From: Horace To: Phyllis Subject: Invitation

Horace: Book IV, Ode 11

"Est mihi nonum superantis annum--"


Phyllis, I've a jar of wine,
(Alban, B.C. 49)
Parsley wreathes, and, for your tresses,
Ivy that your beauty blesses.

Shines my house with silverware;
Frondage decks the altar stair--
Sacred vervain, a device
For a lambkin's sacrifice.

Up and down the household stairs
What a festival prepares!
Everybody's superintending--
See the sooty smoke ascending!

What, you ask me, is the date
Of the day we celebrate?
13th April, month of Venus--
Birthday of my boss, Mycænas.

Let me, Phyllis, say a word
Touching Telephus, a bird
Ranking far too high above you;
(And the loafer doesn't love you).

Lessons, Phyllie, may be learned
From Phaëton--how he was burned!
And recall Bellerophon was
One equestrian who thrown was.

Phyllis, of my loves the last,
My philandering days are past.
Sing you, in your clear contralto,
Songs I write for the rialto.

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The Knotting Song

"Hears not my Phyllis how the birds
Their feathered mates salute?
They tell their passion in their words:
Must I alone be mute?"
Phyllis, without frown or smile,
Sat and knotted all the while.

"The god of love in thy bright eyes
Does like a tyrant reign;
But in thy heart a child he lies,
Without his dart of flame."
Phyllis, without frown or smile,
Sat and knotted all the while.

"So many months in silence past,
And yet in raging love,
Might well deserve one word at last
My passion should approve."
Phyllis, without frown or smile,
Sat and knotted all the while.

"Must then your faithful swain expire,
And not one look obtain,
Which he, to soothe his fond desire,
Might pleasingly explain?"
Phyllis, without frown or smile,
Sat and knotted all the while.

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Horace to phyllis

Come, Phyllis, I've a cask of wine
That fairly reeks with precious juices,
And in your tresses you shall twine
The loveliest flowers this vale produces.

My cottage wears a gracious smile,--
The altar, decked in floral glory,
Yearns for the lamb which bleats the while
As though it pined for honors gory.

Hither our neighbors nimbly fare,--
The boys agog, the maidens snickering;
And savory smells possess the air
As skyward kitchen flames are flickering.

You ask what means this grand display,
This festive throng, and goodly diet?
Well, since you're bound to have your way,
I don't mind telling, on the quiet.

'Tis April 13, as you know,--
A day and month devote to Venus,
Whereon was born, some years ago,
My very worthy friend Maecenas.

Nay, pay no heed to Telephus,--
Your friends agree he doesn't love you;
The way he flirts convinces us
He really is not worthy of you!

Aurora's son, unhappy lad!
You know the fate that overtook him?
And Pegasus a rider had--
I say he had before he shook him!

Haec docet (as you must agree):
'T is meet that Phyllis should discover
A wisdom in preferring me
And mittening every other lover.

So come, O Phyllis, last and best
Of loves with which this heart's been smitten,--
Come, sing my jealous fears to rest,
And let your songs be those I've written.

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Phyllis

PHYLLIS, ah, Phyllis, my life is a gray day,
Few are my years, but my griefs are not few,
Ever to youth should each day be a May-day,
Warm wind and rose-breath and diamonded dew—
Phyllis, ah, Phyllis, my life is a gray day.
Oh for the sunlight that shines on a May-day!
Only the cloud hangeth over my life.
Love that should bring me youth's happiest heyday
Brings me but seasons of sorrow and strife:
Phyllis, ah, Phyllis, my life is a gray day.

Sunshine or shadow, or gold day or gray day,
Life must be lived as our destinies rule;
Leisure or labor or work day or play day—
Feasts for the famous and fun for the fool;
Phyllis, ah, Phyllis, my life is a gray day.

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Response

When Phyllis sighs and from her eyes
The light dies out; my soul replies
With misery of deep-drawn breath,
E'en as it were at war with death.

When Phyllis smiles, her glance beguiles
My heart through love-lit woodland aisles,
And through the silence high and clear,
A wooing warbler's song I hear.

But if she frown, despair comes down,
I put me on my sack-cloth gown;
So frown not, Phyllis, lest I die,
But look on me with smile or sigh.

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Phyllis's Age

How old may Phyllis be, you ask,
Whose beauty thus all hearts engages?
To answer is no easy task;
For she has really two ages.

Stiff in brocard, and pinch'd in stays,
Her patches, paint, and jewels on;
All day let envy view her face;
And Phyllis is but twenty-one.

Paint, patches, jewels laid aside,
At night astronomers agree,
The evening has the day belied;
And Phyllis is some forty-three.

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Katherine Mansfield

A Joyful Song Of Five

Come, let us all sing very high
And all sing very loud
And keep on singing in the street
Until there's quite a crowd;

And keep on singing in the house
And up and down the stairs;
Then underneath the furniture
Let's all play Polar bears;

And crawl about with doormats on,
And growl and howl and squeak,
Then in the garden let us fly
And play at hid and seek;

And "Here we gather Nuts and May,"
"I wrote a Letter" too,
"Here we go round the Mulberry Bush,"
"The Child who lost its shoe";

And every game we ever played.
And then--to stay alive--
Let's end with lots of Birthday Cake
Because to-day you're five.

