had there a shameful blow,
And feeling it shameful to feel ought but shame
All through her heart, yet felt her cheek burned so,
She must a little touch it; like one lame
She walked away from Gauwaine, with her head
Still lifted up; and on her cheek of flame
The tears dried quick; she stopped at last and said:
"O knights and lords, it seems but little skill
To talk of well-known things past now and dead.
"God wot I ought to say, I have done ill,
And pray you all forgiveness heartily!
Because you must be right, such great lords--still
"Listen, suppose your time were come to die,
And you were quite alone and very weak;
Yea, laid a dying while very mightily
"The wind was ruffling up the narrow streak
Of river through your broad lands running well:
Suppose a hush should come, then some one speak:
" 'One of these cloths is heaven, and one is hell,
Now choose one cloth for ever; which they be,
I will not tell you, you must somehow tell
" 'Of your own strength and mightiness; here, see!'
Yea, yea, my lord, and you to ope your eyes,
At foot of your familiar bed to see
"A great God's angel standing, with such dyes,
Not known on earth, on his great wings, and hands
Held at two ways, light from the inner skies
"Showing him well, and making his commands
Seem to be God's commands, moreover, too,
Holding within his hands the cloths on wands;
"And one of these strange choosing cloths was blue,
Wavy and long, and one cut short and red;
No man could tell the better of the two.
"After a shivering half-hour you said:
'God help! heaven's colour, the blue;' and he said: 'hell.'
Perhaps you then would roll upon your bed,
"And cry to all good men that loved you well,
'Ah Christ! if only I had known, known, known;'
Launcelot went away, then I could tell,
"Like wisest man how all things would be, moan,
And roll and hurt myself, and long to die,
And yet fear much to die for what was sown.
"Nevertheless you, O Sir Gauwaine, lie,
Whatever may have happened through these years,
God knows I speak truth, saying that you lie."
Her voice was low at first, being full of tears,
But as it cleared, it grew full loud and shrill,
Growing a windy shriek in all men's ears,
A ringing in their startled brains, until
She said that Gauwaine lied, then her voice sunk,
And her great eyes began again to fill,
Though still she stood right up, and never shrunk,
But spoke on bravely, glorious lady fair!
Whatever tears her full lips may have drunk,
She stood, and seemed to think, and wrung her hair,
Spoke out at last with no more trace of shame,
With passionate twisting of her body there:
"It chanced upon a day that Launcelot came
To dwell at Arthur's court: at Christmas time
This happened; when the heralds sung his name,
" 'Son of King Ban of Benwick,' seemed to chime
Along with all the bells that rang that day,
O'er the white roofs, with little change of rhyme.
"Christmas and whitened winter passed away,
And over me the April sunshine came,
Made very awful with black hail-clouds, yea
"And in the Summer I grew white with flame,
And bowed my head down--Autumn, and the sick
Sure knowledge things would never be the same,
"However often Spring might be most thick
Of blossoms and buds, smote on me, and I grew
Careless of most things, let the clock tick, tick,
"To my unhappy pulse, that beat right through
My eager body; while I laughed out loud,
And let my lips curl up at false or true,
"Seemed cold and shallow without any cloud.
Behold my judges, then the cloths were brought;
While I was dizzied thus, old thoughts would crowd,
"Belonging to the time ere I was bought
By Arthur's great name and his little love;
Must I give up for ever then, I thought,
"That which I deemed would ever round me move
Glorifying all things; for a little word,
Scarce ever meant at all, must I now prove
"Stone-cold for ever? Pray you, does the Lord
Will that all folks should be quite happy and good?
I love God now a little, if this cord
"Were broken, once for all what striving could
Make me love anything in earth or heaven?
So day by day it grew, as if one should
"Slip slowly down some path worn smooth and even,
Down to a cool sea on a summer day;
Yet still in slipping there was some small leaven
"Of stretched hands catching small stones by the way,
Until one surely reached the sea at last,
And felt strange new joy as the worn head lay
"Back, with the hair like sea-weed; yea all past
Sweat of the forehead, dryness of the lips,
Washed utterly out by the dear waves o'ercast,
"In the lone sea, far off from any ships!
Do I not know now of a day in Spring?
