Present Imperative
Horace: Book I, Ode 11
"Tu ne quaesieris--scire nefas
--quem mihi; quem tibi--"
AD LEUCONOEN
Nay querry not, Leuconoë, the finish of the fable;
Eliminate the worry as to what the years may hoard!
You only waste your time upon the Babylonian Table--
(Slang for the ouija board).
And as to whether Jupiter, the final, unsurpassed one,
May add a lot of winters to our portion here below,
Or this impinging season is to be our very last one--
Really, I'd hate to know.
Apply yourself to wisdom! Sweep the floor and wash the dishes,
Nor dream about the things you'll do in 1928!
My counsel is to cease to sit and yearn about your wishes,
Cursing the throws of fate.
My! how I have been chattering on matters sad and pleasant!
(Endure with me a moment while I polish off a rhyme).
If I were you, I think, I'd bother only with the present--
Now is the only time.
poem by Franklin P. Adams

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On the Flight of Time
Horace: Book I, Ode 2
"Tu ne quæsieris, scire nefas, quem, mihi, quem tibi"
AD LEUCONOEN
Look not, Leuconoë, into the future;
Seek not to find what the answer may be;
Let no Chaldean clairvoyant compute your
Time of existence. . . . It irritates me!
Better to bear whatever may happen soever
Patiently, playing it through like a sport,
Whether the end of your breathing is Never,
Or, as is likely, your time will be short.
This is the angle, the true situation;
Get me, I pray, for I'm putting you hep:
While I've been fooling with versification
Time has been flying. . . . Both gates!
Watch your step!
poem by Franklin P. Adams

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Carpe Diem,' Or Cop The Day
AD LEUCONOEN
Horace: Book I, Ode 13.
_'Tu ne quoesieris, scire nefas-'_
It is not right for you to know, so do not ask,
Leuconoe,
How long a life the gods may give or ever we
are gone away;
Try not to read the Final Page, the ending
colophonian,
Trust not the gypsy's tea-leaves, nor the
prophets Babylonian.
Better to have what is to come enshrouded
in obscurity
Than to be certain of the sort and length of
our futurity.
Why, even as I monologue on wisdom and
longevity
How Time has flown! Spear some of it!
The longest life is brevity.
poem by Franklin P. Adams

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BkI:XI Carpe Diem
Leuconoë, don’t ask, we never know, what fate the gods grant us,
whether your fate or mine, don’t waste your time on Babylonian,
futile, calculations. How much better to suffer what happens,
whether Jupiter gives us more winters or this is the last one,
one debilitating the Tyrrhenian Sea on opposing cliffs.
Be wise, and mix the wine, since time is short: limit that far-reaching hope.
The envious moment is flying now, now, while we’re speaking:
Seize the day, place in the hours that come as little faith as you can.
Ouija Board, Ouija Board
Ouija board
Would you work for me ?
I have got to say hello
To an old friend
Ouija board, ouija board, ouija board
Would you work for me ?
I have got to get through
To a good friend
Well, she has now gone
From this unhappy planet
With all the carnivores
And the destructors of it
Ouija board, ouija board, ouija board
Would you help me ?
Because I still do feel
So horribly lonely
Would you, ouija board
Would you, ouija board
Would you help me ?
And I just cant find
My place in this world
She has now gone
From this unhappy planet
With all the carnivores
And the destructors of it
Oh hear my voice (hear my voice)
Oh hear my voice (hear my voice)
Hear my voice (hear my voice)
Hear my voice (hear my voice)
The table is rumbling ...
The table is rumbling
The glass is moving
No, I was not pushing that time
It spells : s.t.e.v.e.n
The table is rumbling
The glass is moving
No, I was not pushing that time :
P.u.s.h.o. double f.
Well, she has now gone
From this unhappy planet
With all the carnivores
And the destructors of it
song performed by by Morrissey