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A Bridal Measure

Come, essay a sprightly measure,
Tuned to some light song of pleasure.
Maidens, let your brows be crowned
As we foot this merry round.

From the ground a voice is singing,
From the sod a soul is springing.
Who shall say 't is but a clod
Quick'ning upward toward its God?

Who shall say it? Who may know it,
That the clod is not a poet
Waiting but a gleam to waken
In a spirit music-shaken?

Phyllis, Phyllis, why be waiting?
In the woods the birds are mating.
From the tree beside the wall,
Hear the am'rous robin call.

Listen to yon thrush's trilling;
Phyllis, Phyllis, are you willing,
When love speaks from cave and tree,
Only we should silent be?

When the year, itself renewing,
All the world with flowers is strewing,
Then through Youth's Arcadian land,
Love and song go hand in hand.

Come, unfold your vocal treasure,
Sing with me a nuptial measure,--
Let this springtime gambol be
Bridal dance for you and me.

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To Phyllis

Phyllis! why should we delay
Pleasures shorter than the day?
Can we (which we never can)
Stretch our lives beyond their span,
Beauty like a shadow flies,
And our youth before us dies.
Or, would youth and beauty stay,
Love has wings, and will away.
Love has swifter wings than Time;
Change in love to heaven doth climb.
Gods, that never change their state,
Vary oft their love and hate.
Phyllis! to this truth we owe
All the love betwixt us two.
Let not you and I inquire
What has been our past desire;
On what shepherds you have smiled,
Or what nymphs I have beguiled;
Leave it to the planets too,
What we shall hereafter do;
For the joys we now may prove,
Take advice of present love.

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Emily Dickinson

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?

"I am Jesus—Late of Judea—
Now—of Paradise"—

Wagons—have you—to convey me?
This is far from Thence—

"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—

I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—

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Black And Blue (feat. Phyllis Hyman And Tom Scott)

(Duet with Phyllis Hyman)
LYRICS BY ADRIENNE ANDERSON
MUSIC BY BARRY MANILOW AND TOM KELLY
--------------------------------------------------------------------------------
BARRY:
There are no stars tonight, There are no words to say
I feel my soul losing you
PHYLLIS:
Where did the good times go, Baby what can we do
Color our love
BOTH:
Black and blue, Black and blue
PHYLLIS:
When our hearts were young, Clinging to each other
Moonlight used to glow
BOTH:
When our hearts were young, Then there was no other
BARRY:
Whyd we let it go
Down on the avenue, You can forget your name
BOTH:
Paint pretty pictures, False and true
BARRY:
Picture what weve become
PHYLLIS:
Running is all we do
Color our love
BOTH:
Black and blue, Black and blue
Looks like a storm tonight
A storm is overdue
Color our love
Black and blue, Black and blue, Oh

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Glycera Rediviva

Horace: Book I, Ode 19

"Mater sæva Cupidinum"


Venus, the cruel mother of
The Cupids (symbolising Love),
Bids me to muse upon and sigh
For things to which I've said "Good-bye!"

Believe me or believe me not,
I give this Glycera girl a lot:
Pure Parian marble are her arms--
And she has eighty other charms.

Venus has left her Cyprus home
And will not let me pull a pome
About the Parthians, fierce and rough,
The Scythian war, and all that stuff.

Set up, O slaves, a verdant shrine!
Uncork a quart of last year's wine!
Place incense here, and here verbenas,
And watch me while I jolly Venus!

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Astrophel's Song Of Phyllida And Corydon

Fair in a morn (O fairest morn!),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature!)
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift!)
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.

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Phyllis, farewell

Phyllis, farewell, I may no longer live;
Yet if I die, fair Phyllis, I forgive.
I live too long; come, gentle death and end
My endless torment, or my grief amend.

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Parafake: The 'Word'.....[English language; 'new' word]

My wife used the "word" parafake, one evening in our bed.
Now don't get any nasty idea she was speaking of ME, in your nasty head.
In fact I don't believe either of us recall, of WHAT she was speaking,
and "parafake" isn't even a word in my dictionary. I know; I went peeking.

There is paraffin and paraformaldehyde, and parakeet of course,
but I could not find parafake; nor was there parahorse.
So I looked up "para", which turns out to be some sort of money.
Then I looked up the prefix "para- (or par-) ", with no definitions that were funny.
The prefix definitions range from "beside" and "beyond", to "incorrect",
to "a diatomic molecule" which, without super-eyes, I could NOT detect.
Well there was one definition of para-, the prefix, which I thought would fit.
"Para" can mean "assistant" (such as in paralegal) . On that definition I bit.

So then I looked up "fake" in my dictionary to try to pin down "parafake".
Guess what. There are widely varying definitions of "fake", for goodness sake!
Well I've chosen the definition of fake which is "one that is not genuine".
Therefore I say a "parafake" is an "assistant to one that is not genuine". If you don't agree, that is fine.
So a paralegal would be a parafake if her boss had no law degree, and
a vintner's assistant would be a parafake if his boss neither made NOR sold wine. You SEE?