No minute of that wild day ever slips
"From out my memory; I hear thrushes sing,
And wheresoever I may be, straightway
Thoughts of it all come up with most fresh sting:
"I was half mad with beauty on that day,
And went without my ladies all alone,
In a quiet garden walled round every way;
"I was right joyful of that wall of stone,
That shut the flowers and trees up with the sky,
And trebled all the beauty: to the bone,
"Yea right through to my heart, grown very shy
With weary thoughts, it pierced, and made me glad;
Exceedingly glad, and I knew verily,
"A little thing just then had made me mad;
I dared not think, as I was wont to do,
Sometimes, upon my beauty; if I had
"Held out my long hand up against the blue,
And, looking on the tenderly darken'd fingers,
Thought that by rights one ought to see quite through,
"There, see you, where the soft still light yet lingers,
Round by the edges; what should I have done,
If this had joined with yellow spotted singers,
"And startling green drawn upward by the sun?
But shouting, loosed out, see now! all my hair,
And trancedly stood watching the west wind run
"With faintest half-heard breathing sound--why there
I lose my head e'en now in doing this;
But shortly listen--in that garden fair
"Came Launcelot walking; this is true, the kiss
Wherewith we kissed in meeting that spring day,
I scarce dare talk of the remember'd bliss,
"When both our mouths went wandering in one way,
And aching sorely, met among the leaves;
Our hands being left behind strained far away.
"Never within a yard of my bright sleeves
Had Launcelot come before--and now, so nigh!
After that day why is it Guenevere grieves?
"Nevertheless you, O Sir Gauwaine, lie,
Whatever happened on through all those years,
God knows I speak truth, saying that you lie.
"Being such a lady could I weep these tears
If this were true? A great queen such as I
Having sinn'd this way, straight her conscience sears;
"And afterwards she liveth hatefully,
Slaying and poisoning, certes never weeps,--
Gauwaine, be friends now, speak me lovingly.
"Do I not see how God's dear pity creeps
All through your frame, and trembles in your mouth?
Remember in what grave your mother sleeps,
"Buried in some place far down in the south,
Men are forgetting as I speak to you;
By her head sever'd in that awful drouth
"Of pity that drew Agravaine's fell blow,
I pray your pity! let me not scream out
For ever after, when the shrill winds blow
"Through half your castle-locks! let me not shout
For ever after in the winter night
When you ride out alone! in battle-rout
"Let not my rusting tears make your sword light!
Ah! God of mercy, how he turns away!
So, ever must I dress me to the fight;
"So--let God's justice work! Gauwaine, I say,
See me hew down your proofs: yea, all men know
Even as you said how Mellyagraunce one day,
"One bitter day in la Fausse Garde, for so
All good knights held it after, saw--
Yea, sirs, by cursed unknightly outrage; though
"You, Gauwaine, held his word without a flaw,
This Mellyagraunce saw blood upon my bed--
Whose blood then pray you? is there any law
"To make a queen say why some spots of red
Lie on her coverlet? or will you say:
`Your hands are white, lady, as when you wed,
" `Where did you bleed?' and I must stammer out: 'Nay,
I blush indeed, fair lord, only to rend
My sleeve up to my shoulder, where there lay
" `A knife-point last night:' so must I defend
The honour of the lady Guenevere?
Not so, fair lords, even if the world should end
"This very day, and you were judges here
Instead of God. Did you see Mellyagraunce
When Launcelot stood by him? what white fear
"Curdled his blood, and how his teeth did dance,
His side sink in? as my knight cried and said:
'Slayer of unarm'd men, here is a chance!
" `Setter of traps, I pray you guard your head,
By God I am so glad to fight with you,
Stripper of ladies, that my hand feels lead
" `For driving weight; hurrah now! draw and do,
For all my wounds are moving in my breast,
And I am getting mad with waiting so.'
"He struck his hands together o'er the beast,
Who fell down flat and grovell'd at his feet,
And groan'd at being slain so young `at least.'
