Blue and Buff

Come, sportive Muse, with plume satiric,
Describe each lawless, bold empiric,
Who, with the Blue and Buffs' sad crew,
Now stripp'd in buff, shall look so blue.


First paint L---d H---w---k, boisterous, rough,
Dealer in wholesale quack'ry stuff,
Who, far beyond famed Katterfelt,
Prescribed what ne'er was seen or felt;
Left Law and Reason in the lurch,
To mould the Senate, twist the Church:
But wand'ring once from Downing street,
Great Buckingham's old dome to greet,
With grand Catholiconian pill,
Was lost--on Constitution-hill.


Next W---dh---m, metaphysic elf,
Who all things knows--except himself;
Three tedious hours who raves and talks
Of all that in his cranium stalks;
Whose regular ideas fear
Militia much, more Volunteer,
A wild inapplicable genius,
Scarce versed in policy's quæ genus;
In syntax yet more scantly read,
Without one concord in his head.


Now, Muse, direct the shaft of wit,
Where little P---tty apes great Pitt;
This year in woe-begone oration,
To Britons paints a bankrupt nation:
Resources all dilapidate,
Taxation at extremest fate;
Whilst next this little, great, small man,
Heigh! presto! pass! by one bold plan,
Restores you all to peace and plenty;
The deuce is in't! won't this content ye?
With necromantic rod of Moses
(A twig cut from a bush of roses),
To ease at once your ev'ry fear,
Turns bear to bull, and bull to bear.


Nor miss, dear Muse, to gild my tale,
The gallant E---rl of L---d---e,
Who late to Paris post was sent, to
Become the dupe of Benevento;
Hush'd to soft sleep like "Baby Bunting,"
Whilst Fap the Great went out "a-hunting."
Or was it, say, thou bonny chiel,
Thy ardent love for Britain's weal,
That led thy steps, a peep to take
At thy great territorial[1] stake;
The purchase of thine assignats,
Thy Corso-Gallican contrats:
At once th' opprobrium and solution,
Of all thy love for revolution.


The Muse recoils, as something shock'd her,
To charge with harm the harmless D---ct---r;
When, una voce, all allow,
He would do right--if he knew how.


But if, amongst this motely crew
One man of real parts we view:
With mind for highest station fit;
The colleague, friend, yet foe of Pitt;
He, to whose merits all men granted,
That Pitt's last list, one great name wanted;
He, who with every talent shone,
Except consistency alone;
"We smile, if such a man there be,
"But weep, if Grenville should be he."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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La Fontaine

Another Imitation Of Anacreon

PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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On a Wet Day

As I walked thinking through a little grove,
Some girls that gathered flowers came passing me,
Saying -- "Look here! look there!" delightedly.
"O here it is!" "What's that?" "A lily? love!"
"And there are violets!"
"Farther for roses! O the lovely pets!
The darling beauties! O the nasty thorn!
Look here, my hand's all torn!"
"What's that that jumps?" "O don't! It's a grasshopper!"
"Come, run! come, run!
Here's bluebells!" "O what fun!"
"Not that way! Stop her!"
"Yes! this way!" Pluck them then!"
"O, I've found mushrooms! O look here!" "O, I'm
Quite sure that farther on we'll get wild thyme."

"O, we shall stay too long; it's going to rain;
There's lightning; O! there's thunder!"
"O shan't we hear the vesper bell? I wonder."
"Why, it's not nones, you silly little thing!
And don't you hear the nightingales that sing --
Fly away, O die away?"
"O, I hear something; hush!"
"Why, where? what is it then?" "Ah! in that bush."
So every girl here knocks it, shakes and shocks it:
Till with the stir they make
Out scurries a great snake.
"O Lord! O me! Alack! Ah me! Alack!"
They scream, and then all run and scream again,
And then in heavy drops comes down the rain.

Each running at the other in a fright,
Each trying to get before the other, and crying,
And flying, and stumbling, tumbling, wrong or right; --
One sets her knee
There where her foot should be;
One has her hands and dress
All smothered up with mud in a fine mess;
And one gets trampled on by two or three.
What's gathered is let fall
About the wood, and not picked up at all.
The wreaths of flowers are scattered on the ground,
And still as, screaming, hustling, without rest,
They run this way and that and round and round,
She thinks herself in luck who runs the best.