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The Doughboy's Horace
Horace: Book III, Ode 9
"Donec eram gratus tibi--"
HORACE, PVT. --TH INFANTRY, A.E.F., WRITES:
While I was fussing you at home
You put the notion in my dome
That I was the Molasses Kid.
I batted strong. I'll say I did.
LYDIA, ANYBURG U.S.A., WRITES:
While you were fussing me alone
To other boys my heart was stone.
When I was all that you could see
No girl had anything on me.
HORACE:
Well, say, I'm having some romance
With one Babette, of Northern France.
If that girl gave me the command
I'd dance a jig in No-Man's Land.
LYDIA:
I, too, have got a young affair
With Charley--say, that boy is there!
I'd just as soon go out and die
If I thought it'd please that guy
HORACE:
Suppose I can this foreign wren
And start things up with you again?
Suppose I promise to be good?
I'd love you Lyd. I'll say I would.
LYDIA:
Though Charley's good and handsome--oh, boy!
And you're a stormy fickle doughboy,
So give the Hun his final whack,
And I'll marry you when you come back.
poem by Franklin P. Adams

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My Friend, The Parking Lot Attendant
—he's a dandy
—small moustache
—usually sucking on a cigar
he tends to lean into cars as he
transacts business
first time I met him, he said,
"hey! ya gonna make a
killin'?"
"maybe," I answered.
next meeting it was:
"hey, Ramrod! what's
happening?"
"very little," I told
him.
next time I had my girlfriend with me
and he just
grinned.
next time I was
alone.
"hey," he asked, "where's the young
chick?"
"I left her at home...."
"Bullshit! I'll bet she dumped
you!"
and the next time
he really leaned into the car:
"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"
"how'd you guess?" I
answered.
that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.
poem by Charles Bukowski

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I Met a Seer
I met a seer.
He held in his hands
The book of wisdom.
"Sir," I addressed him,
"Let me read."
"Child -- " he began.
"Sir," I said,
"Think not that I am a child,
For already I know much
Of that which you hold.
Aye, much."
He smiled.
Then he opened the book
And held it before me. --
Strange that I should have grown so suddenly blind.
poem by Stephen Crane

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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson

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Locksmith Of Hearts
(7/20/12)
I am a locksmith and I have a skeleton key
So turn and look and you may see me.
There are so many hearts that need repair
And with me the pains they share.
Every time a tear dropp falls from the pains
That they are in- I'll be there and I'll come in.
I will slowly wipe away the tears, and sweep
Away the pains, and when I'm finished
No more heartaches will remain
I have to work from rising to setting sun
It seems that my work is never really done.
I finish one and go to another
And it matters not, if they're young or old
When it comes it all unfolds.
So when you find yourself in that boat
" don't worry" -I'll teach you to cope.
poem by Louis Rams

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It Was a Famous Victory
It was a summer evening;
Old Kaspar was at home,
Sitting before his cottage door--
Like in the Southey pome--
And near him, with a magazine,
Idled his grandchild, Geraldine.
"Wy don't you ask me," Kaspar said
To the child upon the floor,
"Why don't you ask me what I did
When I was in the war?
They told me that each little kid
Would surely ask me what I did.
"I've had my story ready
For thirty years or more."
"Don't bother, Grandpa," said the child;
"I find such things a bore.
Pray leave me to my magazine,"
Asserted little Geraldine.
Then entered little Peterkin,
To whom the gaffer said:
"You'd like to hear about the war?
How I was left for dead?"
"No. And, besides," declared the youth,
"How do I know you speak the truth?"
Arose the Wan, embittered man,
The hero of this pome,
And walked, with not unsprightly step,
Down to the Soldiers' Home,
Where he, with seven other men,
Sat swapping lies till half-past ten.
poem by Franklin P. Adams

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A Poetry Reading At West Point
I read to the entire plebe class,
in two batches. Twice the hall filled
with bodies dressed alike, each toting
a copy of my book. What would my
shrink say, if I had one, about
such a dream, if it were a dream?
Question and answer time.
"Sir," a cadet yelled from the balcony,
and gave his name and rank, and then,
closing his parentheses, yelled
"Sir" again. "Why do your poems give
me a headache when I try
to understand them?" he asked. "Do
you want that?" I have a gift for
gentle jokes to defuse tension,
but this was not the time to use it.
"I try to write as well as I can
what it feels like to be human,"
I started, picking my way care-
fully, for he and I were, after
all, pained by the same dumb longings.
"I try to say what I don't know
how to say, but of course I can't
get much of it down at all."
By now I was sweating bullets.
"I don't want my poems to be hard,
unless the truth is, if there is
a truth." Silence hung in the hall
like a heavy fabric. My own
head ached. "Sir," he yelled. "Thank you. Sir."
Anonymous submission.
poem by William Matthews