"My knight said: `Rise you, sir, who are so fleet
At catching ladies, half-arm'd will I fight,
My left side all uncover'd!' then I weet,
"Up sprang Sir Mellyagraunce with great delight
Upon his knave's face; not until just then
Did I quite hate him, as I saw my knight
"Along the lists look to my stake and pen
With such a joyous smile, it made me sigh
From agony beneath my waist-chain, when
"The fight began, and to me they drew nigh;
Ever Sir Launcelot kept him on the right,
And traversed warily, and ever high
"And fast leapt caitiff's sword, until my knight
Sudden threw up his sword to his left hand,
Caught it, and swung it; that was all the fight,
"Except a spout of blood on the hot land;
For it was hottest summer; and I know
I wonder'd how the fire, while I should stand,
"And burn, against the heat, would quiver so,
Yards above my head; thus these matters went;
Which things were only warnings of the woe
"That fell on me. Yet Mellyagraunce was shent,
For Mellyagraunce had fought against the Lord;
Therefore, my lords, take heed lest you be blent
"With all this wickedness; say no rash word
Against me, being so beautiful; my eyes,
Wept all away to grey, may bring some sword
"To drown you in your blood; see my breast rise,
Like waves of purple sea, as here I stand;
And how my arms are moved in wonderful wise,
"Yea also at my full heart's strong command,
See through my long throat how the words go up
In ripples to my mouth; how in my hand
"The shadow lies like wine within a cup
Of marvellously colour'd gold; yea now
This little wind is rising, look you up,
"And wonder how the light is falling so
Within my moving tresses: will you dare
When you have looked a little on my brow,
"To say this thing is vile? or will you care
For any plausible lies of cunning woof,
When you can see my face with no lie there
"For ever? am I not a gracious proof--
'But in your chamber Launcelot was found'--
Is there a good knight then would stand aloof,
"When a queen says with gentle queenly sound:
'O true as steel, come now and talk with me,
I love to see your step upon the ground
" 'Unwavering, also well I love to see
That gracious smile light up your face, and hear
Your wonderful words, that all mean verily
" 'The thing they seem to mean: good friend, so dear
To me in everything, come here to-night,
Or else the hours will pass most dull and drear;
" 'If you come not, I fear this time I might
Get thinking over much of times gone by,
When I was young, and green hope was in sight:
" 'For no man cares now to know why I sigh;
And no man comes to sing me pleasant songs,
Nor any brings me the sweet flowers that lie
" 'So thick in the gardens; therefore one so longs
To see you, Launcelot; that we may be
Like children once again, free from all wrongs
" 'Just for one night.' Did he not come to me?
What thing could keep true Launcelot away
If I said, 'Come?' There was one less than three
"In my quiet room that night, and we were gay;
Till sudden I rose up, weak, pale, and sick,
Because a bawling broke our dream up, yea
"I looked at Launcelot's face and could not speak,
For he looked helpless too, for a little while;
Then I remember how I tried to shriek,
"And could not, but fell down; from tile to tile
The stones they threw up rattled o'er my head
And made me dizzier; till within a while
"My maids were all about me, and my head
On Launcelot's breast was being soothed away
From its white chattering, until Launcelot said--
"By God! I will not tell you more to-day,
Judge any way you will--what matters it?
You know quite well the story of that fray,
"How Launcelot still'd their bawling, the mad fit
That caught up Gauwaine--all, all, verily,
But just that which would save me; these things flit.
"Nevertheless you, O Sir Gauwaine, lie,
Whatever may have happen'd these long years,
God knows I speak truth, saying that you lie!
"All I have said is truth, by Christ's dear tears."
She would not speak another word, but stood
Turn'd sideways; listening, like a man who hears
His brother's trumpet sounding through the wood
Of his foes' lances. She lean'd eagerly,
And gave a slight spring sometimes, as she could
At last hear something really; joyfully
Her cheek grew crimson, as the headlong speed
Of the roan charger drew all men to see,
The knight who came was Launcelot at good need.
poem by William Morris
Submitted by Poetry Lover
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The Kaiser's Feast
The Kaiser feasted in his hall,
The red wine mantled high;
Banners were trembling on the wall,
To the peals of minstrelsy:
And many a gleam and sparkle came
From the armour hung around,
As it caught the glance of the torch's flame,
Or the hearth with pine-boughs crown'd.
Why fell there silence on the chord
Beneath the harper's hand?
And suddenly, from that rich board,
Why rose the wassail-band?
The strings were hush'd–the knights made way
For the queenly mother's tread,
As up the hall, in dark array,
Two fair-hair'd boys she led.