(Nov.2012)

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All Different, But Still The Same

Some people have short hair, some have long.
Some people have thick hair; some people’s hair is all gone.

Some people have black hair, some have gray.
Some people have brown hair, some blonde, some red.
Some people’s hair a color unsaid.

Some people are short, some people are tall.
Some people will love you; some won’t like you at all.

Some people like hot weather, some like cold.
Some people are timid, some people are bold.
Some people have dark skin, some people have light.
Some people have black skin, some people have white.

Some people eat meat; some won’t touch it at all.
Some people have a good memory, some can’t recall.
Some people accept Christ, some never will.
Some people are stingy, some people give.

Some people like school, some people don’t.
Some people will excel, some people won’t.
Some people smoke cigarettes, some never will.
Some people are honest, some people steal.

Some people have book knowledge;
But don’t know the Holy Book.
Some people burn food, some people can cook.

Some people are old, some people are young.
Some people do smart things, some people do dumb.

Some people just have a diploma
Some people have degrees.
Some people do things slow, some with a breeze.
Some people are complainers, some easy to please.

Some people hate shopping, some stay in the mall.
Some people hate God, but God loves us all.

We are all different, but still the same.

When I get cut, I bleed red;
You get cut, red blood you’ll shed.

Some people are plump, some people are thin.
But we are all the same, we’re all human being.

Copyright © 2010-Phyllis Strong

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Phyllis Is My Only Joy

Phyllis is my only joy,
Faithless as the winds or seas;
Sometimes coming, sometimes coy,
Yet she never fails to please;
If with a frown
I am cast down,
Phyllis smiling,
And beguiling,
Makes me happier than before.

Though, alas! too late I find
Nothing can her fancy fix,
Yet the moment she is kind
I forgive her all her tricks;
Which, though I see,
I can't get free;
She deceiving,
I believing;
What need lovers wish for more?

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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A Pastoral Ballad III: Solicitude

Why will you my passion reprove?
Why term it a folly to grieve?
Ere I shew you the charms of my love,
She is fairer than you can believe.
With her mien she enamours the brave;
With her wit she engages the free;
With her modesty pleases the grave;
She is ev'ry way pleasing to me.

O you that have been of her train,
Come and join in my amorous lays;

I could lay down my life for the swain,
That will sing but a song in her praise.
When he sings, may the nymphs of the town
Come trooping, and listen the while;
Nay on him let not Phyllida frown;
-- But I cannot allow her to smile.
For when Paridel tries in the dance
Any favour with Phyllis to find,
O how, with one trivial glance,
Might she ruin the peace of my mind!

In ringlets he dresses his hair,
And his crook is be-studded around;
And his pipe -- oh may Phyllis beware
Of a magic there is in the sound.
'Tis his with mock passion to glow;
'Tis his in smooth tales to unfold,
``How her face is as bright as the snow,
And her bosom, be sure, is as cold?
How the nightingales labour the strain,
With the notes of his charmer to vie;

How they vary their accents in vain,
Repine at her triumphs, and die.''
To the grove or the garden he strays,
And pillages every sweet;
Then, suiting the wreath to his lays
He throws it at Phyllis's feet.
``O Phyllis, he whispers, more fair,
More sweet than the jessamine's flow'r!
What are pinks, in a morn, to compare?
What is eglantine, after a show'r?

Then the lily no longer is white;
Then the rose is depriv'd of its bloom;
Then the violets die with despight,
And the wood-bines give up their perfume.''
Thus glide the soft numbers along,
And he fancies no shepherd his peer;
-- Yet I never should envy the song,
Were not Phyllis to lend it an ear.
Let his crook be with hyacinths bound,
So Phyllis the trophy despise:

Let his forehead with laurels be crown'd,
So they shine not in Phyllis's eyes.
The language that flows from the heart
Is a stranger to Paridel's tongue;
-- Yet may she beware of his art,
Or sure I must envy the song.

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Unlike Mother, Unlike Daughter

Her heart breaks for something she'll never have
A daughter of perfect honesty and obedience
With fair hair and bright eyes
Everything her son is

Instead the mother bore something strange
A loser, a liar, a Mrs. Lovett wannabe
Swearing not to change
Everything she doesn't want, doesn't need

But her daughter doesn't want to love anybody
She doesn't want love in return
She's sick of man's petty "acceptance"
She doesn't need "lessons" to learn

The Mother explains, "She understands, "
Clichés, "Daughter, tell me anything."

But her daughter knows,
She'd be afraid of what's in her head
Mother won't understand
The demons that chase her and charm her
For a while…

And scariest of all
The daughter realizes
The man she loves
She loves alone

It's sad to think about the monster
The Daughter holds so intrinsically close…

Her heart breaks for something she'll never have
A vengeful god of perfectly destructive melancholy
With dark hair and dark eyes
They try to tell her otherwise
But only the Daughter knows what her heart cannot compromise

Mother tries to convince her
Tries to stop a "fictional infatuation"
Still the daughter, unfazed, replies,
"You know you are my only condemnation."

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The most popular labor-saving device is still money.

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