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To a Vers Librist
"Oh bard," I said, "your verse is free;
The shackles that encumber me,
The fetters that are my obsession,
Are never gyves to your expression.
"The fear of falsities in rhyme,
In metre, quantity, or time,
Is never yours; you sing along
Your unpremeditated song."
"Correct," the young vers librist said.
"Whatever pops into my head
I write, and have but one small fetter:
I start each line with a capital letter.
"But rhyme and metre--Ishkebibble!--
Are actually negligible.
I go ahead, like all my school,
Without a single silly rule."
Of rhyme I am so reverential
He made me feel quite inconsequential.
I shed some strongly saline tears
For bards I loved in younger years.
"If Keats had fallen for your fluff,"
I said, "he might have done good stuff.
If Burns had thrown his rhymes away,
His songs might still be sung to-day."
O bards of rhyme and metre free,
My gratitude goes out to ye
For all your deathless lines--ahem!
Let's see, now . . . What is one of them?
poem by Franklin P. Adams

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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton

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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan

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The Gardener XXVI: What Comes From Your Willing Hands
"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
poem by Rabindranath Tagore

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The Living Dead
Since I have come to years sedate
I see with more and more acumen
The bitter irony of Fate,
The vanity of all things human.
Why, just to-day some fellow said,
As I surveyed Fame's outer portal:
"By gad! I thought that you were dead."
Poor me, who dreamed to be immortal!
But that's the way with many men
Whose name one fancied time-defying;
We thought that they were dust and then
We found them living by their dying.
Like dogs we penmen have our day,
To brief best-sellerdom elected;
And then, "thumbs down," we slink away
And die forgotten and neglected.
Ah well, my lyric fling I've had;
A thousand bits of verse I've minted;
And some, alas! were very bad,
And some, alack! were best unprinted.
But if I've made my muse a bawd
(Since I am earthy as a ditch is),
I'll answer humbly to my God:
Most men at times have toyed with bitches.
Yes, I have played with Lady Rhyme,
And had a long and lovely innings;
And when the Umpire calls my time
I'll blandly quit and take my winnings.
I'll hie me to some Sleepydale,
And feed the ducks and pat the poodles,
And prime my paunch with cakes and ale,
And blether with the village noodles.
And then some day you'll idly scan
The Times obituary column,
And say: "Dear me, the poor old man!"
And for a moment you'll look solemn.
"So all this time he's been alive -
In realms of rhyme a second-rater . . .
But gad! to live to ninety-five:
Let's toast his ghost - a sherry, waiter!"
poem by Robert William Service

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The Ruined Maid
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.
-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.
-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.
-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.
-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.
-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,
Cannot quite expect that. You ain't ruined," said she.
poem by Thomas Hardy

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At Lulworth Cove a Century Back
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."
poem by Thomas Hardy

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Out of Sight
They held a polo meeting at a little country town,
And all the local sportsmen came to win themselves renown.
There came two strangers with a horse, and I am much afraid
They both belonged to what is called "the take-you-down brigade".
They said their horse could jump like fun, and asked an amateur
To ride him in the steeplechase, and told him they were sure
The last time round he'd sail away with such a swallow's flight
The rest would never see him go -- he's finish out of sight.
So out he went; and, when folk saw the amateur was up,
Some local genius called the race "the Dude-in-Danger Cup".
The horse was known as "Who's Afraid", by "Panic" from "The Fright" --
But still his owners told the jock he's finish out of sight.
And so he did; for Who's Afraid, without the least pretence,
Disposed of him by rushing through the very second fence;
And when they ran the last time round the prophecy was right --
For he was in the ambulance, and safely "out of sight".
poem by Andrew Barton Paterson

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His Monument
Horace: Book III, Ode 30
"Exegi monumentum aere perennius---"
The monument that I have built is durable as brass,
And loftier than the Pyramids which mock the years that pass.
No blizzard can destroy it, nor furious rain corrode--
Remember, I'm the bard who built the first Horatian Ode.
I shall not altogether die; a part of me's immortal.
A part of me shall never pass the mortuary portal;
And when I die my fame shall stand the nitric test of time--
The fame of me of lowly birth, who built the lofty rhyme!
Ay, fame shall be my portion when no trace there is of me,
For I first madeÆolian songs the songs of Italy.
Accept I pray, Melpomene, my modest meed of praise,
And crowm my thinning, graying locks with wreathes of Delphic bays!
poem by Franklin P. Adams

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