She led them even to the Kaiser's place,
And still before him stood;
Till, with strange wonder, o'er his face
Flush'd the proud warrior-blood:
And 'Speak, my mother! speak!' he cried,
'Wherefore this mourning vest?
And the clinging children by thy side,
In weeds of sadness drest?'
'Well may a mourning vest be mine,
And theirs, my son, my son!
Look on the features of thy line
In each fair little one!
Tho' grief awhile within their eyes
Hath tamed the dancing glee,
Yet there thine own quick spirit lies–
Thy brother's children see!
'And where is he, thy brother, where?
He, in thy home that grew,
And smiling, with his sunny hair,
Ever to greet thee flew?
How would his arms thy neck entwine,
His fond lips press thy brow!
My son! oh, call these orphans thine–
Thou hast no brother now!
'What! from their gentle eyes doth nought
Speak of thy childhood's hours,
And smite thee with a tender thought
Of thy dead father's towers?
Kind was thy boyish heart and true,
When rear'd together there,
Thro' the old woods like fawns ye flew–
Where is thy brother–where?
'Well didst thou love him then, and he
Still at thy side was seen!
How is it that such things can be
As tho' they ne'er had been?
Evil was this world's breath, which came
Between the good and brave!
Now must the tears of grief and shame
Be offer'd to the grave.
'And let them, let them there be pour'd!
Though all unfelt below,
Thine own wrung heart, to love restor'd,
Shall soften as they flow.
Oh! death is mighty to make peace;
Now bid his work be done!
So many an inward strife shall cease–
Take, take these babes, my son!'
His eye was dimm'd–the strong man shook
With feelings long suppress'd;
Up in his arms the boys he took,
And strain'd them to his breast.
And a shout from all in the royal hall
Burst forth to hail the sight;
And eyes were wet, midst the brave that met
At the Kaiser's feast that night.
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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Mother And Son
Now sleeps the land of houses,
and dead night holds the street,
And there thou liest, my baby,
and sleepest soft and sweet;
My man is away for awhile,
but safe and alone we lie,
And none heareth thy breath but thy mother,
and the moon looking down from the sky
On the weary waste of the town,
as it looked on the grass-edged road
Still warm with yesterday’s sun,
when I left my old abode;
Hand in hand with my love,
that night of all nights in the year;
When the river of love o’erflowed
and drowned all doubt and fear,
And we two were alone in the world,
and once if never again,
We knew of the secret of earth
and the tale of its labour and pain.
Lo amidst London I lift thee,
and how little and light thou art,
And thou without hope or fear
thou fear and hope of my heart!
Lo here thy body beginning,
O son, and thy soul and thy life;
But how will it be if thou livest,
and enterest into the strife,
And in love we dwell together
when the man is grown in thee,
When thy sweet speech I shall hearken,
and yet ’twixt thee and me
Shall rise that wall of distance,
that round each one doth grow,
And maketh it hard and bitter
each other’s thought to know.
Now, therefore, while yet thou art little
and hast no thought of thine own,
I will tell thee a word of the world;
of the hope whence thou hast grown;
Of the love that once begat thee,
of the sorrow that hath made
Thy little heart of hunger,
and thy hands on my bosom laid.
Then mayst thou remember hereafter,
as whiles when people say
All this hath happened before
in the life of another day;
So mayst thou dimly remember
this tale of thy mother’s voice,
As oft in the calm of dawning
I have heard the birds rejoice,
As oft I have heard the storm-wind
go moaning through the wood;
And I knew that earth was speaking,
and the mother’s voice was good.
Now, to thee alone will I tell it
that thy mother’s body is fair,
In the guise of the country maidens
Who play with the sun and the air;
Who have stood in the row of the reapers
in the August afternoon,
Who have sat by the frozen water
in the high day of the moon,
When the lights of the Christmas feasting
were dead in the house on the hill,
And the wild geese gone to the salt-marsh
had left the winter still.
Yea, I am fair, my firstling;
if thou couldst but remember me!
The hair that thy small hand clutcheth
is a goodly sight to see;
I am true, but my face is a snare;
soft and deep are my eyes,
And they seem for men’s beguiling
fulfilled with the dreams of the wise.