I stood quite still to have a perfect view,
And never noticed till I got wet through.

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Thomas Hardy

The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

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The Spider

"Oh, look at that great ugly spider!" said Ann;
And screaming, she brush'd it away with her fan;
"'Tis a frightful black creature as ever can be,
I wish that it would not come crawling on me. "

"Indeed," said her mother, "I'll venture to say,
The poor thing will try to keep out of your way;
For after the fright, and the fall, and the pain,
It has much more occasion than you to complain.

"But why should you dread the poor insect, my dear?
If it hurt you, there'd be some excuse for your fear;
But its little black legs, as it hurried away,
Did but tickle your arm, as they went, I dare say.

"For them to fear us we must grant to be just,
Who in less than a moment can tread them to dust;
But certainly we have no cause for alarm;
For, were they to try, they could do us no harm.

"Now look! it has got to its home; do you see
What a delicate web it has spun in the tree?
Why here, my dear Ann, is a lesson for you:
Come learn from this spider what patience can do!

"And when at your business you're tempted to play,
Recollect what you see in this insect to-day,
Or else, to your shame, it may seem to be true,
That a poor little spider is wiser than you. "

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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Results Ridiculous

("Humourists have amused themselves by translating famous sonnets into free verse. A result no less ridiculous would have been obtained if somebody had re-written a passage from 'Paradise Lost' as a rondeau." --George Soule in the New Republic)

"PARADISE LOST"

Sing, Heavenly Muse, in lines that flow
More smoothly than the wandering Po,
Of man's descending from the height
Of Heaven itself, the blue, the bright,
To Hell's unutterable throe.

Of sin original and the woe
That fell upon us here below
From man's pomonic primal bite--
Sing, Heavenly Muse!

Of summer sun, of winter snow, Of future days, of long ago,
Of morning and "the shades of night,"
Of woman, "my ever new delight,"
Go to it, Muse, and put us Joe--
Sing, Heavenly Muse!

* * * * *

"THE RIME OF THE ANCIENT MARINER"

THE wedding guest sat on a stone,
He could not chose but hear
The mariner. They were there alone.
The wedding guest sat on a stone.
"I'll read you something of my own,"
Declared that mariner.
The wedding guest sat on a stone--
He could not chose but hear.

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Sonnet LIX: As Love and I

As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.

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Bjørnstjerne Bjørnson

Marit's Song

"Dance!" called the fiddle,
Its strings loudly giggled,
The bailiff's man wriggled
Ahead for a spree.
"Hold!" shouted Ola
And tripped him to tumbling,
The bailiff's man humbling,
To maidens' great glee.

"Hop!" said then Erik,
His foot struck the ceiling,
The beams rang their pealing,
The walls gave a shriek.
"Stop!" said now Elling,
And seizing him collared,
He held him and hollered:
"You still are too weak!"

"Hei!" said then Rasmus,
Fair Randi embracing:
"Be quick now in placing
The kiss that you know!"

"Nay!" answered Randi.
A slapping she gave him,
And from her she drave him:
"Here take what I owe!"

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My Friend, The Parking Lot Attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"

"I left her at home...."

"Bullshit! I'll bet she dumped
you!"

and the next time
he really leaned into the car:

"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"

"how'd you guess?" I
answered.

that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.

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Hilaire Belloc

Hildebrand

Who was frightened by a Passing Motor, and was brought to Reason

"Oh murder! What was that, Papa!"
"My child, It was a Motor-Car,
A most Ingenious Toy!
Designed to Captivate and Charm
Much rather than to rouse Alarm
In any English Boy.

"What would your Great Grandfather who
Was Aide-de-Camp to General Brue,
And lost a leg at Waterloo,
And Quatre-Bras and Ligny too!
And died at Trafalgar!-
What would he have remarked to hear
His Young Descendant shriek with fear,
Because he happened to be near
A Harmless Motor-Car!
But do not fret about it! Come!
We'll off to Town
And purchase some!"

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Lead "me" to "me

What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….

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