Kind are my lips, and they look
as though my soul had learned
Deep things I have never heard of,
my face and my hands are burned
By the lovely sun of the acres;
three months of London town
And thy birth-bed have bleached them indeed,
“But lo, where the edge of the gown”
(So said thy father) “is parting
the wrist that is white as the curd
From the brown of the hand that I love,
bright as the wing of a bird.”
Such is thy mother, O firstling,
yet strong as the maidens of old,
Whose spears and whose swords were the warders
of homestead, of field and of fold.
Oft were my feet on the highway,
often they wearied the grass;
From dusk unto dusk of the summer
three times in a week would I pass
To the downs from the house on the river
through the waves of the blossoming corn.
Fair then I lay down in the even,
and fresh I arose on the morn,
And scarce in the noon was I weary.
Ah, son, in the days of thy strife,
If thy soul could but harbour a dream
of the blossom of my life!
It would be as the sunlit meadows
beheld from a tossing sea,
And thy soul should look on a vision
of the peace that is to be.
Yet, yet the tears on my cheek!
and what is this doth move
My heart to thy heart, beloved,
save the flood of yearning love?
For fair and fierce is thy father,
and soft and strange are his eyes
That look on the days that shall be
with the hope of the brave and the wise.
It was many a day that we laughed,
as over the meadows we walked,
And many a day I hearkened
and the pictures came as he talked;
It was many a day that we longed,
and we lingered late at eve
Ere speech from speech was sundered,
and my hand his hand could leave.
Then I wept when I was alone,
and I longed till the daylight came;
And down the stairs I stole,
and there was our housekeeping dame
(No mother of me, the foundling)
kindling the fire betimes
Ere the haymaking folk went forth
to the meadows down by the limes;
All things I saw at a glance;
the quickening fire-tongues leapt
Through the crackling heap of sticks,
and the sweet smoke up from it crept,
And close to the very hearth
the low sun flooded the floor,
And the cat and her kittens played
in the sun by the open door.
The garden was fair in the morning,
and there in the road he stood
Beyond the crimson daisies
and the bush of southernwood.
Then side by side together
through the grey-walled place we went,
And O the fear departed,
and the rest and sweet content!
Son, sorrow and wisdom he taught me,
and sore I grieved and learned
As we twain grew into one;
and the heart within me burned
With the very hopes of his heart.
Ah, son, it is piteous,
But never again in my life
shall I dare to speak to thee thus;
So may these lonely words
about thee creep and cling,
These words of the lonely night
in the days of our wayfaring.
Many a child of woman
to-night is born in the town,
The desert of folly and wrong;
and of what and whence are they grown?
Many and many an one
of wont and use is born;
For a husband is taken to bed
as a hat or a ribbon is worn.
Prudence begets her thousands;
“good is a housekeeper’s life,
So shall I sell my body
that I may be matron and wife.”
“And I shall endure foul wedlock
and bear the children of need.”
Some are there born of hate,
many the children of greed.
“I, I too can be wedded,
though thou my love hast got.”
“I am fair and hard of heart,
and riches shall be my lot.”
And all these are the good and the happy,
on whom the world dawns fair.
O son, when wilt thou learn
of those that are born of despair,
As the fabled mud of the Nile
that quickens under the sun
With a growth of creeping things,
half dead when just begun?
E’en such is the care of Nature
that man should never die,
Though she breed of the fools of the earth,
and the dregs of the city sty.
But thou, O son, O son,
of very love wert born,
When our hope fulfilled bred hope,
and fear was a folly outworn.
On the eve of the toil and the battle
all sorrow and grief we weighed,
We hoped and we were not ashamed,
we knew and we were not afraid.
Now waneth the night and the moon;
ah, son, it is piteous
That never again in my life
shall I dare to speak to thee thus.
But sure from the wise and the simple
shall the mighty come to birth;
And fair were my fate, beloved,
if I be yet on the earth
When the world is awaken at last,
and from mouth to mouth they tell
Of thy love and thy deeds and thy valour,
and thy hope that nought can quell.
poem by William Morris
Submitted by Poetry Lover
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Félise
WHAT shall be said between us here
Among the downs, between the trees,
In fields that knew our feet last year,
In sight of quiet sands and seas,
This year, Félise?
Who knows what word were best to say?
For last year’s leaves lie dead and red
On this sweet day, in this green May,
And barren corn makes bitter bread.
What shall be said?
Here as last year the fields begin,
A fire of flowers and glowing grass;
The old fields we laughed and lingered in,
Seeing each our souls in last year’s glass,
Félise, alas!
Shall we not laugh, shall we not weep,
Not we, though this be as it is?
For love awake or love asleep
Ends in a laugh, a dream, a kiss,
A song like this.
I that have slept awake, and you
Sleep, who last year were well awake.
Though love do all that love can do,
My heart will never ache or break
For your heart’s sake.
The great sea, faultless as a flower,
Throbs, trembling under beam and breeze,
And laughs with love of the amorous hour.
I found you fairer once, Félise,
Than flowers or seas.
We played at bondsman and at queen;
But as the days change men change too;
I find the grey sea’s notes of green,
The green sea’s fervent flakes of blue,
More fair than you.
Your beauty is not over fair
Now in mine eyes, who am grown up wise.
The smell of flowers in all your hair
Allures not now; no sigh replies
If your heart sighs.
But you sigh seldom, you sleep sound,
You find love’s new name good enough.
Less sweet I find it than I found
The sweetest name that ever love
Grew weary of.
My snake with bright bland eyes, my snake
Grown tame and glad to be caressed,
With lips athirst for mine to slake
Their tender fever! who had guessed
You loved me best?
I had died for this last year, to know
You loved me. Who shall turn on fate?
I care not if love come or go
Now, though your love seek mine for mate.
It is too late.
The dust of many strange desires
Lies deep between us; in our eyes
Dead smoke of perishable fires
Flickers, a fume in air and skies,
A steam of sighs.
You loved me and you loved me not;
A little, much, and overmuch.
Will you forget as I forget?
Let all dead things lie dead; none such
Are soft to touch.
I love you and I do not love,
Too much, a little, not at all:
Too much, and never yet enough.
Birds quick to fledge and fly at call
Are quick to fall.
And these love longer now than men,
And larger loves than ours are these.
No diver brings up love again
Dropped once, my beautiful Félise,
In such cold seas.
Gone deeper than all plummets sound,
Where in the dim green dayless day
The life of such dead things lies bound
As the sea feeds on, wreck and stray
And castaway.
Can I forget? yea, that can I,
And that can all men; so will you,
Alive, or later, when you die.
Ah, but the love you plead was true?
Was mine not too?
I loved you for that name of yours
Long ere we met, and long enough.
Now that one thing of all endures—
The sweetest name that ever love
Waxed weary of.
Like colours in the sea, like flowers,
Like a cat’s splendid circled eyes
That wax and wane with love for hours,
Green as green flame, blue-grey like skies,
And soft like sighs—
And all these only like your name,
And your name full of all of these.
I say it, and it sounds the same—
Save that I say it now at ease,
Your name, Félise.
I said “she must be swift and white,
And subtly warm, and half perverse,
And sweet like sharp soft fruit to bite,
And like a snake’s love lithe and fierce.”
Men have guessed worse.
What was the song I made of you
Here where the grass forgets our feet
As afternoon forgets the dew?
Ah that such sweet things should be fleet,
Such fleet things sweet!
As afternoon forgets the dew,
As time in time forgets all men,
As our old place forgets us two,
Who might have turned to one thing then,
But not again.
O lips that mine have grown into
Like April’s kissing May,
O fervent eyelids letting through
Those eyes the greenest of things blue,
The bluest of things grey,
If you were I and I were you,
How could I love you, say?
How could the roseleaf love the rue,
The day love nightfall and her dew,
Though night may love the day?
You loved it may be more than I;
We know not; love is hard to seize,
And all things are not good to try;
And lifelong loves the worst of these
For us, Félise.
Ah, take the season and have done,
Love well the hour and let it go:
Two souls may sleep and wake up one,
Or dream they wake and find it so,
And then—you know.
Kiss me once hard as though a flame
Lay on my lips and made them fire;
The same lips now, and not the same;
What breath shall fill and re-inspire
A dead desire?
The old song sounds hollower in mine ear
Than thin keen sounds of dead men’s speech—
A noise one hears and would not hear;
Too strong to die, too weak to reach
From wave to beach.
We stand on either side the sea,
Stretch hands, blow kisses, laugh and lean
I toward you, you toward me;
But what hears either save the keen
Grey sea between?
A year divides us, love from love,
Though you love now, though I loved then.
The gulf is strait, but deep enough;
Who shall recross, who among men
Shall cross again?
Love was a jest last year, you said,
And what lives surely, surely dies.
Even so; but now that love is dead,
Shall love rekindle from wet eyes,
From subtle sighs?
For many loves are good to see;
Mutable loves, and loves perverse;
But there is nothing, nor shall be,
So sweet, so wicked, but my verse
Can dream of worse.
For we that sing and you that love
Know that which man may, only we.
The rest live under us; above,
Live the great gods in heaven, and see
What things shall be.
So this thing is and must be so;
For man dies, and love also dies.
Though yet love’s ghost moves to and fro
The sea-green mirrors of your eyes,
And laughs, and lies.
Eyes coloured like a water-flower,
And deeper than the green sea’s glass;
Eyes that remember one sweet hour—
In vain we swore it should not pass;
In vain, alas!
Ah my Félise, if love or sin,
If shame or fear could hold it fast,
Should we not hold it? Love wears thin,
And they laugh well who laugh the last.
Is it not past?
The gods, the gods are stronger; time
Falls down before them, all men’s knees
Bow, all men’s prayers and sorrows climb
Like incense towards them; yea, for these
Are gods, Félise.
Immortal are they, clothed with powers,
Not to be comforted at all;
Lords over all the fruitless hours;
Too great to appease, too high to appal,
Too far to call.
For none shall move the most high gods,
Who are most sad, being cruel; none
Shall break or take away the rods
Wherewith they scourge us, not as one
That smites a son.
By many a name of many a creed
We have called upon them, since the sands
Fell through time’s hour-glass first, a seed
Of life; and out of many lands
Have we stretched hands.
When have they heard us? who hath known
Their faces, climbed unto their feet,
Felt them and found them? Laugh or groan,
Doth heaven remurmur and repeat
Sad sounds or sweet?
Do the stars answer? in the night
Have ye found comfort? or by day
Have ye seen gods? What hope, what light,
Falls from the farthest starriest way
On you that pray?
Are the skies wet because we weep,
Or fair because of any mirth?
Cry out; they are gods; perchance they sleep;
Cry; thou shalt know what prayers are worth,
Thou dust and earth.
O earth, thou art fair; O dust, thou art great;
O laughing lips and lips that mourn,
Pray, till ye feel the exceeding weight
Of God’s intolerable scorn,
Not to be borne.
Behold, there is no grief like this;
The barren blossom of thy prayer,
Thou shalt find out how sweet it is.
O fools and blind, what seek ye there,
High up in the air?
Ye must have gods, the friends of men,
Merciful gods, compassionate,
And these shall answer you again.
Will ye beat always at the gate,
Ye fools of fate?
Ye fools and blind; for this is sure,
That all ye shall not live, but die.
Lo, what thing have ye found endure?
Or what thing have ye found on high
Past the blind sky?
The ghosts of words and dusty dreams,
Old memories, faiths infirm and dead.
Ye fools; for which among you deems
His prayer can alter green to red
Or stones to bread?
Why should ye bear with hopes and fears
Till all these things be drawn in one,
The sound of iron-footed years,
And all the oppression that is done
Under the sun?
Ye might end surely, surely pass
Out of the multitude of things,
Under the dust, beneath the grass,
Deep in dim death, where no thought stings,
No record clings.
No memory more of love or hate,
No trouble, nothing that aspires,
No sleepless labour thwarting fate,
And thwarted; where no travail tires,
Where no faith fires.
All passes, nought that has been is,
Things good and evil have one end.
Can anything be otherwise
Though all men swear all things would mend
With God to friend?
Can ye beat off one wave with prayer,
Can ye move mountains? bid the flower
Take flight and turn to a bird in the air?
Can ye hold fast for shine or shower
One wingless hour?
Ah sweet, and we too, can we bring
One sigh back, bid one smile revive?
Can God restore one ruined thing,
Or he who slays our souls alive
Make dead things thrive?
Two gifts perforce he has given us yet,
Though sad things stay and glad things fly;
Two gifts he has given us, to forget
All glad and sad things that go by,
And then to die.
We know not whether death be good,
But life at least it will not be:
Men will stand saddening as we stood,
Watch the same fields and skies as we
And the same sea.
Let this be said between us here,
One love grows green when one turns grey;
This year knows nothing of last year;
To-morrow has no more to say
To yesterday.
Live and let live, as I will do,
Love and let love, and so will I.
But, sweet, for me no more with you:
Not while I live, not though I die.
Goodnight, goodbye.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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The Chapel Royal St. James’s, On The 10th February, 1840
I.
ONCE more the people meet,
With glad expectant faces: once again
The fair young monarch and her lovely train,
With slow and gentle feet,
Move in a solemn ceremony on;
And jewels glitter in the morning sun!
II.
Not long, oh! Time, not long
It seems, since crown'd as Britain's welcome Queen,
The like fair sight in fair array was seen;
And the hush'd listening throng,
Watching those steps thro' Westminster's proud aisle,
Wept with full hearts, tho' joyous all the while.
III.
And they come forth anew,
In bridal white, that gentle virgin band,
The chosen flowers of Britain's happy land;
For holy love and true
Hath wrought an hour of hope without alloy--
A fairy sight of splendour and of joy.
IV.
There,--with her locks of light,
Gleaming like gold around her noble head,--
The orphan'd ELEANOR, with stately tread,
Went by, a vision bright;
Bidding sweet thoughts of love and triumph start
Into a father's nd a sister's heart.
V.
There,--in her beauty, pass'd
Young FRANCES COWPER; her transparent cheek
Blushing the greetings which she might not spea,
As on the crowd she cast
The shy soft glances of those dark-blue eyes,
In whose untom'd depth such sweetness lies!
VI.
There, with her spotless name,
The gentle HOWARD, good, and fair, and mild,
And bright-eyed BOUVERIE, noble Radnor's child,
And rose-bud VILLIERS came;
And, with her sweet frank smile, young IDA HAY,
Looking all gladness, like a morn in May.
VII.
There, brilliant LENNOX moved;
The Paget beauty shining from her brow,
And the dark, deer-like eyes that glanced below:
While, gentle and beloved,
Amid the glories of that courtly throng,
DELAWARE'S youthful daughter pass'd along.
VIII.
There, (theme for poet's praise!)
With swanlike throat, and clear majestic eye,
VERULAM's stately MARY glided by,
And, with her quiet gaze
Fixed smiling on the scene which she survey'd,
The soldier ANGLESEA'S bright ADELAIDE.
IX.
And she, whose orbs of blue,
Like mountain lakes beheld by moonlight, gleam
With all the shadowy softness of a dream
Such as Endymion knew:
Whose glossy locks with rich luxuriance twine
Around her brow: the Lady WILHELMINE.
X.
Young were they all--and fair,--
But thou, VICTORIA, held'st thy fitting place,
As amongst garden-flowers the lily's grace,
Blooms with a royal air;
And from that lovely various group, apart,
Dids't stand, and gently look the Queen thou art.
XI.
The smile thy young lip wore,
Spoke joy to Him, who, from his distant home,
Hath sped in wintry time o'er ocean's foam--
To seek our island shore,
With his frank heart, and brow so fair and true,
Claiming thy love-and England's welcome too.
XII.
Oh! may that welcome prove
The herald of deep gladness;--since in thee
Old England's brightest hopes renew'd we see,
All-hallow'd be thy love;
And still with proud content the day allied,
When Princely ALBERT claim'd his Royal Bride!
XIII.
May He, whose gifted hand,
Hath twined sweet wreaths of Poetry and Song;
Live happy among English heart so long
That, native to the land,
He shall forget that e'er his harp was strung
To any accents but our mother-tongue:
XIV.
And Thou,--Oh! may the Crown
Which in youth's freshest, earliest moment, graced
The brow, whose childhood's roses it replaced,
Ne'er weigh thy spirit down;
Nor tearful hours, nor careful thoughts, beguile
One ray of gladness from thy gracious smile:
XV.
But brightly to the last,
Fair Fortune shine, with calm and steady ray,
Upon the tenor of thy happy way;
A future like the past:
And every prayer by loyal subjects said,
Bring down a separate blessing on thy head!
poem by Caroline Elizabeth Sarah Norton
Submitted by Poetry Lover
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